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linkspooky · 7 months ago

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JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design.

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

#mha meta #mha spoilers #mha 426 #mha 426 spoilers #shoto todoroki #dabi #toya todoroki #enji todoroki #under the red hood #jason todd #bruce wayne #batman #mha critical #todoroki family

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sanaexus · 7 months ago

Text

social's as yukimiya's girlfriend

-liked by megubachi, otoya.eita and 123.56k others

yourusername: i can't see i'm bliind BLIIIIND BLIIIIND (pun intended)

tagged: yukimiya.kenyu

oliver.aiku: THE CAPTION HELP FOUL ASF 😭😭 ↳yourusername: BITCH YOU NOW I'M SEXY ↳megubachi: UH DON'T CALL JUST TEXT ME ↳chigi.who: BITCHES SLOW CAN GET ON MY SPEED ↳kuniisuke: THEY STARE AT ME CAUSE THEY KNOW I'M THE ↳rin.itoshi: I-T-G-I-R-L ↳karasu_tabito: ok what the fuck is up with this edgelord ain't no fucking way he typed that ↳yourusername: you're right he didn't i did he went to let out expired water from his wonka ↳reo.miikage: what 💀 ↳hiyori: piss she meant piss

↳yourusername: SAME THING ↳nikkoki: are we going to ignore the original comment? ↳nikkoki: ok yeah ignore me too

yukimiya.kenyu: okay now who the fuck edited that 2nd image better sleep with one eye open ↳oliver.aiku: it won't matter if you sleep with both of your eyes open because you're blind anyways ↳yourusername: HEY DONR BULLY MY BF 🤬🤬🗣🗣🐺🐺ONLY I CAN BULLY MY POOKIE WOOKIE DOOKIE CUTE PATOOTIE APPLE HONEY SUGAR MELON PLUM PIE 10PC CHICKEN MCNUGGETS ↳yukimiya.kenyu: sigh why do i like you ↳yourusername: YOU DONR LOVE ME 🙁🙁☹☹ ↳megubachi: YOU MADE HER SAD NOW WOWOWOW ↳yukimiya.kenyu: no i'm sorry i'll let you paint my nails ↳yourusername: YIPPEE TY BACHIRA ILY 😘😘 ↳megubachi: ILYT POOKS 😘😘

isaichii: hear me out MAYBE just MAyBE giving me picture credits for the first one would be nice. a fucking dog nearly pissed on my show bc of y'all ↳yourusername: AND?? I NEARLY DIED BC THAT HOE IS A BLIND BITCH AND WALKED STRAIGHT INTO A BUS ↳yukimiya.kenyu: BRo?? DONR BLAME IT ALL ON ME ↳yourusername: I DIDN'T EVEN TAKE YOUR NAME WHY ARE YOU THINKING IM TALKING AB U ↳yukimiya.kenyu: BC OF THE FACT YOU CALLED ME A HOE AND A BLIND BITCH AND I WAS THE ONE WHO WALKED STRAIGHT INTO A BUS AND WAS THE ONLY OTHER PERSON IN THE PICTURE UNLESS YOU HAVE A SIDECHICK ↳itoshi_sae: so you admit you're a hoe who's a blind bitch? 💀 ↳yukimya.kenyu: what

user1: jokes aside they're so cute (i fucking hate couples) ↳yourusername: ty pooks (ikr same couples are so cringe imagine not being single) ↳yukimiya.kenyu: w h a t . ↳yukimiya.kenyu: WE'VE BEEN TOGETHER FOR LIKE A YEAR?? ↳yourusername: what idk who u are :x ↳nagi.seishiro: srop txting like me :x ↳yourusername: fuck off

-liked by reo.miikage, julian.loki and 122.8k others

yukimiya.kenyu: my fav side chick xoxo

tagged: yourusername

megubachi: NO WAY BRO REALLY SAID THAT ↳yourusername: mom told me honesty is the best policy 🤷‍♀️ (also you're right he didn't it write the caption i did i stole his phone) ↳chigi.who: yes girl gaslight gatekeep girlboss ↳yukimiya.kenyu: AND WHY ARE YOU GUYS ENCOURAGING HER?? ↳yourusername: bc has balls = no opinion /j ↳yukimiya.kenyu: i see how it is ↳shiidoryu: BALLS MENTIONED RAHHHH 🤬🤬🐺🐺🗣🗣‼‼💯💯😎😎🔫🔫💣💣🔥🔥🔛🔝 ↳hiyori: who let this creature out

user2: my roman empire is how their faces fit together ↳julian.loki: that looks so fucking weird when you write it but ok ↳yourusername: SROP BEING A HATER JS BC U DON'T PULL ↳julian.loki: I DO PULL TFYM 🤬🤬🐺🐺I'M THE ALPHAEST ALPHA ↳yoursername: NO YOU DON'T YOU'RE ALMOST ALWAYS SURROUNED BY SHIRTLESS SWEATY BALL LOVING MEN WHO HAVE "MONSTERS" IN THEM ↳hiyori: soccer players just say soccer players please ↳mikka.kaiser: FOOTBaLL PLAYERS* ↳yukimiya.kenyu: ignoring these dried pieces of celery tysm me n her are meant to be ↳yoursername: OMGOMGOMG THE KUYIMIYA YENYU WANTS ME 😍😍🙀🙀 ↳shoei.barou: kukyimiya yenyu 💀 ↳yourusername: SHUR UP 🙁🙁

yukimiya.kenyu: i'll ignore the caption AND YOU STEALING MY PHONE for now but aside from that have i told you look very pretty ↳yourusername: but you can't even see? 🧍‍♀️ ↳shiidoryu: Y/N TAKE THE FUCKING COMPLIMENT WHEN SUCH A GORGEOUS MAN COMPLIMENTS YOU, YOU ACCEPT IT ↳shiidoryu: also real you can't even see ↳yukimiy.kenyu: i will actually feed you both toilet water ↳yourusername: you're gonna feed me? 🥺 ↳shiidoryu: you're gonna feed us? 🥺 ↳yourusername: FUCK OFF HE'S MY BF?? ↳shiidoryu: tell sae to unblock me and i'll leave him alone ↳itoshi_sae: don't even think about dming me ab this

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yourusername: right now, right now baby, i don't care about the other summer (kenyu is the rat, rat is kenyu)

tagged: yukimiya.kenyu

yukimiya.kenyu: first of all i am not your crush i'm your bf?? second of all I DO NOT LOOK LIKE A RAT ↳kuniisuke: seems like something a rat face would say ↳megubachi: no bc y/n said it so it's canon ↳yourusername: still my real one fr ↳megubachi: twins ↳isaichii: bsdhira hiw ciulf yoi do tijs to me ↳rin.itoshi: some please translate that AGAIN ↳yourusername: "bachira how could you do this to me" ↳megubachi: sorry shnookums ↳isaichii: sorry guys kaiser got out of his cage (again) and started chasing me like a duck (again) ↳mikka.kaiser: you still haven't come to papa ↳reo.miikage: again what the fuck?

user2: the moment my f1 addicted brain saw the second picture it instantly said "i have never looked so good" ↳hiyori: LECLERC 🔛🔝 ↳yoursername: NAHH VERSTAPPEN ALL THE WAY🔛🔝 ↳yukimiya.kenyu: said it before and i'll say it again HAMILTON DOMINATION 🔛🔝 ↳julian.loki: hear me the fuck out. logan sargeant 🔥🔥🐺🐺 ↳shiidoryu: RAHHHH WHATS A KILOMETER 🔫🔫💣💣💯💯‼‼😎😎🐺🐺🔛🔝 ↳rin.itoshi: please seek help

mikka.kaiser: NEW JEANS MENTIONED RAHHHHHHH ↳mikka.kaiser: and we can go high 말해봐 yeah 느껴봐 mm-mm ↳alexis.ness: take him to the sky you know, i hype you, boy ↳mikka.kaiser: i raised you well, good boy ↳itoshi_sae: please be kinky, disgusting and possibly gay somewhere else ↳mikka.kaiser: we're not gay ↳alexis.ness: we're not?

yukimiya.kenyu: i see a drop dead gorgeous person right there ↳yourusername: awww ily 🥺🥺 ↳yukimiya.kenyu: oh look you're there too ↳oliver.aiku: LMFAO

nikkoki: jokes aside the first picture is so cute ↳yourusername: thank you 👉👈😝

aryu.jubei: did he try yanking your hair (send hair care routine pls) ↳yourusername: no he didn't SUPRISNGLY (ofc pooks) ↳kuniisuke: dammit ↳yourusername: WHY DO YOU WANT ME HURT SO BAD 🙁🙁 ↳rin.itoshi: surpisngly* ↳shiidoryu: YOU GOT IR WRONG TOO LMFAO

HI CHAT!!111!11 I KNOW I WAS SUPPOSED TO POST THIS LIKE A CENTURY AGO BUT ITS FINE (i had school and i came home at like 5 and i had volleyball and track practice and i had to study bc i have exams every week pls save me also i had parent teacher conference and i didn't get cooked) HAPPY SATURDAY GAYS!🐺🐺

also if you took offense to any jokes i'm sorry i really don't mean any of it. i made references to some previous posts bc why not and i love f1 jokes so 😝😝

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tonalwhiplash · 1 month ago

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PROJECT EDEN'S GARDEN SPOILERS!

Chapter 1 spoilers

Theory concerning wolfgang's whole deal

Okay so like. His mom's mega dead, right?

"Whoa! Back up! Where the fuck did you get that from?"

Alright sit down, lemme show you something.

Remember the prolouge?

I sure didn't! So I rewatched it!

Take a look.

Wolfgang freaked out over Wenona claiming that Cara was the aggressor, implying her murder was justifiable.

At the time, Damon along with all of us just assumed he was being a lawyer about it and had put himself on the side of the injured party. But I don't think it was that simple.

I think he was having an episode. The only evidence for this in the prologue itself is the in-game acknowledgment that Wolfgang's arguments had shifted to being based on emotion alone. It's literally used for a tutorial!

And he says himself in his FTEs that he doesn't normally conduct himself that way in an actual courtroom. So his freak out wasn't his standard, but he doesn't give a straight answer for why he acted how he did.

But chapter 1 as a whole gave us what was necessary to start connecting some dots.

Have a look.

The blackmail Damon got. The photo of Wolfgang's parents.

Look at his mom.

Now look at Cara.

By no means are they identical, wolfgang's mother has a mole on her face, which Cara lacks, but I want you to note the hair and eye color specifically. Keep it in mind.

Now let's look at the back of the card.

"Like father, like son"

"Beneath a sheep's skin hides a wolfish mind"

The game sorta hands you a part of this. Wolfgang's father did something bad. Something that, allegedly, Wolfgang either has repeated or simply had the capacity to do himself eventually.

So what did Wolfgang's father do?

That much isn't told to us, but from Wolfgang's hallucination induced meltdown, I have an idea.

I think wolfgang's father killed his mother.

Let's get into it.

Starting with his hallucinatory episode.

When Wolfgang initially sees Diana, I think he sees his mother. The way he talks. The way he apologizes to her and calls himself a failure for not being like her. We learn in his FTEs that his mother is the only other lawyer in the family and his sole reason for becoming one himself.

However, when Diana walks over and takes his hand, he switches and becomes angry and violent. Going as far as to attack her with a knife.

I think, when Diana grabbed his hand, either something she said or something she did caused the hallucination to switch from a vision of his mother to the vision of his father.

Suddenly he's no longer sad when he says he's not like the person he thinks he's speaking to. Suddenly he's smiling at the fact he's "not like them." Because he's talking to his father now.

He wants to be like his mother and never wants to be like his father.

The line "bring her back" implies that his father, the person he was hallucinating in Diana's place, took his mother away from him.

