#was just to good not to write

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[plaguedoctorate]

idk man. i just think itd be really cool if sign language classes were mandatory throughout primary school. yeah because it would make communication with deaf kids and autistic/nonverbal kids much easier. and those kids would be accessible to the others so they could make friends and have healthy relationships. yeah. and kids would eat that shit up man. like their own little secret language? they love that.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[prolibytherium]

One of my all time biggest pet peeves with historical(ish) fantasy is when the writer constructs a religion with a clear bias that it's stupid and false and therefore only the Stupid People and/or commoners believe in it and all the smart/elite main characters are like, quasi-atheists or otherwise just routinely flout established religious conventions of orthodoxy and/or orthopraxy because they're Too Smart for it or etc.

It's usually an extension of assumptions that people in the past were just less intelligent than in the contemporary, just being like "I know that the sun is a star millions of miles away that the earth orbits, but this ancient religion describes it as a chariot flying through the sky" and not really bothering to learn the context and just (consciously or subconsciously) settling on 'that's a crazy thing to think and was probably believed in because they were Stupid'.

And that whole attitude pisses me off so much. People were as 'smart' 10,000 years ago as they are today. These beliefs aren't just desperate, random flailing to explain phenomena that could not directly be accounted for either, it's not like people just looked at the sun and went "Uhhh I don't know what the fuck that thing is, actually. I guess it might be a chariot or a boat or something?? Yeah let's go with that." and based entire religious practices on this. Every well-established belief system exists within broader contexts of cultural values/subjective perceptions of reality/knowledge systems/etc, and exist as part of a historical continuum of religious practices that came before. Even when not Materially Correct, they have context and internal logic, they're not always dead literal with zero levels of allegory, and they're never a result of stupidity.

[el-warverine]

I need to have a serious conversation with whoever storyboarded/animated this.

[octarineblues]

supporting communities & people impacted by the Southport attack and the far-right riots in the UK

here is a list of community fundraisers I found, starting with those aiming to support the Southport community after the appalling attack at a children dance party, to the fundraisers helping those affected by the subsequent racist and Islamophobic far-right/nazi riots

Edited on 5 August to include Middlesbrough fundraisers. Edited on 6 August to correct the link on the Books for Spellow Lane fundraiser, to adjust the name change for the Belfast fundraiser, and to adjust the wording in the second last paragraph.

Southport:

Southport Strong Together Appeal - organised by the community foundation for Merseyside, for those affected by the Southport knife attack

United for Southport families - the funds will be distributed among the nine families of the children who were at the party

Swifties for Southport - a fundraiser for the Alder Hey Children's charity, which supports the victims and the affected families, as well as first responders and clinicians. Extra funds will also support the wider Southport community

Fundraiser for the Southport Mosque - a fundraiser to aid rebuilding or possibly re-locating the Southport Mosque after the damages it suffered during the riots

Rebuilding Windsor Mini Mart - fundraiser to rebuild the locally-owned grocery store that was targeted during the attacks, broken into, and looted

Liverpool:

Fundraiser for the Spellow Hub - the Spellow Hub was broken into, looted and set on fire at night during the riots. The Spellow Hub is a newly created one-of-a-kind (in the UK) institution, which consists of a library as well as a community centre with a mission to help people get education and pathways to work

Books for Spellow Lane - another fundraiser for the library in the Spellow Hub, to replace the books and rebuild the library there edit: included the correct link

Hartlepool:

Fundraiser for the Nasir Mosque - the Nasir Mosque was attacked following Southport riots; this fundraiser is organised by Hartlepool citizens to help the mosque deal with the damages as well as to show appreciation for the role of the mosque in the community. edit: the funds will be also distributed to the local community!

Rebuilding the Farm Shop - the shop was targeted during the riots, and when the owner and his son tried to protect it, they were also violently attacked. The fundraiser is to help fix the damages to the store.

Sunderland:

help rebuild Citizens Advice Sunderland offices after arson - two of the Citizens Advice Sunderland offices were set on fire during the riots, and one of them is completely destroyed.

