#wanna practice drawing environment

[mr-aimalost]

[f0x-meets-w0lf]

tbqh the most annoying part about being a detail-oriented artist is being like fuuuuck yeahhh i’m SO gonna draw tommy and buck fully making out in buck’s kitchen and it’s gonna be sooo good

and then realizing i actually personally have to draw the whole fucking kitchen in order for them to be making out in said kitchen

[radioactivedragonbones]

He got invited in *once* and took it as an open invitation to break & enter any time. But he’s cute about it so it’s fine.

*Tumblr makes it all blurry, expand for the proper resolution 🙃*

[tortelorrini]

Doing a lot of sketch-booking recently

[rivalkieran]

thinking about entering the pkmn rp blog sphere

[azurine-cryptid]

some environment art cause why not

[mod2amaryllis]

im just gonna be petty ignore me

are you ever training someone and eventually it gets to a point where you just like

give up on them lol

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[toryamomslayer-blog]

Literally a backrooms level

Honestly the poppies go hard af if beefs not having them stay I am absolutely stealing that for future

I also like the idea that with the whole nether stone thing house it's almost a fleshy interior..? Exterior? Creeeepy

Still on that hermitcraft art grind nothing makes me wanna start practicing environment drawings more than Minecraft hyperrfixations

[lunarmango]

Flickering Lights

Demon Alastor x Human reader fic? ON IT. I'm so siked to make this a series and I hope who reads this enjoys this as much as I do. I wanna get into writing. (I don't write, I draw) and I was thinking of making a longer fic, the details were so hard to piece together. I really enjoy the concept of demon Al with human reader. So here we go!

Word Count: 2k

TW: None for now? Pretty mild stuff haha.

Chapter One: Moving in

New Orleans, Louisiana

1946

Where wandering spirits were said to roam, walk and explore more frequently, being an area where people would find it easier to communicate with them, or so you were told. You were convinced it's utter nonsense to be completely honest. The whole notion of spirits was so far fetched you just couldn't bring yourself to even fathom them. Though not opposed to being proved wrong.

It's been years, saving for a house. Your apartment was small, cheap and far too crowded with furniture and items you just can't let go of. From a suffocating apartment to a house. You were practically buzzing from excitement. Like, literally almost shaking.

A new chapter in your life.

When you walked in, you suck air through your teeth in anticipation, the cool air hitting your teeth invigorating you, fingers fumbling with the old metallic keys that jingled in response, finally able to slot the correct one in the door and push open the dark wood hastily, the hinges swinging and the door practically flying.

You winced at the loud thud when it slammed on the white painted brick wall. Taking a few deep breaths, you decided it was best if you didn't wreck your new house on the first day. You think you would actually cry if you did, and you were not willing to test that theory. Checking the wall where the door hit with a small grimace of anticipation, you close the door behind you, relieved to see the wall is fine, your face relaxing again as you take yet another deep breath through your nose.

House tour!

Kicking off your shoes at the entrance, you begin wandering from room to room, you take in the spacious kitchen and living room. Though it lacked a certain homey touch. But you were aware why. There was no furniture after all. You had a vision for the house. Just had to wait 3 days before you could make it happen and the furniture would arrive. You had big plans, that did not pair well with your lack of patience. You already had multiple shitty sketches of how you roughly wanted each room to look. The furniture is all you need, it'll arrive soon enough. Hopefully.

You're going to need to find a way to pass the time.

First things first, you still haven't explored the upstairs! Running your hand gingerly along the wooden railing as you hop upstairs, the hard floor creaking occasionally under your feet every few steps, you take a sharp left and step into the master bedroom. It was massive. You feel a grin etch at your face as you peek your head inside. You're definitely getting a king sized bed. With a nod you left the room, confident you were going to be a pro napper at least a month within getting your new bed.

You open the door to the bathroom. Spacious enough, room for a decent sized tub and shower. Although you never really saw the point in baths if you wanted to get clean. You step out and look into the spare bedroom. Maybe a potential study? That or the attic. You always were sure that the environment can heavily affect the quality of ones work.

Was such a big house going to make you feel small? Possibly alone? You scoffed to yourself. Who cares when you have such a house?! Expensive too. Ho ho you were going to have fun "subtly" showing off this house to your friends.

With a quick, dismissive peek to the spare room you turn on your heels, going up the stairs to the attic with cautious steps, the worn wooden panels making such loud noises in retaliation to your steps that you were afraid that they would give in. Your hand gently opens the rattly metallic doorknob and open the door, squinting only to see a small switch on the side of the door. You flick it on and hear the buzz of a weak warm light turning on above you, fully illuminating the room the best the small warm light can.