And the reason I think that's it, relates back to his smaller scale meltdown during the test trial.

Wolfgang started talking about how it was inexcusable to kill a woman.

Though that could be chalked up to chivalry or what have you, I think there's a much more personal reason as to why he felt so strongly about it.

Because his father's actions were inexcusable.

They weren't self defense.

And witnessing a dead woman who bares resemblance to his late mother be accused of deserving it may have struck a nerve.

The killer for the mock trial had no identity given, making it all the easier for Wolfgang to project his father, or a man like him, onto that blank stand in.

I can paint a scene

Wolfgang in the courtroom as a child, maybe even a witness to the murder, watching as the defense lawyer for his father makes every excuse in the book for him. Claiming that his mother was the aggressor, that she had a weapon, that his father had no choice but to "defend himself" from her attacks.

While, in reality, Wolfgang had seen a very different situation play out. Whether he spoke up and was dismissed for being "too young" or was unable to properly testify due to the traumatic experience that is simply being in a courtroom at all, he was unable to bring his father to justice.

He was unable to do right by his mother.

I think that'd be a pretty good motivator to practically race into law school as a teenager. To become the ultimate lawyer at 22 years old. So he could make up for his previous failures.

I think Wolfgang has been carrying a heavy burden from a very young age. And to return to the "like father like son" comment, I'm willing to call that a misdirection. I think when Wolfgang is implied to have "a wolfish mind beneath sheep's skin" or " being a wolf in sheep's clothing," the actual truth is that he's a deeply emotionally scarred person who has no choice but to force a facade of stability and confidence to push though it all for the sake of those around him and his goals. Basically, he's masking.

So, technically, just like his father, Wolfgang is a mentally troubled man pretending to be okay. And the kidnappers used that misdirection to imply he had sinister intention for pretending just like his father had pretended to be a man his mother could trust. When in reality, their motivations could not be any more different.

Or maybe I'm just being silly. Teehee! 🧡

And a small side note. The word "wolfish" implies intentions other than violence.

Lust, hunger, and greed mostly. Though, I'm willing to sidestep those options cuz Tozu is absolutely the kind of bitch to reword a common phrase to make it sound more flowery only to unintentionally imply some nasty shit.

Wolfgang gives no tells towards being a creep. Not a single Freudian slip left that man's mouth. Not even in FTEs. Grace would have been the killer for chapter 1 if he was like that. They literally shared a bed. And, despite their cute dynamic, if the two had actually done anything canonically, we'd get more obvious tells in the game. Those walls were shown to be pretty damn thin...

There's a bit more under the hood of this theory, but this post is big enough, and all other supporting information requires enough explanation and red string to justify their own posts.

So stay tuned for:

• Further theorizing about wolfgang

• And the possible parallels between wolfgang's hallucinatory episode and Eva's execution

#project eden's garden #project eden's garden spoilers #wolfgang akire #im so proud of this theory. i cant wait for it to be wrong!

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formylovetodaryldixon · 22 days ago

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"Until i found you." Daryl Dixon Imagine.

You always felt lost, adrift, until you found him. Oddly enough, Daryl always felt the same way, until he found you. From the moment you two met until your life together in Alexandria—quite a story.

A/N: Just a short imagine. Hope you like it!

Daryl Dixon is a strong man, to fight, to survive, to protect. But in the past, Daryl was a reckless young man with nothing to lose, without big emotions, bottling everything up so as not to feel too much—Until he found his person, a purpose, a reason to want to see the sun rise one more day, until he found you. You were always a flight risk, scared to feel too much too, until one night, you flew away from that place called "home", landing in that seedy bar forgotten by God himself, the place where you met him.

Daryl was attractive, very attractive to a point where it must have been forbidden to look like that, with his broad shoulders, his long dark hair that made him look like a goddamn rock star, with his strong arms that his shirt showed off mercilessly. But young Daryl Dixon looked lost. Adrift. Without a sense of direction—just like you.

“I’m actually running away from daddy.” You answered his accusatory question, so calmly that it caused some astonishment in Daryl, although he didn’t show it. “Daddy was forcing me to marry the son of a mobster or something like that, a rich guy who would forgive daddy the debts he started to have after his gambling addiction started, so his little princess ran away from home taking with her his only chance to get out of that debt alive. However, I don't hate my daddy or have any kind of daddy issues, but I hope he gets what he deserves for trying to sell me like a fucking thing.” You smiled, mocking him, challenging him to say something witty after that revelation. “What do you think about that, Daryl? Pretty surprising, huh?”

“Shit… M'sorry. That sounds pretty fucked up.” He said breathlessly, looking at you with an almost sad expression. Then, Daryl fell into a heavy silence, but he could tell you were feisty, fighting to keep yourself alive, like a force of nature. “Well, if it helps, there’s a couch in ma apartment. S’old as fuck, but it does the job.”

The way you looked back at him was almost overwhelming, so deep as that color of your gaze, but you could say Daryl meant it. The color of his eyes, blue like a new kind of ocean, were beautiful and transparent, but dangerous with that warning that you could drown in them if you weren't careful.

But to his surprise, you agreed.

“Really?”

“Yeah. I really don’t have anywhere to go and you don’t look like a serial killer… well, maybe a little.” You chuckled, earning a scoff from him that made you laugh some more. “But I studied to be a vet, so if you try anything, I’ll just tell you that I know exactly where to cut you to make you bleed out. And I also have a hell of an aiming: I swear, if there is ever an apocalypse, this will save my life.”

Daryl blinked.

“Ya shittin’ me.”

You shook your head, hiding a smile.

“No, pretty boy, I’m not kidding.”

He scoffed, just to hide the slight nerves that being called that made him feel.

“Okay. Let’s go then.” Daryl stood up, taking a few bucks to pay for his drink and yours before you could do it yourself. “This is on me. Ya can pay the next one.”

Saying no more, he walked away first, leaving you alone and thinking what he meant by that. But when the girl in the bar gave you a silent look, like she was screaming at you while asking you if you were really going with him, you shrugged before grabbing your backpack and leaving the bar, too.

You two were like an unlikely duo, but maybe that's why you both looked good together. Even Merle, the asshole, said that when your one–day stay turned into a week, although to shut him up you told him the apartment needed some color so you didn't mind painting the walls red with his blood, with the gun you stole from your father. He loved you after that. And eventually, you got a job, helped pay the bills, and even cooked for everyone—forming a very strange family.

You and Daryl were quiet, always watching each other when the other wasn't looking, but it all felt like tiptoeing, on shaky ground, silently so as not to scare the bird. However, your “relationship” started with some drunken kisses, drinking Merle's alcohol to get the courage to take the first step. And you two continued like that for a while, without a title, moaning and grunting in each other's lips inside his room that was yours now.

Until one afternoon, a song popped in the radio.

Oh, I used to say, I will never fall in love again, until I found her. I said I would never fall, unless it’s you I fall into…

And like that click that two pieces made when they fit together perfectly, your feelings made more sense then, as if the panorama was clear, as if life had decided to unite all those words that didn't make any sense separately, but together, they explained everything, about you, about Daryl, about the fear of falling in love, until life, God, or whoever you believed in, left in front of you that someone you desperately needed, who, despite his own pain, showed you that people deserved to be loved completely or not at all.

There was no middle ground, because love didn't work halfway.

And you found a shelter in his arms, a real home with him: especially after a new world arose when the dead began to rise too.

Now, you are 6 months pregnant, with a bladder that is used as a soccer ball, and a baby (that was being cooked in your belly as Daryl used to say) who woke you up at odd hours demanding something to eat: so you have to listen.

When the moon takes its place at the top of the diamond sky and while the wind brings the last airs of the cold winter, the candle in the center of the dining room table keeps you company, and it's as if the silence mixes with the chorus of thoughts traveling at a thousand miles an hour inside you, along with the images your mind tries to make when you think about what the baby will be like when she or he is finally born. And it's terrifying to think about that again, but there's also a liberating emotion that allows you to stand firm on the ground, tall and strong despite your fears, with a fighting spirit that holds you up like gravity to the earth.

But between the shadows of the house that the candlelight tries to fight, you can see Daryl coming down the stairs, wearing those loose grey sleep pants even when he kept saying he looked stupid in them, shirtless, with those broad shoulders and the tattoo on his chest. It is a hot picture, kind of dirty because he is hot, older but too hot still, maybe that's why you let him get you pregnant.

However, when Daryl reaches the dining room as you finish the second brownie, you can see clearly his brow furrowed even though some of his long hair covers part of his forehead.

“Sup?” You joke, with a small nod.

“Sup? Really?” His voice is always low, deep, but in the middle of the night, it grows even deeper. “The fuck are ya doin’ here alone?”

“I’m eating, isn’t that obvious?” Using your head, you point towards the new brownie in your hand, trying to contain your laughter at his constant overprotectiveness. You loved that, but sometimes he treated you like you were suddenly made of porcelain. “And you?”

Daryl scoffs.

“Me? Jus’ woke up and saw that ma very pregnant wife ain’t where she should be.”

You chuckle.

“Daryl, I’m pregnant, but I still can use my legs to come down and eat in the middle of the night when the baby demands. If you have any complaints with she or he, please put them in writing, but I can tell you that there is a waiting list of approximately 3 months.”

He tries, he tries really hard no to laugh at the silly joke, but in the end, Daryl chuckles as he pulls the chair to seat on the corner of the table.

“I see ya’re feeling better, sweetheart, considerin’ how grumpy ya were this afternoon. But if ya get hungry when ya’re in bed, ya can jus’ tell me, y’know? I can bring ya up whatever ya need. And where ya got those damn brownies from?”

“Carol made them. Even when you told her to stop feeding me so much sugar.” You take a bite before answering, earning another scoff from him. “You look very domestic with those pants; you know?”

Daryl lets out a small grunt of frustration.

“I look stupid, but this is more comfortable than sleepin’ with jeans.”

You nod, thoughtful.

“You can always sleep in boxers.”

Hearing your words, Daryl chuckles.

“Ya are pregnant and yet ya’re tryin’ to get into ma boxers.”

You chuckle, too.

“I was just making a comparison!”

“Oh, yeah?” The corner of his lip curves into a smirk. “Then ya got to know I don' sleep in ma boxers anymore so ya don’ try to ravish ma body in the middle of the night. Yer poor husband jus’ wants to sleep while ya try to make him uncomfortable when ya pressed yer body against mine all night.”

Half surprise, you laugh.

“I get cold at night, you asshole! That's what I get for having to carry your baby.”

Daryl chuckles, placing his elbow in the table to hold his chin in his hand, closing his eyes as he tries to fight off sleep.

“Jus’ finish feedin’ the baby so we can go back to bed.”

You take another bite before talking again.

“You don’t have to stay.”

“I’m stayin’.” He says, barely a second after you finish speaking.

You shrug even though he's not looking, eating another brownie that probably won't let you sleep, but the baby kicking your organs won't either, so. And for a moment, lost in your own thoughts, you miss the way Daryl opens his eyes after a while, taking in all of you.

You're wearing a loose white t-shirt, but somehow, that piece of clothing, which doesn’t show your figure at all, makes you look younger, like the person he met in the bar that night—your hair is tied in a half ponytail, the rest of it falling over your shoulders and back. But Daryl loves that until that day, you stand out in that world too, and it’s like seeing a brilliant sapphire among a pile of discolored rocks. And for a moment, an overwhelming nervousness takes over Daryl when you lock eyes with him, feeling that young man you met years ago.

“What?” You chuckle.

“Ya’re beautiful.”

He just says it like that, and you smile a little bit, trying to hide your shyness.

