#verity gets a mention

[colloquialcolors]

in similar vein to reading watership down and being pleasantly surprised by how hopeful it was i have now finished reading haunting of hill house and have been kind of pleasantly surprised by how. sapphic. it was. i mean its a horror story and has left me with the correct sense of sort of quiet unease and like. im going to need to think about it for a while and like. damn. but it also was QUITE queer in ways i was not expecting going in. so thats fun! (said while thinking about houses and walls and unreliable narrators and dissolving sense of self)

[starlightparks]

very impulsively started the invisible life of addie larue

idk i just fancied a fantasy standalone and i loved the two ve schwab books i read before

[isekyaaa]

Logically I know I have a pretty good Lisa and she's truly good enough, but like....

She could be better.

She could be better.....

[websterss]

A LOVE SO TRUE — GUILDFORD DUDLEY

REQUEST: A request for Guildford Dudley x fem verity reader, in which they are married and Guildford can control his Ethian form, but she doesn’t know that he is Ethian yet. She gets sick and discovers that is pregnant but doesn’t tell him and Guildford is worried about her. Just to highlight they have married for love and they are so in love with each other. Something like this, I just can’t get enough of the series haha.

WARNING(S): angst and fluff, mentions of being nauseous, mentions of being pregnant, missed cycle, also if you have emetophobia I wouldn't suggest reading this.

WORD COUNT: 4,454

PAIRING: Guildford Dudley x Verity!Reader

A/N: I hope you enjoy it! Feedback is always welcomed!

MASTERLIST

"There, there now. Better out than in My Lady…" You coughed and then heaved as you bent over a bucket. Bertie, yours and Guildford's servant holding your hair back and rubbing your back in soothing circles. You were ill. It was the only possible explanation. You were ill perhaps with a stomach bug. Perhaps poisoned at your family feast. That could have been it, you were certain of it. You hadn't been able to keep the remnants of your meals in your stomach lately. "I shall fetch a doctor, my lady. Your state of health has not improved. It has been a week." Bertie helps you upright. Your face flushed with beads of sweat. You silently thank her for the cloth to wipe against your lips.

"N-No, no, please. No doctor. I would rather not be poked and prodded with medical equipment. I-I am fine." In your weak attempts to gently send Bertie away, you sway in your step forward. Guildford caught you effortlessly before you could meet the harsh ground. "It will pass…" You inhale deeply. Your tired state did not bring him a calm state of mind.

"My lady, you are far from fine. This is the sixth time you have been sick this week." Bertie interjects gently. Guildford moves quickly to walk you back to your bedroom, he settles and tucks you back under the covers, placing a hand on your forehead.

"Gods you're burning up. It will not simply pass, it seems to be getting worse. You are feverish, constantly vomiting, and…you're tired, my love." Guildford did not bother to hide the concern etched on his features.

"I-I'm fine, truly." You attempt to protest weakly but fail as another wave of nausea hits you. You cover your mouth just as Guildford quickly grabs a nearby bucket, placing it between you just as you retch into it. He shakes his head, discomforted by your worsened condition.

"I'm sending for Jane." He tilts his head to firmly meet your eyes. Your timid stare submits to his determined look. "I'll retrieve her myself if I need to. If you won't see a doctor then you'll see her. You love and trust Jane more than anyone else, my love. You'll see her because I cannot bear to see you suffering anymore." He lifts your head up to place a tender kiss on your temple.

"Please. Don't make a fuss over this. It is only a stomach bug surely. It will end soon..." Guildford's heart breaks a little with your protestations. He knows you're scared and trying to hide it behind a facade of stubborn nonchalance.

"You are ill. I will not sit back and watch you get worse. You are stubborn but you're not a fool, love. You know this is not just a stomach bug. You're terrified. I can see that." He cups your face gently. He lets out a sigh as he studies your sweaty, flushed face. His hand caresses the side of your cheek affectionately as he silently prays that you'll get better soon.

"Will you at least rest in bed while I fetch Jane?" He implores softly after a moment of silent contemplation. "You are over-exerting yourself. As your loving and scared husband, I command you to not leave this room." His failed attempt to sound serious falters as you meet his gaze with a raised brow. "...please."