First thoughts? Dusty. Very Dusty. Every box, book and the long desk and chair at the end of the room practically black and gray from the abundance of dust. A sigh escaping your lips, realising just how long you were going to be cleaning for, a task you were not mentally prepared for yet. Making your way to the desk, you approached a large wooden desk, most of the surface blocked by a large panel with knobs, switches, dials and little doodads that slide up and down. The sliding doodads having small, mini light bulbs at the top of each. You look at the corners and edges of the panel, looking for an on switch or something.

Nothing.

It was probably unplugged?

Nevertheless, as foreign as the panel seemed to you, a surge of determination drives through you to figure it out. It seemed expensive. Whoever used this probably cared deeply for it, the text of the brand faded, showing the love and use the panel had been provided with. If it was so well used, you had to figure out just why it was loved so much.

To begin, you had to figure out just what it is. Turning it on seemed like the obvious option.

Crouching under the table to look to where the cables lead, you notice a microphone on the floor. Wrapping your hand just above the flat base of the microphone, feeling the coolness of the metal and the sandy texture of the dust between your skin and the metal, you try to lift it. You were suprised to find your hand faltering slightly at the sheer weight of the microphone, dropping forward onto your knees to provide a better position to pick it up in, using both hands to stand up and set it in front of the panel with more ease. It wasn't that heavy. But you didn't want to drop it. Wasn't this supposed to have headphones...?

Once more, you go down on all fours, looking under the desk, when no sign of somewhere to turn on the panel or headphones appears, you circle round to the back of the desk, finding a wire and an unplugged plug. With a small huff that caused far too much dust to fly in the air, triggering a cough from you. Slotting the plug in the panel above you hums to life and flickers on once more. A small hushed yes emerges from you as you slowly stand up, brushing the dust from your knees, then your hands.

You walk back in front of the desk, flipping some random switches for the hell of it, satisfying metallic clicks and clanks as a result of your tampering. Then proceeding to tap the microphone, you blow on it to rid it of the pesky dust, stepping back to let the dust fall.

You took a moment to appreciate just how expensive this radio setup must have been, so big and complicated it made your mind whirl just trying to decipher what each control did. You brush away some more of the dust from the panel, running your finger between the buttons, trying to look for labels, or some sort of guidance, only to find them worn out, white writing so etched and scratched at on the metallic reddish-brown surface that it was unreadable. A soft smile tugging at your lips in realisation of just how loved this equipment really was.

You’ve seen the basics of what a radio setup should look like, without having to remember the separate into bitty details of the control. Panels, a microphone. Where were the headphones? You look below the desk, bending at an uncomfortable angle to the shelves situated under the left of the desk.

Nothing.

Not like you could broadcast anything even if you wanted to. Why do they use the headphones? To listen to the sound of their own voice? How proud and snobby must one be to love their voice that much? An audible scoff from you. You know you wouldn’t be able to put up with anyone of the sort.

Using both hands, stabilising the microphone properly, you pick it up, with a smart smirk, looking at the empty wall you begin speaking to your imaginary viewers, mocking the accent radio people had to use to the best of your ability. “Hello my dear viewers! Welcome back to my boring ass show, talking about shit that probably serves as background noise” A snicker escapes your lips as your smirks stretches wider in amusement, gently putting the microphone back down.

Eager to make your made up show more believable, you move away from the desk, eyes scanning the worn wooden panels of the floor. Remembering you looking earlier you let out a hefty sigh. Were you really going to spend hard earned money for a few minutes of make-believe mucking about like a child?

Oh definitely.

Lost in thought, still staring at the floor, chuckling in thought a distinct noise snaps you out of the haze of your mind.

Click

You look over your shoulder to the direction of the noise, the desk, trying to place the exact location.

Another click

It was from the panel? You turn back to the panel, looking down on the panel as the clicks increase in frequency, switches being flicked, dials turned. A particular pattern caught your eye being the fact that during the abundance of alterations to the controls of the panel, no knob or slide was altered twice, almost if it was altering itself the clicking now a steady rhythm. What a ridiculous idea, as clueless as you were about the technology you were almost certain it wasn’t that advanced.

The clicks slowly come to a stop, one last slider slowly going upwards to a certain line before it stops completely.

“Eager to hear my voice?” You mutter under your breath, a dial slowly turning, one of your eyebrows quirking up in response. Spirits and ghosts don’t exist.

There’s always a what if.

What if they do exist?

What if you’re the first to fully realise this?

What if you’re living a ghost story?

After all, things moving on their own in the dusty attic of an old house was never a good sign.

Yeah no who were you kidding.

But just to make sure.

You bend at the waist, your lips as inch away from the crosshatched metal of the top of the microphone.

“Can you hear me?” You say in a teasing low purr, holding back a laugh in your lungs, helping to alleviate the tension you’re beginning to feel rising up in you, pressing in on the sides of your head. Jokes always help. Well. Not always. However you can’t exactly help it either.

