#wanda is traumatized
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rita-repulsa-ke · 2 months ago
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Death and the Scarlet Witch
"She tried to wreck my life, destroy my family, literally murder me after she thought she'd stolen my power," Wanda says, using her fingers to count off all of Agatha's crimes. "She also tormented me with my past and lied to me. A lot."
That does, Rio has to admit, sound like the woman she loves. Especially the lying part. She can't keep a smile off her face.
This probably makes slightly more sense if you've read Scarlet. Rio goes to visit the Scarlet Witch, during the time Wanda is hanging out in that cabin at the end of Wandavision studying the Darkhold.
This one has warnings for lots of mentions of death, small-d, and also Rio is not always very nice. She is, however, very romantic over Agatha.
Death is everywhere. She is on a Road that doesn’t exist and, in that same second, she is next to the hospital bed of a young man, both of them ignoring the flurry of activity around them as nurses and doctors try valiantly to save a life that has already passed into her hands.
“I wasn’t ready,” he says.
“Most people aren’t,” Death replies. “How was what you had?”
He thinks about it, then gives her a tentative smile. “It was pretty good?"
She offers him her hand. “Sometimes, that’s the best you get.”
In the same blink of an eye, she sits on wet pavement next to woman staring at a mess of twisted metal.
“I wasn’t ready,” the stranger says.
Rio keeps her sigh internal. “Most people—“
An elderly woman in a nursing home. A child swimming where they shouldn’t have been. A man killed in a fight gone wrong.
Death is everywhere she needs to be.
And simultaneously, she is at a cabin in a beautiful, remote wilderness, a cabin that radiates an achingly familiar dark power.
She pushes open the door, startles a woman making herself a cup of tea, and has to hastily deflect the bolt of red energy flung toward her.
It isn't a very good deflection and in her head, she can hear Agatha murmuring, you’re so sloppy. You have so much power, but your technique—
Yes, Ags, I know. Shush now.
“Hi,” Death says. “I’m Rio.”
The woman stares at her, then gives a short, mirthless laugh. “I know who you are,” she says. “You have followed me all my life.”
“Don’t flatter yourself,” Rio says.
She can’t help but notice that Wanda is beautiful.
Not like that. No one is beautiful like Agatha, frustrating, gorgeous monster that she is. No, Wanda Maximoff is beautiful like an apocalypse. She is the end of any number of worlds, the potential for a sea of corpses the likes of which even Rio has never seen.
It does amuse Rio to imagine how jealous Agatha would be, though, were she here. She always hates when Rio is looking at anyone but her.
Rio never is, of course. Not really.
“What do you want?” Wanda asks, snapping her back to this moment alongside a million others. “Is it—is it my time?”
She sounds so hopeful.
"No," Rio admits. "I wanted to talk."
She isn't sure what she wants, not really. Revenge, maybe, but why should she? Agatha doesn't deserve her fury, would scorn her protection.
Rio wants to protect her anyway.
Still, there are rules. She can't simply take Wanda. And she's made enough exceptions for Agatha already.
Wanda's laugh turns softer and simultaneously more hollow. "To talk. Death wants to talk to me. Why not? I feel at this point we should be good friends, you and I." She sits in a chair that wasn't there a moment ago, and Rio is coming to the interesting realization that Wanda is not entirely well.
Agatha had told her once that the Darkhold broke weak minds. She'd told her that while throwing bolts of dark magic at Rio and crowing over her success in having mastered the Book of the Damned, of course, but the point still stands.
"Lots of people die," Rio says. "You aren't special."
"Aren't I? Aren't I special? The Scarlet Witch," she says the words with too much emphasis, drags her voice over the sounds. "There's a whole chapter on me in the Darkhold, did you know? If that is not special, I don't know what is." She laughs again and there has never been a more humorless sound.
"Riiiight," Rio says. She's starting to think she doesn't need to enact revenge, she can sit back and let the universe take its course.
Feels a little passive, though.
"What more can you take from me?" Wanda asks. "What more can I lose?"
Yeah, I'm trying to figure that out too, she thinks. "I'm not here to take," she lies. If Agatha can do it, so can she.
"…Do you understand grief? Can you?" Wanda asks without prelude, and now Rio isn't sure this broken woman, sitting in a chair that doesn't exist, is talking to her at all.
She's also starting to notice a very interesting similarity between that chair and a certain Road she's currently walking, a Road she always knew wasn't real.
"I do understand grief,” she says, no lies this time. There is something she grieves more deeply than she'd ever thought possible.
Wanda is still talking, still mostly to herself. "I had a husband. I had children. I had everything I ever wanted."
