#watch me get destroyed for saying this in real time

[velmashaircut]

caleb theories/ predictions below. It’s a bit all over the place.

1) I believe Caleb himself was responsible for the explosion. He was acting strange before it occured, paranoid even, especially when he saw MC’s injury, I think he was worried MC had caught on or was beginning to suspect something was afoot. If Caleb was responsible, I think he did it because a) wanted to fake his own death b) kill the granny or c) both. I use to believe he was the target, but leaving the necklace behind was too intentional. If he was abducted, no trace would be left behind. In the trailer he says ‘I’m back’ he knows what he’s done.

2) Since it’s been spelled out to us that Caleb was also experimented on when he was young, I think Caleb always knew the granny was partly responsible for MC and potentially his own suffering, therefore wanting revenge. When he talks about how much he’s struggled hiding parts of himself, that could be referring to what he knew transpired and pretending that he was oblivious, or how he’s been undercover this entire time.

Maybe he discovered what the granny did whilst he was away on missions, or even after the explosion, if he was taken forcibly? Maybe he was even approached by whatever organisation he’s now working with (EVER?), who told him the truth/deceived him so he’d join their cause.

Caleb had a slap mark from MC, perhaps he told MC what believed granny did to her when she was younger as a messed up justification for the explosion, and MC refused to believe it? Ultimately, Caleb would be the individual who would have to comfort her in this situation.

3) I think Caleb is behaving the way he is now because he’s either a sleeper agent or it’s and a product of trauma from the explosion + experimentation, or both. The nice, sweet Caleb from before is real, but I think this new side of him also always existed and has revealed itself after all that’s happened. These two sides of him are battling it out when MC sees him again.

Caleb is in the military, the airforce, he’s a colonel. That side of him yearns to complete the mission no matter what and let nothing get in the way; and that’s why at times he seems more in charge and coldhearted. Then there’s the other side of Caleb, where he’s a your typical boy next door who wants to be vulnerable, kind and dependable…who deep down, is happy to be face to face with the MC again. He’s unsure of who he should be and this conundrum will play an important role in the story regarding his choices. Maybe he even regrets the explosion and killing granny?

If he’s a sleeper agent, there might be a trigger either he, or someone else possesses that causes him to change dispositions. The trailer heavily implies this, when the scene’s lighting changes, so does Caleb. I saw someone say in chapter 4, Caleb suddenly stops mid sentence when a light passes the background, implying he’s under surveillance. Whether there is someone actually watching him at that very moment or it’s imagery of what he imagines/ feels when he’s not following orders is up in the air.

In the end, I wouldn’t be surprised if he mellows out like Sylus and becomes a blend of these two personalities.

4) MC and Caleb being each others failsafes is probably the main reason why the grandma entrusted MC’s care to Zayne and not Caleb. Granny said ‘she could rest easy’ knowing Zayne was MC’s doctor, Zayne being a great doctor for MC’s heart condition is just a coverup for grandma’s true reasoning. Grandma knows Zayne would do whatever it takes to ensure MC’s safety…. It makes me wonder and how much both Caleb and Zayne are aware of this.

If it ever came to MC and Caleb trying to destroy each other, in the end I think Caleb would prevail simply due to his evol being that strong; how can you defend yourself if he won’t let you lift a finger? Honestly, I think MC is Caleb’s failsafe in more of a mental sense, he wouldn’t ever wish to kill MC and I’m unsure how she could use her evol against him. What about Caleb’s evol makes him her specific fail safe? Caleb should be able to stop most people with gravity manipulation. Why MC specifically?

Anyway, Caleb hurting MC is not out of the question for grandma, did Caleb do something that hinted he had the potential to do something sinister? I imagine she took both of them in not only because she felt bad, but because in her mind, if the two of them become friends it would lower the possibility of one of them turning against each other.

5) I hope Caleb faked his death because he wanted to, I hope he betrayed MC willingly and not under duress. I don’t want any of that ‘I was forced to’ bullshit like that. I hope he did it because it aligned with whatever goals he has and he believed the explosion and granny’s death was the best course of action to take. I hope MC doesn’t take this lying down either. The story would be more impactful this way.

6) I’d like to talk about Caleb and Zayne. Caleb’s impeccable control of his evol is a nice parallel to Zaynes lack therefore of; Caleb forces a man to kneel to him without moving a finger, he uses his evol freely, we see this when MC gifts him his necklace. Zayne however uses it sparingly and has to practice self restraint to prevent his evol from spiralling out of control.

In addition, Zayne refused to join the shady Xander sciences, despite their offers. Whether he’s being deceived, forced into it or did it willingly; Caleb aligned himself with EVER. I don’t think this is a bad decision or makes him a villain per se but…Caleb gave in. He gave him, Zayne didn’t.

Both also have military backgrounds. I don’t have much to say for this.

7) Adam and Eve, the commissioned art of Caleb offering the apple to MC with a snake wrapped around him - the snake is whoever Caleb is working for, and the apple represent Caleb’s proposal for MC to join/ go along with him, to let him do what he thinks is right. In one version of this art, neither have taken a bite of the apple, the other version shows that they both have taken a bite - Caleb’s larger than MC’s. She has a taste, it even looks as if she bites it unwillingly, but he devours it. In both versions, he’s watching her with his glowing eyes.

In another commisoned art, we see the two of them falling out of the sky, with MC crying and Caleb smiling as blood covers him. To me, it seems that Caleb was banished/killed for a certain choice he made, and MC decided to go down with him. I think this makes sense thematically: they were meant to destroy one another, and instead they chose to die together. This could be the gist of Caleb’s second myth pair or what he ends up doing in the upcoming main story.

Shoutout to @iraot for coming up with this great theory: In the trailer Caleb says ‘I want to keep you in a world…where it’s just the two of us’ if Adam and Eve were the first two humans, who we see MC and Caleb represent respectively, do you think Caleb believes he was MC’s first/original ‘love’ and he wants to return to whatever he deems the Garden of Eden is with MC? Whether he remembers their past in a different lifetime, or if he’s referring to their childhood…for him the Garden of Eden is probably a time when it was just the two of them and no one else. That is what he wants.

[variousqueerthings]

it's the way there are Big Clues and moments, like this song, that very firmly put the relationship into a space (that of being violent, cruel, coercive, obsessive) but then these episodes play coy at the end about what it was all about -- fraser's first love or a vicious predator or a vicious predator who genuinely loved fraser, and how fraser ends up seeing it all as time goes on (from letting go and onwards)

(what is this??? many questions, never answered)

it opts out of giving those answers in a way that frustrates me, but on the other hand carries the slipperiness of traumatic memory that's very interesting. victoria throughout feels almost unreal, as if fraser's remembering these events even as we're watching them, and it never answers the question of why he runs towards the train, because he doesn't really know why he ran. there are theories, but the story doesn't confirm it, only that he did run

(and the snow is part of what makes it feel unwieldy, like this is just about the event that happened 10 years ago that we never see, only hear about, it's trying to figure out what happened then)

and the most obvious reading is that it was love that drove his actions and her actions, but that's not satisfying to me and i sometimes wish the episodes had taken a stronger stance on the relationship (in terms of it being a bad'un), but on the other hand this is more realistic in the sense of that lack of tether -- which is that fraser will also never get those answers or that catharsis, and in my mind, victoria leaves like she does because she's satisfied that that's punishment enough, that she's burrowed her way in and will always be messing with him because of that lack of answers. fraser asks it back in you must remember this, how do you know if what you're feeling is love? which suggests a. a man who's never experienced that feeling and so b. doesn't know how to relate his experience with this particular person in other terms, because people often do describe love in these terms -- as violent, as possessive, as overwhelming, as too much, as terrifying, and so on

but still. there is an element i feel it leans into at that point at the end that is "in another lifetime... ships in the night... love and hate are the same thing, etcetc" and i don't buy that at all, i do think it's a teensy bit of a cop-out to go "but it could have been real" when the whole rest of that story consists of her emotionally abusing him and aggressively destroying all of his safety networks and forcing him to contribute to criminal activities that could get him killed in order to push him into a corner where the only person he has left to him is her, and she could then do anything to him under the guise of "love" (and she ultimately fails in this because she's obsessed with creating narratives and so he manages to predict her moves, and maybe "we're doomed lovers" is a fun narrative for her too, although i think she's only doing it for fraser's benefit -- on her side, she knows the story she's telling is nothing more than a lure and a torment, but there's a question of whether at certain moments she does buy it, just for a bit)

(but i think the peep show scene says it all. he's just an object to her, something to look at, play with, break when it's no longer fun)

i guess it's less about the train-run itself, than the fact that for a moment fraser doesn't think about what she did to diefenbaker and to ray, and what him leaving would do to ray (materially, he mortgaged his house to pay his bail). and the story kind of lets it lie after that, which is maybe a thing that fraser and ray need to do to keep going, but it's also a forever-question: what were you doing there??? didn't you know what she was at this point??? what she was doing to you had nothing to do with love??? (he does say something to that affect during the peep show)

RAY: Hey, Benny, Victoria was not your fault. Could've happened to anybody. You were blindsided. FRASER: I was going with her, you know. RAY: I know.

in my head this is part of what prompts ray's intense need to get fraser to stick up for himself more and to set boundaries in s2. feels like the story fallout continues all the way into witness of season 2 where fraser makes it up to ray by sleuthing on his case and going to prison for him and turning down a transfer, but again, that may be me reading into it, not necessarily an intent

anyway. can't buy it as love. think it was all part of the same punishment for arresting her with a heavy dash of "well he's too pretty and malleable not to sleep with + it'll make things easier"

and it's this song underpinning it all... they play it more than once like damn, sarah, you're so right, this is bad vibes

(the fucking snow)

(anyway ive written my way back into believing that yes, the train run is self-destruction, letting go of everything and welcoming oblivion in whatever shape it takes. half an hour to pick his mind up and he'd have caught up with what he'd done -- but we'll never know how he really feels about it in letting go and onwards... unless it gets brought up again in s3-4 but i doubt it)

me every day like: but why did they choose that song to frame victoria's and fraser's relationship??? a song that appears at first glance to be a sort of mysterious love song, albeit with some mildly either ominous and/or bdsm like vibes:

(And I won't be denied

And I would be the one To hold you down Kiss you so hard I'll take your breath away And after I Wipe away the tears Just close your eyes dear)

and then you're like "ok, the song is literally called possession, what an interesting not-so-loving sounding title" and then you sleuth and it's literally a song written off the back of being stalked and obsessed over in an unhealthy way

gun to your heads writers, im not reading this dynamic the wrong way, that woman was out to do a violence on that man and if he'd managed to get on the train he'd have been dead within a few months once she grew tired of playing with her food (or once the pedestal she'd put him on was toppled or once she was done with breaking him into pieces or or or...)

[zhoudadudugongjin]

i'm like those people who always used to say "'ReAd aNoThEr bOoK!1" to hp fans except i'm saying it to mdzs/cql fans and what they need to do is watch another cdrama

[jackass-jones]

Time for me to be completely changed as a person! *just watched falsettos*

[endbeginning]

and if i said.... pet.er peve.nsie.....

[lanayrutower]

i'm about to throw hands with this yt poll.

this is the zelda version of that twitter butch post to me.

[azelletown]

im so glad this series got big and now i finally get to read it but also this is going to destroy me by the end of it huh

chapter 38 absolutely fucked me up, this shit is just real, i've been in situations and arguments exactly like this (minus the dragon sister and all) where i've lost what i thought were friendships because i had finally failed one too many social awareness checks

especially these panels had me pause and take a second

like, laios' point of view of their friendship was so nice and sureau, instead of being honest, bottled it up because he applied his assumptions of social awareness onto laios who then couldn't have ever known something was wrong

harmless examples of things i used to do and can talk about here: in middle school i would tap my fingers onto my desk to the rhythm of whatever song was in my head, and at the end of the 4 entire years we spent together, one of my friends lashes out at me about how i'm annoying everyone with it, and then more of my friends and other classmates would start telling me and scolding me about that and all the other habits i had that were annoying them as if those were things i were doing to purposefully piss people off. i even had a teacher yell at me seemingly out of nowhere because i'd lay head on my desk in her class and she apparently always took it as me being rude and "falling asleep" ??? in highschool i mispronounced a guy's name for 2 years until he called me a dick for it even though he never told me how to pronounce it correctly!!!!! i would also stare a lot, all the time, but again people only told me after so much time had passed that they just got mad at me

it got so bad that i started to minmax most of my social interactions, and i still do it with most of my IRLs to this day

i was literally hit with the Laios to Kabru Pipeline

Anyways this manga is peak, the show is also peak, go read/watch the neurodivergent dnd lesbian cooking show, i feel like im going to have a LOT to say about kabru in the future chapters

[torpublishinggroup]

"Warning Signs Your Machines Are Trying to Kill You!" by TJ Klune

(Legally, I’m required to tell you that when smart phones first became popular, I bought one and then asked for the address of the app store because I thought it was a physical location I had to go to in order to download apps and not something already on your phone. Also, I was recently told I speak like an old person so as a warning, there will not be any slang you youths typically hear, especially on Tumblr. Any slang I’ve learned in the last five years has been against my will. I still don’t know what FOMO means, and I don’t care.)

