#wanda maximoff wiki

[mcumultibitches-archived]

LIKE or REBLOG for a starter from PETER MAXIMOFF

[camifornilla]

I hate those god damned marvel movies for being the reason why they took Wanda Maximoff’s mutant status away from her. For MONEY. And they didn’t immediately give it back once Disney bought Fox.

[livinces]

No one wants to talk about how horrendously the MCU has been treating and characterizing Wanda Maximoff since Civil War. And that is largely because the majority of MCU fans are Tony stans and/or have never even read a Wiki page for the 616 or 1610, let alone a comic book.

[racefortheironthrone]

So the F4 cast announcement got me thinking about what comics to read if I get around to that and then about Doom and then I got me thinking... where exactly is Latveria supposed to be? The name makes me think of the Baltic states but I could be wrong.

So yeah, great announcement!

Pedro Pascal is a bit typecast as playing the Dad character (although that's become "one of those good problems"), but I'm thrilled that Cousin Ritchie is going to be playing Ben Grimm.

Obviously, they won't let Ebon Moss-Bachrach swear as much as he does in the Bear, but he's a fantastic actor and I cannot wait to see him bringing that mix of temper and soulfulness to the part.

I haven't seen much of Vanessa Kirby's work, but I'm looking forward to seeing what she can do with a better script than Napoleon.

And Joseph Quinn is excellent and I look forward to seeing some of "Eddie" Munson's energy in Johnny Storm.

In terms of recommendations for FF comics, I've got you there:

Read the Kirby/Lee run. It's a work of art from beginning to end.

Read the Walt Simonson's run.

This is going to be controversial, but you might want to skip the Byrne run.

Read the Jonathan Hickman run. A serious tour de force.

Alongside the Hickman run, Fraction/Allred is quite good too.

As for where Latveria is, it is indeed Balkan:

As you can see from the map, Central/Eastern Europe in Earth 616 is quite different and significantly more Balkanized (forgive the pun) compared to Earth 1218 (also known as our universe).

In addition to Doom's Latveria, we have Symkaria (the dysfunctional micro-kingdom whose economy is largely supported by Silver Sable's mercenary company), Transia (birthplace of Wanda and Pietro Maximoff and home to the High Evolutionary's Island of Doctor Moreau Wundagore Mountain), and a bunch of minor ones like Ruritania (from The Prisoner of Zenda), Carnelia (a post-Soviet state that Tony Stark and Justin Hammer fight over), Belgriun (a totalitarian monarchy that was overthrown by a bunch of Spider-Men villains), Draburg (which showed up in some Sabra comics), and some other small ones that I couldn't find on the wiki.

[mxelliott]

maybe i’m just in a weird mood but i can’t stop thinking about how disabled people are a lot like superheroes. not in the way you’re probably thinking of, though. let me explain.

i fucking love spider-man, and iron man, and i’m an absolute nerd when it comes to shit like odd biology or psychology with characters like them. i’ve seen my fair share of movies and read enough books, wikis, and fics to feel close to the characters, and i can say for certain if we’re looking at a lot of them scientifically, it’s not far off to say that most superheroes can be categorized by either having an impairing mental illness or disability that heavily effects their day to day lives.

i’ll be using several Marvel characters as examples, since i’m most comfortable/knowledgeable about them.

we can start with the most obvious people, such as Colonel Rhodes, Clint Barton, Sargent Barnes, and Stephen Strange, who are paralyzed, hard of hearing, an amputee, and have nerve damage/severe hand tremors respectively. our next biggest candidates are Peter Parker, Tony Stark, Steven Rogers, Natalia Romanoff, and Bruce Banner/Hulk. in the odd category we have Thor, Wanda & Pietro Maximoff, Loki, and Vision.

Rhodes, Barton, Barnes, and Strange don’t need much of an explanation. they each either were caught in an accident, on the job, captured/experimented on, or a mixture of one or more. they got help of varying degrees for themselves to heal and recover to continue living.

Rhodes won’t ever not be paralyzed from the waist down. Barton will never get his hearing back. Barnes can’t regrow his arm. Strange may be able to use magic to help his tremors, but he chose not to. he will never be able to take back the events leading to his accident.

Stark, Bruce, and Rogers need a bit more of an explanation, but not by much of a wide margin. Stark has heart issues thanks to the shrapnel and the Arc Reactors. Bruce will never be able to go back to before the accident that turned him into the Hulk. He can be one or the other, but his brain and body are no longer his own. Rogers went from being in a constant state of sickness and disability to being “cured” and ultimately turned into something inhuman and weird beyond humanity’s own natural abilities.

piggybacking off that, Natalia was trained in brutal conditions to do inhuman stunts. she’s permanently traumatized and most likely won’t ever recover to being “normal” or “average” in the eyes of society.

disregarding the blatant oddness of Thor, Loki, Vision (a literal humanoid AI), and the slightly unexplainable whatever that went down with the Maximoffs (and because they are also semi-self explanatory in their own way, being enhanced) we’re going to move on to Peter Parker.