The stubborn streak in you wished to protest, to insist you were alright, that there was no need. However, you could not. You were tired, exhausted from all the vomiting and aching, and in all honesty, your illness was beginning to scare you a little. There was no strength left in you to argue. You simply give him a small nod before collapsing against him heavily. Your head on his chest. His hands curling around your hair pressing you to him.

"It has been a week. You are in no condition to be up and about at this time. It has to be serious. If your nkt slightly better by tomorrow, I'll be fetch someone other than Jane to have a look at you. You will not protest. You will not." He pulls away and cups your face. His expression softened a bit at your pitiful appearance. Your eyes sunken in with dark circles, your hair untamed. He goes to lean in but your hand stops him in place. He huffs then settles with a kiss against your cheek, another softly laid on your neck. You sigh in contentment at his affection. "I should be back in half a day's worth." He fluffs up your pillow and tucks you underneath the cover. He places the bucket alongside the edge of the bed, within your reach to fetch with ease. "I love you..." He kisses your head.

"And I, you." You muster a faint smile but it's the fear-stricken warriness and tears that tell him enough.

He presses a palm against your cheek, gently wiping a tear that falls down your face. He retracts it without another word other than. "Take care of her, Bertie."

"She's in good care, Lord Guildford." With a swift exit, Guildford's footsteps grow distant.

Bertie bows and watches as Guildford closes the bedroom door behind him. With you now tucked in bed, and your husband's worried features no longer in sight, you drop the pretense of being fine. You turn to your side and sob into your pillow.

Bertie walks over and sits on the bed by you. A sympathetic look on her face. She gently threads her fingers through your greasy hair. "He only does it because he cares for you." She says.

"I-I know…" Your tears don't stop as you continue to weep. Bertie continues to run her fingers through your hair in an attempt to soothe you, all the while shushing you quietly.

-

Guildford had kept his word. Only half a day's worth of traveling. The night turned into day rather quickly than you remembered. Bertie tended to you as you helplessly waited for him.

You could hear the horse that you both owned neigh in the distance. It had urged you to sit up in bed. The creature signals their arrival. You had yet to see the barn yourself. Guildford and Rupert had but all dissolved any ideas of you visiting the horse. Telling you to remain in the house. To the gardens, but never the barn, ensuring there was nothing but unpleasant welcomes from the beast itself. You did shiver at that. You could imagine your shoes stepping in something disgusting.

You didn't know where the newfound energy derived from but you were glad the nausea hadn't taken over your want to see your husband, to greet your friend upon their safe return. It was a mere thought of consciousness before you scurried to dress yourself into somewhat of a decent household lady. You hadn't concerned yourself much about your rat's nest of hair. Leaving it be in its wild manner. You had just about slipped your right shoe on before Bertie entered with a tray of breakfast.

"You should be resting!"

"I'm feeling much better Bertie-" You promised as your foot was now securely settled in its place.

"Nonsense come, get those shoes off your feet deary before the master sees ya-"

"That is what I venture out to seek Bertie. Guildford and Jane have returned and since I've never been to the barn. Well, I thought it best to accomplish two wishes in one venture rather than two, so don't mind me, Bertie. I'll be back in time to help set the table for breakfast. Surely the two of them or hungry and worked themselves an appet-"

"No, no, no, my lady!" Bertie's shrill shriek halts your words and feet. She carefully places the food down and stomps over to you. "You have been vomiting your body weight consistently for the past week and you wish to see a horse?? I thought you more clever than that." She grabs the comforter and begins to remove the old ones. “My Lady, I implore you to rest." Bertie's usually meek demeanor changed to a firm tone, the tray of food forgotten in favor of fixing up the bed. Guildford had specifically told her to take care of you. "Master Guildford will be very unhappy with me if he finds you in this state outside and he– My Lady you have not bled…"

"Pardon?" You whip around to face Bertie who removed the sheets from the bed to exchange them for new ones. "Bertie?" Your eyes fall onto the clean, non tainted sheets They were still white. Surely there had to be a reasonable explanation for why they were white. It was only just last month before that you bled. So why hadn't you- you hadn’t bled last month…

You had missed a month. No. It couldn’t be. Surely.

