#vintage sari throw

[justhereforfandomandfriends]

Home design and decor is pretty much all I think about, so here's a longer post with all my ideals and progress updates.

We got a nice little ranch in a perfect neighborhood that had not been updated since it was built in the 80s. We've torn down wallpaper, spackled and painted all but one room upstairs, and torn out the gross old carpet and replaced them with faux hickory wood floors that I think are lovely.

As far as design goes, I think of it as my little jewel box home. Very maximalist and eclectic, a bit boho. lots of bold bright colors. I want the whole house to be basically one gallery wall flowing into the other. and filled with funky thrifted and vintage items and odd and lovely treasures from places we've traveled. Here's some inspo from my pinterest.

We have an emerald green living room with lots of dark wood and gold accents. I've been collecting vintage gold frames for ages and have a pile of them ready to go! The room is painted and ready for finishing touches, but I am torn about whether to go ahead and do the living room gallery wall now or wait and do all the gallery walls in the house at once? (pls advise!) I am also on the hunt for the perfect couch to go against the gallery wall. On the opposite wall we have a emerald velvet futon couch.

The master bedroom has a terra cotta accent wall, and we're gonna put a giant gold floor length mirror (a dupe of the iconic anthropologie mirror. I got at Sam's club for less $99 and I LOVE it)

The bathroom is a soft blue green (called rainy afternoon) with gold and wooden accents.

and the guest bedroom has a bold lingonberry red accent wall, with white duvet an old kantha throw blanket. Originally the red room was going to be the office/ second guest room, but the bed and flow fits better in that room, so it's now going to be the primary guest bedroom. The plan when it was an office room was to do an all black and white gallery wall, with some BIG bold pieces. But now that it's a bedroom I am not sure if people will feel like they're being stared at? and if I should move the black and white gallery wall to the smaller third room/office?

And all throughout the house I have recycled silk sari patchwork curtains that coordinate with each room. They let all the morning and evening sun in and it gives me such joy!

Throughout the house we have the same warm tan/neutral (called Writer's Parchment. So obviously I was predisposed to love it). I think I am just going to use that color in the third bedroom, because I do get bored fairly easily and so it will be nice to have a room where I can swap out the accent colors without painting a wall.

And we're still deciding if we're going to paint the boring old oak kitchen cabinets-- mostly because if we DO paint, I can't decide what color?

ANYWAYS IT'S ALL SO FUN

[indiancreativityexport]

Patchwork Quilt Bohemian Kantha Quilt Handmade Vintage Silk Quilts King Size Bedding Throw Blanket Bedspread Quilting Hippie Quilts For Sale Made by Indian Vintage Sari. A hand stitched Indian art. Colours and sizes available. Sizes- Baby -60x40 Twin- 90x60 Queen-108x90 King- 108x108 Custom- 120x108 Custom- 120x120 #Kanthaquilt#VintageThrow#Newcottonquilt#VintageQuilt#Patchworkquilt#ThrowBlanket#Kingsizequilt#CottonQuilt#Bedspread#Blanket#Twinsizequilt#Bedcover#IndianQuilt#IndianThrow#IndianBedcover#HandmadeQuilt#KanthaThrow#HandstitchedQuilt#SilkPathcworkQuilt#VintageHandmadeQuilt

[feldo123]

Check out this listing I just added to my Poshmark closet: Vintage Kantha Handstitch Quilt Throw Cotton 55" x 85" Reversible Lightweight.

[kusumhandicrafts]

https://kusumhandicrafts.com/product/wholesale-vintage-kantha-quilt-handmade-sari-kantha-throw-vintage-kantha-quilt-kusumhandicrafts-reversible-kantha-blanket/

Wholesale Vintage kantha Quilt , Handmade Sari Kantha Throw , Vintage Kantha Quilt , kusumhandicrafts , Reversible Kantha Blanket

[delightful-goblins]

https://www.iansnow.com/

Vintage Kantha Throw - 1384

Vintage Wooden Border Printing Block - 05

Ex Sample/Seconds Papier Mache Square Jar with Lid - Black & White

Marble Finish Glass Hurricane Vase

Sari Washbag 100% Recycled - 647

[indiainkhomedecor]

Check Off Your South African Home Decor Wishlist

Looking for Indian-inspired home décor in South Africa? Such pieces seamlessly weave together diverse cultures, a profound history, and the awe-inspiring beauty of India’s landscapes. To fill your home with Indian-inspired home decor means to submerge yourself in a world where traditional motifs harmonise with modern design, where vibrant colours gracefully mingle with subtle earth tones, and where each item narrates a tale of heritage and artistry.

Lampshades

Indian-inspired lampshades go beyond mere light diffusers; they are statement pieces that capture the soulful essence of the country. Imagine lampshades in bold geometric patterns and woven ikats. By illuminating your space with these beautiful creations, you also add warmth and personality to your home décor in South Africa.

Cushions

Enhance your home decor with the finest 100% cotton linen cushions adorned with block-printed patterns inspired by India's vibrant cultural tapestry. These cushions are essentially works of art—they’re canvases that display exquisite local craftsmanship. When you feel the softness of the high-quality linen and admire the intricate designs, you'll truly appreciate their beauty. Decorating with these cushions is a great way to bring a touch of India's essence into your home décor in South Africa.

Vintage Kantha

Why not add a breathtaking vintage kantha to your home décor in South Africa? These pieces are not just beautiful; they carry a story of resilience and transformation. Each vintage Kantha is crafted from five to seven layers of discarded saris, repurposed to create something new and beautiful. For centuries, these pieces have been stitched together by Bengali women using a simple running stitch—a testament to their skill and resourcefulness. Every thread, every stitch breathes new life into the old, creating a piece that is not only visually stunning but deeply meaningful. As you drape this vibrant tapestry across a chair or hang it on a wall, you're not just decorating your home in South Africa—you're honouring a tradition of sustainability and creativity that spans centuries.