Hull:

Hull Help for Refugees - a local fundraiser to support the Hull Help for Refugees charity, the donated money will be re-distributed to community members affected by the riots

Fundraiser for Hull Help for Refugees and Welcome House in Hull - collected money will be donated to the two charities

Belfast:

help fix racially motivated damages - originally the fundraiser for the Sahara Shisha Cafe which was targeted by the far right in Belfast during the riots, now a fundraiser for all affected businesses in the area. edited to reflect the change of the name of the fundraiser to avoid any confusion

Middlesbrough:

Supporting residents after the riots - Middlesbrough has suffered so much during the riots, lots of businesses as well as just regular family homes were vandalised, had their windows smashed or even were broken into. This fundraiser wants to distribute the funds between affected people to help them fix the damages, and to generally support the local community. the newest fundraiser, imo potentially the most urgent one

Fundraiser for a Care worker's car which was set on fire - a car belonging to an employee of a care agency was set on fire during the riots while he was on shift at a care home.

If you want to donate locally but there is no fundraiser to support where you live, consider donating to your local charities oriented towards Muslim or PoC communities, or towards anti-racist and refugee organizations! And go support your local Muslim/Arab/Black/Asian/Refugee owned businesses!

If you have any information about other local fundraisers, feel free to add to the post or don't hesitate to let me know and I will add them here! We have seen so much hate in the past few days, we have to stay strong and keep supporting each other!

Stay safe everyone 💛

[tariah23]

The manga industry, especially JUMP, needs to hurry up and do away with weekly scheduling for mangaka. There needs to better regulations put into place for their health and safety because this is pitiful. Two weeks - monthly updates should’ve already been the standard for the manga industry at this point. These money grabbers will only continue to put the lives of these artists at stake for the sake of capitalism unless some serious changes are implemented.

[bluegiragi]

big d stands for big demeanour (inspired by this mini thread-fic by queeniebgalore on twitter - it is nsfw like immediately so be wary)

early access + nsfw on patreon

[lgbtlunaverse]

There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.

[ronanlynchbf]

tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY

[phantomrose96]

Actually the funniest part of the entire James Somerton debacle is the response his cowriter Nick gave. For context, Hbomberguy talks a bit about Nick as a cowriter, and there is not any strong evidence implicating Nick of also plagiarizing, so Hbomberguy takes the angle of "Nick is probably not (also) responsible for the plagiarism".

Nick's response?

To claim he could not be part of the plagiarism, because he does not read. And does not do research...

SOURCE: I Fact-Checked The Worst Video Essayist On YouTube - YouTube, video essay by Todd in the Shadows.

The second screen cap is maybe a tongue-in-cheek joke... but bold choice when everyone's eyes are on you to respond to serious allegations. And this screencap doesn't include the other wishy-washy statements, pre-video, from Nick saying to the effect of "I write based on vibes. I come up with an idea and ruminate on it." For research videos. For educational videos about queer history and queer media culture.

Adds flavor to the Todd video, which goes through two-dozen examples of Somerton videos which just claim... provably factually incorrect bullshit.

This guy is a writer. An author. You could not waterboard "I don't read" out of me if I were aiming to launch a writing career.

Beating the plagiarism allegations by confidently asserting you suck too bad to ever get that far.

[my-heart-of-heart]

So normal about Jon being like I don’t remember what you looked like but the man who let you die is going to suffer for what he did to you. If only Sasha coulda seen that.

So normal about Jon being like you died hating me and wanting me dead but I’m still gonna make sure this man knows I’m ending him in your name. Sure wish Tim coulda seen that.

So normal about the fact that everyone believed Jon was losing his humanity but no one got to see the ways his love and compassion for the people he lost or who hurt him drove him to that final moment.

So normal about the fact that even after everything Jonah’s done to Jon, the only person he never thinks to get justice for is himself.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[galaghiel]

Both Jack and Maddie stared at him, speechless. Silence blanketed the lab, everything but Danny’s strangled crying, his hand pressed over the muzzle as if to hide it. No- to hold it still, to still the dozen wicked barbs that were digging into his tongue, probably ripping it with each sob.

a little sketch of @liketolaugh-writes amazing one-shot fanfic that you can read here

[chloesimaginationthings]

This is basically Michael in FNAF Sister location,,