#villanevest | Explore Tumblr posts and blogs

villainever · 6 years ago

Text

Touch Them, Talk to Them: Villaneve & Nuance in Villanelle's Psychopathy (2x07)

okay there is SO much to say about 2x07, but none of you want to read 10k words of analysis, so im going to pick one topic and stick to it (for now). in this post, im going to talk about how this episode is – I believe – a response to: a) villanelle’s season 1 claim that what she wants is, among other things, “someone to watch movies with”, b) eve’s question, “you really don’t feel anything?”, and c) martin’s assertion that to psychopaths, there are only “i / it” relationships. i think aaron is a fantastic opposite/parallel to villanelle, because i believe that a great antagonist doesn’t just provide practical obstacles in the plot-path of the protagonist, but removes obstacles in their character-path. an example of what i meant by this is that in season 1, villanelle killed bill, killed frank, ruined evidence, impeded the investigation, and messed eve around (obstructing her plot-path). but she also drove eve to confront the (sociopathic) personality traits that she’d been repressing, and helped eve find her sense of purpose, confidence and power (smoothing her character-path). in season 2, however, villanelle has been shifted from an ~antagonist~ (ostensibly, as she doesn’t fully conform to this reductive role) to a protagonist, and aaron replaces her as the mysterious Other. just as we had with eve/villanelle, he is both Like and Not-Like villanelle. it’s the likeness that makes him an interesting (and dangerous) opponent for her, but it’s the not-likeness that’s so significant.

in 2x06, villanelle has her iconic “boredom” speech, and monologues about how nothing makes her feel anything. so at the start of 2x07, eve asks her if that’s all true – although it seemed authentic, it’s fair enough of eve to ask, considering how often and easily villanelle lies while playing her characters, and that villanelle prompts her (“you’ll feel better if you talk about it”). villanelle’s reply is that she doesn’t actually KNOW if she’s telling the truth or not. i don’t think she’s deflecting here; she appears subtly, but genuinely, torn. she DOESN’T know.

she wants to give eve a real answer, but she can’t. this is probably the result of a whole lot of mixed information: she’s obviously been told she’s a psychopath (by lawyers and therapists and fellow prisoners and konstantin, then eve), and she knows she enjoys killing people, controlling them, and she is often bored, too, like she said, but none of those things feels like enough. so she offers eve the most she can give: “i feel things when i’m with you.” and while she definitely means this – we could’ve guessed it, considering the lengths she’ll go to to even end up in the same country as eve – she’s still conflicted.

so then, in the last quarter of 2x07, we get this scene between villanelle and aaron:

he describes them as “voids”, and villanelle doesn’t hesitate before agreeing. she’s a psychopath, right? she must be a void. she’s not “nice and normal”. she doesn’t mind stabbing or suffocating or toying with other people. between her and aaron, there’s this heartbeat of dissonant kinship. she’s already joked that they might be “soulmates”, so here, she’s just chatting with him. she’s certain they’re fundamentally the same, and there’s not much to be learned from this, so she’s mostly humouring him. so she asks something out of mild interest, but she thinks she already knows the answer.

“do you ever get lonely?” villanelle does. she finds being cooped up by herself to be tedious, and uses the time to prepare her next interactions – elaborately faking her death for konstantin; planning new presents or tricks or reminders for eve. importantly, in defiance of the “incapable of ‘i / you’ relationships” idea, she is able to apply this notion of isolation to eve. in 2x06, she tells konstantin she’s texting eve “because [eve] might be lonely”. sure, villanelle primarily wants to know how much of an impact she had by killing someone right in front of eve, but she’s not really lying; she can follow and understand the emotional process of “niko left - today’s been a high-stakes day - eve is alone - eve might want somebody to decompress with”. and she feels compelled to offer eve that, to make things better for her. but:

like i said, villanelle has been trying to reach out on the common ground she percieves them as having. she expects to relate to aaron in every way, because he’s a psychopath, too. except aaron goes on about how he knows so much about people, how he observes them. villanelle often does this as well – stalking eve in clothing stores back in season 1, googling her, watching through her windows, etc. but that’s not even near to enough of eve for villanelle, so her reaction is one of confusion. “you don’t want to talk to them? touch them? sleep with them?"