A flicker of the small light bulbs, emitting a warm light above the sliding controls. You couldn’t help but still be sceptical. Your voice now has a newfound edge, the whole situation making you uncomfortable.

“You- can?”

Another flicker from the same small light bulbs.

A nervous laugh rumbling from your chest.

You had to figure this out, because you wouldn’t put going insane past you. Maybe a break from the attic would be good. Probably buy some headphones. As unsettling as the panel is, having the set incomplete irks you unnecessarily, and it was an enigma you couldn’t help but feel determined to figure out.

[luffyvace]

Hello there hope your doing super well ~ . As request are currently open could I please headcanons with law ,sanji, zoro. +feel free to add characters. With a s/O thats super sweet to everyone almost too sweet. Also cute. But some choice to take avngenre of y/n kinddess. And once y/N found out that is all fake. They become like a sad puppy. All sad.

Thanks for your work.💙💜

I’m doing wonderful dear anon<3 thank you for asking! Oh my I’ve never written for law, I don’t know much about him because I’m still at the impel down arc in the anime soo I hope sanji and zoro will be alright~ :)

y/n sounds so sweet! They must be protected!! (Also you used s/o and y/n so I will too, in this case no pronouns will be used ♥︎)

enjoy your hcs love! And thank you for your request! (may be a bit ooc for zoro?)

RORONOA ZORO ⚔️🗡

Zoro and a cute and sweet reader!~

what an adorable oxymoron<3

you love to cuddle and curl up on top of him when he’s sleeping

He’s a big guy so he’s sure to provide warmth

zoro doesn’t get your need to help others and being so kind to people

or how helping others makes you happy

but zoro is emotionally strong—maybe not intelligent but strong

so he knows when to draw the line for you if your accidentally being overly helpful

or if your tiring yourself out/overextending yourself

he brings a sense of balance to you in that aspect

the fact that he can do that for you is comforting and makes you feel protected

which Zoro is protective of you because of how naive you are

Zoro is very wary of strangers for you

your too sweet and assume that person is just having a bad day or that’s they’re natural face

but behind you is your big scary dog (zoro) who is glaring daggers at the person he knows actually has an evil intent towards you

Zoro is there most of the time so he doesn’t let people take advantage of you

but the times he isn’t around?

once he finds out he gonna slice that person into dice and make them return whatever they had you get them, etc

he doesn’t it like it at all and can immediately tell when someone is trying to get over on you

After the situation is handled he drags you away (getting you two lost) and says

“Seriously! You needa be more careful y/n!”

he doesn’t really notice how down you are for a while

until he turns around to ask you something and you sorta have this sad puppy look on your face

”what’s wrong with you?”

he’s not gentle about it or anything but he does care

when you tell him it’s because your sad that everyone your kind to betrays you his protectiveness heightens

”what do you wanna impress those people for when you have the world's greatest swordsman..”

he kinda muttered it to himself

but you heard and immediately perked up

you clang onto his arm and walked all the way back to the sunny like that

(might I mention it took a while since Zoro was leading..you knew the way but you decided to just let him 🤦‍♀️😂💗)

Zoro overall does appreciate what you do for him and the crew tho

how you count his push-ups and bring him the drinks/food you asked sanji to make him

it doesn’t go unnoticed so don’t worry :)

as far as y/n being cute he doesn’t notice every time

or have a big reaction when he does

he only blushes a little sometimes, again, when he notices

it’s easier to make him bashful than it is to make him blush with a cute face/smile

He does think your innocence is a bit cute tho!

…..along with naive, but still cute!

”seriously..how come your always getting yourself into trouble” (he blushes a little and turns his face away, pouting slightly)

VINSMOKE SANJI🧑‍🍳

Sanji x such a sweetheart reader is practically meant to be!!

Your both equally sweet and serving

especially sanji since he was raised in an environment where he had to serve people

you guys always insist on helping each other

your love languages are most definitely acts of service and quality time

you two do each other favors all day

”let me help you!”

”no I’ve got it sit down, relax!”

that conversation goes both ways between the two of you multiple times a day

Sanji loves to cook for you so ask him any time of day!

he never has a problem with it and wants to do it actually!

You two are equally emotional people and probably empathic

you guys feel for other people so you feel the urge to help those in need

your weakness is being too kind and his is being too much of a gentleman

you guys are actually really similar in a sense

which you all don’t mind because you can relate to each other

sanji however knows when to take a break

not to say that you don’t but you just tend to overwork yourself for other people’s sake

to which sanji puts a stop to :)

he runs you hot baths, massages your shoulders and washes your hair

You do the same for him since you’d feel bad if you didn’t

he very much appreciates this

its not every day someone takes care of him

you guys then eat the delicious hot meal he prepared and snuggle up, falling asleep together

You guys also take the chance for vacation every time you see one

Pirates have to be prepared for the worst of adventures on every island

so as soon as you see the opportunity to relax you two leap to have a fun beach day

sanji is absolutely a SIMP for how cute you are

he is SO fond over you and is always gushing and bragging (to zoro) how cute his s/o is

like literally he doesn’t shut up about how adorable you are!

a cute lady with a sweet personality??

yes please.

