#verse: medieval
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"You must know, that many days ago I was smitten by the arrow of your love and that I tried with all my might to conceal the wound." - Tarhos @ Haru medieval
── 𝐔𝐍𝐏𝐑𝐎𝐌𝐏𝐓𝐄𝐃 𝐈𝐍𝐓𝐄𝐑𝐀𝐂𝐓𝐈𝐎��𝐒 ── MEDIEVAL VERSE
"Mmm, you didn't do a very good job of it, my Fair Knight,"
The maiden chides, but accepts the small cornflower presented infront of him regardless. It is a little dot of color over the neutral landscape of Tarhos' form, his hands rough with scars and dirt - yet they held the flower's stem as though he were cradling communion. Somehow he sees the entirety of their love in the moment when his hands cups under Tarhos', two injured individuals trying to lift something beautiful into the sun.
"Even in our first night together I saw the way your eyes traced along the curved bow of my lip - and how they flitted away once I noticed. Oh my, are your cheeks beginning to redden? You really are a sweet man, my love, a man I am overjoyed to be able to call such a gorgeous beau my husband - "
He observes the pools of Tarhos' eyes for a moment longer, willing to drown and lose himself in their azure hue - until he reserves himself into lowering towards the dirt and grass below. He rises with an equally teeny flower - yellow and bright - and presents it to Tarhos,
"Never conceal that wound again, beloved, I've supped its honeyed flavor for too long to go without it now."
#ℍ𝔸ℝ𝕌𝕂𝕆 ℕ𝔸𝕂𝔸𝕊𝕆ℕ𝔼 ... 【 ᴛʜᴇ ꜰʟᴏᴡᴇʀ ᴍᴀɪᴅᴇɴ 】#✧ ── 𝐓𝐀𝐑𝐔𝐊𝐎 : ᴀɴᴅ ɪɴ ᴛʜᴇ ᴍɪᴅᴅʟᴇ ᴏꜰ ᴍʏ ᴄʜᴀᴏꜱ...ᴛʜᴇʀᴇ ᴡᴀꜱ ʏᴏᴜ.#Tarhos the Rizzler™#ic#rp#verse: medieval#bells of black sunday#simple people with simple lives and simple love#theyre just so cute#AAAAAAAAAAAA
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Lyndon followed suit as Octavia fixed herself up. Still, as he adjusted his tunic, coat and trousers, he couldn’t help but steal subtle, playful gazes at Octavia. He drank in the last few moments of her dishevelled form, which he’d caused, before she made herself presentable again. When she began speaking, Lyndon listened. The idea of Octavia meeting potential suitors chosen by her father prompted a lurch in his stomach, fear shooting through him. However, Octavia’s expression and the way she spoke soothed him after a few moments, banishing the distaste from his features. A smile broke out on his lips instead as Octavia stepped closer, going up on her toes to kiss him. He returned the kiss, his smile growing as he pulled away. “I’ll find you,” he promised, a knowing twinkle in his eyes. “See you later,” Lyndon added, winking before turning to head back into court.
@gctawaygirl
"An excellent cause," Octavia agreed as she straightened up and fixed herself up. Her clothes were put back on, lowered, straightened and tightened again. Strands of her hair stuck up everywhere and she did her best to fix it, already coming up with an excuse as to why it wasn't completely tidy, "After the ball," she replied, "I am not on duty as a lady-in-waiting. I am supposed to be meeting potential suitors that my father has chosen," she explained. She was well-overdue for marriage but she didn't want it and the expression she made after speaking made that obvious, "But it means, I am not helping the princess ready for bed," she continued, stepping toward him for one final kiss, "So if you find me after that, I'm all yours," she explained. It was absolutely a risk, seeing each other twice in one day but she couldn't help herself.
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[ 24 ] a busy village market, shopkeepers shouting their prices and selling their wares to curious passerby
Fantasy Settings / Locations Prompts
It's been a while since Vale has been anywhere this busy. The air was filled with an autumn breeze, whisking around leaves and fresh scents of baked goods and soups and meats curing at the butcher's shack and the smell of all kinds of people mingling at shops and tents and tables. With the village packed, it made just enough sense that soon there was going to be some sort of festival for the Harvest Moon, a lunar wonder that everyone would be delighted to see.
Whenever a full moon was on the rise, Vale normally was far from towns, keeping on the outskirts to watch for bandits and prey that they could chase down for a good meal. It wasn't as though they hated people. Far from it, actually! Vale loved humans! They loved protecting humans! They kept humans safe from harm and kept animals safe from poachers! Vale just knew that humans, ah, normally didn't react the best to someone (or something) like Vale.
This fantastic blessing, the ability to shift between one's human form and a wolf's proud, noble fur, how it worked like a double-sided dagger plunged into their chest. It granted so many hopes, let them have superhuman strength and speed like that in the tales their parents read to them, but...feeling exempt from humanity had its way of hurting Vale too. No wonder Ari wanted to bring them out to this village! It was a good way to get them back around humans!
"Ari! Look! Look at all the things these people have!" The fluffy, mottled-color fur cloak draped over their shoulders, it covered their white shirt speckled with dirt and their brown pants covered in patches. Their clothes had faced a lot of wear, shredding from transformations, facing the elements, tumbling down hillsides, they were in need of something new before their clothes were just tatters. Excitedly, their hand reached to Ari's and yanked her towards a shopkeep whose wares were eclectic, more of a secondhand shop than anything else.
"Do you go to these places a lot? Do you like shops like these? I haven't been to a shop in months! Why are there so many people? Do all villages get this pretty in autumn? I usually stick to the woods in these seasons, but...this is pretty! Are all villages this pretty? Why did you bring me to a pretty village, Ari? I like it!"
#rebelichor#Verse: Medieval#oh sweet sweet medieval fantasy#local fool gets blessed by deities and now has an identity crisis more at 8
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Sukuna’s Loneliness Part 5 (Sukuna Did Nothing Wrong in the Heian Era, Probably)
Part 1 Part 2 Part 3 Part 4
Some notes before we start.
1) Big content warning for in depth discussion of historical slavery and the exploitation of minority groups.
2) I will be mainly using the TCB scans for the manga because of their accessibility.
3) Raws are from Mangareader(.)to.
(Click images for captions/citations.)
Preface
This is another case of me making everyone suffer the consequences of my fic research. I finally got my hands on 100+ page THESIS on the lives of the lower class in ancient Japan that references multiple peer-reviewed sources. This is my holy grail. Please read all of it. (Thank you Mr. Breann M Goosmann!) Whenever I quote something, I am quoting this source. Most of what I'm summarizing is directly from this source.
Gege may have failed to write a proper backstory for Sukuna, but one was clearly set up using the actual history of that time. So I'm here to infer what's in those gaps using this document.
The Class System in Ancient Japan
During the Heian Era (794–1185) a social caste system called Ritsuryō (you can read more about its application here). The upper class was called 良民 or Ryōmin (good people) and the lower class was called 賤民 Senmin (low people).
