#watch badla on netflix

[astridthevalkyrie]

just rewatched badla because i have to do a presentation on it and holy shit this movie is so good

[techridsid]

Jaane Jaan (2023) Movie Download FilmyMeet, HD, 720p, 480p, Watch Online, Review

Jaane Jaan (2023) Movie Download FilmyMeet Jaane Jaan is a Hindi-language mysterious thriller film that will be available freely on Netflix from September 21, 2023। Sujoy Ghosh, who has made well-received films like Kahaani, Badla, and Writer, is the director of this। This movie marks the digital debut of Bollywood actress Kareena Kapoor Khan। This film also features Jaideep Ahlawat and Vijay…

[koshish-karna-is-kartavya]

Must watch hindi movies (available on netflix)

Manto (2018)

The Lunchbox (2013)

Queen (2014)

Special 26 (2013)

No One Killed Jessica (2011)

Delhi Belly (2011)

Mimi (2021)

Bareilly ki Barfi (2017)

Pad Man (2018)

Mom (2017)

Udta Punjab (2016)

Drishyam (2015)

Pink (2016)

Baahubali (2015) and Bahubali 2 (2017)

Dear Zindagi (2016)

PK (2014)

Masaan (2015)

Sanju (2018)

Madras Cafe (2013)

Margarita With A Straw (2014)

Gurgaon (2017)

Taare Zameen Par (2007)

Barfi (2012)

Swades (2004)

Stree (2018)

Kabir Singh (2019)

Andhadhun (2018)

Kahaani (2012)

Haseen Dilruba (2021)

Dangal (2016)

Jaane tu Ya Jaane Na (2008)

Guru (2006)

Parmanu: The Story of Pokhran (2018)

Rang de Basanti (2006)

Kai Po Che (2013)

Toilet: Ek Prem Katha (2017)

Tamasha (2015)

Article 15 (2019)

Billu (2009)

Haraamkhor (2015)

Dev D

Kapoor & Sons (2016)

Zindagi Na Milegi Dobara (2011)

Badla (2019)

Gangs of Wasseypur Part 1 and 2 (2012)

Ankahi Kahaniya (2021)

Kaminey (2009)

Mard Ko Dard Nahi Hota (2018)

Budhia Singh: Born to Run (2016)

Paan Singh Tomar (2012)

Ishqiya (2010)

[dissecting-bollywood]

10 Modern Bollywood Thrillers To Watch

A genre that has always been one of my favorites is thriller. The suspense building up slowly and steadily leading to a plot twist, which makes the much-awaited conclusion satisfying and jaw-dropping. Experiencing thrillers is always fun and exciting, but making them is one of the toughest jobs. So here is 10 modern bollywood thrillers that will surely keep you on the edge of your seat.

1. ANDHADHUN (DIR. SRIRAM RAGHAVAN)

One of the biggest successes in the industry in 2018 is the film Andhahun by Sriram Raghavan. Inspired by a French short film ‘The Piano Turner’, the film follows a blind pianist witnessing the murder scene of a former actor, who happens to have a gorgeous yet deceiving wife. That’s all I can give you as I am afraid if it would spoil the entire experience for you. If you haven’t seen this movie yet, I recommend you to do so on Netflix. You won’t be disappointed.

2. KAHAANI (DIR. SUJOY GHOSH)

One of the best thrillers Bollywood has to offer is Kahaani  by Sujoy Ghosh. This award-winning film is about a pregnant woman navigating the huge city of Kolkata to find her missing husband. The amazing storytelling accompanied with Vidya Balan’s acting skills is a roller coaster of a ride and the plot twist at the end is just mind-blowing! Definitely watch it on Netflix.

3. SPECIAL 26 (DIR. NEERAJ PANDEY)

After impressing us with A Wednesday, Neeraj Pandey comes out with Special 26. Based on the 1987 Opera House Heist, the movie is about a group of con men disguising as CBI (Central Bureau of Investigation) officers to perform raids in many politicians and businessmen’s homes and the real CBI officer attempts to catch them in their upcoming raid at a jewelry store. This hit movie will definitely keep you captivated and is available of Netflix.

4. BADLA (DIR. SUJOY GHOSH)

The duo of Pannu and Bachchan is back at it again after their hit movie Pink, with the thriller Badla by Sujoy Ghosh. The story revolves around a rich businesswoman accused of murdering her ex-lover and her lawyer helping her. The entire movie will keep you guessing and give you an astonishing but satisfying conclusion. Definitely one of my favorites and accessible on Netflix.

5.  KARTHIK CALLING KARTHIK (DIR. VIJAY LALWANI)

From the director Vijay Lalwani, Karthik Calling Karthik is about a man’s life spiraling out of control and just when he is about to lose hope, he starts getting calls from an unknown person who knows all about him. Being the first film to make me fall in love with thrillers, it holds a special place in my heart. This movie is intriguing and nail-biting and it will make you think about it for days and days.

6. DRISHYAM (DIR. NISHIKANT KAMAT)

The movie Drishyam is directed by Nishikant Kamat and is a Bollywood remake of the Malayalam film of the same name.The movie follows a humble man making drastic decisions to protect his family from going to jail. Although the movie is a remake, it still has great direction and performances and even though I knew what would happen as I watched the original, it still managed to keep me on the edge. The movie is available on Netflix.

7. TE3N (DIR. RIBHU DASGUPTA)

At first I wanted to avoid watching this movie because I didn’t want to feel the sadness of Bachchan’s character as I was going through my tough times too. But when I finally got to watching it on Netflix, I was not at all disappointed. The film by Ribhu Dasgupta is about a grandfather trying to search the kidnapper of his granddaughter with an inspector and a priest. The movie is unpredictable and keeps you glued to the screen.

8. A DEATH IN THE GUNJ (DIR. KONKONA SEN SHARMA)

Marking the start of Konkona Sen Sharma’s directing venture, A Death in the Gunj is about a university student that spends his vacation with his relatives and learns about what it takes to be a man. Exploring themes like masculinity, the movie is visually stunning and is heartbreaking. Although it isn’t an extreme thriller like the ones mentioned above, it is still very beautiful and underrated. Catch this masterpiece on Amazon Prime.