He definitely warns you after the first few times he sees you getting taken advantage of

it’s a sweet and gentle chat about the dangers in the world and how you can’t trust everyone

even if you don’t trust them! set boundaries and don’t let them walk all over you!

if you feel too many bad people are around don’t give them the benefit of the doubt! find a straw hat and stick with them!!

”y/n-Chan you’ve gotta use your discernment to see who is being mean and who is worthy to trust..!”

like yes some strangers are kind but some will see how sweet you are and use that against you!

absolutely does not let a man take advantage of you and will immediately kick him away

with a women tho he will probably go get robin or nami

maybe even simply take you away and let it go if it’s just a regular woman

but if it’s a pirate who’s trying to back you into a corner yeah he’s for sure getting the straw hat girls

he will offer himself instead and tell you to go get someone from back on the merry/sunny

Or maybe if you can fight he’ll root for you!

not that he likes that fact that another woman is being hurt in the process..

but if he has to choose between his woman and another one that was disrespecting his woman??

”GO MY BEAUTIFUL Y/N-CHWAAAAAN!!!”

as for sad puppy y/n he notices right away and immediately does whatever he can to cheer you up again

he bakes you sweets, runs you a bath, makes you drinks, makes you laugh, buys you whatever you want just to see you smile

and again if it was a guy who did this to you he’s 100% getting the boot 💥💥

your sure to cheer up soon with all that sanji does for you

especially with his warm cuddles n kissses ♡

thank you once again for your requests my love! Today is a very busy day..I have a lot to get out.. 😅

Overall I hope you enjoyed your hcs!

[creepzkilla]

Jahaiahaiahajajs I'm so glad your back!!!

I have an idea for you >:)=

Can I request some of your darkest headcannons for the Proxies? Like what are their toxic traits, it can sfw or nsfw or anything but the request is basically how dark and evil can they be?

I hope this makes sense and you don't have to do it, it's only of you're comfortable!

↳˳⸙;; ❝ HOW DARK ARE THE PROXIES? HC'S! ᵕ̈ ೫˚∗:

★Tumblr relies on reposting, please repost my work.★

tw. warning— mentions of self harm, mentions of aggressive actions, mentions of verbal abuse, mentions of physical abuse, mentions of sexual ordeals

[A/N]— theme change?!??? pls let me know if u guys wanna be tagged in the next post! also i wanted to do the pastas as realistic as possible… should i make a post on how the proxies + others met their lover😴 or just my general hc’s?

THE QUESTION ITSELF IS FUNNY—

the proxies are slashers— murderers. psychopathic, deranged men that are hardly short of completely and utterly insane. their sanity-if they have any- is practically none besides possibly a sliver of humanity. if anything, they aren’t even men— they were resurrected from the pits of hell itself and placed on this god forban world. the atrocities that these men have commited rightly earns them the title of not men— but demons. their sinful actions could never be erased, not even if they bathed in the waters of Babylon. the screams, cries, the sobs of their victims as they carry out their orders doing god knows what to them, will forever be ingraved into their very being. not even god can save them from their damnation— if anything god is laughing.

SANITY IS NOT SOMETHING OF LUXURY FOR THE PROXIES—

it’s something that fought for. everyday, it’s a constant battle for control—the continuous thirst to satisfy the need to kill. not to mention the the operators hold on their minds, making them carry out heinous missions consisting of nothing but death and blood. their minds are plagued with nightmares of what they have done, on repeat like a broken record, replying over and over. yet, behind the insanity, the malice, the control over their minds, they have regained just a sliver of sanity. it’s not like they want to kill—but they have to. for the operator… for this urge. little by little, they begin to feel like an actual human being. but it’s not like you know anything.

TOBY ERIN ROGERS—

is the most far gone. since the operator took over his mind at such a young age without much resistance , he has the pleasure of sculpting toby’s mind into the perfect cast. despite the most—insane, he’s the one that hangs onto his sanity the strongest. almost like he’s able to flip it on and off like a switch. yet, the line between sanity and insanity draws very thin, so he can’t help it when… it slips sometimes.

Self-Destructive Tendencies: Toby's self-destructive tendencies, which are often associated with his character, could negatively impact the relationship. This is either emotional or physically. He may engage in self-harm or reckless behaviors, disregarding the well-being of you and causing them emotional distress and constant worry.