Ready to infuse your home with the vibrance of East Asia? Discover a curated selection of Indian-inspired home decor in South Africa at India Ink and transform your space today.

About the author:

India Ink home decor has more than 6 years of expertise in offering Indian-inspired clothing accessories throughout South Africa. Their exquisite collection includes captivating home textiles designed with Indian aesthetics in focus. You can find a wide range of high-quality Pillowcases, Napkins, Polypropylene Rugs, Throws, and Cushions. If you appreciate vibrant colours, intricate patterns, rich textures, and artisanal fabrics, India Ink Home Decor is the ideal destination for you.

[jaipurhandloom]

Patchwork Kantha Quilt Bed cover

[jaisalmerhandloom]

#Bohemian #vintage #patchwork #embroidery#Gypsy #Boho #Bedding #Tapis#WallHanging #Hand#Embroidered #WallArt #RugSmall#AreaRug #HugeTapestry #Patchwork#Tapestry #WallHanging #Ethnic#Throw #VintageIndian#Sari https://www.instagram.com/p/BxJNj6NH4Pl/?utm_source=ig_tumblr_share&igshid=1iedm0jwlfh8c

[theindiancreations]

For just $29.50 ITEM DESCRIPTION: The Designs and the print on vintage sari are unique and very rare. The vintage saris usually worn in Indian culture and associated with grace and beauty. This unique vintage saree can be used for various crafting ideas even if you don't want to use it as a sari. Design a dress, use it as a throw, as window dressing, upholstery, sarongs, table linen and much more. Let your creative juices flow and use this decorated fabric in multiple fashion. *PRODUCT SPECIFICATION *Condition: Pre-Owned/ Used *Fabric: Pure Silk *Size Approx: *Length- 5 Yard *Width- 1.1 Yard *Color: Multi-colour as per in picture *Code: PSTIC 662 *Quantity Available :1 Saree/ Sari ✱✱ Note: The colour and brightness of actual product may vary due to digital photography and photo editing. We crossed check each and every product before listing. These are vintage sari and not new so cannot be expected to be in perfect condition. Sari colour maybe a shade darker or lighter than the picture. Thank You..

[widdlytinkswallsigns]

Farmhouse Style Interior Design

Vintage Indian trunks cladded with iron straps and brass medallions, farmhouse chic interiors update your style simply by using old wooden hope chests made into functional coffee tables that have the added value of storage. Some are intricately detailed with elephants and horses carrying stories of the Spice Route and others are painted with rustic turquoise patina reminiscent of Jodhpur the Blue City.

Distressed paint feels natural on the vintage rustic cabinets made from recycled old doors, vintage woods that are so beautifully aged and naturally varnished. Dining tables made from antique doors complete with latches and iron studs are accented perfectly with wrought iron chairs.

Vintage rustic old arches turn your kitchen mantel into a statement, the green foliage in brass planters draws attention to the hand carved detail and the natural washed patinas. Colorful textured tribal table runners will give your tables an elegant, vintage bohemian worldly panache that works well with a multitude of colors.

Pick up an old planter and fill with gorgeous cottage garden plants or herbs.Vintage bowls and rustic brass urns used as a centerpiece overflowing with seasonal pumpkins, pines and flowering twigs bring in the old fashioned cottage charm. Add farmhouse-inspired decorations, made at home wreaths and floral arrangements that give a lovely personal touch. A rustic old chakra bookcase adds instant allure, offering a place to store books and your travel collections. Long wooden blanket chests in distressed blues and greens used at the end of the bed or as window console table placed in the nook, you can enjoy the sun while reading your favorite book.

Bring in the farmhouse theme into the nursery by hanging an old jharokha window filled with baby pictures. The windows get a cottage-chic boost with handloom fabric throws weaved by artisans in natural cotton fibres and vibrant colors.

Install old rustic boxes filled with colorful, seasonal blooms at the window sill. Sheer sari curtains are great for kitchen windows, breakfast nooks or other spaces where natural light adds charming style and some privacy without stopping the sunshine.

Full Article Published Here: Farmhouse Style Interior Design

[camillemontespan]

this is your invitation to the beaumont bash [interview with maxwell beaumont]

I wrote this last week and it’s been in my drafts since. This is Maxwell’s turn for an interview (I know it might a weird way to write fic but I actually kind of enjoy writing this sort of thing).  It’s pure fluff. 

I also did this for Drake, which you can read here

@jovialyouthmusic @pug-bitch @moonlightgem7 @sirbeepsalot @drakesensworld @brightpinkpeppercorn @katedrakeohd @notoriouscs @be-still-my-aching-heart @fromthedeskofpaisleybleakmore @dcbbw @iplaydrake

****************************************************************************************

‘Cinnamon brioche bun?’ 

Maxwell Beaumont brandishes the pastry at me, a wide grin on his face. I have no choice but to take it; I feel like if I reject it, it will be like kicking a puppy. 

We are sat in the Living area of the Beaumont Manor. It is now September, the month of the annual Beaumont Bash. It is like the Met Gala but on a lesser scale. That said, it is still the biggest party in Cordonia and anyone who is anyone marks the Bash in their calendars.

The Beaumont Bashes are legendary. Maxwell and his older brother, Bertrand, the Duke of Ramsford, are renowned for spending obscene amounts of money on menageries, fire breathers, a torchlit procession - yes, really- and everything else in between. 

