#vs martins plan

[gammija]

a nuance that gets a bit lost in martin 'murder' blackwood is that while he's definitely not against a good killing, it's more of a fun couple's activity rather than true heartfelt passion, you know?

i mean, twice he's had the opportunity to have Jonah get shanked, and he foils them, even though he wants the guy dead. Like, murder is always an option, but he usually tries other, less direct methods first - in fact id say that his trying to be clever and moral still leading up to the end of the world is exactly what drives him to say, ok well fuck it then, let's get our murder on

[gayofthefae]

You can tell when they wanted to Buddie. Because Buck and Eddie synched up being single for a season a half. Their only plots were about each other, it's when they had the lawsuit angst, it's when Eddie was said to have put Buck in his will if they planned that, which I don't find it farfetched that they did - especially given they were renewed by that point, it's when the technophobe cute domestic plot happened, and it's during that time that Buck got closure with Abby.

Ana was briefly introduced but Eddie's interest seemed to be more a setup for his disappointment by her and they did not start dating for about another season. It was a seed but not one that was required to develop.

They were setting up in season 3. I always thought it was abnormal, now that I know they're really doing it, I get why. In every other section but 3x01-4x08, they have both been dating. Buck wasn't over Abby then in the episode he got over her, Eddie got back with Shannon, then while Eddie was with Shannon, Buck got with Ali - but Ali was off screen and took up 0 plot focus away from his relationship with Eddie. It was the classic bad timing.

Then they were both single for TWENTY SIX EPISODES. Within which, their plots had consistent build, processing of their love lives, and focus on one another with casual screentime being spent together with Chris. That was buildup.

THEN THEY DID THAT WHOLE SETUP OF "Buck has a secret he's nervous to tell his loved ones" and it was SO about him being queer until it was swapped out for a therapist.

Then Ana comes back into Eddie's life and Taylor is introduced only two episodes later and in the same episode that Eddie and Ana are officially dating. Eddie breaks up with Ana in 5A but Buck is still with Taylor through the end of the season. The episode they both are single again, Buck defines true love to Maddie in a description of Buck and Eddie's season 5 plot and Ravi describes romance by directly referencing a previous season's line between Buck and Eddie.

Then, they are single simultaneously again for 15 episodes during which time they - also abnormally - have very minimal plot focus on each other.

They switch networks. Buck is immediately single from an off screen breakup that does not affect him at all. He kisses a man in episode 4. In episode 5, the seeds of destruction for Eddie's relationship begin being planted. By the end of the season, Eddie is single, but Buck is not. Now, as of season 8 episode 6, they are both single again.

It is also notable that prior to season 4, their relationships did not hog screen time in the way they did in seasons 4, 5, and 6. Ali was seen once or twice. Shannon only had any romantic and not familial focus for Eddie bookending her time on the show, not throughout. But Ana was a repeated topic of conversation and Taylor became a series regular for a full season.

The entire timeline of it all shows itself to be:

1. Moving on from past relationships

2. Romantic buildup

3. Fox says no

4. They can't date because...uh- they aren't single!

5. Break them up in hopes Fox will say yes

6. Fox says no

7. They're both single so just don't have them interact and hope people don't notice until it's been long enough to make them date people again

8. Make them date people again

9. ABC says yes!

[a-passing-storm]

I just finished Episode 160 of The Magnus Archives!!!

[candyskiez]

Thinking about Martin Blackwood tonight lads. Do you ever think about how he views himself as someone with very little actual agency and he's the one who ended the story. He's the one who killed Jon. He views himself at first as someone who cannot affect events at all because nobody gives a shit, because he's trying so hard but everyone's just IGNORING him even when he wants so badly to fix this. He at first has no agency because of circumstances. And then when he chooses not to go with Peter, suddenly everything falls apart. All his choices leading up to this, choosing to make a plan to get rid of Elias, choosing to assist Peter, avoiding Jon, avoiding everyone- they all led up to this. So he's just very nervously stepping back and trying to fit back into The Caretaker. He tries to deny himself agency. Hell, he describes himself as the anti christs plus one for gods sake. And when Jon actually asks him to make choices, or acknowledges that yes Martin is the one who wants to make this decision, not Jon. He freaks out. But him attempting to just not Do anything and just sit back doesn't actually help. He still hurts people even when he disappears from their lives, or just tries to make Them make the choices he wants to make. And this makes his conversation with Also Martin so so interesting. He can't avoid making choices just because he keeps making the wrong ones. It doesn't mean nobody gets hurt. Thinks about Martin's view of himself as someone with No Agency vs how much affect he has on the story as a whole. His introductory episode is when the plot gets moving even!

He views himself as someone who has no affect on other people. His choices reflect that a lot of the time. When faced with the fact that yes, even when he's trying to not do Anything, he still affects other people he doesn't exactly handle it well. He affects so much, for better or for worse. He both is the reason Jon didn't end the entire world and he hurts so many people while thinking his actions will do Nothing for anyone but him. Do you get it.

He goes up to the panopticon, still expecting to just delay until they can stop Jon. But Jon does exactly what he told him to do. He listens. When Martin chooses not to leave, Jon tells him to end it. It's just. It's SO. He views himself as never being the focus, as it never being about what he wants, as the anti christs plus one, and he is when we start learning about the plot and he is the one who kills the protagonist do you GET IT. I'm sorry I am currently chewing on walls.

[rainy-weather-supremacy]

My thoughts/ideas on a TMA musical

(If anyone wants to help me with this it would be apprechiated 😭😭)

(Under the cut because it's kinda long)

Act I: Introduction, Prentiss & Shenanigans A

Act II: Shenanigans B; Unknowing & Shenanigans C

Act III: Door and Eyepocalypse

TMA important plot points

Act I

Jon hates Martin

Bicon Tim!! 💖💜💙

Prentiss

Michael (Sasha & Helen)

Not!Sasha

Rip Gertrude

Paranoia

Homophobic vase

Table

Leitner

Wanted :(

Georgie & Admiral

Jude

Mike & Daisy

Elias is evil???? 😱😱😱

Act II

Kidnapping

Helen

Jon & Tim trauma 😃👍🏽

Unknowing

Rip Daisy

Zzzzz

Melanie 🔪

Non-Human

Bone 🦴

Oh hey Daisy! :D

🔪👁 Melanie uhoh

Lukas & lonely

Jmart (Cows)

Akt III

Eyepocalypse

Kicking the asses of various Avatars

Martin 😶‍🌫️😭

Rip Daisy 2 electrical boogaloo

Salesa

Tower

Annabelle (But musical plot)

Rip boys 😭🥲😔🫡

Stuff

Peter only shows up at the end when he has to, other than that he is either not there or poorly hidden. He doesnt want people to see him.

Annabelles plan is for a musical instead

Jon feeds on the applause after a number

Not!Sasha always loudly declares to the audience that she is Sasha and that the other actor is…. Taking a break. :)

Jon and Tim sing about their childhood trauma (Daisy: I killed a man when I was eleven. Jon and Tim: 😟 [End song]) 

Unknowing is Nikolas villain song

Worm song

Statements are short songs Jon/Statement givers burst out into

Elias interruping Jon‘s song abt how he is finally happy (😭) and forcing him to sing a duet with him in mag 160

Annabelles evil song sounds like she's a grade 2 teacher and explaining why pandas are bears or whatever. Yeah that but she keeps starting out easy and then gets too complicated quickly so she has to start again

Distortion pops out of random doors that led to entirely different places just before and after

Helen slams the door into Michaels face when she enters and he dies(™️)

The 'crawls and chokes and blinds and falls' part is a rap

Helen falls through the trap door floor when she dies (maybe?)

Toothrotting Jmart fluff. I can do what I wnat tbis is my musical

Sad ending

One or more person sees the audience (Elias; Anabelle; Jon (as the pupil); Not!Sasha; Helen; More?)

While Jon is in a coma, calm music plays. There is screaming in the background and Melanie running around with knifes, first being chased by something and then chasing something. Both she and the thing leave through Helens door, who waves to the audience and then closes the door in a cool way

Mag 100 is a short comedic intermission you only understand 1/5 of

Every time Jon enters the stage after leaving, he is in slightly worse condition

I open the door immediately before the 2. pause bc big applause (When he says it the doors open for the break?)

Paranoid Jon song: I see you

End of S4 song: I see you (Reprise) [I know who you are / I'll find you out] vs [I know who you are / I'll find you and I'll get you out]

All the fears have a specific instrument assigned to them

Before the first pause, Elias is alone on stage for a moment, turns to the audience and bows. With the applause, a eye appears on/over him by projector

Spotlight as a symbolisation of the eye, something that might be seen as a blessing but becomes a curse if unwanted. It turns on during statements etc and in the tunnels, it's a flashlight instead because they are illuminating themselfes. You walk and the light that shows where you are follows. Running from the spotlight.

Beginning, to audience: You are an eye. Watching over the people if the world for ages yet, there are a few people that stand out to you. Here's one that will become important to you soon. (Cue curtain open to reveal Jon at his desk going 'one, two, one, two, test, test'.)

Ending, to audience: You are an eye. You have watched this world for a long time, but now, it's time to go… somewhere else. (Before bows)

S4 Lonely song called 'no one but you' where Perter is like 'you have no one but you' and Martin agrees and sings along but when Peter is gone he thinks of Jon and sings it in a way that 'you' is Jon like "I have no one but you".

The people who get smited (smitten?) see the audience and are horrified

When people get smitten, a bright spotlight focuses on them and a soft green one on Jon

Akt I

Beginning, first statement (Maybe it's only kind of a rhyme, not a full-on song yet)

More statements & Introduction to the Archival assistants (Martin is introduced first so that he's absent for the rest of the song) (I'm so smart) (Here we can probably also establish that Jon hates him and that Tim is bi?) (Also Melanie shows up for the first time)

-> What about combining those first two points and making like. An archiving song 🤔

Martin storms in with the worms in a jar (That in one scene, cut to a person going "youre saying that… [plot]?")

Sasha meets Michael and Jon first Helen, then Michael as well (A kind of spiral song)

Attack von Prentiss (Worm song)

Sasha gets killed & replaced (Maybe do something meta with the actors here, or just someone that looks completely different shows up wearing a 'the real sasha james' shirt?)

Martin finds Gertrude's corpse, notices the alarm is over and Jane is defeated. Does kind of a weak 'oh… I- I guess it's over' and stumbles away

They meet back up in bandages, not!Sasha is like "YES IT'S ME! SASHA!!!"

Jon's talking to the tape recorder like 'Idk I feel like somethings's wrong' and stalks on the archival assistants who are just like. Drinking tea. Talking. Doing work (or not). Meanwhile Sasha is in the background doing the most obvious and sus shit which he always just barely misses

Jon concludes that someone wants to kill him and sings abt it (I see you)

The song has an interruption with the others coming in for the intervention (And he only gets more paranoid after)

1 or 2 more statements are being read out during the song (or just the title/s said?)