"god, no.” aaron’s inflection is almost one of disgust, and definitely one of superiority. it’s like she’s asked him if he’s interested in hanging out with rocks. he can’t imagine having any involvement behind mild amusement at the opportunity to manipulate people, like toys. “do you?” he asks.

“yeah! i do. all the time.” it’s an immediate knee-jerk response, and though it’s soft, it’s emphatic. villanelle doesn’t doubt her answer. as the shot pans out, she gives a slight gasp, and almost smiles (mirroring that slight smile through her sobs in amsterdam). aaron remains impassive.

i believe that this exchange is maybe the MOST important of the episode, second only to eve/villanelle’s semi-sex scene. i also believe that it’s this conversation with aaron that leads villanelle to breaching that last unspoken barrier between her and eve. to be clear, i’m not trying to say villanelle isn’t a psychopath. one revelation does not fifty people un-kill. just a handful of hours before this moment, she murdered gemma with a plastic bag. so i’m not suggesting villanelle is just like any of us. she’s not, eve’s not, and we don’t want them to be. my point is that this moment clarifies a lot for villanelle. she’s been trying to figure out her own capacity for emotion and connection. one thing that she’s considered a fact about herself since before the pilot is that she “wants someone to watch movies with”. she expresses this desire to eve and konstantin with no hesitation; she’s sure, and this becomes a tacit premise in a lot of her reasoning over the whole show. i suspect villanelle doesn’t have any long-term understanding of what that really means, but she wants it anyway. she also plans most of her life around being able to get closer to eve, whether by teasing her or helping her or steering those in eve’s life to create the required conditions for a confrontation.

which is why aaron telling her he has NO need for human contact is such a big deal. because villanelle obviously DOES. she needs it, she wants it, she always has. anna, eve; villanelle develops romances that run deep – even though she’s no longer obsessed with anna by season 1, she still clearly feels a connection to her, and i don’t think she’d have killed her if anna hadn’t killed herself. then there’s konstantin, and she’s a little shit to him, but she definitely missed him, if the way she ran into his arms in 2x03 after being forced to put up with raymond for ten minutes is any indication. villanelle and konstantin have a rapport, and they trust each other (in that they both know each other well enough to guess when they might betray each other, and can account for it accordingly). essentially, until now, villanelle has been running with the equation “aaron = psychopath; me = psychopath; thus, aaron = me”. she’d assumed that part of psychopathy was just the level of human interest she has – which is why she doesn’t have an issue telling eve “like us, you mean”, even though eve has a long-term relationship and friends: that amount of involvement is still realistic for them, right? but aaron doesn’t have this need for people. so now, “aaron =/= me” for villanelle.

crucially, this interaction gives villanelle CONTEXT. rather than dealing in absolutes, she now has a spectrum of psychopathy: “aaron –> me –> eve –> carolyn –> konstantin –> etc.” aaron has inadvertently told her that what she feels is real. maybe she’d almost believed that, seeing as psychopaths can’t feel anything, can only have the “i / it”, that what she experienced was an infatuation or illusion (although this was shaken by eve stabbing her and by crying in amsterdam); but here’s aaron confirming that the idea of fascination with/caring for people has never even occurred to him. and it does NOTHING BUT occur to villanelle. eve runs circles around her head.