Today, I am interviewing the younger Beaumont brother as he is in the final stages of planning the Beaumont Bash.  This is Maxwell’s first interview and I’m honoured he agreed to meet me. In three weeks, the Beaumont manor will open  to the elite of society and wonders will await behind the door. He is giving Duke Magazine exclusive behind the scenes access to his final touches and judging from the mood boards he has propped up against the walls, this may be the biggest Beaumont Bash ever.

Maxwell is taller than he looks in photographs. He is lanky and a smile permanently lights up his features. His voice isn’t that deep, more soft and lilting, occasionally increasing into a high pitched screech as he gets excited showing me his mood boards. 

‘Last year, the theme was Greek Odyssey,’  he tells me. ‘So think white dresses, white suits, waitresses dressed like goddesses, we had a giant fountain in the foyer with a life size statue of Poseidon built into it. But this year, we’re going bigger.’

He guides me over to the biggest mood board he has. It is pinned full of images of flapper dresses, vintage cars, bathtubs with champagne bottles inside, fireworks. The theme is obviously the 1920s, which seems apt considering a Beaumont Bash is always decadent and excessive. 

‘I’ve hired a stage show!’ he says. I ask him to repeat that, certain I’ve misheard.

‘As in, I’ve hired a stage show!’ he repeats. ‘The Great Gatsby is currently on Broadway in New York, so I’ve hired the cast to come to the Bash and act out their show! It’s a musical!’

He runs me through the night’s time line. ‘Okay, so 7pm, our guests arrive. They have to dress up in 1920s style, otherwise there is no admittance. Sorry, but an effort has to be made.  Drinks and canapes will be served - note the fountain which will pour out champagne- and then the stage show will perform for an hour and a half. Afterwards, fireworks outside, more drinks, more dancing, more debauchery!’ 

He leads me outside to the vast gardens. ‘The stage show will perform here,’ he says, pointing to a stage. As we walk, I study him. He is fizzing with energy. He is like a champagne bottle that has been waiting to be opened for months, before being shaken and its contents burst out of the bottle. I ask if he has always enjoyed parties and party planning; clearly, this should be his job.

‘I’ve always loved parties,’ he says. ‘My parents used to throw legendary parties when I was younger. I was always sent to bed early, just as the guests were getting a little more excited, and I would always sneak out of bed at midnight to watch. I’d sit on top of the stairs, trying to stay hidden, and watch as the guests drank more champagne and danced. I once saw my father use a sword to open a bottle of champagne; I learned how to do it so I can continue his party trick.’ 

I tell him that it’s interesting that his brother gets involved. The Duke of Ramsford is often seen with a serious expression on his face, tight lipped. He doesn’t strike me as the kind of person who lets his hair down but as photos and witness accounts tell me, he is the first person on the dance floor and the last to leave. 

‘I think the Bashes give him an excuse to let loose,’ Maxwell admits. ‘He is always so serious, so responsible.. hosting the Bash means he can put on a different persona, be the person he wants to be. Do you think he enjoys wearing sweater vests? Hell no! If it was up to Bertrand, he would wear kimonos and sparkly boots every day. He is a flamboyant peacock hidden in the body of a pigeon.’

I blink at this description but I don’t question it; Maxwell knows his brother inside out. He takes me back into the manor and upstairs to his bedroom. It’s a large space, painted blue, with beautiful artwork hanging on the walls and random items that he tells me he picked up in flea markets or while on holidays to far off places.  There is a painting of a peacock on the wall above his bed. 

‘Peacocks are my favourites,’ he says bashfully.  I ask why. It’s not like they’re cute or cuddly. 

‘Why wouldn’t they be?!’

I ask Maxwell what he does in his free time. 

‘I plan parties, I write, I like to visit museums and galleries..’

I’m surprised and I tell him so. 

‘Why?’ he asks me. ‘Museums and galleries are where I get my inspiration. I visit the exhibits and I think of what I could do next. A few years back, I visited an exhibition about India and I was obsessed with this beautiful silver and blue sari that was on display. I went around and managed to source similar material and had it made into my own outfit; the Bash that year was India themed. We had elephants in the garden and the food was excellent.’ 

He looks down, picking at his fingernail, before saying quietly, ‘Life is meant to be beautiful. I never see things in black or grey. Everything to me is vivid. It has to be bold and bright; it’s why I’m always happy and positive. Life is to be enjoyed and surrounding myself with pretty things, making pretty things.. it makes me happy.’

I see now that Maxwell Beaumont is always underestimated. Many of the public just view him as a party boy who doesn’t contribute anything to society.  Others adore him, mainly because his Instagram feed is full of fun photos of holidays, his friends, animals, books he is reading. 

But he is so much more than that. In front of me is this young man who has a membership to the National Museum of Cordonia. He has a subscription to Architectural Digest magazine. He tells me he is currently writing a spy novel. He is warm and kind. I like him.

He stands up and opens his wardrobe to show me his outfit the Bash. It is a white shirt with black trousers, but he has made it interesting by adding a blue sequin blazer, blue sequin bow tie and blue suede loafers with silver tassels. He adds white gloves and a pocket watch on a chain. 

He gives an excited giggle and claps his hands together. I ask who is on the VIP List. 

‘Drake and Camille, obviously,’ he begins, name checking the Duke and Duchess of Valtoria. ‘I’m so excited to see how Camille depicts the theme, I’m thinking she’s going to be all sultry... the King is going,  his brother Leo, Olivia, Hana...’