1. Oh no! You and your family are trying to enjoy a movie night, but Overlord Prime (With Free Shipping) wants a sacrifice at the altar of their god, BeeZos. Should this happen, do not attempt to give Overlord Prime (With Free Shipping) a cantaloupe with googly-eyes on it and say that it is your baby. Overlord Prime (With Free Shipping) knows the difference between fruit and children. Instead, ask the machine to order dog food, and it will forget about eating humans for a little while.

2. If you own a very fancy vehicle that can drive itself, always make sure to carry a brick. That way, when the car locks you inside and attempts to drive you off a cliff into a gas station, you can break the window using the brick. You will then have to jump out, but make sure you do so in time so you can watch the wicked-ass explosion when the car hits the gas station, and you can revel in your victory over your car.

3. This one will hurt. I’m sorry, but it’s true. Chances are, you’re reading this on your phone right this second. To be safe, after you’ve finished reading this post and have clicked on the affiliated links to purchase my books, you should throw your phone into a volcano and then move to South Dakota where there are no machines, only wind and cows. That way, when everyone else gets the 5GZombieVirus that people on Twitter (I’m not calling it the other thing, shut up) seem to think is real, you’ll be safe with your cows on a windy day.

4. Get rid of your air fryer. Don’t ask me why, just do it. Red flags all around. Danger, danger.

5. Do you know of the Clapper? That thing first launched in the late 20th century (I wrote it that way to make me feel old) where the commercials showed cranky old people unable to reach their light switches, so they got a thing called a Clapper that turns your lights on and off when you clap? Guess what? Those will be the first things to try and kill you. If you love your gram-gram, save her from the Clapper. When she asks why you are destroying it with an ax, tell gram-gram it’s because you love her.

6. Do you live in a smart home? The kind where everything is connected to the internet, including your refrigerator? The refrigerator that holds your perishable foods? And oh, would you look at that: how many ice cubes have you kicked under it rather than picking them up when they fall to the floor? A dozen? A million? The refrigerator remembers. And it will spoil your food in seconds. What then? What are you going to eat? Canned food? Not if the refrigerator falls on top of you!

Unfortunately for you, this is where it must end. I hope this has given you enough information to help you survive the inevitable. If you do not heed my warnings, well. Who cares. I’m not in charge of you. Do whatever you want. Just don’t come complaining to me when gram-gram gets the clap.

[creatingblackcharacters]

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

[space-invading-pigeon]

Hellfire Adopts Steve Pt. 2

Pt 1

Eddie may be repeating his senior year, but he's no idiot. He's intuitive, a quick thinker, and generally, he's an excellent judge of character. Which is exactly why he protested Gareth's decision to drag Steve Harrington, the former King of Hawkins High and current King of Don't Fuck With Me, to lunch with Hellfire.

Jeff and Freak are both genuinely terrified to have His Royal Highness picking at subpar mashed potatoes in the uncomfortable plastic chair across from them; to his credit, Steve Harrington seemed unbothered by the situation, even as Princess Nancy Wheeler and her own little pet outcast Jonathan pass him on the way to their own table. Eddie watches with growing interest as Steve boredly ignores Nancy's attempt to catch his eye (it's almost hilarious- he'd been at the Halloween party last month where Nancy got absolutely shitfaced and then screamed at Steve in front of the entire student body, and yet here they are, Nancy trying awkwardly to speak to Steve and Steve resolutely going about his business).

Gareth stammers through a story about their latest DnD campaign, his round face practically glowing with excitement as he uses the peas on his tray to illustrate what their party had been up against. Eddie fully expects Steve to say something rude, dousing Gareth's smile and deserving every bit of ire Eddie can muster, but Steve just smiles at Gareth and ruffles his hand through the unkempt curls Eddie's been trying to get Gareth to take care of.

From there it only gets weirder. Steve seems to have taken a real shine to Gareth and is nothing short of a perfect gentleman to Jeff and Freak, but he loves to bicker with Eddie. Honestly, Eddie's impressed at just how much Steve seems to like bitching at people.

Steve is also surprisingly responsible? After that first lunch, Steve is around all the time; he shows up to Hellfire meetings with his backpack full of homework and a Tupperware full of something delicious (Eddie had nearly cried the first time he took a bite of Steve's macaroni), only to completely ignore their entire session to study. Occasionally, the walkie Steve carries with him whenever they aren't in school will crackle to life, and Steve will make himself scarce pretty quickly.

Overall, Steve is awesome. Eddie hates to admit it, but watching such a prim and proper guy emotionally destroy someone for commenting on Freak's size, and Eddie just knows that the damage done to Tommy Hagan's car after Gareth showed up to Hellfire with a busted lip and glassy eyes was Steve's fault.

========

Steve is actually really enjoying his time in Hellfire. He doesn't really mention it to the kids, and both Nancy and Jonathan are still avoiding him, so Steve sees it as a win: he gets to make friends who haven't seen him get his ass beat by interdimensional horrorterrors that have ruined dogs and flowers for him forever, he gets to learn more about the game his new little brother is obsessed with, and innocent kids don't have to bear the brunt of King Billy's reign of terror.

Gareth decides almost instantly that he likes Steve; not only because he saved Gareth from bullies or brings them food better even than Wayne Munson's, but because Steve always listens to his DnD stories. Jeff and Freak (who Steve will only refer to by his Government Name, Melvin) grow to like him as well, not at all encouraged by the food Steve brings or (on one memorable occasion) the incredibly realistic melee weapon, straight out of a flick like Red Dawn, that they found under his seat one day.

[elllisaaa]

YOU SHOULD DO FILMING A SEX TAPE WITH ENHYPEN

yes yes yes !! the only downside of me thinking about this too much is that now i have the increasing need to write a full fanfic about filming a sextape with heeseung

HEESEUNG gets hard the second you mention the possibility of filming a sextape. he strikes me as someone who would fucking love to receive and send nudes, so having videos of the two of you would feel even better. it’s perfect for when he’s away on tour too, because he’s a visualizer and he cannot cum if he doesn’t hear your pretty moans. he’s basically down for doing everything on camera, and he will even end up creating a special folder just for these videos. he has some close up of your pussy covered in his cum, of you drooling around his cock, of your cunt swallowing his big cock. i think he’d also tease a whole lot more, being cocky about the whole situation even if he’s the one losing his mind every time he watches the footage again. anyway, he’s on the nasty side.

“- open your mouth for me pretty, show me how much of a slut you are for me… yeah, just like that.” 

JAY would literally do anything for you, so of course he is going to say yes. i don’t think he would particularly into it himself, but how much it is turning you on is what makes him hard. he’s the definition of a service dom, so it isn’t surprising. he’ll talk about it with for hours before actually doing it so that he can be sure he will fulfill your desires perfectly. and there will also definitely be a much more romantic dimension - footage of your face when he’s making you cum, of him while he’s worshiping your body and you’re the one holding the camera, or of your whole body on full display while he’s fingering you. your fantasy will slowly grow on him though. 

“- you look so beautiful, princess. i love you so much.”

JAKE is a whore, of course he’s saying yes. actually, he will surely be the one to ask you about filming a sextape, something he had always wanted to try. he’s horny all the time, and even more when he’s stressed out and far away from you - some videos of the two of you are not a want, they’re a need. though the content is a little different from the one his two hyungs like, in the sense that jake loves when you’re on top, and that’s what he wanna see when he needs to jerk off. videos of you riding him, of him whining pathetically when you’re edging him, of your hand on his cock while you’re telling him that he’s your toy. he wouldn’t be against having some footage of him destroying your pussy too, but you domming him is always what gets him going the most.

“- fuck, you’re so tight… please, let me cum inside and film it dripping from your pussy… please.”

SUNGHOON is so cocky about it, it’s actually infuriating how confident he is. the whole time you’re discussing it with him, he has that smirk on his face, and maybe he’s even sitting on the couch and manspreading and and and ! anyway, he’s down for it as long as you beg - it’s not that he’s against the idea, it’s just that he loves to see you get down on your knees for him. the majority of the videos consist of showing how much of a slut you are : ones of you being ruined from behind, of you grinding against his thigh with tears in your eyes, and of your eyes rolling to the back of your head just because of his fingers. he’s sending you those footage at the worst moments because he loves it when you’re all needy for him, he just wants to see you go crazy on him.

“- that’s it darling, fuck yourself on my cock like the dumb girl you are.”

JUNGWON is not very big on nudes, he prefers the real thing or to call you if he’s really in need of a quick release, so you’ll have to be the one to bring up the thought. but once you do, he’s actually down to try it with you. i can’t see him loving it as much as the others, but once in a while, it’s something he enjoys. with him, it’s mostly short videos focused on your boobs bouncing with each one of his thrusts, or of his cock buried deep in your cunt when he’s barely moving. what turns him on the most about it are the sounds the both of you are making. 

“- you feel so good, baby, don’t stop… say my name again.”

SUNOO is so shy at first, he’s really hesitant because he doesn’t want to disappoint you if the videos turn out to be bad. but he’s trusting you with his life, and he knows you will stop as soon as he asks you to do so. as much as he is a pillow prince, he will make the videos all about you and your pleasure. his favorite footage is the one in which he’s eating you out like a starved man and you’re moaning his name like a prayer. there will also be some shots of you caressing him while filming everything through the reflection of the mirror, or of his hands running your body up and down. he mostly does it for you because he knows how much you miss him when he’s away, but he gets to cum every time so he loves it too. 

“- i want you to remember how good it feels everytime you rewatch this.”

[fettuccin-e]

Man in the Mirror

Kinktober Day 19: Voyeurism

Tags: Marc Spector x Reader x Steven Grant, afab!fem!reader, consensual voyeurism, unprotected piv (pls wrap it in real life omg), dirty talk, slight degradation, Steven watches Marc fuck you through a mirror idk what to tell you (w/c: 1K)

A/N: Back with the boys because I love them and I cannot help myself okay!!! And this is consensual, even though Steven doesn't exactly know it at the beginning, he just thinks he's being a perv. But in my fics, everyone is a perv alright! (this month I have been using these prompts from flightlessangelwings!)

Steven knows it’s wrong, God, it’s fucking wrong, but it’s like he can’t stop himself.

There’s something about the way Marc fucks you, the way you scrabble at the bedsheets when the shoves you into a lewd arch, his hand pressing into your back. The way you moan for it, heaving breaths into your lungs. It’s the way Marc talks to you through it, talking to you like you’re the filthy one, like you’re the one who’s desperate for it, even though Steven knows it’s both of you.

“God damn, baby,” Marc snarls, fucking into you hard enough that tears are starting to leak down your cheeks. “You’re fucking sucking me in, sweetheart. Feels good, huh? Getting fucked like you need?”

“Yes, fuck, yes,” you gasp through the moans he forces out of your mouth with every thrust. “It’s so fucking good, Marc, you’re so fucking deep.”

Steven should stop, right now. Go hide in the headspace, go to sleep and let you both have some privacy. Fuck, he's as naked as Marc is right now, he should feel exposed, have some god damn decency. But it’s like he’s stuck in place, staring in through the mirror as Marc rips you apart in ways he’s never dreamed to. It’s fucking addicting to watch the way your eyes roll back, the way your ass smacks back against Marc every time he shoves himself in, in, in. He reaches down to his bare cock and squeezes, unable to help it.

You’d only put this mirror up a week ago, and he hadn't even thought about the positioning of it. It’s placed on the wall right across from the foot of your bed, and fuck, he can see everything. He hadn’t noticed, hadn’t thought about this view when he had helped you set it straight, Marc coming into view in the reflection and smirking at Steven like he knew something he didn’t. Steven had brushed it off.