He realizes that it's not Sasha by listening to a tape. In it, on the other side of the stage, Sasha and Tim are talking.  Not!Sasha tries to use her body to stop the audience from seeing this, but fails bc thats not really possible (walks around back and forth waving her arms so she doesn't acually block it for someone the whole time y'know?)

He says a final time "I see you" and the song ends

Jon destroy the table, Not!Sasha and Michael show up

Leitner uses the book to conjure up magical spirits (stage crew) and move the set so u cant see Not!Sasha anymore, which makes her mad but oh well

He starts to explain but mid-song Jon 'goes outside' and Elias comes in, finishes the song in an EVIL (😨) way and turns to the audience, puts a finger to his lips and leaves

Jon comes back and is like 'o shit' and runs away off-stage

Daisy and Basira come by to interrogate everyone (Show here Jon is wanted by police)

He stays at Georgies, who is cool, and pets the admiral

Jon sings a statement abt how Jude is dangerous and decides to pay her a visit. What could go wrong?? He leaves.

Melanie gets hired (Mention that she got shot by a ghost)

Jon's back from Jude and he has a burnt hand but is also on his way to Mike Crew- Surely he cant fuck this one up!

He visits Mike, fucks it up

Daisy kills Mike (rip) and wants to kill Jon but Basira is like wtf and stops her murder song before she can (Something like Get away with this?)

They all confront Elias an he is actually…. E V I L ?!???!!?? 😱😨🤯

Akt II

(First MAG 100?)

For the kidnapping, probably start with him kidnapped and then Michael shows up and is like "Wow Archivist u fucked up I cant believe EVIL SKIN STEALING DOLLS KIDNAPPED YOU AND WANT TO [plot]"

Helen shows up and slams Michaels door in his face and is like 'cmon lets go'

We need to stop the unknowing guys

Tim confronts Jon (Do not ask me what this means all I know is that here we establish they have beef)

Jon & Tim trauma song

They somehow find dynamite. Maybe one more short statement here as well?

They go to the wax museum and there is talking

Nikola villain song (aka unknowing) that ends with Tim being smug and also exploding. During the song there is a brief segment to what each of the characters is going through

The Martin also has to be somewhere here 🔥📃

Jon is in a coma and the Melanie/Weird stuff chase scene

Oliver comes by and he wakes up

They still dont like him

Oh so Martin is working for Mr. Evil man and also Tim and Daisy are dead?!

Statements

(Idk what happens here? Stuff ig???)

Melanie operation (Gone wrong‼️)

Jon realizes he's not really human anymore, which he kind of knew but still he comes to the conclusion that it sucks and therefore so does he (bestie please)

The coffin is delivered

He goes straight into Helens hallways and comes back out with a rib. While he's gone, Martin passes by briefly and we see how lonely he is.

Jon goes into the coffin and finds Daisy which is a song for sure

They come back out and Basira and Daisy are like 🫂

The Dark??

Jon finds out how to leave

Lets gouge our eyes out scene

Melanie gets her eyes' ass and goes away to kiss Georgie (Shes just like "guess ill go get rid of my eyes & kiss my girlfriend byyyeee")

Statement that is interrupted/just after it the hunters come and Jon is like "oh no the hunters from my trip to america" basira/daisy: "when were you in amerika???" Jon: "That time I came home and you said I smelled like guns. Anyways panik."

Daisy goes wolf mode very dramatically after Jon runs off stage to find martin

Elias and Peter (who we finally really ses) reveal the evil plan to Martin who is like "how about no" and then tries to stab Peter (or something like that idk) but there is fog and he is gone

Jon storms in like "MAHTIN!"

The lonely scene with the song

They are in a nice house and it's cool and fluffy

Martin leaves for milk and cows

Jon sings abt how he's finally happy and Elias gets his smug bastard ass in there and forces him to dance along and sing a duet and to fucking rap oh my god this is a crime (After all this time)

It ends with "I- OPEN- THE- DOOR!" as all the door out of the room open

Akt III

Jon goes into a song about the safehouse but Tim and Sasha sing a duet in the background 

They decide to leave

Helen shows up like the bothersome creature (/aff) she is

They meet the Not!Them

Smiting song, which is mostly action-packed but there's four parts and the third is MAG 165 (Not!Them - Jude - Lonely house - Jared)

Hunt song starting with Trevor and ending with Daisys death

Uptown house (Either off-stage or Salesa starts trying to sing a song but they faint and he complains when the lights go out)

Martin sings a duet with himself 

Jon kills real estate agent, which starts off as a statement but that one woman derails it

Short song abt the Eye & London

Song abt and/or by WTG about their cult where they 1) love each other and 2) deny being prophets whil the cultists sing a chorus about how great the prophets are

Jmart visit Jonah & Jon sings about how he could make things better in his place and gets more & more enthusiastic until Martin interrupts him and they fight (through song?), ending with Martin storming away

Jon sings abt how he knows what's best / Annabelle sings to Martin that she can show him what's best

Jon notices that Martin is gone and goes after him in a boat. (While he's rowing, Fight Song starts going "like a small boat… on the ocean….." and then Basira shows up and climbs in his boat and stops the song (shoots the speaker?) /hj)

Annabelle villain song in which she also explains the rift ("You've grabbed something/someone's attention" while looking directly at the audience. Jon, Martin & Basira follow her gaze but don't see anything) + for sure do the "You have no idea who's listening/watching, do you?"

They talk about what to do & vote that they'll follow Annabelles plan, much to Jons distress. (Make what they want to do very clear here)

Jon goes up, song where he gets his revenge (& ascends)

When he becomes the pupil and the song stops, Jon really looks around and sees the audience & goes kind of "What… Who- Who…? O-Oh. Oh." and stares at them before getting distracted by Martin arriving, who can't see them

Martin arrives and they talk and find what they have to do

Short but bitter-sweet last song together

Ending

Bows

[revoevokukil]

TW3 Story Leaks

It's Saturday, and I bring you some cold, hard rumour.

It seems somebody on reddit is working through the leaks of The Witcher 3, claiming approximately 300k of lines relating to the previous story iterations also leaked in 2021. Much of what they are claiming matches with the leaked files from 2014. There is completely new information too, though, and they plan on publishing their work-through early 2025.

So far, this is the information I've gathered from their posts:

Iorveth's daughter was Vernossiel. Her quest had her involved with a cult of the Bloody Mother; spores from a particular "flower" affected her thinking so she got brainwahsed into being sacrificed in a ritual killing in order to rise as the Bloody Mother herself.

Cerys was fake-Ciri.

The Baron (or Baron’s men?) was originally a rapist.

The Big 4 was originally Big 5, including Isengrim. Isengrim and Iorveth had houses in Novigrad.

Vincent Meis' model existed.

There was a quest with “thralls” (most likely Following the Thread involving Jad Karadin and the Faroe island) where Geralt would temporarily get married to a chieftain’s daughter.

We’d lock Yennefer in dimeritium handcuffs at one point to prevent her from interfering with the King’s Gambit questline.

Avallac’h provided Geralt with the means to warg as a rat in order to eavesdrop on the meeting of the Big 5 (including Isengrim) on Dijkstra’s ship. (Iorveth was planning on blowing the ship up.)

The Catriona Plague questline. It had a Nilfgaardian general Martin running a krankenhaus, where was infecting his countrymen with the plague and stealing their valuables. He made deals with Gaunter O’Dimm (his involvement in HOS is as a leftover from here) to get a cure for the Catriona, then with Gaunter’s archnemesis to get to keep the cure. Geralt had to figure it all out as Catriona was becoming more and more rampant and the faction with the cure would have huge leverage in how the war questline would resolve. Geralt would get the chance to hand the cure back to Gaunter, to Radovid, or Emhyr.

Iorveth got infected with Catriona, then infected Thaler to improve his morale on getting a cure (Thaler promised Iorveth a cure for assassinating Emhyr or some such.)

The war quest lines were somehow related to the dreamer Corinne Tilly who was a Nilfgaardian spy.

Voorhis laid siege to Crow’s Perch because Temerian rebels took it over.

The Sabbath originally had slave markets, an orgy meadow, and ritual suicides. Changed after 2014.

There was an option to assassinate Radovid after taking out Roche, so Dijkstra's rule was always an option.

Roche originally preferred fighting for Temeria no matter what. Reason of State had Roche vs Thaler and Dijkstra.

Radovid was more like his W2 self. Emhyr "more like Stalin."

Radovid took over the Temple Isle.

Emhyr was supposed to appear in the army camp center.

If Emhyr lost, Voorhis would overthrow him.

All the content showcasing Nilfgaardian war crimes was cut: a Nilfgaardian general was spreading the Catriona plague, robbing his dying countrymen; Voorhis' cruelty during the siege of the Crow's Perch, Nilfgaardians' direct attack on Kaer Trolde.

Crach died during the battle for Undvik and Voorhis negotiated over his body; the corpse was returned and Nilfgaard respect local burial traditions.

Melusine quest line had more content related to blood shrines.

There was an opportunity to try and convince Caranthir to betray Eredin, after which he'd get replaced by some elven lady (Isilira?). (Conflicted about this, as in 2013 leaks it seemed Caranthir knocks Avallac’h out on Naglfar when Geralt and him try to infiltrate it.)(Isilira is the lady you meet in Avallac’h’s lab in the released version.)

There was a sequence in White Orchard in the Empress ending where Voorhis had announced he'd arrive and propose to Ciri in few days, but Ciri lost Emhyr's signet ring to prove his approval of the marriage. Then some kind of gamble ensued under the influence of a Korred, and Ciri decided if she'd win she'd marry and if not she'd run away (not sure if this shouldn't it be the other way around).

Gameplay-wise:

There was a 'vital spot' system, where you gained points by performing various actions and could then use those points to perform combat moves that would either weaken of 1-shot an enemy.

Manticores were cut.

Players could buy boats and horses; rowboat for rivers and lakes.

Wind tunnels and proper storms in which a boat could tilt over.

Water combat was cut.

Focus mode in combat was cut.

[vintagetvstars]

Diana Rigg Vs. Nichelle Nichols

Propaganda

Diana Rigg - (The Avengers, Diana) - Honestly? Just check her out as Emma Peel in any episode of The Avengers. The character herself was a legend - an exceptional spy, wonderful fighter, certified genius, a true feminist role model - not to mention a renowned sex symbol (that leather catsuit... heavens help me...) and fashion icon. As for Diana personally, she was once described by Michael Parkinson as "the most desirable woman he ever met, who radiated a lustrous beauty". She could pivot from funny quips and endearing jokes to stone-cold badassery like it was nothing, and she looked stunning either way. Whenever I look at a pic of her, I have this feeling she's planning some fun mischief and I get the strongest urge to ask her to take me along. Need anything more? Here, have some pics: (pics below the cut)

Nichelle Nichols - (Star Trek) - She speaks for herself. Legendary, iconic, at the forefront of feminism and civil rights in the 60s, she is a triple threat who did so much more. She volunteered from 1977 to promote recruitment diversity within NASA, including some of the first female and ethnic minority astronauts. Martin Luther King Jr. compared her work on Star Trek as a 'vital role model' to the civil rights marches. She refused to be dismissed, fought for visibility and shone whilst doing so. As a woman in stem, and simply a woman she means the world and stars above to me.