Maxwell blushes when he mentions Hana Lee’s name. The best friend of Duchess Camille of Valtoria, Hana has been spotted out on Maxwell’s arm over the past six months. The two of them kept their relationship private for a while but eagle eyed fans watched out for candid photos. When Maxwell finally made it Instagram official with a photo of the two of them at a carnival sharing candyfloss, with Hana shoving a big piece of it in Maxwell’s face as she laughed, captioned with a heart emoji, his followers rejoiced.  They christened them Hanwell. 

Having interviewed Hana myself, I was surprised to hear about the two of them. Hana is shy, quiet and incredibly polite. She was a tricky interviewee to begin with as she seemed so nervous in case of divulging private information, but once she settled and got into the swing of the interview, she opened up and was giggly, sweet and complimenting my shoes. 

In contrast, Maxwell offered me a cinnamon brioche bun before I had even sat down. 

But, having talked to him more fully now, I guess I can see why the two of them work.

‘I push her to be bold,’ he tells me. ‘She can be so down about herself but she is honestly brilliant at everything. Anything she does, she turns to gold. But she often doesn’t believe in herself so I push her to just do her best. Believe in herself more.’

What does she do for you? I ask.

‘She makes me see that I don’t have to be 100% on all the time. I’m allowed to feel sad, or be quiet, or just stay still. I’m always on the go, needing to do things. Maybe it’s because after my parents died, I felt like I needed to be the one to make my brother laugh.. I made myself into the joker, the fun loving guy. But Hana has taught me that it’s okay to have quiet moments and not to pressure myself to be constantly on adrenaline. I can relax and nothing is going to go up in flames.’

I feel I need to probe him further about his dynamic with his brother but I don’t want to over step. Their parents died in a car crash when Maxwell was ten and Bertrand was fifteen and it is common knowledge that Bertrand became Maxwell’s guardian - their family is very small and as a result, they were the only Beaumonts left. 

Maxwell waves his hand away. ‘You can ask me,’ he tells me. ‘Bertrand is basically my dad, brother and teacher in one. He’s taught me so much about the importance of being a Beaumont, about our roles in society. He always made sure I studied hard at school; considering I couldn’t sit still most of the time, he made me put my head down and just work. I studied loads and got A’s across the board. I was such a geek! But in all seriousness, Bertrand assumed this responsibility for me. I owed it to him to work hard at school.’ 

Maxwell went on to study at Cordonia University, despite achieving top grades. He could have attended a more prestigious institution but, as he tells me, he wanted to experience something normal. 

‘My life, being a Beaumont, it’s not normal,’ he admits, flopping down onto his bed. ‘I’m friends with the King. My life is just a carousel of parties, titles, etiquette, balls, money.. so when I graduated from high school, which was a private education that was full of boys like me, well, I wanted a change. So I chose to go to Cordonia University. Just to stress, it’s not a bad school in the slightest. It’s a great school; but compared to the institutions I could have gone to, it was on a lower level. I hope that comes across okay? I don’t want to sound arrogant..’ 

He blushes and stammers, trying to think of the best way to word it. I can tell you this now, reader; he is not arrogant. 

‘Anyway,’ he says, giving up on trying to justify his words, ‘I went there and I loved it. I still studied hard but I made friends with people who weren’t noble. Bertrand wanted me to have a bodyguard with me at all times but I said no; I wanted to be a normal student. So for four years, I went to lectures and seminars. And the parties! That was my proper education! Beach parties, pizza parties, revision parties... so many parties! But some of the people I’m friends with are still from my university years. I think it’s why I’m not exactly your typical noble..’ 

He certainly isn’t that and it’s quite refreshing. 

Maxwell finished university with first class grades  (despite all the partying) and came back to Cordonia to learn the ropes from Bertrand. 

We go back to lighter topics. I ask what he thinks about the Met Gala. 

‘I am waiting on my invitation from Anna Wintour...’ he says, giving me a wink. His face then goes serious. ‘I mean it, I’m waiting. You work under the Conde Naste company right? They also house Vogue. Ask her to send me an invite!’

I wonder which celebrities he thinks interprets the Met theme perfectly every year. 

‘Blake Lively,’ he says instantly. ‘Oh my God, her red dress and that crown she wore last year, god she looked incredible! Rihanna too, dressing as the Pope. I would love to invite her to a Bash. Who knows what she would do?!’ 

My questions turn to his guests. Who drinks the most? I think it has to be the Duke of Valtoria, due to the fact he is known for always drinking whiskey at balls and never champagne, and that he just looks like he can drink you under the table. 

‘You would think that Drake drinks the most..’ Maxwell muses, ‘but honestly - I hope he doesn’t kill me for saying this because this could be treason.. is this treason? Can he decide what’s treason and what isn’t? Fuck it - King Liam. Liam drinks the most.’

I choke on my water. 

He nods quickly. ‘The King, god save him, loves to let loose. He tried to raid our wine cellar once. Bertrand caught him.’

I ask who is the heavy weight.

‘Olivia,’ he answers. I blanch at her name. The Duchess of Lythikos is notorious for her cold exterior. Every journalist I know who has met her have left their meetings with her in tears. 

‘Yeah, Olivia can shot straight vodka and just doesn’t feel any effect,’ he says. ‘By contrast, Camille can handle four drinks then ends up trying to steal the sword I use to open champagne bottles. A trip to A&E happened once.. ohhh boy, Drake looked like he was going to kill me for letting his wife near that thing.. '

I am tempted to get the full story on this but I have a feeling Maxwell won't be as forthcoming. Drake Walker might actually kill him this time.

