#watch out robespierre

[enlitment]

Know the difference.

[keepthyfaithandthylight]

These are the times that I wish I was better at drawing, but here is this.

Saint-Just, Le Bas and Robespierre Thermidor sadness once again.

Inspired by the painting “Courage, Anxiety and Despair: Watching the Battle” by James Sant (pictured below)

When I tell you the immense love and admiration I have for this painting, it can not be measured.

[andy-15-07]

The Father's Heart

PAIRING:Pedro Pascal x reader

WORD COUNT: 2076| requests are open (send requests, I will gladly answer them all)

Pedro Pascal Masterlist

The aroma of freshly brewed coffee filled the cozy kitchen. Y/n hummed softly as she flipped pancakes, the sizzle a comforting counterpoint to the gentle chatter of her family. Pedro sat at the kitchen island, scrolling through his phone, a thoughtful frown creasing his brow. Their youngest, Leo, a whirlwind of energy at eight years old, was attempting to build a tower out of cereal boxes, while their middle child, Mateo, fourteen and perpetually attached to his headphones, mumbled something about needing more syrup. Elena, their eldest, sixteen going on seventeen, was the last to arrive, a vision of effortless cool even in her pajamas.

"Morning, sleepyhead," Y/n greeted, placing a stack of pancakes in front of Elena.

"Morning, Mom," Elena mumbled, giving her mother a quick kiss on the cheek. She glanced at Pedro, a flicker of something unreadable in her eyes, before grabbing a fork and digging in.

Pedro watched her, his frown deepening. He’d been doing some thinking, some serious thinking, and he wasn't entirely sure he liked where his thoughts were leading him. He cleared his throat.

"Elena," he began, his voice carefully neutral.

Elena looked up, a question in her eyes.

"Your… friend, Ethan," Pedro continued, choosing his words carefully. "He's coming over later, right?"

Elena nodded, her cheeks flushing slightly. "Yeah, he said he'd be here around two."

"Two," Pedro repeated, the word hanging in the air. He glanced at Y/n, who gave him a subtle ‘don’t you dare’ look. He ignored it. He was a father. It was his job.

"So," Pedro continued, "what exactly are you two planning on doing?"

Elena’s flush deepened. "Just… hanging out," she mumbled, avoiding his gaze.

"Hanging out," Pedro repeated again, the words laced with suspicion. "Doing what, exactly?"

"Dad!" Elena exclaimed, her voice rising in exasperation. "We're just going to watch a movie or something. Maybe work on our history project."

"History project," Pedro echoed, unconvinced. He knew teenagers. He’d been one himself, a lifetime ago. "What's this project about?"

"The French Revolution," Elena replied quickly, a little too quickly, Pedro thought.

"The French Revolution," he repeated, nodding slowly. "Interesting. Tell me, Elena, what was the primary cause of the French Revolution?"

Elena blinked, caught off guard. "Uh… economic inequality?" she stammered.

"And the Reign of Terror?" Pedro pressed.

Elena’s eyes darted around the room. "Robespierre… guillotine… lots of people died?"

Pedro sighed. "Elena, I’m not trying to grill you on your history project. I just… I want to know what you’re doing. I want to know who you’re spending your time with."

"Dad, I know you don't like Ethan," Elena said, her voice low.

"I didn't say that," Pedro countered, though it wasn't entirely true. He didn't dislike Ethan, exactly. He just… he was sixteen. Sixteen and full of… hormones. And Elena was his little girl. Always would be.

"You don't have to say it," Elena retorted. "I can tell. You’re always giving him the ‘look’."

Pedro knew exactly what ‘look’ she was talking about. The ‘I will disembowel you if you even think about breaking my daughter’s heart’ look. It was a work in progress, he’d admit.

"Elena," Y/n interjected gently, "your father just cares about you. He wants to make sure you’re safe and happy."

"I know, Mom," Elena said, her voice softening. "But I'm not a little kid anymore. I can make my own decisions."

"About some things, yes," Pedro said, "But some things… some things your mother and I still get a say in."

"Like what?" Elena challenged.

"Like… like who you spend time with," Pedro said. "Like… making sure you’re not getting into any trouble."

"Dad, I'm not going to get into trouble," Elena said, rolling her eyes.

"I know, honey," Pedro said, reaching across the island to take her hand. "I trust you. I do. But… Ethan… he’s a nice boy, I’m sure. But he’s still… young."

"So am I!" Elena exclaimed.

"That’s my point," Pedro said. "You're both still figuring things out. And I just… I don't want you to get hurt."

"Dad, everyone gets hurt sometimes," Elena said. "That's just part of life."

"I know," Pedro said softly. "But I don’t want you to get hurt unnecessarily. I don’t want you to make any mistakes you’ll regret later."

"I won't," Elena promised, though Pedro could see the flicker of doubt in her eyes.

"Okay," Pedro said, finally relenting. "Okay. Ethan can come over. But," he added, pointing a finger at her, "the French Revolution better be discussed. And," he added, glancing at Mateo, who had finally removed his headphones and was listening intently, "no funny business."

Mateo snorted. "Dad, please."

"I’m serious," Pedro said, his gaze sweeping over all three of his children. "I love you all. More than anything in the world. And I’ll do anything to protect you. Even if it means being the overprotective dad."

Elena smiled, a genuine smile that reached her eyes. "I know, Dad," she said. "We love you too."

The tension in the room dissipated, replaced by a warm, comfortable silence. Y/n smiled at her family, a feeling of contentment washing over her. They weren't perfect, not by a long shot. But they were hers. And she wouldn't trade them for anything.

Later that afternoon, Ethan arrived, a shy, lanky boy with a mop of brown hair and a nervous smile. Pedro greeted him at the door, his ‘look’ firmly in place. Ethan swallowed nervously, but managed a polite "Hello, Mr. Pascal."

"Ethan," Pedro replied, offering a curt nod. "Come in."

He led Ethan into the living room, where Elena was waiting. "Hey," she said, giving Ethan a quick hug.

