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viviplaynet · 1 year ago

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Austin, Texas is the hometown of multi-talented musician, songwriter, and composer Vince Spano, who specialises in singing, songwriting, and composing. He is just 20 years old, but he is ready to make a name for himself thanks to the forthcoming summer concerts he will be giving. The most recent musical composition by the artist is named "Flatline," and it is the perfect accompaniment to the lively open-air performances that take place during the warm summer evenings. In the last year of his secondary school, Vince co-founded the musical group that would later be known as "Creekwood" with two of his classmates, Daniel Aldrete and Abraham Ramirez, both of whom were responsible for playing the drums and bass, respectively. A wide variety of musical influences, including well-known bands such as The Strokes, Foo Fighters, Highly Suspect, Tiger Cub, and Catfish and the Bottlemen, have impacted his growing creative style. Even though he has only just begun his career as a professional musician, Vince has already shown a remarkable level of attention and meticulousness in developing his one-of-a-kind creative style. Because of the systematic approach that was used when composing the song, "Flatline" is not just a stand-alone track; rather, it is in the position of being a trigger for an exciting adventure because of the approach that was taken while writing the song. The album "Prescribed," featuring the song "Flatline," can be traced back to Vince's second year of secondary school, when he developed the idea and gave it its first impetus. The composition as mentioned above goes beyond the limitations of a simple song and acts as a portal into the vast musical cosmos that Vince has created. It offers a look into the colourful world that he has painstakingly crafted during his creative journey. To get "Flatline" off the ground, Vince with great care and attention to detail converted his old house into a fully functional recording studio. Because the whole album, including this specific piece, was recorded at Creative Cave Studio in Brownsville, Texas, it helps contribute to the overall authenticity of the album. This particular composition was also recorded there. The release of the song "Flatline" heralded the beginning of a new period in popular music, which was distinguished by the infusion of aspects of cinematic narrative. Vince Spano is building a unique presence within the world of rock music as a result of his unwavering commitment to his creative quest and his effective ability to communicate storylines through the musical compositions he creates. [caption id="attachment_10622" align="alignnone" width="1440"] Vince Spano Ignites The Summer With 'Flatline': A Fresh Approach To Cinematic Storytelling[/caption] The audience is not just asked to demonstrate their adoration for the song "Flatline," but rather they are tempted to go on a sound trip that promises an aural experience that is both compelling and delightful. This is not the only request that is made of the audience. If you want to experience the exciting tale of Vince Spano's captivating trip, the only way to do so is to immerse yourself in the aural masterpiece "Flatline" and play it at the highest level possible. Could you tell us about the creative process behind "Flatline"? Flatline was a cool creative process because it was the fastest I have ever written a song. Usually at 2 or 3 am in my bedroom, I mess around for a few hours and write a song or 2 but this time all it took was me to just plug in my electric guitar and within 5 minutes I pretty much had the song done. What inspired you to create "Flatline"? Flatline was just such a burst of energy. I'm not sure what inspired it, it just sort of happened. Came to me some random morning and it was the easiest writing session I ever had, and I think because of that, it's always gonna have a special connection with me. How do you envision "Flatline" resonating with your audience, and what impact do you hope it will have on listeners as this has the potential to become a fan-favourite? I hope fans just enjoy the rawness of it and the overall energy. It's a song that's meant to give you a good time. I think overall l, what I wanted from this song was to give the fans that came to the live shows a fun time. Are there any specific genres or musical influences that have played a significant role in shaping your sound and style as an artist? I have so many. Everything from Guns N' Roses to the Foo Fighters, to The Strokes, and Catfish and the Bottle men for sure. https://www.youtube.com/watch?v=igvprhwbwu8 How do your distinctive sound and style reflect your musical journey and creative growth? I think my music changes sonically as often as I change as a person. I'm not the same kid I was when I first put out my first demo tapes in 2020 and I'm not the same guy I was last year with the Prescribed Project. I think the music I make is always gonna reflect the life I'm living at that specific moment and the headspace I'm in. I think it's important to see "Oh what was my headspace in August 2020, or November 2022, or even today" I'm excited to look back 10 years from now and see these memories encapsulated in these projects. How do you approach developing your visual aesthetic and creating a cohesive brand that aligns with your musical identity? I think visually I like to make things look very different. I want people to feel like every time something new comes out, we're entering into a whole different world. It depends on what I'm putting out at that time, but I want the audience to enter this new cinematic experience every time I put out a new project. Technology has transformed music consumption and sharing. How do you adapt and use digital channels to reach global audiences? I'm maybe a little slower to grasp technological advancements than others but I try to incorporate what I grew up loving in the past and try to reconstruct it in a modern way. Can you give us a glimpse into what the future holds for your music? The future is coming very fast and a lot is going on! As of right now, I'm still focusing on recording a lot of brand-new music, but also setting up a ton of shows for the rest of the year. So expect me out on the road a lot and expect a ton of new music coming soon! Do you have any advice for aspiring songwriters? Keep writing. All the time. Whenever you can, every day paint a picture in your head and tell a story. It doesn't have to be a good one, just tell one, and little by little, things will start to fall into place. Keep pushing and doing what you love. Much love to everyone! https://open.spotify.com/album/1gAmNCUkN1ps88waECr5Ys?si=DdZYrF9EQFCqf73rVjYODw