We go back downstairs to the kitchen. Maxwell shows me his plans for the menu at the Bash. ‘Canapes first, but they’re... scientific...’ he says mysteriously. He won’t tell me why they’re scientific but I imagine they’ll taste interesting. ‘My favourite food item is always the dessert. This year, I’m putting together something mixed with Toblerlone, Nutella and marshmallows. A sugary feast!’ 

He starts to look impatient to continue his planning so I take this as my cue. I start to pack away my notes and dictaphone. Maxwell gives me a warm smile and stretches out his arms. 'Bring it in!' he hollers, pulling me into a bear hug.

I part from him awkwardly. Maxwell goes pale. 'Okaaay so what's the correct way to say bye to a journalist? I've never been interviewed before.. Sorry, I'm a hugger, everyone always gets a hug from me.'

He steps back and he looks at the table before clicking his fingers. He reaches out for a wrapped item and hands it to me.

'Another for the road!' he beams.

It's a cinnamon brioche bun.

[feldo123]

Check out this listing I just added to my Poshmark closet: Vintage Kantha Quilt. Indian Sari Throw Blanket. Cotton. 55" x 85". Reversible.

[kusumhandicrafts]

https://kusumhandicrafts.com/product/wholesale-vintage-kantha-quilt-handmade-sari-kantha-throw-vintage-kantha-quilt-kusumhandicrafts-reversible-kantha-blanket/

[wellesleyunderground]

Wellesley Underground’s Holiday Guide to Wellesley-Owned Businesses: November 2019

The Good Supply / Image Credit: The Good Supply

Looking for your holiday gifts? Check out Wellesley Underground’s crowd-sourced list of Wellesley-owned businesses (updated for 2019)! Compiled by Hoi-Fei Mok ‘10, WU Managing Editor.

Pinterest Board of the Shops (incomplete)

Jewelry

Alumnati Jewelry by Stephanie Christie ‘00: Handmade Wellesley lamppost earrings

Ecru Collection by Kara Templeton '12: Jewelry, home decor, and stationery

Kindred Spirit Studios by Michelle Davis Petelinz '78: Jewelry, home decor

Lauren Wimmer Jewelry by Lauren Wimmer ‘98: Jewelry

Mala Shah Design by Mala Shah ‘98: Metalworks and Reiki-infused jewelry

Ready-Made by Jenn Meng ‘13: Materials-focused jewelry brand offering minimal, everyday pieces that are affordable, hypoallergenic, super strong, and tarnish-free.

Porcelain and Stone by Kimberly Huestis '05: Nautically inspired jewelry

Space Mermaid by Stephanie Carbone '93: Sky and sea inspired jewelry

Urban Witchcraft by Elena Gauvin ‘13: hand fabricated sterling silver gemstone jewelry with a gothic feel 

Wellesley Voices For Disability: Wellesley earring and necklace set, scarf and hat set, fountain pen, bookmark, keyboard covers and more. 

Art & Crafts

A Riot of Color by Susan Eiseman Levitin '85: Hand-dyed yarns

Achiaa Paper and Pen by Rebecca Amponsah ‘08: Handmade paper goods and lettering

Alyssa Sketch’d by Alyssa Torres ‘09: Original illustrations/art and jewelry

Art Without A Frame by Hoi-Fei Mok ‘10: Original illustrations/art from the Dragon Fruit Project, an oral history project of queer and trans Asian Pacific Islanders

Cardiology Cards by Tamar Zmora ‘11: Break up Cards

ChemKnits Creations by Rebecca Brown ‘06: Hand dyed yarns

Connie-Chen.com by Connie Chen ‘17: Calligraphy commissions, prints, bookish apparel, oblique holders, penmanship lessons 

DisaporicArts by Jenny Jean ‘13: Modern digital art prints

Fran Decker by Fran Decker '80: Original paintings, prints, tiles and notecards

Genevieve Calligraphy by Genevieve Goldleaf ‘12: Botanical illustrations and custom calligraphy

The Grey Fox Studio by Katherine Grey '08: Printmaking, drawing & painting

KT Obermanns by KT Obermanns '07: Illustrations, portraits, pinups, and caricature

Leslie Ordal Fibre Arts by Leslie Ordal ‘04: Handspun yarns, handwoven scarves, and other fibre arts. Lessons and workshops in the Toronto, Ontario, area.

Map Attic by Alex Azzi ‘15: Block-printed holiday cards, resin jewelry, vintage map crafts, ceramics, and abstract fluid paintings.

Misc Midwest by Marie Clymer Sarnacki '13: Wooden coasters and fridge magnets with a Wellesley design

Miyun Makes by Gena Hong ‘12: handmade pottery inspired by Korean traditions.

Monica Starr Creations by Monica Starr Feldman ‘14: Leather luggage tags, metal flower bouquets, embossed stationary, scarves, mason jar cozies, metal & wood working

My Big Pink Crafty Box by Sophia Giordano '09: Feminist crafts

Pick Two Pottery by Dana Lamb ‘99: Pottery

Singing Whale Stained Glass by Amy Putnam ‘90: Handmade stained glass art and shattered glass pins, plus chainmaille bracelets and earrings, including Wellesley inspired pieces.

Stephanie Hessler by Stephanie Hessler ‘84: Wellesley inspired prints, apparel, homewares

Tiny Small Joys by Alyssa Kayser-Hirsh '14: handmade books, calendars, notebooks, and planners

Wear I’ve Been by Samaa Ahmed ‘13: Art designs on throw pillows, prints, mugs, tote bags and more.

Kacie Lyn Martinez by Kacie Lyn Martinez ‘09: fiber artist who weaves tapestries and other fiber art 

Photography

Az Bulutlu by Eylul Dogruel ‘07: Skyscapes, travel and abstract photography, prints and merchandise.