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Diana Rigg:

When people think of The Avengers, they think Steed and Peel (or they think the marvel property but that’s neither here nor there). I know people who thought Mrs. Peel was the ONLY woman Steed worked with, Diana Rigg was Just That Good (she was only on two seasons!). She was one of those actors that could so perfectly play comedy in any form, her dry, sardonic wit was marvelous, but so was her physical and slapstick comedy, and she could do drama too! If you’ve seen her in interviews you’d also know how fabulously humble and kind she was. I don’t know if I’ve ever been more attracted to a TV woman than I’ve been to Diana Rigg. Some photos of her:

the SMILE!!!!

I like a woman that could kill me in one shot

tell me she's not endearing I DARE you

Gorgeous, sexy, competent, superior, so much leather. Diana Rigg as Emma Peel in the Avengers was foundational to my sexuality and personality. She's classy, she's cute, she's cocky, in one episode she whips a bunch of guys while wearing a corset and a spiked collar...

excuse me I'm overcome with sinful thoughts

 hello 911 I think I'm having a heart attack

Here's an interview I fell for her in:

Diana Rigg | Interview | The Avengers | Good Afternoon | 1974 | Part one

Her first appearance in The Avengers (In series 4, if you can believe it):

The Avengers: Emma Peel First Appearance HD

Nichelle Nichols:

She is the original badass babe. She was a black woman in a leading role on TV in the 60s, a trailblazer for black actresses for years to come. She is so beautiful and so awesome.

she's fantastic. have you seen her? paved the way for black actresses on TV even while her lines and scenes were being cut and improvised the most iconic uhura line in the series. (sulu: "I'll save you, fair maiden!" uhura, pushing him away: "sorry, neither!") she's incredibly talented and it's a crime the show didn't give her more screen time (or make her sing more often because she also has a beautiful voice!)

“Sorry, neither” in response to “fair maiden” was ad libbed by her. There’s a lot more I could say but what else do you need??

A sci-fi icon!

She was such a trailblazer, and Uhura was such an important character for so many people to be able to see on TV. Apparently Mae Jemison (the first African American woman to go into space) cited her as a reason she wanted to become an astronaut. She was just an absolute legend!

The story of Martin Luther King telling her not to quit Star Trek gives me chills. Representation matters. “Thank you so much, Dr. King. I’m really going to miss my co-stars.” Dr. King's smile, Nichols recalled, vanished from his face. "He said, 'What are you talking about?'" the actress explained. "I told him. He said, 'You cannot,' and so help me, this man practically repeated verbatim what Gene said. He said, 'Don’t you see what this man is doing, who has written this? This is the future. He has established us as we should be seen. 300 years from now, we are here. We are marching. And this is the first step. When we see you, we see ourselves, and we see ourselves as intelligent and beautiful and proud.' He goes on and I’m looking at him and my knees are buckling. I said, 'I…, I…' And he said, 'You turn on your television and the news comes on and you see us marching and peaceful, you see the peaceful civil disobedience, and you see the dogs and see the fire hoses, and we all know they cannot destroy us because we are there in the 23rd Century.'"

She shared the first interracial kiss on Star Trek, helped propel real life African American women into space-related careers, and looks divine in a mini skirt.

HOW DID UHURA WALK BACKWARDS SO FAR??? WOW!

[wisteriagoesvroom]

where would the editing team even start with the 2024 DTS season omg

lewis moves house to ferrari and his big blaze of silvo glory

christian horner's misconduct case (they probably won't talk about this but. who knows)

carlos appendix side plot. ollie subs in

standard Ferrari Is Messy plot (fred wrangling two princes despite one being asked to leave)

who's afraid of baby kimi / merc stuff

papaya rules the roost: woah woah woah mclaren car's suddenly not shit! lando wins, oscar wins, questionable pit wall strategy calls.

monaco (two big crashes), charles WINS MONACO after trying so many times

dric with singapore retirement

kmag viking exit era (so many points that he got suspended) and ollie had to come back again

driver musical chairs logan -> franco, dric -> liam

stake drivers both unemployed into '25 : (

adrian newey's musical chairs

checo's very bad, no good, horrible season

What Is Going On At Aston Martin

Ayao Haas Big Plans: unexpected haas resurgence to midfield

austria norstappen track fighting

interlagos in the rain, max p17(?) -> p1, pierresteban podium and mending their rift

george and GDPA season ender

max vs lando for the wdc

annnnd characters they'll tease for the upcoming season: bartoleto, doohan

[saintbleeding]

"I could just see Martin beefing it on a bicycle so easily For No Reason I Plan To Unpack so that leaves jon with the heart problems" vs "what if Jon died from the heart thing because it paralleled the mag200 stabby-stabby so that leaves Martin with beefing it on a bike and maybe that mirrors the Impact of panopticon chunks falling on him"

otherwise I could see jon cycling around his uni like some nerd and then having one (1) Particularly Bad Day meanwhile Martin's got Lonely Heart(TM) or whatever the tmagp-verse equivalent is. All his blood turned into fog or his heart straight up Disappeared one day idk

oiar case that is a collection of unnervingly irreverent proto-clickbait w titles like “Dumb Idiot Classics Student Beefs It To Death Bicycle Style” and “Dude Dies: No Blood - We Aren’t Even In Whitby, What Gives???”

[angsthology]

“so much for identity keeping” — or an alt title: roo’s nighttime job

the grid caught roo in a different light, holding a different kind of instrument

a/n the title’s a bit ambiguous but bare with it 😭😭 (bare?? bear?? which one is it i genuinely dk)

thinking back, this is pretty bad so im sorry for that. still trying to get my mojo back.

THE KANGAROO(KIE) VS THE WORLD

“you think she actually hates us?”

the group of men were currently out and about exploring the night life. though, this time they decided to switch things up a little. instead of their usual glamorous clubs, they decided to go somewhere that offered live music. seb described it as ‘a change of pace’ and in return, lando said that his ‘age is getting to him’ (behind his back, that is).

the entire grid was there as they were all invited — except one.

“what? c’mon, why not?” lando made an expression of offense.

“not tonight. any other night is fine, but i already have plans. sorry, lan.” she shrugged before walking away towards where her car was parked.

that didn’t stop him from following her, though. the curly-haired brit fell in step right behind the shorter girl to—well, truthfully, beg.

“it’ll be fun!” he reasoned.

shaking her head, she stopped mid-step and faced the brunette, making him stop abruptly too.

“i’m sure it will. but i’ve had this plan since way before you probably planned yours.”

he pouted. she couldn’t help but roll her eyes at his attempt.

“next time, lan. i promise.”

remembering the conversation had lando still coated with bitterness. “not surprised if she does.”

max couldn’t help but laugh at his friend’s bitterness. he tapped his back (to which surprised lando), “no she don’t. i’m sure she has her reasons.”

as if on cue, suddenly they hear a familiar voice booming through the speakers.

the men’s heads never turned so quick before.

“oh mY GO—”

max was quick to snap his hand over lando’s mouth. and, on cue, not a moment too soon—

“EW!”

the dutch man immediately removed his hand off of lando’s mouth and wiped it on the british driver’s clothes, all the while holding an (overdramatic) expression of disgust.

he glared at the man and continued to talk (grumble), “if she didn’t tell you — or any of us, for that matter. she probably has her reasons.”

lando blinked. “okay? so?”

“so…” daniel walked up behind his teammate and rested his hands on both sides of his shoulders, “we should sit back, quietly, and watch.” he paused, lando still thinking with furrowed brows, “she doesn’t have to know.”

lando’s face brighten up as he finally catched up. “ah, i see.”

“but don’t you guys think—”

immediately, the older german man stopped his miniature, “don’t even try, mick. you know it won’t work.”

mick was about to say something else when he was suddenly cut off by lando shushing everyone. eventually he gave up trying to reason with anyone and sat down (in the dark, might i add) with everyone else as the stage lightings start to turn on.

there on the stage stood roo on the (audience’s) right holding a sticker-drowned plain white bass guitar. on center-stage stood roo’s friend they knew as daisy-mae holding her own red and white guitar along with an unfamiliar face sitting behind the drums.

everyone was surprised to see the stage lights turn on to a bright neon pink-haired roo rather than her usual hair color.

she wore a sleeveless white top with a big star design in the middle of her chest and a leather skirt paired with a pair of black thigh-high boots.

“interesting…” muttered lando with his chin resting on his interlaced hands. all the while the younger german driver across him tilted his head in an unreadable expression.

next thing they knew a tune starts to play and to their surprise, the once alfa romeo driver turned band geek leaned in the microphone, “angel… with a gun in your hand…”

their jaws dropped at the sound of her voice.

“she can sing…?”

“…she has a life outside of driving?!”

everyone’s heads immediately to the young aston martin driver, all with the same judging expression.

at that, the canadian immediately jumped ahead to defend himself. “what? she’s new! that’s how i thought of all of you when we all first met!” he said defensively with his hands (and voice) going up.

but, in truth was, no one really knew who she was. the closest thing they’ve figured out about her personal life was daisy-mae. and she was way more quiet about it than roo.

compared to the rest of the grid, she was probably the most private person yet. they seem to know so much about her yet also none at all. whether it was because she was new and still hadn’t warmed up to them like that yet or that’s just the way she is and they just haven’t gotten used to it yet. they—the media—would often compare her to kimi but that would just be wrong considering they’re nothing alike besides being tight-lipped.

watching her in another element was a new and interesting experience for them. very interesting. some might even be confident enough to bet it against her racing career.

with furrowed brows, carlos whispers to his teammate, “you think she would ever leave racing for this?”

“we’re not that lucky, mate.” charles mumbled, then shrugging, “plus you’d actually think she would leave mick?”

their moment of entertainment and amazement was cut short when she followed along the lyrics that escaped her lips.

“go on, replace me… when you’re cravin’ something sweeter than the words i left in your mouth… go on and spit me out.”

she. was. shameless.

it was almost as if the girl on that stage was not the same girl they drove on the track with, the same girl they do press conferences with, the same girl that was their co-worker and on-track rival.

that theory only furthermored when she switched instruments with daisy-mae and took over the entire stage with her presence, rocking her own solo riff.

they were seriously doubting this was the same girl as the kangaroo’s grid.

when the last notes were strung and the music died down, the girl walked over to the mic stand that once was occupied by her friend.

she started, “hi, everyone.” she was slightly out of breath — not surprise there — “we are: talking excessively. i’m your bassist slash occasional guitarist: autumn rolfe,”

the men collectively furrowed their brows in confusion, sharing glances with each other with words unspoken.

sure they doubted the rockstar was their co-worker and friend but they knew for sure it was roo. and that was not her name.

