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jihyoruri · 4 months ago

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WE NEED THE PARANOIA PROFILE PLEASEEEE

ur lucky I just finished it LMAOOO ill just copy and past it into here ig

—✮ paranoia is a kband that debuted under sm entertainment on october 31st 2023, they went platinum with their debut mini album that has four songs two songs showing one side of their concept and the other two showing the other, the popular band consists of three members, wonbin, yn and jaehyun.

THE DISCOGRAPHY ★

DEBUT MINI ALBUM — PARANOIA october 31st 2023 (4 tracks) success level — successful

💿#TRACKS

01 . wicked love written by yn & wonbin produced by jaehyun *debut track* (6 wins) mv 200m views (og artist - yena) 02. I just threw out the love of my dreams written by yn produced by jaehyun (og artist - weezer)

03. fairy of shampoo written by wonbin produced by yn * second debut track* (12 wins) mv 260m views (og artist - dosii version)

04. homesick written by kim daniel & yn produced by yn (og artist - wave to earth)

OPENING SEQUENCE — ost for pyramid game written by yn and jaehyun produced by jaehyun (og artist - txt)

COMEBACK — IN MY MEMORIES june 18th 2024 (7 tracks) success level — very successful

💿#TRACKS

01. love me or leave me written by yn produced by jaehyun mv 230 views ( 5 wins) (og artist - day6)

02. all the things she said written by yn produced by yn (og artist - t.A.T.u)

03. can’t love you anymore written by yn & wonbin produced by jaehyun (10 wins) mv 198m views (og artist - iu & ohhyuk)

04. friends written by yn produced by jaehyun (og artist - chase atlantic)

05. going under written by yn produced by jaehyun (og artist - evanescence)

06. supermassive black hole written by yn & jaehyun produced by yn (3 wins) mv 160m views (og artist - muse)

07. don’t hurt me anymore written by yn produced by yn (5 wins) mv 200m views (og artist - dosii)

END OF SUMMER LOVE & BLUES — august 16th 2024 (4tracks) success level — very successful (end of summer surprise for fans)

01. understand written by yn produced by yn og artist - keshi )

02. love written by yn produced by jaehyun mv 228M views ( 5 wins) (og artist - wave to earth)

03. seasons written by yn produced by jaehyun mv 130M views ( 2 wins) (og artist - wave to earth)

04. dont hurt me anymore written by yn produced by yn (1 wins) (og artist - dosii)

THE GROUPS BRAND ENDORSEMENTS ★

—✮ AS A GROUP - chrome hearts, vans off the wall, adidas, soju (does commercials for the drink), apple, pepsi, gentle monster, calvin klein

WONBIN — prada, ralph lauren, armani

YN— vivienne westwood, bapesta, chanel

JAEHYUN — ysl, new balance, nintendo

THEIR SOCIAL MEDIA ★

THE MEMBERS ★

—✮ THEIR STORY the three have known each other since they were kids and they all always had a love for music. they jokingly auditioned for sm entertainment with just their vocals and instruments (cause they can’t dance for shit) and got in shockingly, as soon as the entertainment realized that these three are definitely not idol material they knew they couldn’t let go of such a talented group of people (minus the dancing) so they used their talents for other sm groups , yn’s, wonbin’s and jaehyun’s names were constantly in the producing and writing credits for other sm artist and nobody knew who they were, now they definitely do.

—✮ YN aka dumber ( leader main vocalist, lead guitarist, song writer & producer ) (overpowering gender for her fan base when it comes to sales - boys overpowering genre for her fan base when it comes to fansigns and social media - girls) she has a very divided fandom.

#✿! . . . birthday!-october 31st.2003 (for the plot!!)

#✿! . . . relationship status!- single

#✿! . . . personality description !- yn’s is quiet but not the shy quiet just quiet she likes to observe people. she tends to be flirty with others but means no harm about it, she doesn’t like relationships much and feels like they’ll way her down especially with how successful her career has been so far but that doesn’t stop her from having flings. she’s the leader of the group but still is quite childish just not as childish as the boys, yn can’t hide her emotions very well and it’s been shown in front of cameras and off cameras, she outbursts really easily and is ready to argue any day any time.

#✿! . . .training period ! - five years

#✿! . . .writing credits & producing credits (for other groups) ! - in & out(red velvet), psycho (red velvet), in my dreams (red velvet), iced coffee (red velvet), lucid dream (aespa), I’ll make you cry (aespa), illusion (aespa), armageddon (aespa), invu (taeyeon), weekend (taeyeon), MALA (got the beat), I’m unhappy (aespa), cool with you (new jeans) supernatural (new jeans), peaches (kai)

#✿! . . . fav artists!- deftones, wave to earth, radiohead, weezer, bôa, mitski, evanescence, Kendrick Lamar

#✿! . . . fav movies!- scott pilgrim vs the world, super bad, lady bird, ghostbusters (1984)

—✮ WONBIN aka dumb ( lead vocalist, main guitarist, visual ) overpowering gender for his fan base when it comes to sales - girls overpowering genre for his fan base when it comes to fansigns and social media - girls)

#✿! . . . birthday!- december 25th 2002

#✿! . . . relationship status!- single

#✿! . . . personality description !- wonbin is a very charming guy, he’s a favourite when it comes to fangirls, he tries his best to have this cool aura but yn and jay seem to always bring out the worst in him, he doesn’t write music much but he loves his instruments, he’s the mom of the group he cares about yn and jay’s well beings a bit too much.

#✿! . . .training period ! - five years

#✿! . . .writing credits & producing credits (for other groups) ! -teddy bear (nct dream), hello future (nct dream), trouble (exo), love fool (exo), candy (baekhyun), cry for love (baekhyun) , mmmh(kai)

#✿! . . . fav artists!- wave to earth,colde, childish gambino, frank ocean

#✿! . . . fav movies!- captain America civil war, the outsiders, a nightmare on elm street

—✮ JAEHYUN aka dumbest ( vocalist, guitarist, drummer,song writer, producer ) overpowering gender for his fan base when it comes to sales - girls overpowering genre for his fan base when it comes to fansigns and social media - girls)

#✿! . . . birthday!- february 14th.2003

#✿! . . . relationship status!- single

#✿! . . . personality description !- Jay is the life of the party, very extroverted and he’s always talking, most people underestimate him but he’s soooo talented, he loves to tease and make fun of his other members as the youngest of the group he doesn’t make the job of the leader any easier, he’s the groups bad influence.

#✿! . . .training period ! - five years

#✿! . . .writing credits & producing credits (for other groups) ! -90s love (nct u), okay! (nct u), glitch mode (nct dream), boom (nct 127), favourite (nct 127), ay-yo (nct 127), chill kill (red velvet), drama (aespa), black mamba (aespa),salty & sweet (aespa), bahama (aespa), walk (nct 127)

#✿! . . . fav artists!- wave to earth, arctic monkeys, pierce the veil, radiohead

#✿! . . . fav movies!- child’s play (1988), it (2017), spiderman into the spider verse

#✮— paranoia

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kgoldtemporarygallery · 5 years ago

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Φόρα πάντα τα καλά σου

27/12/2019 — 01/03/2020

Αγία Παρασκευή, Λέσβος

Εγκαίνια: Παρασκευή 27 Δεκεμβρίου 2019, 19:00

Επιμέλεια: Νικόλας Βαμβουκλής

Συμμετέχοντες καλλιτέχνες: Jacopo Benassi, Hypercomf, Alice Mann, Albert Moya, Shalva Nikvashvili, Johanne Stoffersen

Η K-Gold Temporary Gallery παρουσιάζει την έκθεση “Φόρα πάντα τα καλά σου” με τη συμμετοχή επτά Ελλήνων και διεθνών καλλιτεχνών. Μετά από έξι χρόνια νομαδικής δράσης, η παρούσα διοργάνωση σηματοδοτεί νέες κατευθύνσεις στον καλλιτεχνικό και ερευνητικό προγραμματισμό της πλατφόρμας στη μόνιμη στέγη της, στην Αγία Παρασκευή Λέσβου.