9. BADLAPUR (DIR. SRIRAM RAGHAVAN)

Another one from Sriram Raghavan, Badlapur concentrates on a husband whose wife and son was murdered and is now set on getting revenge on people who did it. Walking in to watch this movie, I didn’t expect Varun Dhawan, an actor predominantly working in rom-coms, to give such a terrifying performance. So along with that and the supporting cast and amazing script, the movie was one hell of a ride to witness and is a definite must-watch.

10. NH10 (DIR. NAVDEEP SINGH)

A true gem from Anushka Sharma’s Clean Slate Films, NH10 is about a woman avenging her husband’s murder after they witness an honor killing. Easily one of Sharma’s best performances, the movie is brutal and vile and shows you the ugly side of India well. The script and premise is intriguing and gripping and the cast gives their best (especially Kumaar as the villain). Give it a watch and experience the intensity it yourself.

[abeyyaaar]

We are watching Contratiempo (literally means Against time but avail on Netflix as The invisible Guest) in spanish class today and m so excited. I dnt understand a lot without the subtitles but since I have watched Badla (Tapsee Pannu's, it's Hindi remake) I am joinin the dots!🤭🤭🤭🤭

P.S. The guy (protagonist) is soo cuteee🥵🥵

[youngneemleaves]

Journal: 2019

A list of my creative activity and all the media I have experienced throughout the year. I did a version of this eight months ago, but I wasn’t entirely satisfied with it. So I tooled about a little; and in the meantime, the activity has remained as inconsistent as my energy levels, but eventful, nonetheless. Here’s a more thorough list drawn up at the end of the year - after all, the end of 2019 is also the end of the 2010s.

The list has become rather long, so I’ve excluded online essays, stories, fanfiction, or poems that I’ve read this year. I ended up resorting to the usual 5-star rating system; because if I had to add a footnote explaining my personal 7-star rating system, the list would’ve been even longer and weirder!

+ Creative Writing

(Obviously, no ratings for this section; that’s up to you all ;)

Beloved - a short story for Holi

Lady Aesculapius: a new short story serial -> episode 6, Sixty Thousand Bedtime Stories

Clara Oswald: The Untold Adventures (coming on April 25, 2020) -> episode 4, As You Like It

+ Books and Audio Drama

Dave Rudden, Twelve Angels Weeping: twelve stories of the villains of Doctor Who (2018) | SFF, short stories [read the review on Downtime] - ⭐⭐⭐

Emily St. John Mandel, Station Eleven (2014) | literary fiction, SFF [review] - ⭐⭐⭐

Amitav Ghosh, Dancing in Cambodia and Other Essays (2008, first published 1998) | memoir, nonfiction, travel [review] - ⭐⭐⭐⭐

Ellen Oh and Elsie Chapman (ed.), A Thousand Beginnings and Endings (2018) | SFF, short stories [did not review] - ⭐⭐⭐

Lidia Yuknavitch, The Chronology of Water (2011) | LGBTQIA, nonfiction, memoir [did not finish] - ⭐⭐⭐

Hsiu-Chuang Deppman, Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film (University of Hawai’i Press, 2010) | nonfiction (academics) [did not finish] - ⭐⭐⭐

Cecilia Sjöholm, The Antigone Complex: Ethics and the Invention of Feminine Desire (Stanford University Press, 2004) | nonfiction, philosophy, psychoanalysis [reread] [did not review] - ⭐⭐⭐⭐

D.N. Bryn, Our Bloody Pearl (2018) | LGBTQIA, romance, SFF [did not finish] - ⭐⭐⭐

Catherynne M. Valente, Palimpsest (2009) | LGBTQIA, SFF [did not finish] - ⭐⭐⭐

Rey Chow, Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility (Columbia University Press, 2007) | nonfiction (academics) [did not finish] - ⭐⭐⭐

Shirley Jackson, The Lottery and Other Stories (1982, first published in 1949) | horror, literary fiction, short stories [currently reading] - ⭐⭐⭐

Jeanette Winterson, Weight: The Myth of Atlas and Heracles (2005) | literary fiction, SFF [did not review] - ⭐⭐⭐⭐

Lauren Berlant, Desire/Love (2012) | nonfiction, philosophy, psychoanalysis [brief review] - ⭐⭐⭐⭐

Melissa Broder, The Pisces (2018) | contemporary fiction, romance, SFF [currently reading] - ⭐⭐

Amitav Ghosh, The Shadow Lines (2007) | literary fiction, historical fiction, travel [currently reading] -  ⭐⭐⭐

+ Doctor Who: The Twelfth Doctor Adventures - a fan-made audio drama on the further adventures of the Twelfth Doctor: series 1 [re-listen], plus this year’s specials:

