#watching Lost rn

[tinylilvalery]

God I adore opposite character development.

I adore a good person gradually becoming corrupted, not becoming evil necessarily, but their choices stepping further and further away from anything good, their sense of morality bending until it's so distorted that they don't know who they are anymore, grasping tightly to that one thing that justifies it all to themselves and gives their continued existence purpose, until maybe they lose even that and are just left a shell, aimless.

I adore a bad person being tempted out of the darkness that they'd grown accustomed to and comfortable with. Some situation arises, forcing them to confront the fact that they are in fact a complex multi-faceted human and not an inhuman evil force, that despite everything they've done, they still have capacity to feel, to love, they have the ability to choose to do the right thing, and here they find themselves doing just that, whether motivated by circumstance, self serving, or for someone that they care about. And the more they find themselves doing good things, the more they question the foundations of their existence, of everything they've done, and is it too late for them to be good?

And I mean, what is more devastating: being a good person, but that pillar of identity fading to exist the more bad things that are done? Or being convinced that there is no point to goodness and even relishing living in that way, only to realise that despite it all, capacity for goodness existed this whole time, but it that every bad thing you did will always exist no matter how much good you do afterwards.

[bluerosefox]

Same As The Day I Lost You

I...

This came to me as I'm making dinner so I'll be quick.

What if we mix deaged Danny and twin/older sibling (either one works) Damian, AND he gets tossed to his sibling in a last minute escape.

Like what if he was fighting Vlad who was doing his whole "denounce your father and join me as my son Daniel!" Thing while in the Zone and knocks Danny into something that's floating in the Zone with the ability to deage or was hit by a new Fenton or Plasmius invention while fighting in town that accidentally deages him.

Danny, who in this was adopted, gets put back to the age of six. The same age he had been found by Jazz in a 'haunted' forest Jack and Maddie were visiting/investigating while also using that time as a family vacation. (They were shocked to see a little boy with a stab wound bleeding out and rushed him to the nearby town, almost completely forgetting about the glowing green tiny puddle they found nearby and bagged most of it as evidence when they heard Jazz's scream of terror over finding the hurt little boy)

The sudden revert into that traumatized age, along with the child response to a fight or flight scenario, and add Danny's deepest need/wish to be protected his child fogged mind wishes to go to the one person who always made him feel safe.

His twin/older brother.

Just as quick as it was with Danny being turned into a child, his ghost powers ripped open a portal and sent Danny to the person he wants to be with...

Only he didn't know that right at that moment his seventeen year old twin/older brother is currently fighting the League with his family's help (his mother was trying to convince him to return to the League and be it's heir) in Nanda Parbat (the very place Damian lost the last/only person he knew loved him without any strings attached.)

So imagine everyone's face when a portal opened up, some muttering its a new pit being formed before them or something, and crawling out of it is a very scared and confused six year old Danny.

[bonesandthebees]

I’m grateful to qsmp for a lot of beautiful reasons many others have articulated better than I can but one of the greatest gifts it gave us is that we now regularly get to witness philza minecraft flirting with the homies

[lunarharp]

the ghost

[fulgurbugs]

after making my roommate rewatch jjba with me now in retaliation she’s making me watch one piece with her (SHES DOWN TO REWATCH THE WHOLE THING, CERTIFIED INSANE WOMAN) and let me tell you. i legit cannot watch long series without watching with someone else because it’s just way more fun to watch with someone. i need to constantly commentate on the stupid bullshit happening i guess

[demadogs]

stranger things season one 2016 was so fucking incredible. it exists as an entirely different entity to me than the rest of the show. you literally just had to be there. to this day nothing has ever come close to the amount of universal love for a fictional story that stranger things first received. ive been chasing this high for eight years.

[mwagneto]

i left my phone in my room and picked up an actual physical book and sat down on the balcony and read the whole thing can everyone please be so so proud of me

[bayfuzzball7050]

A drawing for the birthday boy 🔥🔥🔥

[bistaxx]

thinks about q!hgduo's final conversation before purgatory and how even though it ultimately changed nothing in the end it still said so much about how stubborn they both can be,,, and how little they value themselves alone despite how many people love and care for them... or maybe it's how willing they are to throw themselves into the flames for those exact people even if it's not what they'd want from them.

They both left that conversation shaken by what the other said yet with their resolve to stick to a of path of self-destruction strengthened... And those paths ended with Cellbit lost in purgatory for months under control of the watcher and Bad dying before reviving with no memories of his time on the island... and with the people they love most- their family- Cellbit's husband and Bad's children- suffering the worst- can anyone hear me-

[ex0rin]

Jack Quaid talking with his hands on Jimmy Kimmel Live 06.19.24

[caluupin]

been catching up on TGAA/DGS !! :D

[onyourstageleft]

[zuxver]

...

[demadogs]

ok the rate at which shows are being canceled after one season is becoming more and more ridiculous and excruciating to the point where they dont even give people TIME to watch the shows anymore!! i will be recommended a good show by a friend and think “ooo im excited to watch when im not super busy” and then just a month later before i even had the chance to watch it, its already canceled.

and these days whats considered a “successful show” has to surpass hundreds and hundreds of millions, sometimes over a BILLION hours streamed to be worthy of renewing but when shows get somewhere between 50 million and 100 million theyre treated like they were a complete flop even though that is STILL MILLIONS AND MILLIONS OF PEOPLE WHO WERE INVESTED IN THE SHOW AND WOULD WATCH FUTURE SEASONS!!!!!!!!!!!!!!

i was going to watch that show. i was so beyond excited to watch that show. it had one of my favorite actors in it and it was produced by the same creators of my favorite show of all time. but because i have responsibilities from work and school like a normal fucking adult, i couldnt make the time to watch it and now only a week after i was recommended the show, it was already canceled.

i am used to mourning stories that ive become attached to that will never be complete, but this is altogether different. you didn’t even give me a chance to meet these characters or watch this story. a story that an entire cast and crew of probably thousands of people put all their hearts and soul and TIME into and yet you gave it just a fucking month before you decided it was unworthy of pursuing. even though tens of millions of people who were lucky enough to have been available to watch it at the time thought otherwise.

[thinkin-bout-milgram]

Triage: Initial Thoughts

Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage! 

I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico​! 

Alright, let’s do this!

Shidou’s kids died immediately, but his wife had a chance to live.

I’m basically just going to give a quick play by play of what I think happened in the video.

Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.

He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.

Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.

I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references. 

I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death. 

This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.

NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.

Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.

Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.

He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.) 

He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.

In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth. 

Shidou is constantly plagued by the guilt of what happened.

The simplest way to explain this is with this image: 

When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image: 

Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.

Triage takes place almost entirely before and after Throwdown.

That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.

Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.

In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).

He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.

VOTE: INNOCENT

Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.

Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.

I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.

[jubyeanny]

Happy Forever =] =] =]