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thelastuniverse · 4 years ago

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GRAMMYs Awards 2021

GENERAL FIELD

Record Of The Year: ‘EVERYTHING I WANTED’ — Billie Eilish Finneas O’Connell, producer; Rob Kinelski & Finneas O’Connell, engineers/mixers; John Greenham, mastering engineer

Album Of The Year: ‘FOLKLORE’ — Taylor Swift Jack Antonoff, Aaron Dessner & Taylor Swift, producers; Jack Antonoff, Aaron Dessner, Serban Ghenea, John Hanes, Jonathan Low & Laura Sisk, engineers/mixers; Aaron Dessner & Taylor Swift, songwriters; Randy Merrill, mastering engineer

Song Of The Year: ‘I CAN’T BREATHE’ — Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)

Best New Artist: Megan Thee Stallion

POP

Best Pop Solo Performance: ‘WATERMELON SUGAR’ — Harry Styles

Best Pop Duo/Group Performance: ‘RAIN ON ME’ — Lady Gaga with Ariana Grande

Best Traditional Pop Vocal Album: ‘AMERICAN STANDARD’ — James Taylor

Best Pop Vocal Album: ‘FUTURE NOSTALGIA’ — Dua Lipa

DANCE/ELECTRONIC MUSIC

Best Dance Recording: ‘10%’ — Kaytranada Featuring Kali Uchis Kaytranada, producer; Neal H. Pogue, mixer

Best Dance/Electronic Album: ‘BUBBA’ — Kaytranada

CONTEMPORARY INSTRUMENTAL MUSIC

Best Contemporary Instrumental Album: ‘LIVE AT THE ROYAL ALBERT HALL’ — Snarky Puppy

ROCK

Best Rock Performance: ‘SHAMEIKA’ — Fiona Apple

Best Metal Performance: ‘BUM-RUSH’ — Body Count

Best Rock Song: ‘STAY HIGH’ — Brittany Howard, songwriter (Brittany Howard)

Best Rock Album: ‘THE NEW ABNORMAL’ — The Strokes

ALTERNATIVE

Best Alternative Music Album: ‘FETCH THE BOLT CUTTERS’ — Fiona Apple

R&B

Best R&B Performance: ‘BLACK PARADE’ — Beyoncé

Best Traditional R&B Performance: ‘ANYTHING FOR YOU’ — Ledisi

Best R&B Song: ‘BETTER THAN I IMAGINED’ — Robert Glasper, Meshell Ndegeocello & Gabriella Wilson, songwriters (Robert Glasper Featuring H.E.R. & Meshell Ndegeocello)

