#video streaming services

[harsh9990]

OTT Service Providers: Revolutionizing Digital Entertainment with Mogi I/O

Why Choose Mogi I/O: The Ultimate OTT Service Provider

Introduction OTT (Over-the-Top) platforms are changing how people consume media by offering video content directly over the Internet, bypassing traditional TV systems. As an OTT service provider, Mogi I/O helps companies build customized platforms to distribute video content, meeting the growing demand for seamless video streaming.

What Are OTT Service Providers?

OTT service providers offer video streaming services via the internet without the need for cable or satellite TV infrastructure. They enable businesses to deliver content to a global audience. Mogi I/O offers solutions for businesses looking to launch their own OTT platform, providing multi-device support, video streaming services, and robust security measures.

Key Features of OTT Service Providers

The success of an OTT platform depends on several key features:

Content Management System (CMS): Mogi I/O’s CMS allows seamless video organization and distribution.

Multi-Device Support: Ensures viewers can access content on smartphones, tablets, TVs, and computers.

Video Monetization Models: Offers flexible revenue options such as subscription-based services, ad-based models, or pay-per-view.

These features make Mogi I/O an all-encompassing video streaming platform provider, ensuring a smooth user experience and broad reach for content.

Why Choose Mogi I/O as Your OTT Service Provider?

When you partner with Mogi I/O, you gain access to industry-leading tools designed to help build a highly customized, scalable, and secure video streaming platform. Mogi I/O offers:

Customization: Tailor your platform design and features according to your business needs.

Scalability: Whether you’re just starting or expanding, Mogi I/O provides infrastructure that grows with your business.

Monetization: Supports various monetization strategies to generate revenue.

With Mogi I/O, you get a flexible platform that adapts to your specific needs.

Benefits of Using OTT Platforms

OTT platforms are revolutionizing how content is consumed. Some of the key benefits include:

Global Reach: Distribute content to a worldwide audience.

Personalization: Customize user experiences based on data-driven insights.

Variety of Content: Offer diverse types of content, from live streaming to video on demand.

Monetization Flexibility: Different monetization models allow for varied revenue streams.

These benefits, combined with the features provided by Mogi I/O, make OTT services an indispensable part of modern media distribution.

How Mogi I/O Supports Your Video Streaming Needs

Mogi I/O offers comprehensive video streaming solutions that include:

Cloud-Based Infrastructure: Ensures high performance and low latency.

Secure Streaming: With DRM and encryption, your content is protected.

Advanced Analytics: Provides deep insights into viewer behavior and content performance.

With these services, Mogi I/O enables businesses to offer a premium video streaming experience.

Launch Your Own OTT Platform with Mogi I/O

Mogi I/O simplifies the process of launching an OTT platform by providing tools for content management, audience engagement, and monetization. Whether you’re a media house, a sports organization, or an educational institution, Mogi I/O’s video streaming solution ensures that your platform stands out with:

Complete Customization: Build a platform tailored to your audience and business model.

Monetization Flexibility: Utilize various video monetization platforms to generate revenue.

Best Monetization Models for OTT Platforms

Monetization is crucial for a sustainable OTT platform. The most popular models supported by Mogi I/O include:

Subscription-Based Video on Demand (SVOD): Users pay a recurring fee for access.

Ad-Based Video on Demand (AVOD): Free access with monetization through ads.

Pay-Per-View (TVOD): Users pay for individual content.

These models, combined with Mogi I/O’s platform, offer flexible monetization strategies.

Conclusion

OTT service providers are at the heart of modern digital entertainment. By partnering with Mogi I/O, businesses can create customized, scalable, and monetizable OTT platforms that deliver seamless video streaming services. With a robust infrastructure, multi-device support, and advanced monetization options, Mogi I/O provides a complete video streaming solution that enables companies to meet their audience’s growing demand for content.

[oodlestechnologies123]

Our video streaming development solutions provide a fast and cost-effective way to launch your own app with best video streaming development services.