let’s look at that in practice. aaron’s most significant relationship is with his sister, who he treats like crap. he’s got her babysat, won’t listen to her opinions (“the grownups are talking, amber”), disrespects a friend she likes, calls her a “thickie”. then villanelle, the closest thing he has to a friend – he watches her without her consent, plays dress-up and stay-still like she’s a doll, tells her what she’s going to do (“spit it out”) and instructs her on how she should feel (“you’ll be bored”). but villanelle? her most important relationship is with eve. and sure, she makes really fucked up choices, but she also makes an effort to consider how eve might feel, what eve might want, what might appeal to her. AND, she’s IMPROVED at that. for example, in 1x03, she kills bill to get eve’s attention, but it’s at the price of hurting her. by 2x07, though, villanelle won’t kill niko. it’s mostly selfish – she doesn’t want eve to be mad at her – but if it were aaron, he’d try and force eve to be un-mad somehow, with money or threats, etc. (not that aaron would bother; he wouldn’t mind if she hated him) villanelle, though, she wants eve to ACTUALLY love her, not to HAVE to love her. villanelle is manipulative, obviously (e.g. telling niko that eve stabbed her to cause a rift between them), but she sees these indirect manipulations as a way to arrange things how she wants (it doesn’t really occur that there might be an alternative), and attempts to course-correct when eve sometimes gets upset. this is huge for villanelle. aaron gives her something NOBODY else can, by being like her, but less like her than she’d believed. the distinction between them might seem minute to viewers who have the full range of emotions/empathy, but for villanelle, that small difference means the world. it means her and eve are REAL, or real enough. martin said, “don’t add, take away”. but aaron proves that that can be true by degrees; villanelle is dotted with minuses, but fewer minuses than aaron. this is set up throughout the episode, kicked off thematically by eve’s question, but compounded by aaron’s consistent use of villanelle like a thing. THIS is an “i / it” dynamic. “stay there, exactly like that”. “wear this”. “these are your clothes now”. “we’re leaving”. “you’ll get ice-cream, and i’ll watch you eat it”. to him, villanelle is a totally disposable puppet. but over and over and over we’ve been shown that this ISN’T how villanelle perceives eve, and that’s definitely cemented in amsterdam, when villanelle breaks down over eve “forgetting” her.

aaron, like villanelle, has up until this point mistaken them for exactly alike, but they’ve been miscommunicating all along. at lunch, villanelle said, “i dont like rich men” – meaning, i like women, specifically eve, and i have my own resources. aaron counters, “but you like money”. he’s misinterpreted, and thinks villanelle means, like him, that she never wants to have sex or talk with other humans. instead, he concludes that she likes the material object of money, and the subsequent ability to aquire items which might spark some kind of response – and this lines up with villanelle’s later remark about liking to buy and own things, which aaron recognises in himself. they’re replying to each other, but really, they’re having slightly different conversations. so what does this mean, overall? we’ve known forever that villanelle wants eve to be the person she “watches movies with”, but this conversation tells villanelle she could maybe be that person to eve, too. villanelle can “love” in her own unique way, can be present. and because eve’s stepping off the ledge and meeting her in the middle, neither of them will have to be anything other than who they actually are. and they can be who they actually are, together. this analysis got a lot more muddled than i wanted it to, because im a lil wine drunk after haning out with some friends, but i had Thoughts. i have many more Thoughts about the villaneve hookup, hugo, gemma’s death, why aaron is such a creepy villain, carolyn’s plans, etc. but i’ll leave it here for now. i hope this made some sense lmfao.

#killing eve #killing eve spoilers #ke analysis #villainever writes #ke #ke spoilers #villaneve #aaron peel #villanelle #villanelle x eve #eve x villanelle #killing eve 2x07 #ke 2x07 #killing eve season 2 #killing eve s2 #konstantin #villainever #killing eve analysis #villanevest writes

1K notes · View notes

villainever · 6 years ago

Text

Eve and the Performance of Morality

The "descent into darkness" as a format for a character arc is relatively common these days, especially in prestige television, and while it's more often played out with men than women, it's not unheard of as a trajectory for female characters. What's so interesting about Eve's development is how FAST it is happening. On a poorly-written show, this would be because the writers were rushing, too caught up in Point B to plot a satisfying journey there from Point A. But Killing Eve is basically a masterclass in good screenwriting, and it leaves us with the unshakeable feeling that this is the only way it COULD happen for Eve.