Emotional Instability: Toby's own emotional instability could create an unpredictable and volatile environment within the relationship. His mood swings, anger outbursts, and tendency to lash out verbally or physically could cause you to constantly walk on eggshells.

Explosive Anger: Toby may have anger management issues that result in explosive outbursts. He might have difficulty controlling his temper, leading to verbal or even physical aggression toward his partner. This behavior creates an environment of fear and intimidation.

Jealousy and Insecurity: Toby might struggle with feelings of jealousy and insecurity, leading him to exhibit possessive behavior. This could manifest in him constantly questioning your actions or relationships with others, even if there is no real cause for concern.

Over-Dependency: Toby may have a tendency to become overly dependent on you, relying on you for emotional stability and validation. This can lead to an unhealthy dynamic where he becomes possessive or overly clingy, causing his partner to feel suffocated or trapped.

HOW FAR WOULD TOBY GO—

well, he certainly wouldn’t go far enough to hurt you, no, never. he is specifically always careful not to harm you, especially during sex. but that wouldn’t mean that he would hurt you emotionally or mentally. his favorite punishment is ignoring you. he’d shun you for days on end in your shared apartment, just to teach you a lesson which is very rare. physically, he treats you like a delicate glass doll that could break at any moment. during sex, it’s almost like he’s afraid to touch you. he doesn’t want to corrupt you like the way he is… he wants to preserve your innocence, and your being, and because of that, he would do anything to protect you. anyone who would ever do you wrong would soon come under his hatchet in the most painful way imaginable.

Dark and Evil level: 6/10, Moderate, just "protective"

TIMOTHY WRIGHT(MASKY)—

is in a constant fight for control, more so than the other proxies. In Marble Hornets, it is referenced that he may have Dissociative Identity Disorder (DID). because of this, he comes into the separate entity known as Masky during blackouts. the operator has stalked timothy ever since he was a child and anyone else he came in contact with. the operator is setting his sights on timothy so young he can influence him just enough to do his bidding. of course, timothy hates the operator and works against him, but after so long, after all the pain and blood, he’s just too tired to fight back anymore. Masky, hates this. he hates that timothy gives up too quickly. during missions, a blackout is typically triggered, giving Masky complete control. and so soon enough Masky became tired as well. and then killing became second nature.

Controlling Behavior: Tim, overwhelmed by his own insecurities and paranoia, becomes possessive and controlling in his relationship. He constantly questions and monitors your actions, isolates them from friends and family, and exhibits manipulative behavior to maintain control.

Emotional Withdrawal: Tim, due to his secretive and guarded nature, may struggle with opening up emotionally to his significant other, that being you. He might withdraw from sharing his thoughts and feelings, leaving you feeling neglected or shut out.

Jealousy and Possessiveness: Tim's loyalty and protectiveness towards his friends, particularly towards Jay, might manifest as excessive jealousy and possessiveness in a romantic relationship. He may feel threatened by your interactions with others and attempt to control or isolate you.

Neglecting Emotional Support: Tim's own emotional struggles consume him, leaving little room for providing adequate emotional support to his partner, you. He may dismiss your concerns, minimize your feelings, or fail to offer the empathy and understanding you need, leaving you feeling unheard and invalidated.

Anger Issues: Tim/Masky occasionally displays violent and unpredictable behavior, driven by his internal struggles and external pressures. In a relationship, this volatility could lead to outbursts of anger, creating an unstable and potentially harmful environment for you

TIMOTHY AND MASKY WOULD NEVER HURT YOU—

not without reason. mentally or emotionally, timothy understands human emotions, despite not having any himself. yet, when he’s around you, everything changes. suddenly, he can feel again, suddenly, he has the strength to fight back. you are everything to him. the only good in this hell-bent world. he needs you, and he can’t let you leave him. so you can’t blame him when he starts chewing nicotine gum, “claiming to quit cigs.” you can’t blame him when he stops taking his gum out when he kisses you, “he forgets to.” you can’t blame him when suddenly all you want to do is kiss him. but it's not enough, no, no, no. he needs to make sure that your, 're addicted to him, completely and utterly infatuated with him. so, you can't blame him when he starts wearing nicotine patches, "the gum just wasn't working." you can't blame him when he starts placing the patches on you when you're sleeping next to him. you cant blame him when you practically breakdown when he leaves you, only for a few hours. you cant blame him when you feel a pinch on you arm during sex, when he stuck the nicotine patch into your arm without you seeing, saying that "oh darling its nothing." you can't blame him when you've become addicted to his presence and cock. no you don't understand, you really just can't blame him, he wants to keep you safe, really, he promises.

Dark and Evil level: 8.5/10, Very high, obsessive and insane.

