#wasn't aware I liked that

[premise29]

I'm going to go crazy if this situation doesn't result in cuddles.

I'm aware that I'm touched starved but it doesn't usually bother me. But knowing that there is someone who could help with that... it's an actual craving I feel. Especially because obstacles keep preventing that! I feel like I'm going crazy.

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[saintaviator]

4 YEARS!! 🧪✨🫧☀️🌈🔥‼️

[infinitelystrangemachinex]

massages forehead So Ambessa hid Mel away because she was a weapon in the literal sense, a mage. But Ambessa came to Piltover for Hextech? And Ambessa had nothing to say to Mel about her powers having visibly awakened? Even when Mel offered to go with Ambessa, giving her the ultimate opportunity to make Mel a weapon for real? And Ambessa made no attempt to find or retrieve Mel - not just her daughter and the remnants of the family Ambessa professes to love, but also her ultimate weapon - when she disappeared? And Ambessa trusted Singed and Viktor on their home turf - neither of them hiding how insane and self-serving they are with every reason to take over Ambessa's soldiers or just blatantly turn on her as soon as it benefits them - more than she trusted Mel? While Caitlyn (and by extension Piltover) was visibly and clearly falling away from Ambessa's teachings before Ambessa's eyes? (as if getting rid of certain people allows piltover to get rid of fascism but we won't get into All That)

Not only do I struggle to be hyped for Mel's powers beyond how amazing and beautiful she looks, but I can't help but feel like Mel is somehow less powerful in season 2 than she was in season 1, and not in an interesting way. As if Mel's ability to bend all of Piltover politics and economics to her will in season 1 now means nothing in season 2? You can argue that Jinx's attack led directly to Mel losing ground in Piltover - because I expected Mel to have to claw back that power without being able to rely on people who are too easily seduced by Ambessa and authoritarianism, and she would have to get creative to go toe to toe with her mother. I expected pushback to her mage identity that she would have to navigate. But instead this went either unwritten, or was ignored or discarded. Instead Mel is removed from the main plot, cutting her off from what made her the most interesting - only for all of Mel's very real talents, her very real powers and abilities, to be not only translated but REPLACED with magical powers she doesn't know how to control, and by the finale, those magic powers are the only powers that are considered real. Mel takes a backseat to Piltover's governing and decisions, a backseat to Jayce of all people who was not only new to politics mere months ago but made poor governing, strategic, and diplomatic decisions when he had that power. In season 1 Mel stayed off the "throne" but she did pull its strings one way or the other, and she makes no attempt at this in season 2

In my least generous suspicions, Mel was gentled and quieted to capitulate to an agenda for other characters who had to be correct and heroic - or wrong and villainous - no matter what the leadup narrative said, given her powers to help sell the game and set up future shows, and was effectively ejected from the Arcane story with faceless soldiers and a role she doesn't want because she was inconvenient there

[queenlucythevaliant]

Honesty hours: I've been working a summer job at a bookstore for almost two months now. Here are the books I will discreetly shake my head at customers for buying. My literary red flags, if you will.

Anything tarot

Particular romance and romantasy novels that I've been told are basically just soft erotica (ACOTAR being the most popular)

Harlequins, which apparently still exist

Colleen Hoover

The Colleen Hoover merch we sell for some godforsaken reason

Heaven is For Real, When God Winks at You, and other theologically sketchy but inexplicably popular books. I'm always internally thinking, "oh honey, no!"

Giant stack of self help books combined with books from the business section. This suggests a very particular type of person. This type of person scares me.

Especially that one book we have about how to become a "superior man" (??)

More than one book by James Patterson. One book is forgivable; multiple suggests you follow him as an author

More than one book by Danielle Steel (same reason)

Parents buying their kids books that are just "Adult Thing: For Kids!" Like we have a picture book that's called "A Day at Dunder Mifflin" or the one adapted from the Dumb and Dumber movies and I'm like. Don't you think your kid would prefer something that's actually for them??

That guy who bought the collected writings of Lenin, the poetic writings of Mao, and a giant, thousand-page biography of Che Guevara all in one go. You okay there buddy?

[stationed-radio]

Kendrick sending a pestilence and plague into your house, into your bed, into your streams, into your streets, into your drink, into your bread

[hwoaarang]

I'm running out of time...

[ratcandy]

had a conversation with my mom and now i'm curious

If unsure, go grab yourself a pencil and compare to these examples:

"Correct" ways to hold a pencil:

(if you didn't know there were names for these, yea I had no idea either until I started looking stuff up lmao)

"Wrong" ways to hold a pencil:

I'm mostly curious as someone who has always held her pencil wrong. No matter what teachers/my mom ever did to try and teach me (pencil grips, elastic bands, etc) it just never worked. I wanna know how universal this experience is hdKJH

(rb for sample size, etc etc, the usual)

[peacockrulz]

N tries to tell another joke (gone wrong)

Sequel to This

[hausdellamorte]

please don't jump me for this, mary kirby is a fantastic writer but i have a very glaring issue with lucanis' writing that really makes me cringe every time i think about it and it's the fact that he was very clearly written around the millennial tumblr joke of "running on spite and coffee" and the like and it doesn't really give him a lot more room for more character depth. a lot of veilguards comedy feels a lot like the writers in the writing room tried to predict what memes would be made and created those characters around it, instead of creating fully rounded characters and let the jokes happen naturally

[sherrymagic]

Aou Thanaboon and Boom Tharatorn WE ARE | EP. 16 — behind the scenes

+ bonus:

[nattikay]

the constant inner struggle of a Na'vi speaker/teacher browsing Na'vi OCs

[hurryupmerlin]

We saw Venom III tonight and it was so gay. So fucking gay. Deadpool and Wolverine are nothing against Venom and Eddie.

The producers made their gay point clear and then they made it again and theeen they made it AGAIN just to be sure the audience really understands how much these two are in a relationship.

This movie got it all. Visual hint to a freshly married couple. Thelma and Louise reference. Venom dreaming about having a family of his own with Eddie. It's all there.

This movie was everything I had hoped for.

[statementlou]

I choose to believe City Hall was lit up red because that was Liam's color, thanks city of San Francisco. And thank you to the organizer and to everyone who came to sit and sing and cry and write messages for the lovely gathering 💔it's good to be together

[whyrubuyingclothesatthesoupstore]

What pisses me off about the flanderization of ships like keisou is that people forget Shin is completely insane. He's not an uwu baby that needs to be protected by Keiji, in fact Keiji often needs to protect people from Shin. Like yeah he can't put up a fight physically, but that didn't stop him from attempting and nearly succeeding at child murder And giving Sara amnesia via psychological torture in logic route

I need less fics where Keiji saves poor innocent Shin from Midori and more fics where Keiji has to hold Shin back from doxxing a highschooler who made fun of him on the internet

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.