Other "descending" characters are so often ordinary, but transformed by their remarkable circumstances. They are pushed by the people around them and unfortunate events into compromising on their ideals and values, slowly shifting inch by inch until they've lost sight of who they were. And often, this is where they're killed off, or a redemption begins.

But even though she changes, Eve isn't transformed. She's REVEALED. And not just to us, but to herself. She isn't surrounded by people pushing her to darkness -- in fact, Elena, Hugo, Kenny, Jess and Niko are all trying to hold her back from it. Instead, she chases darkness. She follows Villanelle further and further, around a dozen corners in the gloom, and when the light's gone entirely, Eve realises that she can still SEE. Eve is made for the darkness, and Villanelle knows it from the beginning, but Eve is still working it out.

While I don't think Eve has the same compulsion towards violence that Villanelle does, I do believe they are an example of the nature/nurture conflict. Eve was raised by good people in a good place and got a good education, then married a good man and got a good job. "Nice and normal". At every turn, she was socialised and conditioned to mimic morality and empathy, and while Villanelle often acts this out as well, for Eve, the acting is still subconscious. She believes it comes from an innate impulse, rather than years of being told what to do and how to react. Neither Villanelle nor Eve really connect with people effortlessly on an emotional level, but Villanelle accepts that about herself, while Eve can almost pretend it's been bred out of her.

Eve's stable life and her moral framework are dependent on one another, so they implode at the same time. Staying in the realm of 'normal' with Niko necessitates a certain performance of conventional morality, but when Villanelle not only doesn't demand that performance but actually demonstrates an existence without it, Eve finds it harder and harder to maintain her home life.

Once the door has been opened, it can't be closed again. Eve is realising who she is, and more importantly, who she ISN'T. In 205, Martin says, "Don't add. Take away." And this is how we're experiencing Eve's arc. We take away outside pressure to be normal. We take away moral influences. We take away the expectation of goodness. And this leaves Eve looking a lot more similar to Villanelle than she's perhaps ready to admit yet to herself.

It's worth noting how Niko has identified Eve as self-obsessed, because she definitely is. But a lot of that self-obsession manifests in her fascination with Villanelle -- not only because Eve really likes Villanelle and stops caring about what distracts her from wholeheartedly pursuing her, but because Eve RECOGNISES some part of herself in Villanelle, and almost uses her as a mechanism for self-discovery. She watches what Villanelle does, and enjoys it, while being able to maintain the distance that comes from not having physically done it herself.

As I mentioned earlier, we've seen the "descent" arc before in modern television. One that springs to mind in Piper on OITNB. In S1, Piper commits increasingly selfish acts, but still considers herself a good person -- indeed, nothing she does can be really that bad, because she's a Good Person. Over S2 and S3, she continues downwards, until by S4, she's no longer able to reconcile the two versions of herself, so she decides she must be a Bad Person. Because of her pathological need to be liked, this doesn't work for her either, and ultimately, Piper ends up trying to do good things to become a genuinely Good Person.

Eve, I think, originally believed that she would hit some point like this, and bounce up from the bottom. But she won't. Why? Because at first, Eve thinks she needs people to like her, but she actually doesn't. She fires Kenny -- the last of their original team, the last person who knew Old Eve (not counting Carolyn, who has layers I won't get into here) -- and doesn't really miss him, or notice he's gone (eg. calling Hugo "Kenny"; they're interchangeable and missable). She wants Villanelle's attention, but Villanelle 'liking' her is different to the way other people might -- Villanelle wants her, is attracted to the best of the worst in her, is enjoying Eve's emergence from her crucible (or cocoon, depending on how you want to frame it). Eve's primary drive is Villanelle's interest in her, and that's certainly not holding her back in her journey.