BRIAN THOMAS (HOODY)—

has the most grip on reality. like tim, he has blackouts to which he comes into the separate being known as “Hoody”. also like Tim, he hates the operator. at first, he resisted, refusing to carry out those abominations; its heinous fantasies of mass destruction. except he was more willing than his counterpart, timothy. brian is calculating, he's a smart guy, he understood what would happen to him if he disobeyed the operator. the most excruciating torture that anyone has ever gone through. proxy brainwashing is no joke. he's not stupid, so that's why he's played the long game. do the operator's bidding until he's able to conjure a plan, it'll only be for a few, just until he can figure out how to get out of this hell space. soon "a few" turned into months. soon "months" turned into years. then suddenly he stopped keeping track. and then, he started to enjoy it.

Isolation and Control: Brian might isolate you from your friends and family, attempting to control who you interact with and where you go. By limiting your support networks, Brian exerts more control over their life, making it challenging for you to maintain independence and make your own decisions.

Difficulty Opening Up: Brian/Hoody's burden of guilt and emotional turmoil might make it challenging for him to open up and share his vulnerabilities. This could create a one-sided dynamic in the relationship, with you having to provide emotional support without receiving reciprocation, potentially leading to resentment and emotional imbalance.

Manipulative: brian plays on the emotions and insecurities of those around him, manipulating their feelings to further his own agenda. he understands their weaknesses and uses psychological tactics to subtly influence their actions, pushing them towards his desired outcomes.

Apathetic: Brian's apathy also masks underlying insecurities and vulnerabilities. By presenting himself as emotionally detached, he avoids exposing his true feelings and weaknesses to others. .

Emotional Unavailability: Brian/Hoody's reserved and stoic nature could make it difficult for him to express his emotions or be emotionally available in a relationship. He might struggle to communicate his feelings or provide the necessary emotional support to you, leading to a sense of distance and detachment.

BRIAN AND HOODIE ARE NEVER GONNA LET YOU GO--

you are the one thing that is keeping him sane. so don't even think about leaving him. you wouldn't get the chance anyways. your everything that he's ever wanted, there is not a chance in hell that he's gonna have you slip through his fingers. he can be mean sometimes, but he doesn't mean it, it just slips out! typically when he gets back from "work", he's aggravated, its like he's a different person. he's cold, calculating, a robot practically; so you cant blame him when he needs something to release his sexual frustration. he just loves pleasing himself inside of you, he loves the way your body reacts to his corruption. now since your body is "bound" to him, he still needs to take extra precautions to keep you from leaving... specifically, brian will pit you aganist your friends and anyone close. pointing out how your friend's remark was passive-aggressive, pointing out details on how your friends "don't care about you, how they will never care about you, how he is the only person that will ever truly care about you. of course, he leaves you at least one friend, maybe two if he's feeling generous, he doesn't want you to go insane after all.

Dark and Evil level: 7/10, Getting up there, crazy ex bf vibes

Toxic traits that all proxies/creepypasta have in my opinion:

Stalking

Manipulative

Gaslighting

Apathetic

Mean :(

Sexually all pastas have a corruption kink-- some more than others

DEEP DOWN THE PROXIES ARE STILL HUMAN--

after everything they've been through, after everything they have seen, they're just scared kids. their lives were stripped away from them at such a young age, their lives were just beginning--now its like they don't even live at all. they never wanted to do this, they never wanted to kill, they never wanted to serve an eldritch demon of mass power, they just wanted to grow up. be a kid, go to college, and have a life. maybe in a different universe, a different timeline, maybe just maybe, everything is the way it should be. maybe they arent as fucked up as they should be.

🏷️— @spookyravioli

[gleaming-glasses]

Idk about y’all but when I think of the magma/aqua bases they’re nothing like the ones in canon.

When I imagine them the magma base it’s this big building built into a cliffside that extends into the cliff itself while the aqua base is this massive ocean liner. They wouldn’t really be hideouts if they were but I still like it for them. I also don’t think Archie would actually like using the ship because of the waste/pollution, and so it would just be this repurposed, permanently docked boat. He’d probably wanna have something more like a galleon but that would be too small to realistically house all the aqua members.

This was also practice for me with drawing environments/buildings and referenced the Queen Mary 2 for the aqua base

[voidheartkisses]

Okay hello hi hello,

First off you're amazing and a gift to the world, I wish I had even half your talent. Your last piece blew my mind and I just HAD to ask,

How long have you been drawing/painting for? I imagine forever but I'm always curious how long it takes before artists reach these sorts of levels where it evolves into full-scale projects as opposed to smaller hobbyist crafts. There are so many beautiful art pieces on this platform as a whole and I'm constantly baffled by it all

Sorry if my excitement is off-putting that piece is heavenly and my mind is blown. Hope you're doing well!