Η έκθεση περιλαμβάνει φωτογραφίες, βίντεο και εγκαταστάσεις που διερευνούν τα όρια ανάμεσα στην τέχνη και τον κόσμο της μόδας. Η ένδυση ως ένα ισχυρό εργαλείο έκφρασης, δύναται να μεταμορφώσει και να αποτελέσει σύμβολο επιθυμίας και ενδυνάμωσης. Στην έκθεση, ο στολισμός του ανθρώπινου σώματος ερευνάται ως καθημερινότητα και ως τελετουργία. Ως μια ανάγκη προσωπική και συλλογική, με έντονο το στοιχείο του εφήμερου, που καταδεικνύει διαχρονικά την ανάγκη όλων να καταναλώσουν μέσω των υλικών και των συναισθημάτων τους.

Ζητήματα ταυτότητας και υπερηφάνειας βρίσκονται στο επίκεντρο της φωτογραφικής έρευνας: η Alice Mann εξετάζει τη σχέση ανάμεσα στο παραδοσιακό ένδυμα και τη λατρεία στην αφρικανική διασπορά, ενώ οι εκκεντρικές μάσκες του Γεωργιανού Shalva Nikvashvili δημοσιεύονται στα κοινωνικά δίκτυα και εναντιώνονται στις κοινωνικές προσδοκίες. O γνωστός για την underground αισθητική του Jacopo Benassi φωτογραφίζεται με ρούχα υψηλής ραπτικής των Vivienne Westwood και Claude Montana, διερευνώντας τα όρια της κλασικής και σύγχρονης σωματικότητας. Οι ταξιδιωτικές εικόνες της Johanne Stoffersen εστιάζουν στην ικανοποίηση των αναγκών και την ευχαρίστηση που φέρνουν.

H έκθεση περιλαμβάνει επίσης το φιλμ “BATON” του Ισπανού σκηνοθέτη Albert Moya, μια συνεργασία με τον συγγραφέα Ευθύμη Φιλίππου και τον εμβληματικό σχε��ιαστή Dries Van Noten, γύρω από θέματα εξουσίας και εμμονής στη σημερινή κοινωνία. Τέλος, μια σειρά γλυπτών και χρηστικών αντικειμένων του καλλιτεχνικού διδύμου Hypercomf (Ιωάννης Κολιόπουλος και Πάολα Παλαβίδη) εξερευνούν με χιούμορ τι ορίζεται ως χρήσιμο και τι ως άχρηστο, ενώ παράλληλα ακροβατούν μεταξύ της άνεσης και της δυσφορίας.

Η έκθεση “Φόρα πάντα τα καλά σου” συνοδεύεται από παράλληλες εκδηλώσεις: προβολές, ξεναγήσεις και εκπαιδευτικό πρόγραμμα. Όλες οι δράσεις παρουσιάζονται δωρεάν και είναι ανοιχτές για όλους.

ΠΑΡΑΛΛΗΛΟ ΠΡΟΓΡΑΜΜΑ

Ξενάγηση από τον επιμελητή

Σάββατο 28 Δεκεμβρίου 2019, 17:00

Δημιουργικά εργαστήρια για νέους και ενήλικες, σε επιμέλεια της Κατερίνας Ζάγκλη:

Το πλήρες πρόγραμμα θα ανακοινωθεί τον Ιανουάριο 2020.

ΠΛΗΡΟΦΟΡΙΕΣ

Ωράριο λειτουργίας: Σάββατο & Κυριακή 11:00 — 18:00

και κατόπιν συνεννόησης στο τηλ. 6974167473

Διεύθυνση: Αγία Παρασκευή, 81102 Λέσβος

Με την υποστήριξη του Ιδρύματος Αστερίας, του Open Society Foundations και του Κοινωφελούς Ιδρύματος Κοινωνικού & Πολιτιστικού Έργου.

Always wear your best

27/12/2019 — 01/03/2020

Agia Paraskevi, Lesvos

Opening: Friday 27 December 2019, 19:00

Curated by Nicolas Vamvouklis

Participating artists: Jacopo Benassi, Hypercomf, Alice Mann, Albert Moya, Shalva Nikvashvili, Johanne Stoffersen

K-Gold Temporary Gallery presents the exhibition "Always wear your best," with the participation of seven Greek and international artists. After six years of nomadic activity, this event marks new directions in the artistic and research programming of the Gallery in a permanent space in Agia Paraskevi, Lesvos.

The exhibition includes photography, video and installation that explores the boundaries between the worlds of art and fashion. Clothing, as a powerful tool of expression, can transform to become a symbol of desire and empowerment. In this show, the adornment of the human body is examined as a daily routine, a ritual, and a personal and collective need which, over time, demonstrates the urge to consume through materials and emotions.

Issues of identity and pride are situated at the heart of this photographic research. Alice Mann examines the relationship between traditional dress and worship in the African diaspora, while Shalva Nikvashvili's eccentric masks are posted on social media, subverting social expectations. Jacopo Benassi, known for his underground aesthetics, is photographed in high fashion clothes by Vivienne Westwood and Claude Montana in an exploration of the extremes of classical and contemporary physicality. Johanne Stoffersen's travel imagery focuses on desire and pleasure.

The exhibition also includes the film "BATON" by Spanish director Albert Moya, a collaboration with writer Efthymis Filippou and the iconic designer Dries van Noten, which investigates power and obsession in today's society. Finally, a series of sculptures and functional objects by the duo Hypercomf (Ioannis Koliopoulos and Paola Palavidi) humorously explore the notions of useful and useless, comfort and discomfort.

The exhibition "Always wear your best" is accompanied by a series of parallel events: screenings, guided tours and an educational program. The events are free and open to all.

PARALLEL EVENTS

Guided tour with the curator

Saturday 28 December 2019, 17:00

Workshops for children and adults by art educator Katerina Zagkli:

The full schedule will be announced in January 2020.

INFORMATION

Opening hours: Saturday & Sunday, 11:00 - 18:00

and by appointment: tel. +30 6974167473

Address: Agia Paraskevi, 81102 Lesvos, Greece

With the support of the Starfish Foundation, Open Society Foundations, and the Social & Cultural Affairs Welfare Foundation.