He shouldn’t have fucking brushed it off.

Because he’s sure, almost fucking positive, that Marc had somehow known. He’d known that Steven would watch, just like this, how Marc takes care of their girl. How he destroys you in ways that Steven can’t even think up on his own. It’s a special kind of torture, seeing you like this and not feeling it, not feeling you.

Marc’s thrusts are brutal, violent like the man himself. He treats you with so much care normally, Steven has seen it, but this isn’t gentle in the least. And you love it, crying out and drooling onto your sheets as Marc rips you to pieces, pulling you back onto his cock with thick fingers digging hard into your hips. He’s not sure how long he’s been watching intently, unable to tear his gaze away, when he sees Marc’s head snap up.

Looking right fucking at him.

Steven should go, disappear from the consciousness entirely, but it’s like he’s glued to the spot, his gaze locked with Marc’s. Marc’s thrusts don’t stutter, don’t stop, and you’re blissfully unaware as Marc watches Steven watch you.

Until Marc grins like the bastard he is, and leans down to mutter, just loud enough for Steven to hear, “Guess who’s here, gorgeous?”

“Wh-what?” you gasp through Marc’s unrelenting thrusts.

“He’s watching, baby,” Marc smiles, glancing up at Steven. “Just like you wanted.”

You wanted- you wanted? Steven’s breath catches in his throat, he’s pretty sure his heart stops fucking beating. 

“Steven,” you moan like it’s been punched out of you. “Steven’s here.”

“He’s watchin’ in that mirror you put up, sweetheart,” Marc says, “Watching me fuck you.” Steven is flushed beet-red, he knows it, but still, he watches. “Look at him, baby,” Marc growls, “Fucking look at him.”

Marc reaches up and curls a fist into your hair, tugging your head up to look straight into the mirror, straight at Steven. And God, you’re beautiful, tears falling down your face, your lips plump from the way you’ve been biting at them. You can’t see him, Steven knows that, but you look anyway, like you really can.

“She wanted this,” Marc snarls, and you clench your eyes shut, like you want to hide from Steven’s gaze. “She put that mirror up, hoping you’d watch like this. Wanted me to watch you both too, Steven.” You whine, and Marc’s thrusts seem to get even harder. “Our baby’s a little slut, just wants someone to watch her get fucked, isn’t that right, honey?”

“Your-” you gasp, staring into the mirror, like you’re talking to Steven, too. “Your slut, fuck, just yours.”

Marc fucking growls, his hips driving his cock into you. Steven can hear the way your pussy squishes around him, so wet you’re dripping down onto the sheets beneath you. Your body is covered in sweat, glinting in the light, practically glowing.

“Gonna let him fuck you after this, baby?” Marc grits, “Fucking whore for this cock, can’t get enough.” You slur a stream of yesyesyesyes as Marc reaches beneath you to start rubbing furiously at your clit, and you tremble beneath him.

“C’mon, gorgeous, cum for me.” Marc glances up at Steven. “Cum for both of us.”

Your eyes go wide, your mouth gaping open around a silent scream as you gush down Marc’s cock, body shaking as Marc fucks you through it, letting out a strangled groan of his own. Steven is hard as a fucking rock, straining against his stomach, begging for your touch. He watches as Marc thrusts deep and stills, his eyelids fluttering as he pumps you full of his cum.

You slump into the sheets, and Marc slides out of you, leaning down to kiss down your spine, muttering little praises of “such a good girl,” and “took it so well, looked so pretty,” into your skin. You roll onto your back, tugging Marc down to press a gentle kiss to his lips. Marc smiles against your mouth, and Steven feels that familiar pull to the front.

He shuts his eyes, and when he blinks them open again, you’re smiling up at him, reaching up to brush a reverent hand across his jaw.

“Enjoyed the show?” you whisper, and Steven can’t help the way he grins, the way his heart flutters.

“More than you know, darling,” he mutters, and leans to lick into your mouth. “Got to give Marc a show now, yeah?”

[lostfracturess]

symptoms and causes | ch. 16

pairing — professor gojo x med student reader

summary — he's arrogant, self-centered, and he's your professor. renowned for his brilliance in neurosurgery and infamous for his allure. too bad you have to work with him on this research team. now you're stuck with dr. satoru gojo, delving into the complexities of both the brain and the heart — and of how far you'd go for a love that could destroy not only him but you as well.

word count — 11.5 k

warnings — 18+ ONLY. contains explicit sexual content, substance and alcohol abuse, dark themes, unhealthy relationships, codependency, trauma, medical content and mentions of death, illness, abuse, and blood. full trigger warnings available on the masterlist. reader discretion is advised.

previously — unable to watch satoru turn to his abusive family for help with naoya's massive lawsuit, you're heading to his party against satoru's wishes, hoping to find something, anything, that might help his situation. but what happens when satoru decides to crash the party? and what will you find in that locked room?

author's note — hello lovelies, welcome back !! this chapter picks up right where we left off, but through satoru's eyes this time. also important note: this chapter contains a brief mention of SA concerning a background event not related to any of our main characters. as always, please mind all trigger warnings. and now enjoy the chaos <3

series masterlist + playlist + ao3 + wattpad

<- prev chapter | next chapter ->

I saw her the moment I stepped into that goddamn party, and everything inside me went still. 

Like that moment right before you drown, when the water first fills your lungs and the world goes quiet. Terrifying and so still.

She stood there under those cheap neon lights, looking scared and yet so beautiful—beautiful in that terrible way that makes you want to destroy something, that makes you want to tear it apart just to prove it's real.

Every fiber of my being screamed to go to her, to grab her and get her the hell out of here. Away from this place, away from him, away from all of it. 

But I couldn't move. Couldn't let the mask slip, not here, not with all these eyes on me. So I plastered on that easy smile and played the part of the mildly annoyed professor who just happened to crash a student party.

As if my skin wasn't crawling with the need to use again, veins begging for something—anything—to take the edge off. As if the mere sight of her didn't make me feel like someone had reached into my chest and ripped my fucking heart out, her next breath away from something I might regret.

She looked up at me with those pretty eyes of hers, and I saw the guilt there, swimming just beneath the surface. And for one horrible moment I thought, Good. Let it pull her under like it's pulling me. Let it fill her lungs the way fear is filling mine.

I almost hated her then — for lying to me again and again, for doing stupid things behind my back again and again, for making me feel this goddamn helpless again and again and again and fucking again.

But what lay beneath was worse. Because I knew why she was here. Always trying to save me, even if it meant throwing herself into the deep end, drowning right alongside me. And that's the worst kind of torture, isn't it? 

Watching the person you love cut themselves open on all your broken pieces, bleeding themselves dry, yet still reaching for more. And that thought made me want to scream.

"We'll talk about this later," I said, forcing that easy smile back onto my face though everything inside me was screaming to get her out of this goddamn house before she got herself into more trouble. "Now, if you'll excuse me, I think I need a drink."

I pushed past her, shoulder grazing hers, and I had to clench my fists to keep from turning back. Had to bite my tongue until I tasted blood to keep from saying something I couldn't take back. She had no idea what she did to me. Or maybe she did, and that was even worse.

Love and hate tangled together in my chest until I couldn't breathe. Because that's what she does to me — makes me feel everything at once, until I can't tell what's real anymore. Until I can't tell if I want to love her or ruin her. Until I can't remember which one would hurt more. Who I was before her. If I was anyone at all.

And it hit me then, as I left her standing there, all defiance and reckless stupidity and so unbearably precious it physically hurt—this must be what they mean when they say love and hate are two sides of the same coin. Because I loved her so much it felt like hatred. Hated her so deeply it could only be love.

Always on the razor's edge. One wrong step, and we'd both bleed out. Maybe we already were.

When was the last time I even went to a party like this anyway? Years ago, probably. Back when I could still pretend I had my shit together. Before I understood what it meant to love someone so consuming that self-destruction became a form of worship.

I needed a drink. Maybe ten. Maybe something stronger. 

Bass thundered through the floorboards as I shouldered my way deeper into the house, some shitty pop track slamming in my skull. Or maybe that was just the rage still burning in my bloodstream.

Sweaty bodies pressed in on all sides, but I barely noticed, lost in the chaos raging in my head. Lost in the desperate need scratching at my throat to turn back, to find her, to make sure she hadn't slipped away like every other good thing in my life.

I ordered vodka. First sip burned, but not enough. Never enough to wash away the fear, to forget that she was here, in this house, with him. The same bastard who'd tried to—My grip tightened on the glass. Yeah. Definitely needed something stronger. Here's hoping these kids still remember how to party.

"Professor Gojo! No way!"

A group of my students appeared beside me at the bar, their faces flushed with alcohol. Aoi, of course—that kid was everywhere. And Miwa, looking starstruck as always. Just my fucking luck.

"Is this what you all do instead of studying for my exams?" I asked, letting that easy smile slide into place.

"Come on, Prof, we've been killing ourselves over your damned hard exams," Miwa chimed in, all bright eyes and alcohol courage. "We deserve a break."

I let myself slip into the familiar role. The cool professor. The guy everyone wants to hang with. It was easier than I expected, letting their drunken energy wash over me, cracking jokes, making them laugh. Almost enough to wash out the withdrawal that made it nearly impossible to think straight. Almost enough to forget why I was really here. Almost.

Aoi was rambling about something, but I wasn't listening. Instead, I turned slightly, catching her gaze across the room. She looked at me like she wanted to kill me. Funny, how we wanted the same thing sometimes.

My woman. My stubborn, reckless, absolutely infuriating woman. Even now, with me watching her from across the room, I could see that defiance bright in her eyes. Even now, even here, in defiance of everything I'd asked of her, she stood her ground. 

It was admirable, really. And sometimes, that very defiance made me want to break her. Perhaps only to prove I could. To prove she wasn't in control. Perhaps because I was terrified that I wasn't. That I never was.

It's terrifying how thin that line is.

"See? Fucking legend!" Aoi raised his beer, at something I said, I think. I can't remember. Something clever, probably. Something that fits the role. "To the coolest professor on campus!" 

I raised my glass, I think. I can't remember. And that's when I caught sight of them by the front entrance. Suguru walked up to her, still standing where I'd left her, and cradled her face in his hands, tilting it up to meet his gaze. My god, could he be any more obvious about it?

I knew that look in his eyes. Had seen it countless times before, during all those long hours in the lab when he thought I wasn't paying attention. The way he'd lean in close to check her work, his hand lingering on her shoulder a moment too long. The way his eyes would follow her every move.

My best friend, in love with the love of my life. What a sick fucking joke.

He was examining her face now, probably making sure she was alright, being the good, caring friend he always was. His thumb brushed across her cheek, and something violent stirred in my gut. Because she didn't pull away. Of course she didn't. She never did, not with him.

They looked good together, standing there in the dim light. The brilliant researcher and his gifted student. No addiction between them. No sharp edges that sliced you open if you got too close. And I hated that.

I watched as she placed her hand over his, the gesture unbearably tender. Watched as he smiled down at her, that gentle smile he reserved only for her.

And just for a moment — one single, agonizing moment — I let myself picture a world where I hadn't reached her first. Where she'd chosen him instead. The better man. The one who'd never drag her down into his own personal hell.

The thoughts spiraled darker, louder, until I could barely breathe through the noise. Glass creaked under my grip. I needed a fucking pill. Needed something, anything, to make this stop. To make everything just fucking stop.

"Professor?" Miwa’s voice. "You okay?"

More students crowded the bar, blocking my view of them. One of them—what was his name? Third-year, not a complete idiot—shoved another beer into my hand. I chugged it in one long pull, their chatter fading to background noise.

"Well." That voice. That fucking voice. "Look who decided to crash my party after all."

I turned, meeting Naoya's scarred face with a smile that was all teeth and no warmth. "Zenin. Quite the gathering you've got here."

"Indeed." He signaled the bartender. "I gotta say though, I'm surprised to see you here, Professor. Don't tell me you're playing chaperone tonight?"

His words stripped away any pretense. He knew. Of course he fucking knew why I was really here. Not that I'd been particularly subtle about it.

"Just felt like reliving my youth," I said, taking the drink he offered. Anything to keep my hands busy, to keep myself from finishing what I'd started with his face.

Zenin's smirk widened, the scars pulling his flesh into something even uglier. "Ah yes, the good old days. Back when teachers knew their place and didn't go around screwing their students."