"The ones you made with magic?" It had taken her some time to find Agatha—she isn't sure how long, she's never been good with time—to find the strange little town and the stranger situation her beloved had gotten herself into this time. But find and save her she did, unsticking her from that miserable curse.
Not that Agatha had appreciated Rio sweeping in to save her. She never does.
Still, she remembers Agatha screaming herself awake, sobbing in Rio’s arms, and she does hope there is something more she can take from the Scarlet Witch.
Wanda nods in listless agreement, that family, the fake magic ones.
How fake is suddenly a very interesting question.
"Hey, I want to ask you something," Rio says.
Wanda only nods again, staring vacantly into the past with the expression of a woman who has not fully lived in the present for some time.
"When you broke the spell, you also broke a woman's mind and left her in that place, imagining she was someone else. Someone even more annoying. Why'd you do it, Wanda?"
Now Wanda's attention snaps to her, rivulets of scarlet magic racing up her neck and down her arms, and oh, she is dangerous, all that power with so little control. Rio can picture Agatha's sneer.
"Agatha," Wanda hisses the name. "Is that who you're here to ask me about? Death has come all this way to ask me about Agatha Harkness?"
"That's the one," Rio agrees.
"She tried to wreck my life, destroy my family, literally murder me after she thought she'd stolen my power," Wanda says, using her fingers to count off all of Agatha's crimes. "She also tormented me with my past and lied to me. A lot."
That does, Rio has to admit, sound like the woman she loves. Especially the lying part. She can't keep a smile off her face. "Still. Aren't you supposed to be the good guy?"
"Not that good, I guess," Wanda says, and now even more of her attention is focused on this conversation. Though much like Rio, some part of her always lives elsewhere.
Motorcycle accident. Liver failure. A bad heart. Death deals with all of them without taking her eyes off the Scarlet Witch.
"Agatha did also break you out of your weird sitcom project," Rio points out. "Made you realize that what you were doing was hurting people. Did you know, I wonder? What you were doing to them? Did you know and try to ignore it, in order to keep everything you wanted?"
Wanda comes to her feet, surges like a wave, staggers like a corpse. Her teeth bare with fury, her eyes leak pain. "Of course I didn't! Are you just here to torment me?! Do you think that I don't have nightmares about what I did to those people? Do you know what I lost to make it right?"
Wow, she's dramatic.
"She only did it because she wanted my power. I was in her head. That woman has never done a single kind thing for anyone in her life, not without getting something in return," Wanda continues and Rio can't hold back her laughter, high-pitched, shrill giggles that contain a note of unfettered delight.
"You've got that right," she agrees, and ugh, she wants Agatha, Agatha smiling, Agatha laughing, Agatha complaining about things not happening fast enough, Agatha kissing her—
Agatha whirling her around with a crown of flowers in her hair, her expression that of someone being tortured on the rack. Agatha, laughing too loudly, cheeks flushed with cheap beer, toasting to them both. Agatha, explaining some ritual in intricate detail while she inscribes runes, talking to Rio mostly to keep herself on track.
Agatha, in their bed, lit by the fireplace behind her, head on her hand, looking at Rio like she hasn't in centuries. "I've missed you," she admits, with a sly smile. "I've been thinking. You and I always made a great team. What do you say we get the band back together?"
This isn't right. This isn't how it happened.
"Can you forgive me?" Rio asks anyway, hating how desperate she sounds.
Somewhere a man falls from the top of a building, several stories too high for survival to be a possibility and lives anyway.
"Of course I can," Agatha says. "I love you."
Hah, as if. Even during their best times, Agatha never would have said it so easily. But her hand is on Rio's cheek, and she's so warm, she feels so real. It would be so easy to lean forward and kiss her.
There’s something important she's forgetting.
An ICU has a quiet night, no deaths even among their most critical patients.
"Rio, kiss me," Agatha prompts, and the smile on her lips is so close to being right, a taunting, teasing, tormenting expression. "My love, come to bed."
This is what she wants, isn't it? This is what she's always wanted, Agatha, gentled a little, sweeter, softer, but still the woman she loves.
No, she thinks, this isn’t what I want. I want the real thing. I want the jagged edges, I want the cruelty and the manipulation and the way she screws up her face before she says anything even slightly romantic. I want the way she makes big, sweeping gestures to prove her own power, the way she kisses me like she owns me, the way she sings silly, made up songs to herself when she thinks no one is listening and how she can never sit still, not even for a minute—
I want my Agatha.
A girl falls from her bike, in front of a car and—
Death roars back into the world.