“joined by my beloveds—camellia gray,”— she pointed at daisy-mae —“on the guitar holding my bass, and finally our drummer rocky dilltogas.” she pointed at the unfamiliar new character — probably not his real name either after seeing a certain pattern.

strumming a few strings, the girl then continue speaking, “for this next song… i’ve begged and begged dai– cami for so long for us to perform this song. lucky yous, this was the night she finally agreed.” she smiles as she exchange instruments with daisy-mae—or ‘camellia gray’ as she said—once more.

then, an all-familiar tune starts playing. one that completely confirmed her identity.

“stacy, can i come over after school?”

a couple of more songs later (all the while the group of men continue to question their judgement) and the band bid their farewell after finishing their last song.

it was the three past rookies to show themselves — under the light that the girl would definitely notice them.

they saw as the blood draining from her face when she noticed their giggling faces. oh how she hated those three.

roo immediately said an awkward ‘thank you’ hurriedly and basically sprinted off to the backstage, leaving her two bandmates in confusion.

that is, until her best friend spotted the three giggling men. they waved at her happily, feigning innocence as her face dropped knowing exactly that they were the reason.

behind the stage, roo was still in shock, standing like she’s seen a ghost until her bandmates walked over to her.

daisy-mae was the first to walk over to her, a hand on her friend’s shoulder, “it’s fine.”

“i’m going to kill them.” she replied, her expression unmoved.

“i mean that’s one way to do it—”

“what happened?” asked the drummer.

before any of them could explain to him, they were interrupted by said explanation as they all approached them.

her face was almost in a permanent expression, hardening when she saw the three demons that held complete malice in their eyes when instead she was surprised with showers of compliments by her older co-workers.

but still, that didn’t stop the rest from existing and taking the big chance of absolutely mess with her. they would never give up the opportunity to pull a reaction from roo.

“so, autumn rolfe, was it?” george smiled happily with his arms crossed.

“shut up.”

“i think i’m co-workers with your sister: spring.” snickered alex.

“funny. anythin’ else?” she deadpanned.

“yeah—”

but before the mclaren driver could say anything, roo had already had her fingers clasped on his ear—cutting off his shits and giggles.

“what the hell! i haven’t said anything, why didn’t you do it when these guys were talkin’!” he complained.

“you’re the nearest one.”

“you and i are exactly the same distance as you and alex!”

“yeah, but he’s a whole electric pole, you’re a gremlin.”

“just say you hate me the most.”

“i hate you the most.”

he rolls his eyes, grumbling, “you’re not my favorite either.”

“lying? really? you know that’s my thing, right?”

their bantering was interrupted when roo heard her name being called. she turned around to see her bandmates standing behind her with another new presence with them.

her eyes widen and quickly let go of lando’s ear, running off to her friends.

“everyone! since i no longer have any form of privacy, i’d like to introduce you to my friends.” the drivers all crowded the group of four. “you guys know daisy-mae,” said girl waved and a string of familiar ‘hi’s and ‘hello’s greeted her, “this here is atticus,” the boy they recognized as the drummer smiled politely at them. roo then looked at the new girl standing beside daisy-mae, “and uh, this is nika, don’t know when or how she got here.”

“but she’s happy i’m here.” said girl stated happily with a giddy smile.

“sure.”

at her monotonous voice, nika’s smile dropped, rolling her eyes.

everyone then slowly dropped the topic and went on their own as another band take over the stage with their more upbeat dance worthy music.

she was left was now only left with alex, george, and lando. she sighed.

“anything else?”

george shrugged, “but seriously, i think it was pretty cool.”

the girl couldn’t help but feel the heat rushing to her face, she never expected a compliment coming out of his mouth.

“oh. uh, thanks?”

“i mean, by the looks of you i had a feeling you have some sort of hannah montana-esque secret somewhere.” alex mentioned, only making roo’s eyes furrow. “that was a compliment.” he clarified after seeing the look on her face.

then, lando leaned over to her and whispered in her ear, “don’t tell her this but i always thought she was really cool, this was just an upgrade.”

confused, again, roo turned to a goofy-grinning lando with her right brow raised. alex caught her attention when started again, “he’s had a few drinks.”

“well. we’ll see you on the dance floor, i’m assuming?” george asked, sipping from the drink in his hand.

she nodded as the three went on, lando lingered behind with her.

“guess you did ended up goin’ out with us after all!” he said before leaving her with a smile mumbling a ‘yeah’.

roo was about to follow behind him when a certain spanish driver approached her, putting his arm around her frame. he took a sip from his drink before speaking as they walked together towards the bar.

“ever think of performing at birthday parties?”

“whose?”

“mine.”

“your birthday’s passed, nando.”

“incase you didn’t know, they’re a yearly thing.”

she chuckled, “sure thing, pop.”

“oh, and nice hair, by the way.”

“thanks.”

taglist; @treehouse-mouse @disneyprincemuke @yansbolobao @leilanixx @judespoision @vellicora @bborra lemme know what ya think 🥰 & tell me if u want to be added

[starlightsinger32]

If Wild Kratts was a Musical (w/Chrizach) ACT 1

*Snorts line of Takis dust*

'EPIC: The Musical' fever hits hard, so here's 'Wild Kratts Our Green and Blue World: The Musical' but it's also Chrizach because, well, it's me...

DISCLAIMER: I did not actually write a musical for I have no rights to Wild Kratts, and I can't write music to save my life.

ACT 1:

'Wild and Free'

Performed by: Martin, Chris, Aviva, Koki, and Jimmy

Mood: Upbeat, joyful, optimistic

Summary: In this opening song, the audience is introduced to the Wild Kratts team, their philosophy, and personalities. The song starts with just Martin and Chris, before introducing each of the other team members and their musical motifs and instruments (Aviva: Acoustic Guitar, Koki: Marimba, Jimmy: Clarinet). There are harmonies, but also a lot of unison singing, demonstrating how in sync the team is.

Inspiration: 'It Roars' from 'Mean Girls the Musical' and 'The Family Madrigal' from 'Encanto'

'You (Zach's Lament)'

Performed by: Zach

Mood: Irritated, longing, denying

Summary: Zach watches as the Wild Kratts play, and laments the specific things he dislikes about them. However, he continually redeems one team member referred to only as 'You', and implies he would like to be in a romantic relationship with them. The lyrics initially lead the audience to believe he is singing about Aviva, but it becomes clear he is talking about Chris, though he never says his name. The song changes tempo and tone to become lighter when Zach is singing about Chris, and saxophone can be heard along with Zach's instrument (electric guitar).

Inspiration: 'Lonely Room' from 'Oklahoma' and 'Johanna' from 'Sweeney Todd'

'It's a Green/ It's a Blue World' from 'Wild Kratts: Our Green and Blue World'

Performed by: Martin and Chris

Mood: Upbeat, argumentative, conflicting

Summary: The original song, but extended. The brothers present their arguments for Green vs Blue, first logically, but eventually devolving into pettiness, though not cruelty. Martin and Chris's instruments (trumpet and saxophone) conflict each other, and their melodies are distinctly different. Typical Sibling stuff. They are unable to agree, and storm off in opposite directions, leaving the others behind.

Inspiration: 'Life's too Short' from 'Frozen' (Cut Song)

'The Ends Justify the Means'

Performed by: Zach, Paisley, Donita, Gourmand, Rex, and Dabio

Mood: Bold, Triumphant, Menacing

Summary: Initially unaware of the brother's fight, Zach, Paisley, Donita, and Gourmand meet to plan their beach resort, which all will contribute to and benefit from. They all revel in what they will get out of the deal: money, prestige, attention, etc, but Paisley brings up that they do not yet have a location decided upon. The vocals and instrumentals are all loud and exaggerated during this portion of the song, and feature a solo by each villain as they all compete to be the main voice heard. Their instruments and motifs are introduced during this song as well. (Zach: Electric Guitar, Donita: Violin, Gourmand: Euphonium, Paisley: Synthesizer) The mood shifts when Rex and Dabio interrupt to inform them of the Kratt brothers fight, which causes Zach to take over the narrative with a plan to manipulate Chris into helping them find a resort location. The others agree, leading to a triumphant and dramatic climax.

Inspiration: 'A Story Told' from 'The Count of Monte Cristo'

'Harmony'

Performed by: Martin, Chris, Aviva, Koki, and Jimmy

Mood: Fast-paced, conflicting, expressive

Summary: Aviva, Koki, and Jimmy track down first Chris, then Martin and attempt to persuade them to reconcile by pointing out the symbiotic ways forests and oceans interact with specific examples such as the water cycle. The team's appeals are all sung in a three-part harmony which neither brother is willing to join, instead continuing their conflicting melodies and reiterating that their colour is better while getting into increasingly dangerous situations. When Aviva tries a new tactic of stating that oceans and forests NEED each other, and the brothers do too, Chris and Martin do begin to harmonize...about the fact that the other needs to admit he is wrong.

Inspiration: 'End of the Line' from 'Theory of Relativity'

'Green is My Favourite Colour'

Performed by: Zach and Chris

Mood: Persuasive, friendly, complementary

Summary: The song begins with Chris alone, in the rainforest. He is openly hurt by Martin's arguments, but also begins to enjoy being surrounded by the colour he loves. As he notes the green he sees, Zach appears, causing an abrupt stop to the song while they talk. Chris is very wary of Zach, until he picks up the song, mimicking Chris's original melody and confessing that green is secretly his favourite, too. Though initially hesitant, Chris begins to join in with more and more enthusiasm, listing more reasons why green is better, with Zach's encouragement. They harmonize closer to the end of the song, and their instruments complement each other, but although they are singing the same words, many lyrics have double meanings that imply Zach's intentions.

Inspiration: 'I'm the Friend You Need' from the My Little Pony Movie-more the tone and message than the instruments or melody.

'Big, Bright, Blue-tiful'

Performed by: Martin ft Aviva

Mood: Bouncy, excited, celebratory

Summary: Martin's only solo in the musical, this song is preformed while he is exploring the ocean and interacting with/turning into aquatic animals. He downplays the fact that his brother isn't there to see them, instead attempting to revel in his beloved surroundings. The high point of the song comes when Martin is on top of Ka-bluey the whale, and Aviva cuts in to warn him that the team can't find Chris and suspect something has happened to him due him being alone. Martin feels guilty and attempts to call Chris, but there is no answer.

Inspiration: 'Dancing Through Life' from 'Wicked'

'Your Side, My Side'

Performed by: Martin and Chris

Mood: Frustrated, clashing, assertive

Summary: Martin manages to find Chris, who is still spending time with Zach. Zach does not participate in this song and leaves when asked by Chris, but he can be seen eavesdropping by the audience. Martin attempts to convince Chris that Zach has bad intentions, while Chris insists that Zach is on his side, unlike Martin. Some of Martin's begin to mimic Chris's as he tries to explain they're both on Nature's Side, but Zach is not. However, Chris's melodies repeatedly undergo slight changes in order to set him apart from his brother as he points out Martin's lines from earlier in the story and how Martin is clearly NOT on HIS side. Chris also makes it clear that Zach is not going to attempt to harm nature because he is going to keep an eye on him, and he does NOT need Martin to look after him. Even more upset than before, the brothers leave in opposite directions.

