#warp-weighted loom

[braceletstea]

tablet weaving on my new rigid heddle loom! I was hoping to make this band a good 8 or 9 feet long, but Chloe chewed through several feet of the warp so I'm not sure how long it will actually be.

[trashpandacraft]

I found fibrecraft tumblr after searching drop spindles because my dad *didn’t even know what that was.* And despite having been firmly of the opinion that I didn’t intend to learn it, y’all have me getting ever closer to giving in. However, I’m also growing ever more enamored with the idea of weaving - and despite recently deciding to give knitting and crochet another go - I think it looks the most fun of the fiber crafts. My issue is that I have absolutely no space.

But I’m beginning to realize there’s a lot of different looms and types of weaving. So I was wondering if you have any resources or tips for small space methods and storage?

welcome to fibrecraft tumblr! it's fun here, we have enablers.

i will admit that while i love knitting, weaving is amazing, and is much better with regards to instant gratification—weaving for an hour gets you a lot more fabric than knitting for an hour.

so let's talk about weaving, because i have great news for you: you can 100% totally weave in a small space if you want to, and you even have options for how you do it. i'm going to go through basically all the small space weaving options that i'm aware of in roughly size order, and if you make it to the bottom of this you'll have a pretty good overview of space-saving weaving methods.

the first question to ask yourself is what you want to weave. maybe you're not sure yet, which is totally fine. if you don't immediately have strong feelings about it, though, maybe consider if band weaving strikes your fancy. this is pretty limited in size, but lets you weave belts, straps (like camera or bag straps), lanyards, etc.

if you think that sounds neat, it's worth looking into tablet weaving, an inkle loom, or a band/tape loom. tablet weaving takes up no space at all—if you can fit a stack of index cards into your life, you can fit tablet weaving. the tablets are small square cards, often made out of heavy cardstock, and even with a project on them, you can probably fit them into an index card holder.

inkle looms are larger, and to be honest i've never used one and don't know a ton about them, but they're also used for making woven bands. the looms can also be very aesthetically pleasing, if that's something you're into. they can be very big, but the ashford inklette, for example, is only 36 cm long and maybe 12 cm wide.

tape looms are—in my experience, anyhow—larger than tablet weaving but smaller than inkle looms, and even the larger ones are only about shoebox size. they vary widely, from gorgeous, complicated little looms to a handheld paddle that you use to create a shed, which is what you put your yarn through when you're weaving.

if that doesn't sound like good times, consider a frame loom. these are pretty simple—if you ever wove potholders out of stretchy cloth strips as a kid, you probably used a frame loom to do it on. frame looms are generally inexpensive and readily available, and can be used for small woven objects like potholders, coasters, placemats, etc. they can also be used to make some truly stunning tapestries. while you can buy a huge frame loom, you're still only talking about huge in two directions—it might be as wide as your armspan, but it's still only a couple inches thick.

another option is a pin loom. these don't get mentioned a lot, and i'm not totally sure why. pin looms are shapes with a bunch of pins (metal points, usually) coming out of them. on one hand, you're limited to making things that are the shape of the loom, but on the other hand, if you've been hanging around fibrecraft tumblr, you've seen all the things crocheters get up to with granny squares, right? there's no reason in the world that you can't do all those things with the squares made on a pin loom. or the hexagons! or the triangles! i've been kinda thinking about getting a little hexagon or triangle pin loom and using it to sample my handspun, then turning the shapes into a blanket.

if you hate all of that, that's ok! we have more options.

you could consider a backstrap loom, which is an ancient way of weaving that's still practiced today in many places. backstrap looms are cool because you can weave probably 24 inches wide on them, but even with a project on it, they take almost no room at all. backstrap looms are fairly easy to diy, because they're basically a bunch of dowels, so they can be a good low-cost way to try out weaving. backstrap looms will let you make longer, wider fabric than anything else we've mentioned so far!

another option—stay with me—is a toy loom. there are a number of cheap looms for sale on amazon/ali express/some local places that are actually fully functional looms. recently i've seen a number of people (like sally pointer, though i'm sure i've seen someone using one of the brightly coloured harness looms, as well) who've used them and report that they're functional, if basic, looms. you're fairly constrained in terms of project size, since there's not a lot of space for the finished fabric to wind on, and there's a very limited width, but the looms are quite small and tuck away easily.