Peter is a bit of a wild card in this to me, both because he has three movie incarnations across three franchises respectively, but also because unlike the other superheroes, he’s not an old adult just yet. he’s what i see as the real kicker here.

trauma out the ass after losing his parents, his uncle, his aunt (NWH), and being erased from the universe (NWH), he is severely at risk for or has had some version of depression, anxiety, and suicide. top that all off with getting hollywood-hand wavey spider radiation poisoning and changing on a base level (his dna), he’s about as fucked as Rogers, Barnes, and Stark, or more so.

this is already long as shit and you’re probably wondering “i know all this, its not news. what does this have to do with your average disabled person?”. let me tell you.

none of these characters will ever/have ever been your version of socially acceptable or normal in almost any modern age. i’m willing to bet that even with my limited knowledge on psychological and physical disabilities, if any of you fucknut bitchfishs saw these characters outside the movies in real life as normal, every day civilians, you’d probably either act disgusted over their existence or disregard them entirely as if they never existed in the first place.

it probably took months of stress and depression and hard work with no real end in sight for any of these characters to get better at what the world thinks would be an acceptable level. they may have saved the world or they may have only been a small part of something, but that’s the goddamn point here. it doesn’t matter how it happened or if they were born with it, it just is, and apparently that’s much too hard for people to grasp these days.

Rhodey owns a wheelchair. Barnes goes without his arm some days. Rogers (as far as anyone knows) is basically a human-turned alien; abnormal. Strange can’t properly write his signature like he used to. Barton takes off his hearing aids when he pleases and uses ASL. Peter is a teenager with crippling PTSD and some unfulfilled physical needs, living on the lower end of financial security while still developing and trying to maintain his metabolism.

it’s already past midnight while i’m writing this and all i can think of is the fact we parade around disabled and ill people on the big screens as heroes and role models, yet i’ve never seen our world grow to accommodate people like them. instead we cut off or significantly reduce the positive impacts of the barely even mediocre safety nets the government has in place to assist them.

i’m not saying people with disabilities are superheroes, but i am saying superheroes are people with disabilities and often severe illnesses of many varieties.

you don’t value them as people, only idols. you’re the problem clownpiss. fuck yourself.

[scarlet--wiccan]

I’m starting to read Wanda’s comics and I’m a bit confused by Marya and Django’s story. I know that they are her adoptive parents- but what happened to them? They were attacked and Django died but Marya survived?

I know there are a few twists and surprises, but I feel like this shouldn't be that confusing. It's all spelled out very clearly on the Marvel wiki, if you need a quick summary, and, just as a reminder, I do have a reading guide linked in my blog directory that's designed to walk you through when and where Wanda's backstory was established.

In the current version of canon, Marya and Django Maximoff are Wanda and Pietro's maternal aunt and uncle-- Django's sister, Natalya, is their birth mother. Django and Marya raised the twins from birth, as Natalya felt that her life as a witch was too dangerous, however, the family's location was given to the High Evolutionary by a local priest, and the children were abducted and taken to Mount Wundagore. Natalya apparently died while attempting to stage a rescue, but the circumstances of her death are still a mystery, and the twins were eventually returned to Django and Marya's care.

When Wanda and Pietro were young adolescents, the family was attacked by a racist mob and the covered wagon they lived in was set on fire. The children were separated from their guardians and believed them both to be dead. As a result of this trauma, they both experienced selective amnesia. Django and Marya were separated from each other, and Django was struck on the head, apparently causing memory problems which persisted for the rest of his life. Marya was severely burned, resulting in facial disfigurement.

As young adults, Wanda and Pietro are reunited with Django, who had been living in Russia, but comes to New York to find them after seeing the Avengers in a newspaper. They agree to return with him to Transia to learn more about their past and recover their memories. Upon arriving, Wanda is accosted by Modred and taken to Mount Wundagore, where she is possessed by Chthon for the first time. Django helps Pietro and the Avengers rescue her, but passes away shortly after. [Avengers (1963) #181-188]

Django never reveals Natalya's identity, and they never realize that the couple who raised them were their aunt and uncle. Some time later, the twins are approached by Magneto, who believes that he is their biological father, and so Wanda and Pietro spend most of their adult lives believing that they are the children of Max and his late wife, Magda. [Vision & Scarlet Witch (1983)] Years later, after discovering that this is not true, Wanda makes contact with Natalya's spirit for the first time, and returns to Europe to dig up more information on her family's history. Her search leads her to an old friend of Natalya's named Dasha, who reveals to Wanda that Marya actually survived the fire and is now living in a remote part of Serbia. Wanda drives out to meet Marya, and the two share a tearful reunion as Marya finally explains the full truth of Wanda and Pietro's origins. [Scarlet Witch (2016)]

And that is the current state of Wanda and Pietro's parentage-- they were raised by their maternal aunt and uncle, but the family was separated when the twins were still kids. Everybody survived, but Marya and Django each thought the other was dead and the twins, who experienced trauma-induced amnesia, believed they were orphans. Django died years later after reuniting with Wanda and Pietro, and Marya, by all accounts, is still alive.