Best Progressive R&B Album: ‘IT IS WHAT IT IS’ — Thundercat

Best R&B Album: ‘BIGGER LOVE’ — John Legend

RAP

Best Rap Performance: ‘SAVAGE ‘— Megan Thee Stallion Featuring Beyoncé

Best Melodic Rap Performance: ‘LOCKDOWN’ — Anderson .Paak

Best Rap Song: ‘SAVAGE’ — Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe & Anthony White, songwriters (Megan Thee Stallion Featuring Beyoncé)

Best Rap Album: ‘KING’S DISEASE’ — Nas

COUNTRY

Best Country Solo Performance: ‘WHEN MY AMY PRAYS’ — Vince Gill

Best Country Duo/Group Performance: ‘10,000 HOURS’ — Dan + Shay & Justin Bieber

Best Country Song: ‘CROWDED TABLE’ — Brandi Carlile, Natalie Hemby & Lori McKenna, songwriters (The Highwomen)

Best Country Album: ‘WILDCARD’ — Miranda Lambert

NEW AGE

Best New Age Album: ‘MORE GUITAR STORIES’ — Jim “Kimo” West

JAZZ

Best Improvised Jazz Solo: ‘ALL BLUES’ — Chick Corea, soloist Track from: Trilogy 2 (Chick Corea, Christian McBride & Brian Blade)

Best Jazz Vocal Album: ‘SECRETS ARE THE BEST STORIES’ — Kurt Elling Featuring Danilo Pérez

Best Jazz Instrumental Album: ‘TRILOGY 2’ — Chick Corea, Christian McBride & Brian Blade

Best Large Jazz Ensemble Album: ‘DATA LORDS’ — Maria Schneider Orchestra

Best Latin Jazz Album: ‘FOUR QUESTIONS’ — Arturo O’Farrill & The Afro Latin Jazz Orchestra

GOSPEL/CONTEMPORARY CHRISTIAN MUSIC

Best Gospel Performance/Song: ‘MOVIN’ ON’ — Jonathan McReynolds & Mali Music; Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters

Best Contemporary Christian Music Performance/Song: ‘THERE WAS JESUS’ — Zach Williams & Dolly Parton; Casey Beathard, Jonathan Smith & Zach Williams, songwriters

Best Gospel Album: ‘GOSPEL ACCORDING TO PJ’ — PJ Morton

Best Contemporary Christian Music Album: ‘JESUS IS KING’ — Kanye West

Best Roots Gospel Album: ‘CELEBRATING FISK! (THE 150TH ANNIVERSARY ALBUM)’ — Fisk Jubilee Singers

LATIN

Best Latin Pop or Urban Album: ‘YHLQMDLG’ — Bad Bunny

Best Latin Rock or Alternative Album: ‘LA CONQUISTA DEL ESPACIO’ —Fito Paez

Best Regional Mexican Music Album (Including Tejano): ‘UN CANTO POR MÉXICO, VOL. 1’ — Natalia Lafourcade

Best Tropical Latin Album: ‘40’ — Grupo Niche

AMERICAN ROOTS MUSIC

Best American Roots Performance: ‘I REMEMBER EVERYTHING’ — John Prine

Best American Roots Song: ‘I REMEMBER EVERYTHING’ — Pat McLaughlin & John Prine, songwriters (John Prine)