ok, but so what if you hate all of those options? don't worry—there are more options! this is the part where things get expensive, though.

as looms go, rigid heddle looms are actually quite reasonably sized. i think the smallest one i've seen is a 40cm (~16") weaving width, which is about 50x60 (20x24") in length/width, and 13cm (5") high. so that's more space than anything else we've talked about, but it's still not a ton of space, you know? a 40cm rigid heddle will let you weave lovely scarves and things of that nature—table runners, placemats, strips of woven fabric to whipstitch together into a blanket, etc.

but maybe that's enough. so let's talk about table looms. some of them are quite large—mine, for example, is about a metre square and sits on a frame that it came with. it is not what you would call space efficient. but many of them, especially modern ones, are very compact, and can even be folded up into something more or less briefcase sized. (weird way to consider it, since the last time i saw a briefcase was probably the 80s, but you know what i mean, i bet.) the cool part here is that you can weave damn near anything you want on a table loom. the less cool part is that for the compact ones that fold up, you're looking at hundreds if not thousands of dollars. the smallest one i'm aware of is the louët erica, which folds down to 42x62x42cm (16.5x24.5x16.5") and gives you 40cm (16") of weaving width. i feel like that's impressively small. you'd have to decide for yourself if that's enough to justify the $500 usd/$800 aud price tag, though.

finally, we've come to folding floor looms. i don't think someone who's never woven before should run out and buy one of these unless money is just literally not at all a concern for you, but they are basically the dream for those of us trapped in crappy rentals, and it seemed weird to leave them out when i'd come this far.

some floor looms are various levels of collapsible. to be clear, this does you absolutely no good at all when you're actively weaving, because you have to unfold them to weave, but it does you a lot of good if you'd like to have a floor loom and still have the ability to, say, walk through the living room when you're not actively using the loom.

most relevant to our discussion about small weaving footprints, some looms fold up entirely. they are incredibly fucking expensive and incredibly fucking cool. the two that i'm most aware of are the leclerc compact and the schacht wolf line, both of which fold up to about half of their unfolded depth. they're still not small—i think that they're both the better part of 75cm (30") wide and tall, so even if they fold down to 40cm (16") deep, they're still 75cm wide and tall. which is Fairly Large, though much better than having something 80cm deep sitting in the middle of the floor.

this was a very, very long post, but hopefully makes it clear that there's a surprisingly wide range of options, and they all have advantages and trade offs. if you're asking my opinion, my suggestion would be to try something—anything—with a backstrap setup and see how you feel about it. maybe you love it and keep at it forever, in which case you're in good company: there are entire cultures that weave exclusively on backstrap looms.

if you like producing cloth but don't love the backstrap setup, or don't like using your body to tension the warp, you have a lot of other options, and you're out maybe ten dollars of dowels.

personally, my next loom is probably going to be a pin loom. unless i win lotto, in which case it's going to be a house that has a weaving studio and like four floor looms in it. but probably a pin loom.

[inspofromancientworld]

Clothing and Decoration

By Oguenther at German Wikipedia - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=15134201

Humans have been decorating themselves at least 100,000 years, perhaps as long as 300,000 years, beginning with ochre, a pigment that comes in shades from yellow to purple. Ochre was used for tools and to create pigments that decorated the skin, paint cave walls, and as part of burial rituals, even medicinally. The evidence we have are depictions of human figurines made of limestone and decorated with ochre.

F. d’Errico [modified after d’Errico et al.

Beads of various materials, starting with shells and stones, spread widely with some speculating that trade of beads is what helped with the development of spoken language. It's even possible that beads go back as far as 500,000 years, to Homo erectus, though that is debated. Whether the beads were used in adornment or used as a type of currency or trade medium only is not known for sure, but beads are widely distributed and the materials show evidence of travel (for example, marine shell beads found in landlocked areas). It is thought, though, that wearing of beads came after decoration of the body with ochre.