Bertie continues exchanging the blankets, but her eyes are fixed on the sheets in her hands. She was just as shocked as you. How many days have you missed? A few more? “My Lady…?”

“I’m with…child?” Your eyes linger with unspilled tears. Your hands and arms move independently, naturally placed upon your stomach. You look down at your nonexistent bump then up to Bertie.

Her hand came to her mouth in shock, her eyes widening to look into yours. The sheets fall from her hand and land on the floor. “-By the Gods-“ She scurries over to you and pulls you into an embrace. “My Lady-“ She exclaims, trying to keep her voice down. “We must have a real doctor come immediately. We must have a physician look you over. You have missed a month, my Lady. Perhaps two. This will not go unnoticed by the Master. We must tell him of the ne-”

“N-No.” You shake your head.

Bertie pulls away from the embrace. She grabs your forearms, the grip is nothing painful but you can tell she is attempting to keep you from swaying in place. “My Lady? Why not? This is the happiest of news. A child. A product of yours and Master Guildford’s love. Why would you want to keep this from him?”

“I… I don’t know. But I’d rather it be confirmed with Lady Jane than to give him false hope.” You give into her, in hopes she’ll believe you. You aren’t entirely sure you know the reason yourself for not wanting to tell him. You two were newly wedded. Surely he’d find your situation a damper on your honeymoon. Right?

Bertie considers this for a moment. You look exhausted. Not to mention you still were unwell and had lost all color to your face.

“I-“ She shakes her head. “Very well, we can confirm with Lady Jane first, then tell Master Guildford. But I beg of you, do not work yourself into the ground, my Lady. Allow me to do all the chores that require your energy. Do not lift a single thing.”

“Alright…” You muster a faint smile and nod before you grab your robe and head out of the room.

You begin your walk to the barn. The journey is long given the property is quite sizeable, and your legs almost buckle with every step you take. The thought of pregnancy was still reeling in your head, making your steps heavier. Your stomach churns with the feeling of nausea that still hasn’t gone away, and the nerves of the conversation you were about to have made you queasier. Would Guildford be thrilled? Would he want a child early into your marriage?

Finally, the large structure of the barn comes into view. As you get closer, you can hear the neigh of the horse growing louder with every step you take. The anxiety was building with every step. You were a mix of excitement and nervousness. You were about to speak upon swinging the barn door open but the voice of Jane fills your ears.

"We cannot keep hiding this from her Guildford. She is your wife and my dearest friend. I despise the idea of her remaining in the dark about this secret. If you won't tell her then I will!"

“-You will do no such thing!” Guildford rebuts defiantly, his usually calm nature quickly dissolving. You step closer to the barn doors and listen to their conversation that clearly was not meant for your ears. You hear Guildford release a tired and weary huff. His words are a whisper but they cut through the space. “This is my concern alone. I’ll talk to her about it later-” But he is interrupted by the firm tone of Jane.

“When will that be? Years from now? When she’s well and pregnant with your child?” Jane retorts, her voice stern. “This is not just your secret, Guildford. It involves your wife. Someone who deserves to know the truth about her own husband.” You wince at her words. The nausea feeling from before had returned.

“You are no better than me in this regard!” Guildford argued back. You can hear the agitation in his voice as it rises. “I want to tell her as much as you do. But given the state I have seen her in these last few days, I worry my words will bring more harm than good!”

A pause. You press against the cold wood of the barn door. Listening to the conversation unfolding inside. The muffled voices of your husband and your closest friend fill the space. Another huff from Guildford. “I don’t want to hurt her."

“And you won’t.” You hear Jane say. Her voice was calmer than before. “She’ll understand your circumstance. Your reasons. You underestimate her love for you.”