Inspiration: 'A Boy Like That' from 'West Side Story' and 'Take Me or Leave Me' from 'Rent' (Not the context of this song, just the musicality)

END OF ACT 1

[hockeyandhrsepwr]

Quarterfinals

Spain vs Netherlands

Max Verstappen x reader (fc: Lieke Martins) username: yn

Carlos Sainz x reader (fc: Teresa Dueñas) username: playyn

F1

F1 lots of familiar faces at this years FIFA World cup, as more than half of the grid is down supporting their countries and partners over the summer shutdown

F1fan please, they all just didn’t want to wait a month to get laid

Fan34 F1 x Wosc crossover when?

Fan45 next years charity match!!

Fan25 they’d get smoked 😂

User94 only showing the ones who’s gf made it to the quarters 😂

User26 who else was there?

User94 Lance, Mick and Zhou all dating players from their countries and Landos dating one of the Americans but they’re all out now

Uset37 it’s kinda crazy that so many of them are dating high level players

Yn

Yn It’s game day!! Let’s play

MaxVerstappen let’s go!! You’ve got this my love

Yn hell yeah we do

TeamNetherlands whole country’s behind you

Redbullfan and the orange army too!

Playyn loser buys dinner tomorrow?

Yn deal!

Yn on second thought, make the boys pay

Playyn ooh, great plan

F1fan86 the way I sung along to the Dutch anthem because of max 🤦‍♀️

Playyn

Playyn Vamos chicas!!

CarlosSainz VAMOS!!

CarlosSainz win please, max has expensive taste

Playyn oh sure, that’s the only reason to win 🙄

Fan62 😂 the sass

F1fan I wonder if that double dates actually going to happen 😅

Yn good luck! (you’ll need it 😏)

Playyn well see in 90 minutes won’t we😉

Fan68 I love that they’re besties as well

F1gossip

F1gossip Carlos & Max carpooling to the match today. Bets on whether they’ll be going home together 😂

Edit: looks like Max will be buying dinner tomorrow

[purrincess-chat]

Adrien Agreste's Road to Recovery Playlist CH1

Happy Christmas! You all voted, so here we go~ The sequel to Marinette Dupain-Cheng's Spite Playlist: Remix has begun.

Summary: The day Hawkmoth was unmasked was a day marked in Paris history as a celebration, a triumph, a victory, but for Adrien Agreste it was anything but. Left to grapple with his father's villainy and a yachtful of childhood trauma, Adrien finds himself spat back out into a world that no longer knows what to think of the face they once revered, and neither does he, for that matter. Who is Adrien Agreste? And what does he want? The answers lie at the end of a long road filled with painful memories, secrets, and of course, black cat ears.

Rating: T

Read on AO3

For those who don't like sodium chloride content and therefore, haven't read MDCSPR, I've provided a quick summary of MDCSPR that includes everything you will need to know going into this fic as it is a direct sequel, though this fic contains no sodium content and is entirely an exploration of Adrien's character amidst the fallout of learning the truth about his father. If that interests you, here is what you missed:

Quick summary of MDCSPR for those that never read it, but who want to read this:

After the events of Chameleon, Marinette changes schools because of Lila’s influence over her classmates and because she was almost akumatized. She enrolls at a private art academy full of incredibly rich and talented classmates. There she meets a new group of friends:

Macy Chanteur: a tall, perky, brown hair, brown eyed girl with the voice of an angel who has been recovering from an eating disorder. Modelled Marinette’s center-piece design in her summer fashion show. Former wielder of the rabbit Miraculous (Bunny). Dating Martin.

Eliott Chasse: a black trans boy with aspirations to be a famous actor. Starred as Chat Noir in a community play. Somewhat of a flirt. Bi panic incarnated. Former wielder of the fox Miraculous (Malin). Dating Lisette.

Martin Michel: a lanky brown hair, green eyed boy with glasses. Very smart and a skilled photographer, one of his photos was featured on the cover of Style Magazine (Audrey’s company) after Marinette’s fashion show. Shy bean. Former wielder of the turtle Miraculous (Emerald Shell). Dating Macy.

Gabrielle Burton: a tall red-head with green eyes. Formerly wealthy, formerly the school mean girl. Friends with Marinette. Former wielder of the tiger Miraculous (Tigress).

Lisette Auclair: tiny blonde girl with brown eyes. Makeup fanatic. Shy bean. Secretly savage. Pastel bitch. Just a tiny little fairy. Former wielder of the mouse Miraculous (Souris Rose). Dating Eliott.

During her time at her new school, Marinette helped her new friends change into more confident individuals who stand up for each other and others. She even helped a few of them find the courage to confess their feelings to one another. Shortly after she transferred, she and Alya’s friendship fell apart after Alya was akumatized. Alya spent the rest of the story trying to figure out what went wrong and who to trust.

After Marinette transferred, Adrien began visiting her to check in and keep in touch. He often relayed Lila’s influence over their classmates. Chloe tried to enlist Marinette’s help in taking Lila down (because she’s stealing all the attention away from her), but Marinette refused. After Lila taunted Adrien about Marinette, he joined forces with Chloe to attempt to out her as a liar, but the two were unsuccessful.

Adrien realized that he cares deeply for Marinette, and eventually the two started dating. The rest of the class remained torn on who to believe in the Lila vs Marinette debate. However, when Lila accused Marinette of pushing her down the stairs on a school field trip to the Louvre, most of her classmates turned back to Lila’s side, prompting Marinette to join forces with Adrien and Chloe to take her down. They devised a plan to make Marinette famous by pitching a fashion line to Chloe’s mother who helped Marinette start her brand by hosting a fashion show.

After the show’s success, Marinette’s brand took off, and she was propelled into stardom that she and her friends used to perform a lot of charity work, but more specifically, they performed all of the acts Lila claimed to have done, thus rooting her lies out from underneath. When Alya caught wind of all of their accomplishments and realized Lila lied, she outed her in an Instagram live, thus bringing her down once and for all.

On the same night as Alya’s Instagram live, Ladybug and friends finally defeated Hawkmoth, a revelation that rocked Adrien to the core. He spent several months in a hospital wrestling with mental demons inflicted from his abusive childhood. Around the end of November/beginning of December, he left the hospital only to find that his mother had succumbed to her illness and passed away. He attended her burial alone, then returned to his old home to retrieve a few items before it is set to be demolished and turned into a new foundation for akuma victims to help heal their trauma. (funded by Marinette). He parted ways with Nathalie and left to meet Marinette at the train station where they both gave their Miraculouses back to Master Fu who headed to London to finally be with Marianne. After their goodbyes, they returned to Marinette’s home where her parents set up a spare room for Adrien to stay with them.

(Epilogue) Several years later, he and Marinette return to Paris from NY where they both live while Marinette is in school and training under Audrey Bourgeois. Adrien visits his father in prison for the first and last time to tell him how happy he has become when not under his control. He and Marinette enjoy tea with friends, and after they leave, Adrien brings her to the Trocadero to the exact spot he was standing when he fell in love with her as Chat Noir all those years ago. He asks her to marry him, and she says yes.

This story takes place between the events of Adrien moving in with the Dupain-Cheng’s and the epilogue. Specifically, it begins the very same night that MDCSPR ended on. The Adrien and Marinette of this story are not canon’s Adrien and Marinette as they have already been through the events of MDCSPR. In particular, this Marinette is now a famous fashion designer, and Adrien is essentially a traumatized orphan trying to find where he fits in in the world. This story follows his road to recovery with all of its ups and downs. Keep the epilogue in your thoughts as you read this. It will help XD Enjoy!

Without further adieu, here is Adrien Agreste's Road to Recovery Playlist CH1:

Chapter 1

♪♫ Easier to Run ♪♫

The soft brush of Marinette’s fingertips on the nape of his neck should have been relaxing, but Adrien was still on edge. It was a losing battle really. Laying against her chest on the couch, while she played with his hair, warm and safe. Last summer, Adrien would have considered it bliss and fallen right asleep, but he didn’t want to close his eyes, a fact that became increasingly frustrating the sleepier he felt. He could tell her to stop, but after 3 months apart, the last thing he wanted was to let go of her, even if the steady rise and fall of her chest only made his eyelids heavier.

A laugh track played from the sitcom on the living room TV Adrien had stopped watching, a heavy fog descending over him. His eyelids drooped, his vision clouding over. He took a sharp breath to wake himself up again, but the effect lasted less than a second. It had been a long day—leaving the mental hospital, saying goodbye to his mother, Nathalie, and Master Fu. Plus, M. and Mme. Dupain-Cheng cooked him a feast worthy of a king to celebrate his homecoming. He really shouldn’t have eaten that extra slice of cake. The sugar-high he’d been riding was about to run out, and he was crashing fast. He cursed himself when Marinette nuzzled closer, pressing a soft kiss to his temple, and his exhaustion took control.

The blackness was nice at first, but purple light filled his mind, flashes of deep grey eyes glaring up at him. His eyes flew open with a jolt, and he let out a sigh.

“You okay?” Marinette asked.

She was as perceptive as ever. It was one of the things he loved about her, but it made it hard to maintain the mask.

“I’m fine.” He assured her.

“Are you ready to go to bed?” She shifted to look him in the eye.

He smiled up at her and shook his head. “I don’t want to get up just yet. Let’s just stay like this a while longer, please?”

Marinette searched his expression, blue eyes filled with worry. She laid back down after a moment, seemingly appeased, and Adrien’s battle against his eyelids resumed. When he was in the hospital, he could pace in the privacy of his room or call in a nurse if his nerves became too much to bear, and although he knew the Dupain-Cheng’s would be supportive, he couldn’t bring himself to tell them about the nightmares. He was already burdening them enough.

A couple minutes passed—or maybe it was twenty—and Marinette clicked off the TV. Adrien sat up, stifling a yawn as Marinette stretched. His phone read midnight, the start of a new day. The second longest day of his life was officially over, but the sleep haze only brought with it flashes of things he’d rather not think about.

“We should go to bed,” Marinette said, her voice low and gravelly.

“Or we could stay up and play video games.” Adrien flashed her a grin, but she wasn’t biting.

“I’m exhausted, aren’t you?” She stood up.

“Oh, come on. It’s been months since you’ve kicked my butt. Just one round.” He took her hand, tugging her back to the couch, but she stood her ground.

“I’ll kick your butt tomorrow,” she said around a yawn. She stooped to give him a quick kiss, smoothing her thumb over his lips. “Good night.”