The kanji 民 (Min) used for both of these classes can be translated as citizen instead of person. The Wiki page I linked uses the citizen translation. I have decided to change that to people because of 3rd group of people excluded from this system: The 非人 or Hinin (non-people).
Ryōmin included court nobility, citizens, professions that served the court, and tradesmen.
Senmin included servants and slaves.
Hinin included criminals, the deformed/disabled, and those working professions considered "unclean."
The most notable thing about this class system is the mobility between Ryōmin and Senmin. Committing crimes, selling oneself into slavery, aging, paying off debts, and doing good work allowed people to rise or fall from the ranks accordingly. Hinin, however, were confined to their class for the most part because many were viewed as innately "unclean".
Ironically, the best way to understand how this class system functioned is to understand what being "unclean" meant to it.
Uncleanliness (Kegare)
穢れ (Kegare) is a term that can be translated as the following: uncleanliness, defilement, pollution, impure.
晴れ (Hare) is a term considered the opposite for Kegare and can be translated as the following: to clear up, clear skies/sunny, renew, dispel, sacred, pure.
Both of these terms largely inform of how ancient Japan functioned and evolved over time. And though not a black and white dichotomy, it can be generally understood that society was organized in a way to minimize Kegare.
What's interesting about Kegare specifically is its complexity and its impermanence. Rather than being something only bad people have, anyone could acquire and dispel it through the proper rituals.
From the Kojiki, a Shinto document compiled before the introduction of Buddhism, and therefore before the Heian, separates Kegare into 2 categories:
1) Touch Kegare: Defilement through the physical contact with something unclean such as bodily fluids and the dead.
2) Transgression Kegare: Defilement through sinful actions.
"These versions of pollution appear as transient, exorcised relatively simply through misogi (cleansing ritual), seclusion from society, or expulsion of disorder causing elements."
This understanding of Kegare then evolved with the introduction of Buddhism to Japan. (This began in the Nara Era and extended well into the Heian.)
"As Jacqueline Stone explains in her study of deathbed rites and rituals, someone who had become enlightened was considered to have a “pure” mind, while those with a deluded mind were said to have a “defiled” mind. Monastic Buddhists also followed their own codes of “pure” conduct such as refraining from the eating of meat and killing of animals."
The old Shinto understandings of Kegare still carried over with the physical avoidment of unclean things such as dead bodies and blood. However, Buddhism introduced the idea that certain groups of people were innately impure. This includes the Hinin who were uniquely ostracized by this system.
"Hinin, like all outcast groups were bound to their “defiled” status. However, unlike other outcasts, they were also cast as blasphemers of Buddhist doctrine afflicted with karmic illness."
But despite being seen as this innately impure, the religious institutions were closest to them. Of the few places in society willing to tolerate and deal with Kegare, they offered outcasts "positions" where they could beg, display themselves as what happens to people who don't follow religious doctrine, and help with jobs considered "unclean". Since outcasts were considered permanently defiled for the duration of that life, they could touch impure things such as the dead, the sick, and blood on behalf of those avoiding temporary Kegare.
This is exploitation point blank. And though this suggests outcasts had some agency when it came to their survival, it doesn't remove the systemic coercion driving their situation.
Please keep this in mind as I explain why Sukuna did nothing wrong.
Sukuna is Hinin
Though there is plenty of debate on what makes someone Hinin, the general consensus is the following:
"All agree that hinin were considered defiled by others in society and looked at with some contempt. One medieval reference book called the Chiribukuro explains that hinin and other outcast groups “are alike in that they are shunned by human society.”"
But when trying to define Hinin more narrowly, this is the result:
"the term hinin indicated a very specific group of social outcasts isolated from the community and cast aside due to disease or deformation. In his description of hinin, Nagahara explains that those referred to as “kojiki-hinin” were of the lowest social class, physically isolated from their families and communities and therefore excluded from society and economic activities in the medieval period."
Sounds like Sukuna, right?
Sukuna does not refer to himself as Hinin of course, but he does call himself 忌み子 (Imigo).
To quote myself from Part 1, Imigo can be translated as "Abominable Child", "Unwanted Child", or "Shunned Child." None of these translations in my opinion get across how severe Imigo is. It's closer to meaning "child who should've never been born". Like the child's very existence is an affront to god. (If you play Elden Ring the Omen are called Imigo in Japanese for this reason.)
And since we know that Sukuna is canonically a conjoined twin, aka someone with a visible deformity, this all indicates he was considered afflicted with a "karmic illness" that would classify him as Hinin.
This means that from birth, Sukuna was designated as fundamentally unclean and non-human. Within that society, there was no route he could take to remove himself from this uncleanliness and be seen as human.
The following views of Hinin were considered controversial for their time (during the Kamakura Era aka right after the Heian):
"Although Nichiren believed in the karmic nature of certain diseases, he also understood that this kind of disease was not a hindrance to salvation."
"Undoubtedly, Eison envisioned hinin as the physical representation of the Bodhisattva Monju and advocated that compassion and charity were the appropriate response to karmic illness."
And since these controversial views of *checks notes* considering Hinin worthy of compassion and salvation were documented after the Heian, I don't think it's unreasonable to assume Hinin had less advocates during the Heian.
In other words, Sukuna could not exist within human society without being shunned or exploited. The manga itself suggests this has always been the case.
As you can see Sukuna is absolutely miserable performing a ritual someone of this lower class would be responsible for overseeing. All while the people he is helping regard him with disgust. (By the way there is a purification ritual in Nara called Yamayaki that involves burning an entire mountainside. Something Sukuna's flames would be very good at.)
This is also from the same chapter where he's assaulted by Yorozu who assumes he's lonely because he's strong. She's wrong about this. Just like Kashimo who assumes Sukuna cares little for love for the same reasons he does.
Love from one person is worthless when compared to the nonstop ostracization that comes from institutional discrimination. At most, love can offer relief from that pain. It does not eliminate it. I'm saying this as a minority myself. I love my friends dearly and they love me as well, but I still wake up and go about my day with the soul-crushing knowledge that most wish for me to not exist.
Sukuna is not lonely because he's not loved. Uraume clearly does. It's that for circumstances beyond his control, he has been excluded from human society and forced to constantly be around people who exploit him for the very traits they scorn.
Sukuna pretty much confirms this himself when he talks to Mahito.
And you know what? Sukuna deciding to kill all the people exploiting him is completely justified. (Imo, he can even kill the non-sorcerers that discriminate against him as a treat.)
The Cannibalism was Justified too, for the most part.
Another thing to note about Sukuna. He was born starving and he died starving.
Famines and natural disaster were frequent and extremely hard on the commoner population during the Heian. The fact Sukuna was born starving indicates he was of lower birth to begin with since nobility hoarded the resources to avoid starvation for themselves.
One way for commoners dealt with famine was via foraging. We actually see Sukuna doing that when he meets Uraume.
