#voo green screen

[cellclothism]

objectober day 2 ! sorry this isnt an actual thing im busy w school stuff today so this is all i can do lol

[omn1sc1entsunset]

Voo doodles!

[birchboom]

More Objectobers!

I’m gonna release these in groups of 4!

[sloppypears-ash-sg]

Objectober Day 24 - Magic!

(Some VOO spoilers)

The VOO angel characters from Violetskittle's AU (DA)! Featuring Orb (TIBOOR) - her magic staff. Also by Violetskittle. Decided to draw them because - well, a non-BFDI and non-II thing is pretty cool every small once-in-a-while.

Assets!

[oscconfessions]

I don't like Flaggy from Village of Objects for acting like Green Screen was some lazy burden that she had to carry through every challenge which wasn't true??

Then she ditched him so he could do things without assistance when he was disabled and physically couldn't do the challenge???

.

[el0diehasarr1ved]

Whats your gen opinion on Village of Objects?

You said in one of your books (the qna i think) that you made the hosts you didn't like/whose show you didnt like the bad guys, but im watching the voo final, and i neither think her nor the show is bad at all

The plot is silly and Perfume doesn't seem bad, rather like someone childish with a bad-luck streak related to hosting (dying, getting kidnapped by aliens)

Honestly my opinion on Perfume has changed a lot since then. I do like her now. But it's the show I really find questioning.

I was mainly salty about how they wrote Perfume in the show and they wrote her super dirty. As someone who is a female that wants more female hosts, the fact that the writers decided to write Perfume only host a couple of the episodes while the rest she's gone just rubbed me in such a wrong way. It really isn't good representation if the host doesn't appear in her own show in my opinion. And yeah they did have one female character takeover, but they shouldn't really do that if they wanted to have female representation. And speaking of, I really don't like how the majority of the female characters are written in the show.

Most of them started off with decent personalities, only for them to be unlikeable all of a sudden. Almost as if the creator wanted to get rid of the female characters first to favor the male characters. Especially when it came to Flaggy and Green Screen since the show made it seem like Green Screen was in the right and Flaggy is basically in the wrong in the situation.

This can go for Perfume too because I wouldn't mind if she was a jerk like host since majority of the female host I've seen are mostly nice. But they never added much else.

It's been a while since I've seen the show (I haven't seen the finale), so I don't know how much has changed. But VOO honestly rubs me in such a wrong way with how they presented the female characters and Perfume herself.

(not to mention the bad voice acting)

[shatteredwaters]

hey vince if it aint a problem who voted who in OJ's elimination in VOO 11

Slushie and Snowy voted OJ

Green Screen voted Candy Corn

Flaggy voted TV

[objectshowopinions]

clock, flaggy, and green screen should've been a trio and i will DIE ON THIS HILL

istg if clock wasnt ableist to green screen in ep 16a he would've been my favorite character

[manyminded]

i was gonna use this as a sign up to be a mod for @/osc-affirmations but I’m on mod tophat’s DNI and I really didn’t wanna make them uncomfortable!! but I also really like this so I’m posting it

[profileybfdi]

id be mad if this werent funny as fuck. ive been watching for about 4 hours straight but fuck me because I cant understand what half the characters are saying right

[cellclothism]

i love friends ^_^

[omn1sc1entsunset]

Yummy!

This too.

[princesssarisa]

Snow White Winter: Red Shoes and the Seven Dwarfs (2019 South Korean CGI animated film)

At last we arrive at the most recent big-screen adaptation of Snow White: it's a very loose adaptation, of the "fractured fairy tale" variety, but it's a Snow White variation nonetheless. When it was released in the US, it suffered from a notorious body-shaming add campaign, which made a mockery of the fact that this version of Snow White is a fat girl who only gains a temporary delicate figure by magic. But those adds were misleading. In the actual film, Snow White's true form is never ridiculed, and the overall message is against body-shaming and against judging by appearance.

A prologue establishes the setting of Fairy Tale Island, where the first characters we meet are the seven dwarfs. Or rather, seven tall, handsome heroes known as the Fearless Seven: the British-accented Merlin who shoots magical lightning, the burly Scottish-accented Arthur, the French-accented Jack who has an invisibility cloak, the German cook Hans who fights with a frying pan, and the Italian inventor triplets Pino, Noki and Kio. Unfortunately, one day they make the mistake of attacking a fairy princess, because her green skin makes them assume she's a witch. As punishment, she transforms them into green-skinned dwarfs, and only a kiss from the most beautiful woman in the world can break the spell.