JezRebelle by Jess Planos '10: Wellesley photos on prints, apparel, homewares

Meera Graham Photography by Meera Mohan ‘09: Nature Prints for Sale, Headshots & Candid Portraiture

Vero Kherian Photography by Veronique (Chau) Kherian ‘05: Professional Portraits and Headshot Photography in the SF Bay area  

Health & Skincare

Beautycounter by Jen Askin Pollock ‘99: Safer, high-performing products for the whole family

Box Naturals by Irene Kim ‘99: Luxe towelettes with organic essential oils

Cocofloss by Chrystle Cu '05: Flavored dental floss

EmmGerri by Karen and Kristi Jordan: Skincare lotion

Eu’Genia Shea by Naa-Sakle Akuete ‘08: Shea butter 

Just Botanicals by Sonya Funaro ‘00: Handcraft organic, ethically-sourced skincare  

Hubba Hubba by Megan (MJ) Pullins `94: The oldest alternative adult store in New England, stocking everything from corsets, club clothes, lingerie, and all sorts of sex toys.

Lioness by Liz Klinger: Smart vibrator

Maum Goods Co. by Helen (Tak) Kingery ‘01: Handmade essential oil products for wellness and balance

TATCHA Beauty by Victoria Tsai ‘00: Japanese based skincare products

Fashion and Apparel 

A Gifted Baby by Amelia Gray ‘03: Online boutique for babies and little people focussing on small and emerging designers, ethical production practices and women-owned labels. Alums are friends and family, use code “weloveyou20much” for the 20% f&f discount:).

Baby Blast Off by Emily Bennett: Baby clothes

Catie’s Natives by Jennifer Roesch ‘92: Shirts, hoodies, and accessories that show city pride. Developed and designed by Jennifer’s 10 year old daughter. Featured in Time Out NY. 10% of profits support Hartley House which provides social services to residents of Hell’s Kitchen, NY.

Charlotte and Asher by Laura Hahn ‘06: Fashionable diaper bags

Cliobags by Alejandra Zambrano: Handmade bags

Emma Finney by Kristin Bunce ‘00: Bags and clutches

Orange Soda Baby by Dorothy Hsiung '05: Whimsical children's clothing

The Outrage by Claire Schlemme ‘06: Feminist clothing and accessories with a portion of profits to women’s empowerment orgs.

Satya Twena by Satya Twena ‘05: Hats and millinery 

Stoptiques by Olga Vidisheva '07: Apparel and accessories

Wellesley Class of 1990: Purple W capes!  Made of durable material - great for wearing as a cape, using a picnic blanket, keeping your car seat clean, etc.

Wellesley Class of 2003: Wellesley lamp post shirts, baby apparel, and accessories

Wellesley Class of 2007: Wellesley apron (“We can stand the heat!”), baby and kids apparel

Wellesley Club of Columbus, OH: Wellesley insignia whistle

Swells Swag by Sarie Hale-Alper ‘04: Wellesley-themed designs on a variety of apparel and accessories.

Food & Care Packages

ChocolatesU by Amy Camargo ‘94: Chocolates

Ice Cream Jubilee by Victoria Lai ‘01: 6 ice cream pints, shipped nationwide

Montecarlos Estate by Carlota Batres ‘09: Coffee

Off The Beaten Path Food Tours by Lizzie Bell '03: Food tours in MA

Sky Vineyards by Skyla Olds ‘99: Wines

Sunny Exchange by Connie Su ‘09 and Jennifer Lim ‘06: Care packages

Takeout Kit by Rachael Blanchard Lake '07: Shelf-stable meal kit

Tranquil Tuesdays by Charlene Wang '03: Tea and teaware

Toys

My Muse Dolls by Torlisa Jeffery ‘06: Customizable dolls

Animal Care

Newbury Paws by Andrea Fowler '07: Harnesses for large dogs

Wellesley DC Club: Wellesley pet bowls

Domesticat: Rocío Garza Tisdell ‘07: modern-design cat furniture and accessories

Books & Zines

DefinitiveLeigh by Leigh Morrison '15: Feminist zines

Children’s photo books by Cristi Carlstead ‘01: Colors, alphabet and numbers from various countries around the world Romance Novels by Kate Broad ‘06, writing as Rebecca Brooks: sexy contemporary feminist romance

Jambo Book Club by Mijha Butcher Godfrey ‘98: Receive two-three age-appropriate children’s books each month that feature a child of color as the star. Jambo books show children of color in situations where children’s literature rarely places them - making friends, raising pets, loving grandparents and fighting dragons. The books arrive with a personalized letter in boxes beautifully decorated with art that celebrates the joy of childhood. We serve children aged 0-13.

General Home:

Domesticat by Rocío Garza Tisdell ‘07: posters, more products in development

TAIT Design Co. by Audrey Elkus ‘18: Toys + Homewares designed and assembled in Detroit and 100% made in USA. Minimalist, mid-century modern, built to last and make great gifts. Thanks for checking us out : )!

Professional Services

Abilities Dance: Boston-based physically-integrated dance company. Able to perform at holiday parties, fundraisers, and all types of events. Always willing to negotiate rates for W alums. 

Grace Astrology by Elisabeth Grace ‘83: Professionally certified astrologer; life strategist. Astrology is a powerful tool for understanding why you are the way you are; what you need in order to feel fulfilled and why things happen when they do. Improve your timing and your relationships. Based in New York -- available for parties, fundraisers, speaking/teaching engagements.  

Leslie Ordal: Writing and editing, with a specialty in medicine and science but other fields also welcome. Ad copy, journal manuscripts, etc.--my clients have ranged from Big Pharma to artisans to graduate students. Discount on my usual rate for W alums! Makefast Workshop (Maura Atwater ‘08): Prototyping consultancy; hardware, software, and musical instrument design.