Best Americana Album: ‘WORLD ON THE GROUND’ — Sarah Jarosz

Best Bluegrass Album: ‘HOME’ — Billy Strings

Best Traditional Blues Album: ‘RAWER THAN RAW’ — Bobby Rush

Best Contemporary Blues Album: ‘HAVE YOU LOST YOUR MIND YET?’ —Fantastic Negrito

Best Folk Album: ‘ALL THE GOOD TIMES’ — Gillian Welch & David Rawlings

Best Regional Roots Music Album: ‘ATMOSPHERE’ — New Orleans Nightcrawlers

REGGAE

Best Reggae Album: ‘GOT TO BE TOUGH’ — Toots & The Maytals

GLOBAL MUSIC

Best Global Music Album: ‘TWICE AS TALL’ — Burna Boy

CHILDREN’S

Best Children’s Music Album: ‘ALL THE LADIES’ — Joanie Leeds

SPOKEN WORD

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling): ‘BLOWOUT: CORRUPTED DEMOCRACY, ROGUE STATE RUSSIA, AND THE RICHEST, MOST DESTRUCTIVE INDUSTRY ON EARTH’ — Rachel Maddow

COMEDY

Best Comedy Album: ‘BLACK MITZVAH’ — Tiffany Haddish

MUSICAL THEATER

Best Musical Theater Album: ‘JAGGED LITTLE PILL’ — Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard, composer; Alanis Morissette, composer & lyricist) (Original Broadway Cast)

MUSIC FOR VISUAL MEDIA

Best Compilation Soundtrack For Visual Media: ‘JOJO RABBIT’ — (Various Artists) Taika Waititi, compilation producer

Best Score Soundtrack For Visual Media: ‘JOKER’ — Hildur Guðnadóttir, composer

Best Song Written For Visual Media: ‘NO TIME TO DIE [FROM NO TIME TO DIE]’ — Billie Eilish O’Connell & Finneas Baird O’Connell, songwriters (Billie Eilish)

COMPOSING/ARRANGING

Best Instrumental Composition: ‘SPUTNIK’ — Maria Schneider, composer (Maria Schneider)

Best Arrangement, Instrumental or A Cappella: ‘DONNA LEE’ — John Beasley, arranger (John Beasley)

Best Arrangement, Instruments and Vocals: ‘HE WON’T HOLD YOU’ —Jacob Collier, arranger (Jacob Collier Featuring Rapsody)

PACKAGE

Best Recording Package: ‘VOLS. 11 & 12’ — Doug Cunningham & Jason Noto, art directors (Desert Sessions)

Best Boxed Or Special Limited Edition Package: ‘ODE TO JOY’ — Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)

NOTES

Best Album Notes: ‘DEAD MAN’S POP’ — Bob Mehr, album notes writer (The Replacements)

HISTORICAL

Best Historical Album: ‘IT’S SUCH A GOOD FEELING: THE BEST OF MISTER ROGERS’ — Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)

PRODUCTION, NON-CLASSICAL

Best Engineered Album, Non-Classical: ‘HYPERSPACE’ — Drew Brown, Julian Burg, Andrew Coleman, Paul Epworth, Shawn Everett, Serban Ghenea, David Greenbaum, John Hanes, Beck Hansen, Jaycen Joshua, Greg Kurstin, Mike Larson, Cole M.G.N., Alex Pasco & Matt Wiggins, engineers; Randy Merrill, mastering engineer (Beck)

Producer Of The Year, Non-Classical: ANDREW WATT

• Break My Heart (Dua Lipa) (T) • Me And My Guitar (A Boogie Wit Da Hoodie) (T) • Midnight Sky (Miley Cyrus) (S) • Old Me (5 Seconds Of Summer) (T) • Ordinary Man (Ozzy Osbourne Featuring Elton John) (T) • Take What You Want (Post Malone Featuring Ozzy Osbourne & Travis Scott) (T) • Under The Graveyard (Ozzy Osbourne) (T)

Best Remixed Recording: ‘ROSES (IMANBEK REMIX)’ — Imanbek Zeikenov, remixer (SAINt JHN)