By http://www.nature.com/nature/videoarchive/prehistoricpinup/ image copyright H. Jensen / Universität Tübingen, Fair use, https://en.wikipedia.org/w/index.php?curid=22799118

The earliest depictions of clothing we have is around 41000 years ago, with the Venus of Hohle Fels, which was found in Sweden, though it is possible that the decorations on the body of the Venus figurine is ochre or tattoos. Interestingly, the oldest known musical instrument, a bone flute, was found near the Venus figure, indicating that fully behaviorally modern humans lived in the area.

Based on studies of head and body lice, humans began wearing clothing about 107,000 years ago. Part of the need for clothing was that this time was that this was during the start of the Last Glacial Maximum, when temperatures started dropping and glaciers began overtaking the northern latitudes. Humans, both Neanderthal and Homo Sapiens, had spread quite far by this time. Humans developed in the steppes of Africa and weren't well adapted to the cold, with no real body hair to hold in body heat.

F. d’Errico.

Due to the organic nature of clothing, it's difficult to say for sure when exactly clothing began to be worn and what it was, but we are relatively certain that the first clothing was likely hides of animals. We have found stone and bone tools used to scrape hides from the Early and Middle Pleistocene. These tools also hold evidence that Ochre was used to color the hides. Awls, which were used in southern Africa approximately 73,000, years ago show that hides were pierced beginning very early. These awls show wear patterns of being used on soft, well-worked hides, though whether for clothing or bags, we can't know for sure. These awls spread to Europe by 45,000 years ago, though likely manufactured by Neanderthals based on the theorized distribution of various hominoid groups and remains in the locations they were found.

The benefit of using an awl to create holes in leather is that it can be shaped to the human body, making it more efficient at keeping the body warm, thus reducing the number of layers that need to be warn and allowing humans to spread further during the Last Glacial Maximum.

Approximately 40,000 years ago, in the Denisova Cave, at the time inhabited by modern humans, the first evidence of awls with eyes, or what we now know as needles, appear. This indicates that sewing together clothing, or the decoration of clothing, was becoming more common and more efficient. These needles spread widely, either through trade, contact, or independent development widely, even to the Americas and Australia. It is thought that this led to clothing being decorated more elaborately with beading and other forms of decoration.

By Osama Shukir Muhammed Amin FRCP(Glasg) - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=56200885

While plant fibres don't generally fossilize, we do have some early evidence of people using them as early as 50,000 BCE, possibly used by Neanderthals, in southern France. There is are scattered imprints of cordage and net imprints in clay. As the planet warmed and the Holocene began, weaving of plant and animal fibres, depending on the local climate and availability. While weaving may have begun as early as 25,000 BCE, flax cultivation began around 8000 BCE, and the first evidence of weaving in 6000 BCE, used as a grave wrapping in Çatalhöyük. Approximately 3000 BCE, sheep were domesticated and bred for wooly fleece as opposed to hair in the Near East. In the Indus Valley, cotton was domesticated around 2500 BCE. Evidence of weaving beginning around 10,100 BCE have been found in the Americas, specifically Guitarreco Cave in Peru, where cotton and llama and alpaca were domesticated. Intricately dyed and woven silk was well developed as a craft as early as 2700 BCE, with the first silk reaching other places in the world nearly a thousand years earlier with the very first evidence of silk being used at all dating back to 8500 BCE.

By Unknown author - http://www.booksite.ru/fulltext/nee/lov/tka/che/stvo/1.htm#1, Public Domain, https://commons.wikimedia.org/w/index.php?curid=7483824 By Annika Jeppsson og Danmarks Grundforskningsfonds Center for Tekstilforskning (CTR), Københavns Universitet, Attribution, https://commons.wikimedia.org/w/index.php?curid=33188674 By Zhou Guanhuai - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=142167208

It seems that civilizations may have developed weaving independently, so the first type of loom is difficult to figure out as some locations show that floor looms were first, while others show evidence of hanging looms, and yet others, it seems that what is now known as a 'back-strap loom' was first, while other locations show the use of a floor loom first. Given that these objects were made mostly of organic matter, the evidence comes from art, loom weights (stone or clay weights used to keep the warp threads taut while the loom was in use. Egyptian art shows the use of floor looms, Grecian urns show the use of warp-weighted looms, many native cultures used back-strap looms prior to European contact and colonization. From what fabrics that have been found, each culture developed its own method of creating decorated fabric, either through the application of decorations or through the weaving of the fabric itself, as well as multiple weights of cloth, from fine gauze through thick rugs out of nearly any plant or animal material that could be twisted into yarn.