Adrien sighed as she headed for the stairs, jumping up to chase after her. “Wait, give me a real kiss good night.”

She paused on the bottom step with a moan, and Adrien flashed her a pleading look. A coy smile curled on her lips as she wrapped her arms around his shoulders. He pulled her in, kissing her long and deep, but as his lips parted to invite his tongue into the equation, she pulled back with a giggle.

“I love you so much, but I’m way too tired for that. I’m falling asleep on my feet,” she said. 

“Five more minutes.” He kissed the corner of her mouth. “I’ve missed you.”

With a relenting sigh, she leaned in again, running her fingers through his hair. He held her close, memorizing how her body felt against his. It wasn’t completely deceptive. He had missed her, achingly so, but her pity only lasted another minute.

“Go to bed, minou.” She squished his cheeks together. “I’ll see you in the morning.”

“Oh, come on. We used to stay up later than this talking on the phone.” He teased. “You’ve gotten soft.”

“Bold talk coming from M. Bloodshot-Eyebags.” Marinette cocked a hip. “Why do you want to stay up so bad? Do you not like your room?”

“No!” He insisted. “No, it’s perfect. I just… You’re right. It’s late. We should go to bed.”

Marinette quirked a brow, so he leaned in to kiss her.

“Good night, mon ange.” He flashed her a smile that faded the moment she turned around and headed up the stairs.

Rubbing his hands on his soft pajama pants, he stared down the dark void at the bottom of the stairs that led to his room. Stony eyes flashed in the abyss, and Adrien averted his gaze with a huff. Squeezing his eyes shut, he mentally sifted the image from his brain. He couldn’t stay awake forever. Shaking himself to relieve the tension in his shoulders, he made his way down the stairs, making a pit stop to the bathroom, but he could only scrub his teeth for so long before he ran out of toothpaste on the brush.

Reluctantly, he found his way into his room, but unable to bring himself to get in bed, he opted to pace instead. It got old quick—4 paces from the door to the wall, 5 paces length-wise. For the first time, he missed the massive room of his childhood. He could pace for hours there. With a defeated grunt, he flopped onto the bed, staring up at the ceiling. The bed was comfortable, and although his muscles were screaming to melt into its embrace, he couldn’t give in.

The old building creaked, and the thin walls did little to drown out M. Dupain-Cheng’s snoring. Adrien drummed his fingers on his chest, curling and uncurling his toes before jumping up and resuming his pacing. 4 paces across, 5 paces deep. 4 across, 5 deep. The walls were too close. Adrien swore they got closer with each lap, and the air in the room seemed almost too thick to breathe. He needed to get out.

Stepping with the balls of his feet, he quietly crept back upstairs to the living room. He took deep breaths, running his hands down his thighs, and paused at the base of the stairs leading to Marinette’s room. M. and Mme. Dupain-Cheng would be upset if they caught him up there, and the last thing he wanted was to make them think he was taking advantage of their hospitality. But he just needed to be near someone.

Just one more kiss good night. That was all he needed. A hug and a kiss… a really, really long hug.

His feet found each step with haste, but when his hand curled around the trap door handle, they locked into place on the final steps. Hands clenched tightly and feet glued to the stairs, Adrien stood frozen like a statue in a museum. His breath hitched, a trembling hand shooting up to catch it. His shoulders shook, and for a moment, he worried he might be sick. Creeping back down the stairs as quietly as he could, he scrambled for the kitchen sink, breaths rapid and shallow. He flicked on the faucet in anticipation, but the sensation passed after a few moments. He sat up, turning the water off, and ran his hands over his face.

It was selfish… He was being selfish, always running to Marinette with his problems. And she’d always do her best to fix them because that’s the kind of person she was—always looking out for those she loves. But he couldn’t expect her to fix everything. Even still, his restlessness showed no signs of ebbing. He needed fresh air to clear his head. Just for a minute.

He found a black Marinette branded hoodie in the closet in his room and pulled it on, then laced up his sneakers. Locking the front door behind him with the key M. Dupain-Cheng gave him earlier, he headed down the stairs and out into the night. The brisk cold almost sent him right back inside, but the air was so much clearer. He blew warm breath over his hands and rubbed them together. Summer was a distant memory in the mid-December frost.

Tucking his hands under his arms to keep them warm, he paced the sidewalk in front of the bakery, hoping the movement would warm his muscles. Just one minute, then he’d go back inside. A breeze blew past, cutting right through Adrien’s hoodie, and he ground his teeth together to keep them from chattering. He needed to move faster to stay warm. A quick run would do the trick, just around the block. Then he’d go back inside.

He picked up the pace, venturing down the pavement with increasing speed. The dreary streets were empty as Adrien ran, street parked cars that had long gone cold as their owners fled indoors. He ran past Francois-Dupont, flashes of his time there playing in his mind. He remembered his first day, how nervous and excited he’d been to meet people his age. To have a normal life. A life he’d still never quite managed… but he’d met Marinette there and Nino. And Plagg… The day Ivan was akumatized.

Adrien’s mind filled with gray, and he shook his head to clear it, pushing his legs to run faster as if he could put physical distance between him and the memory. He rounded the next corner and pressed on, cold air burning his lungs, but he couldn’t stop. Not when he passed Nino’s block or his old Chinese tutor’s house, not even when he passed the street corner he and Ladybug used to meet up at. The corner he and Marinette would meet at.

Marinette… Ladybug. His partner. His girlfriend. He wanted to see her, but it was too late. She’d be asleep by now, and he shouldn’t disturb her. Even if she’d understand and listen. Even if she’d hold him and comfort him. Even if she loved him. She’d always love him. So, why couldn’t he tell her he was struggling?

The rubber soles of his shoes skittered on a patch of ice, losing their traction, and Adrien hit the cold, hard pavement with a yelp. Pain shot up his leg as his knee collided with the concrete. He rolled onto his back, chest heaving with each breath as he stared up at the towering buildings blocking the night sky.

What was wrong with him? Why was normal so hard for him? Normal people were at home asleep at this hour, and Adrien Agreste was outside, lying in the middle of the sidewalk because he was too anxious to close his eyes. Everyone kept asking him how he was doing, and most days he told them he was getting better because that’s what they wanted to hear. But was he? Some days he felt like he was, but others… They all wanted him to be fine. He wanted to be fine. He coveted their normalcy, but it always hovered just above his grasp.

He wanted to go to school and make friends, but his father forbade him from seeing them most days while plastering his image on every billboard in town. He gained fans and wealth, while other kids played games at the park. He became a superhero with a double-life, fighting bad-guys between fencing lessons and modeling gigs. Other kids ate dinner with their families. He filmed movies that normal kids went to see, posed in clothing ads that normal people bought. His father spent the majority of Adrien’s life making sure he stood out from all the rest — making sure he’d never fit in. He became a supervillain that threatened the city, just to ensure Adrien would always be talked about. To ensure that he’d never be normal.

Everyone put him on a pedestal, but he’d trade everything to be the one looking up from the crowd. To not have to feel the way he felt. To be home in bed with pleasant dreams instead of lying haunted in the middle of the sidewalk, staring up at his ghosts in the rooftops.

He missed Plagg.

“Having trouble sleeping?”

Adrien shot up, blinking at the arms crossed in a bright pink coat. Clouds of steaming breath billowed from her mouth with each heave of her shoulders, cheeks flushed from the cold. Fuzzy pink pajamas were stuffed haphazardly into winter boots, and the blue eyes looking down at him were creased with concern.

When Adrien remained quiet, Marinette shifted her weight. “Me too.”

Adrien balled his hands into fists at his sides. “How did you find me?”

“I heard you downstairs, and I got worried. When I came out of my room, you were heading out the door, so I followed you. It’s a lot harder keeping up with you without superpowers, but I’m kind of an expert at following you.” She crouched beside him, brushing his hair out of his face as she cupped his cheek. “You okay?”

He leaned into her touch, a hot tear slicing down his cheek. He couldn’t tell if he was relieved or embarrassed to have been found out. Mostly, he just loved that she cared enough to chase after him. At the shake of his head, Marinette pulled him into her arms, and he locked his arms around her waist, his quiet sobs muffled by her thick coat. He savored her warmth, a shiver creeping up his spine.

“No one expects you to heal all at once, Adrien,” she murmured in his ear. “I will always be here for you, and so will Maman and Papa and all of our friends. We all love you, and we’ll be with you every step of the way through all of the good and the bad. You don’t have to run and hide.”

“I’m sorry.” His voice shook. “I’m sorry. I’m sorry. I’m-”

“It’s okay.” She squeezed him tighter. “I’ve got you. Always.”

Always.

Marinette pulled back, taking his hands in hers. “Come on, let’s go home. It’s freezing out.”

“Yeah…” Adrien let her help him to his feet, wincing against the pain in his knee. He did his best not to limp on the way back to the bakery, keeping a tight grip on her hand.

Marinette shook herself when they were back inside. “The good thing about living above a bakery is the brick ovens keep the building warm in the winter.”

“I’m partial to the lingering smell of fresh croissants,” he said.

“That’s another plus.” She flashed him a smile, and he felt one tugging at the corners of his own lips. “Come on, let’s get you in dry clothes.”

She toted him up to the apartment, only letting go of his hand when he needed to change, but her fingers trailed up his bare back as she helped him out of his shirt. He shivered, goose bumps dotting his skin while she helped him into fresh pajamas. Her hands were small and dainty, but they kept him grounded enough to crawl into bed. Marinette laid beside him on the edge, running her fingers through his hair. He really had missed her touch.

“Can I ask you something?” he asked.

“Anything,” she said.

“What are your nightmares about?”

She paused mid-stroke, her fingers warm on his scalp. Shifting to look him in the eye, she pursed her lips. “It’s always that same day. You’re there crying on the ground, but I can’t ever reach you. No matter how hard I try, you’re always just out of reach.”

“For me, it’s my father. The moment that purple light fades, and all I see are his eyes glaring up at me with hatred and anger. I see those eyes everywhere, like he’s still looming over me. It feels like I’ll never be free of him.” Adrien squeezed her hand.

“We’ve been through too much,” Marinette said. “But we survived. Miraculously.”

“Barely.” Adrien grunted. “Is it weird that I miss how things used to be? For the longest time, all I wanted was to defeat Hawkmoth with you. To ride off into the sunset when the day was saved. It sounds selfish, and maybe it is, but now, I wish things could go back to the way they were. Fighting by your side, both in and out of the mask. I’d never been happier.”

“I know what you mean.” Marinette resumed playing with his hair, and after his stint out in the cold, he was grateful for her warmth. “For the longest time, I always thought that Hawkmoth was our biggest enemy, and that once we defeated him, things would go back to normal. We could be happy and free, but everything has been way more complicated on the other side of things. Those days seem so simple now.”

“Nothing’s simple anymore.” He sighed. “Do you think it ever will be?”

“Mmm.” She hummed. “I hope so. I think you and I more than deserve it.”

“Yeah…” He stifled a yawn.