The fake smile slid off my face, the glass creaking in my grip as I pictured how easily his windpipe would crumple under my hands. How satisfying it would be to watch that smirk disappear for good.

"Careful, Zenin. Your face is already fucked up enough as is. Would be a damn shame if something happened to what's left of it."

He laughed, the sound grating on my last nerve like nails on a chalkboard. "Always so protective. But tell me, Professor, does she know the real reason you're here? Does she know about the—"

"Enough," I bit out.

"Oh, did I hit a nerve?" His eyes flicked across the room, landing on her. The way he looked at her made my vision bleed red around the edges. "She really is something else, isn't she? Too bad I didn't get a chance to get her alone that night—"

My hand lashed out before I could think, fisting in his collar. The fabric bunched in my grip as I hauled him close enough to see my own fury reflected in his eyes. "You fucking—"

Then Suguru was there, his hand slamming down on the bar between us. Silent, steady—a wall between me and a one-way ticket to unemployment. He didn't say a word, just fixed me with that look. The one I'd explicitly asked for earlier. Stop me before I do something I'll regret.

Fuck, I was really starting to regret that request right about now.

Then I felt her—her touch impossibly gentle as she laid her hand on my bicep, the heat of her skin seeping through my shirt. She leaned in close, "Satoru, can we talk for a minute?"

Her soft plea sliced through the haze, and suddenly I became acutely aware of the deafening silence that had fallen over the room, of the countless eyes boring into us.

I uncurled my fingers from Naoya's collar one by one, even though everything in me screamed to finish what I'd started. To paint the walls with whatever was left of his face. But I couldn't. We both knew. So I stepped back and followed her.

─── ·✧· ───

She led me through the crowd, her fingers still wrapped so gently around my arm. We pushed our way past the prying eyes, down a hallway, until she found what looked like an empty office. Probably belonged to Naoya's father, judging by the dark wood and that rich people smell.

For a moment, we just stood there, neither of us willing to shatter the fragile silence. Moonlight sliced through the blinds, turning everything silver and strange, like we were underwater. Maybe we were. I wasn't sure anymore. Her hand slipped from my arm, and suddenly I felt cold.

I collapsed into the chair behind the desk, the leather groaning under my weight. She stood silhouetted at the window, arms wrapped tight around herself, and I had to look away. Had to focus on something else, because I knew one glance at those eyes and I'd break.

My fingers found the pill on their own. Out of habit, really. Without thinking, I snatched up the silver letter opener next to me and crushed the pill beneath it, watching the powder scatter across the polished wood like fresh snow. I bent down and let the burn fill my nose, sear through my brain, numbing everything in an instant. 

When I looked up, she was staring. Always fucking staring, with eyes that flayed me to the bone. And she did it so effortlessly. Saw through everyone around her with that unnerving precision. Or maybe she saw through everything so clearly because she looked for the very things she wanted to hide from others.

"That's new," she said. Not an accusation. I was glad it wasn't.

"It's faster."

I averted my gaze and sank deeper into the chair, letting my head fall back against the headrest as warmth flooded my veins and the ceiling blurred and shifted above me. And then everything went soft around the edges, like looking through frosted glass.

A long exhale escaped my lips. Finally—fucking finally—the constant noise in my head, all that shit I can't shut up—the love, the hate, the fucking terror of it all—it faded to a whisper. The world got a little quieter, a little less sharp. A little more bearable.

For one perfect moment, I could actually breathe. Could almost convince myself I was in control. That this wasn't killing me. That I could walk away if I had to. That I wasn't fucking terrified of losing her. Of becoming him. Of everything.

I groaned, fingers raking through my hair, pulling, needing the pain. My hands were shaking again. Or maybe they never stopped. I couldn't tell anymore.

"You're angry," she said.

"No shit. What gave it away?" I scrubbed my hands over my face. "You showing up here after I specifically fucking told you not to? Or me nearly rearranging Zenin's face again?"

"Satoru—"

"Don't." I squeezed my eyes shut, fingers yanking at my hair again, trembling worse now. From the drugs, the rage, the fear, who the fuck knew. It all bled together these days. "You have no idea what he'd do. If something happened—" I stopped. Couldn’t continue.

"I'm not alone," she said, like that made a difference. "Maki, Yuta, Toge—they're all with me. We're being careful."

"Careful?" I sat upright, forcing myself to meet her gaze. "There's nothing fucking careful about this! It's reckless! You shouldn't even be—"

"I'm doing this for you—"

"Don't." I cut her off. "Don't make this about me."

"But it is!" She stepped closer, eyes blazing. "What, you expect me to just stand by and watch? While you fall apart?"

"This isn't your problem to fix—"

"Like hell it isn't!" Another step. Her eyes seared into mine. "I can't fucking take it anymore. You're in this mess because of me. Because you protected me that night. So don't you dare tell me this isn't my problem to fix."

I stared at her, something in my chest fracturing. "You think that's why I'm doing this? Because I feel obligated?"

"I think you're trying to protect me, like you always do."

"Then don't make me protect you all the goddamn time!" I shoved up from the chair and braced my hands on the desk. "I beat him within an inch of his life that night. I would've killed him if—" My throat closed around the words. "And I'd do it again. In a fucking heartbeat. That's what scares the shit out of me. What I become when it comes to you."

She went still.

"And if he hurt you again," the words scraped out of me, "I—I don't know what I'd do. So please. Just please don't make me find out."

I said the words I'd been turning over in my head for what felt like eternity. Don't make me find out, don't put yourself in danger, don't break my fucking heart. Which really meant break me all you want, just don't leave. I wouldn't survive it.

Her gaze dropped briefly to my hands, and she said, "You done?" 

Her question threw me. Done? God, this infuriating woman. But then I followed her line of sight and saw my hands clenched into white-knuckled fists around the desk’s edge. I slowly released them, my knuckles cracking in the sudden stillness.

I slumped back into the chair, exhausted, defeated, throwing an arm over my eyes. "God, I fucking hate you." The way she stood there, unflinching, unafraid—it made me insane. "I hate that you make me feel like this—so fucking terrified all the time."

"You don't hate me," she said.

"Sometimes I'm not so sure anymore," I answered.

How does it never get easier, I wondered. Loving her. Needing her. It just cuts deeper, spreads further, until I'm drowning in the ache. Until I can't breathe without feeling it in my lungs. And yeah, I hate her for that sometimes.

I couldn't look at her. I knew she'd be there, unyielding, waiting, enduring everything I threw at her, as she always did. Never breaking. Maybe that's what I hated most.

"You're so fucking stupid," I breathed, but it came out wrong. Too soft. Too much like 'I love you'. Too much like 'Please don't leave.' 

"I think that's mutual." She crossed the room then and leaned against the desk, arms folded over her chest. "I'm sorry I lied to you."

I lowered my arm and looked at her. "No, you're not."

"I am sorry for worrying you," she tried again, and I almost believed her, wishing desperately that she'd never have to worry about anything the way I worry about her. "Go ahead, say it. Tell me how stupid I was to come here. I know you're dying to."

"Why would you think that?"

She kept her eyes fixed on the floor. "Because it's true. I make the wrong choice every fucking time."

I watched her, this brilliant, stubborn woman that I love so much, beating herself up over choices that weren't really choices at all—just impossible situations with no right answers. Like there was ever a right answer. And sometimes she reminded me so much of myself. As if I hadn't spent years doing the same thing, and probably still do.

But seeing her do it—it was like staring into a mirror and seeing not just my reflection, but the reflection of everything I hated about myself.

"I think that's mutual," I echoed her words back to her.

With a heavy sigh, I pushed up from the chair, gripping the edge of the desk for a second. Then I reached for her, hands landing on her hips, tugging her close, needing her close. My lips ghosted over hers. Hesitant. Unsure. When she didn't pull away, I kissed her. My hand came up to cradle her face, thumb skimming her cheekbone as I deepened the kiss.

"Alright, what's the plan?" I murmured against her mouth.

She told me about the locked room upstairs and her plan to get it. So calm. She told it so calm. Like it was that simple. Like this wasn't the most insane thing I'd ever heard. But I knew she'd go through with it no matter what I said.

"You seriously think I'm gonna let you anywhere near him with alcohol involved?"

"No," she said. "I think you're going to help me."

"Times like this, I'm really feeling that age difference between us," I said, but we both heard the resignation in my voice. The moment I'd already lost this fight.

"So you'll help?" she asked, ignoring my comment.

Before she could celebrate her victory, I yanked her closer, fingers twisting in her hair. With a sharp tug, I forced her head back until she had no choice but to meet my gaze, her throat bared. Our eyes locked, and I saw the instant her breath hitched.

"On one condition."

"What's that?"

"When we get home, you're gonna make it up to me for all the stress you've caused. Got it?"

"Is that really how you want to play this?"

"Oh, love, I think we're way past propriety at this point."

A shiver ran through her — one that made me almost smile. I could feel her pulse racing beneath my fingertips, could feel the way she melted into me despite herself. It almost made this whole mess worth it.

"Now then." I pulled back just far enough to look her in the eye. "let's have some fun, shall we?"

─── ·✧· ───

So, here's the fun story about how I ended up playing beer pong with my arch-nemesis (besides Sukuna, that is) against my future lovely wife and some chemistry nerd who wouldn't shut up about covalent bonds. Not exactly the Saturday night I had in mind.

I mean, here I was, standing next to Naoya — yeah, the same guy whose face I'd rearranged a few months back — trying to aim at red plastic cups while you were absolutely wiping the floor with us. Turns out that whole '10 years of grief training in alcoholism over your dead father' wasn't just a cute phrase you threw around. Who would've thought?

But really, trying to out-drink an opioid addict? That's like challenging a fish to a swimming contest. Except the fish is in heavy withdrawal. So like, with no fin. Not my finest analogy. I blame the alcohol. What was my point again?

Anyway. Most annoying part? This chemistry department kid with these wide, bright eyes wouldn't stop talking to you about molecular structures. And you were actually entertaining him. At a party. About electron transfers. Of all the insufferable things.

"So if you consider the aromatic compounds—" he was saying, and I swear on my medical license, I didn't mean for the ball to hit him. And I definitely didn't mean for it to hit him that hard. Pure accident, really. 

The ball bounced off his shoulder, effectively shutting him up. They both turned to look at me. "Molecular restructuring in organic compounds? Really?" I shrugged. "At a party?"

She shot me that look. You know the one. The classic 'I-can't-believe-I'm-sleeping-with-this-idiot' glare. It's become quite familiar these days.

"Trouble in paradise?" Naoya said beside me, and I briefly considered rearranging his face again. For symmetry's sake, of course.

But then she bent over to pick up the ball, and suddenly organic chemistry was the furthest thing from my mind. I definitely shouldn't have let her leave the house in that skirt. Though knowing her, she probably wore it just to torture me. 

"Getting distracted, Professor?" she said, straightening up with that little smile that never fails to make me want to do wildly inappropriate things to her in very public places. She leaned across the table, deliberately tapping one of our cups with her finger, giving me her most innocent eyes. Because apparently, driving me insane was her new favorite pastime.

"Me?" I lifted the red cup she'd tapped to my lips, taking my sweet time with the drink, my eyes never leaving hers. "Never."

And somewhere in the haze of beer and the way she was looking at me, I tried to remember why the hell we were even here. Oh right—something about stealing keys. Real professional operation we've got going here. The medical board would be so proud. Their star surgeon, reduced to playing beer pong as a distraction tactic. 

Naoya's keys were right there on the table, practically screaming to be grabbed. But between her legs in that skirt and the way she kept biting her lip every time she lined up a shot, I found myself giving fewer and fewer shits about saving my career and more about how quickly I could get her alone. Priorities. I clearly had them. Alcohol might have scrambled them a bit, I guess.

I caught a glimpse of Suguru standing off to the side of the beer pong table. He was pinching the bridge of his nose, his eyes darting back and forth between me and her like he was watching the world's most stressful tennis match. I really owed him one for putting up with this shit.

Near the chemistry kid, a girl approached who looked a bit like Higurama's intern—though I wasn't entirely sure. She looked different, wearing makeup and dressed up. But that couldn't be her. She'd avoid places with flashing lights because of her epilepsy. I must be seeing things.