Unlikely Thieves [review] - ⭐⭐⭐ 1/2

Blue Hour [review] - ⭐⭐⭐ 1/2

** UNDER THE CUT: list of TV and films watched **

+ TV Round-up

Killing Eve (BBC America, 2016 - ) ⭐⭐⭐

Dark (Netflix, 2017 - ) ⭐⭐ 1/2

Good Omens (Amazon Studios and BBC, 2019) ⭐⭐⭐

The OA (Netflix, 2016 - 2019) ⭐⭐⭐⭐

Star Wars: The Mandalorian (Disney+, 2019 - ) ⭐⭐⭐

His Dark Materials (BBC and HBO, 2019 - ) ⭐⭐⭐

The Witcher (Netflix, 2019 - )  ⭐⭐⭐⭐

+ Films Watched

Disobedience (2017), dir. Sebastián Lelio ⭐⭐⭐ 1/2

The Favourite (2018), dir. Yorgos Lanthimos ⭐⭐⭐

First They Killed My Father (2017), dir. Angelina Jolie ⭐⭐⭐

Badla (2019), dir. Sujoy Ghosh ⭐⭐ 1/2

Roma (2018), dir. Alfonso Cuarón ⭐⭐⭐

Us (2019), dir. Jordan Peele ⭐⭐⭐⭐

In the Mood for Love (2000), dir. Wong Kar Wai ⭐⭐⭐⭐

Lady Macbeth (2016), dir. William Oldroyd ⭐⭐⭐

Chungking Express (1994), dir. Wong Kar Wai ⭐⭐⭐ 1/2

Stoker (2013), dir. Park Chan Wook ⭐⭐⭐

Widows (2018), dir. Steve McQueen ⭐⭐⭐ 1/2

Rogue One: A Star Wars Story (2016), dir. Gareth Edwards ⭐⭐⭐ 1/2

High Life (2018), dir. Claire Denis ⭐⭐

The Cloverfield Paradox (2018), dir. Julius Onah ⭐ 1/2

Little Forest (2018), dir. Yim Soon-rye ⭐⭐⭐⭐

Jennifer’s Body (2009), dir. Karyn Kusama ⭐⭐⭐⭐

Fallen Angels (1995), dir. Wong Kar Wai ⭐⭐⭐

The Phantom of the Opera (2004), dir. Joel Schumacher ⭐⭐

Midsommar (2019), dir. Ari Aster ⭐⭐⭐ 1/2

Star Wars: episode I: The Phantom Menace (1999), dir. George Lucas ⭐⭐ 1/2

Byzantium (2012), dir. Neil Jordan ⭐⭐⭐ 1/2

Star Wars: episode II: Attack of the Clones (2002), dir. George Lucas ⭐⭐ 1/2

Star Wars: episode III: Revenge of the Sith (2005), dir. George Lucas ⭐⭐⭐ *

Madeline’s Madeline (2018), dir. Josephine Decker ⭐⭐⭐

+ Studio Ghibli films:

Kiki’s Delivery Service (1989) ⭐⭐⭐ 1/2

Nausicaa in the Valley of the Wind (1984) ⭐⭐⭐

Spirited Away (2000) ⭐⭐⭐

Howl’s Moving Castle (2004) ⭐⭐⭐

The Tale of the Princess Kaguya (2013) ⭐⭐⭐

* I would’ve rated it a solid 4 if not for the fridging at the end of the film.

** HEADER IMAGES CREDIT: (from top) 1. Joanna Kosinska; 2. Brazil Topno; 3. Kelly Sikkema; 4. chuttersnap [edits: mine] **

[uozlulu]

My Netflix watchlist.