"Hey," Ethan replied, his cheeks turning a delicate shade of pink.

Pedro watched them, his eyes narrowed slightly. He cleared his throat. "So," he said, "the French Revolution, huh? Big topic."

Ethan blinked. "Uh, yeah. We have a presentation to do."

"A presentation," Pedro repeated. "Interesting. What aspect of the French Revolution are you focusing on?"

Ethan looked at Elena, who gave him an encouraging smile. "We’re looking at the role of women in the revolution," he said.

"The role of women," Pedro repeated. "Fascinating. Did you know that Marie Antoinette…"

And so began a lengthy discussion about the French Revolution, with Pedro occasionally interjecting with historical facts and anecdotes. Ethan, to his credit, held his own, demonstrating a surprising knowledge of the subject. Elena, meanwhile, seemed amused by the whole exchange, occasionally rolling her eyes at her father’s over-the-top protectiveness.

As the afternoon wore on, Pedro’s ‘look’ softened. He could see that Ethan was a respectful young man, and that he genuinely cared about Elena. He still had his reservations, of course. But he was starting to realize that he couldn't protect Elena from everything. All he could do was offer her guidance, support, and unconditional love.

Eventually, it was time for Ethan to leave. "Thank you for having me, Mr. Pascal," he said politely.

"You’re welcome, Ethan," Pedro replied, offering a genuine smile. "Just… take care of her."

Ethan nodded. "I will, sir."

He turned to Elena, giving her a quick kiss on the cheek. "I’ll see you tomorrow," he said.

"See ya," Elena replied, a soft smile playing on her lips.

After Ethan left, Pedro turned to Elena. "He seems like a nice young man," he said.

Elena nodded. "He is," she said.

"Just… be careful," Pedro said.

"I will, Dad," Elena promised. "I know you’re just trying to protect me."

Pedro smiled. "That’s my job," he said.

He pulled Elena into a hug, holding her close. She was growing up so fast. It seemed like just yesterday she was a little girl, playing with dolls and dreaming of being a princess. Now, she was a young woman, navigating the complexities of life and love. And he, her father, would be there for her every step of the way.

Later that evening, after the kids were in bed, Pedro and Y/n found themselves alone in the kitchen, the quiet hum of the refrigerator the only sound. Y/n was washing dishes, while Pedro leaned against the counter, a thoughtful expression on his face.

"So," Y/n said, breaking the silence, "what did you think of Ethan?"

Pedro sighed. "He seems… polite. Respectful. Nice enough."

"But?" Y/n prompted, knowing there was a ‘but’ coming.

Pedro hesitated. "But he's still sixteen. And Elena… she's my little girl. It feels like just yesterday I was teaching her how to ride her bike, and now… now she's dating."

Y/n chuckled. "I know what you mean. It's hard to believe how quickly they grow up. It feels like just yesterday we were bringing her home from the hospital."

Pedro nodded, a wistful look in his eyes. "She was so tiny. So fragile. And now… she's this beautiful, intelligent young woman. And I just… I don't want anything to hurt her."

"I know, honey," Y/n said softly, drying her hands and turning to face him. "But you can't protect her from everything. She has to learn to navigate these things on her own. We can guide her, support her, but we can't shield her from the world."

"I know," Pedro said, running a hand through his hair. "It's just… it's hard. Seeing her with him… it makes me realize how much time has passed. How quickly she's growing up."

"I feel it too," Y/n admitted. "But that's a good thing, isn't it? It means we've done our job. We've raised her to be a strong, independent young woman."

"I hope so," Pedro said. "I just… I don't want her to make any mistakes she'll regret."

"She will make mistakes, Pedro," Y/n said gently. "Everyone does. The important thing is that she learns from them. And that she knows we'll be there for her, no matter what."

Pedro nodded, his gaze softening. "You’re right. You always are."

He reached out and took her hand, his fingers intertwining with hers. "Thank you," he said. "For everything. For being such an amazing mother to our children. For… for putting up with me."

Y/n smiled. "You’re not so bad," she teased. "Most of the time."

Pedro chuckled. "I love you," he said, pulling her close.

"I love you too," Y/n replied, resting her head on his chest.

They stood there for a moment, wrapped in each other's arms, the silence once again filled with a comfortable warmth. They knew that the road ahead wouldn't always be easy. There would be challenges, and heartbreaks, and maybe even a few French Revolution debates. But they would face them together, as a family. And that's all that mattered.

A few weeks later, Pedro found himself having another conversation with Elena, this time about her future. She had been accepted to a summer program for aspiring writers, a program that would take her out of state for six weeks. Pedro was… hesitant.

"Six weeks?" he repeated, his brow furrowed. "That's a long time."

"I know, Dad," Elena said, "But it's an amazing opportunity. It could really help me with my writing."

"I know, honey," Pedro said. "It's just… I'll miss you."

Elena smiled. "I'll miss you too, Dad. But it's only six weeks. And I'll call you every day."

"I know, I know," Pedro said. "It's just… you're growing up so fast. It feels like just yesterday you were asking me to read you bedtime stories."

Elena laughed. "I still like you to read me stories sometimes," she admitted.

Pedro smiled. "I know you do," he said. "And I always will. No matter how old you get."

He looked at her, his eyes filled with love and pride. She was so talented, so passionate. He knew he couldn't hold her back.

"Okay," he said finally. "You can go. But," he added, pointing a finger at her, "you better call me every day. And," he added, his gaze softening, "be careful. Okay?"

"I will, Dad," Elena promised. "I love you."

"I love you too, sweetheart," Pedro said, pulling her into a hug.

He knew that letting her go was the right thing to do. It was part of growing up, part of becoming her own person. And as much as it pained him to see her go, he knew that he had to let her fly. All he could do was be there for her, waiting for her return, ready to catch her if she fell. Because that's what fathers do. They protect. They guide. And they love. Unconditionally. Always.

[fallloverfic]

Finished the second season of Castlevania: Nocturne and loved it! Spoilers below.

Angry boi PROTEC HIS MAN!!!! Just his running to Mizrak, so worried. Even interrupted his revenge. I just love that his serpent form came back T-T And multiple times!!!