Now it’s Rio’s turn to stagger, as reality reasserts itself. "...You got into my head," she says, and she's still so shocked that she's not even angry about it, only impressed. "Congratulations, no one has ever done that before, not even Ags."
No wonder Agatha went after Wanda. Enough power to, however briefly, divert Death. And suddenly, she's very glad that Agatha, who at least claims to hate her, did not succeed in gaining that power, no matter how much Rio loves her.
"You love her," Wanda murmurs. "You really—kind of creepily—love her."
Rio throws her head back and laughs, a shrill, sharp sound, the squeal of tires on the road, the scream of witnesses. "I do," she admits. "I really, really do."
"I could see you, for a moment. The whole of you," Wanda continues. "All the places you are. All those people. So many, all the time. I don’t know how you stand it." She sags suddenly, leans her weight against the much more real counter. "…Can I ask you something?"
"Go for it."
"When I die, will I see them again? My boys and Vis?"
"Yes," Death says, with absolute certainty. "You'll see them again."
Wanda sinks to the floor, pulls her knees to her chest and shakes with relief, tears rolling silently down her cheeks. "That's all. That's all I needed to know."
"Not yet, though. It isn't your time. You still have things to do," Rio says. "Because you know what, Wanda?"
Wanda only stares up at her, face slick with tears.
"You're right. Death will follow you all your life. In fact, I think we'll be seeing each other again very soon," Rio says, letting her mask drop, and she can see her own skinless reflection in Wanda's widening eyes. "You and me? We are going to have so much fun."
Then, as Wanda starts to form a question, Death is gone. After all, how could she take Wanda now? There is still so much the Scarlet Witch can give her, so many bodies.
Besides, it would be breaking the rules.
But it turns out that there is something of Wanda's she can take. Something waiting for her on a Road that doesn't exist, something she's overlooked, something Agatha, manipulative as always, has been hiding in plain sight.
Rio will make certain that Wanda sees her boys again.
She leaves the cabin, but remains everywhere else.
Somewhere a girl sobs on her shoulder and Death pats her back with practiced movements, perfected over millennia. In that same blink of an eye, she holds an old woman's hand, kisses an old man's cheek, listens patiently to a priest perform his own last rites and guides a protection witch beyond the veil.
Then she steps back onto the Road, hands behind her head, whistling to herself. She's going to go find Agatha. She's already annoyed by all that has been kept from her, and she has no doubt it will be a fight, one where her beloved will probably say something manipulative, cruel or both.
Still, even knowing all of that, she can’t wait to see the real thing.
Want to read something sad? Try Nicky
Want to read something fluffy? Try Flirting
Want to read more Rio thinking about Agatha? Try the thief
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whotfelsewantedtobelynnyx · 2 months ago
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Chat, I regret to inform you that I have added a new hyperfixation…so…
Agatha All Along Incorrect Quotes!
Alice: Hold the fuck up.
Also Alice, crawling into Lilia’s lap: It’s me. I’m the fuck up. Hold me.
Rio: I have an idea!
Jen: No murder.
Rio, sighing petulantly: I no longer have an idea.
Lilia: I have a bad feeling about this…
Agatha: What do you mean?
Alice: Don’t you ever get that little voice in the back of your head that tells you if something is going to get you in trouble?
Agatha: No.
Jen: That actually explains so much.
Lilia: As far back as I can remember, I’ve always had this little voice in my head telling me to “live it up today, because there’s not gonna be a lot of tomorrows”.
Agatha: You do realize there’s medication designed to get rid of those kinds of voices, right?
Teen: A bird flew in through my window and I’m trying to befriend it.
*later*
Agatha: Why don’t you quit bothering me and go talk to your bird friend?
Teen: Matthew and I are not speaking at the moment.
*the coven, huddling together behind a makeshift shelter to shield themselves from repeated gunshots*
Alice, hastily shoving the others behind her so she can return fire: Agatha, do you have any idea who would want to shoot you?!
Agatha, squashed between Jen and Rio: Many people want to shoot me. I take great pride in that!
Jen, glaring at the group as she hands over bail money:
Alice, tapping her shoulder: What about Teen?
Jen, glaring more: I’ve got to bail him out too? Where’s Agatha?
Teen: No one called her. We used Lilia’s phone call to call Alice and Rio’s to call you. Then Rio used my phone call to vote for American Idol.
Rio: :)
Jen: Rio isn’t answering her phone.
Agatha: Here, I’ll try.
Jen: Alice and I have tried six times each, what makes you think that-
Rio, picking up on the first ring: Hey, sweetheart.
Agatha: The ends always justify the means!
Jen: Do you know who said that?
Agatha: Was it Oprah or someone nice and great like that?