“Thank you, love.” You say softy. His voice is deep but is soft, honest, like the beginning of your story, and with your plate empty, you wipe any crumbs from your mouth before standing up. "Come on. Let's get you back to bed."

There, when you both reach your bed, you stroke his hair, his hand on your belly. Daryl stays in that position almost all night, eyes closed to focus only in the sensations, remembering the first night when he fell asleep with his head on your chest, with your hand caressing his scalp, a gentle massage with your soft fingers. And now, he can still feel that and the baby's movement.

Yeah, you were a flight risk, until you found him.

#daryl dixon imagine #daryl dixon x reader #dad!daryl dixon #daryl dixon twd #daryl dixon #daryl dixon x y/n

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zombie-bait · 8 months ago

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Full Moon

Ok so I don’t normally post about Helluva Boss but the newest episode touched on an interesting concept I haven’t necessarily seen represented in media. Back when I was on Twitter (derogatory) a few years ago there was this now deleted viral thread where someone discussed how their struggles with mental health affected their relationship with their partner and I haven’t stopped thinking about it since.

This is such a good, short example of how anxiety and depression can play tricks on you. It becomes so easy to envision yourself as a nuisance, a constant burden to those closest to you because they cannot possibly genuinely enjoy your company, right? But in doing so you create this arbitrarily cruel version of the people you love, people who would otherwise never behave like this outside of your own mind.

It's mean. Because your mind wants to be mean to you under these circumstances. It wants to put everyone else's emotions and desires above yours, both in worthiness and validity. And that starts bleeding into your understanding of other people, especially those you care about.

Now. Helluva Boss.

"Can I get a fucking MINUTE to think after everything you put me through you pompous rich ASSHOLE? Treat me like one of your little butler imps, you can’t just dismiss me like that! I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we’re smaller and not as important. Well I’m not letting you, BITCH! Let’s go!" - Blitz

I find it really interesting how Helluva Boss decided to approach this conflict between Stolas and Blitz. Obviously, the difference in power matters. It's the underlying tension of their entire relationship and their lives. Stolas is burdened by the mountain of expectations thrust upon him from a very young age while Blitz is constantly reminded that he can NEVER be part of that world, that he is "smaller and not as important" not just in Hell's hierarchy but in his own life and family. Stolas very literally has power over Blitz (through the grimoire, the arrangement, his position in society) and Blitz uses their relationship as an excuse to reverse those roles. But that power dynamic, in one form or another, never truly goes away. And for Blitz, it's a lot easier to paint Stolas as this manipulative symbol of power and himself as nothing more than Stolas' plaything. It's easier to be angry than to be vulnerable and accept that someone might care about him.

"Dismiss" is the keyword in that quote. All that Blitz has been able to process is that Stolas has decided to end the relationship that they have. He feels ls like a choice has been taken away from him so he lashes out because he's not ready to emotionally tackle what the rest of Stolas' offer might entail. If Stolas hates him, just wants to play with him, then he is justified in his anger, his self-destruction, his isolation. If the world is mean, you're "allowed" to be mean back.

But

In that moment he forgets that Stolas is someone he actually cares about. Someone he's known for way too long and clearly wants to keep in his life, no matter how reluctant he can be to admit it. Someone who is not innately cruel or manipulative but sad and desperate for connections in a lot of the same ways that Blitz is. And Blitz immediately sees that he's miscalculated something.

Somewhere along the way the fictional version of Stolas that he's allowed himself to be mad at and the real one that he's not ready to admit he cares about have merged into something real that he has actual power over. Stolas can get hurt and Blitz can be the one who does it. He has once again allowed his greatest fears (which Stolas so frequently symbolizes) to co-opt his loved ones, to give him an "out" even though he didn't actually want one in the first place.

I'm definitely not the first person to say this but I think this is an example of the miscommunication trope done right. Their individual struggles are what cause them to be unable to connect during this conversation or to even have a proper conversation in the first place. There is no convenient misunderstanding or third party fabricating this rift. Both of them have preconceived ideas of what the other one is thinking but those ideas are flawed and rooted in self-hatred. They also both shutdown in their unique ways when the conversation starts heading in the direction they'd feared it would.

Blitz and Stolas work because they're both fucked up in similar ways, because they want similar things. That's the same reason why they're uniquely designed to hurt one another. A fear of rejection and a yearning for happiness. To borrow a quote that has been used by literally everyone from Spiderman to Evangelical preachers, "hurt people hurt people."

anyway, I really liked this episode.

(twitter thread screenshots sourced from this reddit post)

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hoseoksluna · 3 months ago

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THE BALL OF LIGHT, ii. | jjk

pairing: friend!jeongguk x fem!oc

genre: angst

word count: 4.2k

summary: inside jeongguk's apartment is where you meet the possibility of life.

pin: ball of light / taglist: join / discord: join / masterlist: run

cp: ao3 / wp

warnings: mentions of smoking and vaping, described nudity, oc feels a lot of emotions and she's overwhelmed, guilt.

note: i really enjoyed writing this chapter and it opened my eyes actually to where it's going. i hope you like the chapter as well. writing about jungkook is my biggest comfort. i feel at home. i love you, guys. happy reading. don't forget to tell me what you think. i'd appreciate it if you tell me ur expectations. <3

side note: i also want to update my taglist because i feel like most of the people i tag haven't allowed themselves to be tagged on this app. if you want to be tagged in my works, let me know. in comments below or my askbox.

It seems as though Jeongguk is still turning your words over his heart once you arrive at his apartment and the sullen grayness of his personal space greets you. A certain pensive look, embellished with a wrinkle between his brows, paints him in the shades of stark reclusiveness, the unapproachability of that façade the blue highlights that make the current inertia of his usual hyperactivity uncannily animated. It’s an oxymoron, the stillness of his being, despite the fact you very vividly sense the turmoil happening inside his chest.

Turmoil must be second-nature to him. Almost like a friend.

You don’t know what to say. The downturned corners of his mouth are so engraved into your vision that when you look away, you can still see them. Sad and pouty, caused in most probability by the truth you uttered. War happens, Jeongguk, if Yoongi and I see each other outside of the walls of our home. Those were the most heart-felt, authentic words that were flung out of the chambers of your heart because—yes, if Yoongi were to know that you smoke one cigarette a day with a boy with a nicotine-addiction, a motorcycle and a tendency to go back to people who have spread agony down his lungs like the white fumes of his cigarettes, he would get up from the kitchen table and grab the nearest knife, start a war for your dream that, according to him, got interrupted by temporary, meaningless things.

But Jeongguk isn’t meaningless. You thought for the longest time that he was temporary, but his lingering presence through high school and now through uni convinced you of the opposite. You believe now, now as he bends at the waist to place a pair of pink, fuzzy slippers with a yummy fried egg on top in front of your icy-cold, socked feet, that he has more shape—the eyes of an angel born wrong, born human, the mouth of a saint that fears to say the wrong thing—than your dream does.

Your dream doesn’t have a face.

Your dream doesn’t have a meaning, either.

Yoongi knows this, pretends he knows the contours of that dream when he tells you to go study. Pretends he knows the color of its flesh, all the greens, purples and blues, when the only words he throws your way are of commanding nature. Come eat. Go shower. Go study. Don’t. You can’t recollect the last time you had a genuine conversation with him that did not include those very words.

It’s exhausting. Your bones are burdened by it—by being treated as a student and not as a human being. But you ignore this because you respect him, hold him in high regard because of his own burden, laid heavy across the length of his shoulders that have become too thin, too skeletal, that have once been broad, beautiful and ogled by those, who had the luck to encounter him.

He doesn’t go to the gym anymore, to fill the mass of his muscles with exercise. He works long hours doing food delivery to fill your tummy instead.

And it’s hard—balancing your respect for him and your ostensibly inner desire to go in search of the things you read about in your books. You can’t help but expect to dig them out, selfishly, in Jeongguk. The kind, now somber, boy who has been by your side for so long. With words and simultaneously without.

Would Yoongi understand? Doesn’t he, also, have a need for company?

You push those thoughts away and focus on the clandestiny. On Jeongguk’s frown, on his adorable pout, on his emotions. Because perhaps in it you shall find your destiny.

Jeongguk walks forward and you swell with the guilty need to fix what you’ve broken, to glue back the pieces that put together his traditional cheer. The tree in you shivers in cold. Your own bones are still frosty like that bus stop you both escaped from. But glancing at the span of his shoulders, drooped and rolled forward, the guilt expands, making you think that maybe you shouldn’t have said something, despite the fact the truth made a dent in the birdcage you have been dwelling in since the death of your parents.

He empties out his pockets. Wallet, keys, phone, a pack of cigarettes, lighter and a pink, fat vape that you’ve never seen him smoking before. He places those essentials on the kitchen counter, stretching his hands backwards and ridding himself of his beige hoodie. The T-shirt he wears underneath rides up, exposing the smooth and muscled skin of his back, and your throat dries up at the sight. The tree stills, pacified by the movement of his shoulder blades. It puts a spell on you, this innocent yet consumingly heated view of a male’s body, one that continues burning down your body even when he grabs a hold of the hem of his T-shirt and pulls it down.

Somehow, the act made it hotter.

Your fingers wrap around your throat, a habit of yours that helps you compose yourself, ground yourself in the severity of the moment. Jeongguk reaches his hand towards the kitchen counter again and as you swallow with great difficulty, he fills his lungs with that scented fume before discarding it.

It isn’t until your breath comes out in pathetic staccatos that he turns around. Large eyes heavily lidded, clouded by that white smoke as he exhales. He purses his lips, dimples on full show, in order to make the smoke thinner. And that, the eye contact while blowing out the fumes, his full attention on you, the element that you’re here—in a boy’s apartment, all alone, for the first time, that warms up your bones, the frost melting away. You feel your body form little pearls of perspiration, overwhelmed and so suddenly overheated by his boyish beauty.

He’ll never know—just like Yoongi. He’ll never know what he does to you.

“I’m gonna make you some tea so you can get warm,” he says, softly, and shuffles his feet towards the brightly lit kitchen. You hear the water running, the clapping noise of the kettle being shut and then the boiling bubbles, but you’re frozen—red-hot and frozen—in the place you’re standing, unable to move, unable to breathe, unable to be a normal human being. “You’re free to take a shower if you want.”

A headache pierces through your undeveloped frontal lobe. Nothing about this is normal to you—being over a guy’s place, using his shower and his towel, drinking his tea. Being at home all the time never prepares you for this and while you feel so out of place, it also evokes the feeling of thrill.

This is thrilling.

And it should stay feeling that way, but your guilt eclipses it so quickly. Your guilt and your self-pity. Due to Yoongi, due to the fact that this should feel normal and that you should act normally. How many girls must’ve been in your place and how well they were able to talk to him and accept his kindness and hospitality without being weird about it.

You run a hand down your face. Feel like crying. Feel like screaming. Feeling like slapping yourself so you snap out of it and act normal. Yoongi flickers in your chest, however, and you’re reminded that you should let him know where you are. Usually, at this hour, you’re settled in your cage. Right there in the corner, the only warm spot because you sit there all the time. But you’re not there. You fit your body through the slivers, your feet rubbing against the different, more warmer floor than the one inside your birdcage, while your wrist remains chained to the center.

Your bus, the number 59, never came. Jeongguk’s, number 60, was the last one that came due to the thickness of the snow and he said that you should get on with him so you don’t freeze on the bus stop. I’ll drive you home on my bike, he promised. I got a helmet for you. And you agreed, despite the fact your thumb was ready to dial Yoongi’s number, because it came natural to you to follow a male’s order.

You scratch your fingernails through your scalp, waking yourself up from the stupor, and you take a deep breath. You’re here and you’re safe. Jeongguk is the safest person you can go behind Yoongi’s back with. These are the words you internally repeat to yourself as you lift one leg and the other, watching where they take you.