[multimatecollection]

The stitches over it is called "Kantha stitch".  Kantha stitch is famous and stylish embroidery in India. This traditional Quilt will add ethnic feel to your place. 

Buy this Vintage Kantha Sari Throw at http://multimatecollection.com/heart-and-love-indian-sari-throw.html

[toldnews-blog]

New Post has been published on https://toldnews.com/lifestyle/the-chic-octogenarian-behind-barbies-best-looks/

The Chic Octogenarian Behind Barbie’s Best Looks

LOS ANGELES — Carol Spencer, 86, may be the most influential fashion designer you’ve never heard of.

In the mid-1960s, she made a red pencil skirt with a white sleeveless blouse that had red stitching and three red buttons down the front. Short white gloves came with it. Thousands sold.

In the 1970s, well aware that the counterculture’s loosening dress code and mores had made it to the mainstream, Ms. Spencer designed a red bandanna halter maxi-dress and a matching leisure shirt for men. Those designs were popular, too.

In the Nancy Reagan 1980s, Ms. Spencer aimed for high-end appeal, making a one-shouldered ball gown in blue jacquard with an organza flower at the nipped-in waist and a cape. One of Mrs. Reagan’s go-to couturiers personally approved the gown to be sold under his name: “Oscar de la Renta for Barbie.”

Ms. Spencer has made wedding dresses, saris, go-go boots and caftans. All in miniature. From 1963 to 1999, she was Barbie’s fashion designer, a career celebrated in her new book, “Dressing Barbie” (HarperDesign).

Ms. Spencer also made her own clothes, and had an easy time working with the doll’s famously unusual proportions, she said, because they weren’t so far from her own. “I have shrunk but in those days, I was tall and skinny,” she said. “I had a 16-inch waist and something on top, too, I sure did, but Barbie’s legs were better than mine.”

She was sitting in her dining room, wearing a blouse in a shade that can only be described as Barbie pink, with a Barbie brooch and a Barbie digital watch that legions of girls probably begged to get for Christmas in the 1990s.

It was a different body part that was most important for her job, Ms. Spencer said: “I have small hands.” She set down the Barbie teacup filled with lemonade she had been clasping to show her fingers. They are small and jut out at angles from the joint, a disfiguration likely caused by years of grasping little needles and bottles of glue.

In creating a wardrobe for Barbie and the entourage (Skipper, Ken, Midge, Big Jim, Baby Sister Kelly, Cara, Stacey, Christie, P.J., Steffie and Miss America), Ms. Spencer was part of a team that has inspired the work of designers including Bob Mackie, Nicole Miller, Jeremy Scott and Jason Wu, who once said he played with Barbie dolls when he was a child.

For a Moschino fashion show in Milan in 2014, Mr. Scott had a Barbie waiting on front-row chairs and sent models down the runway in blond bouffants and pink skirt suits.

Last month, to celebrate the doll’s 60th birthday, Mattel hosted a profusely pink Barbie bacchanal in New York City with Instagram-friendly Dream House backdrops, intended to draw in a new generation of fans who are too young to know that Barbie was the original influencer.

1. Ms. Spencer designed Ski Party Pink for Barbie in 1982. The sweater had Dolman sleeves and a cowl neck. In her ankle-strap high-heels, she was ready to hit the bars, not the slopes.

2. Released in 1979, this City Sophisticate outfit had a faux-fur-trimmed coat and skirt accented by a yellow soutache braid.

3. A Mattel employee accidentally ordered 2,500 yards of gold-and-white striped fabric, instead of 250 yards. Ms. Spencer’s 1965 Country Club Dance fashions made use of the excess.

4. The 1992 Totally Hair Barbie was one of Mattel’s best sellers. Ms. Spencer designed a Pucci-inspired mini.

5. Ms. Spencer wanted to create an “evening pajama” look for Barbie after Barbra Streisand wore a Scaasi version when accepting an Academy Award in 1969. Ms. Streisand’s outfit was see-through, so Ms. Spencer made Barbie special panties.

Saving the Dune Buggy

Even since her retirement, Ms. Spencer has devoted her time to Barbie. Inducted in 2017 into the Women in Toys, Licensing & Entertainment Hall of Fame, she has spent her golden years attending Barbie collectors events, doing research and amassing artifacts.

For years she has worked on “Dressing Barbie,” which is sized for a coffee table and subtitled “A Celebration of the Clothes That Made America’s Favorite Fashion Doll, and the Incredible Woman Behind Them.” Laurie Brookins, a writer and stylist, helped Ms. Spencer with the project.

The book combines styled vintage fashion photography with memoir. Born in 1932 and raised in Minneapolis, Ms. Spencer rejected the wife-and-mother path that prevailed in the American midcentury and instead made a career for herself. “I truly fell in love with Barbie the first moment I created her clothes and accessories,” she writes in the book.

Barbie has been a go-to emblem of all that has ill-served girls and young women in American culture. Living in a world that is almost exclusively white, the doll has breasts that are disproportionately large compared with her hips, and her feet are contorted into a permanent “floint” (short for flexing your toes back as you point the rest of your foot).

Her hair seems to be bleached blond, never with dark (or gray) roots. At times she dressed the part of a doctor or politician but has seemed unable to hold down a job. And there’s the place in Malibu. Does it come from a trust fund or Ken?

But Ms. Spencer would like to counterpunch the Barbie bashing. She points out the doll’s humble origins, with her proportions modeled after paper dolls cut from newspapers. She also defends Barbie as a healthy alternative to video games; an engine of imagination for girls and boys, who can project onto a Barbie doll whoever they may wish to become.