Video Streaming Services, video streaming development solutions, Live video streaming app solutions

[janegrey9]

it should be against the law for streaming services to use shows they canceled to advertise. stop parading her dead body around you bitch you literally killed her

[eventphotographer]

Transform Your Event into a Global Spectacle with Event Photographer Live Streaming Solutions

In the fast-evolving landscape of event management and coverage, Event Photographer emerges as a pioneering force, revolutionizing how events are experienced and shared. With a relentless commitment to innovation and excellence, Event Photographer proudly unveils its latest offering: Live Streaming Solutions for Events. Designed to transform any occasion into a global phenomenon, these cutting-edge services promise to elevate event experiences like never before.

Live streaming has become an indispensable tool for event organizers seeking to broaden their audience reach and engagement. Whether it's a corporate conference, product launch, wedding ceremony, or cultural extravaganza, Event Photographer Live Streaming Services for Events ensure that every moment is captured and shared in real-time, transcending geographical boundaries and time zones.

What sets Event Photographer Live Streaming Services apart is their seamless integration with the event environment. From setup to execution, their team of experienced professionals handles every aspect of live streaming, ensuring a hassle-free experience for clients. Cutting-edge equipment and state-of-the-art technology guarantee high-definition video and audio quality, capturing the essence of the event with precision and clarity.

Event Photographer Live Streaming Solutions offer a range of customizable features tailored to meet the unique needs of each event. Whether it's interactive chat functionality, multi-camera setups, or branded overlays, clients have the flexibility to create immersive experiences that resonate with their audience. Real-time analytics provide valuable insights into viewer engagement, enabling organizers to fine-tune their content strategy on the fly.

One of the key advantages of live streaming is its ability to break down barriers and foster meaningful connections. By broadcasting events to a global audience, organizers can expand their reach exponentially, connecting with attendees from across the globe in real-time. Whether it's sharing keynote presentations, live performances, or behind-the-scenes moments, live streaming transforms passive spectators into active participants, fostering a sense of community and belonging.

In an era where virtual experiences have become increasingly prevalent, Event Photographer Live Streaming Services offer a bridge between the physical and digital worlds. By leveraging the power of live streaming, event organizers can amplify their message, extend their influence, and leave a lasting impression on audiences worldwide.

For those looking to transform their next event into a global spectacle, Event Photographer stands ready to make it a reality. With their unrivaled expertise, cutting-edge technology, and unwavering commitment to excellence, Event Photographer is poised to shape the future of event coverage one live stream at a time.

About Event Photographer: Event Photographer is a leading provider of event photography and videography services based in Dubai, UAE. With a team of experienced professionals and a passion for storytelling, Event Photographer specializes in capturing the essence of events and creating lasting memories for clients. Their comprehensive range of services includes event coverage, corporate photography, portrait photography, and more.

For more inquiries, please contact:

Address: Office Number G06, DPC-Circular Bldg-G2, Dubai Production City

Phone: +971 50 412 0075

Email: contact@eventphotographer.ae

[jessicacho]

Paramount+ Boosts Korean Content Slate With Original Dramas

Paramount+ announced that they will boost the Korean content slate with original content including ‘A Bloody Lucky Day’ and ‘Queen Woo’ after the Korean series ‘Yonder’ became the most-watched international series in the US this year. The two original series will be available worldwide and are developed by Paramount+ and the Korean streaming service TVING. Paramount+ launched its Asian market only last year through its partnership with Korea. This is Paramount’s global partnership with the major Korean entertainment company CJ ENM. Netflix was the first company to produce original Korean content back in 2019. Over time, Korean content has grown rapidly, now being carried on Amazon Prime, Disney+, Hulu, and Apple TV. 

This news relates to the video streaming industry in that it discusses how the video streaming industry is becoming more global. This news portrays how the globalization of media and how the video streaming industry can bring the world together through its content and working with companies across the globe. 