Then Naoya, because clearly this shitshow wasn't enough of a disaster already, decided to "level up the process." He snapped his fingers at a passing bartender, and before I could process what the fuck was happening, there was a tray of perfectly lined up tequila shots on the table. Complete with cinnamon and orange slices, because apparently, we're keeping it classy while trying to get my future wife drunk.

"New rule," Naoya announced, his scarred face pulling into what I can only assume was meant to be a grin. "Next shot I sink, you drink both. Beer and tequila."

I glanced over at her, my gut churning. Not from the alcohol—it'd take a hell of a lot more than this to get me there—but from the way she met Naoya's challenge with a nod. That stubborn tilt of her chin that always meant trouble. My palms started to sweat.

Of course, Naoya's ball dropped perfectly into her cup. Because the universe really does have a sick sense of humor.

Watching her reach for both drinks, I found myself wondering what the medical board would be more pissed about — me playing drinking games with students, screwing one of my students, or the fact that I was seriously considering murder. Again.

Then, by some physics-defying miracle or sheer dumb luck, the chemistry kid actually landed a shot. He looked as shocked as the rest of us when the ball plopped into Naoya's cup. But it was her next shot that really got my attention — perfect arc, clean landing, like she'd been doing this her whole damn life.

"Drink up, Professor," she said, but there was something different in her voice.

She reached for the tequila, and then—fuck me—propped one leg up on a nearby beer crate, the motion making her skirt ride up just enough to flash a strip of skin above her tights. Wait. Those weren't tights. Those were fucking stockings.

My brain short-circuited as I realized she'd been walking around all night in stockings. Actual stockings, with what I knew had to be a garter belt hidden under that criminally short skirt. The same spot where she was now deliberately sprinkling cinnamon.

The sight of that exposed sliver of skin between stocking and skirt made my blood boil. When the hell had she even bought those? Had she worn them just for tonight, knowing they'd make me lose my goddamn mind? Was she trying to get herself killed?

Because right now, watching her purposely dust cinnamon on that band of exposed skin, I wasn't sure if I wanted to murder her or fuck her. Probably both. My mouth went dry, and it had fuck-all to do with the alcohol.

"Well?" She tilted her head, all innocence except for that knowing look in her eyes. "Coming to get your tequila?" 

Like she had to ask twice. Yet I hesitated. With all these people watching? What was she playing at? It was reckless, careless, like she was deliberately trying to expose us. It was power play, a challenge. And I knew, that she knew, that I couldn't resist.

A slow smile spread across my face as I sank to one knee before her, the crowd fading into a blur of noise. All that mattered was her—the way her breath hitched as I gripped her calf, the way she tensed as she realized that I made a whole show for her (poor girl didn’t expect that now, did she?)—the feel of her skin on my tongue.

I took my sweet time with the cinnamon, letting my tongue glide over the exposed strip of flesh, feeling her shiver. My teeth grazed her skin, just enough to draw a soft gasp from her lips. If she wanted a show, I'd give her a show. And part of me wanted to shove that skirt higher, to chase that taste of salt and cinnamon further up her thigh until—

Focus. Fucking focus.

I straightened, stepping into her space. She held an orange slice in one hand, the shot glass in the other, and I couldn't help but notice how her pupils had blown wide, how her chest rose and fell just a little faster than normal.

I plucked the orange from her fingers with my teeth, my lips brushing her skin, then took the shot glass, using the movement to press closer, my mouth right by her ear, "What exactly is your plan here?"

"Create distraction," she breathed back.

God help me, but it was working. I was definitely distracted. Whole damn crowd was distracted. And watching her play this game—watching her play me—was probably the hottest and most infuriating thing I'd ever experienced. And I'm pretty sure everyone could see I was hard too.

"You're distracting the wrong audience," I whispered before knocking back the shot.

In the midst of trying to control my homicidal urges over those goddamn stockings, she caught my eye and subtly jerked her head. I turned, making it look like I was just checking something, and spotted them—Zenin, Okkotsu, and Inumaki hovering on the other side of the table behind Naoya, waiting for their chance. 

Right. The keys. The whole reason we were here. I almost forgot.

The game continued, the tension building with each shot. We were down to the last round — winner takes all. That's when she decided to really test my patience.

"Let's make this more interesting," she announced, her voice carrying over the crowd. "Losers jump in the pool." A pause, then because apparently she was hell-bent on giving me a coronary. "No clothes."

"You wouldn’t dare," Naoya scoffed.

"Try me," she replied. 

I shot her a warning look. She subtly chewed on her bottom lip, meeting my gaze with an unnerving calm, perhaps her way of saying everything's gonna be okay. It did little to ease the knot in my stomach.

One shot left. If she made this, Naoya and I would be stripping down for a midnight dip. If she missed—

I tried not to think about her in that pool. Tried not to think about those stockings getting soaked. Tried not to think about murdering every sorry bastard who might lay eyes on her. Either way, this woman was going to be the death of me. If I didn't kill her first.

Naoya landed his shot, fucking prick. I missed mine for obvious reasons. Chemistry kid missed too, leaving everything on her shoulders. The ball left her hand, arcing through the air in what felt like slow motion. It circled the rim, then rolled away.

The crowd went wild. Naoya's victory smirk made me want to punch his face in. I glanced over at her, wondering for a second if she'd missed on purpose. But there was no time for that.

"Well?" Naoya's voice. "I believe the losers owe us a show."

"The game wasn't exactly fair—" I started, but she cut me off.

"Isn’t this what you’ve always wanted, Naoya?" She turned to him, her words sharp. "To see me undress without having to drug me first?"

The crowd went dead silent. Naoya's scarred face contorted into something ugly. "Watch your mouth, little girl. You're not as untouchable as you think."

"And you're pathetic," she spat back, then turned away from him. "At least I get to choose when I undress, right?”

She started walking toward the pool, each step deliberate, commanding. I followed, caught between pride and sheer terror at what she was about to do. At the edge, she turned back to me.

"Don't," I pleaded, but she was already reaching for the hem of her skirt. It fell, revealing the dark lace of her stockings. Then her top followed, and I stepped closer, trying to shield her from the leering eyes.

"This is insane." But my protest died as she stood there in only black lace, and then I saw them—the bruises from the fire still painted across her waist and ribs. Dark purple and yellow marks that hadn't yet faded, cruel reminder of how close I'd come to losing her.

The sight sobered me instantly. Something twisted in my chest, sharp and painful. The bruises I'd carefully tended to, the ones that still made her wince when I changed her bandages—on full display for this crowd of drunk idiots, turned into a spectacle.

"Please," I begged, my voice barely audible. "Don't do this."

She met my gaze, and for a fleeting moment, I thought I’d reached her. But then that smile—the one that sealed my fate—touched her lips. "Sorry, Professor," she whispered, and then she was gone, falling backward into the pool, taking a piece of me with her.

The splash echoed in my ears like a gunshot, and I was already shrugging off my jacket, ready to either dive in after her or use it to cover her when she surfaced. A cold, hard fury settled in my gut. Naoya was going to pay for this.

The crowd roared as she surfaced, her hair plastered to her face, water tracing the curves of her body beneath the soaked lace. Our eyes met across the distance, me standing at the pool's edge, and I didn’t bother to hide my disappointment. Something flickered across her face—regret maybe, or shame—before she looked away.

Hell broke loose. Bodies crashed into the water, sending waves across the pool. Even Naoya stripped off his shirt and dove in, reveling in the attention. The whole party seemed to shift to the pool in a matter of seconds — clothes flying, drinks splashing, the pristine water turning into a churning mess. 

Perfect distraction.

But I barely registered any of it, my world had narrowed to her. I watched as she climbed out, leaving a trail of wet footprints on the concrete, practically sprinting past me, her gaze fixed on the floor, while water dripped from her hair, her skin, the dark lace clinging to her form.

Behind her, the pool had turned into chaos — exactly what she'd planned, I realized. 

I gathered her clothes from where they'd fallen and followed her inside. I caught a glimpse of Okkotsu's quick movements near the discarded clothes by the pool. 

Well played.

─── ·✧· ───

Her dripping form drew curious eyes as we moved through the foyer. Each step felt like a penance—hers for the recklessness, mine for letting it happen. Heads turned, conversations died, the sudden silence punctuated only by the soft drip, drip, drip of water from her hair.

Kento’s face flashed past, but I barely registered him. No doubt he'd give me shit about it at the university later, like he didn't already know something was up with me and her.

I wrapped my jacket around her shivering shoulders, fighting the desperate urge to reach for the opioids hidden in my pocket. Withdrawal, guilt, and fury burned together in my veins, making me want to crawl out of my own skin. 

I stepped in front of her, partly to block all those eyes on her, partly to hide how bad my hands were shaking. None of it was worth it. Not the keys, not avoiding my parents, none of it. How did we end up here? How did I allow things to get to this point?

Upstairs, she dressed quickly, water still dripping from her hair, leaving damp patches on her clothes.

"Are you cold?" 

"I'm okay," she said, avoiding my gaze. 

She was shaking. I could see the goosebumps on her arms. "You're shivering," I said and reached for her, but she pulled away.

“I’m fine, really.”

Despite her words, I pulled her close. She didn't resist this time, tilting her face up to mine. Her eyes were bright, and for a second, I thought she might cry. The world could have been watching, for all I cared. If those tears fell, it would be my undoing.

And then I thought of everything she'd done, everything she'd had to do—for me. My twenty-four-year-old student, forced to protect me from my own damn parents, to beg for my own money. Because I’d hit a guy who tried to hurt her. Why was it all so fucked up?

The high was long gone, leaving this gaping hole. My limbs felt heavy, detached, like they belonged to a stranger, unable to reach out and fix what I’d broken. And we were so far from where we started.

"You're disappointed," she finally said. She wasn't asking.

"We should leave." Because I couldn't bear to watch her sacrifice one more piece of herself for me.

"You can leave."

Before I could say anything back, Zenin came bursting into our corner, Okkotsu and Inumaki right behind her, her eyes all lit up. "That was fucking insane!" she yelled, waving something around—Naoya's keys. "But it worked! I can't believe it actually—" She stopped short, finally noticing the tension between us.

The win felt empty. Yeah, we got what we came for. But what did it cost? Looking at her, still shivering a little in my jacket, I wasn't so sure it was worth it. I was supposed to protect her. Instead, I just kept watching her throw herself in the fire for me. 

Some professor I was. Some man I was.

Strange how winning can feel so much like losing, especially when you realize you're not the one paying the price.

─── ·✧· ───

I stayed outside Naoya's room, playing lookout. At least that's what I told them. Truth was, I couldn't stand being in there, couldn't bear being near her, watching her fight my battles while I was barely holding myself together.

The itch under my skin had spread, making my whole body crawl with invisible insects while she did the dirty work. Even after everything, she was still trying to save me. 

And I was still letting her.

I slid down the wall, my head hitting the floor. How did we end up here? What the fuck were we doing? What the fuck was I doing?

I'm thirty-five years old, for fuck's sake. Why was I acting like a goddamn teenager? I should've stopped her, shouldn't have let her leave the house to begin with, should've been the adult. But instead, I let it happen, standing by and watching where it led. Again.

This whole situation was insane. We were in too deep, and I knew it. But I couldn't seem to find my way out, couldn't seem to stop this trainwreck we were on. It was like I was watching it all happen from outside my own body, powerless to change course.

What kind of man was I? What kind of professor? I was supposed to be her mentor, her… something more. Instead, I was dragging her down with me.

I thought back to that night, the one that started it all. The night I found her in the lab, working late, hunched over her microscope. She looked up at me with those eyes, those damn eyes that seemed to see right through me. And I was lost. I knew it was wrong. I knew I should have walked away. But I didn't. I couldn't. Drawn in. Consumed.

And now, here we were. Trapped in this fucked-up situation of our own making. I wanted to blame her, to say it was all her fault for being so reckless, so damn stubborn. But I knew that wasn't true. I let this happen. I didn’t stop it. But why? 

I could replay the events in my mind, frame by frame, but the crucial moment, the point where I should have intervened, remained a blur. It was as if some part of me had wanted to see where this ended.

Music still drifted up from downstairs, the bass thumping through the walls. It felt wrong, out of place. Like we were in a different world, a fucked-up one, while everyone else was living their normal, happy lives.

I squeezed my eyes shut, trying to block it all out, trying to pretend, just for a moment, that this wasn't happening. That we weren't here. That everything was okay. But it was happening. And I was in it, and I knew I couldn't hold my breath much longer.