“It’s wholesome play,” she said, as she pulled from a case one of the many hundreds of dolls in her home. This one was wearing a yellow chiffon-like pleated tunic with see-through pajama pants, inspired by the Arnold Scaasi transparent ensemble Barbra Streisand wore to the 1969 Oscars when she won a best actress award for “Funny Girl.”

Ms. Spencer’s house is filled with books like “Barbie: Her Life and Times” and “Dream Doll: the Ruth Handler Story,” about Ms. Handler, who, with her husband, Elliot, and Harold Matson, founded Mattel in 1945. The Barbie fashion doll was released in 1959.

Over a cluttered desk are posters of Barbie, like one showing the same image of the original 1959 doll, displayed against four different bright backgrounds, à la Warhol. (It was made to celebrate Mattel’s 35th Anniversary Barbie Festival, in 1994.)

Ms. Spencer is a scavenger for treasures in a toss-everything world. One day at the Mattel offices, then located in Hawthorne, Calif., she noticed someone was about to throw away an important piece of Barbie memorabilia.

“It was the prototype for Barbie’s dune buggy,” she said. “They were tossing it, and I said, ‘Would you toss it my way?’”

She learned thrift as a child. “During World War II, things were scarce and I remember the family would get the Sunday paper,” Ms Spencer said. “When they’d get through with it, they’d hand me the comic pages so that I could cut out the paper dolls.”

She began to create paper fashion for these paper dolls. Soon she was making her own clothes. But being a fashion designer didn’t seem like a realistic goal in those days, she recalled. “You could be a teacher, nurse, secretary or clerk,” she said. “But wife and mother were the big ones.”

She was engaged to a medical student but when she realized she was expected to work to help pay for education before quitting to be a “doctor’s wife,” she broke the engagement. Then she enrolled at the Minneapolis College of Art and Design, where she got a bachelor of fine arts with a focus on fashion design.

In May 1955, as she was about to graduate, she received a telegram from New York letting her know that her application for a “guest editor” slot at Mademoiselle magazine had been approved. Instead of sticking around for her commencement ceremony, Ms. Spencer took her first plane trip and moved in to the Barbizon Hotel for Women, for a month.

During her time in New York, she attended a reception at the home of the cosmetics entrepreneur Helena Rubinstein, visited the recently opened United Nations, danced with West Point cadets at the St. Regis hotel and interviewed the designer Pauline Trigère in her studio.

Ms. Spencer was in the same class of Mademoiselle guest editors as Joan Didion. “It was about as far from Minneapolis as you could get,” she writes.

She returned to her hometown to work, designing children’s wear for Wonderalls Company and then moved to Milwaukee to become a “misses” sportswear designer.

In late 1962, Ms. Spencer spotted an advertisement in Women’s Wear Daily. “A national manufacturer who leads its industry with annual sales in excess of $50 million seeks a cost-conscious fashion designer-stylist for its suburban Los Angeles facility.”

She sent a résumé and heard nothing back. Still, sensing this mysterious job was her destiny, she and her aunt packed up their 1959 Ford Fairlane and drove across the country to California.

In April 1963, she saw an ad in the California Apparel News for the same job, and this time her application got a response. It was from Mattel, the toymaker already known for the postwar bombshell: Barbie.

Ms. Spencer went to the company headquarters for an interview and was asked to make a suite of outfits for this creature. She made a halter-top-and-boy-short bikini, a one-piece in the same shade of orange-pink. There was a cover-up and a wrap skirt. She got the job.

Pink Pills Nixed

At that time, Mattel made about 125 different outfits a year for Barbie, and the fashion department, run by Charlotte Johnson, could be cutthroat.

“Charlotte had a theory,” Ms. Spencer said. “If you have four designers, you put them in four corners. And it was always competitive and you were pitching your product. Sometimes the competition was kind of dirty.”

How so? She wouldn’t say. “I’m out of it, I’m retired, I’m enjoying life, I’ll put it that way,” she said, and she took a sip of lemonade from her Barbie teacup.

Some of her early successes, all of which she has cataloged, included Country Club Dance (a white and gold striped gown), From Nine to Five (a midcalf blue dress with an embroidered vest and hair scarf) and Debutante Ball (an aqua satin gown with a fur stole).

Ms. Spencer took her cue from the culture around her. As the Jane Fonda aerobics craze of the 1980s took off, Barbie got a purple leotard and leg warmers. When NASA’s space shuttle exploration was in full tilt, Barbie became an astronaut (albeit one in thigh-high boots and silver capes).

And there was inspiration from her own life as well. When she needed a biopsy on her breast, Ms. Spencer was transfixed by the white coats doctors wore. The biopsy was negative, but the fashion was positive. Guess who became, however briefly, a surgeon?

There were missteps too, like when she gave Dr. Barbie a case of pink pills without knowing that at that time pink pills were known to be methamphetamines. “Let me tell you, that caused quite a stir,” she said. (Her faux pas was caught before Meth-Head Barbie made its way to children’s dollhouses.)

There are hundreds and hundreds of designs that are Carol Spencer originals, with only a small portion bearing her name. Until the mid-1990s, Mattel didn’t put designer names on Barbie’s packaging.

But Ms. Spencer remembers each of her creations, and many of them are in her home, which her sister, Margaret, 88, will be moving into soon. But even though Ms. Spencer gets out less these days, and relies on a walker to take more than a few steps, she said she feels surrounded by good company.

“You’re never alone when you have dinner at my house,” she said. “Barbie is always with you.”