[ao3feed-petermj]

Peter Parker's Fridge is Ice Cold

read it on AO3 at https://ift.tt/ck8IfjY by aweekoftodays Otherwise, known as the Victims of Peter Parker Otherwise, known as what happens when I put every Spider-Man movie (and random comic pull) into one concise narrative. The answer is so many people die and Peter suffers Words: 1918, Chapters: 1/?, Language: English Series: Part 1 of The Spider & The Snake Fandoms: Spider-Man - All Media Types, Spider-Man (Tom Holland Movies), Spider-Man (Andrew Garfield Movies), The Amazing Spider-Man (Movies - Webb), The Avengers (Marvel Movies), Daredevil (TV) Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence, Major Character Death Categories: F/M, Gen, M/M Characters: Mary Jane Watson, Gayle Watson, Harry Osborn, Norman Osborn, Gwen Stacy (The Amazing Spider-Man), George Stacy, Cindy Moon, Miles Morales, Tony Stark, Steve Rogers, Natasha Romanov (Marvel), Bruce Banner, Vision (Marvel), Wanda Maximoff, Clint Barton, James "Bucky" Barnes, Michelle Jones, Ned Leeds, Otto Octavius, Matt Murdock, Franklin "Foggy" Nelson, Karen Page, Jessica Jones, Peter Parker Relationships: Aunt May Parker & Peter Parker, Uncle Ben Parker & Peter Parker, Peter Parker & Mary Jane Watson, Harry Osborn & Peter Parker, Peter Parker & Gwen Stacy (The Amazing Spider-Man), Cindy Moon & Miles Morales & Peter Parker, Avengers Team Members & Peter Parker, Peter Parker & Tony Stark, Michelle Jones & Ned Leeds & Peter Parker, Peter Parker/Gwen Stacy (The Amazing Spider-Man), all romantic relationships are background - Relationship, Michelle Jones/Peter Parker, Otto Octavius & Peter Parker, Matt Murdock & Peter Parker, Matt Murdock/Franklin "Foggy" Nelson, Luke Cage & Jessica Jones & Matt Murdock & Peter Parker Additional Tags: Homeless Peter Parker, Hurt No Comfort, Kinda, Angst, Alternate Universe - Canon Divergence, Canon is my Playground, wiki is my bestfriend, Post-Movie: Spider-Man: No Way Home (2021), Identity Reveal, Slow Build, Secret Identity, Biological Webbing, Amnesia, Peter Parker is a Mess, Peter Parker is Trying His Best, Matt Murdock Acting as Peter Parker's Parental Figure, Human Disaster Matt Murdock, Protective Mary Jane Watson, Hurt/Comfort, Peter Parker-centric, Genius Peter Parker, Avocados at Law (Marvel), Tony Stark Has Issues, ok listen tell me why, if tony stark exists then why are there still homeless people in new york, not a fan but there won't be any bashing, just holding him responsible, Found Family, Homelessness read it on AO3 at https://ift.tt/ck8IfjY

[sofiadragon]

Consequences in the MCU are an awful mess.

Before the TV show, 70-90% of Clint's story was either beta canon or offscreen in any given movie. (In the star trek fandom beta canon is anything that wasn't in the shows and movies as aired. I don'tknow if the MCU fandom uses a term for gray-canon like deleted scenes, scripts, wikis, novelizations, and tie-in comics so I'm using the trek term.) Unless you read the wiki and watch/read tie-ins his character arc looks like a few shattered pieces randomly dropped on the floor. Some of the beta canon helps, but some makes it worse. The "Thanos was right" mug??!? Supposedly at that point Thor told everyone about Thanos giving Loki the scepter, and Thanos dusted his whole family. How anyone thought that was alright is beyond me.

In the MCU it's the guy behind the curtain making things happen who usually gets 100% of the blame for anything. Tony Stark as the merchant of death? All on Obadiah Stane. The Maximoff twins join and serve Hydra for an unknown number of years, practicing using their powers on people? All on Strucker to the point that Steve is willing to attack Tony with deadly force on sight without asking what is going on at Wanda's say so. (Mandala effect gets everyone sometimes.) to the point she gets on the team and given an American visa on Steve Roger's and Clint Barton's say so. That's how trustworthy and immediately innocent she is because it wasn't her, it was Hydra. (And no, her situation is actually miles from Bucky Barnes, but the quote fits.)

Except...