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patcouture · 4 years ago

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Reference List

Lauren Alexis Fisher and Jennifer Algoo, March 2019, 80’s trend, available @

https://www.harpersbazaar.com/fashion/trends/g6549/80s-fashion-photos/?slide=10

[accessed on 26/3/2020]

Sarah Sheehan, aug 2011, vogue pattern, available @

https://blog.pattern-vault.com/2011/08/29/christian-lacroix-vogue-patterns/ [accessed on 26/3/2020]

tamumcpherson, 2020, Neiman Marcus dress, available @

https://www.whowhatwear.co.uk/rotate-fashion-brand/slide4 [accessed on 26/3/2020]

chook digital agency-04-13,80s Timeline available@

https://www.nationalgeographic.com.au/history/the-80s-timeline.aspx

Charlie teather-22-01-20, 80s Fashion Icons,

available@https://www.glamourmagazine.co.uk/gallery/80s-style-icons accessed on 28/03/20

Laura Tortora-3/8/11-Vivian Westwood 80s Designs, available@

https://www.vogue.it/en/people-are-talking-about/vogue-arts/2011/08/03/vivienne-westwood-exhibition?refresh_ce=#ad-image71388 -accessed on 29/3/20

WGSN Catwalks team/02/12/20, New York Fashion Week: Catwalk Need to Know A/W 20/21-Available@: https://www.wgsn.com/content/board_viewer/#/86274/page/8 -accessed 29/3/20

Ulla Johnson 2020 Collection—Available@:

https://ullajohnson.com/collections/ready-to-wear?page=2-Accessed 30/03/20

Joey Wong-03/13/20-Collection Review: Women’s Key Items A/W 20/21-Skirts-Available at:

https://www.wgsn.com/content/board_viewer/#/86474/page/9--Accessed-30/03/20

Anna Ross/Joey Wong-23/03/20-Collection Review: Women’s Key Items A/W 20/21—Dresses-Available@https://www.wgsn.com/content/board_viewer/#/86487/page/9-Accessed on-30/03/20

Christa Kaufmann—19/03/20- Collection Review: Women & Young Women’s Key Items A/W 20/21—Jackets &…. Available@https://www.wgsn.com/content/board_viewer/#/86627/page/8https://www.wgsn.com/content/board_viewer/#/86627/page/8 -Accessed on-30/03/20

Poshmark-03/2020-Chistian Dior 80s Suit -Available@https://poshmark.com/listing/Size-2-Christian-Dior-Power-Suit-EUC-Vintage-80s-5ae28ebf84b5ce72d353122c-Accessed on- 01/04/20

The guardian-10/04/13-Margarete Thatcher-Her fashion legacy in pictures-Available@

https://www.theguardian.com/fashion/gallery/2013/apr/10/margaret-thatcher-her-fashion-legacy-in-pictures -Accessed on- 02/04/20

Sarah Lindig-04/18/19- Power Dressing 2019-Available@https://www.thezoereport.com/p/power-dressing-in-2019-10-successful-women-weigh-in-on-what-it-means-17036992-Accesed on-06/04/20

Anna Ross/Laura Yiannakou-Women’s Style Trend Concept A/W 21/22/: Phantasmagoria-Available@ https://www-wgsn-com.ezproxy.bcu.ac.uk/content/board_viewer/#/85796/page/10

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verynicho-blog · 7 years ago

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J E F F E R S O N I H E N A C H O

Coleccionista y amante del vintage exclusivo, convierte su pasión en su profesión. Dentro de la industria de la moda el perfil de archivista no solo se encuentra en grandes museos o en las mejores casas de moda. Jefferson Ihenacho, de origen Nigeriano y afincado en Londres, archiva, documenta, vende y protege sus tesoros en una pequeña tienda del 259 en Portobello Rd, Londres.

Su primer contacto con la moda se remonta cuando de niño ayudaba a su madre a vender collares y pulseras en su pueblo natal en Nigeria. Desde entonces no ha parado de cosechar triunfos personales. Su gusto por el coleccionar le valió para cosechar un archivo de prendas de dimensiones considerables, concretamente almacena más de 5.000 piezas. ‘Pasé mucho tiempo suministrando prendas insólitas, buscando y viajando para encontrar mujeres fabulosas con armarios fabulosos’.

Sus proveedores han sido siempre mujeres, excéntricas, acaudaladas y de gustos poco convencionales. Desde la mitad de los 80 hasta principios de los 2000, Jefferson aglutina de lo mejorcito lo mejor. Prendas únicas, irrepetibles y de mucho culto. Desde la codiciada colección punk de Worlds Ends de Vivienne Westwood y Malcolm McLaren hasta piezas museísticas de principios del siglo XX.

One of a kind es el nombre que recibe la tienda que alberga tales joyas. La cueva de Alí Babá del retro conceptual que abrió su puertecita en 1994 en el barrio londinense de los anticuarios por excelencia: Notting Hill. Su merecida reputación se la debe a la estrategia de posicionamiento más antigua que se conoce: el boca a boca. El auténtico who is who de esta industria, tan nicho como el producto que vende, en la que se premia en voz baja lo independiente, desconocido e inalcanzable.

Hubo una época en que ser diferente del resto molaba. Las it-girls de los 90 acudían en secreto a Jefferson para no repetir modelito en las alfombras rojas. La jet set, los más cool de Londres iban de incognito a comprarse un vestido de Yves Saint Laurent de 1978, o un corsé pedrería-fantasía de Jeanne Lanvin de 1968. Su clientela buscaba la exclusividad por encima de todo, porque Sienna Miller no quería ver como Winona Ryder le copiaba el conjunto. También Kate Moss y Naomi Campbell pasaban las tardes entre Balenciagas de los 60, o las primeras colecciones tridimensionales de Issey Miyake.

Porque el éxito de Ihenacho no solo reside en coleccionar celebs que funcionan como reclamo aspiracional. Si no por su curadísima selección de piezas, que cuanto más raras, mejor. Abarca todas las grandes firmas, tanto clásicas como conceptuales, pero el escoge la fantasía, la reliquia, el Haute Couture vintage.

Collage 01 Bolso Chanel, Vestido Yohji Yamamoto AW 1998, Botas Vivienne Westwood c. 1993

Collage 02 Collar John Galliano para Christian Dior HC AW 2001, Chaleco Moschino c. 1990, Botas Alexander McQueen SS 2003

Collage 03 Brazalete Chanel c. 1980, sueter Maison Martin Margiela AW 1998, vestido Paco Rabanne, zapatos Comme Des Garcons AW 2000

Collage 04 Sombrero Vivianne Westwood c. 1985, Busto de Laura Morgan por Alexander McQueen c. 2001, Sostén Azzedine Alaïa c. 1992, zapatos Prada c. 1990.

One Of A Kind es la meca a la que peregrinan diseñadores, estilistas, creativos, comisarios y coleccionistas fanáticos que buscan inspiración. Es la parada obligatoria, bajo cita previa, de cualquier entendido que quiera soñar con los ojos abiertos.

Durante más de 15 años el equipo de Ihenacho ha asesorado, a modo de consultoría, a revistas como Vogue UK para sesiones de fotos, unas veces como estilistas, y otras tantas cediendo prendas. También han contribuido con instituciones culturales, por su gran labor de mantenimiento, preservación y documentación, y por el alto valor histórico de su archivo. En 2016 la galería de arte Barbican propuso la exhibición The Vulgar: Fashion Redefined, que examinaba la evolución de la vulgaridad planteando el buen o mal gusto en la moda. El legado que atesora Ihenacho fue de gran ayuda para que esta revisión histórica fuera posible.

Este perfil juega un papel muy importante en la industria de la moda. Por una parte, inspira y fascina a la clientela más chic. Por otra parte, documenta y vende un archivo nicho-conceptual, crucial para entender de dónde venimos. En algún sentido es el archivista de las estrellas, una catalogación que nos permite conocer mejor una profesión que se aleja, un rato largo, del rancio mundo vintage en el que vivimos hoy en día.

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time-and-table · 6 years ago

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danielkibbey-blog · 7 years ago

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Evaluation Reflection

Thinking…

01/ In your own words, how did understand the problem you were asked to solve?