You sink your back into the wall as their voices grow closer to the door. “I love her, Jane. I’ve always loved her.” You hear Guildford exclaim. The door pushes wide open. You see him run his hands through his hair. He’s stressed. You can hear the strain in his voice. “But if I tell her. If she finds out what I am…” Your breath hitches in your throat. “…I’m afraid she won’t forgive me.”

You are stunned and stuck in place, leaning on the wall for support. You could sense the despair and anguish in Guildford’s words. It broke your heart, knowing he was holding something so deeply inside him, unable to tell you the truth. You want to step in, to confront the two, but your legs suddenly feel weaker than ever, a wave of nausea passing over your body.

"Make your way back to the house. Y/n should still be in bed for you to examine her. Let me know of her condition when I get back!" Guildford begins to walk.

“Where are you going?” You hear Jane inquire from inside the barn.

"I need to clear my head before I am to see her."

You hadn't expected what was to come next. You hadn't expected it at all. Your feet moved on its own accord as Guildford transformed into a….a horse. Your eyes widened in shock, in fear of the unknown and what presented itself before you. No longer was your husband, now stood a brown beautiful steed. "Guildford…?"

The sight was almost incomprehensible. One moment, your husband was there, his back turned to you with his head in his hands, and the next- there stood a horse. A magnificent, tall chestnut steed whose body stood where Guildford once did. You wanted to move. To yell out. But the shock rooted you to the spot. Only your thoughts raced around your mind.

You take another step forward, trying to keep your balance and regain your breath. Your head was spinning with all the information you took in. Guildford is different. A creature. Something otherworldly who was afraid of hurting you.

Guildford, or rather, the horse, perks their head up towards you. His ears are alert and focused in your direction. You couldn't read his expression. A neigh ripples out of him as he steps closer to you. Your legs were trembling even more now, threatening to give out any second. Before you know it your knees met the ground harshly. You gasp as Jane and Guildford react quickly.

“Y/n!” Jane comes in from behind you. But you were more entranced by the yellow hue and transformation of your husband. The horse had knelt on its front legs before your husband's face was in your line of sight once again.

“I…I don’t understand.” You whisper, your hands reaching out to caress his face. He places his palms over yours keeping them steady and close. He nestles into your palms.

He tries to speak but stumbles over his words, shocked by your presence. His eyes darted over your body. You looked terrible. Your hair was in disarray, and with eyes, tired and red. Yet you were the most beautiful thing in his eyes, but you looked as if you could fall over with just a gentle nudge. One of his palms slipped and touched your stomach. You shuddered at the feeling. He then touched your face with his other palm.

Your breath hitched in your throat as his warm hand touched your cheeks. It was soft and smooth, yet calloused with years of experience and swordplay. His gaze was intense, but something in his eyes showed him to be conflicted. He opened his mouth to speak but closed it again, as if in confusion. He had so much to say to you but just didn’t know how to. "My love…won't you say something?”

You can't tear your eyes from him. You were supposed to be resting in bed, tending to the nausea that had plagued you. Yet here you were, in the barn, staring at your husband who had somehow transformed into a horse. You see his eyes dart across your face, studying every feature of yours. He was afraid. Terrified of your response.

You wanted to say so much. You wanted to yell at him. To hit him. To cry and ask him why he would keep such a secret to himself. But looking into his eyes, all you saw was the pain that was within their depths. All you saw was the love he had for you. "I-" You attempt to say but the nausea in your belly suddenly makes an appearance. Bile rises in the back of your throat. The familiar taste of acid burned your tongue.

You feel the contents of your stomach travel back up your throat. Guildford’s eyes widen in fear at the realization of what’s coming. He knows what's about to happen. He moves to grab you, to hold your hair out of your face but you turn your head away to the side and vomit on the ground.

Tears spill down your face as you lean back against him for support. Guildford brushes back your hair. Shushing and reassuring you that everything is all right. "I think I'm pregnant…and you're Ethian." You exhale deeply. Closing your eyes for a moment's worth of rest.

Both Guildford and Jane are stunned into silence. Neither of them knows what to say. The air is filled with a heavy density. You can feel Guildford behind you, his hands still around your face. You try to make eye contact, and he turns you back around to face him. “You’re…pregnant? With…With our child?” He asks hesitantly. The question was posed almost as if he couldn’t believe that you said it.