These plans of boosting more Korean content followed after Paramount+’s Korean original series Bargain won best screenplay in the Canneseries Awards Ceremony in France. This series will go live this summer. The senior VP and head of streaming and regional lead for Asia in Paramount Catherine Park commented, “We are incredibly proud of our Korean content that is finally taking the global stage engaging viewers and fans on Paramount+ and beyond ''. Through these collaborations, TVING hopes to compete both domestically and abroad. Chief Content Officer Hye-Jung Hwang pointed out that they will “continue to expand the global competitiveness of K-content with well-made original series that feature a large scale and a unique worldview”. Through this, Korean entertainment companies and Paramount Global hope to bring captivating narratives and performances that “transcend borders”. (Word Count: 294)

[sisidzy]

HBO Max and Discovery+ will be combined as Max

Last Wednesday, Warner Bros. Discovery has introduced its new streaming service, Max, which will combine programming from both the original HBO Max streaming service and Discovery+, and go live on May 23. The ad-free version of Max will cost $15.99 per month ($149.99/year), while the ad-supported tier will be $9.99 per month ($99.99/year). A third "ultimate" ad-free version will also be available for $19.99 per month ($199.99/year), featuring 4K UHD resolution, 100 offline downloads, and Dolby Atmos sound.

It is anticipated that the launch of Max will help address glitchiness that has long been a concern for viewers of HBO Max, by ensuring that start times are 20 to 30 percent quicker. In addition, Max will provide users with personalized recommendations across platforms after they finish watching a TV show or film, which were only available on the HBO Max home page. Existing HBO Max subscribers will maintain their access to the rebranded Max at the same price, while Discovery+ subscribers will not be impacted by the launch of Max, though they will be given the opportunity to upgrade their subscriptions to Max.

The launch of Max comes a year after WarnerMedia and Discovery completed their $43 billion merger. They hope to compete with Netflix and Disney+ by combining the best of HBO’s high-brow scripted fare with Discovery’s more low-brow but profitable lifestyle and reality programming.

In order to appeal to a wider audience, Max has been rebranded without HBO's name to distance itself from the high-brow reputation and higher price point that may have deterred some viewers, and Warner Bros. Discovery has announced a range of new programs to promote Max, including Harry Potter and The Conjuring TV shows, a new Game of Thrones spinoff, and a new Big Bang Theory spinoff. Currently, Warner Bros. Discovery has 96.1 million streaming subscribers across HBO, HBO Max, and Discovery+. (Word count: 317)

[denisemarketingopinion]

Netflix and The Video Streaming Services Industry

Netflix, one of the very first online video services, is now the undisputed market leader of the Video Streaming Services industry with a market share of 39.6% in the fourth quarter of 2022.

Since Netflix began streaming content in 2007, the company's revenue skyrocketed from $1.36 billion to over $30 billion in just 15 years. The number of Netflix subscribers has followed a similar trend over the years. Interestingly, Netflix is now responsible for 15% of global Internet traffic.

I wonder if these trends are going to continue in the future or if Netflix's ability to generate revenue in this industry is going to deteriorate due to the intense competition.

One thing is for sure: Netflix has to keep improving and investing in order to maintain its sustainable competitive advantage, namely its massive wealth of digital originals. Failure to do this will most likely lead to Netflix's downfall.

In addition to maintaining its sustainable competitive advantage, I believe that Netflix also has to pay close attention to two forces of Porter's five factor model of industry profitably. Before diving into a more detailed explanation of these two factors, I would like to briefly introduce the model.

Porter's five forces is a model used in marketing strategy which includes five factors that will affect a company's ability to generate revenue in a particular industry. It is important to point out that all companies in the category are impacted by the same forces (the model is not brand specific). These factors impact industry profitability, the firms' ability to serve customers, the price that firms can charge, and how hard it will be to gain or defend market share in the industry. Marketers use this model to identify which of these forces will most significantly impact their company. Then, they use this understanding to adjust their marketing plans in order to best position their brands for the future.

In my opinion, the two forces that will impact Netflix the most are:

Competition among existing firms. The competition in the Video Streaming Services industry is fierce. Even though Netflix is still the leader of the pack with a 39.6% market share, competitors like Prime Video, Disney +, and Apple TV pose a significant threat to the brand as they are rapidly gaining market share. One of the reasons why these competitors are such serious threats is the fact that they are not even competing in their core industry. As a result, they have a lot more capital to invest than Netflix does. The picture below highlights just how fast competitors are gaining ground in this industry.