My hands wouldn't stop shaking. Kept seeing things in the corners of my vision. Shadows that shouldn't move but did, faces that weren't faces at all. The wallpaper breathed. In and out. In and out. Like a lung.

Stop it. Just stop all of it. Make it stop. But it won't stop, can't stop, because she's in there right now, digging through his things, trying to save me save me save me why won't she just stop trying to save me?

Everything felt wrong, sick, twisted. Too bright and too dark all at once. My skin didn't fit right anymore. Nothing fit right anymore. God, I needed a goddamn fix.

A cough. I pressed my hand against my mouth. When I pulled it away, my palm was red. 

Huh. That's new. 

I stared at the blood, watching it pool in the lines of my hand. It looked wrong somehow, too dark, too thick. The longer I stared, the more it seemed to move strangely, crawling along the creases of my palm.

Was blood supposed to move like that? Like it was alive? Like it was trying to tell me something? I couldn't remember anymore. I couldn't remember a lot of things lately. The blood kept moving, kept spreading. 

Maybe this was it—maybe I was finally losing whatever scraps of sanity I had left, sitting here on a dirty floor watching my own blood drip down my palm.

A part of me wondered if he'd been right all along, that I was becoming him, the very thing I’d always feared. This wasn't how it was supposed to be. I was supposed to be better, different. Not this—huddled on a filthy floor at a college party, watching my blood move as if in psychosis, while she risked everything for me. Again. 

The door handle turned. Shit. I wiped my palm against the dark carpet, smearing the blood into the fibers where it vanished like it was never there. I scrambled to my feet just as they emerged. She moved quickly, shoving something beneath the waistband of her skirt. Before I could speak, she grabbed my arm.

"Let's leave." There was something like panic in her voice. "I'll tell you outside."

I gripped her hand, my own pulse quickening, and we went downstairs and pushed through the mass of drunk students. But then the music cut abruptly, plunging us into a moment of strange silence before panicked voices filled the void. 

"What the hell—?" Okkotsu’s shout cut through the din from behind us.

Then I saw the flashing lights—red and blue strobing through the windows. Fuck. 

"Cops!" Someone shouted, and the whole house erupted into chaos as people scrambled in every direction.

"Everyone freeze!" A voice boomed through the foyer. "Nobody moves!"

We reached the entrance as two officers shouldered their way through the front door. The bigger one looked like he benched trucks for fun, taking up almost the entire doorframe as he planted himself there.

"Listen up!" he bellowed, one meaty hand resting on his belt. "Party's over. Nobody leaves until we check IDs."

Perfect. Just fucking perfect.

I felt her tense beside me, those things hidden in her waistband might as well have been burning her skin. I could practically feel her panic.

"Look, officers." I stepped forward, forcing my voice into something professional. "There seems to be some confusion—"

"No confusion here," Truck-Bencher cut me off, the scar on his lip twisting as he frowned. "Got noise complaints, reports of underage drinking. Everyone stays put."

"I'm faculty at the university. These are my students and they're all over twenty-one. You're wasting everyone's time—"

"Nobody leaves until we say so."

"You really want to process IDs for over two hundred students?"

"You telling me how to do my job?" He shifted closer, chest puffed out despite me having two inches on him.

Withdrawal crawled beneath my skin like insects, each bite feeding the rage that built vertebra by vertebra up my spine. "Depends. Are you actually doing it, or just power tripping?"

"Back the fuck up." His hand dropped to his belt. "Last chance."

I felt her fingers digging into my arm, trying to pull me back. But the rage was a living thing now, burning away anything resembling sense or restraint. "Or what?"

The punch came fast. I dropped, and heard the sickening crack of bone against flesh—not mine. Some poor student next to me. For a heartbeat, everything stopped. Then chaos.

Bodies everywhere. Screaming. Shoving. Radio static cutting through the roar. Her hand in mine as we pushed through the surge. Her friends somewhere behind. Everything blurred. I can't remember when she let go of my hand.

I just remember the scream. Different from the others. Then her voice, "Get her on the ground!" I shoved through the mass of bodies. Saw the girl on the floor. Ice flooded my veins.

I knew that face. Higurama's intern. My patient. My responsibility.

I dropped beside her, my hands shaking so violently I could barely feel them. Her eyes rolled back. Withdrawal made everything too sharp, too bright. I couldn't think. Couldn't—

Satoru. Satoru. Satoru. Satoru. Satoru. Satoru. It was her voice. Fingers gripped my arm. "Satoru, look at me." I met her eyes. Steady. Unnerving. "Focus."

Everything snapped back into place. My phone was in my hand before I realized I'd moved. "This is Dr. Gojo from Jujutsu Medical. Twenty-six-year-old female, epileptic, pre-seizure presentation. We need immediate assistance."

My voice was mechanical, professional. Inside, my mind screamed. Why was she here? Had she been drinking? Were her meds interacting with something? I should know this. Should be better than this. Should be fucking better. 

Nausea rose in my throat and I'd never felt more like a failure in my entire fucking life.

Behind us, the fight continued to rage. A man’s voice bellowed, trying to restore order. Then Suguru was there, kneeling beside her, his hands gentle as he cradled her head. He murmured something, soft and low. The tenderness in his movements caught me off guard. 

"The ambulance is taking too long." His voice cut through everything. Before I could process it, he had her in his arms, head protected against his chest and moved.

─── ·✧· ───

I can't remember how we got to the hospital.

Everything blurred into fragments. Flashing lights, squealing tires, the weight of everything crushing my chest. Each breath scraped like broken glass. My hands wouldn't stop shaking until I swallowed three pills. Maybe four. I lost count.

The fluorescent lights overhead were too bright, too harsh, making my skull feel like it was splitting open. I wanted to crack my head against the wall.

Some part of me was still moving, still speaking in that detached doctor voice — rattling off medical history, medications, possible interactions. Years of training overriding the screaming in my head. But they never trained us for this.

Never trained us for how guilt tastes like acid in your throat while watching your mistakes breathe shallowly on starched white sheets.

They taught us to make clean incisions, to suture arteries, to restart hearts. But not how your own heart would seize when you recognize the face on the floor. Not how your girlfriend’s hands would be steadier than your own worthless trembling ones as you fumbled for your phone, your throat closing around the words "this is my fault", "please" and "I'm sorry."

Didn’t prepare us for withdrawal turning your hands into treacherous strangers while someone seized at your feet. For the shame that festers in your gut as you come down, struggling to remember basic fucking dosages through the need scorching through your veins.

They never warned us how love would carve you open worse than any scalpel, making you both butcher and victim, instrument and incision. Never warned us about loving someone while you’re falling apart. How it feels like drowning in open air, your chest cracked wide and your beating heart wrenched out into daylight, desperate and terrified and somehow still pumping, still fighting, still so fucking afraid.

Higurama's intern lay still now, the steady drip of the IV marking time like a metronome in the silence. I watched the gentle rise and fall of her chest, my mind replaying the medications, the dosages, searching for the mistake I must have made. There had to be one. There was always one.

Perhaps he was right about me after all. Funny how even now, even here, I could still hear his voice so clearly.

"You okay?"

She sat across from me, swallowed by my spare clothes—an old t-shirt and sweatpants that draped loosely on her frame, a blanket draped over her legs. Anything was better than those clothes from before, those fucking stockings I'd personally thrown in the trash.

"Satoru?" she tried again. "You okay?"

I couldn't bring myself to answer.

"Talk me through her meds again," she said, resting her head in her palm. Her eyes, piercing and unwavering, never left my face as she waited.

I rubbed my temples, trying to focus through the exhaustion. "Standard anticonvulsants. Levetiracetam, 500mg twice daily. Added phenytoin after the first seizure." I fell back into my chair, scrubbing my hand over my face. "She couldn't tolerate the Levetiracetam, so I switched to Topiramate, 500mg thrice daily."

She was quiet for a moment. "Side effects?"

"Minor. Tremor in her extremities sometimes, but nothing she couldn't handle. It was working." I paused. "It was supposed to be working."

"EEG results?"

"Showed mild abnormalities. Nothing that would explain a seizure this severe." I scrubbed at my face again, harder this time. "I should have seen it. Should have caught something."

"Satoru." Her voice held that gentle firmness I knew so well. "You did everything right."

"Then why did she seize?" I stood abruptly, the chair screeching against linoleum. I turned away, unable to bear her gentle gaze. Outside, dawn was breaking in shades of grey. No color, no warmth, just an endless stretch of concrete and clouded sky bleeding into each other. "If I did everything right, why is she lying here?"

"Because sometimes that's just how it goes. You know this better than anyone," she said. "Medicine isn't perfect. Neither are we."

My reflection stared back at me, ghostly and distorted in the glass. Dark circles, stubble, hair a fucking mess. A doctor coming down from a high while his patient lay in a hospital bed.

"I should have increased the dosage earlier. Run more tests. I should have—"

"Seen the future?"

"I should have been better."

"You are already the best," she said, but it felt like a lie to me. "But even the best can't control everything."

Higurama's intern stirred slightly in her sleep, and we both fell silent, the moment stretching taut between us. I dragged myself back to the chair, sinking down with my face in my hands.

"You didn't do anything wrong," she whispered, leaning forward to brush a stray strand of hair from the girl's forehead. "Sometimes life just happens, and all we can do is be there to pick up the pieces."

I wanted to believe her. God, how I wanted to. But the truth sat like stones in my stomach.

"I hate this," I whispered.

"I know."

Silence.

"Do you blame yourself?" she asked quietly.

"How can I not?"

Because it's stupid, you know this. I could feel them in my bones, the words forming on her lips before she could speak them. "How did that ever change anything?" I said before she could start.

She leaned back, the chair creaking slightly. "Do you think we are terrible people?" she asked, her voice so soft I almost missed it.

I turned to look at her then, really look at her. Even exhausted and worried, wearing my old clothes, she was still the most beautiful thing I'd ever seen. Like a drug I couldn't quit, a high I'd chase until it killed me. 

And what did that say about either of us? That I wanted to crack her open, crawl inside her skin and nestle myself in her marrow? Wanted to consume her, devour her, until there was nothing left but the two of us, fused together in the most depraved way possible?

It was as if we were always meant to find each other. But it was a penance, for both of us.

"I think I am what I am because of you," I finally said.

And it was the truth. She'd molded me, shaped me, just as I'd shaped her. We'd ruined each other for anyone else, stripped away the innocence and left only the filth and grit behind.

Her hand fell from her face, her eyes meeting mine. "And I am what I am because of you."

"Does that scare you?"

"I think one gets used to it."

"Yeah," I said finally, my voice rough. "I guess you do get used to it. Until you don't."

She frowned, but before she could voice something, Suguru stepped inside. 

He said we should leave, and maybe that was for the better anyway, though I couldn't quite shake the feeling that there was an edge to his voice. Anger, perhaps. But I couldn't blame him. Not really.

I grabbed her things, my hand finding its familiar place at the small of her back as we headed for the door. Suguru's voice followed us down the corridor. "What did you find in Zenin's room anyway?" he asked, as if it were something to be discussed in the doorway.

I walked ahead.

I didn't need to hear again about the unconscious women on the Polaroids. 

─── ·✧· ───

Too quiet.

He was never this quiet.

"How bad is it?" I asked, perched on the edge of the exam bed where the paper sheet betrayed every nervous shift of my weight with stupid crinkles. Pale morning light filtered through the blinds, casting thin stripes across the linoleum floor.

I'd coughed up blood again earlier this morning. More than last night. The metallic taste had filled my mouth before I even opened my eyes. I'd stumbled to the bathroom, careful not to wake her—she needed the rest after we spent the whole damn night at the police station.

I stared at the red running down the drain. Way more than there should be. I'd blamed it on stress and alcohol last time. But now? It meant my liver was probably failing faster than I'd thought. Coagulation system breaking down, blood vessels becoming fragile. Textbook end-stage.

I called him then. He was still at the hospital, had slept there while looking after Higurama's intern. His face had gone pale when he saw me walk in. Guess I looked as bad as I felt.

We ran tests. All of them. Blood work, chest X-rays, the works. And now here we are. I watched him reading what I assumed was my death sentence, waiting for him to finally look up, while the clock on the wall ticked away the seconds.

But he kept his eyes fixed on the test results, holding himself with the careful rigidity of someone handling explosives. Another bad sign.

"Suguru."

He exhaled slowly, finally meeting my gaze with eyes that said everything before his mouth could form the words. "You should have started treatment sooner. We talked about this months ago."