To begin the assignment, I started off reading through the brief thoroughly, highlighting any key information required in this task. This breakdown of information, insured I understood the depth of research needed before idea generation could begin. In order to show the context in my work, I researched into the background behind the punk subculture in the 1970s.

02/ Who were you designing or producing work for?

This brief was given to me by UNESCO for world poetry day to promote a poet for world poetry day. I therefore had to create visual representation of my chosen poets work in a specific style that suited the context of the poet and the subject matter of the poem itself. The poet I chose was John Cooper Clarke. He was known as the punk poet and is one of the highest rated influential contemporary poets of the 20th and 21st century. I chose him as his poetry is extremely visual and by listening to him express his thoughts as a performance poet you can really understand his emotion about what is happening.

03/ What relevant theory, reading or research underpinned your approach to solving the problem?

The modules theory began by considering the anatomy of type which was real help as now I feel more confident with the technical aspects of design. As a side project for the main brief we were asked to create a magazine article on modern contemporary architecture this not only allowed me to learn how to layout type but also allowed me to practice my photography skills and editing around Manchester which is an area I’ve had less experience in. In terms of reading really indulged into the punk concept by reading books documenting the trends in art, fashion, music and media which was important when it came to source the images and design styles for later in my work. I also watched documentary’s and films portraying what life was like in the late 70s and 80s. I used work created in a workshop focused around collage and layering put through riso-printer this worked very well as it is in keeping with the punk style that would have been contemporary in the 70s and the overall image of one color printed gave the design a very vibrant almost “toxic” texture to use as a background in future pieces. I documented this research within both a digital sketchbook (blog) and a traditional sketchbook which worked best when collecting imagery for both mediums.

04/ What were the best ideas you came up with and how do you know that?

I felt my best ideas came from those more hands-on methods of designing as it was in keeping with the “make do and mend” attitude of Punk era which was ultimately derived from poverty and the social economic problems at the times. I knew these as my best work, as I feel it almost mirrors other designers work from that time in terms of style. What I wanted to create was a design that reflected on these elements but refined them through technology that wasn’t available at the time.

Doing…

05/ How did you develop your ideas before choosing a particular one to produce?

My idea generation was ultimately made up of the influence of other designers at that time period as a source of inspiration. This allowed me to adapt to their own styles before creating something that tries to in compass them all with my own design flair. Whilst also reflecting on how the Punk era has evolved to the modern world.

06/ Which relevant practitioners did you study in order to validate your personal reasoning?

I started off by studying designers notorious for being “out there” or daring with their designs which helped shape what we know as punk culture today. Defining figures like Jamie Reid, Barney Bubbles, Malcom McLaren and Vivienne Westwood. All famed for their influences on the culture at the time be that through music, art or fashion. Then I decided to delve more into today’s Punk modern artists that explore techniques that appear as if they come from culture but were developed far later. Artist’s like Neville Brody and David Carson. These artists although linked by style of work have their own unique tastes to the culture and provide an excellent source of inspiration when it comes to developing different layouts, typography techniques or layering methods.

07/ What editing process did you use to choose the preferred solution?

Throughout this project I focused mainly on refining my work photoshop as this was useful in editing and defining details that otherwise may have gone un-noticed. This also allowed me to create a buildup of different effects which were useful in merging the layers of my final piece.

Making…

08/ How did you go about producing your solution/s and why?

So, the making of my final piece is ultimately built up of layers that reflect different areas of the culture I wanted to touch upon. The first begins with a very expressive paint “splattered” layer which is meant to illustrate the popular “clash” style which was a fashion at their music events. It then moves on too three layers of collage which ultimately capture turning events that defined this era with popular or in popular figures that were often seen in imagery in punk culture. I then used another layer with cut up newspaper and magazine extracts to mimic the punk typeface. I finally placed a pane of Perspex usually used for etching with a stenciled paint over the top to reflect the graffiti like style of the time. This image is main focal point and I wanted to portray it behind glass over the top of the background to relate to the poems tone of feeling trapped with in the society at the time. Originally, I rendered the design to an a2 size however I then decided to relate the poster to an LP album cover size mimicking the heritage behind the poem.

In the whole process…

10/ What was successful and why?

My research behind the project was successful in detailing the back story and motive behind the poetry project this was successful down to the amount of different approaches I explored. I found the problem solving in the magazine spread for “akitekt” was very successful as its an area I’ve never really explored, and I think I managed and developed my ideas confidently whilst learning new skills in typography and photography.

11/ What was unsuccessful and why?

Overall, I feel the project could have explored much further detail which would have added to the final piece. I would have liked to have created this project in other medias like developing it in video or Virtual Reality as I feel there was more that could have been added here.

12/ How will you modify or change your approach in future?

In future I feel I could add more to the planning of the project as the weeks unfolded its this kind of structure I feel could have directed the project further towards a greater end goal and allowed me to develop other ideas with the time allowing in the process.

0 notes

georginamarsdenfmp · 7 years ago

Photo

ToThe9s Lookbook Research:

ToThe9s. (2017). Spring Lookbook. [Online Video]. 27 March 2017. Available from: https://www.youtube.com/watch?v=3glj6uTr2OU. [Accessed: 30 April 2017].

YouTube. 2017. ToThe9s - YouTube. [ONLINE] Available at: https://www.youtube.com/user/dresstotheniness/about. [Accessed 30 April 2017].

SoundCloud. 2017. Gill Bondy - So Alive by Majestic Color | Free Listening on SoundCloud. [ONLINE] Available at: https://soundcloud.com/majesticcolor/gill-bondy-so-alive. [Accessed 30 April 2017].

Lazy Oaf Lookbook Research:

Lookbook. 2017. Lookbook. [ONLINE] Available at: http://www.lazyoaf.com/no-chance-romance-womens. [Accessed 30 April 2017].

Lookbook. 2017. No Chance Romance - Lazy Oaf Autumn 2016. [ONLINE] Available at: http://www.lazyoaf.com/story/no-chance-romance-lazy-oaf-autumn-2016/. [Accessed 30 April 2017].

Bio. 2017. Bio. [ONLINE] Available at: http://www.lazyoaf.com/bio. [Accessed 30 April 2017].

Vivienne Westwood Lookbook Research:

Vivienne Westwood designs - Victoria and Albert Museum. 2017. Vivienne Westwood designs - Victoria and Albert Museum. [ONLINE] Available at: http://www.vam.ac.uk/content/articles/v/vivienne-westwood-designs/. [Accessed 11 May 2017].

Biography.com. 2017. Vivienne Westwood - Fashion Designer - Biography.com. [ONLINE] Available at: http://www.biography.com/people/vivienne-westwood-20624587. [Accessed 11 May 2017].

British Vogue. 2017. Vivienne Westwood Biography & Fashion Facts (Vogue.com UK) | British Vogue. [ONLINE] Available at: http://www.vogue.co.uk/article/vivienne-westwood-biography. [Accessed 11 May 2017].

Vivienne Westwood. 2017. Vivienne Westwood | Official Website. [ONLINE] Available at: http://www.viviennewestwood.com/en-gb. [Accessed 11 May 2017].

British Vogue. 2012. Vivienne Westwood Red Label Spring/Summer 2013 Ready-To-Wear show report | British Vogue. [ONLINE] Available at: http://www.vogue.co.uk/shows/spring-summer-2013-ready-to-wear/vivienne-westwood-red-label/. [Accessed 11 May 2017].

Caren. 2017. Vivienne Westwood SS13 Red Label Lookbook - Marcia Lee - Caren. [ONLINE] Available at: http://www.caren.co.uk/vivienne-westwood-ss13-red-label-lookbook-marcia-lee/. [Accessed 11 May 2017].