The fight scenes were so good!!! Just so many amazing ones!

ALSO WHAT DOES ADRIAN MEAN NOT THE FIRST TIME YOU SAVED MY LIFE???? I AM-!!!!

(So happy they know each other and I think it's hilarious my fic could potentially be a prequel now alkdjalkdjaljdalj)

Everyone cute. Annette and Richter were just awww. Glad Edouard and Annette get to stay together, and Edouard can go home and get his bass player :3

Also so many gorgeous Adrian bits. Truly. Him coming out of the river was so mmmm. Also loved all the magic he got to use XD And the music was fun!

Also loved all the Egyptian stuff. The soul count was a little... (I was like why are you saying just 2 or 3, there's more than that...?), but apparently the # of parts has changed over time (it's not just 4 or 5) and it's you know, vampires during the French Revolution, so sure, whatever. The trip to Duat was fun! And Ammit's form was pretty cool.

Poor Tera. Bye Emmanuel, no one misses you.

Loved that we got some dragon fighting. Also that the dragon didn't die. Was worried. Though I will say, Sekhmet punching it was kind of funny aldkjlaj I felt sort of bad when Juste, Richter, and Maria were all boosting its breath like, "That can't be too comfortable for the dragon..."

Just think it's funny we have animated Robespierre joining forces with the son of Dracula to defend Paris from a crazy Hungarian serial killer noble who believes she's the reincarnation of an ancient Egyptian goddess lol

The return of Drolta was really fun. I was sad she was in so relatively little of season 1. This was really great.

For historical things, I appreciate that they referenced how folks in France sold and bought food to watch executions. I also appreciate the reference to the trend of European obsession with eating mummies.

I will be thinking about Mizrox's future. I feel bad I'm mostly happy Olrox survived the season lol I like Mizrak just fine, and I like that Olrox likes him, but my priority is Olrox, not Mizrak, sorry lol Clearly they have some things to work out XD Should be fun (for someone, I hope). Someone else pointed out they never talked about the animal/soul stuff, and it was kind of just... Mizrak getting over it (or side-stepping it) and not apologizing to Olrox about it. And Olrox just... kind of accepting that the guy he's in love with is like this. I think it's funny that after having written You reluctant demon back in 2023, where they do have a conversation about it, I completely forgot it as a thing I wanted to happen lol Cause in my mind the matter is settled. Like the show, quite frankly, feels like neat fanfiction to me at this point (that's not what it is, but that's how my brain works, it's part of why I wasn't as anxious about season 2 releasing as I was for season 3 of the first series releasing). It's great in all the things it does, amazing stuff I never could have thought of, which is far better than a lot of the stuff I did in my fic (and those fight scenes, dang). But yeah, I do agree, they should have talked about it. And they don't. And it's... mm...

Another thing is that Mizrak maybe still has some racism to unpack. There's that line Olrox has about when his people were massacred by the Spanish, and Olrox says, "And our terrifying gods could do nothing to save us." And Mizrak replies, "Perhaps your gods were the problem," and it's like what the fuck Mizrak lol I don't know if it's part of his struggles with his own faith, which is very obviously happening, how if a god exists, they're allowing all this stuff to happen, that Emmanual failed so hard, and believing in a god - which is his issue - is causing so much of his issues (it's making him believe his affection for Olrox is false, that Olrox doesn't have a soul, and/or it's not saving him from what he believes is a wrong attraction, idk). Or, from a semi-logical standpoint, that Olrox's people were attacked because they weren't Christian, and that the Spanish wouldn't have attacked Olrox's people if they were Christian. Or simply that "well it's your fault for not being Christian", I have no idea. It's a weird moment. We have really not moved past the "animal" conversation all that much. Olrox is very, very forgiving. And I am way more forgiving because I forgot I resolved most of this in my fic over a year ago lol I don't know, relationships are messy, I enjoyed what I saw of them. Olrox running to Mizrak's side was a lot and I loved it. The way Olrox is like, "I thought you wanted to know" killed me.

ANYWAY though... it was a good season. Really, I liked it.

[electrificata]

Mutual 1: hurtling towards the gigantic limestone aurochs again btw

Mutual 2: none of you have ever had sex, unlike me, im having sex right now

Mutual 4: eating a full lemon, yes with the rind #NoScurvy

Mutual 5: you cant possibly imagine how difficult it is to be the 21st century incarnation of maximillien robespierre

Mutual 6: *6-armed purple leopardtaur with her tits and dick and balls out* If you even care.

Mutual 7: gifset of two gangly guys from a 70s sitcom making eyes at each other

Mutual 8: none of you have ever had sex, unlike me, im having sex right now

Mutual 9: i need roddy mcdowell to murder me or i'll die

Mutual 10: you cant possibly imagine how difficult it is to be the 21st century incarnation of maximillien robespierre

Mutual 11: *pics from a 90s fashion show with 9 filters over them*

Mutual 12: poll: favorite outfit worn by a character you cant remember during one particular episode of a show you did watch

Mutual 13: #honestly her toxic pussy makes me such a misogynist (tag on image of 40smth actor man)

Mutual 14: the phoenixgirls are setting fire to the dmv!! Its enrichment for them dont worry :)

Mutual 15: server room wire gore images

Mutual 16: 10 ur old meme

Mutual 17: vaguing me

Mutual 18: Let me learn you a thing! Yes i am 35 years old

Mutual 19: people need to stop trying to erase crowley's influence on 20th century magical practice, like we KNOW he's a lying piece of shit but if you wanted to avoid this stuff you should have stayed out of western occultism and kept watching steven-

Mutual 20: if you guys were less panphobic we could still listen to hamilton without getting clowned on

[aphetaliamessages]

Worst Ways The Allies Have Died

England: Burnt at the stake

Ironically, it wasn't witchery that got him in trouble. His pork pie resembled a human sacrifice, and one would think this is incredibly hard to do, but not for him. With his feet on fire and his ego hurt, Arthur cursed at the townspeople for not appreciating fine dining