“You should get some sleep. It’s been a long day,” she said.

“Will you stay with me?” he asked.

Marinette leaned to kiss his forehead and laid her head beside his on the pillow. “Of course, chaton. I’m here.”

Reluctant, but too exhausted to fight it any longer, Adrien closed his eyes. His body ached from his fall, but the bed was soft and warm. The steady brush of Marinette’s fingertips on the back of his neck helped ease the tension in his muscles, and he finally drifted off to sleep.

His nightmare began as it always did, but instead of shying away from his father’s piercing gaze, Adrien reached for Ladybug’s hand. When he turned to face her, her mask vanished in a flash of pink light, and Marinette smiled back at him. He wrapped himself in her embrace while she stroked his hair, warm and safe.

“I’m here, kitty. I’ve got you. Always.”

[fat-oc-battle]

FINAL MATCH

jake martin (he) character & art by @maxinstoresnow

Jake is 18 and fresh off the divorce of his superhero parents. His father has just moved him from Primrose--the city of superheroes--to the middle of nowhere, Pennsylvania and he's looking for an outlet for his angst. Luckily, they've arrived just as a strange new team of young superheroes has just started operation. He plans to impress them with his (limited) shape-changing ability and join the team.

He collects vinyl, is a bit obnoxious, listens to punk music, and cares very deeply for both of his homes. He's bisexual and he loves his mom. He plays guitar and gets his kicks being a nuisance to his new friends.

VS.

naomi (she) character & art by @ackee

naomi chung, one of the main characters of my future webcomic, traversion. she's a chinese-jamaican immigrant who moved to miami in her mid 20s to pursue her dream of becoming a tattoo artist. outside of work, she spends her time hitting up alternative and caribbean clubs around town with her best friend and roomate, xia. loves to use men for free drinks. a huge bitch with even bigger boobs.

neocities page

[charles-leclerc-official]

2024 China Grand Prix Race Analysis

Here is my full analysis of the 2024 Chinese Grand prix. I already covered the sprint in a separate post here.

The important thing to keep in mind about this weekend is that the Chinese track was a very unique surface. It caused a lot of unusual grip problems for many of the top teams. I think as a whole that this race saw some outlier results as far as car behavior goes.

Table of Contents Stake - Zhou - Valtteri Ferrari - Start - Charles: his race, vs Lando - Carlos - Data Analysis Mclaren - Lando - Oscar - Data Analysis Penalties - Logan - Kevin - Daniel - Lance VCARB Aston Martin Red Bull - Checo Final Thoughts

Stake

Zhou

I usually start these with Ferrari. However this is a special occasion. So we are starting the analysis by celebrating Zhou and his performance this weekend.

This was the first Chinese Grand Prix in Formula 1 history with a Chinese driver racing on track. Zhou Guanyu made history and considering the car he's in he gave a good performance for the home crowd. Between qualifying 10th in the sprint, making some pretty good overtakes during the race, and carrying his team after Valtteri's DNF it was a pretty good weekend all around.

It was so nice to see all of the home support for Zhou. He was given an honorary spot at parc fermé after the race, and I am so glad they did something special to highlight this moment for him and the country he is representing in F1.

Zhou driving this weekend really was the highlight. This was only ever going to happen once in F1. Glad I was here to see it.

Valtteri unfortunately suffered a power unit failure and had to retire from the race. No damage to the car. This did bring out the yellow flag and a VSC. And when the marshals were unable to roll the car off the track quickly enough it upgraded to a full safety car(don’t worry we will be coming back to this)

He was looking pretty good in the car until that point, actually getting close to the points. I think we might see Stake in the points this year if they ever get their pit stops under control.

Ferrari

Ferrari's race was probably the weakest for the team so far this season. It wasn't really a surprise though. The cooler temperatures and inconsistent track surface were not ideal for the SF24.

Charles started in P6 and finished P4, Carlos started P7 and finished P5.

I do consider this not to be indicative of any downward trend for Ferrari. It was pretty predictable and it did not reveal any issues in the SF-24 we weren't already aware of (tyre warming)

Ferrari did say that they sacrificed more in qualifying in favor of a better race setup. And I don't think this was necessarily a bad idea. It's impossible to say if a different setup might have put them higher and if they have been able to defend with that setup. Going for a more race focused setup and relying on the better tyre deg to be able to allow for overtaking is a pretty good plan, especially if they didn't think they could get much more out of qualifying.

This did mean that we got to see some proper overtakes in the SF-24 from Charles and that is something we just haven't seen a lot of this season so far. So seeing how it handles in that regard was good.

So the big question is, why did Ferrari suddenly end up behind a Mclaren when Ferrari have been easily beating them all season?

Well there are a few factors:

- Ferrari struggled this weekend with grip and failed to find the best balance in the car to maximize top speeds. They did sacrifice some downforce in favor of speed during the race but I don't think it was enough. It didn't do enough to help the top speeds and it sacrificed grip so we ended up a weird middle ground that didn't optimize either problem. This track surface really made it so hard to figure out the right direction for setup.

- Mclaren(Lando) were stronger than expected. Lando was really the one pulling performance out of that car.

I will point out some key areas on this in the data analysis section as well.

Race Start

The most notable thing about Ferrari’s race was the start, when Carlos compromised his and Charles’ start by attacking right into turn 1. This forced Charles to have to defend(something he should not have to do right off the race start from his own teammate who started behind) and this resulted in them both immediately losing a place to Russell. This was a place they both had to fight to make up.

Again, this kind of thing isn’t good when compromising the results for the whole team is the result.

Footage Analysis

Just so we are clear about who is responsible for the loss of placement I want to show the footage from this start. This is from Carlos' driver cam footage as it most clearly shows what happened.

Charles starts P6 with Carlos behind him in P7. George is behind them in P8.

Into turn 1 Charles has the inside line, very clearly. Carlos has the outside line into the turn, this is fine. Charles is also clearly ahead.

Carlos pushes inside more, putting pressure on Charles. Notice how much closer Carlos got and how much space he left on the outside(another vulnerability he left open)

Charles pushes Carlos back(to defend which he has to do if attacked especially into a crowded corner like that a the race start)

Charles then took full position in front of Carlos, and this allowed George to slip past both of them on the inside line.

Because Carlos forced Charles to defend George was able to take that inside line that Charles had and passed both of them, dropping Charles and Carlos down a place.

Charles cannot defend both the outside and inside line on his own. He defended against the car that put pressure on him first. His teammate should not be the main one he has to defend team track position against.

Carlos compromised Charles' ability to defend position against George(which is the priority, he's on a rival team that is more important than racing between teammates)

Again if he is attacked Charles has to defend, why would he give up the place to the teammate he was faster than? Nothing would have happened if Carlos hadn’t pulled this move. Charles would have kept George behind and they might have been able to overtake earlier in the race and gain one more position, because they lost a full position to George this early they had to take that back before they could make progress climbing further up the field.

Carlos

This was Carlos' weakest performance so far this year. He compromised the race start for himself and Ferrari causing them both to lose placement immediately. Then he was unable to overtake. The only real overtakes he's pulled off were on cars with seriously compromised brakes.

He struggled with grip and tyres more than Charles. They both had issues in this area but it was more noticeable in his performance.

Charles finished 10.36 seconds ahead of his teammate who was directly behind him in the final 13 laps this race. And that gap can be explained by the fact Carlos was stuck behind Fernando for more laps(as well as a pit stop), however once he got into clean air he did not make up any time at all, his pace didn’t gain on Charles at all with the clean air. A gap in pace that big between teammates is concerning(at least for Carlos) It may be due to his personal choice of setup, or tyre management, or grip in the track. Given that he had more issues with grip on this track I am thinking that was a factor. He lost most of his time on turns 1, 5, 7, 8, and 10.

Edit: also Carlos did pit under normal conditions while Charles pitted under the safety car, this saved Charles some time(aprox 7-8 seconds), however the main point stands that Carlos did not make any progress closing the gap between them.

Charles

Charles' overtakes climbing up the field really saved Ferrari's race. Starting off by losing a position he climbed up places pulling some really clean overtakes and also helping his teammate through.

It was great to see him doing some overtaking in this car, he hasn't been in the position to do much of that due to track position etc in previous races. SF-24 looked good on that front in his hands.

Charles mentioned the lack of speed on straights, and this is due to the fact he wasn't able to gain on Lando in those sections(when he should have) this is due to the less than optimal downforce balance Ferrari went with this weekend(again I don't this is anything terribly concerning, this was a hard track to get that right on)

Overall Charles ran a really good race, obviously not the results he wanted but he extremely optimistic about the upgrades and that they will address some of the current limitations of the SF-24.

Data Analysis

I want to compare Charles and Lando's pace to highlight where Mclaren had the edge on Ferrari in this race. Charles was the fastest Ferrari this weekend and Lando was the fastest Mclaren.

First here is a breakdown of the fastest lap both driver's set.

Lando's straight line speed was really a big factor in keeping him ahead. That plus the fact he was consistently strong in sector 2.

And here is a look at the overall race pace between the two.

Ignore the mess in the middle, that curve is just correcting a slope for the outlier laps due to yellow flag and safety car conditions. It's not important here.

Lando had the edge on Charles almost the entire race. Until the end on the old hards.

What is important is that Lando had the pace on the new hards. Charles didn’t have the time to catch Lando once he managed to gain the places. He probably would have without the yellow flags and if track placement was better. The point being that Ferrari’s pace was off this weekend but it wasn’t as bad as it looked on track, there were other factors at play.

I think this result was a combination of a sub-optimal setup for this track on Ferrari's part on top of the fact this wasn't Ferrari’s strongest track, and Mclaren getting things right for Lando. Also some fairly solid driving from Lando.

Now I want to compare Charles' and Carlos' fastest laps and pace. This was the biggest gap in performance we've seen so far this year between the two Ferraris. Some of that I will attribute to the fact this track was weird as far as track surface goes, but such a big difference between teammates like this means it wasn't just the car or the track surface. While both were not great with grip or setup this weekend one outperformed the other by a decent margin.

Here is a look at Charles' and Carlos' fastest laps.

Charles having better straight line speed consistently and putting in a strong sector three is what put him ahead of Carlos and kept him there for the entire race.

Now here is the full race pace.

Again remember to ignore the weird lines in the middle that is just the graphing tool not able to create a good slope for all the safety car laps.

But you can see that Charles' pace was better the entire race, on both the medium and the hard tyres.

I don't think there was a lot more to get out of this weekend for Ferrari. It's possible managing the pits a little differently would have gotten Charles up to third but with the yellow flag chaos It was really difficult to gauge in real time when the best time to pit was. I think the pit management was good. We can look back and go "oh we could have gained a place here" So I have no issues there.

Hopefully that clears up some questions about Ferrari's overall race and car performance this weekend.

Overall this was still decent points for the constructors’ and we saw some good racing from Charles. I do fully believe we will be seeing Ferrari come back stronger in Miami.