Thanos: Gamora and Nebula have to work hard to make up for their bad actions done under his order. Loki is still treated like he did all that willingly despite us seeing him under duress on screen (and far more evidence beta canon.)

Red Room: Natasha and the red in her ledger, which several characters hold against her, is something that stuck to her character. If not referencing it directly, the narrative will otherwise point out that she doesn't have any moral high ground.

Tony Stark: Yes, I just said we're supposed to excuse all Tony's failings because it was actually all Stane or the heavy metal poisoning Stane indirectly caused, but the MCU has to have it both ways with Tony. He is both perfectly innocent and completely guilty. He has crippling PTSD, Thor lifts him by the neck to threaten his life becausehe did such a terrible thing as compile a program without an interface and go to a party instead of watch the bar slowly crawl across the screen, he has to give up his city life and nearly die in space to become a "Good Man" for Endgame, and again the Steve attacking him thing - mostly verbally, but occasionally acting with violent intent toward him or his things. Steve, the man with the perfect moral compass who could take the super soldier serum without becoming a monster, trusts Stark less than a woman he just met today who said she was sorry for murdering and enchanting people and doesn't trust Stark with the truth about his parent's deaths. There is damning with faint praise, and then there is Captain America trusting you so little that when tech you built is being reprogrammed for evil and you can't trust anyone he picks the jogging buddy he met last week over the guy on the kill list.

They really can't decide if they love or hate Stark, eh? Wanda seems to be getting the Stark treatment so far. Both victim and heroine, Wanda is guilty for all the things she's done while simultaneously exonerated of all wrongdoing depending on the scene on screen that moment. It's sloppy and dissatisfying after the first watch when the explosions have lost their sparkle and you start to consider the plot.

So there is a chance that Wanda will blame the book and we are meant to memory hole all the rest, but we could also have this as a guilt that follows her the way it followed Tony or Natasha.

As for a civilian perspective, you have a major point. Most of the MCU is about elite or special people (not all of them rich, but all of them exceptionally skilled and valuable in some way - and only the one black guy has serious money trouble) and the unwashed masses aren't even a conglomerated side character. We get some idea of what a few people think at the beginning of Civil War with people who were caught in the crossfire wanting a chain of command/some kind of accountability. We get it in Spiderman No Way Home, but there it is highly tainted by JJ Jamison airing doctored footage. We get bits of Potts talking about PR type stuff in the early phases, but that is only about SI. Agents of Shield says a few things here and there, but that show is underrated, often ignored, and underwatched. Even Civil War, a movie that starts with a grieving mother and is supposed to be all about public opinion and how the public views them (at least as a cover for why this legislation exists,) drops the entire premise of people wanting their super cops to answer to the UN to focus on the private wants and needs of privileged people. The public perspective is dropped 1/4 of the way in, in favor of Steve protecting his bestie and Stark having an emotional struggle.

And that really tells you about the writers, doesn't it?

🤨🤨

I'm sick of people blaming Wanda instead of accepting that MoM was clearly massive character shift and poorly written. Wanda's not real, she is a fictional character at the whims of the writing. When previous story ended with Wanda giving up her own happiness for the sake of others to indiscriminately murdering anyone to get what she wants that's not consistent or quality writing. Putting redemption aside for the moment what I want is that character derailment rectified.

[scarletwitchpanels]

The Magnus siblings in Civil War: House of M #3

[crescentmel]

WANDAVISION SPOILERS!! ⚠️

-IM IN LOVE WITH THIS TV SHOW STYLE OMMMGGGG we’re in the 2000s now im love

-AAAAA I LOVE THE INTERVIEW STYLE

-WHERE VISION THO OMG THAT INTRO

-DARCY OMG AAAGSHFKFKG IM CRYING I LOVE HER SO MUCH

-omg she doesn’t remember,,,,ALSO PIETRO???? wya what happened

-I’m in love with this wanda holy shit

-MONICA AND JIMMYYYY 🥺💖💖

-VISION AND DARCY DUO TYSM IM HERE FOR THIS

-DARCY HOLY SHIT I FUCKING LOVE YOU

-oh wanda honey ur powers :0

-OHMYGOD this commercial

-woah billy what the fuck

-MONICA???? HOLY SHIT???

-Darcy telling Vision everything about him and his life 🥺

-DARCY IS US, SHE GETS US

-um OHMYGOD?? That confrontation holy shit?? MONICA WHAT ARE THESE POWERS ALSO NO WANDA HONEY UR NOT A VILLAIN ;0;

-Agnes what the fuck no one asked you

-YO GABBA GABBA??? AJAKDJLADHLFKG

-um I don’t like this what is happening

-WHAT THE FUCK

-END CREDIT SCENE OHMYGODDD

[totally-not-kawaii]

ngl i dont like what they did to agatha’s character but overall, it was a good season finally albeit confusing

[moontheoretist]

Wanda’s fate in not Team Cap friendly fanfics bothers me, even though I am Team Iron Man, because since when exactly slavic countries have capital punishment and call for blood?