House of the Witch - English - 2017 - 1:30

Ragini MMS - Hindi - 2011 - 1:33

Warda - Arabic - 2014 - 1:13

Svaha: The Sixth Finger - Korean - 2019 - 2:02

The Lake House - English - 2006 - 1:39

Article 15 - Hindi - 2019 - 2:10

Meghnadbodh Rohoshyo - Bengali - 2017 - 2:30

Badla - Hindi - 2019 - 1:58

7 - Telugu/Tamil - 2019 - 1:57

3 Idiots - Hindi - 2009 - 2:50

Utada Hikaru Laughter in the Dark - Japanese - 2018 - 2:21

Chasing the Dragon - Chinese - 2017 - 2:08

Always Be My Maybe - English - 2019 - 1:41

The Ruthless - Italian - 2019 - 1:51

Soorma - Hindi - 2018 - 2:11

Jo Pil Ho: The Dawning Rage - Korean - 2019 - 2:07

Inside Men - Korean - 2015 - 2:10

The Great Battle - Korean - 2018 - 2:16

Echarikkai Idhu Manithargal Nadamadum Idam - Tamil - 2018 - 2:14

Shabd - Hindi - 2005 - 2:20

Unicorn Store - English - 2017 - 1:32

706 - Hindi - 2019 - 2:00

Ek Ladki Ko Dekha Toh Aisa Laga - Hindi - 2019 - 2:00

Sarkar - Tamil - 2018 - 2:43

Manto - Hindi - 2018 - 1:52

River's Edge - Japanese - 2018 - 1:58

Your Son - Spanish - 2018 - 1:43

The Drug King - Korean - 2018 - 2:19

Patria - Spanish - 2019 - 1:29

Red Oliender's Roktokorobi - Bengali - 2017 - 1:54

Raiders of the Lost Ark - English - 1981 - 1:55

Indiana Jones and the Last Crusade - English - 1989 - 2:07

Miami Vice - English - 2006 - 2:14

Oasis: Supersonic - English - 2016 - 2:02

Trimurti - Hindi - 1995 - 3:07

Dehli-6 - Hindi - 2009 - 2:21

English - 2017 - 1:30

Paan Singh Tomar - Hindi - 2012 - 2:15

Julie & Julia - English - 2009 - 1:58

Outlaw King - English - 2018 - 2:01

Illang: The Wolf Brigade - Korean - 2018 - 2:19

Chappaquiddick - English - 2017 - 1:45

Khido Khundi - Punjabi - 2018 - 2:32

Jagga Jasoos - Hindi - 2017 - 2:41

Haani - Punjabi - 2013 - 2:18

Dil Vil Pyaar Vyaar - Punjabi - 2:25

Tiger - Punjabi - 2016 - 2:10

Spyder - Telugu - 2017 - 2:35

Black Panther - English - 2018 - 2:14

Toilet Ek Prem Katha - Hindi - 2017 - 2:35

Mom - Hindi - 2017 - 2:26

Padman - Hindi - 2017 - 2:20

Initial D - Cantoneese - 2005 - 1:47

Mohenjo Daro - Hindi - 2016 - 2:35

Angamaly Diaries - Malayalam - 2017 - 2:12

The Age of Shadows - Korean - 2016 - 2:20

La Musica di Silenzio - Italian - 2017 - 1:55

Ma Chu Ka - Malayalam - 2017 - 1:59

The Great Father - Malayalam - 2017 - 2:31

Star Wars Episode VIII: The Last Jedi - English - 2017 - 2:31

Set It Up - English - 2018 - 1:45

Aiyaary - Hindi - 2018 - 2:37

Shrek - English - 2001 - 1:30

Abhinetri - Telugu - 2016 - 2:07

Nibunan - Tamil - 2017 - 2:07

Ajji - Hindi - 2017 - 1:44

Taare Zameen Par - Hindi - 2007 - 2:45

Balu Mahi - Urdu - 2017 - 2:30

Metro - Tamil - 2016 - 1:59

Raw - French - 2016 - 1:39

In Search of Felini - English - 2017 - 1:33

Revelations - Tamil - 2016 - 1:58

Steel Rain - Korean - 2017 - 2:19

Company - Hindi - 2002 - 2:16

Yuva - Hindi - 2004 - 2:40

Insan - Hindi - 2005 - 2:21

Premachi Goshta - Marathi - 2013 - 2:07

Rahasya - Hindi - 2015 - 1:57

Forgotten - Korean - 2017 - 1:48

Asura: The City of Madness - Korean - 2016 - 2:12

Daagdi Chaawl - Marathi - 2015 - 1:58

Zenda - Marathi - 2009 - 2:00

Tukaram - Marathi - 2012 - 2:41

The Bros - Korean - 2017 - 1:42

Master - Korean - 2016 - 2:22

The Midnight After - Cantonese - 2014 - 2:00

The Reservoir Game - Korean - 2017 - 1:40>

Aval - Tamil - 2017 - 2:14

Devrai - Marathi - 2004 - 2:02

This Is Not What I Expected - Mandarin - 2017 - 1:46

Popat - Marathi - 2013 - 2:40

Mumbai Pune Mumbai 2 - Marathi - 2015 - 2:29

Mumbai Pune Mumbai - Marathi - 2010 - 1:41

I Am Sun Mu - Korean - 2015 - 1:20

Sacro GRA - Italian - 2013 - 1:35

Suburra - Italian - 2015 - 2:14

Franca: Chaos and Creation - Italian - 2016 - 1:19

Y Tu Mamá También - Spanish (Mexico) - 2001 - 1:45

Kshanbhar Vishranti - Marathi - 2010 - 2:17

Sandook - Marathi - 2015 - 2:11

Kabali - Hindi - 2016 - 2:28

Dhobi Ghat - Hindi - 2010 - 1:42

Perú: tesoro escondido - Spanish - 2017 - 1:16

I Called Him Morgan - English - 2016 - 1:31

Beauty and the Beast - English - 2017 - 2:09

Sardaar Ji - Punjabi - 2015 - 2:20

Todo sobre el asado - Spanish (Argentina) - 2016 - 1:25

Bullet to the Head - English - 2012 - 1:31

Ujala - Hindi - 1959 - 2:22

Kahi - Kannada - 2016 - 1:33

It Was Fifty Years Ago Today! The Beatles: Sgt. Pepper & Beyond - English - 2017 - 1:53

Berserk: The Golden Age Arc III - The Advent - Japanese - 2013 - 1:47

Kung Fu Yoga - Mandarin - 2017 - 1:47

Under the Shadow - Persian - 2016 - 1:24

Boys in the Trees - English - 2016 - 1:52

Tokyo Idols - Japanes - 2017 - 1:28

The Throne - Korean - 2015 - 2:05

Janaan - Urdu - 2016 - 2:12

[vsplusonline]

After Ramayan And Mahabharat Re-Run, Nostalgia And Memes On Twitter

New Post has been published on https://apzweb.com/after-ramayan-and-mahabharat-re-run-nostalgia-and-memes-on-twitter/

After Ramayan And Mahabharat Re-Run, Nostalgia And Memes On Twitter

Ramanand Sagar’s Ramayan first aired in 1987 (courtesy DDNational)

Highlights

“We are re-living our childhood,” read a tweet

“I vividly remember my memories of watching Ramayan,” added another

“I feel lucky to relieve those days,” wrote another netizen

New Delhi:

The Internet forgot worrying about the coronavirus pandemic for a while on Saturday morning as the first episode of Ramanand Sagar’s Ramayan aired on Doordarshan. Later in the afternoon, the Nineties’ Mahabharat also made a comeback on the channel. The Internet is besides itself with joy and filled up Twitter with nostalgic memories that all Nineties’ kids will relate to. The return of Ramayan and Mahabharat started conversations about antennas and box TVs and also took netizens back to their childhood, confessions were made on Twitter. “We are re-living our childhood,” read a tweet while another added: “I vividly remember my memories of watching Ramayan on those Sunday mornings.”

Here’s how Twitter reacted on Saturday morning:

Taking me back to childhood. #Ramayan and #Mahabharat on @DDNational with the entire family! This was our routine weekend plan. so glad it’s restarted, great way for kids to learn Indian Mythology. pic.twitter.com/ZFc4X0oTFl

— Kajal Aggarwal (@MsKajalAggarwal) March 28, 2020

#Mahabharata on DD Bharti Being #YehUnDinonKiBaatHai fan I feel extremely lucky to relieve those dayspic.twitter.com/PauorE3LBS

— heer (@Heeriye1) March 28, 2020

Full attendance infront of the TV @ 9am. We are re-living our childhood (I was 7 years old and my parents bought a Bush TV for me to see this show)… my kids might never understand but I’m happy they are watching with me. #Ramayan@DDNationalpic.twitter.com/pYIM7zj4wD

— Shweta Shalini (@shweta_shalini) March 28, 2020

In the world of Amazon Prime & Netflix

I’m watching 32 year old show Ramayan

And recalling old memories #Ramayanpic.twitter.com/2w7ptcCWbN

— Mahesh Vikram Hegde (@mvmeet) March 28, 2020

Remembered waching Ramayana with whole family and neighbours who didn’t have TV also used to gather. TV room used to get full. Never seen such excitement for any serial those days.#Nostalgic#Ramayan#Doordarshanpic.twitter.com/qSj9zkL3hj

— Aman Gautam (@aman_gautam1) March 28, 2020

I vividly remember my memories of watching #Ramayan on those Sunday mornings. We had Uptron TV on those days, and antenna was such a pain. As it was my responsibility to prepare TV with right signals..