France: Decapitation by guillotine

Riding high after a successful revolution, Franny wasn't expecting to be betrayed by that bitch Robespierre. Artie had to help him sew his head back on his neck. The second those vocal cords connected— "ARTUR YOU WILL NEVER BELIEVE WHAT ZAT FUCKING BITCHBOY DID!" “Hush up, frog, I can feel your vocal cords vibrating! You'll make me do a shakey job.” Bonding by talking shit after an execution #JustNationThings

America: Mustard gas

This dumbass thought if he snorted mustard gas, he could taste mustard with his nose. Newsflash, this chemical weapon is not made from actual mustard. When his government found out, they started testing his brain because they thought, "There's no way he's this dumb." Yes way. But, to be fair, it could be all the head trauma. The injuries heal, but he never comes back the same 🤔

Canada: Mauled by a mama polar bear

Mattie went to the Arctic to show Kuma where he came from. It backfired, because a mama bear got really protective of Kuma. It's okay, Mattie understands. That was the day Kumajirou decided he preferred the land of chips and TV instead of raw fish and so much ice

Russia: Froze to death 

During the Victorian period, a certain Russian planned to meet with a certain American for a special private meeting to do some secret private business. In simple terms, it was a long-distance booty call. Ivan didn't want to leave any evidence of his whereabouts, so he traveled on foot. Big mistake. The man froze to death after swimming across the entire ocean for a piece of ass. Despite his death ruining the booty call, Alfred did think Ivan dying for him was incredibly romantic. SCORE!

China: Total organ failure from poisoning

An old fling poisoned his tea in a furious act of revenge. China didn't even flinch, even as his organs were shutting down. Not like MODERN nations, who cry at the slightest fatal wound! No, he finished the meeting, watching carefully, until he spotted that MANWHORE Luo with a face like he was nervously expecting something. He bided his time until the last moment, then pointed dramatically at the culprit just before collapsing, dead. That bitch got accused of being an evil spirit AND an assassin. HA! He was fucking terrible at sex, too...

[siriuslyobsessedwithfiction]

What do you mean Nikolai Lantsov was a morally grey character? He was a selfless hero!

Literally Nikolai Lantsov:

Befriended and convinced already disoriented and ignorant Alina that the Darkling was a bigger issue than the First Army and the people turning on Grisha and executing them, a brewing civil war that would most likely happen even if they killed the Darkling, Fjerda and Shu-Han casually invading their territory, etc. That they should abandon negotiations with the Darkling and prepare for war even though the country can't take it. Also, his reasoning that he should become the King? Nikolai: Oh yeah, I'm a bastard with no claim to the throne who has never actually done anything to change Ravka for the better, I was too busy playing pirates. And I just gave the rapist King who doomed this country a nice retirement and more servants to rape, while your friend Genya who he raped gets a trial for attempted regicide, be grateful she will be spared.

"Fouche did not miss the boat: Befriending the revolutionary leader Robespierre, he quickly rose in the rebel ranks. When Fouche arrived in Paris to take his seat at the convention, a violent rift had broken out between die moderates and the radical Jacobins. Fouche sensed that in the long run neither side would emerge victorious."

While Alina and Darkling were watching each other, Nikolai was watching the throne. Darkling got rid of the King and the only legitimate heir for him, so all Nikolai had to do is march into a disbanded army and declare himself a war hero and the King. Nikolai: Maybe we should just abolish absolute monarchy in Ravka because it's 20th century already, some of the countries no longer have it and no one even wants it anymore? Don't be ridiculous. My mother was an oyster and I'm the pearl or something.

"Power rarely ends up in the hands of those who start a revolution, or even of those who further it; power sticks to those who bring it to a conclusion. That was the side Fouche wanted to be on.

At a certain moment, however, he called a halt to the killings, sensing the mood of the country was turning, and despite the blood already on his hands, citizens of Lyons hailed him as a savior from what had become known as the Terror."

Nikolai to the remaining Grisha after the civil war: Right, so I know I used my big guns to slaughter you, the oppressed minority, because you sided with a man who gave you shelter, saved you and was your respected general instead of a girl who was prejudiced against you, never trained, and abandoned you, BUT I need an army. So, here's your pardon and you can once again become serfs to the monarchy who failed you for centuries. Also, the drafting age has been lowered for Grisha and now we're sending unprepared children to missions. Freedom for Grisha? Letting them buy land? Don't be ridiculous. Can't you see I have more important problems to deal with? The Darkling still exists trapped somewhere in the form of a ghost!

If only the author would acknowledge in KoS duology that he has flaws and selfish ambitions. Let him be a complicated character with layers, it's not the end of the world.

[amateurvoltaire]

I went to Puy du Fou (1) and watched  'Le Dernier Panache' (2), and needless to say, I've got a few things on my mind. But before I gather my thoughts into something coherent, there’s one pressing issue I need to address: there was NO “extermination” policy in the Vendée.

Is it clear enough for everyone? I sincerely hope so because yesterday, I was among an audience of about 5000 who were shown a scene depicting Robespierre (in yellow), Saint-Just (in turquoise), and Barère (in purple) arguing for the complete destruction of the Vendée… for reasons…

In plain terms, were they advocating for genocide (3)  in the Vendée.

This didn’t happen. In 1793, the idea of a distinct Vendéen identity wasn’t a real thing. The Vendéens were not recognized as a specific regional or ethnic group, not by themselves or anyone else.

Do you know what was real? Brigands rebelling against the first French Republic. What were the policies of extermination targeted towards? Those Brigands. What do you call that? Civil War.

On 1st August 1793, Barère delivered an inflamatory speech (4) that many use to argue the Committee of Public Safety's alleged genocidal intent. His words were indeed unhinged, typical of the era’s rhetoric.

Barère did say, "No more Vendée, no more royalty; no more Vendée, no more aristocracy; no more Vendée, and the enemies of the republic have disappeared," but this infamous line follows a crucial preamble: "We will have peace the day the interior is peaceful, that the rebels are subdued, that the brigands are exterminated. (5)" It’s disingenuous to interpret this as a call to wipe out an entire region (6).