Jen: It was Machiavelli. A decidedly non-Oprah like person.
Jen: I bet you didn’t even finish the thing I asked you to get done!
Agatha: For your information, I most certainly did! Got it done last night!
Teen, whispering to Agatha: You didn’t get it done, did you?
Agatha, whispering back: I don’t even know what she’s talking about.
Lilia: I am at a loss for words!
Teen, glancing at the camera like his mom like he’s on The Office: Despite being lost for words, Lilia yelled at us for the next 45 minutes.
Agatha, carrying Señor Scratchy out of the room:
Señor Scratchy: *snuggles under her chin*
Agatha, kissing his head: You are being punished. Please stop being adorable. I love you.
Teen: I got a trampoline tent for summer sleepovers!
Jen, whispering to the other adult witches: …think of all the sex.
Alice: There are two types of people.
Rio: If you wanted to eat someone, you could put a fire under it and slowly roast them :)
Lilia: …three. Three types of people.
Jen, cautiously: I can’t believe I didn’t notice this before, but…Teen, you are a little crazy.
Teen: Aren’t we all a little crazy here, Jen?
Jen: No, I mean you’re aging-ballerina, child-chess-prodigy, professional magician kind of crazy.
Teen: It’s my mom’s fault. You know, we come from a Jewish family, but she used to tell me the reason Santa didn’t come was because my room was too dirty.
Rio: I’ve come looking for trouble. And if I can’t find trouble, I WILL create some.
Alice: Do you trust me?
Lilia, smiling proudly at her: Yes.
Alice, who has been completely panicking: Wait, what? Why?!
Agatha, awkwardly glancing around for help: Er…Alice, I’m gonna be honest, I don’t know what to say to people who are crying. So I’m just gonna hope that the tone of my voice makes you think I do, okay, sweetie?
Alice, sniffling: …thanks, Agatha.
Agatha, patting her on the back with a bit too much enthusiasm: No problem, kid.
Lilia: I told Agatha about it weeks ago!
Teen: She WHAT?
Agatha: What??? Lilia says insane shit all the time, how was I supposed to know this one was true?!
Lilia: Bank accounts are a sham created by the shadow government!
Agatha: SEE?!
BONUS:
Wanda, watching from the afterlife: so…when exactly do kids grow out of that whole emo, rebellious stage?
Lorna, shrugging: I don’t know. Alice is still in it.
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ksandraxox · 4 months ago
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Standing there like she want to put three daughters in me
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my review of she hulk was basically “i actually really like the idea but they just forgot to make the show good” and tbh i kinda feel that way about agatha in that a lot of the writing line to line feels very bare minimum. but what agatha has going for it that she hulk does not is (1) an actual plot, which means the bare minimum goes further than it did on a show aiming to be marvel’s first sitcom and (2) a lead character with an actual personality
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outlawssweetheart · 5 months ago
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I'm just a girl pondering my favorite autistic-coded characters. 😌 (And the characters who aren't exactly "coded," but I can see the vision. 😌)
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cocoabubbelle · 2 years ago
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Wanda: Toad, why are you crying? 
Todd: This book is so sad!! 
Wanda *picking it up*: …this is my diary-
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wildwandaa · 2 months ago
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Oh man, I love knowing I probably have ptsd, but I have no way to get it diagnosed
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this-is-chaos-magick · 3 months ago
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mcu wend–[gunshots] bu-[knife slashing]
I can't take people who calls mcu Wanda...."Wendy" seriously...like come on it's 2024 and almost 2025..I thought we leave that shit in 2021😭
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satanic-nightjar · 1 year ago
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Clint: i cant express how much i hate fucking bees
Pietro: the stop fucking bees? I mean the answer’s right there.
Clint: YOU KNOW WHAT I MEANT!!
Wanda: Not after the bee movie we don’t.
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rachelatwell · 2 years ago
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This four would totally be best friends (or totally would kill each other, I can't decide)
(somebody write a fanfic about this friendship for me pls)
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nervouswreckhere · 2 years ago
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I did promise that I will be an annoyance so here I come:
Stone Monsters Headcanons
In general, the magic system in Knighton is a soft one (I say after I watch one too many world-building tik toks). What that means is that it doesn't have hard outlines as to how it works.
Let's change that, hmm?
Monstrox is a necromancer, Wanda has weather powers and Merlock is a technomancer. (I haven't read anything other than the wiki. Just watched the show, got obsessed and here I am..) Merlock's nexo magic is iconic - very useful and always appears when you need it to. Almost as if it's a plot device. Its ability to enchant weapons and armor is extremely helpful when faced with Monstrox's... everything.