These memories are nostalgic!! pic.twitter.com/NVrSxdQ12U

— Chetan Singh (@ChetanNature) March 28, 2020

Kuch bhi nahi badla #Ramayanpic.twitter.com/8apz4HeHbg

— Laplace (@illogical_7) March 28, 2020

However nostalgic Ramayan and Mahabharat may have made Twitter, it didn’t forget to troll streaming services like Netflix, Amazon Prime and Hotstar. Actress Sonakshi Sinha, who had once incorrectly answered a Ramayan question on Kaun Banega Crorepati, was also dragged in.

Other Entertainment channels right now- pic.twitter.com/luIQYB1ZZB

— Naweed (@Spoof_Junkey) March 28, 2020

#Ramayan

*Having seen their viewers increased*

Doordarshan: pic.twitter.com/raqU7QvItp

— Prince Pandey (@princepandey_) March 28, 2020

Indians from tomorrow at 9 am and 9 pm.#Ramayanpic.twitter.com/PvlSuyjDuR

— CHEEKU (@Okay_Bye___) March 27, 2020

Netflix to Doordarshan after Doordarshan announces telecast of Ramayan, Mahabharat and Byomkeshbakshi pic.twitter.com/1Q074oC8Yn

— maithun HMP (@Being_Humor) March 27, 2020

DD announced #Ramayana#Mahabharat meanwhile : pic.twitter.com/MYZunFiUhG

— Rahul (@PaniChalaJayga) March 27, 2020

Everyone is a Gangsta until the real Gangsta arrives …#Mahabharat#Ramayanpic.twitter.com/eXK1Uowkzm

— be my Quarantine (@adityasahu955) March 27, 2020

This got to be the best meme on this #Ramayan#Mahabharat#DDNational#lockdownindiapic.twitter.com/3Kv8lFk6Jp

— Neha (@itsstillneha) March 27, 2020

Doordarshan has also brought back other iconic shows such as Circus, and Byomkesh Bakshi on the television amid the coronavirus lockdown. Circus, first aired in 1989, marked one of Shah Rukh Khan’s first roles in his career as an actor. The titular Byomkesh Bakshi was played by Rajit Kapoor in the series started in 1993. On Doordarshan, Ramayan will air twice everyday at 9 am and 9 pm while Mahabharat will come at 12 pm and 7 pm. Circus airs at 8 pm while Byomkesh Bakshi has locked 11 am every day.

Source link

[karthik82]

[Miniature drawing of @reginaacassandraa from #Evaru directed by @vvramg and starring @adivisesh] Evaru (2019) Directed by Venkat Ramji I missed watching this movie in theatres as the last couple of months have been extremely busy for me, with Recruitment activities. Fortunately, at the end of its theatrical run now, the film is on Amazon Prime. It's an official remake of the Spanish movie "Contratiempo" a.k.a. "The Invisible Guest", the second Indian remake, after "Badla". I actually didn't know this was a remake, till @kashyapchandra told me about it. So, I watched "The Invisible Guest" on Netflix recently and liked that. I haven't seen "Badla" yet and directly saw this take on the story. The film opens with wealthy socialite Sameera (Regina Cassandra) being arrested for the murder of a police officer who raped her. Subsequently, while under house arrest and impending trial, Vikram Vasudev (Adivi Sesh), a cop, advises her on defense. If you have seen the original film you would kind of know where things go from here, but the filmmakers here have made enough changes to differentiate this movie from the Spanish one (I don't know how similar this is to "Badla" though). The framework is the same, but they play about with the details differently. I thought "Evaru" was well done, quite restrained in its approach and nicely paced. It was well acted too. I liked the movie overall. I drew Regina Cassandra from the movie, from the flashback scene of the assault that starts off the story. The drawing is one inch square in size, done with 0.5 mm 2B mechanical pencil on A6 Brustro sketchbook and scanned. Tagging @neme.art #aninchaugust #aninchaugust2019 (despite August being over), and @primevideoin. #dailymoviesketch #karthikabhiram #pencil #pencilart #miniatureart #evaru #contratiempo #theinvisibleguest #473 / 20-Sep-19 (at Secunderabad) https://www.instagram.com/p/B2n0biRgC_s/?igshid=nho0c4knqp06

[harshil633]

Netflix Typewriter: Release date, cast, plot, trailer, and watch here

After Leila its another Netflix Indian horror series Typewriter set to release on 19 July. Read more #typewriter #netflix #webseries #indianseries #horror

After Leila, Netflix announced the new mystery thriller Indian web series Typewriter. They released the short teaser of the series and on 27 June official trailer released by Netflix India. From the trailer, series looks forward to watching. Badla, Ahalya, and Kahani fame director Sujoy Ghosh will direct this series.

Who is in Netflix Typewriter Cast?

This Netflixseries…

[weekendwarriorblog]

WHAT TO WATCH THIS WEEEKEND MARCH 8, 2019 – CAPTAIN MARVEL!!!

 This is a big weekend for Marvel Studios, as they release their first superhero movie with a female protagonist -- not counting Elektra (thanks for the laugh, Max Evry!) -- and the question is not whether it will make $100 million this weekend but how much MORE than $100 million it will be making this weekend. But that’s a question to be answered over at my gig at The Beat and it will be answered in about an hour...

CAPTAIN MARVEL (Marvel Studios/Disney)

Directed by Anna Boden and Ryan Fleck (Half Nelson, Sugar, Mississippi Grind) Written by Boden, Fleck and Geneva Robertson-Dworet Cast: Brie Larson, Samuel L. Jackson, Jude Law, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Annette Bening, Gemma Chan, McKenna Grace, Lashana Lynch, Clark Gregg MPAA Rating: PG-13

I’m not sure how much more I have to say about the latest Marvel movie after writing about it extensively for The Beat. (You are reading my Box Office Preview there for all the stuff you used to read in this column about the wide releases, right?)