Bargaining power of suppliers. The companies in the Video Streaming Industry have to buy the rights from screenwriters to be able to show content of their platforms. It goes without saying that screenwriters have a formidable power in this industry, as they choose who to give their content to. The best buyer will get the best content; it is as easy as that. For Netflix this is a major threat since there could soon be an all-out content war in the industry.

Readers, do you agree with me? How do you think that Netflix is preparing itself for this content war?

Let me know in the comments.

[martechcube]

Oleg Nesterenko joins Storytel and the company’s Streaming leadership team as Chief Marketing Officer (CMO).

Oleg Nesterenko, born in Ukraine, has a strong track record of delivering success in executive roles at prominent premium video streaming services in Europe and MENA, and of amplifying brands and streaming services that have rapidly grown to become regional leaders with international relevance, such as Shahid by MBC Group, MEGOGO, STARZPLAY, Viasat, Volia, and Kyivstar by VEON.

[starryfictionalgirl]

Watcher announcing they’re leaving YouTube and putting all their new content behind a paywall via a new streaming service in a nutshell:

[alwaysbewoke]

[ki11tr4p]

LONG LIVE THE PIRATES WHO SAIL THE SEVEN SEAS.

[itswhatyougive]

What I don't get about the password-sharing fiasco is....if it was the olden days and you rented a couple DVD/VHS movies, until you brought them back to the shop you could do whatever with them.

You could give them to other people to watch. You could show a movie to a group of ten friends. You had already paid for the tapes, so who was going to care what you did with them in that time?

Similarly, if you have already paid for a Netflix/Max/Dianey+/Paramount+/whatever subscription, you're getting charged monthly for that. The companies have already decided how much it is worth to rent their entire catalogue to you for a month.

So during your "rental period" for these movies and shows, who are they to say what you do with them? If you have someone over for Netflix and chill, they aren't part of your household, so should they not be able to watch a movie you are renting? If you want your friends to see something cool, who cares if they live a town away? That movie is still being paid for, and your "rental" will renew the following month when you pay your bill.

It feels like going to a video store, paying for a bunch of movies, then having to march back to the store with the friend who's going to watch them with you so they can also pay for the movies......while you're still renting them.

[jessicacho]

‘Star Trek: Starfleet Academy’ Series Ordered at Paramount+

Paramount+ has been working for a year to develop Star Trek: Starfleet Academy. The series is worked by Alex Kurtzman’s Secret Hideout, Roddenberry Entertainment, and CBS Studios. Recently, Paramount+ gave a green light for this series and plans to begin production in 2024. The series was first thought of in 2018, but over time, the creative team has changed. The series follows a new class of Starfleet cadets as they enter the Academy and the Federation. Kurtzman and Landau serve as co-showrunners while also being the executive producer for the show. 

The chief marketing officer and head of data let out a statement, saying, “We are excited to introduce Star Trek fans to a whole new generation of Starfleet officers in training as they navigate the rigors of the Academy and the brink of adulthood,” The Star Trek TV franchise recently announced that both “Star Trek: Strange New Worlds” and “Star Trek: Lower Decks” have been renewed for new season premieres. Before that, “Star Trek: Discovery” ended with its fifth season in 2024 has also announced. This streaming series will be the next chapter for the fans of Star Trek in the Star Trek universe. 

This news story is relevant to the video streaming industry by bringing Star Trek, a movie series that was many’s favorite for years, into a television series on a video streaming platform. It is once again showing how the video streaming industry is growing. While the production is by the linear television company CBS, it is interesting the distribution is taken by a video streaming company, Paramount+. It is interesting to see how far the Star Trek series can extend. From having long series of movies and extending over to the video streaming industry, it seems like a safe choice for the entertainment industry to use this IP and extend it to different mediums over a long period. (Word Count: 313)

[sisidzy]

Amazon Will Relaunch MGM Streaming Services in Europe as MGM+ International, with Lionsgate Content

Last year, Amazon acquired MGM for a reported $8.45 billion. In January, MGM relaunched Epix, previously owned by Viacom and Lionsgate, as MGM+ in the US. And last week, Amazon announced that MGM's streaming services will be rebranded as MGM+ International in key European countries, and Amazon has signed a “strategic content deal” with Lionsgate for “a significant package of premium films and television series” in support of the change.