Moreover, this speech was followed by the "Décret relatif aux mesures à prendre contre les rebelles de Vendée", which includes an article (the 8th) stating: "Women, children, and the elderly will be taken inland. Provisions will be made for their subsistence and safety, with all the consideration due to humanity" This directive was actually enforced as evidenced by the 20,000 to 40,000 refugees who the government supported in cities like Poitiers, Orléans, and La Rochelle.

The conservative right in France has been peddling this genocide narrative since the mid-1980s, but no amount of dramatic cursive text with melancholic violin strains will convert fiction into fact.

What happened in the Vendée was horrific. Were there war crimes? Numerous. Was the region scarred by the violence? Undoubtedly. Should we acknowledge that? Of course!  But pushing a theory that is not true detracts from recognising the violence, learning from it and ensuring it will never happen again.

It also cheapens the heroic acts and sacrifices of those who fought not for the narrow political agendas of the 21st century but for causes they truly believed in. The counter-revolutionaries in the Vendée and throughout France were driven by a deep commitment to protect their communities, faith, and way of life. They were not merely victims of a systematic extermination effort but active participants in a struggle to defend their political and religious beliefs (7). Admittedly, I'm not an expert on Charette, but I suspect he would be disturbed to see his legacy so grossly misrepresented…

Notes

(1) Puy du Fou is a historical theme park in the Vendée known for its elaborate live shows that recreate historical events. It has faced criticism for potentially exploiting history and is managed by the Puy du Fou Foundation, linked to its founder, Philippe de Villiers, a French politician noted for his conservative and nationalist views.

(2) This particular show focuses on François Athanase Charette de La Contrie, a Vendean general.

(3) Genocide is defined by the United Nations in the "Convention on the Prevention and Punishment of the Crime of Genocide", adopted on December 9, 1948, as acts committed with the intent to destroy, in whole or in part, a national, ethnical, racial, or religious group.

(4) The conflict in the Vendée began in March 1793, prior to Robespierre's association with the Committee of Public Safety. Danton was the one who was instrumental in shaping the initial response to the uprising and was the president of the Convention during Barère’s speech. Weirdly enough, Danton is nowhere on that stage…

(5) The full qoute is "Nous aurons la paix le jour que l'intérieur sera paisible, que les rebelles seront soumis, que les brigands seront exterminés. Les conquêtes et les perfidies des puissances étrangères seront nulles le jour que le département de la Vendée aura perdu son infâme dénomination et sa population parricide et coupable. Plus de Vendée, plus de royauté ; plus de Vendée, plus d'aristocratie ; plus de Vendée, et les ennemis de la république ont disparu. "

(6) This type of rhetoric was not unique to the Vendée but was also directed at other counter-revolutionary hotspots across France like Brittany, Lyon, Marseille, Avignon, etc.

(7) I'm not a particular fan of those beliefs but I can respect the courage to stand up in defence of a lost cause.

[wizzard890]

I'm very sick so I of course watched this movie about the french revolution:

I didn't expect much, it's a mostly-forgotten movie from 1949. How wrong I was. I was shaken to my core. Is it good? Oh God no. But it. Has. Everything.

A goth Robespierre who works icily on his letters while a guy is getting thumbscrewed two feet from his desk.

Lafayette hiding out in a windmill in the middle of the countryside in full dress uniform, in 1794, presumably so we the audience would believe him when he said he was a general.

A protagonist who seems to have been beamed in from an entirely different movie, who trades film noir barbs with The Woman Who Walked Out On Him Ten Years Ago only they're both wearing wigs.

A Thermidor night cameo from Napoleon, who is shot from behind with the same reverence as Christ in Ben-Hur.

Fouche telling Robespierre that he can't put a law in front of the Assembly that makes him special all time ultra dictator and Robespierre sits back on a big fancy chair with his hands on the arms like a demon and says "but I want to. :)"

A special aside where a nightmarishly butch Saint-Just makes sure we the audience know that Robespierre Isn't Into Women but that he, Saint-Just, crushes puss 24/7.

Thermidor but it's this:

and honestly I can't think of a more worthy 90 minutes of your life.

Oh also the actual meat of the plot is that Robespierre's Death Note has gone missing. His dog helps them find it.

[dis-astre]

THE JUNE REBELLION: NOT THE FRENCH REVOLUTION

i fear we need to talk about this since i've seen so many tiktok referring to the french revolution when talking about les miserables and it needs to be addressed (aka i'm going to get it out of my system once and for all so i can stop being bitter about it)

i mean, i see those kind of tiktok too much and i am annoyed so bare with me:

so, let's start with les miserables: when does it takes place ?

the chronology of les mis is very long, but the part everyone is referring to (and everyone's favourite part) is the barricades. the barricades takes place during the June Rebellion.

now what is the June Rebellion?

it's a two days rebellion that arise in Paris in an era of political and social instability.

in 1832. 43 years after the french revolution.

so it's safe to say, the plot of les miserables is not at all taking place during the french revolution. and this rebellion was a failure (a flop, as some might even say) and did not overthrow the government (sadly) at all for various reasons.

(see this post here about it, even thought pinpointing the reasons to why a revolution fails is, imo, a bit hard and i am in no way shape or form an historian)

now, for the French Revolution.

keeping it very simple, it starts in may 1789 and end on november 9th 1799 when napoleon did a coup and took the power (others (marxists mostly) might argue that it ended with the death of robespierre, soooo pick your poison). so right of the bat: the french revolution is not one big battle and boom, it's a long period of changes and instability.

i think what people refer to when saying "the french revolution" might be the 14th of July, with the Prise de la Bastille. i know it's a very important event as it is our national day (yay liberty) and it's historically the first big intervention by the parisians (as in the people as in the poor) in the revolution. personally i'm not crazy about this moment (i really really like the march of the women to Versailles in october 1789, insane) it wasn't actually that big of a battle but the repercussions were huge so good job. but here is the problem then, what would make you think this successful battle is the battle we see in les miserables?