I am greatly looking forward to seeing this on Thursday night for a number of reasons and none of them are due to “old white man hater” Brie Larson, who I used to have respect for until she decided to attack me and my livelihood and ability to get work.

That said, I’ve been waiting for directors Anna Boden and Ryan Fleck to break out and do a big studio movie for many years, as I’ve been a fan of theirs since Half Nelson and have spoken to them a number of times including one of my favorites of theirs, the road trip movie Mississippi Grind, starring Ryan Reynolds and Ben Mendelsohn, who played a much nicer and more sympathetic role in that then he has portraying the villain in many studio movies since then.

I’m also looking forward to Captain Marvel since it introduces to the MCU the idea of the alien races, the Kree and the Skrulls, who have played such a large part in some of my favorite Marvel Comics storylines, including the “Kree-Skrull War” from The Avengers, which certainly could be something being set up in the MCU. I also loved the Skrulls as Fantastic Four villains, and here’s hoping that with the new Disney-Fox merger, we might actually see a GOOD Fantastic Four movie one of these days (or a crossover with Avengers even!)

Anyway, we’ll see whether I feel like writing a review for this on Friday after seeing it on Thursday night, but it’s really tough to be fair and impartial when the star of a movie has already gone out of her way to write you off, due to your gender, race and age.

More importantly, let’s get to some…

LIMITED RELEASES

One of the best movie out this weekend is Oscar-winning Chilean filmmaker Sebastian Lelio’s new movie GLORIA BELL (A24), starring Julianne Moore. A remake of his 2013 Spanish language film Gloria, the filmmaker behind A Fantastic Woman makes his English language debut with Moore playing the title character, a lonely older woman dealing with family issues who goes out dancing on Friday nights in hoping of meeting men. On one such night she meets John Turturro’s Arnold, and the two of them fall into a romance that runs into issues when he finally meets her kids and ex-husband (Brad Garrett).  Although I never did see Gloria, I was pretty blown away by how Lelio told this story, and Moore gives one of the best performances of her career – YES, MUCH better than her Oscar-winning turn in Still Alice. I know that A24 brought the movie to TIFF last year, but for whatever reason, they decided to hold it until March… just like Brie Larson’s Free Fire, ironically enough. Personally, I think Moore has a real chance at another Oscar nomination, but having a movie released so early in the year will make it tough, sadly. I was really able to relate to this movie more than I thought I would but mainly to Turturro’s character.

Another film worth seeking out is Vincent D’Onofrio’s second film as a director, the Western THE KID (Lionsgate), as in “Billy the Kid,” played by Dane DeHaan. The “kid” in the title is also teenager Rio, played by Jake Schur, who is on the run with his sister (Leila George) trying to get away from their abusive uncle (played by Chris Pratt!) Along the way, they meet Billy the Kid, as well as Sheriff Pat Garrett, who has been sent to capture and try Billy.  It’s opening in 250 theaters on Friday, so it won’t be too hard to find, and I’d love to say more wonderful things about it, but I’ve been embargoed. I hope to have an interview with D’Onofrio soon over on The Beat!

Another film worth seeking out is 3 FACES (Kino Lorber), the new film from Iranian filmmaker Jafar Panahi (The Circle, Offside), who has been banned from making films in his home country but continues to find a way to make films anyway. This one received an award for Best Screenplay at Cannes last year and has played Toronto and New York Film Festivals before opening at the IFC Centeron Friday. Panahi also stars in this drama along with Iranian actor Behnaz Jafari, as they go on a road trip to help a girl whose family has forbidden her from attending a drama school in Tehran, encountering various people along the way. The film continues Panahi’s exploration of combining his personal life with dramatic storytelling in the real world, which I haven’t really enjoyed as much as his straight dramas.

Opening at Metrograph is Black Mother (Grasshopper Films), the new cinema verité doc from filmmaker and photographer Khalik Allah (Field Niggas), which combines portraits of denizens of Jamaica shot on 16mm and HD with audio recordings of them talking about life in Jamaica. It’s a really beautiful film, and this is from someone who generally doesn’t care for cinema verité docs, but this really is a compelling film that’s worth seeing.

Oscar winner J.K. Simmons stars in his wife Michelle Schumacher’s second film I’m Not Here (Gravitas Ventures) playing Steve, as a lonely man who is haunted by memories of his past locked into the objects and sounds around his house. The film also stars Sebastian Stan, Mandy Moore, Max Greenfield, David Koechner and Harold Perrineau, and it opens at New York’s Village East, Los Angele’s Laemmle Monica and in other select cities this Friday. (Simmons and Schumacher will be at the Laemmle for a QnA on Sunday evening.)

Opening at New York’s Quad Cinema Friday is Giacomo Durzi’s doc Ferrante Fever (Greenwich) about novelist Elena Ferrante, who has made waves both in Italy and in America, thanks to a few independent publishers.

Gabrielle Brady’s directorial debut Island of the Hungry Ghosts, winner of Best Documentary at last year’s Tribeca Film Festival, will open at Astoria’s Museum of the Moving Image. It focuses on the residents of Christmas Island off the coast of Indonesia where asylum seekers are held in a high-security detention center and counseled by trauma therapist Poh Lin Lee.

Since I haven’t had a chance to see JC (All Is Lost, Margin Call) Chandor’s new movie Triple Frontier, starring Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund and Pedro Pascal (Narcos) as Special Forces operatives planning a South American heist, I don’t have much to say about it, although I’m sold based on the premise alone. It’s opening In New York and L.A. on Wednesday in single theaters in both places (Sorry, Steven Spielberg!) but it will stream on Netflix a week later on March 13. Maybe I’ll write more about it next week. Maybe not.

Opening at the Film Society of Lincoln Center is the late Hu Bo’s An Elephant Sitting Still (KimStim) which played at New Directors/New Films in 2018.  It involves a teenager who accidentally injures a bully and interacts with various people who are dealing with their own burdens. Actor Zhang Yu will be making appearances before and after screenings including a reception before the 6:30pm screening on Friday.