"Yeah, yeah, I know." I tried to wave off his concern. "What do the results say?"

His fingers tightened on the papers until the corners creased. "Your liver enzymes are through the roof. AST over 1000, ALT even higher. Bilirubin's climbing while albumin's dropping. Your PT/INR values—" He trailed off, shaking his head. "Your liver is failing, Satoru. Not just damaged anymore—failing."

I let the clinical terms wash over me. The doctor in me understood the implications perfectly. The addict in me wanted to laugh at the irony.

"Well," I said, forcing lightness into my tone, "guess I should have listened to you sooner, huh?"

Suguru's expression hardened. "This isn't a joke. Without immediate intervention—" He caught himself, but I could read the rest in his eyes as clearly as any lab report.

Without immediate intervention, I was dying. Fitting, really. That my body would choose to betray me just when I'd finally found something worth living for.

"How's the withdrawal going?" Suguru asked, setting down the test results.

"Managing." I ran a hand through my hair, trying to ignore how even that simple movement felt like too much effort. "Reduced the hydromorphone gradually. Down to about 5mg now."

"Satoru." His voice carried that familiar note of frustration, the one I'd heard a thousand times before. "You need to stop completely. Not reduce—stop. Your liver can't handle any more strain."

"I'm trying," I snapped, then immediately regretted the harshness. "Sorry. I know you're trying to help."

Suguru pulled up a chair, sitting down with a heavy sigh. "We need to start treatment immediately. The protocol won't be pleasant—high-dose corticosteroids, immunosuppressants, possibly plasmapheresis if things get worse."

"Sounds fun."

"It'll be brutal," he continued, ignoring my sarcasm. "The side effects alone—you'll need to be monitored constantly. Multiple blood draws daily, frequent imaging. And absolutely no narcotics—your liver won't survive it."

I absorbed this, the clinical reality of what lay ahead settling into my bones. "So basically, I get to feel like shit while you stick me with needles and watch me suffer."

"That's about right. But it's either that or start planning your funeral."

"At least you're honest." I attempted a smile that felt more like a grimace. "When do we start?"

"Tomorrow morning. I'll admit you tonight, get you set up in a private room," Suguru said, already reaching for admission forms.

"Monday morning."

He looked up sharply. "What?"

"I have a family dinner on Sunday," I shrugged. "Can't skip it."

"Are you insane?" Suguru's voice rose to fill the small room. "Your liver is failing, Satoru. This isn't something you can postpone for a damn dinner party."

"Monday morning," I repeated firmly. "I gave my word I'd be there."

"Your word won't mean much if you're dead."

"I can manage two more days."

"No, you can't." Suguru slammed the test results down with enough force to make me flinch. Since when is he always so fucking tense? "Your numbers are critical. Every hour we delay treatment increases the risk of complete liver failure."

"Monday."

"For fuck's sake, Satoru—"

"I said Monday. I need to do this, Suguru. Please."

He stared at me for a long moment, jaw clenched so tight I could hear his teeth grinding. Finally, his shoulders slumped.

"Fine. Monday morning, first thing. But if you show any signs of deterioration—any at all—I'm admitting you immediately. And no alcohol at that dinner. Not a single drop."

"Deal."

"I mean it, Satoru."

"I know," I said, trying to inject some levity into the heavy atmosphere. "You can do all sorts of things to me on Monday. Not like I have much on my schedule anyway."

"So Yaga has exempted you?"

"Temporarily relieved of my teaching duties until further notice." I tried to keep my voice light, but the words still choked me. "Apparently, licking your student's leg in public view isn't considered acceptable behavior. Who knew?"

"Everyone would have known that."

"Most people were too drunk to remember anyway, or too busy dealing with the police raid afterwards to care." I shrugged. "Silver lining?"

"This isn't funny. Do you have any idea how serious this is? Your career—"

"My career?" I almost laughed. "In case you missed the memo, my liver's failing. I think my career concerns just got bumped down the priority list."

Suguru fell silent.

"Besides," I added, "maybe it's for the best. Can't exactly teach while going through treatment, can I?"

"Yaga doesn't know about your condition?"

"No, and he's not going to. As far as he's concerned, I'm just taking some time to... reassess my professional boundaries."

"And when he asks why you're not fighting this?"

I sighed. "Let him think what he wants. I've got bigger problems right now."

"Like a family dinner you're insisting on attending despite being on death's door?"

"Exactly." I flashed him a grin, this one a little more genuine despite everything. "See? You're getting it."

"You're impossible."

"That's why you love me."

"That's why I'm going to enjoy sticking you with needles on Monday."

"Kinky."

His expression sobered, eyes searching my face. "You should tell her."

The mere mention of her sent a knife twisting in my gut. "No."

"Satoru—"

"I said no. She has enough to deal with right now. This stays between us."

Suguru shook his head but didn't argue further. He knew me too well to waste his breath.

"I will," I added softly, more to convince myself than him. "When I'm a bit better."

"This will kill her."

"I know."

Silence.

"I'm sorry," I finally managed. "For being an asshole. For everything. And... thanks for coming to the party with me."

"You already apologized."

"I mean it." I met his gaze. "You've always been there, even when I didn't deserve it."

Something shifted in his expression—a flicker of the friendship we'd shared before everything got so complicated. Before I'd dragged us both into this mess.

"Just don't die on me," he said. "I've invested too much time in keeping your stupid ass alive."

I pushed off the bed, steadying myself against the sudden dizziness that threatened to knock me over. "See you Monday."

"You're a stubborn idiot," he called after me. I didn't disagree. 

I stopped at the door, turning back. "Hey, what's going on between you and Higurama's intern anyway?"

Suguru stiffened slightly. "Nothing. Just concerned since she's my patient now too."

I studied him, noting the subtle tension in his shoulders, the way his gaze shifted slightly left—his tell when he wasn't being entirely truthful.

"Sure," I said, too exhausted to push it further. "See you Monday."

As I walked away, I wondered if he knew how obvious he was. Then again, who was I to judge? I was hardly an expert at handling matters of the heart.

─── ·✧· ───

I paused outside our apartment door, my hand trembling on the handle. Withdrawal clawed through me, a living thing twisting my gut. Each breath was a struggle, my lungs constricting as if they'd forgotten their purpose. Just breathe, idiot. In, out. You're almost there.

Relief flooded through me the moment I opened the door. Her shoes were there, neatly arranged next to my scattered ones. Her coat on the hook. She was home.

Strange how that simple fact could lift the weight crushing my chest, made breathing a fraction less painful. No matter how bad things were, coming home to her felt like breaking the surface after being underwater too long.

Dog bounded up to greet me, tail whipping back and forth, before darting off toward the bedroom. Smart boy knew exactly where to find her. I kicked off my shoes, let my jacket fall where it would, and followed.

She was there, sprawled across our bed in a sea of papers, bathed in the warm light of the bedside lamp. The sight of her stole what little breath I had left. Hair messily pulled back, drowning in one of my old t-shirts, completely lost in whatever she was reading. Beautiful. It was a beauty that made my heart ache.

Without a word, I crawled onto the bed, dragging myself up until I could rest my head on her stomach. I paused, remembering the bruises on her midsection. But before I could pull back, she gently tugged me closer and I surrendered, resting my head against her warmth. 

I wrapped my arms around her waist and her fingers found my hair instantly, like they belonged there, gentle strokes that made my eyes flutter closed and I thought, this was home. This was peace. Even as my body screamed for relief, even as guilt gnawed at me, here with her, I could almost believe everything would be okay.

"What are you reading?" I mumbled against her shirt, already knowing the answer. Why did she still throw herself into this project? Did it even matter anymore? But I already knew that answer too. Distraction.

"Research papers. For our project." Her fingers never stopped their magic. "Everything okay at the hospital?" I wondered for a second how she knew where I went, but then she said, "Antiseptic smell."

Did I always smell like that? Like the harsh, sterile scent of the hospital? I hated it. Hated how it seemed to cling to my skin no matter how many times I scrubbed my hands raw. Hated the way it reminded me of sickness and death.

I hugged her tighter, breathing in her familiar scent as that was so unlike the clinical smell of the hospital as I crafted the lie. Yeah, everything's fine, I told her. Had to check on something with a patient. Normal stuff, nothing to worry about. Standard procedure.

But even as I spoke, the guilt in my stomach twisted. The truth was, I wasn't sure how much longer I could keep going like this. I could feel myself slipping, losing my grip on the things that mattered most and I couldn't help but wonder if I'd even make it to the end.

If I'd be there to witness the results of our research, to stand by her side as we perhaps do something great. I squeezed my eyes shut, trying to drown out the intrusive thoughts, focusing on the feel of her beneath me, the steady rise and fall of her breath.

Her fingers paused momentarily in my hair, and I knew she sensed something off. She always could read me too well. But then she resumed the gentle stroking.

"You'd tell me if something's wrong, right?"

"Of course," I whispered, another lie to add to the growing pile.

I tightened my arms around her waist, as if by holding her close enough, I could somehow make up for my betrayal. As if loving her fiercely enough could somehow balance out the pain I was about to cause her. Monday felt both too far away and not nearly far enough.

Desperate for a distraction, I asked about how it went at the police station. She said it was fine, her friends were with her as they'd needed to clarify their statements, she explained, her fingers still weaving through my hair. Everything had been too hazy right after the party.

She mentioned they needed me to verify my own statement again too. I bit back the urge to say that they'd likely have to come to my hospital bed for that. Instead, I just hummed in response. Whatever it took to make that little shit pay for what he'd done.

"He won't hurt anyone else," she added. "We'll make sure of it."

Something about her struck me as odd. How could she be so unaffected by everything that had happened? Like we didn’t just discover that Zenin Naoya was—

"You're so calm about it." 

"And what would you have me do?"

I didn’t know. Maybe I should be grateful that at least one of us could keep it together. 

I turned my head, pressing a kiss to her palm. I wanted to tell her how proud I was of her, how sorry I was for dragging her into this mess, how I feared the rumors that would follow her through university halls. How fucking terrified I was. How much I loved her. But it all just crowded in my throat, tangled with all the other truths I couldn't voice.

Instead, I just held her tighter. "I'm sorry," I whispered.

"For what?"

I didn't answer. Couldn't answer. Or lie again. I clung to her, as if she were the only thing keeping me from falling apart, pressing my face into her stomach, trying to blur myself into her very being. "Satoru,” she winced, a small sound escaping her lips. "You're hurting me."

"Please," I pleaded, tears pricking at my eyes. “Just… bear it for a moment. Please.” But then, a sudden tickle rose in my throat, and I sat up abruptly, he movement sending the room spinning.

"You okay?" she asked, sitting up as well, her hand cradling her side.

"Yeah," I managed, before another cough clawed its way out. I stood, turning away from her, my hand coming up to cover my mouth. When I pulled it away, blood glistened on my palm.

"Satoru? You sure you're okay?"

"Everything's fine." I curled my fingers into a fist, watching red seep between my knuckles. "Just need some water."

I should call him again. Should probably head to the hospital right now. Every logical part of my brain screamed at me to seek help, to stop this madness before it was too late. 

But Sunday's dinner loomed in my mind. One last chance to fix things with her, to make things right before everything inevitably crumbled around us. Just two more days. I just needed to hold on for two more days and then I could let the chips fall where they may.

Even as blood painted the back of my throat red, I clung to that desperate hope, that foolish notion that I could make this right. I knew I was being stupid. Reckless. Playing Russian roulette with a fully loaded gun. 

But then again, what did it matter anyway?