Ok, I have a very important question. Why in those not Team Cap friendly fanfictions each time when Wanda is deported to Sokovia there is an execution waiting for her to happen (not in all but there is like enough there with this idea)? Was it stated in any movies that Sokovia practices death penalty in 2015, or is it just misguided idea of what Slavic countries are like? Because as far as I know the only Slavic countries which still have death penalty are Belarus and Russia.  And even in Russia last time death penalty was used was before 2000, and also law to some extent forbids using death penalty in Russia, so it leaves only:

“The only European country that executes criminals is Belarus, as that country is not party to the European Convention on Human Rights”.

~ Capital punishment in Europe, Wikipedia

It seems that the last death penalty in Belarus was done in 2019, so it’s why I am wondering. Most of Slavic countries abolished death penalty in the 90’. Also if we consider the popular idea that Sokovia was based on Kosovo, we can say that Sokovia shouldn’t have death penalty in place, even during the civil war.

So I wonder if this is like just the “I wanna kill Wanda quickly” idea out of need for quick closure, or it is rather “I do not know where death penalty is still in power and Slavic country torn by civil war sounds pretty into that thing”? 

Cause it bothers me.

(I know she is powerful and all that, but really? The only way Sokovia can deal with her is execution? As if slavic people aren’t known for being tech-savvy? Is it really so hard to imagine that Sokovia may invent their own collar just for her?)

EDIT: Joss Whedon is xenophobic due to the overall misinformation/lack of information and Cold War propaganda about Eastern Europe in the USA. He may portray slavic people (and by extension Eastern European people) badly on purpose, or do that out of the preconceived notions he was raised with, which means that if he ever sees the error of his ways, he may stop doing so for real. There was a theory (in the article I read) that the scuffle between Whedon and Marvel was about the portrayal of Eastern Europeans and that Marvel heavily dulled what he could do with the characters, insinuating he could do worse if Marvel didn’t stop him. I dunno how much truth is in that, but well...

[moontours]

u know what lets also talk about how elizabeth olsen and mcu wanda stans always glorify house of m and talk about how wanda was so powerful in it as if her mental health wasnt absolute shit and she didnt cause mass destruction which made everyone hate her which led to her spending so much trying to atone for what she did and even now shes still so hated by all mutants like plzzz read a comic

[banahbanah]

Billy’s Powers & Wanda

Was it ever confirmed by word-of-god or in a comic somewhere that Wanda’s magic touch gave Billy his powers? Because it’s been listed on the wiki as a fact for years, but the citation is Young Avengers Annual #1 and the only thing she actually, for sure did there was heal his face. I haven’t kept up with Wanda’s own appearances, though, and there are a couple of things Billy’s been in that I haven’t read.

If he is a mutant then the circumstances where he got his powers make perfect sense without Wanda’s magic. If he’s not, well, you still have the issue of Tommy getting his powers apparently without a visit from Wanda, so I’m ???

[scarlet--wiccan]

Are there any characters from other universes/tv shows/movies/books/comics/cartoons/theatre/games etc that you think would be friends with Wanda and or Pietro?

I personally think Cate from Gen V bc they have somewhat similar stories.

I've never seen Gen V (or The Boys) but I just read that character's wiki page and I don't see any overlap with the Maximoffs, like, at all. So, I don't know about all that.

I've always said that Wanda's closest DC equivalent is Raven. Everybody thinks it's Zatanna, but it's not.

[abimess]

Love you right

Wanda Maximoff x Reader

Summary: When you find out about your crush's shitty boyfriend's actions, you have to speak your mind. 

Word count: 3.316 || Pronouns: not used 

Warnings: fluff, a bit of angst if you squint it, smut (18+ only!), oral (r giving)

A/N: I was checking out the marvel wiki page the other day and I just then realized that after the Civil War events Vision used to leave Wanda alone and go back to the Avengers Compound and oh boy I was so mad... So I had to write something about it, naturally. Enjoy!   

You do NOT have permission to repost or translate my work on any platforms (even with credit)

Masterlist | Be notified of my stories (Read on: Wattpad)

───── ⋅ ✮ ⋅ ─────

Scotland is really cold this time of year, especially after the sun has fallen. But you take off your jacket before entering the small building anyways, and force a smile at the curious hotel receptionist as you enter.

“Hi, I was looking for someone.” You tell her in the nicest voice you can make. “Red hair, green eyes, about 5'6" tall?” By the way the other woman’s expression changes, you can tell she knows who you’re talking about. But instead of smiling fulfilled, you put on an innocent posture. 

“She lent me her jacket earlier today but I forgot to return it.” You show the item in your hand, forcing another nice smile at the receptionist, who just nods slowly, eyeing you up and down before asking, “what’s your name?”