PRODUCTION, IMMERSIVE AUDIO

Best Immersive Audio Album: Due to the COVID-19 pandemic, the Best Immersive Audio Album Craft Committee was unable to meet. The judging of the entries in this category has been postponed until such time that we are able to meet in a way that is appropriate to judge the many formats and configurations of the entries and is safe for the committee members. The nominations for the 63rd GRAMMYs will be announced next year in addition to (and separately from) the 64th GRAMMY nominations in the category

PRODUCTION, CLASSICAL

Best Engineered Album, Classical: ‘SHOSTAKOVICH: SYMPHONY NO. 13, ‘BABI YAR’ — David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)

Producer Of The Year, Classical: DAVID FROST

Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss) • Gershwin: Porgy And Bess (David Robertson, Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore, Eric Owens, Metropolitan Opera Orchestra & Chorus) • Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus) • Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony) • Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus) • Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner) • Shostakovich: Symphony №13, ‘Babi Yar’ (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)

CLASSICAL

Best Orchestral Performance: ‘IVES: COMPLETE SYMPHONIES’ — Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Best Opera Recording: ‘GERSHWIN: PORGY AND BESS’ — David Robertson, conductor; Frederick Ballentine, Angel Blue, Denyce Graves, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Choral Performance: ‘DANIELPOUR: THE PASSION OF YESHUAH’ — JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J’Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)

Best Chamber Music/Small Ensemble Performance: ‘CONTEMPORARY VOICES’ — Pacifica Quartet

Best Classical Instrumental Solo: ‘THEOFANIDIS: CONCERTO FOR VIOLA AND CHAMBER ORCHESTRA’ — Richard O’Neill; David Alan Miller, conductor (Albany Symphony)

Best Classical Solo Vocal Album: ‘SMYTH: THE PRISON’ — Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)

Best Classical Compendium: ‘THOMAS, M.T.: FROM THE DIARY OF ANNE FRANK & MEDITATIONS ON RILKE’— Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer

Best Contemporary Classical Composition: ‘ROUSE: SYMPHONY NO. 5’ — Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)

MUSIC VIDEO/FILM

Best Music Video: ‘BROWN SKIN GIRL’ — Beyoncé, Blue Ivy & WizKid , Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Astrid Edwards, Aya Kaida, Jean Mougin, Nathan Scherrer & Erinn Williams, video producers

Best Music Film: ‘LINDA RONSTADT: THE SOUND OF MY VOICE’ — Linda Ronstadt, Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers

#grammys #grammys awards #Awards #2021

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howardhawkshollywoodannex · 4 years ago

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Vincent Spano as Johnny in Alphabet City (1984). Vince was born in Brooklyn and has 73 acting credits, from a 1979 episode of Search for Tomorrow, to three films now in post-production. His other notable credits include Over the Edge, Rumble Fish, Baby Its You, an episode of Tales from the Crypt, a 2007 episode of Pandemic, six episodes of a 2009 Italian mini-series, and five episodes of Law and Order: Special Victims Unit, This is his second honorable mention, after City of Hope.

#vincent spano #alphabet city

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transsolar · 2 years ago

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Reis und Photovoltaik: Fabiano Spano gewinnt Wettbewerb um besten Agrar-Voltaik-Garten

Wir gratulieren dem gesamten Team!

Rice and photovoltaics:

Fabiano Spano wins competition for best agro-voltaic garden.

Congratulations to the entire team!

https://www.archiportale.com/news/2022/09/architettura/fabiano-spano-vince-il-concorso-per-il-miglior-giardino-agrivoltaico_90667_3.html

#home #blog #transsolar #Fabianospano #clarabondi

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valleyledger · 2 years ago

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Albert Cummings at Mauch Chunk Opera House on June 17