You wind up at the very edge of the counter where all of Jeongguk’s essentials lay scattered. You go to study all the charms hung over his keys when your fingers, somehow instinctively, take a hold of his pink vape. Light and pink, fitting just right in the palm of your hand. Your clandestine habits are invariably seen by Jeongguk, however.

“Don’t puff on that,” he says, pouring the boiling water inside the kettle over your cup of tea. A Christmas-themed one, evidently for adults only. The taupe Gingerbread man has a raging, bare boner that sticks out to the side whilst his hands are lifted, cheerfully, in the air. Your mouth parts, blush coloring your cheeks in dusty pink, and your brain, bizarrely, connects the Gingerbread man’s emotion to Jeongguk—both emotions, in fact. So bizarrely that anger begins to grow in you because a picture of Jeongguk’s own happy boner pops up before your eyes. Big, hard, leaking. Your stifling heat descends to your lower regions and you have to rub your eyelids in order to stop seeing it, your cheeks scalding, embarrassingly hot. “It’s not good to mix it.”

Without asking, he places one spoon of sugar inside that obscene cup, stirring it diligently. And the clinking noise rams a clapping monkey inside your brain.

You’ll die. From this headache, from the heat, from how irresistible this boy is.

You’ve never felt this way before towards him. Never seen him in this lustful light before. And you don’t know what to do—it’s towering you, so much bigger than you and you have very little strength to stand up to it.

It’s not good to see your so-called friend like this.

Jeongguk brings the cup over to you, placing it before his stuff. The Gingerbread man faces you, smiling ever so gleefully, and the blush of your cheeks deepens within this proximity. Jeongguk takes his vape from your hand and puffs on it—and your brain remembers what he just talked about.

“But you mix it,” you say, your words dripping with confusion, and Jeongguk places the device back into your palm, the tips of his fingers brushing against your flesh. You regard it as intimate, that brief physical contact, and it speeds up your heartbeat.

That touch-starved you are.

“I shouldn’t, but I do,” he responds, his pretty eyelashes static, unblinking, those macadamia chocolate pools of his penetrating your pupils. “I try to stick to just one from time to time, but my nerves are asking for more.”

You look down at the pink device, imagine it’s his hand that you’re closing your fingers over. Think his explanation has zero backbone, and so your confusion drips on.

“Nerves?” you inquire, a wrinkle appearing between your brows akin to his, even though his has been smoothed out. It seems his act of service to you is slowly easing his sombreness.

Jeongguk doesn’t want to elaborate, though. He flicks his eyes towards the cup and nods, just once, encouraging you to drink. You let out a quiet huff of a scoff. Consider it strange that he’s so unwilling to expand on this matter when he has shared with you in the past the reason behind his smoking habit. Trauma from his relationship with Ka-eun and the difficulty of his field. What else is behind those nerves of his that you can’t know about?

You follow the trace of his gaze towards the cup, feeling smaller than you are. Incompetent, inexperienced for the vivacity, immensity of his life that looks nothing like yours. Your pointer finger pokes out, clicking against the emerald green handle.

“Am I supposed to really drink from this?” you murmur, meaning it as a joke that would fix what you cooked in this situation, but it comes out much sadder than you planned, the hollowness from all of your lacks coating your vocal cords.

Jeongguk scowls and turns the cup around, his brows springing upwards as he glances at the naked and aroused Gingerbread man. You begin to anticipate his laughter that would make you feel worse about yourself, but it never breezes through.

Actually, Jeongguk apologizes. Makes a big deal out of it.

“My God,” he sighs, adding your name, running his fingers through his hair before he puts the cup away, but you stop him by enveloping your fingers across the warm, naked skin of his forearm. His eyes widen en route to yours and he holds the misting cup in his hand, immune to its hot temperature. The good ones don’t get burned, your mother would say with hatefulness whenever your fingers would get burned by steaming cups and hot running water in the sink, and she proves you right in this moment. You bet she smiles in her grave, seeing from the afterlife that you are indeed bad while the others are good. “I didn’t notice. I have one just like this, but he’s dressed. I thought I’d pulled out that one. I’m sorry.”

But you’re not scandalized by it. As a matter of fact, you like the little Christmas man—there’s something oddly comforting about his own comfort in his sexuality, smiling as gleefully as he is. What you said was a stupid joke, one that shouldn’t have left your mouth.

“No, I don’t mind. It’s fine. It was just a joke,” you say, hurriedly, sweeping your eyes over his in the same pace whilst he remains calmly staring at you, a steady stream of thoughts filtering through those features of his that you wish you knew the contents of.

You always said you’d die for knowledge, and right now you’d die to discover what he’s thinking about, looking at you the way that he is.

He flattens his lips. “I’ll make you another one.”

He turns around and you yelp your disagreement, cupping your hands around his. And the greater intimacy of this physical contact consumes you whole.

The heat grows, your spine wet with perspiration. Jeongguk swivels his head back, the shorter pieces of his hair swooshing past his forehead, landing on those pretty, pretty eyelashes. And it’s his turn to part his mouth, for blush to creep up his pale cheeks, and your heart—it melts.

You’ve never held hands with a boy before. And right now, you’ve come very close to doing it. In fact, the tender grip bears the resemblance of hand holding and you can’t take it.

A pained, indistinct pout quivers on your lips. A characteristic expression of yours, which conveys that something has hurt you. Your mother would give you a hard time because of it and that’s how you learned that you do it. That’s how you learned how to fleetly hide it, too.

This is the closest you’ll ever get.

Tears rush to your waterline. You blink it away, stretching your lips into a little, neutral smile. The scent of cinnamon and cloves from the tea hits your nostrils and from the edges of your palms, you feel how hot the cup really is. It sobers you up quite rapidly.

“It’s hot, set it down,” you breathe and don’t let go of his hands until Jeongguk complies, the pensiveness back to shadowing his face, but he’s not unapproachable, not at all. The entirety of his dispirited and contrite aura is welcoming, pastel blue instead of that grayish undertone, and he looks at you as if you held the entire world in your palms and he was content with just being near it, silently hoping you show him grace and give it to him.

But that’s not you. You’re too small to cup this world. Too stupid, too unfledged.

It’s him who’s flown around it, deeply acknowledged with it. Who’s smart, who’s a full-fledged bird, unlimited and unhindered.

It’s you who should be looking at him like that and drinking from his vulgar cup.

And you shall.

“I’ll drink it, it’s cute.”

He doesn’t trust it, though, and that’s the scar Ka-eun carved into the flesh of his mind. You brush the pads of your fingers across it, however, when you take the scalding cup to your lips, blow on it and take a small, hesitant sip of it. And the wintry taste of cinnamon and cloves, it is the sap to your tree.

You hum in delight, taking another sip, even though the temperature burns the tip of your tongue. You watch as Jeongguk’s brows twitch and as a certain glimmering glint of endearment laced with unbelief fills his eyes with the canvas of stars. He straightens his spine while you swallow, his lungs inhaling and exhaling slowly but surely.

It is a sight to behold, the entirety of his boyish beauty. And you hate that you regard him this way, that your forced visit caused this because you’ll walk out of this door with a longing entwined around your heart.

A longing for him to be yours.

You set the cup down, cradling it in your palms, your sweat clinging to your body. Jeongguk averts his gaze and rubs his chest, roaming his eyes everywhere but on you, landing on the pink vape you placed on the counter before almost-holding his hand.

But he doesn’t take a puff of it. Not this time.

And you want to heal that scar of his even more. Only because he pushed you very close to the things you read in your books and always wanted to experience.

“I think the tea tastes so good because you made it in this cup,” you chirp, tenderly, giving him a genuine smile, one that Jeongguk doesn’t reciprocate. That one corner of his mouth doesn’t lift, the long cleft of his dimple doesn’t appear. Your heart trembles for a brief moment. In a foreign kind of emotion that feels like fear but isn’t because the turmoil in him rages on and you’re useless. Completely and utterly useless in your efforts.

His stare is deadly, marked by the depth of his thoughts.

“Why did you say war happens if you and your brother see each other outside?” he asks, his tone low and grumbling.

A frightening question. Because no one has ever asked you that. Because you’ve never had the chance to answer such an intimate, personal question. Because no one has ever cared about your home situation.

The trembling of your heart reaches your entire body and you hide your hands behind your back. Lament that you can’t cradle the cup. Lament that you can’t drink it and postpone your response. Lament that you don’t have a normal life. One worth talking about happily, that is.

You don’t know what to say. How to begin, how to string the words together in a way that he would understand. And it’s not that you fear that he will judge you; it’s that you fear that the way he looks at you, regards you will forever change.

You were never the cool girl and you never were the weird girl, either. Somewhere in the middle you stand, solitary and detached, regardless.

You open your mouth, willing the words to spring out of you on their own, without any careful thoughts to cover them.

“Yoongi wants me to live a life that doesn’t look like this,” you start, mirroring his tone, unable to look him in the eye. You sense the demons of your guilt and your ungratefulness cornering you, coming closer and closer—and you can’t walk away, you can only speak.

Jeongguk, however, is quick and curt with his following question.

“Like what?”

The pearls of your perspiration thicken on the planes of your throat, which constricts. You blink, thinking that you don’t wish to offend him with any formulation of your sentences. So you go around it, hoping he understands. The demons inch closer—and you can’t breathe.

Jeongguk doesn’t blink, focused intently as he is on the emotions written on your form. It creates a delicate, yet protective ring around you that keeps the demons outside. And he lessens your strange fear owing to that.

“He wants me to focus on school and focus on my dream while he takes care of everything else. It was a deal he made between us. I study, he works. Nothing else,” you continue, and Jeongguk bites his lip, nodding in understanding as he glides his eyes down your face to your sweat-coated neck. For some reason, that little act of his acknowledgement dispels those demons—and you no longer feel guilty, you no longer feel ungrateful because Jeongguk validated those emotions, didn’t scrunch his nose at them. And that heals, little by little, your wounded, flightless bird wings.

“What does your dream look like?” he asks once again, and you wonder at the formulation of his question. It’s not what’s your dream; he’s asking for a description of the biggest mystery of your life.

And you chuckle, humorlessly. Jeongguk flicks his gaze back to your eyes, seemingly not knowing what to expect.

“That’s the thing,” you say. “I don’t know what it looks like, and Yoongi doesn’t know either.”

The roundness of his eyelids spasms, as if the truth you just uttered irks him. The validation grows and buds of blossoms sprout open, in the middle of this sunless winter, upon the twigs of the tree within you.

“He doesn’t know what your dream is and yet he decided how you should live,” Jeongguk scoffs, shaking his head, and you marvel at the light bursting in your sternum. It is the sun to your growth, to your tree’s growth.

A moment of bliss that is too brief, for you begin to sense an uncompromising responsibility to stand up for your brother. He means well—he’s doing it out of the love and kindness of his heart as the root of this declared problem is literature.

And literature is your life. It’s all you know.

You begin to say these words, but Jeongguk interrupts you.

“I understand, but you need to live a life that you want to live,” he rasps, standing taller than he was a minute ago, greater and powerful than he ever was. That confident and assured he is in his opinion and you gawk at him as if he were a cult leader, about to change the course of your life. Maybe, just maybe, the cinnamon tea was the kool aid—and you want to drink again, but you’re ashamed of the trembling of your hands. “And if you feel like you’re indebted to him, you shouldn’t. You’re an adult. It’s your life, it’s not his just because he’s older.”

Your throat dries and you risk it all, enveloping your fingers around the cup. Jeongguk’s all seeing eye notices your movement and his powerfulness drops. He sighs, rubbing his eyes.

Bare, bare you are all for him to see. For anyone for the first time in your life—and at this point, you don’t even know how it makes you feel.