You give her a fake name, and watch as she takes a landline phone from under the counter, dialing a few numbers before bringing the handset to the side of her face. 

It takes only a few seconds before the person on the other end of the line answers, and as the receptionist explains the situation, you sharpen your ears to try and recognize the voice. It’s too low for you to fully listen at that distance, however. But it is her. It has to be her. So you just wait patiently. 

“She said she doesn’t know anyone with that name.” The woman tells you suspiciously, so you put on a confused expression, clicking your tongue. “That’s weird… I guess I might be in the wrong place then. Thank you for your time!” The woman wishes you a good night with a short smile, and you do the same as you leave the hotel lobby.

But good thing you saw the number she dialed on the phone. 204. Second floor, apartment 4, you figure. So, putting the jacket back on, you go around the building, looking for somewhere you can climb up. Fortunately for you, there's a (rather unreliable) safety ladder on the side of the back wall, and you just hope the whole thing doesn't collapse as you make your way up.

After you reach the second floor, you only have to look through three windows before you find the one you were searching for, and you allow yourself a few seconds to admire the girl on the other side, sitting in bed with a book on her lap and a mug on her hand. 

You tap a few times on the glass, the sound making the girl look up abruptly. You notice a thousand emotions flash through her face at the sight of you, but the one that remains as she gets off the bed and walks to where you are is pure confusion.

“Don’t you want your jacket back?” You humorously ask as she opens the window, and the redhead's eyebrows grow even more creased. “It was you?” She asks with a bit of shock in her voice, and you only offer her a smile before you ask, “Can I come in?”

Instead of a verbal response, Wanda takes a few steps back, giving you space to climb through the window. Back on your feet, standing in front of her, the only thing you can do is admire her in silence, a smile threatening to show up at the corner of your lips. 

The last time you saw the witch was rushed, nerve-wracking. And you wish you had had the time to say all the things you didn’t have the guts to say during all the years prior. But you didn’t, and after you left the raft Wanda and Vision were in the quinjet, holding hands, and you ran away at the first opportunity you found.  

“What are you doing here? How did you find me?” The redhead’s question wakes you back to reality, where she’s standing in front of you with her arms crossed and wearing pajamas that make her look cuter than she already is. You clear your throat. 

“I hacked Natasha's phone- don't tell her that.” You ask somewhat distressed, and although Wanda laughs through her nose and nods in confirmation, she still waits for a better explanation, so you keep talking. “And then I tracked yours.” You tell, and rush to add when you see her widening her eyes: “Just to know where you were! I didn’t look at anything, I swear.”

“Why?” The redhead asks about you being there, not really sounding bothered by the whole situation. And then you remember the reason that made you cross at least four borders illegally, and you clench your jaw.  

“Where’s Vision?” Both your question and your change of posture make Wanda frown in confusion, but she just shakes her head briefly before saying. “He’s not here.” Her answer makes you laugh drily for some reason, and your next line lets her know why.

“He’s back at the compound? Being Starks good puppy?” Your question is rhetorical, and Wanda ignores your hostility to ask herself how the hell you know that. “Nat told me about your dynamic, are you really putting yourself through this?!” You answer her wondering, and it’s her turn to laugh drily. “Through this, what, Y/n? We both have responsibilities-”

“This isn’t about responsibilities, Wanda.” You interrupt, your irritation rising. “He, your boyfriend, is teaming up with the people that want you back on that fucking straitjacket. Every time he leaves, that’s the choice he makes.” You state, taking a step towards her. But the redhead takes one back, shaking her head. “No-” 

“Between you and Tony, he chooses his creator. Every time. I bet it’s on his codes or something.” You say meanly, spitting the words along with your anger, and the redhead clenches her jaw tightly, her eyes wide with irritation. “Don’t talk about him like that!”

“Like what?! Like he’s not a person?!” You sneer, and all Wanda offers you is silence. So you let out a humorless laugh, running your hands through your hair in exasperation. “He isn’t a person, Wanda, wake up! He’s a machine! He has no emotions, no feelings-”

“That’s not true, he loves me!”

“I love you!” You shout back, and although Wanda’s eyes grow wider from shock, you don’t hold back. “I’ve loved you ever since the first time I saw you and it kills me to see you chose a fucking piece of tin over me. But I dealt with it, because it’s your choice.” You swallow the lump in your throat, ignoring Wanda's astonished expression as she watches you to keep talking. “But after this? After finding out he leaves you alone in times like this, when you need him the most... He doesn’t deserve you, Wanda. You can do better than this.”

“You love me?” It’s what she says after an excruciating moment of silence, her voice small and her tone unconvinced, so you let out a soft chuckle before you joke, “Please tell me you heard the other things I said after that.” But Wanda is motionless, waiting for a response, and so your smile dies down, and you swallow hard before confirming, “I do.”