"You've kept your Ethianism a secret this entire time..." You muster. Your fingers trace across his bottom lip. Guildford places a kiss on your fingertips in response.

Guildford looks down in shame. “I-Yes, I did.” He looks up again, his expression pleading. “I was afraid that if you found out, you’d detest me. That you would be revolted at who I truly was.” He reaches out again, to caress your face. "My love, you just said you might be pregnant…you are with child?"

You want to cry, to scream, to laugh hysterically. But Guildford’s words ring through your ears and you can tell the desperation and worry behind them. You could also see his surprise at just how calm your demeanor currently was. The situation was so absurd. You weren't even sure how to feel right now. "Bertie…she believes so." You daze off. "My sheets were still white this morning...It appears I've missed my monthly bled." Guildford huffed in disbelief, but his expression never faltered with delight.

You feel him lean his head down to rest his forehead against yours. His breaths mix with yours making you dizzy, yet you want to relish in the moment of him being so close. He pulls you in against him, his arms wrapping around you, a kiss against your cheek displaying his love, his affection for you. He’s warm and familiar. Home. “You’re with child...” He whispers again into your hair, his voice shaky and thick with emotion.

His hands brush your hair away from your face and neck, his lips placing soft kisses against your forehead, your cheeks, your jaw. The warm breath you feel against your skin is a comfort. You can't help but feel small though, can't help the fear that stirs within you. "You're not upset over the news?"

Your question halts his kisses that were on your skin. You feel him pull away just so he can look at you. “Upset? How could I be upset? This is a gift, a blessing.” He says with disbelief lacing his words. His hands never leave your face, keeping you angled at him. You can see the tears welling at the corners of his eyes. "I am overjoyed. Overjoyed beyond belief." He replies, his voice shaky with emotion. "I love you." He declares just like he's done time and time again.

"And I, you." Tears prickle from your eyes now.

He is taken by your reaction. Guildford pulls you closer to him. You could hear the rapid beat of his heart against your ear. “I don’t deserve you.” He mumbles into your shoulder. You can tell he means it, but you scoff at the absurd statement. Pulling away slightly, looking directly at him with intense determination behind your eyes. "Are you upset with me, for not telling you I'm Ethian?"

"No. I am just sorry you couldn't find the comfort you sought out, with me, enough for you to tell me. I'm not mad you could find that comfort in telling Jane." You reassure them with a timid smile. You glance over to Jane, extending your hand out for her to grasp.

Jane looks at you dumbfounded. She expected yelling. She expected screaming, tears, and sobs. Yet you had said nothing more than a few words. You were calm. Jane grabs your outstretched hand, giving it a warm and comforting squeeze. The air is still filled with a sense of uneasiness but she offers a kind smile.

Guildford pulls away. You feel his hands leave your body and you suddenly feel very alone without them. You suddenly become afraid that he’s going to leave.

"I should have told you." He exhaled deeply, the words coming out more like a statement of fact than an apology. "I should have told you. I knew it wasn’t fair to you. But I was afraid of your reaction. Afraid of what you might think of me. Afraid of how you might look at me, knowing that deep down I was a beast." He confesses, and you feel a tug at your heart as his words ring in your ears. "I should have known better…'cause even after knowing, you aren't afraid of me. You still look at me with love. You are the most fearless, stubborn, determined, strong, beautiful woman I know.” He reaches out to hold your face in his hands once more. "You are my wife, my love. The woman carrying our child. And you don’t look at me any differently. You don’t run in fear. Yet I did. I was a fool to think you’d detest me. That the news would disgust you. But here you are as beautiful and sweet and loving as you have always been. You forgive me in a heartbeat.” He runs his thumb across your cheeks to wipe away the tears that had spilled down your face, but new ones had formed at his words.

"You are a fool." You breathe out a laugh. As you place your hands over his to keep them in place.