Now there are several very interesting things we learn from this.
1) Sukuna hunts and eats elk/deer. Something massively taboo for the time. Especially since deer were considered sacred animals back then and even to this day.
2) He appears to wander around and owns very little. This is further in line with him being Hinin per the following:
"Clearly, welcome could be revoked at any time, which meant that hinin had to be prepared to leave any location at any given moment. This mobile lifestyle also meant that hinin could only afford to carry essential daily items, such as cooking utensils and begging bowls. The image also reveals that the hinin were never officially invited to stay in that particular area. Instead, they sought out their own locations to set up communities."
3) Despite Uraume being alive and fresh human meat, Sukuna does not immediately see them as food. Nor does he attack them. This, combined with him not taking the dead villagers for eating and preparing deer/elk instead, suggests that cannibalism is not the default for him.
Back to famines, it's also not unheard of for people to resort to cannibalism during them. The logic is simple: An outcast with no support network eats humans to survive.
And given the frequency of death from natural disasters of this time, there’s a real chance he never had to hunt humans in the first place. As Hinin, handling the dead is one of the few jobs he’s allowed to do. So it’s possible the worst thing he did was desecrate corpses in the name of scavenging.
Furthermore, if Sukuna is considered a non-human, is it even cannibalism to begin with? Is a hungry animal evil for eating a human?
I may consider Sukuna human because I refuse to partake in his dehumanization, but it needs to be understood that in the context of the JJK's story, there is not a single character that refers to Sukuna as a human. He's not even referred to as a man. He's either a curse, a monster, or at the very end, a sorcerer. Sukuna has been so dehumanized by others that he himself identifies as a "curse". This is also separate from "cursed spirit", leaving him in his own unique category of non-human.
Sukuna may not see eating other people as acts of cannibalism. After all, they are the ones who decided he was non-human at birth. (And since he is taboo, eating the deer/elk can’t make him more taboo than he already is.)
The following is an excerpt discussing the dehumanization of the starving:
"This strange image is from the Scroll of Hungry Ghosts and the huge emaciated creature depicted is just one of many of the numerous depictions of hungry ghosts or gaki. Invisible to humans, the gaki depicted are the spirits of greedy or jealous individuals karmically punished for their covetous thoughts with perpetual hunger for bodily excretions such as urine or feces."
"The protrusions of the stomach, the red-tinted hair, as well as the greying of the skin, are all genuine symptoms of starvation. In this light, our image appears significantly different. Instead of an invisible monster attacking a man, we have a disfigured and suffering human reaching out for humanity."
The phenomenon of hair during red or blond from starvation is called Kwashiorkor. Gege may be color blind, but Sukuna being depicted with pink or blond hair appears to be deliberate and in line with Kwashiorkor.
Sukuna was probably framed.
The only crimes Sukuna is accused of by Jujutsu Society is murder and cannibalism. As demonstrated by the previous section, there could be a pretty good reason for the cannibalism. But what about the murder?
Another thing that should be noted about Sukuna is how his destruction is largely retaliatory in the modern era. Every kill or kill attempt is made as a response to a challenge that was directed at him first.
When Sukuna first incarnates, Megumi says this to him:
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Yuji may be Megumi's target, but remember that Kegare spreads through touch. Sukuna coming into contact with Yuji has made them both unclean. In other words, Sukuna has been informed that in this life, 1,000 years later, where he has yet to do any harm (Those comments about the women, children, and massacre are still sus, but they could've been about the Merger.), he will be attacked by sorcerers no matter what. It's not unreasonable for him to then attack them on sight.
But even when he does that, most of them survive until Shinjuku. During the culling games, Sukuna kills only 2 sorcerers—Ryu and Yorozu. Ryu is given a chance to walk away, but he doesn't. Uro flees and is spared. Yorozu is the sole person Sukuna seeks out to kill and that’s just for his Gojo plans.
And in that month Sukuna has before the showdown with Gojo? Nothing happens. He kills no one and just lounges around. Eating his own corpse is the only cannibalism. He absolutely could have eaten Tsumiki’s body to further crush Megumi’s soul, but he doesn’t.
Then when it comes to the actual showdown, Sukuna kills 3 sorcerers total. It's also very telling that after Sukuna is dead...no one blames him for what happened. They blame Kenjaku, hell even Gojo, but Sukuna isn't mentioned once. Higuruma is convinced that Sukuna was playing around. Kusakabe agrees that Sukuna’s manner of play isn't what they’re super worried about, it's Kenjaku.
The worst thing Sukuna does is Shibuya and that too has nuance to it. The twins aren't killed for fun. Sukuna punishes them for making demands of him. The citizens of Shibuya? Collateral from dealing with Jogo and Mahoraga. (He only really kills Haruta for the sake of it. And let's be real, he deserved that.)
And though the Shibuya civilian deaths are an objectively bad thing Sukuna has done, the fact they are not intentional gives credence to the idea that Sukuna didn't really target them in the past either. This suggests that the "murders" Sukuna did in the Heian were likely retaliation against people challenging him or trying to subjugate him. In other words, self defense.
And if he did wipe out a village, it was probably collateral. But that's kind of the thing. Did Sukuna even kill innocents by accident? The only confirmed kills of the Heian are those of the Subjugation and Military Squads. You know, people who may have attacked him for simply being "unclean".
Who am I kidding he absolutely was attacked for being “unclean”. This is how Angel talks about Sukuna and the incarnated.
She doesn’t care about saving the lives of innocents, all that matters to her are things that she deems evil are purged. Sukuna to Angel is ontologically evil and doesn’t deserve to exist. She targets him more than other incarnated players while ignoring Kenjaku who is responsible for this mess in the first place. She also quite literally did something she deemed wrong and evil so she could follow him into the future and make sure he died. (Move over Gojo Satoru we've got a new minority hunter.)
But it’s not like her attitude is new. Jujutsu Society is notorious for trying to kill things they deem "bad" such as Yuji and Yuta. The striking thing about the wanted executions of these literal children is that the higher ups giving the command make other sorcerers do it for them. Going back to the ideas of Kegare—spilling blood and touching corpses makes one impure so the outcasts are to deal with it. This is the logic driving their decision to coerce Yuta into a binding vow to kill Yuji.
("No matter how many cursed spirits you kill, it's proof of nothing!" <Please take note of how Yuta's good deeds do nothing to earn the higher ups' favor because he's seen as inherently evil.)
Yuta is essentially scapegoated through this manipulation and Yuji initially treats him like an enemy. In the same way characters like Kusakabe blame Gojo for refusing to execute Yuji. Despite the higher ups being responsible for the system functioning this way, the people they’re manipulating bear the brunt of responsibility to other characters.
Who's to say Sukuna isn't also a victim of this scapegoating? His power is comparable to a natural disaster. It would be very easy to blame one on him. After all, the higher ups of the Heian, the Fujiwaras, did exactly that to Uro.