“Why did you never say anything?” She asks, tears pooling in the corner of her eyes, and suddenly all your irritation is turned into vulnerability. “Because I thought you didn’t love me back.” You tell, “And then you were with Vision and I-”

“I did love you back.” The confession makes you stop talking all at once, looking at her in disbelief. The redhead, whose eyes are locked in yours, sniffles softly. “But I thought you would never… But Vision did and- he said he did and I…”

Her disconnected speech dies down as she chokes on a sob, the tears streaming down her face. And your confusion only lasts for half a second before you understand what she’s trying to tell you, and you widen your eyes with the realization. “Do you love Vision?”

“I… I just wanted to be loved.” She answers, looking to the ground in shame, and you are standing in front of her in record time, your hands on her cheeks. “Oh, darling, you are loved.” You tell her sweetly, wiping her tears with your thumbs. “By me, and Nat and Steve. Even Scott loves you and you only exchanged, like, two words.”

Your attempt to make her laugh works, even if only for a giggle. But for you, it's enough, and you smile before assuring, “Wanda, you are loved. And I’ll spend the rest of my days making sure you remember that.” Her cheeks grow pink under your palms, and as her eyes scan yours for a sign that you’re telling the truth, your gaze is on her lips. “Can I kiss you?”

Her breath hitches slightly in both surprise and anticipation. But there’s not a sign of hesitation on the way her eyes fall from yours to your mouth, nor on the way she whispers a soft “yes” that you were only able to hear due to the proximity.

So you close the distance between your faces the moment she gives you her confirmation, and you both sigh to the feel of your lips colliding. 

It’s not Wanda’s first kiss, naturally. But it’s been so long since someone has kissed her with such desire and intent that the redhead is unable to keep the butterflies in her stomach at bay. And it only gets worse when your tongue finds hers, her knees buckling and her fingers gripping your hair. 

The groan you let out in response does nothing to help the growing heat in her lower belly, nor do your hands intensifying their hold on her waist and your body projection forward, taking a few clumsy steps with her.

“I’m gonna make you feel so loved, you’re gonna forget your fears ever existed in the first place.” You break the kiss to promise and Wanda finds it best to kiss you again instead of responding, her smile against your lips being answer enough. 

When the redhead’s calves hit the bed, she sighs, her fingers holding tighter onto your neck for stability. Taking the witch by surprise, you move your hands down to her thighs, lifting her off the ground so you can lay her down on the bed, and Wanda wraps her legs around your center, helping you out as she kisses you more desperately. 

But the moment her back relaxes against the mattress, you’re pulling away just enough to look at her and smiling at the way her lips chase yours. “Are you sure about this?” Your smirk dies down as your expression turns to one of concern, one of your hands on her waist as the other lies right above her head for stability. 

With her mind clouded by lust, Wanda barely processes your words, her breathing ragged as she struggles not to be driven crazy by the sensation of your body pressed against hers. But she manages a nod eventually, and you smile before instructing, “Use your words.”

“I am.” She confirms as she was told, her darkened eyes locked on yours and her swallow lip from kissing trapped between her teeth. “Are you?” Her question makes you chuckle hoarsely, your eyes going down her figure before returning to her own. “Oh, darling, I’ve been dreaming about this since I met you.”

“Really?” Wanda sounds as surprised as her widened eyes let show, and when you hum in confirmation, her cheeks turn even rosier, her voice shy and almost uncertain as she asks, “and how have you been picturing it?”

“Oh, in so many ways.” You answer mischievously, your fingers slowly venturing under her blouse making her heart beat faster. “I picture my lips roaming your entire body.” You tell as you kiss all the way from her jaw towards her ear, making Wanda close her eyes, her hands gripping your arms in reflex. 

“All the way up.” You add against her ear, moving your hand underneath her blouse, climbing their way toward her breast. When you squeeze the flesh hard, playing with her nipple between your fingers, the redhead’s body tense up, a whimper leaving her mouth that turns into a moan as you press your tight against her center. 

“And all the way down.” You say then, moving your fingers down her belly again and taking a hold of the waistband of her shorts, pulling it down just enough to make her shiver. Wanda’s low moans fill your ears as she rolls her hips against your leg, pressing her center even further into your jeans. 

“Show me- oh, please.” The redhead asks breathlessly, shivering one more time as you take her earlobe between your teeth, smiling as you assure, “I will.”

Wanda feels her heart racing once again in anticipation, her head spinning as you kiss her again, even more intensely than all the other kisses you’ve given her so far. 

A smirk falls on your lips as you press your leg against her center, her moan against your mouth and her nails digging into your arms. Your hand starts pushing her shirt up again, but before you can complete your task, hers are pushing your jacket off your shoulders, and you have to pull away to remove the garment completely.

Once the piece of clothing is laying somewhere on the floor, you kiss her again, taking her lower lip between your teeth as your hand rests on her waist, pulling her down towards your leg and making her arch her back, a moan ripping through her throat as the friction on her center increases.