Meanwhile, King White has disappeared, and his daughter, the chubby Princess Snow White, knows only that her wicked stepmother Queen Regina was somehow behind it. The aging Regina's current obsession is with a magic apple tree, whose apples will transform into magic red shoes that will bestow the greatest beauty in the land onto the woman who wears them. Unfortunately for Regina, Snow White innocently picks the apples and puts on the shoes first. Transformed into a slender conventional beauty, Snow White escapes from her stepmother's wrath on a flying broomstick and crash-lands at the seven dwarfs' home.

The dwarfs are smitten by the beauty of their new guest, who calls herself "Red Shoes." They agree to help her search for her father, all the while competing with each other to win a spell-breaking kiss from her. Meanwhile, Queen Regina seeks the help of the vain, obnoxious Prince Average (pronounced "Ah-voo-rahj," he insists) to find and capture the "thief" who "stole" her shoes. This leads to a series of adventures through which Red Shoes bonds with the dwarfs, eventually leading to romance blossoming between the princess and the swaggering yet good-hearted Merlin. While this isn't the first Snow White to have the heroine's love interest be one of the "dwarfs" instead of the Prince (the 1987 Seattle Children's Theatre version and Snow White: A Tale of Terror did it earlier), this is probably the first version to have said love interest be a dwarf, whom she loves despite his strange appearance.

But when Red Shoes and Merlin are attacked by monstrous wooden bears – actually Prince Average and his bodyguards transformed by Regina – Red Shoes is forced to take off her shoes and become fat Snow White again to have the bodily strength to save Merlin''s life. Merlin's response to her real form is all too awkward, and Snow White's self-esteem is shattered. But after some soul-searching, Merlin realizes he loves Snow White as well as Red Shoes, and when Regina captures her, he hurries to the rescue. Unfortunately, he's captured himself by Regina's magic mirror – an especially fanciful, eerie-looking mirror that grows from a tree whose branches can move and grab, although its sassy personality undercuts the horror factor – and Regina uses him as a bargaining chip to force Snow White to eat a magic apple. Instead of poisoning her, this apple turns Snow White into an apple tree, which will grow a new pair of red shoes, then die when Regina picks them.

But just in time, the other dwarfs arrive and help to defeat the magic mirror, and Merlin tackles Regina before she can harm Snow White's tree form, sending both her and himself plummeting from a cliff. With Regina's death, her spells are all broken: Snow White returns to her true form, as do all the people Regina transformed into wooden animals... including King White, who turns out to have been the enormous wooden rabbit kept by the dwarfs all along. But sadly, Merlin's victory costs him his own life. When the heartbroken Snow White kisses his lips, however (in the third adaptation to gender-flip Disney's iconic kiss), Merlin not only revives, but becomes human again, because Snow White is the most beautiful woman in the world to him. Thus everyone lives happily ever after.

While this fractured fairy tale does feature some Shrek-style self-awareness and a few jokey references to Disney and other pop culture fixtures, it thankfully avoids being too brash. For the most part, it's a sweet, quirky fantasy-comedy with colorful, creative visuals, likable characters, and a good message of body positivity. The English-language voice cast is excellent all around, led by Chloë Grace Moretz as a winsome, sweetly spunky Snow White/Red Shoes, and Sam Claflin (in his second outing as a love interest to Snow White, having previously played William in Snow White and the Huntsman) as a funny yet sincere Merlin.

Is this in any way, shape or form a definitive Snow White? No. But is it a funny, charming and clever companion piece to more traditional versions of the tale? Yes!

@ariel-seagull-wings, @superkingofpriderock

[sloppypears-ash-sg]

VOO Remastered and New Fanchildren

From top left in first pic:

Jack-o'-lantern - Candy Corn x Window

Sundial - Clock x Shotglass

Toy Plane - MAC x Phone (adopted)

Umbrella Light - Green Screen x Stage Light (OC by Violetskittle)

Cracked Mirror - Candy Corn x Window

Snow-Filled Hourglass - Clock x Snowy

Eraser - Blueberry x Lemony (adopted)

Tablet - MP3 x Banner

[shatteredwaters]

Will you make VOO2 icons for the dead VOO characters (like Green Screen) and the VOO hosts?

Maybe at some point

[entergamingxp]

Game Over screens • Eurogamer.net

Five of the Best is a weekly series about the small details we rush past when we’re playing but which shape a game in our memory for years to come. Details like the way a character jumps or the title screen you load into, or the potions you use and maps you refer back to. We’ve talked about so many in our Five of the Best series so far. But there are always more.