Where light and so many emotions were inside you, emptiness falls like fine dust. You’re reminded of that one sentence in White Nights and, quietly, you reflect on it while your fingers tremble on.

My God, a moment of bliss. Why isn’t that enough for a whole lifetime?

Jeongguk makes space, like the ring of protection he created around you, by taking a few steps back and leaning against the counter. He crosses his arms over his chest and simply looks at you, reads your body language, and lingers at your hands. At the fact you don’t drink. At the fact you don’t speak. At the fact that nothing will ever be the same after this conversation.

When he asks his last question, he softens his voice. His demeanor, too. Allows his arms to plummet down to his sides. Sags against the counter.

“He doesn’t know we’re friends, does he?”

Something that resembles a cry leaves your mouth and you’re so shocked by the freedom of your emotions that your hand leaps to cup your mouth, as if to hold back any more outpouring. That is your reaction.

Jeongguk’s is more earth-shattering.

By his instinct, he lengthens his spine and his hand… his beautiful, strong and veiny hand jerks towards your direction, as if to catch your hand, prevent it from hiding your outpouring—or as if to catch your outpouring alone.

And it is so heartbreaking to you that you mutter the first thing that comes to your mind and run away.

And you don’t realize where you are until you get a glimpse of yourself in the mirror. A mascara tear stains your cheek in blackness, and the smallness of the bathroom encloses around you.

You want to wash it away. Feel like the decision is yours to make, a right one at that. Feel like it’s the first step in the new way Jeongguk bestowed over your life by his wise words. And so you undress.

And you don’t lock the door.

And you don’t hear your phone ringing ten minutes later.

𓂃 ౨ৎ LOVE-KISSED BABIES: @jjk7k , @tkslovechild , @euphoricmyth, @cinmmongirl , @ririkookiemonster , @perfectiondazesworld , @https-mei , @bangtansonyeondanue , @jungkoock , @cinmmongirl, @hoseokkie-caeks , @kam9404 , @fr0ggieth1nk , @parkinglot-nights

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crypticminx · 1 year ago

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Hi! I loved ur telling Felix if pregnant fic so could we get a p2? Maby e Felix helping reader a morning sickness. Just fluffy ❤❤

Hi my angel!!! here you go! Xoxo

Pregnancy with Felix ⋆𐙚₊˚⊹♡

AN: part two to my headcanons, very fluffy xoxo

- Felix would grow to be exceedingly close and overbearing of you at all times–all within good reason, of course. You felt incredibly tired? No problem, his usual disorganized bed would be neatly prepped and cozy for you with a cup of tea waiting on his night side table. Morning sickness? He was behind you as you would throw up all of your unpleasant remains from the previous night, holding back your silky hair while he gently circled his palm along your sore arched back in soothing motions

- Felix would favor sleeping in with you even if that foolishly resulted in the ignorant academic missing his first morning class, but you were immensely important to him in comparison to his repetitive lectures. He’d wrap you deeply into his chest, entangling both of your legs and arms to construct some sort of warmth from each of your bare bodies. When you’d finally close your eyes to try and regain your interrupted rest, Felix would slide his hand down to just below your ribs and on your abdomen. Though you were barely showing, he could already feel some sort of connection to what was inside of you and it made him feel affectionately sympathetic. Most of all, it made him cherish you even more and from that moment onward, he was destined to continue to treat you in a way that differentiated him from any other sort of love you had ever received.

- It would be too soon for the two of you to move into Saltburn, a manageable idea Felix came up with on a whim upon the two of you trying to discuss the reality of your soon to be future that included a baby. Felix, who terribly wished he could stay with you to attend to your doting needs at every passing hour of each day, still had his classes to attend. You would carefully decide not to continue any further studies, withdrawing yourself from all your classes. Much to your angry parents dismay as they harshly yelled at you once the whole truth unraveled from your apologetic mouth through the lines of a telephone in an empty hallway. They were far away, convenient enough for you, but hearing their harsh tones of pure disappointment made you mentally feel like you had been hit by a bus; paralyzed with sadness among all your other unwanted hormones. Felix, seeing you shamefully walk back into his room was to the rescue as he tried his best to reassure you. There was nothing more he despised than seeing your pretty little eyes swell with tears that were caused from people who should've been supporting you.

- “Y/n, darling, look at me” he would softly cup your flushed, tear-stained cheeks, “I could pay for your education whenever you'd want me to, y’know?” You only nodded at him, sniffling as you felt yourself trying to keep it together. “In fact,” his dark eyes scanned the room before their full attention was back on you, “what do you say we go get a place together, yeah?”

- Felix was soon to follow in sharing the news with his parents and judging by the huge grin he sported on his gorgeous face after hanging up on the telephone, you knew that their reaction was eons away in contrast to how your folks retaliated. And with everything finally being put into motion, a flat just on the outskirts of where campus was located was hastily granted and approved to you and Felix. “Mum was practically screaming with joy,” Felix admitted as he ran his fingers through his hair, shaking his head in the process while his mind painted the image of his mother beaming with delight at the thought of a Catton grandchild.

- You imagined your flat to be cute, cozy and fitting, but this was Felix Catton we were talking about. Opening the doors after receiving the keys to your shared place, you were stunned at how breathtakingly modern and posh the interior was. A large living room accompanied with what seemed to be an extraordinarily comfortable sofa, marble stained countertops in a kitchen that was larger than your previous dorm room all topped together with 4 exquisite bedrooms. It was a strange feeling, not unsettling, but very downright gracious as you could see everything playing out as if it were a movie. Candles would be lit on the dining table, the mouth watering smell of dinner you just prepared would be flowing in the air, and there would be an eager infant placed on your hip waiting to be fed. As you’re about to feed your young, Felix would walk in, looking exhausted from a tiresome day, but happy to see the two most important people in his life.

- “So?” he would interrupt your thoughts as he could see you relishing the moment. “I love it,” you would breathlessly vow before Felix could only respond by lifting you off of your feet and cautiously twirling you around the hardwood floors of your flat.

- As the months would slowly start to progress and evolve into life with Felix, you felt at ease for once and being able to have time granted to you allowed you to focus on yourself and your pregnancy, making everything less complicated. You could take any given moment to rest and let your body prepare itself for your child. Felix would do everything in his strong willed nature to find the best doctors for you, being in attendance for every appointment with you, and always kept himself in line for having access to all of your desires.

- Changes–lots and lots of changes. Watching your stomach slowly swell outwards was fascinating and you had accompanied a new profound sense of gratefulness for yourself. Most of the girls your age would probably die if they had to say goodbye to their wardrobe of short skirts and tube tops, but that didn't matter to you anymore, what did was your baby. Felix, on the other hand, was constantly in a state of awe whenever he was around you. His protective hands were always placed on your bump, caressing it with the utmost care possible, all while extensively praising you. “So so beautiful seeing you like this, my darling,” he'd gently whisper in your ear as you laid on top of his lean body, enjoying the spell he'd put you under that was his touch. “Carrying my baby,” he hushed, kissing the top of your head, his fingers unable to stop themselves from stroking one of your sensitive breasts. “You're only going to get more beautiful.”

- With all the happiness, there were also many challenges that you faced. Feeling extremely emotional more days than others, it was mainly the rare moments that Felix wasn't home or around to embrace you with his devoted presence that made you feel like you were missing out on a chunk of events that you should've been at. Felix rushing in after a late lecture that took more of his daunting time than it should have, he swung by you, only giving you a quick pat of a kiss on your forehead, before he rummaged his tote bag of schoolwork away on an empty counter. “You're in a rush,” you observed as he changed his button down into something that seemed far more relaxed and calm. “Uh yeah,” he hurriedly spat, focussing more on fixing himself up, “Oliver and I were gonna head to the pub with a few of the guys, celebratory post midterm drinks and all that.'' Oh, you tried your hardest not to sound letdown by the fact that you would probably spend the majority of the night alone on the sofa continuing to read a catalog you had zero interest in. Felix wanted to hurdle himself to the front door, but feeling tension in the air that was so strong he could cut it with a knife, he paused and glanced at your face that was slowly becoming struck with sorrow. In response, he slowly padded his feet towards you. “What's wrong?” His tone was relaxed and not full of distraction. You sighed, feeling guilty for stopping him in his tracks, “I just feel like I've been missing out on everything,” you found your mind speaking out loud, too late in stopping yourself from speaking the truth. “I miss going out with you, being carefree and reckless,” you pouted, feeling like a fussy child. “Oh, sweetheart,” he took a seat beside you, “I can assure you’re not missing anything, in fact, I'd rather be with you all the time.” it was true, Felix didn't care for his past ways, he was more occupied in his life with you and he'd never trade that for any sleazy party. He rested a loving hand on your stomach, “this is far more important to me.”

- Felix’s favorite pastime hobby with you would be picking out names for your little one. Dressed in nothing but cozy knee high socks and an oversized T-shirt, courtesy of Felix, you would lay a journal just above your bump as your attentive ears would listen to all the ideas sprouting from Felix, smiling as his quick mind came up with more suggestions. “Genevieve for a girl?” he gave you a weary smile, not feeling too confident. “It's beautiful, but too posh and old, no? He chuckled, “mum would have a field day with that one,” he exaggerated his expression, raising his pierced eyebrow before rolling his smitten eyes. “So that's a no, I presume,” you giggled as you crossed it out with your pen.

- Your shared moments that were filled with ambience of love were your favorite times. Soaking every ounce of alone time you could get with Felix because before you knew it, the simple times would turn into long sleepless nights—and not the ones you favored the most with him. Felix would run a bath filled with relaxing salts for you to lay in as he would wash your locks and all parts of your body for you, letting his hands do the work as your head would tilt back in ease, letting all your soreness peacefully exit. The moments spent in bed mainly included Felix resting his head on your bump, freely talking to your child as his voice carried you to sleep. “I love you and your mum so much,” he kissed your bare skin with his soft lips, hoping not to stir you out of sleep, “daddy cannot wait to meet you.”

#felix catton #felix catton x reader #felix catton x y/n #felix catton x you #jacob elordi #saltburn #saltburn 2023 #oliver quick #jacob elordi x reader #dad! felix catton #Felix Catton x pregnant reader

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heartlilith · 1 year ago

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Self Care

Self Care for the signs; use your moon sign & house placement (transit moon and house placement work as well, you can even use your venus sign if you're feeling up to it)

*TW: mental health disorders are talked about throughout

ARIES MOON/ARIES VENUS/1H MOON/1H VENUS: For these natives, I imagine a lot of energy swirling around the head and face. Stress can lead to overthinking, headaches, acne breakouts, and in more serious cases; vertigo, migraines, and hair loss. Exercise can really help these placements dispense of all the extra energy. It doesn't have to be something intense like body building or running miles (although it can be), it can be as simple as walking in nature or playing a sport with friends. Playing catch with your dog or playing a game of basketball. Other than exercise, Aries and 1st house placements can benefit from a spa day; whether at an actual spa or at home doing a skin care routine and a face mask. Guided meditation is great for these placements too in order to quiet the mind chatter. One last simple thing these natives can practice is turning off their phone for an hour a day; they're so involved in the world around them and sometimes that's a good thing but other times it can be very draining. Tune out the world and tune into your body.