[i'm gonna go on a personal mini-rant here but it seriously worries me that so many people, mostly Americans, have so little knowledge of this. i'm not saying you should know everything about french history (as a matter of fact you should not why would you do that to yourself) but it's like... basic knowledge. and what worries me the most is that they think a failed two days rebellion is the french revolution as if it was not an event that reshaped the entirety of the french political system and was a trigger to a lot of changes in europe???? i mean... look at that: ]

i know we have a lot of revolutions in french history but if you need to know one, know the French Revolution, at least just the fact that it was a years long event with successful battles and a successful outcome (not gonna go into the whole it's a revolution for the bourgeoisie thing even if... well it kinda is).

and if you have not read/seen les miserables with your eyes closed, you know that it is very not successful at all !

anyway, that's it !

to summarise:

French Revolution = 1789 / very long / successful outcome / successful battles / not in Les Miserables

June Rebellion = 1832 / 43 years after / two days long / failure / in Les Miserables

Recommendations of...

Movies during the French Revolution = Danton (Andrzej Wajda) / La Revolution Française I and II (Robert Enrico & Richard T. Heffron)

Musicals during the French Revolution = La Revolution Française (Alain Boublil & Claude-Michel Schoenberg, yes same dudes that made les mis the musical) / Les Amants de la Bastille (not good but definitely super fun to watch) / The Scarlet Pimpernel (Nan Knighton, haven't seen it but some of the songs SLAPS)

Now you can obsess on the french revolution correctly ! and it's all very good recommendations too ! yes !!!!!!

(some of my fav les miserables adaptations here too)

i'm done, thanks for sticking with me, i love you all and i will stop yapping now ! buh-bye!

[melishade]

I've read the main story and now I'm going through some of the Ao3 one-shots and tumblr lore of the AOP timelines. My favorites so far are the Peaceful Timeline and Dark Timeline.

However in regard to the Peaceful Timeline. I know that technically a brunt of the focus on Ymir's story, Optimus and Megatron raising Ymir from scared young woman to married mother or two children. Megatron learning to love a human as his own daughter, etc.

However, the recent few posts in the Peaceful Timeline are 2,000 years in the future where Eren, Armin, and Mikasa are in high school and it's more Modern AU. And at this point we know Megatron and Optimus have lived together for 2,000 years watching the world evolve, and even evolving with it (aka able to put their brains together to make a groundbridge, which is impressive considering Optimus struggled with a tracker) but hiding in the shadows.

Anyways, Optimus and Megatron are probably at least friends at this point. Maybe they have that 'brothers' bond back from Cybertron. They are not hostile to each other in front of others anymore, probably. Which was the whole reason in the main story that Connie, Jean, Sasha, and Levi called Megatron "Prime's Ex".

But if Jean, Connie, and Sasha were to meet Megatron and Optimus in this timeline....would they just call Megatron "Prime's anti-social boyfriend/husband"?

Also did the village ever ask if Matthew and Orion were married?

Anyways, that was stuck in my brain.

Previous Episode of the Peaceful Timeline

So first of all, thank you for enjoying my work. I really appreciate it. Now let's get into this.

So I didn't have any real intentions to get Jean, Connie, and Sasha involved with Optimus and Megatron in the 2,000 year time skip. Those three don't share the same interests Eren, Armin, and Mikasa have, so they never get caught up into the chaos until way after the fact. It would be hard to have an opinion on them with no prior interaction.

In regards to the dynamic between Optimus and Megatron from the perspective of other people, for example the villagers, they really just saw Optimus and Megatron as brothers the minute they started arguing with each other. There's is arguing as a couple and then arguing as siblings. There is a stark difference between the two. That didn't mean they didn't have questions about the family dynamic. Like Maria was clearly Ymir's child, but she called both Optimus and Megatron 'Papa'.

And yes, they started to reconnect when taking care of Ymir and Maria, but that didn't go away after they passed on. They were both grieving, and Rose told them to go back home and leave her behind in her old age. They only had each other during those 2,000 years. They're going to spend that time trying to further repair their relationship while also trying to keep their sanity. They do this by keeping the cabin intact, keeping track of Ymir's descendants, and repairing that groundbridge together. They reforged their bond as brothers.

And now since I'm here talking about that 2,000 year time skip, Optimus and Megatron have definitely been up to some shenanigans. For example, Optimus and Megatron are technically rich. They do have money saved up that they have gotten over the past 2,000 years and they use it to either A: give to Ymir's descendants in the event they are in financial trouble, or B: when they need to find a way to use human supplies of their own.

They also visit places to have fun. National land monuments, museums, libraries, theatres, plays, movies, the zoo, they have to find ways to occupy their time. I have also brought up in conversation with @justawannabearchaeologist and @echoblaze5 that Optimus and Megatron might have been the cause of one or two revolutions. Like one of Ymir's descendants is the equivalent of Robespierre and they started the equivalent of the French Revolution. They had to quickly swoop in and save this descendant from getting decapitated via guillotine. But that didn't stop Megatron from helping out with the mob.

Megatron waving the country's flag: DO YOU HEAR THE PEOPLE SING-!

Optimus tackling him out of sight

They have also gone out of their way to steal plans to create atomic bombs in order to stall major cataclysmic events. They steal the schematics for it, burn down the lab, and bolt.

Megatron as the two of them are running in holoforms: By the Allspark, why are we stealing this?!

Optimus: To prevent Hiroshima and Nagasaki!

Megatron: I don't know what those words mean!

Any time that the government has tried to catch onto them, Megatron quickly has to take a page from Soundwave and scramble any and all information about them. They've had years to prepare for the government trying to track them once they got technology.

[enlitment]

Do you have any book/movie/podcast recs for entering the frevblr Fandom? I'm very into marie Antoinette, but I want to dive into the rest of it

Hi, thanks for the ask!

Marie Antoinette is an interesting gateway to frevblr, as she tends to be quite unpopular here. But I'm certain that if your interest in her runs deeper than an appreciation for the glamour and aesthetic, you'll fit right in!