Photo credit: Nick Spanos ALBERT CUMMINGS In Concert FRIDAY, JUNE 17 @ 8:00PM MAUCH CHUNK OPERA HOUSE 14 WEST BROADWAY JIM THORPE, PA NEW ALBUM TEN OUT NOW THE ACCLAIMED BLUESMAN BUSTS DOWN GENRE WALLS ON TEN, PRODUCED BY GRAMMY-WINNER CHUCK AINLAY AND FEATURING A GUEST APPEARANCE BY VINCE GILL WATCH THE EPK June 2022 – Guitar virtuoso Albert Cummings brings his dynamic live show to Jim…

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mtwy · 7 years ago

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Smash Hits

July 31st - Aug 13th 1985

NAME: It’s really Madonna. Madonna Ciccone. I never became aware that it was such an unusual name until I moved to New York and started getting my name on programmes; people assumed it was a stage name.

ANY NICKNAMES?: My father called me Nonny - I think that’s how I said my name when I was little. I gave myself a graffiti tag too: “Boy Toy”.

BORN: In Detroit. What year? Why do I have to tell everybody that all the time?

FIRST CONCERT: David Bowie at Cobo Hall in Detroit. Oh, it was the most marvellous thing I’d ever done in my life! I was punished severly for going.

PREVIOUS OCCUPATIONS: Before this blasphemous job? I worked at Burger King and McDonald’s and was a lifeguard and scooped ice cream. I was once a painter’s model: I took all my clothes off and they pretended to draw my body artistically.

FIRST CRUSH: The first boy I ever loved was Ronny Howard in the fifth grade class. He had real white-blond hair and sky blue eyes. He was so beautiful. I wrote his name all over my sneakers and on the playground I used to take off the top part of my uniform and chase him around.

DREAM HOLIDAY: One where I’m not arguing with anybody. Somewhere where it’s warm but not disgustingly boring.

IS THERE ANYONE YOU’D RATHER HAVE HAD YOUR FIRST SCREEN SNOG WITH THAN ROBERT JOY (IN DESPERATELY SEEKING SUSAN)? Vince Spano (”hunky” Italian star of Baby It’s You and other fine films). Vince Spano is such a dreamboat. Or Sam Shepard (American playwright and actor).

DO YOU DO ANY EXERCISE? I swim 100 laps every day. That’s over a mile.

WHICH TV SHOW WOULD YOU MOST LIKE TO STAR IN? Dynasty. I’d like to play the girl who made Alexis feel like a fool. I’d like to trip her up.

WHAT IRRITATES YOU MOST? I hate polite conversation. I hate it when people stand around and go “Hi, how are you?” I hate words that don’t have any reason or meaning. Also I hate it when people smoke in elevators and closed-in places. It’s just so rude.

WHAT’S YOUR LEAST FAVOURITE EXPRESSION? “Where’s the beef?” I’m sick of it - purlease!

DO YOU LIKE SARDINES? I love sardines in the can with mustard. But I take their spines out and their tails off.

WHAT DO YOU THINK OF SIR WILLIAM IDOL? Who? Oh. I was considering doing a song with Billy Idol, if you can believe it. That would have been good because we’re both white and plastic and blond.

WHAT’S, LIKE, THE WEIRDEST GIFT YOU’VE EVER HAD FROM A FAN? I only get normal things like flowers, candy, toys and jewellery, but I get strange letters because of my name. I got a letter from a girl who believes she’s the second coming of Christ and since I’m Madonna we have to be together.

WHAT MAKES YOU LAUGH? I don’t like jokes so much. The things that make me laugh are people’s idiosyncracies and expressions.

DO YOU THINK YOU’LL EVER WRITE A BOOK? Maybe, I do write a lot. It would be a searing love story, probably semi-autobiographical, you know, because it’s best to draw on your personal experiences.

FAVOURITE HEAVY METAL SONG? Oh, gee, I don’t really listen to it anymore and even when I was little I hated it too.

WHAT’S YOUR FAVOURITE HAT? A sailor’s cap in navy blue. I just took it off. I was wearing it all day but it was giving me a headache.

#1985 #smashhits #magazines #uk #virginera

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