TAURUS MOON/TAURUS VENUS/2H MOON/2H VENUS: Stressed out Taurus and 2nd house placements can struggle with their self esteem whether that shows up as arrogance or insecurity (Moon and Venus here can signify fluctuating self esteem). They also tend to hold a lot of stress in their shoulders creating soreness or even bad posture. Extreme stress can cause these natives to either withhold or indulge in things; usually in terms of food, money, or material possessions. This can lead to disordered eating, stinginess, overspending or possessiveness over their belongings, they do this to feel a sense of control in the midst of chaos. Taurus/2nd house placements would benefit from a massage either at a spa or from a loved one. Since the 2nd house rules over material possessions it's important for these people to reconnect with their element; Earth. Connecting with the Earth can look like gardening or caring for house plants, playing with animals, a simple walk outside, or nourishing their body with fresh fruits and vegetables. Since the 2nd house and Venus rules all things pleasurable, playing up the senses can really benefit these natives. Soft blankets, nice smelling candles or aromatherapy, listening to relaxing music, eating sweets or drinking warm tea are all things these placements can do to relax.

GEMINI MOON/GEMINI VENUS/3H MOON/3H VENUS: Gemini and 3rd house placements are very efficient people, normally. They are great multitaskers and great socializers. Stress with these placements usually shows up mentally at first then it starts to effect them physically. Their body is directly effected by their emotions, like Virgo. Stress can show up as restlessness, anxiety, shakiness or in more serious cases; anxiety attacks, becoming withdrawn, and dermatillomania (Gemini rules hands). In order for these natives to relax, they must take their air energy and create something tangible with it. Journaling is a great way to do this, also painting or blogging. Since Gemini rules the hands, a lot of stress can be relieved by keeping them busy. Knitting, crocheting, video games, playing instruments (double points if these activities connect the brain and hands in some way). Gemini and 3h placements would also benefit from breathing exercises, reading nonfiction books (Geminis love to learn), or even just venting about their problems to a trusted friend.

CANCER MOON/CANCER VENUS/4H MOON/4H VENUS: For people with Cancer or 4th house placements, stress can show up primarily through emotions (surprising I know). Cancer feels all the feels, good or bad. Stress can show up and create sadness, anger, anxiety, pessimistic behavior and being on edge. In worse cases; depression, an anxiety disorder, and rumination. In terms of self care, it's important for Cancer/4th house placements to get in touch with their inner child. This can be achieved by spending time with children, looking back at photos with happy memories, blowing bubbles, watching their favorite children's movie or eating their favorite meal growing up. Since the 4th house also rules family, spending time with blood or chosen relatives is important too (even pets!). Since Cancer is a water sign, taking a bath and staying hydrated are great forms of self care for these individuals. To cater to their nurturing side, taking care of someone else (a relative, loved one, a pet, even a plant) can help them forget their own problems which is great but if this is the only thing they do it can create a habit of avoidance to their own problems. One last thing Cancer/4th house placements can do for self care is cook themselves a hardy meal since Cancer rules the stomach and because, well, they deserve it.

LEO MOON/LEO VENUS/5H MOON/5H VENUS: For Leo and 5th house natives, stress can show up and drain these peoples' sunny disposition; like clouds covering the Sun. Stress can lead to them becoming uninspired, unmotivated, lazy and even bitter. In more extreme cases, Leo/5th house placements can slip into depression, ice out loved ones and hobbies, and become unsure of themselves - which leads to a lowering of self esteem and makes them second guess who they are. High blood pressure and heart palpitations isn't uncommon when these people deal with extreme stress over a long period of time. In order to relieve this stress, Leo/5th house placements can benefit from acupuncture or cupping (Leo rules the back and spine), a massage, or even reiki as a form of self care in order to move their stagnant energy around. Exploring somewhere new, going to an art museum, or going out with friends to a party or out to eat can inspire these natives and get them motivated to create again. Other forms of self care for Leo/5th house placements is reciting affirmations in the mirror daily, affirmations they know to be true about themselves. Pampering themselves in some way can boost their self esteem; whether that be getting their hair done, going shopping, or treating themselves to their favorite meal. Practicing self care for these natives is extremely important in order to keep their sun shining.

VIRGO MOON/VIRGO VENUS/6H MOON/6H VENUS: Virgo, virgo, virgo, always worrying your pretty little head off. I can say this btw I'm a Virgo moon and know this all too well. This goes for 6th House placements too, they are the busy bodies of the zodiac. Like Gemini and 3rd house placements, Virgo and 6th house placements feel stress mentally first and then physically. Stress can make them physically ill; stomach aches especially. When these natives are stressed, it shows up physically as digestive issues, stomach aches, disordered eating and even skin picking (dermatillomania). Mentally, these people can become cold and short with others. Virgo and 6th house placements can also become reactive to situations and look at things quite negatively. In my opinion, it's hard for Virgos and 6th house placements to get in the habit of self care since they are very sacrificial and put people before themselves. They also have a million and one things to do and want to get them done or else they can't relax. Self care for these people should be activities where they can unwind while still feeling productive. Exercise in any form is great for these natives because they love health and wellness. Yoga in all forms is PERFECT for Virgo/6th house placements since they're the epitome of mind, body, and soul (what effects their mind, effects their body, and then effects their soul). One last self care activity for these people is reading a book. Learning and relaxing? A Virgo/6th house placement's DREAM.

LIBRA MOON/LIBRA VENUS/7H MOON/7H VENUS: Libra and 7th house placements become stressed when things aren't harmonious. Relationships, work, their health - if it's not balanced, they really feel it. Stress for these people can show up as acne breakouts, becoming unmotivated, neglecting their physical appearance, and passive aggressiveness. In more extreme cases, these individuals can isolate themselves, be on the verge of tears all the time, and become volatile. Self care comes in the form of facials, baths, getting dressed up for a date. Libra/7th house placements want to look and feel good. Buying gifts for themselves or receiving gifts (big or small); especially clothes, makeup, skincare products, hair care, jewelry, candles, etc. Like Taurus/2nd house placements, they like things that satisfying their senses. Other forms of self care for these natives are spending time or talking one-on-one with a friend, family member, or partner whether that's for receiving advice, venting, or simply distracting them from their issues.

SCORPIO MOON/SCORPIO VENUS/8H MOON/8H VENUS: Scorpio/8th house placements feel stressed when they're lacking connection; emotional, physical, mental or spiritual. They might not like to admit it but they need a shoulder to cry on too. These people are also prone to mood swings so sometimes it's hard to pinpoint why they're feeling the way they do. These natives feel emotions strongly, just like the other water signs and house placements. Stress can show up as a low libido, dark eye circles from lack of sleep, and anger that comes on fast. In more extreme cases, they can experience depression, intrusive thoughts, and develop phobias. In order for Scorpio/8th house natives to relax, they need to channel their emotional energy. This can be hard, especially because sometimes they don't even know what's wrong or what exactly is stressing them out. Writing, painting, sculpting, any form of art is extremely beneficial to these people because even if they can't put a finger on why they're feeling a certain way, they can still express it in other ways. Other forms of self care can include taking a shower, swimming, taking a bath - anything that connects them back to their element. Having sex, reinventing themselves through dying their hair or changing up their wardrobe, and even witchcraft can help them incredibly. Diving into taboos and embracing them can do wonders for these people.

SAGITTARIUS MOON/SAGITTARIUS VENUS/9H MOON/9H VENUS: Do Sag placements even get stressed out..? Just kidding of course they do! These natives become stressed when they feel trapped, bored, and stagnant. You can always tell when they feel a certain way because they will tell you, bluntly and unapologetically. Sagittarius/9th house placement's symptoms of stress is restlessness, becoming impulsive, and being straight up mean. These placements need stimulation and will do things, good or bad, to get it. Self care comes in forms of traveling, learning, and winning. Whether down the street or to a different country, these natives benefit from exploring somewhere new. To them self care is indulging in their wants, and they WANT to explore new places and learn new things. Eating their favorite country's cuisine, going to a new place (a store or a park or a vacation), or reading a book are all forms of self care for them. Sagittarius/9th house placements would even benefit from planning a vacation even if they never take it. Other forms of self care for these individuals is playing board games or sports with friends, gambling (in moderation), eating good food, having a few drinks, throwing a party. They need to indulge, just a little bit.

CAPRICORN MOON/CAPRICORN VENUS/10H MOON/10H VENUS: These natives will never let you know that they're stressed out because they can handle it, they can handle anything and everything all the time, right? NO, but they want to be able to which creates more stress - they literally stress about stress. For them, stress can show up as feeling tightness and soreness in their body, lack of sleep, and disordered eating from trying to gain a sense of control. In extreme cases they will throw themselves into work because they can't feel the stress if they're distracted... this leads to endless problems which, guess what... leads to MORE STRESS. Capricorns/10h placements, take a day off. The world will still go on if you rest. Other than that, these natives benefit from stretching, yoga, meditation, a nice hot bath or shower. They need to slow their roll. One self care activity that benefits them the most is laughing; funny movies, seeing a comedy show, playing with their kids or telling funny stories are all things that can remind them that play is just as important as work. Have fun you guys, you deserve it the most.

AQUARIUS MOON/AQUARIUS VENUS/11H MOON/11H VENUS: Similar to Capricorn/10th house placements, you guys have a good poker face when it comes to being stressed out. What's different though is that instead of throwing yourself into work, you fake a smile until you're all alone... that's when the symptoms of stress take over. Anxiety, loneliness, sadness are all things these people experience when stressed out. They have plenty of friends and support systems but no really gets them, at least that's how they feel. In extreme cases, Aquarius/11th house placements can experience depression, depersonalization, and feeling more and more alienated and different than everyone else. Self care for these people includes meditation, journaling, walking barefoot outside, even hugging a damn tree - anything that pulls them back down to Earth. Planning a day with friends or loved ones to do something spontaneous or adventurous can really help these people. They need to get out of the "box" they put themselves in. Other forms of self care include things that are wild, fun, and get the blood pumping; playing paintball, video games, snowball/water balloon fight, pranks, partying and letting loose with your friends, and creating silly YouTube videos. The best self care for them is connecting with like minded people and having stimulating conversations or doing things that are crazy and silly.

PISCES MOON/PISCES VENUS/12H MOON/12H VENUS: When these natives feel stress, like Cancer/4th house placements, it comes in the form of emotions. Sadness, passive aggressiveness, and even shutting down emotionally in order to not feel anything at all. Pisces/12th house placements feel things so strongly and on every level - so for them, it's better to shut the emotions off because that's easier than dealing with it head on. But, those suppressed feelings will always come back to bite them. Stress shows up as lack of faith and trust, the inability to focus and stop daydreaming, and mood swings. Since the 12th house rules the subconscious mind, sometimes they don't realize why they feel stressed or unbalanced, like Scorpio/8th house placements. These individuals benefit from swimming, visiting a body of water, jumping in a puddle, or even going outside to feel the rain in order to reconnect with their element. Anything art; painting, sculpting, knitting, singing, creating is probably the best thing they can do to channel emotions. I always joke and say Pisces/12th house placements love "old lady activities" but I think it's true. Knitting, playing bingo, spending time with children, baking are all things that can really help them. Other than that, self care for these natives can be as simple as taking a nap to tune out the world. Or giving yourself alone time in a judgmental free place to do what you want. I think the theme here is to tune out the world and tune into yourself, however you can achieve that.

*Note: No placement in astrology is exempt from experiencing mental health disorders, just because I didn't mention it for every sign doesn't mean it can't happen to them, it can. If anyone ever needs someone to talk to, my ask box is always open.

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love-byers · 7 months ago

Text

(warning: long)

we should talk more about mikes choice of words in the rink o mania fight, or rather the writers choice of words

"You basically sabotaged the whole day!!"

sabotage

in case you need a reminder of what sabotage means

deliberately destroy, damage, or obstruct

mike is not just saying will was being a douche for moping, rolling his eyes, and barely talking. he's saying wills a douche because he's doing it on purpose. not even just on purpose either, he's saying will planned this. will wanted to ruin the day. mike thinks will was out to get him by withholding his friendship. obviously will wasn't doing any of this, he just moped because he felt brushed off by mike and was ignored (or so he thought).

that kind of behavior, thinking the consequences of his own actions are a planned attack against him, is very consistent with the way he acted in s3 when el dumped him and he blamed it on max.

we can connect this directly to mike's apology where he calls himself a self-pitying idiot. the self-pity is mike allowing himself to believe it's not his fault that his day sucked, that it's not his fault will is acting this way. deep down he knows it's his own fault by purposefully brushing will off at the airport, but he was being so self-absorbed and self-pitying that he convinced himself it wasn't.