This week’s Bollywood offering is Sujoy Ghosh’s BADLA (Reliance Entertainment), starring Taapsee Pannu as a young entrepreneur who is locked in a hotel room with the body of her deadl lover, so she calls upon a prestigious lawyer (Bollywood vet Amitabh Bachchan) to figure out how she ended up in that predicament.

REPERTORY

METROGRAPH (NYC):

Ringo Lam X3 continues through the weekend, while Raul Peck X2continues with a screening of Murder in Pacot  (2014) on Saturday. This week’s Late Nites at Metrograph  is Fassbinder’s Love is Cooler than Death (1969), and the weekend’s Playtime: Family Matinees is 1982’s The Last Unicorn, an animated film from Rankin and Bass that was co-created by the Japanese anime studio Topcraft, who went on to form Studio Ghibli – you’ve probably heard of them. The voice cast includes Mia Farrow, Alan Arkin, Jeff Bridges, Angela Lansbury and Christopher Lee, and it’s probably a bit of a lost classic.

THE NEW BEVERLY (L.A.):

Weds and Thursday is the Billy Dee Williams cop double feature The Take  (1974) and Nighthawks (1981), and then on Friday and Saturday, the Bev double features One Flew Over the Cuckoo’s Nest  (1975) and Arthur Hiller’s The Crazy World of Julius Vrooder (1974) (a movie I’ve never even heard of!). Sunday and Monday’s double feature is two Paul Wendkos films, The Case Against Brooklyn and Tarawa Beachhead, both from 1958. On Saturday and Sunday, the Kiddee Matinee is the Australian horse movie Phar Lap  (1983) while the midnight offerings this weekend are Kill Bill Vol. 2 on Friday and The Groove Tubeon Saturday. Grindhouse Tuesday is back with the “Bruce Li” double feature of Soul Brothers of Kung Fu  (1977) and The Image of Bruce Lee  (1978), movies made after Bruce Lee’s death.  (If I lived in L.A., this is where I would be on Tuesday night.) The high school comedy classic Clueless (1995) will screen on Tuesday, as well.

FILM FORUM (NYC):

Starting this weekend, the Greenwich Village theater presents a new 4k restoration of Jack Clayton’s 1959 film Room at the Top, which won Oscars for screenplay and actress Simone Signoret and was nominated for Picture, Director, Actor and Supporting Actress (for Hermione Baddeley’s 2.5 minute appearance in the film). It’s about a working-class guy who sets his sights on the daughter of the boss.The weekend’s Film Forum Jr. is Joe Dante’s 1993 film Matinee, starring John Goodman. Also, author David Thomson will present a screening of Joseph Losey’s 1963 film The Servant on Sunday.

MOMA (NYC):

New month, new Modern Matinees series and for the next two months, it’s a doozy with Modern Matinees: B is for Bacall, showcasing the fabulous filmography of Oscar-nominated actor Laure Bacall. This week, they’re screening the 1954 film Woman’s Worldon Wednesday, Howard Hawks’ The Big Sleep (1946) on Thursday and 1947’s Dark Passages on Friday. (Note that most of these movies will be rescreened later in the series in case you miss them this week.) Also this week is the series William Fox Presents More Restorations and Rediscoveries from the Fox Film Corporation, which features lots of movie from the ‘20s and ‘30s, many of them accompanied with live piano. Wednesday is Hangman’s House from 1928 and 1920’s Just Palsand Friday is 1929’s The Cock-Eyed World and Me and My Gal (1932), and there’s more on Saturday, Sunday and next week.  This is a busy time for MOMA as they’re also presenting Carte Blanche: Mariette Rissenbeek on German Women Cinematographers, which mostly features films from the last 15 years but many which never have received U.S. theatrical releases.

EGYPTIAN THEATRE (LA)

Big weekend for Albert Finney fans as Albert Finney Remembered presents a few fantastic double features including Two for the Road  (1967) and Alan Parker’s Shoot the Moon (1982) on Thursday, the Coens’ Miller’s Crossing  (1990) and John Huston’s Under the Volcano  (1984) on Friday and Tom Jones (1963) and Tim Burton’s Big Fish (2003) on Sunday. The Egyptian’s big event for the weekend is the 7-movie day-long Boris Karloff-Bela Lugosi Movie Marathonon Saturday, which will include Frankenstein, Dracula but some lesser-seen classics like The Raven (1935) and more. If I lived in L.A., this is where I would be on Saturday.

AERO  (LA):

The AERO continues its Hitchcock, Truffaut and Jones series with double features Hitchcock’s The Man Who Knew Too Much  (1956) and Truffaut’s 1968 film The Bride Wore Black (which I’ve actually seen fairly recently!) on Friday, and Rear Window  (1954)and Mississippi Mermaid (1969) on Saturday. The theater will also have an all-day screening of Sergey Bondarchuk’s 7-hour epic adaptation of War and Peace  (1967) in four parts with two brief intermissions.

QUAD CINEMA (NYC):

The Quad’s still a month away from its 2-year restoration anniversary, but they’re reshowing Bertrand Blier’s Going Places and Luis Bunuel’s Tristana this coming weekend. The former is also part of Amour or Less: A Blier Buffet, a retrospective of the French filmmaker who I’m not even remotely familiar with. (Sorry!) They’re showing eight of Blier’s films before the new 40thanniversary restoration of his 1978 film Get Out Your Hankerchiefs opens on Friday, March 15.

IFC CENTER (NYC)

While Weekend Classics: Early Godard  seems to be taking a weekend off, Waverly Midnights: The Feds  is screening the Wayan Brothers’ White Girls (2004) in a 35mm print! Late Night Favorites takes a break from showing Ridley Scott’s Alien (which celebrates its 40th anniversary this month!) to show David Lynch’s Eraserhead (1977).