Now, Monstrox is interesting. As a necromancer we would assume what he does is bad and evil as they love to repeat in the show. And he is - insane and ambitious to boot. While I have no idea what made the Wizards' Council / Merlock spare him, his knowledge and power were locked into the Book of Monsters. That knowledge was what allowed him to - from what I can comprehend - summon, create, manifest the monsters. They weren't strong monsters, after all, Monstrox was stuck in leather, between pages. He had limited power - that's what evoked the whole let's search for all the evil books scattered around the realm.
And even their collection failed to resurrect him, seeing as everything blew up in the end. But the ritual still worked partially - it was a ritual to grant him a new form; magic, energy can't just go away, disappear! - so it gave him a form that was more well-suited for his magic. Hence the cloud.
And that's when we arrive at what I call my favorite brain rot. Monstrox's resurrection spell. The one that breathes life into stone. I do think Monstrox's spell is a combination of a few different necromantic spells, but that's for later. The stone monsters are sworn to his allegiance in a way I doubt the lava monsters were. Some of them exhibit some intelligence but none have discernable personalities other than a select few. Why?
Seeing as that spell, erased Clay's entire moral system while keeping his tenacity and determination, his desire to serve a cause, I doubt it's just personality erasure. But a spell can't just turn someone evil.
That's stupid! Evil is such a subjective thing and it's so nuanced that a simple wave of a hand or I guess zap with lightning doesn't just- just- evilize someone! So I made a chart!
There are three types of monsters in my book. (I'm not talking about how they look or their functions. I'm not talking about bouldrons, gargoyles, harpies, etc. I'm classifying them into categories!)
Type 1: The statues, given life. The bouldrons, the gravellers, etc. The one that get zapped and start destroying everything in sight. The ones that we see zooming around in the background in most episodes.
Type 2: The magically imbued statues. The statues put there with a reason - like the gargoyles. Haven't you wondered why there are so many gargoyles? Only a few of them appear smart so those are the few that I put in this type. Harpies are here too. Why? Because I think they were demons or something similar summoned to do Monstrox's bidding before they got petrified by the wizards' council. (I have their whole backstory written somewhere, I will share it later.)
Basically, type 1 is just making a statue move with densely charged, magical energy that imbues them with malicious intent. Type 2 has to work with what little magic the statue has locked within itself. That takes more power out of the initial blast, which is why type 2 monsters don't have to be constantly on the move - more of the magic has to work to diverge the energy channels within the vessel.
I love magical theory, guys
Now, type 3 is my favorite so far. That's the statue that was once human. Have you looked at how one brain works - it's all chemistry. Little electrical pulses send to and from different parts of it. In type 3 monsters, 3/4 of Monstrox's magic blast / ressurection spell go towards the mind. It has to change the being's priorities, to change the person's alleigence strictly to Monstrox. The other 1/4 goes towards making their body function in the way it has before - or as close as a living rock can get.
Ruina is a great example why this clarification works, Krakenskull, too. They were separate people, warlords in their own right before they got hit by Monstrox's magic, and then suddenly they readily follow his orders? And he doesn't worry about them betraying him? Sure, one can argue with Ruina ever being a warlord on her own but Krakenskull? He had his own army and then he was okay with someone else using it? Yeah right.
*takes a deep breath* I got a bit sidetracked. ...a lot sidetracked. But basically yeah. I have a lot of feelings about the magic in Nexo Knights and I am so sharing them with you. Just you wait!
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ghostlyschwarbage · 10 months ago
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AU in which Lily Potter is the Scarlet Witch. Like a Lily Potter who lost her husband James and in her grief conjured up a fake son with him, and then goes looking for a reality in which she can be with her child without destroying someone else's family, finding HP Harry 
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wandaxpietro · 2 years ago
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[Avengers (1998) #51]
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woulddieforloki · 2 years ago
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i will never get over how good episode eight of wandavision was
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onetoomanyfandomfixations · 2 years ago
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Characters Who Have Illnesses/Disabilities bc I Say So
Part 2
**Disclaimer; I am only doing disabilities and illnesses I either have myself, or those whom I love dearly have (who will then help compile the hcs)
2/?
POST TRAUMATIC STRESS DISORDER
Tony Stark (MCU)
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Wanda Maximoff (MCU)
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Muriel (The Arcana)
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Beelzelbub (Obey Me: Shall We Date)
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Bakugo Katsuki (Boku No Hero Academia)
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Isuzu “Rin” Sohma (Fruits Basket)
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Yuki Sohma (Fruits Basket)
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sweaters-and-vertigo · 2 years ago
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not to brag but i unintentionally made my therapist cry yesterday
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