With this agreement in place, MGM+ International will stream leading premier series from Lionsgate and Starz, such as the Power franchise, Black Sails, Black Mafia Family, Mad Men and Nashville, in Germany, Austria, Italy, Spain and The Netherlands. And subscribers can watch popular TV shows and movies without incurring any additional charges on their current subscription which is available through Prime Video Channels and costs 3.99 euros or $4.37 per month.

Moreover, customers who subscribed to Lionsgate+ through Prime Video Channels will now have access to MGM+ International streaming service instead, which corresponds with Lionsgate's earlier statement about discontinuing its Lionsgate+ streaming service in several European markets and Japan.

Chris Brearton, VP of Prime Video Studios Corporate Strategy at Amazon, stated that there has been notable growth in the number of subscribers after the U.S. relaunch of MGM+. As a result, MGM's international streaming services will also be revamped and released as MGM+ International in certain countries where additional content investments will be made, to leverage the influence of the distinguished brand and enhance the growth of the premium international SVOD service.

The strategic partnership between Amazon and Lionsgate serves as a testament to Amazon's commitment to the MGM+ brand. By partnering with Lionsgate, Amazon has gained access to a vast array of high-quality content, which will enable the company to further enhance its content offerings on MGM+ International. And this deal has been beneficial to both companies, as Lionsgate's President of Worldwide Television Distribution, Jim Packer, highlighted that the programming agreement confirms the substantial value of their content. (Word count: 331)

[lumiereswig]

I'm still seeing a lot of angry takes in the tags about how excessive Watcher's current costs are and how all fans really want, apparently, is "just shane and ryan sitting in a basement" back again. While I do think Watcher is probably spending over budget and that's a real issue, a lot of the takes I'm seeing show a fundamental misunderstanding of how video production works and where costs actually lie. So a few quick things that I just keep seeing that are bothering me:

It was never just Shane and Ryan in a basement. BFU did a great job selling that conceit and making sure you never saw anyone beyond them and maybe TJ, but they absolutely had other crew members with them on ghost hunts and they didn't do all the work on BFU themselves. This Q&A from Season 2 lists 36 people on staff for Buzzfeed Unsolved. It's fair to make arguments that Watcher may or may not need 25 people, but those arguments should not be coming from a place of "before it was just Shane and Ryan and nobody else."

If you don't know how many people are needed to make a professional video from a TV/film standpoint, you will not have a reasonable grasp of why Watcher wants to keep 25 people on staff. Sure, some YouTubers get by with a ring light and a contracted editor. The Watcher team have stated repeatedly that they do not want to work as just YouTubers and see themselves more as a production studio—so why do people keep referencing the YouTube model to understand their business? This is like asking the local shake shop why it doesn't function like the kids' lemonade stand down the block. The item category is similar but they're not trying for the same products or process.

The "gold dusted food" is not the big budget sink you think it is. On most TV shows I've worked on it's normal to partner with businesses that are shown onscreen and work out a deal where the price of the product (in this case the gold food) is reduced or eliminated in exchange for the free publicity. Watcher very likely made a deal with every restaurant it worked with to make the Korea trip affordable for the company. The real budget spends are on things you're probably not seeing but that still matter: camera and lighting equipment is expensive, insurance for that equipment is expensive, business overhead and paying your staff are expensive. So again—it's fine to critique Watcher for the streaming plan and the perceived budgetary issues, but go into this knowing the costs might not be coming from the things you see onscreen.

My source is that I work in TV and film and actually have a clue on how the industry functions. Again, 36 people worked on Unsolved (and those were the people mention in Season 2—who knows how big the team blew up past that in later seasons). Entertainment work is real work, and demands decent equipment, competent staff, and the same types of business and budget problems you'd find in any other business (overhead, staffing, etc.). Feel free to critique Watcher's business model, but first try to understand where that model is coming from and what goals it's attempting to serve.