Uro’s situation is much worse than Yuta’s however. She is a military slave. This distinction of military slave is important because unlike domestic slaves, they were allowed to rise through the ranks and be given awards despite their status.
And since Uro is a Sukuna parallel, there is a pretty good chance he was a slave at some point during the Heian.
Slavery in the Heian
A little detail I left out when discussing famine in the Heian. The asymmetrical wealth distribution was so severe during this time that commoners would sell themselves into slavery in hopes of not starving to death.
An example from the Kamakura Era (after the Heian):
"As the article shows, during the three years of the Kangi famine (1229-1232) and several recovery years following, various common people sold themselves, their relatives, and their retainers into slavery in exchange for sustenance. Not only would an amount be given to the seller, but also presumably whoever now owned the sold individual would be responsible for feeding and providing shelter for that individual. In this way, the common populations of Japan created a strategy for survival. There was no certainty that a new owner would fulfill this obligation, but the promise of reprieve from daily struggles was impetus enough for the sale."
Another example from the same era:
"A didactic tale from 1283 tells the story of a small family consisting of a mother and son, who after experiencing severe famine, came to the realization they would soon starve to death. In the hope of saving his mother, the young boy offers to sell himself into bondage, and although the mother disagrees, he goes ahead with the plan."
Yes this is as bad as it sounds, but there is one thing I would like to get out of the way—this slave system did not function anything like the chattel slavery during colonialism. Strangely enough, these slaves had some rights they could fight their owners in court over. They could pay off debts and be set free. They were allowed to be married and have children with those outside of their class. They were not kept in cages or in chains like animals. (Silver linings! /s)
The term used for these slaves was 奴婢 (Nuhi) which roughly translates to “bonded person”. This is more in the contractual sense rather than the physical sense since most were slaves by contract or debt.
This kind of sounds like something binding vows could do, right? Well binding vows share no kanji with Nuhi using 縛り(Shibari) instead. However, Sukuna introduces the concept of binding vows with chains and a handshake.
Sukuna was also born unwanted to a starving mother during a time when starving people sold themselves or their relatives into slavery to survive. This can mean a lot of things for his upbringing and none of them are pleasant.
Here is a summary of what jobs Nuhi did:
"As stated previously, wealthy households frequently obtained slaves and assigned them to various domestic tasks. However, sources further illuminate trafficking of women into the sex trade of Kamakura Japan."
If you noticed, Sukuna's Cursed Technique is perfect for this. He can chop up veggies, butcher fish, till farmland, slash and burn farmland, light fires, and every other non-violent thing a knife and fire can be used for. If he wasn't exploited for exorcising curses, he absolutely would've been exploited for domestic tasks.
And to get to much more depressing line of work Sukuna could've been subjected to as a child, I'd like to discuss why someone as masculine as him would be associated with women's work in the first place.
The Treatment of Women in Ancient Japan
"In Japan prior to the Heian and Kamakura periods, women played prominent roles in religious activities as miko, which was akin to a female medium or female shaman...Since miko functioned as a sacred and integral part in religious communities, issues of impurity did not appear to be an issue. Instead, it was Buddhist ideas that linked the female form to impurity."
With the introduction of Buddhism, women began to be seen as innately impure due to the blood and fluids associated with childbirth and mensuration.
"In the Heian period, Buddhist temples such as such as Enryakuji and Tōdaiji, began barring women from entering the premises due to their defiled nature."
"prominent Buddhist discourse painted women as innately defiled and therefore unable to achieve enlightenment in their own female bodies."
"To be born as an innately defiled female was considered a karmic punishment for past actions."
Though not ostracized as much as outcasts, women were seen as innately unclean in a similar vein to Sukuna. Women were expelled from religious institutions but not the courts, while outcasts were tolerated by religious institutions and barred from the courts. (The courts and temples operated independently of each other, which is why it was possible for noble women to hold power despite being designated as unclean.)
A few months ago I made a joke about this panel:
"Sukuna’s two options were helping Uraume transition or becoming a girl himself."
This is still mostly a joke, but I do think Sukuna identifies more with women than with men. Not that Sukuna is a girl, but that he relates to them and their struggles better. (Keep in mind he does wear a women's yukata and a men's obi at the same time as Yujikuna.)
It's important to note is that this mystery woman here wears the clothes of a Miko or Shrine Maiden/Priestess—the main group of women that was displaced and persecuted because of the new religious doctrine. And like every other group without a proper social safety net, selling themselves into slavery became a survival strategy. They did have other options of course. In the case of Asobi, the Priestess that used to serve the courts, turned to entertainment and sex work after their exclusion.
"Either riding in boats or setting up shop on busy routes to the capital and religious sites, Goodwin argues that these performers were part of independent, possibly female-run organizations, which were not stigmatized until the later part of the Kamakura period. However, as Wakita Haruko has examined, at least some women involved in sexual entertainment were female indentured servants, serving as security on a loan issued by their parents."
In this way, the exact identity of the Miko in Sukuna's path may not matter. She might be a representation of those who accepted their exclusion and did their best to survive on society's terms. If the South choice is meant to represent returning to who Sukuna used to be, then it can also mean the types of struggles Mikos faced are his as well.
However, there was a temple that continued to accept women as followers—the Muroji Temple in Nara. Interestingly enough, this temple contains an inner sanctuary devoted to the founder of Shingon Buddhism, the type of Buddhism Tengen brought over. The mountain this temple is located on is also associated with a dragon spirit. Since there is historical precedent of at least one temple accepting a group of people seen as innately impure, a place like this may have also been a sanctuary for Sukuna.
With the information we have, it's not really possible to know exactly what awful thing happened to Sukuna. The most important takeaway from this is that the suffering he experienced was systemic. He didn't get unlucky with a few ignorant and bad people. This was the direct result of the Heian class system dehumanizing people. In other words, his choices were severely limited.
Sukuna's Other Choice
Going North with Uraume appears to be very similar what he did back in the Heian—taking in an abandoned child and looking after them. What makes this choice slightly different this time around is that the class system that oppressed him no longer exists in the modern era. Yes, he’ll absolutely face discrimination for being deformed, but the complete denial of his humanity at every turn for his appearance is gone. He won’t be treated as untouchable and inherently evil. Legally speaking, he has drastically more rights. Violence won’t be his only option moving up in the world.
I will always loathe that Sukuna had to die to obtain this. And that the “reformed” modern Jujutsu Society refuses to acknowledge the systemic failures of their institution. Kusakabe makes it very clear he still believes the immediate extermination of anything deemed “evil” is a valid way to go about things, even if it means the death of a child…as long as he doesn’t have to do it. (Hence him blaming Gojo for it, just like the higher ups.) After the fight, everyone passes blame around, absolves themselves of any wrongdoing, and decides no one is really at fault.