Moving your lips to her jaw, you also move your hands to her shirt, pulling it up to get the redhead rid of it. As Wanda leans up to help you out, you have to move away again, your eyes meeting hungrily and smiles on both your faces as her shirt meets your jacket on the hotel room floor. 

“Fuck, you’re even more beautiful than I could’ve ever imagined.” You let out in a breath, your eyes boldly admiring her naked torso, a smirk growing on your lips as they go back up to hers and find her face flush with both embarrassment and arousal. 

When your lips meet hers once more, her hands find the front of your own shirt, gripping it tightly to keep you as close to her as she possibly could. The moment only lasts for a minute, though, because she’s pulling the fabric up above your head, and you have to pull away yet again to get rid of the garment. 

But Wanda doesn’t let you stay away for long, pulling you by the neck and kissing you hungrily, the both of you moaning against each other’s mouths as you feel your naked torsos pressed together. 

When air is needed, you move your mouth down, kissing all the way down her neck and collarbone, smirking against her skin as her breath hitches with every new movement you make towards her chest. 

Once you take her nipple in between your lips, sucking the soft skin, a long moan erupts from her throat, her back arching forwards as her hands on your head press your face to her harder. “Oh, yes, baby- so good.” She trails off between moans and whimpers, the sounds making your intimacy throb inside your pants. 

As you give her other breast the same attention, you move your hand down her shorts, pulling them down slowly. Impatiently, the redhead does the job herself, the movement making you pull away from her with an amused smirk on your lips. 

Nothing in the universe would have been able to prepare you for the sight of Wanda Maximoff lying beneath you only in her underwear. So you lean down, kissing her hard and making her head spin for God knows what time tonight.  

“Y/n, please.” The redhead breaks the kiss to ask, her impatient whimper coupled with her nails on your back making you shiver. “Please, what?” You ask with your lips on her neck, unable to stay away from her, and Wanda struggles to say, “I need your mouth.”

“You have it, baby.” You reply with fake innocence, making her tense up, an impatient grunt passing by her lips. “You know what I mean.” She hits back with annoyance that only lasts until you press your knee against her center again, making her whimper in pleasure. 

“Here?” You ask as you kiss your way down to her breasts, peppering light kisses on both of them that makes her shiver. “Lower.” She says, pushing your shoulders down with her eyes closed, the knot in her lower belly intensifying as she feels you smirking against her skin. 

“Here?” You ask again, this time with your face right above where she wanted it, and, when you kiss her center over the ruined fabric of her panties, the redhead takes in a sharp breath, her fingers moving to your hair as she nods eagerly. 

Now, resisting Wanda was never one of your strongest suits, and it certainly wouldn't start to be when you smelled her intoxicating scent, the taste of her arousal on your lips.

So you pull her panties down her legs the next second, and barely wait for her to get rid of them for you to dive in, running your tongue all over her cunt and spreading her wetness all over. 

“Oh, fuck.” She moans out loud, her fingers gripping your hair so tightly it could hurt, but only if you weren’t only so hypnotized by the feel of her in your mouth. As her hands lazily guide your head to where she likes best, you eat her out like she was her last meal, making her see stars from behind her closed eyelids.

“Shit, so good.” She cries out as you thrust your tongue inside her, your nose brushing against her clit making the burning sensation just below her belly feel like it was about to explode. “Please, baby- oh, don’t stop.”

You certainly wouldn’t, so you keep the movements of your mouth precise and constant, your hands holding her legs open for you as her body starts to break into spasms. 

Your name cuts through her throat as her orgasm overtakes her, her back arching and her hands even tighter in your hair. But you don't let go, feeling her spill onto your tongue as her moans fill your entire being.

You only pull away when a shy tug on your hair begs you to stop. So you lick her clean, collecting her juices and delighting yourself in her sweet taste one last time before you kiss your way back up her body.  

“Are you okay? Did I hurt you?” She lazily asks about the tugs on your hair and you chuckle hoarsely at her tone of concern, kissing her intensely and making her moan as she matches it, feeling herself on your tongue.

“I’m way more than okay, thank you.” You let her know when the kiss is over, resting your body more comfortably on top of hers, and Wanda smiles shily, the redhead's fingers running through your sweaty hair in an attempt to fix it.

“I love you so much.” She says as she brings her eyes back to yours, her gaze so full of emotion that you can only feel your heart about to explode inside your chest. “And I love you even more.” You hit back and, seeing she’s about to argue, you kiss her one more time, smiling at the sound of indignation that leaves her throat before she matches it. 

The redhead is determined to complain, however. But before she can pull away to do so, you press your leg against her center again. And, feeling the knot under her belly building up again, any and all ideas of conversation slipped away completely out of Wanda's mind.

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And that's it for today! I hope you enjoyed it, thoughts and comments are always welcome ツ