"why is this on me?? why am i the bad guy??"

so lets go through this again, inferring from mike's own words.

when will left hawkins, he felt weird. he'd just spent the whole summer trying to be grown up and acting like he didn't care about dnd anymore, shutting will down and really hurting him in the process, so he probably feels embarrassed that he now feels the exact opposite. he enjoyed spending time with max, lucas, and dustin but it just wasn't the same without will. he missed will so badly that the fact that will was barely reaching out got to his head, and he felt too insecure to find out for himself. he didn't know if will felt the same way or if he was doing fine without mike, making lots of new friends and enjoying life. he was afraid he'd lost will. then here comes el with her letters saying how life is awesome and they have lots of friends. mike probably thought, oh now i'm DEFINITELY not telling him how i feel. the letter about will potentially liking a girl was the final straw. wow. so he's occupied with some girl and thats why he won't talk to me. so now mikes determined to not give will an inkling of an idea that he's bothered or that he cares. psh, mike could care less. maybe when will sees that mike totally doesn't care he'll feel like he screwed up and he'll be super nice to compensate and win mike back.

so mike gets to lenora and hey, will, i totally don't care about seeing you, see how i dodged your hug? i don't care. then he sees the painting. maybe it's not for someone he likes, maybe it's for me. here you go will, opportunity one to win back my affection.

"Uh, what's that?"

"Um, it's nothing, it's just this painting I've been working on."

"Cool."

operation-act like i don't care: EEEEEEERRRRRRRRRRRRRRRRR FAILED.

LOOK at his face bro. he looks heartbroken.

from here on mike just got more and more annoyed. will isn't trying to win him back, he isn't compensating for the months of silence. he's acting sad. he's acting sad? he has the audacity to act sad after he made all these friends and left me behind?? no, this is not my fault, this is not on me. it gets under his skin in a way he can't ignore. those feelings of guilt and annoyance that will is causing mixed with his months worth of self pity and convincing himself he's not the problem leads him to another thought. he's doing this on purpose. he's punishing me. this was his plan all along. he's trying to ruin my day for no reason, because i clearly didn't do anything to deserve this.

then angela shows up and humiliates el and mike, for some insane reason, uses this as an excuse to express his anger to will, even though it had literally nothing to do with will.

"You should've told me she was having trouble."

"Well, I didn't know they were gonna be here, Mike."

"Yeah, but you knew she was having trouble for like a year and didn't tell me."

in WHAT world is this will's fault?? he had absolutely no idea el was lying until that day. and mike is blaming him? no, he's really not, he just wants a reason to express his anger without having to admit why he's angry.

"Well, I didn't know she was lying to you."

"Is that why you decided to be a douche to her all day?"

her. he's hiding behind el's name. psh, what? i don't care that you weren't talking to me, it's because of el.

el just got publicly humiliated and mike thinks now is the time to get on will and act like el's biggest problem was will not talking to her?? no way. he just doesn't want will to know that these are his feelings.

"I wasn't being a douche!"

this completely sets mike off. how dare will act all innocent after what he did to me all day? any part of him that was trying to hide that will's behavior is bothering him has been completely overridden. will purposefully withholding his attention from mike has pissed him off soooooo badly that he can't keep it to himself anymore or hide behind el.

"You were! You were! You were rolling your eyes, you were moping, you were barely talking you basically sabotaged the whole day!"

yup, thats right will. i know exactly what you're doing and i'm calling you out on it.

"Well she was lying to you, Mike! Straight to your face ever since you got here! And...and I've been a total third wheel all day it's been miserable. So sorry if I wasn't...if i wasn't smiling."

third wheel? really?

"Yeah, whatever man."

"Well what about us?"

"What?"

i imagine this is where mike shits himself. i mean he literally stops in his tracks. will is directly addressing what he'd been trying to hide his care for the whole time, them. all of a sudden after all these months, he cares about us? and it's poking at that weird feeling he had, like he missed will too much. like he was feeling too much.

"What, you're mad that I didn't talk to you? Seems like you've made it super clear you're not interested in anything I have to say."

"That's just not true."

mike says that so fast it's like a knee-jerk reaction. of course he cares what will has to say. all he's wanted all day, and all this time for that matter, was for will to talk to him. and will is blaming him?

"You called maybe a couple times. It's been a year, Mike. Meanwhile El has like a book of letters from you."

now mike's defense is kicking in. he feels like will is directly picking at that feeling. the weirdness. the fact that he feels differently for will than the rest of his friends, even his girlfriend.

"That's because she's my girlfriend, Will!"

"And us?"

now the alarms are going off. he knows something. "us" for will in this moment is just their friendship. "us" for mike is something more, because that's what's been brewing in him the whole time they've been apart. internalized homophobia in 3..2..

"We're friends! We're. Friends."

"Well, we used to be best friends!"

oh. he was just talking about our friendship. i was tweaking a little bit. and...ouch. will just officially said they aren't best friends anymore. and he's blaming it on mike. but mikes defenses are still up high.

"Well...well maybe you should've reached out more, I don't know! But why is this on me? Why am I the bad guy?!"

then will is lost for words, and he just look sad. and as mad as mike is, he hates seeing will that way.

i imagine the day or two between this and his apology, mike went over this fight in his mind multiple times. and the more he thought about it, the more he realizes, ah shit. i was way too in my head and this was completely one sided. will wasn't plotting against me, i just felt so bad for myself i convinced myself i did nothing wrong. all this because i thought he found new friends and i felt bad for myself. and now i've lost my best friend and made him feel like all of it is his fault. i have to let him know it's all on me.

tldr: mike is weird and gay.

#stranger things #byler #will byers #mike wheeler #byler endgame #byler analysis #stranger things 4

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cursedtrans · 3 months ago

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Ryoshu and Grief

Ryoshu as a sinner is defined by her lust for blood, art, and the beauty that comes with both. However I think a large chunk of people realize that this is not her only trait, and this is something that has slowly been fed out across the Cantos and Egos we’ve gotten for her.

Spoilers for basically all of Limbus.

Since her reveal, we’ve had some plenty of reads that PMoon is not taking her inspiration, Hell Screen, as mere setup for an insane artist. Her constant connection with Spider-Bud and family shows that she is at the bare minimum connected to the lore of the family torn apart by lust for a perfect painting of Hell itself.

Ryoshu’s identity in relation to Hell Screen and a traditional family setup is something that honestly deserves more attention in a separate post, but it’s clear something massive happened between her family and it’s caused her a massive trauma response that triggers grief quite often...even if it doesn't seem like that.

Most of Ryoshu’s behavior is opposite to how people usually think of grieving, but it’s still a form of grieving nonetheless. She tries to repress her emotions through increasing forms of ecstasy. As someone who has depression and has gone through losses of my own, one of the possible responses you can have is to try to chase some emotion, regardless of what it is and how unhealthy it is for yourself and those around you. You’ll do anything for that warm feeling of positivity about yourself.

Regardless of this though, that sadness still exists in Ryoshu. We know this thanks to her mood during Canto 7 being rather quiet aside from the betrayal of Hugo, where she immediately decides to cut off his arms due to it being “unoriginal and played out”. Otherwise she’s being bristly towards the concept of family, but not actively aggressive or particularly violent. In fact, the one time I'd say she has a strong reaction in this Canto is to Sinclair's interpretation of her usual acronym stuff.

Ryoshu and Sinclair honestly ALSO deserve their own post because there is a lot to go into, but to put a cap on it I'll simply state that Ryoshu has a lot of emotions regarding Sinclair. It's the only thing that can rouse her aside from the art of betrayal she sees from Hugo, because the concept of family triggers her that much. There's a reason that the ONLY Ryoshu ID to have Gloom in their kit is Spider Eyes, because she's having to directly confront the very concept of family and protecting others, and it's reflected in her giving out more support than most of her other kits and in story by helping calm Yi Sang.

This sadness and desire to care exists across the Mirror Worlds as well, she just does a far better job of hiding it under her usual veneer of "insane artist only pursuing ecstasy". Edgar Family Butler is all about taking the role of caretaker of things, and she normally helps take care of her fellow butlers, only changing her attitude when they are about to be raided by the Wild Hunt and die. Even in something like her W Corp or 7 Association identities, she still has her kit showing off some support by giving out fragility for the team or even giving out barrier in W Corp.

No matter what she does, it's inescapable for her, and something she is desperately hiding away in order to keep things moving. The very same way Yosihide continued his painting, Ryoshu keeps spreading violence to hide away her grief. But it will always be there, underneath the surface, if you look closely enough.

Overall, it's a fascinating take on grief and how one can cope with it, and PMoon has always done a wonderful job on not taking the typical route with things. They did it before with Roland's grief, and it's clear that they're doing similar things with Hell Screen's adaptation. Also thanks to @lu-is-not-ok for inspiring me to write up more about one of my favorite sinners, since their posts analyzing The Red Chamber and Hong Lu fascinate me to no end. Additionally thanks to @ryoshudoodles for making beautiful art themselves and showing off the duality of Ryoshu's lust and gloom beautifully.

#analysis #ryoshu lcb #limbus company #project moon

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yaut-jaknowit · 5 months ago

Note

Okay!

Gawtin x female reader

Reader doesn’t have the best experiences with flames, due to a accident, somehow their home manages to catch on fire, while Gawtin was away, and reader risks her life it to protect the little one, gaining a bad burn mark in the end

(I don’t remember Gawtin Childs name 😥)

Fighting the Impossible

Pairings: Gawtin (Female Yautja) x AFAB!Reader

Word Count: 2864

Summary: A day like any other. Gawtin is out during a hunt for dinner. You are left with Qui'oky and happily watch over the little one in your care. Yet, when danger strikes, your worst enemy, you have to act. Fast.

Author Note: My inbox has already gotten pretty full! I'm going to try to knock some out this weekend since I do have it off. I can't believe you forgot about little Qui'oky! Such a sweetie! (I'm just joking! I'm having to have things written down to remember somethings in my stories now. There's so much going on now!)

P.s. It's my birthday! I'm one year older. Yay! (I got called old by the teenagers at work a couple of days ago. I'm sad now.)

Masterlist

Ao3

One thing about living on an alien planet with a different atmosphere is the weather. The jungle takes up a vast majority of Yautja Prime. It spans on this continent from ocean to ocean practically. With the jungle, comes varying weather. Like now.

A lightning storm had sudden sprouted to life an hour after Gawtin had left. This was nothing new. Plenty of storms have rolled through with little issues. The cottage like house was built sturdy, just like a Yautja. It has held for plenty of years. There was no reason to fret.

Qui’oky waddled around the house, chasing something imaginary. Similar to human children, they have an imaginary mind. It was adorable while the little one played in his own mind, making things up as he went. He would babble in Yautja. You tried to listen to the words but only a mother could understand what he was saying.

A gentle smile graced your features when the child came racing around the corner. You had to catch him before he ran straight into your knees. “Whoa, kiddo!” You picked up Qui’oky and sat him down on your hip. “What’s happening, Oky?” The toddler blabbered the same nonsense before and reached for your face.