There were people at fault for this. There are institutions at fault for this. But their failure to confront those things directly is probably why Sukuna rejected Yuji’s offer so viciously. Instead of trying to understand Sukuna on his own terms, Yuji showed him the value of a simple life he was never allowed to have, then told him to die or go back into the cage.
Yuji offered Sukuna pity but no autonomy, which is exactly the way Hinin were treated by the religious institutions of old.
"However, Hosokawa argues that even in veneration of hinin as representations of Manjusri, Buddhist monks continue to discriminate against this outcast group and further perpetuate their low position in society. Hosokawa explains that although activity involved in charitable works towards hinin, Eison cared little about the salvation of hinin because he saw outcasts as divine only within the context of the ritual of assembly. Therefore, all charitable works directed at hinin were merely ceremonial. Hosokawa advocates the view that Eison believed hinin lacked ‘nature,’ meaning they were unable to study or practice Buddhism. Essentially, without nature, they had no ability to escape the cycle of re-birth through the study of Buddhism."
Sukuna even thinks of modern sorcerers like the ones of old. Why would he ever want to return to that?
His goals are simple; eat, play, and pass time until his dies. That’s not really evil now is it? But the people attacking him don’t know that. None of them ever stopped to asked because they assume him existing freely will bring evil.
But what does Sukuna do when he’s given a month-long truce a body he completely controls? He does what every minority group does when they are no longer being actively oppresed—he rests. He doesn’t go around killing or tormenting for fun. With his newfound freedom he secludes himself and lounges.
The fight in Shinjuku is essentially a group of well-meaning people from a corrupt institution beating an outcast that was ostracized by it into submission. Albeit for very good reasons.
Why did this fight change his mind?
If Sukuna is basically reliving past trauma via the Shinjuku fight, why did he decide this group of sorcerers was worth listening to? The simple answer of course is he lost to them. Sukuna believes the strong impose their will and the weak follow suit.
I don’t think that’s quite right. Sukuna used to be weak too. He was a child once. He used to controlled by others stronger than him. By his own logic he should’ve stayed like that, but he trained to get stronger and eventually rebelled.
Since Sukuna is a known liar and hides his feelings under several layers of repression, I’m inclined to believe this statement is also smokescreen. And after reading the Uraume Epilogue I am certain of this. But for now let’s revisit the Shinjuku fight, starting from the battle that made me realize Sukuna is indeed a pathetic sopping wet cat underneath it all—Sukuna vs Gojo.
Sukuna vs Gojo
Something fans picked up on during this fight was how Gojo dogwalked Sukuna when it came to Hand to Hand (H2H) combat. During their fight, Sukuna fails to land a single punch on Gojo’s face. It takes Yuta possessing Gojo’s body and fumbling around in it for Sukuna to finally punch that face. But it’s not just Gojo he sucks at with H2H combat. It’s everyone. Here is a compilation of Sukuna getting hit in the head or face.
This seems to conflict with Sukuna’s ability to learn anything visually. He sees someone do something and he can copy it immediately. This contradiction can be explained by him being Hinin.
Sukuna was considered an untouchable. Educated people were of a higher class and believed unclean things like him were to be avoided at all costs. This means that whatever education Sukuna obtained for himself was always at a distance. Aka watch and copy. And since H2H is mostly taught through body to body contact, Sukuna wasn’t allowed a proper sparing partner outside of the attempts to kill him.
In Part 2, I go over Sukuna’s fraud allegations for his copying of Gojo in particular. This is what lead me to realize that Sukuna spent 6 months plotting to kill a guy he met for 10 seconds. This insane level of pre-planning is also shaped by him being Hinin.
We know for a fact that Sukuna hunts deer/elk and that it’s safe to assume he driven to this because of his Hinin status. If you know anything about hunting, it’s that most of it is playing psychological mind games with creatures that are somehow complete geniuses despite having 2 brain cells. You don’t chase after a deer with a gun, you become obsessed with them. You study every little habit of theirs; when they hunger, what they eat, and where they defecate. Using this information, you set up the bait and wait in hiding for the perfect opportunity to kill them.
This is pretty much what Sukuna does to Gojo. He’s got a hunter’s obsession with him. In Part 4, I explain how this obsession might actually be unhinged courtship, but I don’t lay out why Gojo of all people seemingly means this much to Sukuna. This too can be explained by him being Hinin.
I’ve said it over and over, Gojo and Sukuna are twin flames. They are the strongest, isolated, dehumanized, exploited, self-taught, and really bad at showing affection. Part of this obsession is driven by Sukuna seeing himself in Gojo. He's being ordered around by others weaker than him in the same way Sukuna used to be.
But take note of this “I owe you a debt.” It’s easy to assume he means payback for punching him in the face. However…Gojo did actually do Sukuna a massive favor. He suspended his execution, even if it was primarily to save Yuji.
As I discussed before, Kegare was infectious. You touch something unclean and you become unclean yourself. By laws of Jujutsu Society and by social stigma around Kegare, Sukuna made Yuji equally as impure as himself. And Gojo went screw that, I’m going to look after you. He gave Yuji direct lessons, made sure all his basic needs were met, and treated him like a human. Behind everyone’s backs he hid the final finger, intending to let Yuji live for the duration of his natural life.
To Sukuna, Gojo is someone who would have taken him in and advocated for his humanity under different circumstances. Gojo is someone Sukuna would’ve loved to have as a teacher. And so he copies him. He learns and improves his own sorcery as if Gojo had intentionally taught him.
Through the Shinjuku fight, his experiences within Yuji, and Megumi’s memories, Sukuna gets a taste of what could’ve been. With Megumi in particular, he also gets to see what it’s like to be raised by someone who actually cares. Though not intentional, this is how Gojo teaches Sukuna love. This is why when Sukuna looks at Gojo, he thinks about love.
Sukuna choosing to go with Uraume is him copying Gojo one last time. After seeing that even if you’re isolated, exploited, and miserable, there’s still fulfillment in using your power to make sure someone else doesn’t go through what you did. It may not remove all that pain, but it makes it easier.
And bringing back Kegare’s opposite Hare (晴れ). The kanji used are in the Appare Da (天晴れだ) when Sukuna tells Gojo, “You cleared my skies.” (The Da at the end of this statement means it was pretty heartfelt too.) With this additional context, I think it can be taken to also mean that Gojo made Sukuna feel like he wasn’t impure.
Sukuna vs Yuji
Yuji and Megumi are the ones who ultimately make Sukuna realize that it's worth pursing guardianship regardless of marital status or blood relation. They are the two of Gojo’s students/children that are directly compared to Uraume.
Yuji who is also the same as Sukuna, fills the role of Gojo when he first chooses to look after Megumi. When he prevents Megumi from being sold by his father. Sukuna has seen both versions of this memory.
Since Sukuna is a twin to Wasuke and they are also the same, JJK 265 is Yuji showing Sukuna an entire alternate universe of the normal life he could've lived if he had been seen as human.
And even if he can’t ever be seen as human or live normally, Megumi tells him it’s ok to be improper and cherish someone anyways.