MOVIES

I myself started with watching La Révolution française (1989). The movie has been criticised a lot here, and for good reasons, but I still think it works well as an introduction, as long as you don't treat it as the literal truth.

Plus, finding differences between the movie and a more accurate historical interpretations is, at least for me, part of the fun! You can watch it here. I would definitely recommend watching the second part with subtitles, as @saint-jussy points out some of the movies... biases as the scenes play out.

There are certainly better movies to watch though. La Terreur et la Vertu is one of them. It has been recommended to me by people on frevblr (@nesiacha I'm pretty sure?), and I'm definitely more than happy to pass the recommendation on!

There's also the Danton (1983) movie, but I'd personally recommend to go straight to the source and read Stanisława Przybyszewska's The Danton Case (and Thermidor, if you find yourself liking her style!). It feels different from the more contemporary plays, but I personally think it's great! It also covers the period of the Revolution I'm personally most invested in (1793 and especially pre-Thermidor 1794).

Oh, and if you're not put off by old movies, I have watched the 1927 Napoleon and thought it was really spectacular! It focuses mostly on Napoleon obviously, but you get to see the revolutionaries as well, in a way that is now rarely portrayed on the big screen.

PODCASTS

When it comes to podcasts, there's one called Revolutions which covers the French Revolution in great detail, but I haven't listened to all the episodes myself yet. It's not always perfectly accurate but I think you can see that a lot of work went into it.

I'd usually recommend BBC's In Our Time as a solid starting point for any topic you might be interested in. They bring on academics that specialise in that topic and often have great discussions. That said, if there's one thing I've learnt this year, it's that the French Revolution and the BBC don't really mix...

BOOKS

As for books, Twelve who ruled by R. R. Palmer is a classic! It helps to show how the evil all-powerful dictator Robespierre narrative is very much a myth.

I have also read Scurr's biography of Robespierre as well, but I feel like I'd risk being thrown to the Luxembourg if I recommend it to anyone. It's a fun read but Scurr's approach to historiography is often... let's say lax and a bit too creative a lot of the times. McPhee's Robespierre: A Revolutionary Life is meant to be much better, but I'm sadly yet to read it!

I also loved Marat's biography - Jean Paul Marat: Tribune of the French Revolution! I love a good biography and Marat is such an interesting and important figure for the revolution.

That said, if you are looking for books to read, @saintjustitude already put together a great list here!

Hope this helps, and welcome!✨

(if anyone feels like adding things to this feel free to reblog!)

[thedirtiwalkoniswet]

I've talked in great detail about Ahsoka, Obi Wan and Acolyte, and while I've pointed out many details in Andor I loved, I haven't made a similar lengthy post about it. So get ready.

The writing, the strongest part of the show. Star Wars is so notorious for having bad writing that Andor is in very stark contrast to this. Arguable the most well written show I have ever watched. No other show has captivated me this much with it's dialogues/ monologues as Andor. So many lines stuck with me. I already made a post about my favorite parts, so I will keep it at that. Something that could be criticized, is that it is sometimes very heavy with preachy monologues. On the other hand is it so well written that I don't mind it at all. If it was written worse, it very much could be something to criticize.

It also doesn't hold your hand, it doesn't explain everything right away and you learn organically what they are talking about. It allows it to have a much greater rewatch value.

Next up, the characters. Every single character is full of personality, even when they only have 5 minutes of screen time, in matter of seconds you already know who they are, what purpose they serve, what relationship they have to each other. It's the combination of the fantastic writing and incredible acting. We also see the motivation behind every big decisions a character makes, nothing comes out of nowhere.

Many of the live action star wars shows suffer from having antagonists that feel flat and one dimensional, whose motives are shallow or none existent. When Syril was introduced, we understood why he's doing what he's doing. When Dedra was introduced, you find yourself rooting for her. It was such a genius introduction, seeing her react to the only other woman in the room speak. She is a minority in this room. You watch her fail to someone who in this moment seems more 'evil' than her, so you want her to win. And then you do watch her win, by being smart and cunning (something a lot of star wars villains are not). But then you realize that her winning means others have to suffer, Paak and Bix first and foremost. You don't root for her anymore.

There aren't just the good guys and the bad guys in Andor, they all have layers. Syril obviously belongs to the bad guys, but he doesn't know that, he believes he is doing the right thing. Luthen is ready to sacrifice many lives to destroy the empire. Almost taking this Robespierre approach, where the violence of the rebellion is affecting the allies negatively as well. Making you question if the position of power he has build for himself is going to corrupt him in the future. Which he is aware of and even addresses, something that still differentiates him from the imperials or Saw Gerrera, who refuses to see any flaws in his believes.

Another thing Andor shows, which is missing in many other shows, is culture. It organically integrates parts of Chandrillan or Ferrix culture. The drinks, the way marriages work in Chandrillan culture, the fact that it is very heteronormative. The way people of Ferrix warn each other about imperials, the tradition of funerals, which is an incredible concept by the way. Also seeing how people live, their homes, something you see so rarely in Star wars since so much takes place on ships. Syrils, Mon's and Ma's homes, all widely different and adding so much to the world building, by doing such a small thing. Additionally do you see how the empire works on a more in depth level, without the focus on wars or the elimination of Jedi.

The empire is a real, suffocating threat. The rebels in this show have to go through great lengths just to communicate with each other, they need to slip through tiny cracks to get around the empire. And even then they sometimes fail, like Kreegyr or Bix did. Half of the rebels attacking the garrison died trying. It's not easy, it's messy, dirty, it took great sacrifices.

And that is the main theme of the show - sacrifice. Tying back to the fact that Cassian ends up sacrificing himself for the rebellion. Everyone sacrifices something to help the greater good, wether it's money, relationships, inner peace or lives.

On a more facile note, the costume design is amazing. We all already know that Mon's closet is incredible, but so is the one of her husband or Tay Kolma. The same goes for the people of Ferrix, who have a clear style that adds to the beauty of the planet and culture.