Jack Wills Lookbook Research:

Jack Wills. (2016). Jack Wills Autumn 2016. [Online Video]. 11 August 2016. Available from: https://www.youtube.com/watch?v=OA71SkLvAtQ. [Accessed: 1 May 2017].

Quantiv. 2017. Jack Wills | Quantiv . [ONLINE] Available at: http://www.quantiv.com/customers/jack-wills/. [Accessed 11 May 2017].

Jack Wills. 2017. Jack Wills. [ONLINE] Available at: http://www.jackwills.com/about-us/history/?awc=2992_1494490094_405bc8fbe3cebfe4155c4c3c2d71da84&utm_campaign=affiliates&utm_medium=affiliates&utm_source=t.umblr.com&utm_content=Sub+Networks&utm_term=affiliates. [Accessed 11 May 2017].

Trends Research:

British Vogue. 2017. Spring/Summer 2017 Fashion Trends Guide | British Vogue. [ONLINE] Available at: http://www.vogue.co.uk/gallery/spring-summer-2017-fashion-trends. [Accessed 11 May 2017].

WhoWhatWear UK. 2017. Spring/Summer 2017 Fashion Trends: The 7 Looks You Need to Know | WhoWhatWear UK. [ONLINE] Available at: http://www.whowhatwear.co.uk/spring-summer-2017-fashion-trends/slide7. [Accessed 11 May 2017].

ELLE. 2017. Summer 2017 Fashion Trends - Guide to Spring and Summer Styles. [ONLINE] Available at: http://www.elle.com/fashion/trend-reports/g28728/spring-2017-fashion-trends/?slide=1. [Accessed 11 May 2017].

Cosmopolitan. 2017. Spring summer 2017 fashion trends. [ONLINE] Available at: http://www.cosmopolitan.com/uk/fashion/a46659/spring-summer-2017-fashion-trends/. [Accessed 11 May 2017].

Fashion Styling Book Research:

Dingemans, J, 1999. Mastering Fashion Styling (Palgrave Master) (Palgrave Master Series). 1999. Palgrave. Page 6, 7, 25, 27, 63, 67, 70, 77, 107.

Directing Book Research:

Fairweather, R, 1998. Basic Studio Directing (Media Manuals). 1. Focal Press. Page 10, 12, 14, 26, 29, 42, 44, 84, 86.

VHS Research:

N.. (2010). '97-'98 Recovered VHS Footage. [Online Video]. 1 June 2010. Available from: https://www.youtube.com/watch?v=qlckYhlBsKQ. [Accessed: 3 May 2017].

The VHS | The History of the Video Home System. 2017. The VHS | The History of the Video Home System. [ONLINE] Available at: http://mroche.umwblogs.org. [Accessed 11 May 2017].

Death By Films. 2017. VHS and Home Video - The Story of it's Rise and Fall - Death By Films. [ONLINE] Available at: http://www.deathbyfilms.com/the-rise-and-fall-of-vhs-and-home-video. [Accessed 11 May 2017].

Andrea Allen. (2015). Camp Vimeo | VHS footage. [Online Video]. 24 August 2015. Available from: https://vimeo.com/137183350. [Accessed: 3 May 2017].

Blogger Interview:

Katie Peake. 2017. The Silver Mermaid. [ONLINE] Available at: https://thesilvermermaidxo.wordpress.com/. [Accessed 4 May 2017].

Book Research:

Jolliffe, G, 2004. The Guerilla Film Makers Handbook (All New American Edition). Revised. Bloomsbury Academic. Page 38, 200, 204, 205, 356.

Gates, R, 2013.Published 1992. Production Management for Film and Video. 3. Focal Press. Page 20.

Moore, G, 2012. Basics Fashion Management 02: Fashion Promotion: Building a Brand Through Marketing and Communication. 0. AVA Publishing. Page 95, 106.

Amelia Jane Lookbook Research:

Amelia Jane London. 2017. Amelia Jane London | Lookbook. [ONLINE] Available at: https://www.ameliajanelondon.com/look-books/. [Accessed 11 May 2017].

Electra Heart Research:

Marina and the Diamonds Wiki. 2017. Electra Heart (character) | Marina and the Diamonds Wiki | Fandom powered by Wikia. [ONLINE] Available at: http://marinaandthediamonds.wikia.com/wiki/Electra_Heart_(character). [Accessed 11 May 2017].

Marina and the Diamonds Wiki. 2017. Electra Heart | Marina and the Diamonds Wiki | Fandom powered by Wikia. [ONLINE] Available at: http://marinaandthediamonds.wikia.com/wiki/Electra_Heart. [Accessed 11 May 2017].

Marina and the Diamonds Wiki. 2017. Category:Archetypes | Marina and the Diamonds Wiki | Fandom powered by Wikia. [ONLINE] Available at: http://marinaandthediamonds.wikia.com/wiki/Category:Archetypes. [Accessed 11 May 2017].

YouTube. 2017. Marina and The Diamonds - YouTube. [ONLINE] Available at: https://www.youtube.com/user/Marinaandthediamonds/videos. [Accessed 11 May 2017].

Marina And The Diamonds. (2011). MARINA AND THE DIAMONDS | PART 3: ♡ "THE ARCHETYPES" ♡. [Online Video]. 15 December 2011. Available from: https://www.youtube.com/watch?v=Ww8lYVerLo4. [Accessed: 8 May 2017].

Marina And The Diamonds. (2012). MARINA AND THE DIAMONDS | PART 4: ♡ "PRIMADONNA" ♡. [Online Video]. 12 March 2012. Available from: https://www.youtube.com/watch?v=Gj5L9SYhoSE. [Accessed: 8 May 2017].

Marina And The Diamonds. (2012). Marina And The Diamonds - Homewrecker[Acoustic]. [Online Video]. 30 March 2012. Available from: https://www.youtube.com/watch?v=VmOO5Y1wiIA. [Accessed: 8 May 2017].

MuuMuse. 2017. Marina And The Diamonds: Electra Heart (Album Review). [ONLINE] Available at: https://www.muumuse.com/2012/04/marina-and-the-diamonds-electra-heart-album-review.html/. [Accessed 08 June 2017].

Tumblr. 2017. T H E : A R C H E T Y P E S : Photo. [ONLINE] Available at: http://electraheart.tumblr.com/image/54201785638. [Accessed 08 June 2017].

Exhibition:

What's On | Museum & Art Gallery | Birmingham Museums . 2017. What's On | Museum & Art Gallery | Birmingham Museums . [ONLINE] Available at: http://www.birminghammuseums.org.uk/bmag/whats-on/i-want-i-want. [Accessed 11 May 2017].

Music Research:

YouTube. 2017. [ONLINE] Available at: https://www.youtube.com. [Accessed 11 May 2017].

SoundCloud. 2017. SoundCloud – Listen to free music and podcasts on SoundCloud. [ONLINE] Available at: https://www.soundcloud.com. [Accessed 11 May 2017]

Pastel Research:

Eiseman, L, 2011. Pantone: The Twentieth Century in Color. First Printing. Chronicle Books. Page 98,106,162.

Cosmopolitan. 2017. How to Wear Pastels - Pastel Colors Outfit Ideas. [ONLINE] Available at: http://www.cosmopolitan.com/style-beauty/fashion/advice/a5985/pastel-outfit-inspiration/. [Accessed 21 May 2017].