"Well, I for one, second it!" Ah yes, Jane was still here. You breathe out a laugh as you both turn to look at her. She raises her hand in greetings, knowing you'd forgotten about her, but she was well alright with it. She adored Guildford's love declaration for you. "Guildford you continue to surprise me with your poetic...dialect."

Guildford rolls his eyes. He was used to being teased and ridiculed by his best friend. His hands grip yours tight as he moves closer to you again. His fingers intertwine with yours. He brings your knuckles up to kiss them softly. "My love, I think it best to head to the house. Let Jane give you a proper examination, for certainty."

You nod in agreement, your mind already spinning at the thoughts swirling through your mind. You were with child. With Guildford’s child. You were carrying the next heir of the Dudley line.

Guildford offers his arm for you to hold on to, and you gladly take it. He leads you over to the house, with Jane in tow behind. The walk to the house was quiet. No one spoke, everyone was too wrapped up in their thoughts to even try. You felt Guildford rub his thumb over the back of your hand. He occasionally looks at you with a smile, as if he can’t believe everything that just happened. You feel his hands constantly squeeze yours. The gesture was his way of reassuring you.

"I'm not going anywhere."

"I was hoping you would say that..."

Guildford stops in his tracks, causing you to stop as well. He turns to look at you. He brings his hand up to the side of your face, the pad of his thumb caressing your lower lip. "I could never leave you. Not in a millennium."

“I'd hope not.” You breathe a laugh. Your smile graced him. Your eyes crinkle at the corners. He can’t help but mirror yours.

As you arrive at the front door, Guildford opens it for you, letting you and Jane walk in first. He looks at you with a smile before following you through, closing the door promptly behind him. “You’re stuck with me, love.”

[yamujiburo]

Hey, sorry if you've answered this before at some point, but recent asks made me curious on your take. In the last few episodes with Ash, Delia mentioned that his father was supposed to show up, but canceled at the last minute because he was busy. Do you think that they do sometimes contact each other about Ash, or that he only contacted her when he heard about Ash's accomplishments? Was she angry he canceled, and do you think she and Ash decided to put him out of their minds after that?

You're thinking of the special episode Distant Blue Sky! I feel like most people, myself included, consider it an AU (same universe as the I Choose You movie). You can tell by the different hat!

People consider it as such because in I Choose You, he starts his journey almost the same except he never meets Misty or Brock and instead meets/travels with Verity and Sorrel. Then in the subsequent movies, Everyone's Story and Secrets of the Jungle, the hat implies those are in the same universe.

It's also considered an AU because he DOES get his iconic hat with the league "L" but rather than starting off with it, his dad leaves it for him. He also mentions his father in Secrets of the Jungle which leads me to believe his dad was around in this version! So in this timeline, yeah! I think Delia maybe keeps in contact with him but it does seem like their interactions are very limited

But I subscribe more to the Pokemon novel and anime timeline where Ash's dad leaves prior to Ash even being born and not coming back since

[emeritusemeritus]

Hear me out! Possessive sex + Overstimulation + Brat Taming + Breeding. Both of the Weasley Twins please. 🤭

I just always have this thought of just teasing the shit out of them when they’re work and fleeing afterwards. It’s almost as if we took their job of teasing us, and I could just imagine how pent up and frustrated they can be when they can’t do anything since there’s kids and adults around. The joke shop is suppose to be an appropriate place especially when it’s meant mainly for kids..Perhaps, add a part where we purposefully flirt with one of our old classmates. You can choose who! If you don’t like this idea, I completely understand! Feel free to add some kinks if you like or story elements. 🫶

Hi Anon! I’m so sorry it has taken so long to get this out, writing has had to be on the back-burner for now but I’m slowly getting back! Sorry for the lack of smut, it’s more of the setup as I’m abit smutted out 🖤

Warnings: Sexual tension, brat behaviour, Dom!sub relationships, polyamory, teasing, sexual references, mild swearing. Flirting, mentions of pregnancy, pregnancy kink, breeding kink.

Word count: 2.5k

Wonder Witch

You knew what you were getting into the second you opened up your wardrobe and changed into the outfit you'd carefully prepared for today. Your husbands had already long since departed the flat to set up the shop for the day, leaving you just a little later to sleep in, which you were thankful for.