Hi and thank you! That's a good question

So I've been drawing since I was born, but I've been drawing digitally for 8 years. I think in the very beginning most artists should just focus on having fun, you'll basically improve by default

after a while you will want to improve. It will be slow, but this is the stage where you'll recognize what you need work on

I'd say the turning point is when you've finally gotten far enough into your art journey without any sort of formal training (ie, a lot of artists dont learn the basics/fundamentals first, which is fine since most of us start as hobbyists) But I think learning them really did help me a lot. You start to think more about how light and shadow lays, depth, 3D objects, and more.

I highly recommend watching this video about levels of art, it's been really helpful and motivating to me throughout the years

This part is going to be long so you don't have to read it but I just wanna give my personal journey and how I got to now if anyone thinks it'll be helpful:

(2017) With digital art, I started off on ms paint and occasionally ibis paint x. Mostly using anime deviantart bases (EMBARRASSING), but after a while I developed my own style based on the people I was inspired by at the time, I was just happy to draw and didn't care much about improving at this time

(2019) The people you look up to artistically will naturally change over time (and thats okay), after a while I decided to switch to firealpaca, where I guess I got more invested on how light and shadows work, as well as making my characters look a bit more natural and develop my own style, your preference in aesthetic may also change over time which is noticeable here

(2021) Eventually, I began to lean more into semirealism (which isn't everyones preference and thats okay! realism shouldn't be the ultimate end goal of art) but I really enjoyed making stylized characters look 3D and in natural looking environments, since I felt it spoke to my own experiences, a lot of artists draw from real life experiences. I focused more on anatomy at this time as well as textures and environments, composition also became a big deal for me at this time, as well as wanting to use different colors

(2024) The change from LINEART to DIGITAL PAINTING in 2022 was the hardest for me once I switched to clip studio paint, it was basically like starting all over and I was so lost. I had a lot to figure out on my own but I knew it was a transition I had to make to draw the kind of art I wanted. But I began to study and take more things into consideration, I didn't like my art so I simply kept going "I can do better", learning from my previous mistakes and slowly making something I would be more satisfied with. At this point art felt more like "projects" then anything, because I wanted to make pieces that were of quality and had time and care put into each of them, sure it meant there was no longer much quantity. but hey that's what my smaller Cult of the Lamb lineart drawings are for!! 💙

I'm still growing and I definitely have a long way to go, but I am very proud of my progress this year, and I'll continue to grow until I'm satisfied (haha im stubborn) I also want to develop my secondary lineart style that I do when I'm not painting, since I feel that is important too

in short; time, practice, dedication, and passion are the most important, draw what you love above all else because it will be your drive to keep going, staying motivated was the most important for me

Sorry for the long post 😭

[somewhere-at-the-burrow]

i wanna start by saying that I LOVE YOU SO MUCH I HOPE BOTH SIDES OF YOUR PILLOW ARE COLD 24/7. Your posts are always so entertaining, informative, and motivational, everyday i'm looking forward to see them. i can literally feel the love when you talk about your dr, it makes me so excited to shift to my dr.

after reading your post about Charlie, the curiosities i had growing up came back to me. To give a bit of context, i am romanian and Charlie was always my favorite Weasley bcs he lives in my country😭 i felt so special as a kid reading the book.

I wonder if he enjoys living there? Are the romanian community of wizards different than the british ones? does the culture influence the way wizards do magic? Did Charlie had to move to Romania to work because Romania has a larger number of dragons than other countries ? If not, why? I JUST HAVE SO MANY QUESTIONS I'M SORRY😭😭

this was so sweet to read LOVE YOU TOOO <3

it is so cool that my stories are reaching audiences in romania whaaat?? I love the internet.

also, these are such cool questions, and I definitely don't know as much about Romania as Charlie does, but we do write a lot so I can try and answer what I know!! thank you for a fun ask :)

to start, Charlie has always wanted to visit Romania since as long as I can honestly remember. there are many dragon sanctuaries throughout the world, but the most well known one is in a classified location in Romania. I think Charlie said it was near Borca? I have no idea--- it is somewhere near the mountains and Charlie is not allowed to say much about it, so we piece together information that he gives us in letters!

Charlie has always been fascinated by the balaur, which is a creature he was always drawing doodles of since he discovered it in a dragon book. I'M NOT KIDDING, there is a drawing of the multiple-headed dragon monstrosity hanging at the base of the stairwell in the Burrow. this guy was OBSESSED

so, when he got accepted into the dragonology institute and preservation center in Romania, it was so monumental because he quite literally has been babbling about that place since Hagrid told him about it. also, the institute is very selective in who they choose to teach and have help in this dangerous environment, so it was such an honor the our Charlie got to go.

in his letters, he enjoys the culture and environment of Romania so much! he tells me that the mythology there is so detailed and there is such an environment of magical creatures that are studied and preserved in the country. because the sanctuary Charlie works at includes a worldwide effort, he is pretty immersed in all sorts of cultures and languages, but he has made it a goal to learn Romanian --so holiday will be wild when he comes back and shows that off!!

as for the Romanian government of magic... I don't know much and we don't hear about them that often :(

but now that I've gotten this question, I will definitely pay more attention to the news etc!