With his arms open, you dive into his chest and blow raspberries. He squeals and writhes in your grasp. You keep it up until your lungs are out of air. Then, he’s set back down on the ground. Qui’oky looked at you for a moment before returning his fully sprint waddle around the main area of the house. You laughed to yourself and shook your head. The kid was adorable, it was hard not to.

You walked into the kitchen and pulled some dried meat. Gawtin has told you the name of the creature before. After so many different names of the Yautja species, it was starting to remember which was which. Yautja Prime was extremely diverse with so many subspecies and whatnot. Don’t get you started on the ocean itself.

The meat was delicious. Gawtin is a great cook and loves to pamper with whatever is the catch for the week or day. You find yourself in the living room again, on a spacious couch meant for a Yautja, not a human. A very light, breathable blanket was pulled onto your lap. It would be too hot for a normal blanket.

A sketch pad and pencil were pulled onto your lap as well. After a long day of reading and drawing, you decided the best way to treat yourself is to… draw some more. With snacks, of course. You hum away, pencil in hands, as you planned out a painting to defeat the next you were feeling it.

Ideas poured out onto the page. The storm outside only grew worse and worse. Trees shuttered and groan with powerful gusts against window. Sheets of rain battered the windows, attempting to break down the glass. In the house that Gawtin built long ago, it stood mighty strong, like the Yautja herself.

Thunder cracked like a whip outside and caused the walls to tremble and shake. You jolted at the first sounds of the storm. Qui’oky stopped his running and glanced over at you, gauging your reaction. Like Gawtin has taught you, you steeled your nerves immediately. A strong façade falling upon your features the second he looked at you. You weren’t scared of the storm but if he saw you jump, he’ll follow in your footsteps. To be a strong hunter, that was a bad trait.

Hesitantly, Oky started up his run again. His bright blue eyes were on you for a few more seconds before he fully focused on whatever played in his mind. You were more than relieved. If he had started to cry, it wouldn’t be until Gawtin returned from her hunt that he would quiet down. Gawtin says he’s spoiled because of you. She does little to stop you though. Maybe a little human in him won’t hurt. It could make him into a better hunter in the end.

When another roar of thunder rolled through the jungle, you were more prepared for it. Oky’s blue gaze snapped over to you but found you undisturbed, eating at the jerky. He was quicker to return to his game. You continued to doddle away through your sketch book. Different eyes popping in your mind.

All these ideas have been boiling for some time. You had lost the motivation to draw as of late. Today, it feels like the switch had been flipped.

As the page filled, more cracks and roars filled the electrified air. Your nervousness entered the air as well. Gawtin was out there, baring the brunt of the storm. The hunt had to have been cancelled. No animal would stay out in this kind of weather. No matter what creature on this planet.

The end of your pencil was covered in bite marks. Your focus drifted off of the current page to gaze out one of the windows.

Being this far inland, you don’t believe this was hurricane. The weather was ferocious but it was unheard of a hurricane or tropical storm to get this far into the jungle. You continued to gnaw on the eraser while your eyes tracked the weather.

Some time later, close to nightfall, the rain finally relented. That’s when Oky climbed up next to you on the couch and snuggled against your side. The sweet child chittered and yawned. His own day had been long and tiring. Those imaginary friends won’t chase themselves.

All the hairs on the back of your neck rose. Your stomach dropped to the floor. An instinct Gawtin helped hone blared a loud alarm. You were on your feet and hauled the child with you the moment it happened. Your gaze pinned on a window. Something was wrong.

Qui’oky whined and writhed in your grasp, demanding to be put down. The parent instinct in your to protect the child bared its head. You held onto him tightly, still watching closely.

Smoke. White smoke. Barely visible with the dying suns. But you always know the signs of smoke, the signs of a fire.

You were rooted to the spot, breath caught in your throat. It took Oky’s claws into your arm to get your attention.

Fire!

The only thing on your mind was to run. Protect the child. You tightened your arms around Oky and began to sprint towards the door. It was ripped open, slamming into the hidden pocket with a loud bang. You were out of the dwelling the very next second, forcing yourself to dash out of there.

In the air, the heavy smell of smoke was pungent. It took everything in you not to freeze on the spot. Memories flashed behind your eyes, reminding you how deadly a fire could be. You knew the dangers of what a fire could do.

That day, you had lost everything. Everything.

Today, you wouldn’t allow harm to touch Oky.

Qui’oky was heavy. The two year old was bigger than a human toddler. At least a foot taller and thirty pounds heavier. The adrenaline in your veins was powerful. It pushed you past your limits as tree flew past you. Foliage was nothing but a green blur in your vision. All you knew was to get away.

Bziut-ty’s small cottage came into view. You were on the verge of skidding to a stop to make sure Gawtin’s sister wasn’t inside when you spotted her form ahead of you on the trail. The older Yautja’s eyes found yours, relief flooding them. She had been helping another person in the village. Two children were hanging off of her hips.

The large female motioned with her head to follow her. You instantly race up to her, already panting.

“Where’s Gawtin?” she demands and glances over your head, finding no one following you. Gawtin’s home was the furthest from the main area of the village.

“She was out hunting,” you panted and lugged Oky back up further on your side. Your head turned back towards where the plumes of smoke were towering over the massive trees. Trees that easily rivaled the red woods back on your home planet.

Your heart dropped. The bright light of fire was gaining as the wind pushed it into your direction. You could’ve broken down at the sight. A sight that haunted your dreams and waking hours. You stumbled backwards and accidently bumped into Bziut-ty.

The brown female grunted. A dark look passed over her features. You hadn’t thought about it besides the fire. But, you trusted Gawtin. She’s skilled. This jungle is where she grew up in. There’s plenty of lakes and rivers for her to take shelter in. You had to trust in her to save herself while you did the same thing with her child.

“She’ll be fine,” you reassured Bziut-ty or else you’ll drag yourself down.

Bziut-ty’s bright eyes looked down at you. The Yautja nodded her head. She, too, knew Gawtin had the skills needed to survive the wildfire.

“We are heading to the lake. Follow us.” With that, she turned and began to race down the trail again. There were no other Yautjas. It was just the five of you. The three children, Bziut-ty, and yourself. Everyone else had already made their escape.

The lake that Bziut-ty talked about isn’t far from the village. It’s where mothers would take their young so they could learn to swim. It’s plenty large to hold everyone in the village in case of situations like this. You knew where it was. So, you followed a well known path, easily paved from thousands upon thousands walking through here.

Your heart raced, thundering in your ears with each step you took. Oky continued to get heavier and heavier, dragging you down. Bziut-ty was lost from sight, blending into the tree line. You couldn’t blame her. She had two children to look after. They may not be her own, but they where her responsibility.

One look over your shoulder had the world’s end nearing. Your jaw dropped at the sight. The fire! It was licking at your heels. The wind feeding it more and more. You gasped and tried to quicken your speed but the energy in your body was coming to an end. Sobs left your lips. Life as you know it would be gone. It would be you this time to meet your end in a fiery way.

When the path began to curve, you were forced to continue forward. Your feet left the safety of the trail. The unforgiving ground of the forest was harsh on your bare feet. Somehow, you find it in yourself to push forward.

Heat lashed at your back. The fire never leaving you alone. It was like it came back with a vengeance. It hadn’t gotten you that night and now it was back. Ready to consume you.

This couldn’t be. Your lungs gulped down the receding oxygen in the air. Each breath getting harder to consume. Your head felt light. The little oxygen your body already fought for in the atmosphere was disappearing. But, you kept running, kept fighting. You may not be a warrior but you can still fight.

Ahead of you, you noticed a fallen tree. A young one of the massive trees that made up the jungle. The center hollowed out. That was your only hope. Your speed didn’t change. It felt like it was faltering, allowing for the fire to catch up. You pushed passed the ache in your bones, the need to stop and catch your breath. There wasn’t a chance to.

The log grew closer. You cradled Oky in one, tired arm and dove into the space barely big enough to fit the two of you. You shove Oky in front of you and forced him into the tight space.

Splinters shoved into your skin with each shuffle further into the log. You bite down the pain. Pain was fine. It meant you were still alive, still fighting not only for you life but for Oky’s as well. The poor toddler was sobbing due to your rough handling and the splinters that were intruding into his flesh as well.

His cries didn’t die out. He was alive. He was okay. He has to be. You wouldn’t allow the fire take anymore. It could take the house. That can be rebuilt. But you won’t let it take Gawtin or Oky from you. No more.

As the fire roared over you, your felt the sweltering heat lick at your back. The inside of the log barely able to protect you from the embers following you. It made it hard to breath. You were on the verge of passing out. The lack of oxygen finally catching up. Your body could no longer fight.

A stinging burn on your back is the first thing you awoke to. You hissed and squirmed only to freak out when there was limited space. Your eyes snapped open to find the space dark, barely any light filtering in behind you. Through the darkness, you spotted a familiar form softly napping. Your fingers brushed against his cheek. He was alive.

Relief flooded you. You sagged in your sitting position and started to sob. The fire. It hadn’t won this time.

The worst of it was over but now, you had to get out of here. You patted at Oky’s cheek until his eyes fluttered open. “Hey, sweetie. We need to move. Your mom is probably out looking for us.” If she survived.

No. She had to. You couldn’t lost her too.

Oky groaned and weakly sat up. “Mama?” he babbled in Yautja. You nodded your head with a timid smile. “I hungy.” A light snort escaped you. Food was the last thing on your mind.

The two of your began to crawl backwards. Both your knees and elbows ached terribly. Splinters had made their way into your skin. It hurt to move. All you wanted to do was pass out again but you forced yourself to stand up on the outside of the log.

Destruction met your vision. The jungle around you was ash, black and white. It was dead silent, as the jungle mourned over the loss of its lush green foliage and towering trees. You glanced up to find the tops of the trees mostly fine. Some were lucky, others weren’t.

Oky stopped on the edge of the log to find the same sight. “Oh no,” he muttered and looked he was about to sob again. His home had been wiped out in a single night. You solemnly scooped the kid up and hoisted him onto your hip. He felt heavier than ever. But the ground… you didn’t know if there still hotspots. You would happily take the burn over him.

Both of you started the long trip back home. Your heart directed you where to go as if it knew where the ashes of your home once laid. You could cry at the sight.

When you reached the outskirt of the village, you saw the burnt down homes of families or other Yautjas. You noticed some of them had come back to salvage what they could. None of them you knew personally. So, you continued on, pushing towards the last house on the trail.

Bziut-ty’s home was gone, just like the rest. The female hadn’t been one of the ones to stand outside of her lost house. She survived. She had to.

It wasn’t much longer until you came upon the ashes of a place you once called home. There, on path right before the house, stood an all too familiar form. Your legs nearly faulted underneath you, staggering only a few more feet before they gave out.

Pain shot through you. Every injury on your body jerking from the fall. A broken cry left your lips. Tears clawed at your eyes and fell down your cheeks, leaving behind sticky trails.

Gawtin’s head snapped over at you. Then, the green giant was upon you in a moment’s notice. She knelt down in front of you, hands cupping your dirty cheeks. Her mandibles move quickly, chittering to you and Oky. You weakly offer her child to her, your arms ready to give out. There was no need to be strong anymore. Not with Gawtin right in front of you to carry you.

You cried. Hard. The pain. From your home turned into ashes before your very eyes, to the burns that stung on your back, to the splinters embedded into your skin. You placed a hand on her thigh to lean on her, sobbing uncontrollable. Gawtin scooped your up in her free arm and held you close to.

Purrs poured from her throat. “It is okay, little artist. You are okay. You both are,” she soothed in deep rumble of a voice. Your arms shook as your wrapped them around her neck, securing yourself to her. She lifted you a little higher with her arm under you and tugged closer as well.

Everyone was alive. Everything will be okay. Homes could be rebuilt. People lost couldn’t. Your family was okay.

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