Five of the Best works like this. Various Eurogamer writers will share their memories in the article and then you – probably outraged we didn’t include the thing you’re thinking of – can share the thing you’re thinking of in the comments below. Your collective memory has never failed to amaze us – don’t let that stop now!

Today’s Five of the Best is…

Game Over screens! Too bad, you lose, put some more money in. Game Over screens might have been a necessary way for arcade machines to wring a bit more money from our juvenile jeans but they didn’t end there. Their influence carried over as games entered our homes, and crushing finality of the Game Over screen, which you can do little more than gawp helplessly at, can still be seen to this very day. It might not look the same, it might not use those iconic words, but it’s there. Question is, which is the best? Happy Friday!

Game Over Yeah! – Sega Rally

It’s long been a belief of mine that more video games should have their own theme tunes, and Sega Rally’s got one of the best of the lot – the absurdly titled, joyously upbeat My Dear Friend Rally. It’s another ditty from Sega’s mud-caked 1995 classic that’s stuck in the collective consciousness, though – that syrupy ‘Game Over, Yeah!’ screen that echoed out across arcades of yesteryear. It’s a weirdly upbeat way to let you know you’ve failed, but such was the sunshine goodness of Sega’s output in its 90s pomp.

-Martin Robinson

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I ought to have just done this five times!

Monologuing – the Batman Arkham games

Batman doesn’t just have the best outfit, the best gadgets, the best car and the best house of all superheroes. He has the best villains. This is the secret reason why the Arkham games work so well – for a lot of the time you’re up against people who are just as interesting as you are.

This comes together with another of Arkham’s central achievements – that Batman is a glass canon, great in a fist-fight but vulnerable under gunfire – to create some of the most memorable game-over screens in games. You mess up. You die. You collapse to the floor, and then a super-villain leers over you in the darkness, offering a few mean-spirited lines to see you off. It’s wonderfully theatrical – the shadows, the face up close and ghastly – and it’s also wonderfully true to form. What do supervillains do? They monologue. Well played, Rocksteady!

-Christian Donlan

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Mark Hamill’s Joker is just superb.

G.A.M.E. O.V.E.R. – Daytona

Takenobu Mitsuyoshi gets another shoutout – as Sega’s talented composer and vocalist should – for something of a deeper cut. The Daytona USA soundtrack is full of bangers (Sky High is such a delight just listening to it makes me want to weep with joy) but it’s the oddness of its Game Over screen that’s always stuck with me. There’s a lumpiness to the original version that’s simply adorable. GEE AY EM EE OH VOO EE ARE! Quite…

-Martin Robinson

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What’s up with that V?!

You Died – the Souls Series

Those two words have become synonymous with the Dark Souls series. In the modern era, in fact, Dark Souls sort of owns the Game Over screen, and there’s something chilling about the old school text effect that’s used on You Died, which, in another game, would be unbearably naff or suggest the kitsch of Pearl and Dean and the glory days of cinema advertising with its weird slogans and font effects. (Looking for bedding? The place to be heading is Reading Bedding!)

The thing is, though, that You Died is never the end. Souls games have an unusual approach to what you can do in a video game life – you basically use your remaining health to move a lens of attention over this complex world, seeing if you can make it from one bonfire to another. Mistakes along the way always lead to a bit of understanding. So maybe You Learned would be more appropriate. Not as catchy though. Let’s leave it as it is?

-Christian Donlan

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The Red Ring of Death

You know how it goes: you’re deep into an absorbing new adventure on Xbox 360 – maybe Lost Odyssey, an underrated gem – and you rush home from wherever to carry it on. You grab yourself a drink and a snack for the long haul and you settle into your favourite chair. A cozy feeling comes over you – you’ve looked forward to this.

Then you turn your Xbox 360 on. But it doesn’t turn on. In the place where you should see a familiar green glowing light around the power button, you see instead see red. You know what this means because you’ve read about it. It’s the infamous Red Ring of Death. Your machine is broken. How’s that for a Game Over?

Fortunately Microsoft footed the bill for the replacements and repairs, but it would go on to become such a widespread problem that the RROD bill ended up at more than $1 billion! I went through three Xbox 360s – how about you?

-Bertie

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I found this rather entertaining.

from EnterGamingXP https://entergamingxp.com/2020/05/game-over-screens-%e2%80%a2-eurogamer-net/?utm_source=rss&utm_medium=rss&utm_campaign=game-over-screens-%25e2%2580%25a2-eurogamer-net