BBC - Homes - Design - Art nouveau period style. 2017. BBC - Homes - Design - Art nouveau period style. [ONLINE] Available at: http://www.bbc.co.uk/homes/design/period_artnouveau.shtml. [Accessed 21 May 2017].

The Meaning of Colors. 2017. The Meaning of Colors. [ONLINE] Available at: http://changingminds.org/disciplines/communication/color_effect.htm. [Accessed 21 May 2017].

SampleBoard. 2017. Art Nouveau Style | How to create the Art Nouveau look - SampleBoard. [ONLINE] Available at: http://blog.sampleboard.com/2011/03/29/art-nouveau-style-how-to-create-the-art-nouveau-look/. [Accessed 21 May 2017].

Color + Design Blog / Classic Colors: Art Nouveau by COLOURlovers :: COLOURlovers. 2017. Color + Design Blog / Classic Colors: Art Nouveau by COLOURlovers :: COLOURlovers. [ONLINE] Available at: http://www.colourlovers.com/blog/2008/08/28/classic-colors-art-nouveau. [Accessed 21 May 2017].

Lolita:

IMDb. 2017. Lolita (1997) - IMDb. [ONLINE] Available at: http://www.imdb.com/title/tt0119558/. [Accessed 21 May 2017].

ELLE. 2017. Dressing Like Lolita - School Girl Fashion in Fall 2014. [ONLINE] Available at: http://www.elle.com/fashion/personal-style/a12877/lolita-for-life/. [Accessed 21 May 2017].

Fashion In Film: Lolita (1997). 2017. Fashion In Film: Lolita (1997). [ONLINE] Available at: http://www.quirkygirlfriend.com/lolita-film-fashions/. [Accessed 21 May 2017].

Make-up designs:

Blue Eyeshadow - Google Search. 2017. blue eyeshadow - Google Search. [ONLINE] Available at: https://www.google.co.uk/search?q=blue+eyeshadow&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiF-YKqp4nUAhWCDcAKHX_xDWUQ_AUICigB&biw=1024&bih=639#imgdii=RZ93a8Ek4XkTqM:&imgrc=UxR5jr-2BP-Q0M:. [Accessed 24 May 2017].

Hair Designs:

ClothesEncounters. (2017). Wake Up With Me | My Morning + Workout Routine. [Online Video]. 21 May 2017. Available from: https://www.youtube.com/watch?v=P7UVy2cx09M. [Accessed: 12 May 2017].

80s Hair - Google Search. 2017. 80s hair - Google Search. [ONLINE] Available at: https://www.google.co.uk/search?biw=1024&bih=639&tbm=isch&sa=1&q=80s+hair+scrunchies&oq=80s+hair+scrunchies&gs_l=img.3..0.3373.5661.0.5747.11.9.0.0.0.0.207.768.0j2j2.4.0....0...1.1.64.img..7.4.764...0i24k1.cswlgCUsfIU. [Accessed 24 May 2017].

Location Research:

Stone Tennis and Squash Club. 2017. JOIN TODAY. [ONLINE] Available at: http://www.sltc.org.uk/join-today.html. [Accessed 11 May 2017].

Organising The Video:

ACCU Weather. 2017. ACCU Weather - Stone [ONLINE] Available at: http://www.accuweather.com/en/gb/stone/st15-0/may-weather/325679 [Accessed 14 May 2017]

BBC Weather. 2017. BBC Weather - Stone. [ONLINE] Available at: http://www.bbc.co.uk/weather/2636822. [Accessed 14 May 2017].

TrendSetter Research:

Fashion Trendsetter. 2017. Porsche Design Spring/Summer 2017 Look Book for Womenswear ‹ Fashion Trendsetter. [ONLINE] Available at: http://www.fashiontrendsetter.com/v2/2017/02/18/porsche-design-summer-2017-lookbook-womenswear/. [Accessed 25 May 2017].

Fashion Trendsetter. 2017. MAREDAMARE Beachwear Trends for 2017 ‹ Fashion Trendsetter. [ONLINE] Available at: http://www.fashiontrendsetter.com/v2/2016/06/29/maredamare-beachwear-trends-for-2017/. [Accessed 25 May 2017].

Fashion Trendsetter. 2017. Pantone Color of the Year 2017: PANTONE 15-0343 Greenery ‹ Fashion Trendsetter. [ONLINE] Available at: http://www.fashiontrendsetter.com/v2/2016/12/08/pantone-color-of-the-year-2017-pantone-15-0343-greenery/. [Accessed 25 May 2017].

Final Music Choices:

YouTube. 2017- YouTube. [ONLINE] Available at: https://www.youtube.com. [Accessed 24 May 2017].

theartistunion.com. 2017. [ONLINE] Available at: https://theartistunion.com/tracks/569b60. [Accessed 24 May 2017].

SoundCloud. 2017. Majestic Color | Free Listening on SoundCloud. [ONLINE] Available at: https://soundcloud.com/majesticcolor/tracks. [Accessed 24 May 2017].

SoundCloud. 2017. something cute and happy by elijah who | Free Listening on SoundCloud. [ONLINE] Available at: https://soundcloud.com/elijahwho/somethingcuteandhappy. [Accessed 24 May 2017].

General Moodboard Imagery:

Desktop wallpapers & photos / nature. 2017. Summer fields / 1920 x 1200 / Nature / Photography | MIRIADNA.COM. [ONLINE] Available at: http://miriadna.com/preview/summer-fields. [Accessed 08 June 2017].

DeviantArt. 2017. rin037 (Rin) | DeviantArt. [ONLINE] Available at: http://rin037.deviantart.com. [Accessed 08 June 2017].

House of Valentina. 2017. Blog - House of Valentina. [ONLINE] Available at: http://www.houseofvalentina.com/blog/. [Accessed 08 June 2017].

Clothes Moodboard Imagery:

pink, pink things, fashion, pastel, clothes - image #4253203 by haidianaa on Favim.com . 2017. pink, pink things, fashion, pastel, clothes - image #4253203 by haidianaa on Favim.com . [ONLINE] Available at: http://favim.com/image/4253203/. [Accessed 08 June 2017].

Storenvy. 2017. Home · Cute Kawaii ｛harajuku fashion} · Online Store Powered by Storenvy. [ONLINE] Available at: http://cuteharajuku.storenvy.com. [Accessed 08 June 2017].

Make-Up Moodboard Imagery:

Pretty Designs. 2017. 17 Lovely Pastel Makeup Ideas - Pretty Designs. [ONLINE] Available at: http://www.prettydesigns.com/17-lovely-pastel-makeup-ideas/. [Accessed 08 June 2017].

YouTube. 2017. YouTube. [ONLINE] Available at: http://www.youtube.com/watch?v=xcKzcmbkeA. [Accessed 08 June 2017].

YouTube. 2017. YouTube. [ONLINE] Available at: http://www.youtube.com/watch?v=PSHafZQTDtl. [Accessed 08 June 2017].

mugeek.vidalondon.net. 2017. Natural Eye Makeup - Mugeek Vidalondon. [ONLINE] Available at: http://mugeek.vidalondon.net/natural-eye-makeup/. [Accessed 08 June 2017].

Hair Moodboard Imagery:

Anh Co Tran Hairstylist Layered Long Bob. 2017. Anh Co Tran Hairstylist Layered Long Bob. [ONLINE] Available at: http://www.refinery29.uk/anh-co-tran-layered-long-bob?utm_r29_redirect=uk. [Accessed 08 June 2017].