Mclaren

Why was Mclaren, specifically Lando, so strong this weekend?

Well it's unclear.

They have had the clear #3 car so far this season. So I think that it's a combination of this not being a strong track for Ferrari and some conditions that favored their car that put them ahead.

No one, not even Mclaren expected this so I really think it seems like it comes down to this track being better for them than expected and Lando specifically being tuned into the track. Like after practice Lando was not feeling confident(his words) and the team were also not making any promises. I don’t think they were sandbagging, I think this genuinely all came together for them. 

Now it’s clear that Lando would have finished P3 behind Checo if it were not for the luck/strategy(a little of both they timed that well, but also had to get lucky with Red Bull timing) with the pits. Red Bull lost track position to Lando when they pitted Checo and they were unable to take it back. If Red Bull had timed their stop better Lando would have been P3 because his pace was not going to catch Checo if he was ahead.

So the P2 is due to some good driving on Lando’s part and Red Bull giving up track position and failing to recover it.

Oscar struggled more on this track. However he wasn't far outside where we've seen him in other races and for Mclaren in general. So he wasn’t under-performing, Lando was over performing. I also want to note that Oscar was slightly damaged during the crash between Lance and Dani, Dani's front wing tapped the rear of his car and there may have been a small amount of damage, important to note as he may have been compromised on pace due to this.

Data Analysis

Comparison of Lando and Checo’s pace

The first half of the race isn’t as important, the graph is very odd in the middle due to all of the outlier laps caused by the yellow flags, so that is not important. What I want to point out is that Lando was on the same pace as Checo(or slightly better) for those first 6 laps after the race started again when all the yellow flags were done, but after that Checo was faster until the end of the race. Not enough to catch Lando, but enough that Lando would not have been able to pass him if he hadn’t had track position.

Now here is a quick look at Lando and Oscar's pace.

There isn't a ton to dissect here, Lando was faster the entire race, by a pretty big margin on the hards especially. Given that a lot of drivers this race had issues managing deg on the hards I think that second stint gap really came down to tyre management, an area where Oscar is still improving.

Here is a look at their fastest laps to really see where Lando was making those bigger gains and where Oscar was struggling.

One thing that I find interesting is that Oscar's fastest lap had a section of DRS, Lando's didn't and Lando was still a full second faster. Just a really solid lap from Lando all around. His strength in sector 2 is what really gave him an edge all race.

Overall this was Mclaren’s best finish, but their strongest weekend overall so far this season is still Australia(because both drivers had a strong finish not just one)

Penalties and Incidents

Welcome to the “everyone gets a penalty!” section of the analysis. This was a mess to unravel. After reviewing the footage and reading the stewards judgements as well as the driver and teams statements I have come to a lot of the same conclusions as the stewards. 

The middle of this race was a mess. One yellow flag had just ended before another had to be brought out again. 

There were two yellow flags this race, the first after Valtteri DNF'ed and the second due to multiple incidents right after the end of the first yellow flag. 

My biggest critique is that the VSC was deployed weirdly late. They seemed about 10 to 20 seconds off in calling for one, and that is concerning. A driver on the side of the track is at risk, so it’s important to make sure a race is slowed immediately.

Logan: overtook under safety car conditions after the VSC was enacted when Valtteri’s power unit failed. Nico was coming out of the pitlane as Logan was coming down the straight, Nico managed to barely exit in front of Logan, but Logan’s faster momentum into turn 1 put him ahead of Nico, and thus he overtook under a yellow flag. Time penalty and license points is an appropriate penalty. I have no idea why his team didn’t get him to slow down more. They said they missed Nico, which I really don't know how. Lack of track observation. This was a failure of the team as much as it was sloppy on Logan's part. I think he would have slowed more had the team actually noticed this sooner.

Kevin: Kevin made contact with Yuki going out of turn 6 right after the race restart. He broke late and made contact with Yuki’s rear wheel and this led to a tyre puncture. Yuki had to retire from the race. Kevin was clearly at fault here, he failed to brake when catching Yuki.

Daniel: Dani was penalized for overtaking under a yellow flag and a safety car. He did this deliberately because Nico took a place from him and he thought it was okay to take that spot back. However he should have waited for the race to resume under green light conditions before doing that. He knows better. What happened with Nico is a little murky as far as why he took a position and why he did not get penalized. I think it's because it was right before the safety car but the FIA reporting on that isn't clear.

Lance: At turn 14 Lance rear ended Daniel after the first safety car had ended they were waiting on Max to restart the race. Max was leading the race and setting the pace until proper racing speeds could resume. Lance is at fault here, it’s that simple. This was seriously negligent driving on his part. I really have no idea what he was doing but no competent driver does this. I will agree with Oscar in the sentiment that everyone was crowded together, only one person crashed into another car in that scenario. 

“Yes, but not everyone decided to crash into each other.” - Oscar 

Lance argued that it was the concertina effect, and said the stewards should account for that. This is a weak argument at best. The concertina effect is to describe car behavior on track, it isn’t an excuse. Going into a corner a driver who is supposedly one of the best in the world should know how to account for that effect. The fact is that he was going too fast into that corner and not paying attention to the car in front of him.  

Furthermore his lack of accountability and attempts to blame everyone but himself for the incident is not a good look. He is very clearly in the wrong here. I think that the penalty he received might be on the gentle side of things as well. Personally I would have liked to see a 20 second time penalty for that, or a grid penalty. 

I agree with Dani’s statement that Lance should have only been paying attention to the car in front of him. He clearly wasn’t doing that, or at least not well enough. He appears to be looking at Max and Oscar waiting for Max to restart the race. But that is not where he should have been looking. Additionally Dani pointed out that Lance’s speed there was too much, he put half his car under Dani, that’s not the concertina effect, that is going too fast. 

Dani of course is heated, and I feel that for him, he DNF'ed because of the carelessness of another driver through no real fault of his own. I don’t think continuing to argue is good on either side, but he has every right to be mad, especially when the offending driver refuses to admit his fault. Two DNFs in a row is hard for any driver. Lance really cost him a lot. 

This isn’t just sloppy driving on Lance’s part, it's outright negligent.

VCARB

Quick note about VCARB. Dani was on track for his best performance all year this weekend. Which makes the DNF all the more upsetting. Yuki struggled with this track all weekend, seems he was not feeling this track or that car. I will say his performance seems like an anomaly compared with the rest of his season so far so I don’t think it’s cause for concern for future races. 

VCARB as a team were obviously the worst off this weekend with both driver’s DNF'ing at no fault of their own.

Aston Martin

I already covered Lance, so I want to just quickly mention that Fernando was on fire this weekend. He was defending, and had that car in places it really had no business being. His recovery from the close spin, the defending, the overtakes. He really is just continuing to show his skill and experience, and he overall had one of the best drives of the entire race.

Red Bull

Max won the race, and it was a pretty clean race for him, which is amusing due to the utter chaos happening behind him. First time he has won at this track, so that is another track conquered by Max. Well done Max!

Sergio

Checo’s race wasn’t actually that bad. He was comfortably in P2 until Red Bull gave up track position and he wasn’t able to recover the place from Lando. I already compared the pace between those two. But I think it’s pretty clear that he would have been P2 were it not for the pits. If he has position he has the pace to keep the spot. However he does not have the same pace Max has in the RB20 to take lost positions back if the car ahead has similar pace. 

I also want to note here that there were a few corners where it was pointed out that Alpine and Williams were outperforming Ferrari on. However taking a look at the data it wasn’t just Ferrari. Pierre was literally faster than Max in that corner consistently. What this tells me is that something about the unusual grip of this track was not suited to any of the fastest cars. So it’s not a Ferrari problem, or a Red Bull problem, it’s just highlighting an unusual quirk of the track that no one really figured out this weekend.

Here is a fastest lap comparison of Pierre and Max. Obviously Max is the best driver in the best car, so I think this just highlights my point about certain corners especially turns 1, 2, and 3. There was something off there that gave the edge to some midfield cars are far as grip goes. All top cars struggled for speed on those turns and I think it was due to weird track surface conditions.

Final Thoughts

This was the most chaotic race of the season. Hopefully we have a penalty free race next time.

See you when I return with Miami GP analysis!

[agentrouka-blog]

This text is from "Untangling the Meereenese Knot, Part III: Dany’s Struggle With Herself": " “The human heart in conflict with itself is the only thing worth writing about.” –George R. R. Martin.Martin has paraphrased this quote from William Faulkner time and time again in interviews, yet many readers haven’t fully internalized it. It means Martin is not interested in merely showing characters “leveling up,” like a video game, progressing from incompetent naif to awesome badass. His main interest is in exploring his characters’ values. And throughout the series, he creates drama by forcing characters to choose between their core values — love vs. duty, honor vs. pragmatism, vows vs. innocent life.""

I found it deeply interesting. But I would like to ask: what do you think are the core values in Sansa's arc? What do you think is her "human heart conflict"? I love your answers; they are always so well-put and comprehensible, so I would love your insights on this.  ♡ ♡ ♡

Well, it helps to look at the things that Sansa struggles with internally.

We see her trying and failing (and trying again and failing) to operate in a world that promises safety and happiness in return for placing her trust and agency in the hands of other people. Ned starts this cycle by making his daughter a chess piece in his political murder detective plan and then basically abandoning all responsibility to actually protect her until about 16 minutes past way-too-late (and killing her wolf), and it takes a while for Sansa but she eventually tries to place her trust in both Dontos and his mysterious friend, and then the Tyrells, and by the time Littlefinger comes along, it's really way past choice and more a realization that her own vulnerability means that she must protect herself even while placing her fate in the hands of those who hold power over her. And at this point (TWOW sample chapter) she is teetering between this realization and the temptation to ignore it.

Ultimately, one of her inner struggles is the decision to take power into her own hands, to make and own her choices, without the psychological safety net of a protecting authority figure or faith in "the rules". She needs to be honest and she needs to take action. Unlocking the power and freedom that comes with taking her fate into her own hands and rejecting control by patriachal authority figures, no matter how benign they may seem, is one of the most important steps this 13-year-old is going to have to take on her journey toward embracing political power at some point. She cannot rule unless she demands and exerts agency over herself first.

Then there is her painful disillusionment with the idea of romantic love that has gone from bright-eyed certainty to the meek hope of being liked by yet another arranged partner. There isn't much more room to explore in terms of lowered expectations, so we are probably going to venture in the direction of a conflicted fulfillment of this dream. To have her affection returned and her actual self embraced would be a new turn of events that would be a massive validation of everything she believes in and give her a great sense of joy and peace. Except. What if there's an obstacle to it that places this love in opposition to the responsibilities that comes with her identity as a Stark? How does Sansa deal with the temptation of actual love, of her dream fulfilled, if it comes into conflict with the duties that come with agency and power? Duties toward Winterell, the North and her people? Is there an ethical, honest way of dealing with that? And could GRRM show this compasionately, and authentically?

I think so.