Secondly, Eve doesn't actually care about being good. She's had numerous potential "wake-up call" moments -- stabbing Villanelle, facilitating the torture of the Ghost, nearly pushing the guy at the train station, Niko leaving, Villanelle killing someone right in front of her, etc. Yes, she had a minor breakdown over knifing Villanelle, but that was more the idea of Villanelle being gone than the stabbing itself, because the way Eve later says she thinks of it "all the time" doesn't sound as black and white as regretting it in its entirety; like Villanelle, she views it as a point of significsnt connection between them and I don't believe she'd let that go. Regardless, the point is that if she had a real gut connection to her moral compass, she would've bailed. Because really, her original mission is over. She caught Villanelle. She chased her and drew level and she's done.

But Eve's not done, because she's chasing not just Villanelle, but the Eve who can keep pace with her. She's chasing what Villanelle represents -- freedom from a system that doesn't fit Eve, not really.

What we have to remember, though, is that Eve has been socially and ideologically programmed for forty-five years. Most sociopaths lead typical lives and have long-term relationships and never really dig too deep into their psychology. It's doable. This is why Eve is slipping fast but not faster -- she's had a taste of liberation from her constraints, but her skin has long since grown over those shackles, so it's hard not to see them as a part of herself, and difficult to get them off.

But they'll come off, because Eve isn't a quiet woman with an average husband and a respectable government job. Eve is a chameleon, the way Villanelle is, only she's less deliberate and has been playing her character for far longer.

Which leads me to Villanelle's speech on life being boring and why it was so important for Eve to hear it. If we look at classic "chaotic" characters like Eve and Villanelle, they're often motivated by boredom, or rather, the desire to escape it. Villanelle and Eve are stuck in a world designed for other people.

The fact is, Eve has been bored forever. Eve was bored long before the pilot, when she was stuck in a holding pattern with Niko and imagining how she'd kill him, not because she wanted him gone but because it was INTERESTING. When she started keeping track of a female assassin but not even trying to report her, because she wasn't aiming for justice but ENTERTAINMENT.

Another fascinating element of their dynamic is that we as an audience are usually positioned to root for a redemption, but with Eve, we can't imagine anything more disappointing. We don't need her to turn it all around, we need her to dive in. Not only because it makes for a fresh storyline, but because great arcs are about characters finding who they are, and we have already grasped who Eve is. Along with Villanelle, we're waiting on her to realise it and act on it. Eve returning to her normal life would be a wolf among sheep, and I think Eve has gone too far. Not in that she's committed serious crimes she'd always be guilty of -- although she's getting close -- but because Eve is coming to understand she's not who she imagined she was, and any performance after this will be a conscious one. A decision to pretend. And guess what? That'll get boring, too. We root for a darkening Eve because we want her and Villanelle to escape that boredom, and escape it together, and forgetting this ever happened is not a way to do that.

I've smashed this out on my phone because I had a lot of thoughts and I'm not going to proofread because no one will actually read this. But essentially, I think we can expect Eve to continue using Villanelle as a proxy for a little while longer, until she's ready to cut loose her parachute. She hasn't committed to this yet because she doesn't want to forfeit the possibility of her old life to go back to (which is why she was upset over splitting from Niko even though she couldn't care less when he's actually around), but once she is reminded how horribly BORING it was, there'll be nothing to hold her back anymore. Because better to flame and implode than be smothered in a kitschy kitchen with a man you imagine blending up and pouring into a thermos. Better to be true and horrible than be nothing.

If you did read this thank you and I promise I'll stop writing mini essays and go back to regularly scheduled memes in a moment. I don't really do these because they don't interest anybody, but lmao, these two always get me thinking. hmu if you wanna trade theories lol.

#killing eve #ke #eve polastri #eve x villanelle #villanelle x eve #villanelle #oksana astankova #eve x oksana #ke analysis #mine #villainever #dont mind me just speculating #killing eve s2 #killing eve season 2 #villainever writes #villanevest writes

700 notes · View notes