Today was the big launch of new wonder witch products that the twins had been tirelessly working on, perfecting the range ready for the big launch today. You'd helped with ordering violently pink balloons to decorate every orifice of the shop, had banners printed and had even managed to convince Madame Puddifoot's to make some limited edition iced biscuits for the celebration, all in the same sickening shade of pink.

The icing on the cake was the costume that you'd picked out ready to hand out and display the new items, recreating the wonder witch icon on the packaging.

The dress in itself wasn't too risky, an array of pink and gold overlapping fabric that fell just above your knee, with a pointed witches hat in a smilies style. But it also had exposed shoulders with dropped sleeves and a corseted middle which hoisted in your waist to create a rather dramatic shape, highlighting your hips in a way that you knew would drive your husbands crazy. You carefully curled your hair and applied a healthy dose of mascara to really make your eyes pop before applying an equally vibrant lipsticks that you'd found matched the colour of wonder witch perfectly. You added a little highlighter around your cheeks to give you a little bit more of a playful look and slipped on your shoes to really help bring the look together.

When you looked in the mirror, you were more than pleased with yourself. You looked hot.

Checking the clock, you saw that it was 8:53am, just in time for the store to open. You could hear the twins flapping, mainly George, the moment you opened the door towards the staircase. They were bustling ready for the big opening and the unsurprising lack of Verity meant that she was probably going to be late again.

"Angel can you put these products on the... shit." George says the second you walk down the stairs, noticing the outfit almost immediately.

"What's up with you?" Fred asks, walking over to George under the staircase until he comes into full view, noticing that his twin seems to be frozen on the spot. He turns, looking towards the direction George seems frozen at and you watch as his eyes widen also comically wide. "Holy Godric."

"Morning," you say cheerfully, leaning up to press a kiss to George's cheek before doing the same to Fred as they look at you in complete shock, mouths slightly parted. "Where do you want me?"

"Um," George says, clearing his throat though his eyes hardly move from the curve of your breasts, a prominent feature of your dress. You fight the urge to laugh, wanting to keep up your little innocent play, pretending that you had no idea why they were looking at you like that.

"You want these on the shelf?" You ask, batting your eyelashes at them, watching as Fred's tongue pokes out to wet his lips.

The little clock on the wall chimes, signalling the store opening, just as you bend down to grab the box of products and you look up with pouting lips, watching as the twins hardly react to the chimes.

"You gonna unlock the doors big boy?" You ask Fred with a singular raised eyebrows, noticing how he doesn't even attempt to pull out his wand. A frantic knock on the doors pulls him out of his thoughts and you all turn to see Verity knocking to be let it, surrounded by a large crowd of customers ready to shop the new products. You flash a little wink at George as Fred unlocks the doors with a flick of his wand, the fireworks and the tricks beginning all in perfect synchronisation. When you look back up after picking up the box of products and see your two men still staring at you, completely unaware of the swarm of customers bursting through the doors, you knew today was going to be fun.

The store was packed right from opening, a never-ending swarm of people crossing through the doors until the shop was almost too full of people, all wanting to get their hands on the new merchandise. It was an overwhelming success, the new line of wonder witch products and cosmetics and you were thankful, fortunate and insanely proud of your husbands for pulling off the ideas you'd created together. You should have been tired, drained from the day as it neared closing time but truthfully you were on an adrenaline high, on cloud nine from teasing your husbands all day and seeing their increasing desperation.

All day you'd made sure to be a little bit of a brat, an utter tease whilst trying to portray yourself as an innocent Angel- something you knew for a fact that they didn't believe in the slightest.

George was easier to rile up, always quicker to respond to your more subtle teasing. You'd brushed past him a number of times today, the packed shop only aiding your need to slowly brush your ass against the front of his trousers as you squeezed past him or to pass something up to Verity on the stairs, ensuring that he got a face full of cleavage as you stretched up. You'd caught him staring at you more times today than you could count on all your extremities, especially when you climbed the stairs above him, ensuring that he knew your bare thighs were right above him.