[mcbadger]

warp warp warp!!!

finally warped up the silk/alpaca that @comfortabletextiles blended and sent me. this is my second project on this loom, so we'll see how the second try goes.

so far, I've learned that i need to be able to keep the weights over that bottom bar, so that there's a shed when the heddle is down. I'm kind of worried about not having enough shed when the heddle is closer to me though.

[milkweedman]

Watching my sister play Medieval Dynasty and they got a spinning wheel in there ! A good one, even. Only glaring issue I noticed is that the treadle doesnt actually connect to the footman (it looks like it does here but the footman stops before it reaches the treadle), but they gave it a valiant effort lol.

But what is with all the extra flyers that are the same size ?

[pastelispunx]

Anyone have any loom weight suggestions for a smol warp weighted loom? I got one for Christmas and need to source some weights for it but I'm stuck at a crossroads of pretty vs functional.

I really want these from The Dancing Goats

But would like 4 be enough? 6? 8? That adds up quickly

This is the loom my mom got me:

I want to use ittttt

[urhokraftila]

Also got a new tablet weaving project in flight. I wanted to set up a whole lotta new stuff for this. Tried out some new warping techniques!

First off - printed some extra cones/bobbins for my yarn ball winder to make the warping easier. Routed the yarn around some no-name fishing line meter and wound onto the cone/bobbins.

That let me run all 4 warps through my deck of tablets - I've attempted to prearrange them so they sorta line up. We'll see how that turns out.

That gave me two extra cones to work off

Finally (for the setup) I'm doing a warp-weighted loom. Each tablet had a weight attached, then got slung over the top bar and the working end was attached to the bottom of the shelf for holding.

MVP in this setup is the wire shelving we have in the basement.

I'm also pleased with the pattern organization! The pattern's effectively a continous tape that's self-contained in a shoebox.

Hoping to get into the actual weaving part of this sometime soon!

[radishwizard]

finally finished my creatchure tablet weaving (for use as a strap for carrying my water bottle / some kind of small bag that's not yet sewn)

[moonymoon90]

Please help from ancient times weaving reenactors

I've been starting considering to bring a warp weighted weaving loom to my Roman reenactments, but I'm facing some problema to find projects/sellers. also I'm aiming towards something thata I could take apart and transport without to much problem... There is any chance that something like this even exist?

[weaversandspinners]

SPA: Escena doméstica en Grecia, siglo V a.C., representada en una hydria.

Una mujer, esclava o nodriza, coge el niño de brazos de la mujer sentada, la señora. Detrás, un hombre joven observa la escena. A la izquierda, se ve el telar, centro de la vida doméstica de las mujeres en la Grecia clásica.

ENG: Domestic scene in Greece, 5th century BC, depicted in a hydria. A woman, slave or nurse, takes the child from the arms of the seated woman, the lady. Behind, a young man observes the scene. On the left, you can see the loom, the center of women's domestic life in classical Greece.

[braceletstea]

trying a new setup that's going to use weighted warp for the border, where twist builds up pretty quickly and is annoying to fix, and regular loom warp for the pattern, which promises to cancel twist buildup. We'll see how it goes but I'm kind of hopeful?

[chilope]

good news: schacht sells a kit to turn a cricket loom into a four shaft table loom!

bad news: it is $500

[archipithecus]

finally getting back to weaving on my mini warp weighted loom that i made last year. both the loom and the cloth i’m making are rough and janky, but this is more about the experience than it is about making a nice finished product, i’ll worry about that in future projects

i wasn’t planning on switching over to white like that, but i ran out of the brown and didn’t feel like finding more matching thread, so i just used the white thread i had on hand from that little diagonal line where i was testing out a brocade-style technique

[viciousewe]

Rate my setup

[sarahthecoat]

i only have a couple sets of cards for tablet weaving (and i am not going to stay up any later digging them out right now) will that work? also i have massive envy for the warp weighted loom.

[warpweighted]

shoutout to all the hs english class final projects whose prompts were basically "make a transformative work" I did some real weird shit for all of them but they WERE fun