I do know that the Transylvanian quidditch team is IMPECCABLE. the world league is starting soon, and it is always a big deal with that team because they do the craziest stunts MID GAME. I mostly remember this one Transylvanian chaser named Beatrix Petri, who made a whole page in the Seeker Weekly for completing such a dangerous nose dive that even critics in the audience didn't know if she would make it. SHE'S A LEGEND

about the culture--- I'd say the mythology of Romania definitely shapes the way they practice magic and the way the rest of the wizarding world views that country! we can't go more than a couple days in my magical creatures class without mentioning some mythological / theorized creature that originates in Romania. it is the coolest!

hope this helped answer some of your questions!! i love love these little details from my weasley reality and I hope to one day visit Charlie in Romania (I hope!!)

also, no questions are ever too many! I love being here to answer them and it makes me feel so connected to my DR .. it is the best motivation!! <3

[wreath-of-leon]

me realizing i can just infodump and repost about my ocs and world on here without worrying cuz my posts only get three likes each time, ALSO I FORGOT TO DRAW HER FRECKLES IN THE FIRST PICTURE IM SORRY:

Svetanya

Svetanya, long for Sveta, is a deer satyr. She's pansexual, her pronouns are she / her, and she's trans (specifically identifying as transfemme, and probably deer-related xenos in a modern!AU). If you really wanna get specific, I think she socially transitioned at a very early age (probably 7 or 8), but doesn't want to medically (or magically) transition. (of course I added magic transition, queer fantasy is supposed to be fun!). In these pictures, she's around her late twenties.

Satyrs often live in very communal environments—lack of an enforced hierarchy, individualism, large, ambiguous family units—the whole shebang. Unlike Atlanticians (Merfolk / Seafolk) and harpies, who get along based on similar hierarchical societies, satyrs do not get along with either on the same basis. Sveta, however, is unique in the sense she was not raised in a communal satyr circle.

Although living amongst satyrs is considerably ideal for a lot of humans, satyrs are often targeted by predator animals like bears or wolves as if they were actually animals. The communal living style, similar to herding behaviors, is useful to avoiding attacks, but not full proof. Not only this but the primarily rural lifestyle relies on the environment, of which several factors can decrease crop yields and production. As a result, living in a satyr herd can be quite difficult and challenging.

Sveta's parents, who acknowledged this significant challenge, were tired of predation. So, as a solution, they decided to integrate into a more urban, human-centric society.

Sveta, growing up within a rigid class structure, adapted personality traits and behaviors unlike any other satyrs. She can be arrogant, ignorant, sardonic, and sometimes vain and self-important. Though not only are these traits informed by her upbringing, but by the people she surrounds herself with. She was taken up by a certain human noble, Aylin Ernheim, impressed with her eye for fashion, and gave her a job as a tailor. Something both her parents were weary about, but allowed.

Aylin, in his neglectfulness, allows Sveta to face the brunt of abuse from other vain, self-important nobles. Although on the outside, she parades herself as bold, confident, and snarky, she's only really kept around as upholstery. She's deeply aware of her class, and thinks of herself as someone who exploited others to get where she is. In other words, a bit of imposter syndrome. Despite her sometimes rude honesty and lack of a filter, she knows where the boundary is because it's made implicitly clear.

Sveta also struggles with objectification. She cares a lot about appearances, and can unhealthily fixate on her body (fur, height, face, hair, antlers, clothes) due to her lack of self-esteem. When stripped of the exterior, she's overwhelmingly quiet, observant, and introspective. A type of quiet that'd make you think she was judging you, but she's really wondering if you're judging her.

Kinda went hard into all the negative aspects of her but she has positive aspects too guys, I promise!!!

Because she feels obligated to do stuff for others, she's very supportive, caring, and sensitive. Even if she's kind of being a brat to you while she does it. She's also witty. Satyrs are usually taught more practical skills in agriculture but her intelligence is purely based on word form rather than movement (also because she's just not strong enough for farm work, VERY fragile in terms of super heavy physical labor like that, and especially because of her antlers which are her pride and joy).

Because of her body image issues, she gets bouts of depression—sort of like seasonal depression—when her antlers annually shed (like real deer!). I wanna draw her when her regrown antlers are short and velvety, i think it'd be cute.