None of these 3 realize how greatly they’ve affected Sukuna. He barely admits to it even in death. But Sukuna had secretly wanted this from the start. The cracks started showing when he first tried to teach Megumi in his special little tsundere shark way.
There's also something to be said about Uraume making it to adulthood in a time where famine was rampant and parents would sell their children into slavery just to eat. Their cursed technique manifested around the age of 6, just like Megumi. The fact they survived means Sukuna was already doing a pretty good job as their guardian.
Other Things this Changes
I'm also looking at Sukuna's fondness towards Jogo in a whole new light. I thought that Jogo wanting nothing of him was the main reason he was favored. But there's more to it that that. It’s that he regards Sukuna’s life as inherently valuable. Jogo believes in a world where Sukuna has the right to exist as he is and how he wants. No one will try to control him or condemn him for something he had no say in.
He also stands out in his devotion to curses of any background. Mahito basically looks like a human, Choso and his brothers are half human, Sukuna is fully human, and Jogo accepts them all no questions asked. He’s willing to fight for people who exist differently than himself.
There's also that added “wanting to be seen as human” element. Jogo’s world is one where Sukuna would finally be seen as human. It’s the same logic that drove Choso to side with the Disaster Curses. He knew how difficult human society would make the lives of his brothers (both of which have 2 faces like conjoined twins), so he chose to fight for a world where that kind of discrimination no longer existed. (Which is why it's really sad he died and no one mourned him properly.)
And yes we can condemn the mass slaughter of humans as the wrong way to go about this. But the core problem is that Jujutsu Society branded them as taboo and in need of extermination or containment. They were driven into a corner and believed violence was the only way out. The only reason Choso was able to change was other sorcerers giving him a chance despite the hurt he caused. Something Sukuna didn't get outside of the offer to be caged.
Am I being too lenient with Sukuna here?
Absolutely. I am extremely biased.
To me at least, the type of "evil" Sukuna is has a lot nuance. It is very significant that someone as strong as him, who could basically do whatever he wanted (theoretically), took one willing servant in a time where slavery was widely practiced. (If you read the linked document, it's kind of up for debate how legal slavery was at the time.) It's also significant that the Heian crimes he was accused of were limited to cannibalism and murder. He's clearly got rules about his evilness and I really like that about him. I wanted to find the logic driving them and I think I've finally struck gold.
This didn't fit anywhere nicely. But consider the following:
"Earthly sins, on the other hand, were those that only affected individuals or forbidden actions, such as rape or cutting living flesh."
Sukuna's CT cuts living flesh. His very CT was considered impure in the Heian. The flames however, are more aligned with purification. It's just a neat little thing that shows Sukuna's duality imo.
He's also really good at archery. And though this is likely because his flame CT is a bow, he probably got good at it to hunt deer/elk on top of temple duties. (Just another way he enjoys corrupting the divine.)
But please remember, the only reason I've done all of this is because of Umineko's...
Without love, it cannot be seen.
#cactus yaps#Read Challenges to Survival: Responses of Outcasts and Commoners in Early Medieval Japan and Umineko now!#Posts that make it obvious I defended Edelgard on Twitter.#I've been running PR for Zelgius and Sephiran Fire Emblem since forever and they do so much worse than Sukuna.#Same type of trauma though. I will always defend minorities going insane from systemic discrimination.#Kind of wild that Sukuna's possession of Megumi can be read as evil adoption now. Thanks Uraume Epilogue.#When Sukuna looks at Gojo he not only thinks of love but raising a child. What did Gege mean by this?#Vaguely Sukugo but it's certainly a footnote compared to the rest of this.#Anyone versed in Japanese history PLEASE fact check me.#ryomen sukuna#jujutsu kaisen#jjk spoilers#jjk meta
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First picture of our little Cinders shooting. I am so happy we had the opportunity for a shooting with a horse (it's my friend's (Kaito) horse). It was fun but a little exhausting as I have not been sitting on a horse for around 25 years or so 🤣
But it was worth it and the pictures we have, turned out really good. (The shooting didn't take a lot of time, because we wanted to make sure it's no big stress for the horse.)
Conan is me and Kaito is Tuschy69 (Instagram).
#730kc#730kc cinders verse#detective conan#conan edogawa#kaito kuroba#kaishin#kaicon#cosplay#medieval au
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@mechazushi
Soooo, since the Avatar AU fanfic is quite fresh in my head, you can imagine I was pleasantly surprised about this character template...
....Wait, getting ahead of myself - let me start again.
So I bought the pen and paper starting kit for the Avatar universe, 'cause I finally want to start a p&p session and the Avatar-verse was always appealing to me..
And as per usual, there are some premade character sheets to play with, and look who I found...like this is extra interesting..the outfit, the figure, the face, the LOOK!!!
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Now all I need to do is trick my party to play ANYONE except him, so that I can put him into the story as an NPC.. and then I can do whatever I want with himwhosaidthat...
So yeah, he already has a certain profile including a name, but I already forgot it. I deleted it from my memory the second I saw him.
There is only one name fitting for my man and we all know it.
#kn8#kaiju no. 8#kaiju no 8#kafka hibino#avatar AU#we find each other in all the verses my love#there. not only referring to your last FF#but also to the medieval time oneshot#the brainworms you put in my head woman I swear#ok for the non simps - this is literally Kafka Hibino as a fire bender to me#i WILL not accept anything else#yes I am planning to be the game master and I don't have the slightest idea how this will turn out#except for now there will be yaoi
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— badsansuary: days 22 - 24
yeah, let me be fashionably late for this. these prompts were made by @owl-bones !! i'll take any reason to show my selfship with night🙏 you understand. yes, every prompt i draw will be a diff au each time. yes, i have enough aus for this (with varying degrees of lore)
said au notes (+ last year's badsansuary art!) are under the cut:
Day 22: Paint -> Creative Arts AU
i have a couple of modern aus which are more or less all slice of life aus, and this one's just the trope of artist/artist so i don't need to explain much. main difference beyond that is that night is just not goopy LMFAO
i do wanna add that dream is also featured here because. its coldsunset poly (im dating both of em) for all the aus, its just a highlight on me and night bc of the prompt theme (note: my interpretation of dream is she's transfem and uses any pronouns fyi)
Day 23: Foolish -> Swapped!Medieval AU
now the medieval smoothie au has Much More Lore this time, especially since we've revamped it recently. it's gotten to the point of au-ception. because we're insane. in fact, this isn't the only swap au we have (i coined it as the Scales Swapped Timeline) and i might even draw the other swap (Royal Swap TL) if the opportunity arrives :]
the gist of this is that night swaps with dream! me and gillan (the fairy in the art) still work in dream's kingdom, its just that there's an excess of positivity instead of negativity. this leaves her kingdom oversaturated in positivity that they can't even process loss or any sort of negative emotions- and night can't be close to her because he starts to physically hurt (possibly even start dying) from the positivity, which forces him out the kingdom.
his crown is one of the few things he has that came from what is now dream's own kingdom (it doesn't fit him well, but he can't bare parting with it). i'm the one of the first to seek him out to try and improve kingdom relations in hopes of recovering the balance.
there's a lot to unpack there.