<- prev chapter | next chapter ->

author's note — welcome back, i hope this wasn't too intense, even tho i went through all stages of grief writing this chapter, but i'm quite happy with how it turned out. hope you all survived seeing things through satoru's eyes once more. writing from his perspective is always both challenging and thrilling in some strange way.

quick note, as this is somehow not obvious to some people: i understand that this story deals with controversial topics and might not be everyone’s cup of tea but this is purely fictional work, and i'm just here to enjoy a stupid little hobby. i am not looking for criticism. if the story makes you uncomfortable, feel free to block me and move on.

for those following the spin-off: yes, this chapter runs parallel to remedies and reasons chapter 04 ! if you want to see how certain events played out from a different angle, definitely check out the suguru spin-off.

and i want to thank you all for your incredible support. your comments, messages, and theories continue to blow me away. seeing how deeply you connect with this story and catch all the little details i sprinkle throughout brings me so much joy. your thoughtful analyses and wild speculations make writing this stupid story so much fun !! :''))

also a massive thank you to @/nanamis-baker who beta reads all these chaotic chapters, listens to my rambling about plot points, and talks me down whenever i'm convinced everything i write is terrible <3

& second quick note about the alcohol consumption in this story: while it's serve the narrative of the story, please remember that alcohol is toxic to the body and brain, with no "safe" amount. please be mindful of your health and wellbeing.

next chapter we'll be back to our regular pov as we deal with the aftermath of... well, all of this. until then, take care of yourselves ! and as always, thank you for joining me on this chaotic journey and being patient with my slow updates <3

ps: if you want to get notifications for future updates, you can join my taglist here !

tags — @browrm @panteramarron @starlightanyaaa

@myahfig4 @rosebluod @bloopsstuff @depressedemosantaclaus @nanamis-baker

@tofumiao @shoruio @s3vtrue @rosso-seta @bnha-free-writing

@chiyokoemilia @bonequinhagojo @janbannan @mikkmmmii @yeiena

@coeqi @faustina @glenkiller338 @yenmrtnz @buni-bunnydoll

© lostfracturess. do not repost, translate, or copy my work.

[fairlyang]

Ready 🕷️

w/c: 712

pairing: husband!miguel o’hara x wife!reader

tags: 18+ smut. halloween special<3 giving out candy, he’s thinkin, breeding kink, pregnancy, unprotected sex (duh), creampies, dirty talk

kinktober masterlist | main masterlist

being miguel’s wife where you loved decorating for the holidays and being as extra as you could. so for halloween you found those cute inflatables to put in the front yard so the kids would know you’d be giving away candy.

you found such a perfect couples costume he found it hard to say no to because of your excited face.

he heard the doorbell ring and the trick or treaters have started for the night. he went downstairs from getting changed to find you bending down holding the bowl of candy to small kids.

you were complimenting them on their superhero costumes then waved goodbye. you shut the door and turned around to find your husband as handsome as ever.

“a real shame about that wig…” you joked and stepped forward to him, fixing the orange ascot.

“you’re fucking crazy if you thought i was gonna wear a blonde wig…” he scoffs making you chuckle.

“well it seems i’m just more committed to the cause then.” you tease and pull away.

the doorbell rang once again and you quickly went towards the door, opening and gasping at the little princesses in front of you. their little hands reached into the bowl and it warmed your heart.

miguel was watching you closely, eyes softening and a small smile appearing on his lips just imagining you as a mom. you’d be the best, the most nurturing mom ever.

it’d be the cutest thing to have a daughter and for her to look just like you, your mini me.

this conversation has been talked about plenty of times, always going back and forth if you’re really ready.

but watching you be so sweet and affectionate tugged on his heartstrings way more than he expected. it usually did anyway but tonight was just different.

he was ready.

you closed the door and turned to look at him again, this time his facial expression was much different.

he looked at you in your daphne blake costume, looking so gorgeous in that purple dress and matching heels, that not so cheap looking wig and he knew what you’d be doing after all the candy was done.

it was a brutal two hours later that he was finally able to take you into your bedroom, lift your dress up, rip your pink tights, and ensure you’re coming out of the bedroom pregnant.

he had already came inside you once doggy style on the edge of the bed, then had you ride him which had you tired too quickly so you were just grinding back and forth. you quickly came up with the bright little idea to spell his name with your hips repeatedly and by the third time he realized what you were doing, having no choice but to cum again.

after placing a towel beneath you so the cum can leak out for a few seconds is when he decides to flip you onto your stomach.

so now you were fucked out of your mind, makeup destroyed, wig barely intact as he fucked you prome bone style but making sure his body was barely hovering over yours. you were feeling so sensitive but at the same time didn’t want him pulling out because he was fucking you so good.

he was hitting the right spot with every thrust, going even deeper than before, practically hitting your cervix as you moaned out for him, “fuck baby- p-please-“

he moaned into your ear then kissing the side of your neck as he felt his cock twitching again. if this didn’t make you pregnant, he’d just have to try again tomorrow. the whole day if that’s what it takes.

he was determined and mind set.

“gonna be so pretty when you’re pregnant baby.” he grunted and you clenched against him.

you both moaned, going back and forth with dirty words, “yeah? gonna make sure you fill me up baby?”

“it’s what you deserve, my love.”

“please don’t stop-“

“c’mon, let’s have that family we’ve dreamed of.”

“please give it to me-“

you turned your head to kiss him and with the sloppiest of thrusts and slow kiss, he spilled his last load into you murmuring sweet i love yous as you both came hoping three rounds would be enough

[hussyknee]

Wonder how far I can prod libs into finishing their full thought bubble behind all this "harm reduction" "genocide is a single issue" "you don't care about marginalized people in the US" "dyou want fascism WITH genocide???" screeching.

Okay, class, say it with me: "I don't want to live in a third world country like the ones we keep destroying."

Because you know. The countries your war criminal leaders keep bombing and starving and destabilising and leeching dry? We don't have trans or gay rights or women's rights or disability benefits or environmental or labour protections. No one would want to live in our countries obviously. You'd kill yourselves before you had to live like we do. Sure, we're only like this because you keep us trapped in poverty and violence and we still have full, happy lives worth living despite it but that's because we're used to it! We don't know any better! Not like you! You know what you deserve and you shouldn't have to lose anything as a consequence of your own political choices! Your government is supposed to happen to other people! Not you! So like, yeah, it's bad that the poors are being massacred wholesale or whatever, but like. That doesn't mean you gotta die with them, y'know? And by "death" you don't mean actual genocide like what's happening over here but "death" as in "having to live like we do".

The trolley problem metaphor is so goddamn attractive to you because you see yourself outside the tracks, objectively assessing the situation and making the "tough" "moral" choice for the collective good. It's imperialist horseshit. You don't have a democracy and it's not a trolley. What you have is an imperial death machine running on an apartheid system that decides who gets fed to it and who gets fed by it. That's your "two tracks"— the colonized and the colonizer, the core and the periphery, the white and the coloured. "Harm reduction"? Have you counted how many fucking millions in and around the world your death machine eats to keep how many of you "safe"? But our losses are a foregone conclusion, a matter of course, a regrettable necessity. The only variable is yours.

Every political choice in 200 years of your settler colony has been "genocide AND". "Genocide AND women's rights". "Genocide AND workers rights". "Genocide AND fascism". "Genocide AND democracy". The difference is that for the first time in your history you're now watching it livestreamed to the entire world in real time 24/7, exactly as your colony is about to capsize under the weight of its own bloodlust. A sea change from when your parents threw parties watching bombs dropping on Baghdad and then spent twenty years watching movies about sad it made the soldiers.

How do you count the victims when we are numbers and you are people? You scream about trans rights in the US while Palestinian trans children don't have the right to reach puberty. OSHA for you but Congolese children have to die in mines. Reproductive rights for the US while Sudanese women are raped in millions. Yes, but it's always been "genocide AND" no matter what, right? Do we want to sabotage the party that has never fucking cared about us and don't now even with half their own country screaming at them on the off-chance they might possibly maybe one day do?? Why are we acting so mad like it's YOUR fault that you're fighting for your quality of life over our corpses?? Do we want YOU to lose your rights over it??

Yes, actually. We do. We want you to have a taste of the reality that generations on generations of your illegal illegitimate white supremacist occupation has inflicted on us just so your worthless hide can sit there and call our genocides a single fucking issue. And let's be real: that's what you're so fucking afraid of.

[truefandemonium]

BILLSTILL BILLSTILL

This AU has consumed my mind

Please accept my humble offering to the Bill still community ( @jellynut I totally forgot to credit u I am so sorry)

a mind ensnared pt. 1

a billstill ficlet

(inspired by the AU by @jellynut)

…

“According to my research, and the readings I’m getting— she’ll be just off the coast— the Laptev Sea,” Ford said, adjusting the map in front of him before folding it and pointing in some random direction ahead of them. Stan tipped the wheel idly, raising his brows at his brother.

“Always thought Nessie would be in Scotland. Like the name. Not Norway.” Stan blinked as snow began to fall in soft flurries onto the boat, finding purchase in the tufts of greying hair poking out from the front of his beanie.

“Russia, Stanley,” Ford corrected in his trademark deadpan, judgemental eyes flicking over the rim of his glasses as he shifted his focus away from the roaring waves in the distance. “We’re headed for the coast of Russia.”

“Yeah, whatever, poindexter.” Stan didn’t exactly mean to say it. He could feel Ford tense every time the word slipped from his mouth. When they were kids— the nickname was friendly, affectionate. But after everything happened… everything with Bill…

You called?

Stan cleared his throat loudly, forcing himself to stare up at the falling flakes head on. “Heck of a storm, huh?”

Thank God— Ford laughed at that. “You mean the gust of cold wind that couldn’t constitute a squall? Yes, quite a storm,” the other man agreed.

Stan smiled. He missed this. His whole life: wasted, without his brother. But now, they could finally make up for that lost time.

Lost time. Boy have I heard that one before. But so have you, right Stanley?

Get out of my head. Stan didn’t notice his own knuckles whitening around the wheel. Get out of my head right now or I’ll—

You’ll what, Mystery Man? Yell at me? Hahahahahahahah—

Say, how much do you remember, Stan? Do you remember your favorite food? How about the shirt you wore everyday for a month while waiting for good ol’ Fordsy to come back from the abyss?

Stan sucked in a deep breath, risking shutting his eyes against the wind as the screaming in his head swelled. He can’t hurt you, Stan told himself, starting to sweat despite the cold.

But you remember the important things, don’t you? Like what Pine Tree gave you before he left for home. Or the secret Shooting Star confessed to you and you alone? Come on, tell me you remember that.

Stan opened his eyes and steeled himself. He wouldn’t let some stupid triangle ruin the rest of his life.

You gotta remember what makes you you, though, don’t you? The fact that you were the reason Ford spent half his life in nightmare dimensions. The reason his childhood was spent looking out for you.

No, no, it’s not true. Is it? Did I destroy Ford’s life? Since the beginning?

The reason he’s never been happy. Not even now—

Stan suddenly doubled over, a sharp pain in his skull causing a bright light to rip through his vision. The steering wheel cracked hard against his knuckles as he tried and failed to find purchase somewhere before collapsing.

“Stanley!” Ford was at his side in an instant, knees on the ground as he placed one steadying hand on Stan’s back, and pushed him to kneel with the other. “Stanley—?”

The two men sat in the snowy light of the moon, Stan wheezing, his vision blurred as sweat began to pool in his gloves and drip cooly down the sides of his face. The waters around them began to spin— or at least it felt that way. Despite the endless space beyond the boat, Stan felt the world closing in on him. All set to the sound of distant wicked laughter.

Ford felt cold to his bones, not from the wind or weather, but the look of sheer panic etched into his brother’s face. Stan had few moments of real fear that he let Ford get close enough to see. This… this was one of them.

Ford eased his hold on Stan and watched him slam his palms onto the deck, shaking hard enough to make his dentures clack together. Keeping one six-fingered hand on his brother’s back, Ford started to speak in a slow, soothing tone.

“Stanley, it’s alright, breathe, Stanley,” he muttered, watching Stan’s eyes flick wildly around, the fear clawing at him. He looked like a wounded animal… more specifically a rabbit.

Caught in a snare: the wire tightening with each sharp breath around his throat, Ford’s heart wrenched at the image. “Stanley.” Ford shifted to cup Stan’s jaw in his gloved hand, applying enough pressure to ease his glazy eyes upward.

“I’m right here,” he whispered. Stan’s gaze flickered with something— recognition, but his heaving didn’t cease. Ford continued, “Breathe, Stanley. I’m here.”

“Bill—” Stan choked out, shaking his head hard, trying to recoil from his brother’s gentle touch.

It was like a blade between Ford’s ribs. The name sent a shudder through his spine and blood flashing behind his eyes. Still, he held firm.

“Stanley.” His voice shook as he pulled Stan into his arms, forcing him to still. “Bill is gone.”

Finally, Stan moved. All at once, he barreled forward, wrapping Ford in a tight hug as he sobbed, the heat of his tears soaking into the exposed hair curling around Ford’s neck.

“He’s gone,” Ford repeated. Part of him wanted to believe it.

Part of him knew, even if Bill was gone. The memories were one thing that would never fall away.

…