Glamour Magazine. 2017. 10 Easy Summer Hairstyles - Best Hairstyle Trends for Summer 2016 | Glamour. [ONLINE] Available at: http://www.glamour.com/gallery/best-hairstyle-trends-for-summer. [Accessed 08 June 2017].

Styles Weekly. 2017. 16 Super Cute Space Bun Hairstyles You Can Try This Year | Styles Weekly. [ONLINE] Available at: http://stylesweekly.com/super-cute-space-bun-hairstyles/. [Accessed 08 June 2017].

Fox In Flats. 2017. 5 pigtail hairstyles you can wear without being confused for your daughter - Fox In Flats. [ONLINE] Available at: http://www.foxinflats.com.au/2011/06/pigtails. [Accessed 08 June 2017].

Lighting Moodboard Imagery:

The Golden Hour in Photography | Photography Mad. 2017. The Golden Hour in Photography | Photography Mad. [ONLINE] Available at: http://www.photographymad.com/pages/view/the-golden-hour-in-photography. [Accessed 10 June 2017].

CHASE ZALEWSKI. 2017. CHASE ZALEWSKI. [ONLINE] Available at: http://chasezzz.tumblr.com/. [Accessed 10 June 2017].

The Beat: A Blog by PremiumBeat. 2017. Cinematography Tip: How to Create Soft Diffused Light. [ONLINE] Available at: https://www.premiumbeat.com/blog/cinematography-tip-how-to-create-soft-diffused-light/. [Accessed 10 June 2017].

Amateur Photographer. 2017. Natural light photography: tips for shooting natural light portraits. [ONLINE] Available at: http://www.amateurphotographer.co.uk/technique/portrait_photography/natural-light-photography-tips-for-shooting-natural-light-portraits-72129. [Accessed 10 June 2017].

Poses Moodboard Imagery:

Career Girl Daily. 2017. Outfit Of The Day: 6 Tips For Your Perfect Instagram Fashion Picture. [ONLINE] Available at: http://www.careergirldaily.com/outfit-of-the-day-7-tips-for-your-perfect-instagram-fashion-picture/. [Accessed 10 June 2017].

VISUALIZING.FASHION. 2017. Vogue-China-March-2017-Gigi-Hadid-by-Patrick-Demarchelier-05 – VISUALIZING.FASHION. [ONLINE] Available at: http://visualizing.fashion/wp/vogue-china-march-2017-gigi-hadid-by-patrick-demarchelier-05/. [Accessed 10 June 2017].

Accesories Moodboard Imagery:

Silence in the City. 2017. Silence in the City. [ONLINE] Available at: http://vogue-escapades.tumblr.com/post/49436645724. [Accessed 10 June 2017].

Sandrah Hellberg for Guess Accessories Ad Campaign (Spring 2012) photoshoot 3645. 2017. [ONLINE] Available at: http://celebsvenue.com/sandrah-hellberg-for-guess-accessories-ad-campaign-spring-2012-photoshoot-21-hq-pictures-hd-video-backstage/. [Accessed 10 June 2017].

LES FAÇONS. 2017. Max Mara Fall 2016 Accessories Ad Campaign | LES FAÇONS. [ONLINE] Available at: http://lesfacons.com/2016/06/28/max-mara-fall-2016-accessories-ad-campaign/. [Accessed 10 June 2017].

Props Moodboard Imagery:

SHOP-AHOLICS ANONYMOUS: FASHION PHOTOGRAPHY pet props PART 1. 2017. SHOP-AHOLICS ANONYMOUS: FASHION PHOTOGRAPHY pet props PART 1. [ONLINE] Available at: http://shop-aholicsanonymous.blogspot.co.uk/2012/05/fashion-photography-pet-props-part-1.html. [Accessed 10 June 2017].

TrendHunter.com. 2017. Youthful Prop Editorials : Vogue Japan June 2012. [ONLINE] Available at: https://www.trendhunter.com/trends/vogue-japan-june-2012. [Accessed 10 June 2017].

Promotional Postcards Moodboard:

Marketing Postcard Templates - Canva. 2017. Marketing Postcard Templates - Canva. [ONLINE] Available at: https://www.canva.com/templates/postcards/marketing/. [Accessed 10 June 2017].

Hansell Design. 2017. Jewellery brochure design - Bill Skinner. [ONLINE] Available at: http://www.hanselldesign.co.uk/blog/portfolio-item/jewellery-brochure-design/#.WTvDNRPyvOQ. [Accessed 10 June 2017].

Designz by Jamz. 2017. Print Design Is Still An Effective Marketing Tool. [ONLINE] Available at: http://www.designzbyjamz.com/print-design-is-still-an-effective-marketing-tool/. [Accessed 10 June 2017].

Lookbook Spreads Moodboard:

Bashooka. 2017. 20 Gorgeous InDesign Lookbook Template Designs | Web & Graphic Design | Bashooka. [ONLINE] Available at: http://bashooka.com/print-design/20-gorgeous-indesign-lookbook-template-designs/. [Accessed 10 June 2017].

GraphicRiver. 2017. Lookbook Template by tontuz | GraphicRiver. [ONLINE] Available at: https://graphicriver.net/item/lookbook-template/15315869?ref=pxcr&clickthrough_id=1022474290&redirect_back=true. [Accessed 10 June 2017].

Jayce-o-Yesta. 2017. 45+ Beautiful Fashion Lookbook Designs - Jayce-o-Yesta. [ONLINE] Available at: http://jayce-o.blogspot.com/2013/09/45-beautiful-fashion-lookbook-designs.html. [Accessed 10 June 2017].

Video Editing:

A girls guide to life ♡: How to make your desktop cuter ♡ . 2017. A girls guide to life ♡: How to make your desktop cuter ♡ . [ONLINE] Available at: http://jasmineblu.blogspot.co.uk/2015/01/how-to-make-your-desktop-cuter.html. [Accessed 11 June 2017].

RocketStock. 2017. Fake VHS Look - Free AE Template - RocketStock. [ONLINE] Available at: https://www.rocketstock.com/free-after-effects-templates/how-to-fake-a-vhs-look-in-after-effects/. [Accessed 11 June 2017].

Justin Odisho. (2017). How to create a VHS VCR Camcorder Video Look in Adobe Premiere Pro CC 2017 Tutorial. [Online Video]. 5 January 2017. Available from: https://www.youtube.com/watch?v=ilf20yDly2c. [Accessed: 5 June 2017].

#sources

0 notes

chelseatextilefei-blog · 8 years ago

Text

Theory Lecture: Globalisation Task

Read: Barker,C.(2008)'A New Wolrld Disorder?' in Cultural Studies: Theroy and Practice Sage, pp. 141-147.

There has been much discussion of whether globalisation in fashion industry makes world where everything looks the same or more creative expression. As fashion becomes more globally, designers may find difficult to maintain their characteristic and avoid become homogenisation (Zhang, 2015). However, Blakley (2010) shows that global fashion design changes by the hybrids cultures, and designers from different backgrounds to share and create new fashion trends. While, the world becoming smaller, the pace of change in fashion is increasing, it has become more heterogeneous in postmodernism fashion (Berger, 1998, p. 194). This essay will demonstrate that sharing of ideas and cultures creating a greater range of expression; because of globalization, different cultures have become hybrid and more design opportunities have been produced, which also influenced by postmodernism. In order to demonstrate this, first, it will be shown that globalisation cause the fashion product becoming homogenisation. Then will present that globalisation allow the designer to exchange the experiences and ideas more fluidly in the multicultural environment. Finally, it will describe that the globalisation of fashion encourage within the local context as the impact of postmodernism.