Day 24: Royalty -> Original Medieval AU
WE ARE SO BACK and i am enjoying this revamp to the fullest rn !!! we r embracing this fully by attempting to ocify the extended smoothie poly by humanizing designs and adding a bit more fantasy elements into the world. that's why most of these have human and skeleton variants btw (this will be a theme in my art)
the apple twins? dragon hybrids now. me and gillan? shapeshifter and fairy respectively. oh, and the lil' tiefling kid that present time night was reminded of when seeing his past self? that's the adopted kid in the new lore post-truce hehe. i didn't write it properly but "the person" that young passive says is meant to be "the person we love"
i would like to blame gillan for pushing the thought of a child into the au i am now very much attached to the child (their name won't be revealed yet tho). they're a young knight in training that just stuck to me and never left and now they got a whole ass family. w development
it's never not interesting to explore night's character with the au, i just love the dynamic we have despite the complicated history.
will i elaborate on this? that's a very good question. maybe ask me and i'll provide crumbs anyway! here's last year's stuff
i had the same goal of doing some prompts from night's days + the last free days, but they were gonna connect to each like this- but as you can tell, i didn't get far LMAO. at least i've done better this year tho
#mystfox art#bluesonas#blue's verse#utmv au#nightmare sans#dream sans#badsansuary#dreamtale nightmare#passive nightmare sans#sunbeam#dreamtale#nightberry#self ship#technically#sona x canon#medieval au#smoothie medieval au#moonbeam#coldsunset#modern au#there may be a vampire au too.. soon.. grins#human nightmare sans#human dream sans
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why the vulture scene in atsv is pure horror (spoilers under the cut)
As promised, I now have the mental bandwidth to actually talk about Adriano Tumino aka the Medieval Vulture in Across the Spiderverse. This is a spoiler fest, so I'm putting everything under the cut. Enjoy!
So, at some point when I was younger, I first heard about Flatland. It's this satirical novella from 1884. When I was looking it up again last night to prepare myself to explain it to other people, I was SHOCKED to hear it was satire on Victorian society and class structures. I had only ever heard about it in science and horror spaces. As a work, it's mainly known now for exploring the idea of 4th dimensions before Einstein, but it also continues elements that are straight out of horror. So, instead of breaking down the whole thing, I'm going to be focusing on that stuff specifically.
Flatland is about A. Square (yes, that's his name), who is a square. As you can imagine, his entire world is two-dimensional and functions as such. There's a lot of worldbuilding, but just keep in mind that
The people in his world cannot conceive of a 3rd dimension, and any mention of such is heretical.
Circles are the highest ranked people in this world.
One day, he encounters what he thinks is a circle. Said character is actually a sphere. Even as said sphere fucks with his perception by looking like disks sliding in and out of reality and tells him about the 'truth' of the world, A. Square can't comprehend the third dimension until his teacher lifts him into it, into Spaceland. The square is enlightened! His mind has been opened! He tells the sphere, if his reality is false and there's truly a third dimension, what if there are more? What if a fourth dimension exists with fourth dimensional beings who cannot be accurately perceived?
His teacher immediately casts him back down into Flatland, where he is subsequently imprisoned. No one believes that the third dimension and Spaceland exist. He only is able to write the novella and hope that one day Flatland will be ready for this knowledge.
All of this to say that Adriano is A. Square.
I read a lot of dimension-based horror. Maybe it's because the multiverse has compelled me since I was a kid, or maybe it's because I've heard way too many thought experiments about how every person on the planet may see the world differently, and we just use the same language to describe fundamentally different visuals because we can't accurately verify anything. The horror of it all, for both readers and writers, isn't necessarily the idea of seeing things others can't. At least, it's not in the hands of someone sincerely thinking about the 'eldritch'. Instead, imagine a higher being grabbing you and exposing you to a whole new, weighty aspect of reality you could never conceive without actively being dragged into it. And then you're thrown back into your reality. It consumes you, drives you, and no one believes you. How can they, when it's something so alien to your reality that no one can even think of it unless shown?
Because of the ripple effects of the collider, Adriano Tumino is dragged into Earth-65, the home of Spider-Woman (Gwen Stacy). We don't know a lot about his world. As far as I remember, we don't even get a number designation. But his design, dialogue, and track all communicate a great deal about him. Vulture Meets Culture as a track blends Gwen's theme with the sort of opera he might listen to back home. He's designed heavily on the aesthetics of Da Vinci notebooks. As he affects the world, you can even see notations a la research scribbles next to diagrams. From memory alone, disregarding the fact that he's Italian (though I'm sure the insistence on English in Earth-65 was probably disorientating if his entire world speaks Italian), he also finds this new reality to be abhorrent and lashes out. This alone, an exposure to new colors and strange art and even weirder people who look nothing like you and the rest of your world, would be hard enough to cope with.
And then Miguel, this Spider-Man from 2099, drags Adriano out into the modern day.
The thing with movies being in theaters is that I'm at the mercy of random people who film showings on their phone to get footage. Because everyone finds the helicopter scene directly after this more interesting (which is valid), I don't have a picture of this moment. But when Adriano is flying out into this future, when he lays his eyes on these towering skyscrapers alight with color, you can see his shock, perhaps even terror. It'd be rough enough being exposed to a version of Italy that's, say, his time period but in technicolor. But this is worse. This is his Spaceland moment. The opera builds almost mournfully.
Soon, he will be sent back to his reality. This will happen in an even more incomprehensible future dimension, with even more people who look nothing like him. Perhaps there's a version of his granddaughter there. Tiana Tumino? It doesn't matter. Imagine this though. Your grandfather is yanked out of existence. He comes back. And he tells you 'I have seen colors beyond the ones we live in. I have seen towers of glass and metal scraping the sky, all alight in these colors. I have seen art that contains more art, and it was hideous. No one understood me. Flying things neared me that were beyond anything even our greatest geniuses can make.'
Do you believe him? Can you even imagine it all, even if he describes it, even if he shows you drawings of what he witnessed?
What will you say?