BAM CINEMATEK (NYC):

Premiering at BAM on Friday (as well as the Laemmle Glendale in L.A.) is the U.S. premiere of a restoration of Franco Rocco’s 1980 film Babylon, which was banned from the New York Film Festival and never released in the United States. Written by Martin Stellman (Quadrophenia), it stars Brinsley Forde from reggae group Aswad as a dancehall DJ who fights again racism and xenophobia in Thatcher-era London.

MUSEUM OF THE MOVING IMAGE (NYC):

See It Big! Costumes by Edith Head concludes this weekend with screenings of Hitchcock’s The Birds (1963) and Marnie (1964).

LANDMARK THEATRES NUART  (LA):

The Nuart’s Friday midnight screening is George Miller’s Mad Max: Fury Road Black & Chrome Edition (2015).

STREAMING AND CABLE

Season 1 of Ricky Gervais’ new series After Life will debut on  Netflix starting Friday, but there are also a few new movies including Clark Johnson’s Juanita, starring Alfre Woodard as the mother of three who goes on a trip to Montana, plus there’s Conor Allyn’s Walk. Ride. Rodeo., an inspirational drama that tells the true story of Amberley Snyder, played by Spencer Locke from the Resident Evil series, a 19-year-old rodeo rider who barely survives a car crash that leaves her paralyzed from the waist down. So yeah, Netflix is even trying to sidetrack Brie Larson’s Captain Marvel rerelease with other female-led films just like they’re going to try to derail Warners’ Shazam! with Brie Larson’s directorial debut Unicorn Store next month. The struggle continues.

Now available for digital download is Joe Eddy’s Steve McQueen biopic Chasing Bullitt (Vertical), starring Andre Brooks as the legendary actor who in 1971 makes a deal with his agent to let him choose his next acting gig if he finds his Ford Mustang GT 390 from Bullitt. Also available digitally is Dallas King’s action-thriller Kiss Kiss (Cleopatra Entertainment) that follows four strippers who go to a wine tasting that turns into a female fight night. I didn’t make this movie up, but apparently, it’s counter-programming to Captain Marvel.

LOCAL FESTIVALS

On Thursday, the Museum of the Moving Image is presenting the 6thannual Philip K. Dick Science Fiction Film Festival with two programs of short films. Also on Thursday, the IFC Center will kick off Canada Now 2019 with Nicholas de Pencier and Edward Burtynsky’s new doc Anthropocene: The Human Epoch, another globe-crossing from the duo behind Manufactured Landscapes. There will also be other Canadian films that have played in various film festivals north of the border.

Oh, yeah, also South by Southwest is happening in Austin, but I’m not going, so…

That’s it for this week. Next week, Captain Marvel will probably be #1 again, but there are a few other movies hoping at least for second place.

[newonnetflixusa]

Badla

Badla is available in: Hindi [Original] on Netflix USA

[fanarttv id=”tt8130968″] [traileraddict id=”tt8130968″]

When a woman is accused of killing her lover, a renowned lawyer is hired — but the more they try to untangle the truth, the more convoluted it becomes.

Reviews Watch it on Netflix USA

[imdb id=”tt8130968″]

[nowonnetflix]

Badla

Badla is available in: Hindi [Original] on Netflix Thailand

[fanarttv id=”tt8130968″] [traileraddict id=”tt8130968″]

When a woman is accused of killing her lover, a renowned lawyer is hired — but the more they try to untangle the truth, the more convoluted it becomes.

Reviews Watch it on Netflix Thailand

[imdb id=”tt8130968″]

[viraljournalist]

Shah Rukh Khan denies doing Sahir Ludhianvi biopic, reveals why he hasn’t signed any films post Zero | Bollywood News

New Post has been published on https://viraljournalist.com/shah-rukh-khan-denies-doing-sahir-ludhianvi-biopic-reveals-why-he-hasnt-signed-any-films-post-zero-bollywood-news/

Shah Rukh Khan denies doing Sahir Ludhianvi biopic, reveals why he hasn’t signed any films post Zero | Bollywood News

Superstar Shah Rukh Khan has not seen success at the box office in a while. The actor had three back to back failures with Fan, Jab Harry Met Sejal and Zero. While he was supposed to star in Rakesh Sharma biopic Saare Jahaan Se Achcha, he backed out from the project. There were reports that he had signed Sanjay Leela Bhansali project which will be a biopic on Sahir Ludhianvi. But, he has stated that he isn’t doing any films right now.

Speaking to Filmfare, Shah Rukh Khan recently said that he is not doing any films and wants time to select his next. “I have no film with me right now. I am not working on any film. Usually what happens is when your one film is coming to an end, you begin work on your next film and I get involved within 3-4 months. But this time I am just not feeling like…My heart doesn’t allow me to..I just felt that I should rather take time out, watch films, listen to stories and read more books. Even my kids are in their college stage…my daughter is going to college and my son is about to finish his studies. So I just want to spend more time with my family,” he said.

Meanwhile, Shah Rukh Khan recently produced Badla starring Amitabh Bachchan and Taapsee Pannu which was a hit. The actor is producing two Netflix series – Bard Of Blood starring Emraan Hashmi and Class Of ’83 with Bobby Deol.

ALSO READ: Shah Rukh Khan comes out in support of acid attack victims by launching the Meer Foundation website on Father’s Day

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[nowonnetflix]

Badla

Badla is available in: Hindi [Original] on Netflix Switzerland

[fanarttv id=”tt8130968″] [traileraddict id=”tt8130968″]

When a woman is accused of killing her lover, a renowned lawyer is hired — but the more they try to untangle the truth, the more convoluted it becomes.

Reviews Watch it on Netflix Switzerland

[imdb id=”tt8130968″]

[nowonnetflix]

Badla

Badla is available in: Hindi [Original] on Netflix Italia

[fanarttv id=”tt8130968″] [traileraddict id=”tt8130968″]

When a woman is accused of killing her lover, a renowned lawyer is hired — but the more they try to untangle the truth, the more convoluted it becomes.

Reviews Watch it on Netflix Italia

[imdb id=”tt8130968″]