I also think it was a smart decisions not to have aliens among the main cast, since bad make up or cgi can ruin the vibe to a degree. But the ones we do see all look great. They can also save budget focusing on other things instead.

There is so much good in this show, so many details worth mentioning, I could go on forever. It's not going to be the last time I praise this show, that's for sure.

[nesiacha]

I already talk about horrible movie about the frev. Today I will make a critic about the bad points about a good movie with a very good historical accuracy that I really like but it’s also important to criticize good historical films even if we liked them as a whole (I must say that I liked them personally and I continue to do so) . Firstly, even if it may not have been the intention, because it was not the theme of the show as the writers had planned several themes with the people, including the Night of Varennes, I didn't like that the politicians were seen prominently while the people were too much in the background (minor criticism because the show was discontinued after the success of 'La Terreur et la Vertu,' so maybe they intended to do it later).

Next, the women of the French Revolution are too sidelined, and Lucile Desmoulins is portrayed more as simply worried for Camille Desmoulins without showing Lucile's political side, which accentuates the sexism. Camille Desmoulins is depicted as more naive than he actually was, in my opinion, perhaps to absolve or infantilize him, I don't know.

I would have liked it if we briefly mentioned the retaking of Lyon by Couthon, even just in passing. We have 4 representatives of the indulgent faction (Fabre d'Eglantine, Danton, Camille Desmoulins, and Philppeaux) compared to only 2 on the Hebertist side (Hébert and Chaumette). We only mention Vincent, Ronsin, and Momoro briefly, but I would have liked them to have the same amount of screen time. We should also see their trials and the fact that they were going to the guillotine instead of that, the topic is quickly dismissed.

Moreover, although Castelot and Decaux had a very good debate that I invite everyone to watch, there's something that bothers me. It is said that the CSP (Committee of Public Safety) is at fault for parodying justice against the indulgent, but as usual, we forget the parody done to the Hebertists and also forget that done to the Enragés like Jacques Roux when the CSP, the CSG (Committee of General Security), and the Convention relentlessly attacked him illegally to the point where he committed suicide. Double standard once again, and the parody of justice is justified a bit too much for my taste (which also executed many innocents like Lucile Desmoulins, Marie Françoise Goupil, even Chaumette who had, however, refused the insurrection of Hébert, Gobel, etc)...

Then to say that Barère is acting in good faith from Decaux's point of view? No seriously, I don't buy Barère's whitewashing, he's generally a weathervane (the only time the show mentions it from this side is when Danton says that Barère is for the tipping scale).

Another point is that I found Robespierre a bit too naive at times. In real life, he knows that deep down Danton is a dubious character, but he thinks that the Hebertist wave is more dangerous. It's a political calculation until he realizes that he underestimated the indulgent movement and will opt for a middle policy. There he is almost surprised by some of Danton's movements.

Finally, the end of 'La Terreur et la Vertu' is not bad and very emotionnal; there is an explanation that Saint Just did not move during the insurrection. But personally, I think that our five deputies certainly had scruples regarding the legality of the Convention, as has been said repeatedly, but they mainly hesitated because of it. If they were 100% against not moving against the Convention due to legality, they would have said so. My theory is that they felt exhausted and confused because 17 out of 49 sections had risen, which was a significant number but not enough to justify an uprising, not to mention they were at least somewhat legalistic.

Finally, I would have liked an explanation of why Hanriot was so loyal to Robespierre (we know this if we research the character a little, but a line or two of mention wouldn't have cost much), but I'm glad he wasn't demonized. Far from me the idea of wanting to put this excellent film on trial, but as I said earlier, it is also necessary to see the negative aspects of this film to have a better improvement of the content (although today it regresses even more).

I would have liked it if we also briefly saw Tinville refuse to prosecute Fleuriot Lescot; it would have added a little more humanity to his character (although I don't like Tinville at all, I find that he is always too caricatured to be believable. Fortunately, the TV movie shows his "human" side, but not enough).

The only problem is that I have the impression that they are telling the false message that the execution of Robespierre and his colleagues marks the end of the social revolution when in reality the coup de grace was not done for me. that with the execution of Romme and his friends (the episode of the execution of the Hébertists, Cordeliers, indulgents and of Robespierre and his colleagues was above all only a continuation of weakening between 'internal struggle') and the end of the frev was only after Bonaparte coup d'etat . After seeing that the show was suddenly stopped, perhaps the writers intended to rectify it.

A small gratuitous jab nonetheless from a line in a TV movie: Barras: You will take Robespierre and Saint Just.

Me: Wow, and does Couthon count for nothing, I guess? The poor has just been royally ignored."

[deathzgf]

( almost ) all of my sketches & wips from ~ 5 november 12023 - now

vaguely oldest - newest but i am lowk just fuck it we balling it

ogay let ' s go

shitty hamlet hamilton thing to start us off yay based off of that one line in the musical

thomas jefferson

i cannae remember if this was meant to be sj or cami but Pony

GET OUT OF MY HEAD GET OUT OF MY HEAD GET OUT OF MY HEAD

me versus drawing sj with a Fuck Ton of piercings ( the demons )

kill

This Fucking THING

holy fucking shit my first napolexander art

yeah

i drew this whilst rewatching 2023 napoleon in cinema Based upon a 2002 napoleon scene

james fitzjames

shkroeder please i have a wife and kids

ekkochoso

i hate his stupid fucking hair so i drew a cat with him

i love my wife i forgive her for almost killing me

thomas jefferson getting high with the french except rousseau keels over and dies whilst robespierre just Oh Dear

idk why i drew the social contract that thick brah

based upon a twitter interaction i had with the owners of these ocs

what the fuck is going on in the upper right corner

different jules times ( 1789 , 1793 ( ? ) , 1794 )

calijules i drew on the plane to japan

i also watched succession on the plane . catboys & catgirls You ' re welcome

turn washington ' s spies hewlett sorry i am the # 1 annalett yuri truther

jules ref sketch i forgot to fucking crop

sleepy calijules

violent calijules

freak

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