One reason of the world where everything looks the same, may because of the designer in fast fashion brands to create homogenisation low-cost collections that was inspired by high-fashion brands, then sale in stores around the world, it made people living in different countries but wearing same clothing. It is because fast fashion brand refers to clothing lines that produce, package, and distribute the most up to date fashion trends, as quickly as fast food (Lee and Elena, 2011, pp. 76-90). For example, the biggest fast fashion company Zara, its collection in 2014 was inspired by Christian Dior, Balenciaga, Celine and Kenzo’s 2014 spring and summer collections, and its collection came early then all high-fashion brands (Rickey. 2014). Although globalisation has had contributed to the homogenisation in fashion industry from international fast fashion brands, like H&M (Steele, Melissa and Susanne, 2015). Lea-Greenwood (2013. p. 143) reports that H&M considered a global fast fashion brand as it trades around 2200 stores in over 40 countries, seen people live in different countries, also can buy a same clothing in different H&M stores. According to Blum and Ibbetson (2015. pp. 498-500), fast fashion is showing an agility of anything new in the fashion trend. Indeed, the increasing size of homogenisation of fast fashion industry makes the base of global fashion market similar (Bruce and Lucy. 2006. pp. 329-344). Therefore, it is clear that the problem of the homogenisation formulate by fast fashion makes the global market comes to the same.

However, global fashion industry do not only include the fast fashion, but also have other high-fashion brands and individual designer companies, their branding strategy should not be inspired by each other, but create from different their cultures and ideas; these group of brands are giving customers more options. It is difficult to show the same fashion trend in fashion week by different leading brands, each brand have different branding strategies that makes the great range of option in this market. For example, Vivienne Westwood has a strong brand identity that has the 1970s punk era, with historical twists throughout designs (Posner, 2011). Menkes (2013) point out that designer in high-fashion brand should have to embrace different cultures, which makes more choice of the fashion trend for next six months. Giorgio Armani’s high fashion style in his Armani Prive collection in 2013 summer, designer was inspired by different cultures and fabrics, such as mélange of fez hats, also Middle Eastern dresses over pants and batons wound with fabrics in Egyptian, Indian and Turkish (Menkes, 2013). It is true the leading brand produce more options within the multicultural condition, which as result of globalisation.

Furthermore, there is possible connection between postmodernism and fashion industry that create the heterogeneity and multiformity of global fashion market. According to Irvine (2013) postmodernism interpreters of cultural hybrids that emerge from mix the categories of “high” and “low” cultures, and develop in regions the local identities seek definition against. At the end of the twentieth century, Galliano’s fashion collections often created from different cultures, such as the human tableaux set in Turkish harems, Cairo markets and Hindu temples, or dance spectacles with snake charmers and Indian pipes (Evans, 2003, p. 29). Designers use all ideas or cultures are not original, as Twain (1903) points out, “substantially all ideas are second hand, consciously or unconsciously drawn from a million outside sources.” but they recreate it to their own styles, that could help the fashion industry comes more diverse. Miuccia Prada, who is a well know Italian fashion designer, one times when she went to a vintage store in Paris, she bought Balenciaga jacket, then replicate it for her own style (Blakley, 2010). Additionally, popular culture cross the subculture invented the postmodernist fashion become more creativity (Davis, 2007. p. 18). For instance, one breathtaking couture spring and summer 2014 show from Maison Martin Margiela, which was not only a showcase of craftsmanship and inventiveness but it was influence from something of a love letter to vintage (Blanks, 2014). This clearly demonstrates that postmodernism inspired the global fashion industry according to their local context becomes more diversity and multiformity; it is also create great range of fashion market.

In conclusion, this essay has attempted to demonstrate that sharing of ideas and cultures creating a greater range of expression; because of globalisation, different cultures have become hybrid, more design opportunities have been produced, which also influenced by postmodernism. Indeed, global market became similar because the fast fashion industry has been homogenised. It is also true that leading brands has been created by multicultural condition, which created more options. Globalisation of fashion industry encourage local context as the impact of postmodernism, it become more diversity. Globalisation causes the fashion industry and it will become to more creativity by the hybrid cultures and part of postmodernism effects, which will not only influence the leading brands but also permeate to fast fashion brands.

References

Berger, A. A. (1998). The Postmodern Presence: Readings On Postmodernism In American Culture And Society. p. 194. London. Walnut Creek. Blakley, J. (2010). "Transcript Of "Lessons From Fashion's Free Culture". Ted.com. Available at: https://www.ted.com/talks/johanna_blakley_lessons_from_fashion_s_free_culture/transcript?language=en#t-51278 (17 Aug. 2016). Blanks, T. (2014). “Spring 2014 Couture Maison Margiela”. Available at: http://www.vogue.com/fashion-shows/spring-2014-couture/maison-martin-margiela (17 Aug. 2016). Blum, J. and Ibberson, S. (2015). "Rihanna In The Right Place At The Right Time: Rihanna V Topshop Passing Off Ruling Upheld". Journal of Intellectual Property Law & Practice 10.7: pp. 498-500. Available at: http://jiplp.oxfordjournals.org/content/10/7/498.abstract (17 Aug. 2016). Bruce, M. and Lucy D. (2006). "Buyer Behaviour For Fast Fashion". Journal of Fashion Marketing and Management: An International Journal 10.3: pp. 329-344. Available at: http://www.emeraldinsight.com/journal/jfmm (17 Aug.2016). Davis, K. C. (2007). Postmodern Texts And Emotional Audiences. p. 18. West Lafayette, Purdue University Press. Evans, C. (2003). Fashion At The Edge. p. 29. New Haven: Yale University Press. Lea-Greenwood, G. (2013). Fashion Marketing Communications. p. 143. West Sussex: Wiley & Sons. Lee, J. and Elena E. K. (2011). “The US And Japanese Apparel Demand Conditions: Implications For Industry Competitiveness”. Journal of Fashion Marketing and Management: An International Journal 15.1: pp. 76-90. Available at: https://www.researchgate.net/publication/235271141_The_US_and_Japanese_apparel_demand_conditions_Implications_for_industry_competitiveness (17 Aug. 2016). Menkes, S. (2013). "A Playful Mix Of Cultures". Available at: http://www.nytimes.com/2013/01/24/fashion/24iht-farmani24.html?_r=0 (17 Aug. 2016). Posner, H. (2011). Marketing Fashion. 1st edn. London: Laurence King Pub. Steele, V. Melissa, M. and Susanne, B. (2015). Fashion Underground. London: Yale University Press. Irvine, M. (2013). "The Po-Mo Page: Postmodern To Post-Postmodern". Available at: http://faculty.georgetown.edu/irvinem/theory/pomo.html (17 Aug. 2016). Rickey, M. (2014). "HMMM... ZARA SHAMELESSLY COPY EVERY MAJOR FASHION PLAYER - Fashion Editor At Large". Available at: http://www.fashioneditoratlarge.com/2014/03/zara-copying-dior-balenciaga-prada/. (17 Aug. 2016). Twain, M. (1903). "All Ideas Are Second-Hand: Mark Twain On Plagiarism And Originality, In A Letter To Helen Keller". Available at: https://www.brainpickings.org/2012/05/10/mark-twain-helen-keller-plagiarism-originality/Web. (17 Aug. 2016) Zhang, K. (2015). “How Does Japan Prevent The Homogenization Of Fashion? – Shift London”. Shift London. Available at: http://shiftlondon.org/fashion/japan-prevent-homogenization-fashion/ (17 Aug.2016).

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