#adriano tumino#across the spiderverse#spider man: across the spider verse#medieval vulture#marvel meta#earth 65#miguel o'hara#gwen stacy#tiana toomes#okay enough fandom tags#ending off with that miles picture bc it's also his first time entering a dimension#and sure enough. shock and awe
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one day I'm going to write a story about a butch knight and a femme princess and it will be medieval and it will be romantic and it will be everything I wanted as a teenager
#I've had a book like this in the works since i was about 17#but I'm not a very good writer when it comes to fiction#gonna have to do it in fckn poetic verse at this rate#maybe one day I'll write it#especially helpful having a medieval studies degree lol#when i was 10 my dream job was author actually lol#I'm just not really good enough to be an author#so perhaps I'll go into publishing#also if anyone has read this far and knows anything about careers in journalism and publishing pls help me#I'd like to go into it maybe but i can't find much information#rants n rambles
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this monologue would have changed amadeo’s life i can tell u that much
#those ‘time travelling to give a medieval peasant a dorito’ memes#except i go to 1497 venice and make amadeo listen to ethel cain#wouldn’t even be the weirdest thing to happen to him that year#tvc#amadeo of venice#ethel cain#armand#iwtv#amc iwtv#sure amc verse too#interview with the vampire#the ‘blessed be the children’ and ‘blessed be you girl’ lines particularly
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As Chief Advisor to the Prince, Sir Lyndon could attend any event he wished, his status always giving him a reason for his presence anywhere. And yet, as he surveyed his lover being paraded before various suitors, Lyndon wished he could be anywhere else. As each successive suitor spoke to his illicit lover, Lyndon couldn’t stop himself from continuing to look at Octavia. She threw him occasional looks, too, and despite knowing that she hated the process as much as he did, Lyndon couldn’t stop the jealousy coursing through his veins. With his posture tense and jaw clenched, he stewed silently, mentally ticking by the minutes until he could escape such a hellish event.
Before he could, the third suitor seemed to hit it off with Octavia. Whispered conversations, dancing and gentle laughter permeated their interactions. Every so often, Octavia would look over, a smirk always crossing her features. Lyndon couldn’t deny he was pissed off, ire and jealousy seeping through his body as he kept looking over at them. Finally, Octavia excused herself, and Lyndon couldn’t hold back from getting up to follow. Stalking across the room, he caught up to her moments after she’d turned into the smaller, empty corridor. Coming face to face with her, there was no denying the feelings plastered across his face. “Who the fuck is that?” he demanded, chest heaving and breathing shaky. He’d gotten so worked up that his hands trembled, the anger and tension of before giving way to sudden anxiety and fear. “These fucking Earls… he can find his own fucking wife.”
@gctawaygirl
closed starter : for @burnishedrebel (Lyndon) muse : Octavia Thatcher plot : The ball where she is meeting potential suitors and lyndon has been made to watch mentioned in plotting and previous thread.
Octavia was bored to tears. Her parents had lined up three suitors for her that night. The first two had been at least ten years her senior. The first was already a widower with children. Octavia definitely wanted to be a mother one day but not to someone else's children, not to someone who would view any children she had as second to the ones he already had. She had spent no more than five minutes talking to him with her parents still there. She caught Lyndon's gaze from across the room and gave him a look that he would know better than anyone.Her second suitor was unmarried but he was a creep and famously had many illegitimate children with more than one mistress. While Octavia had her affairs, she was not interested in having that be part of her own marriage. Their conversation lasted a little longer and included a dance but not by much. Finally, the third suitor. He was closer to her age and he was handsome and charming. Octavia was sure she would find something wrong with him - the real reason beingthat he was not Lyndon - but he, an Earl from somewhere south of the kingdom, was not terrible. He complimented her outfit, was not too forward about the intentions of the conversation, or overtly crude about what her main purpose as a wife would be. He asked her question and responded to her answers in a way that showed her was listening. They shared two dances and a drink and more than half an hour of conversation. Every so often, Octavia would catch Lyndon's gaze and his expression would always make her smirk, "You must excuse me for a moment," she said to the Earl, "I promise her highness I would spare some of my time for her tonight," she lied. Her princess had asked no such thing but it was a good way to have any suitors leave her be for a few moments. She walked in that direction but in the crowd, turned off into a smaller, empty corridor, lit only by a few candles. If she spent a few moments alone, Octavia would not mind but she had a feeling someone would follow...
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Supermassive 2023 art by Daniele Di Nicuolo
#radiant black#massive verse#Daniele Di Nicuolo#medieval spawn#spawn's universe#rogue sun#the dead lucky#comic art#illustration#comic books#comics#cover art#indie comics#image comics
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Some doodles of funky bird man.
You guys are seriously sleeping on this design, it's literally one of the coolest things
#spider man: across the spider verse#across the spiderverse#across the spider verse fanart#spider verse#medieval vulture#spiderman atsv#adrian toomes#the vulture
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— badsansuary: days 25 - 26
original prompts from @owl-bones ! i was indecisive on which medieval au (within an au) i wanted to go with so i did both :) previous days here !
lore notes under the cut:
Day 25: Lost -> Ohana Timeline + Royal Swap!Medieval AU
first things first: Ohana! self explanatory name, "Ohana means family, and family means nobody is left behind or forgotten."
in the original timeline, both me and night were seperated from our siblings. this timeline fixes that, but the change is that neither me or gillan was brought to the kingdom, we just stayed as townsfolk while night keeps his role of king (he rules alongside dream). this au is practically the best timeline in the medieval lore bc of how little angst there is
Royal Swap, however, is the opposite. i did mention it previously but never explained what kind of swap this is, and to quote the lore doc, "the dragon twins are now townsfolk (that are later brought into the palace), while the two orphaned brothers [Rei and Gillan] are royals."
Rei/Blue (me) <=> Nightmare Gillan/Mal (@gillanfryingpan) <=> Dream
the difference between me and night as kings is that he adapted to the role. i didn't. "old mad king," as i fell from grace, spiraling into madness (similar to night falling for his curse) and fleeing the kingdom. i don't rebuild a kingdoom, i become a haunting- or a pathfinder in the dark forests if people dare to come close. most of the time, no one knows where i am (cryptid) (feral creechur vibes) (i think bro compared me to muriel from arcana)
speaking abt him, gillan is forced to be king now and theres a lot more tension between us hahahjdihsgyb i love angst (sobs in the corner)
anyway, night might be a royal advisor here while dream is a ranger, not sure rn
Day 26: Veiled -> Vampire and Werewolves AU
the contrast between how much lore this and medieval au is crazy bc guess what? i got nothin LMAO
all i can tell you is that night and dream are still close and share a coven, and they keep werewolves (me and the murder trio, also nicknamed as cerberus). i can also say that if there's any other skeles, crayon bros (geno, error, fresh) are vampires, while plum/lust and reaper/mortem are witches of some kind. and that's all i got
theres like 2-5 more prompts but no promises on if i'll even do the last three .. i do enjoy medieval lore way too much so that has more priority in my head. idk but lemme know if yall want more of it tho !
#mystfox art#bluesonas#blue's verse#utmv au#nightmare sans#dream sans#badsansuary#self ship#sona x canon#smoothie medieval au#dreamtale nightmare#transfem dream#passive nightmare sans#dust sans#nightberry#technically#medieval au#vampire au#moonbeam#sunbeam#coldsunset#human nightmare sans
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Little Conan is ready for the medieval Christmas Market this weekend 🔥
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... Everyone in Yharnam is mad... That's what she believes.
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