Fred didn't always respond to subtlety, so you knew your efforts had to be boosted when it came to him. You'd purposely licked and sucked at one of the dark mark lollipops in the most outrageous way whenever he was paying attention and you'd even heard him choke on his own spit when he noticed.

You knew you had him when you were explaining to a group of seventh year girls about the patented daydream charms and how how they worked, passing out the colourful boxes items around the group as they accepted them with eager and curious eyes.

"Up to thirty minutes of pure, blissful imagination; let me tell you it will create a very realistic daydream of your choice so you know that boy you're crushing on? You're going to have the best thirty minutes of your life."

You're met with a round of playful giggles as you smile at them, knowing you were in for a good sale.

"Have you used it?" One of the girls asks and you nod eagerly with a smirk, knowing that Fred was just behind you from the way you could feel his presence, hearing him talk only moments before.

"Not since I married him," you say with a smirk as you receive another round of girlish giggles. "Between us, those thirty minutes with Fred were some of my most imaginative creations, believe me these little things are special," you say, twisting the box in your hands. "Just don't tell George." You watch as the girls' eyes light up and they quickly shove them in their baskets. You turn then, catching Fred's eye as he pretends not to have been listening and you act as if you're bashful about what he might have heard, placing a strand of hair nervously behind your ear as you walk away, making sure to sway your hips ever so slightly, knowing he'd be watching.

By lunchtime, you'd effortlessly riled them up to a point that it was so painfully obvious what they were trying to hide that you found yourself biting back a smirk for most of the day. They were so easily and deeply affected that it was rather fun to watch, but none more so than when Dean Thomas came into the shop just after the dinner time rush. You'd taken a quick break and had reapplied your lipstick, carefully checking you appearance before you walked down the stairs back to work. Dean had been talking to both of your lives near the stairs when he spotted you, eyes briefly widening as he took in your appearance. Unfortunately for him, Fred had been mid sentence and had definitely noticed Dean checking you out, making his go silent and cause a thunderous look to cross his face.

"Y/n, hi! It's good to see you!" Dean smiles as you approach them all, careful to avoid looking at the faces of your husbands who had now both caught on to Dean's over-pleasant demeanour.

"Dean, good to see you too!"

"You look good! Who knew that y/n (*maiden name) would become wonder witch!" His hands gesture towards your outfit and then to the display of new products to the side with your likeness on.

"It's Weasley," both twins said a little too quickly, in perfect synchronisation, making you have to bite the inside of your cheek to stop a laugh spilling out at their obvious jealously.

"Of course," Dean says somewhat absently, not picking up on the sudden hostility aimed at him by the shop-owners. "So what have you been up to? Do you see the others much?"

"Didn't ask us this many questions," you hear George mumble under his breath to Fred, who has crossed his arms across his chest and is hardly blinking, watching Dean closely.

"The usual," you smile, shooting a fleeting glance at your two husbands who's red faces seem to match their hair. "Keeping these two in line, keeping the shop afloat," you joke.

"So no little Weasley's running about yet?"

You could almost sense the little eye twitch George did at the words and you were certain that Fred seemed to stand even straighter, making himself even taller to tower over Dean.

"Hopefully soon," you say, biting your lip and George's eyes flicker to you with a fire in them, your words affecting him more easily than you'd anticipated. Fred seemed to incidentally lose his footing and was knocked off balance for a second, breaking the rather playful mood that had settled between you and Dean.

After Dean had left with a few things he'd come for, you finally accepted your fate and let the veil slip enough to drop the innocent act you'd been playing all day. Fred had cornered you beside the till, a stolen moment of peace as you reached high up to re-stock the daydreams, flashing him with a glimpse of your stocking.

"Really Freddie?" You pretended to admonish as you felt his rather prominent evidence of arousal against your hip as he started to get grabby with you, nearing the end of his restraint. "This is a respected establishment Mr Weasley, there are children about!"

You shuffled past him with a little tut, hiding your smirk behind your hair, leaving him stranded with mouth agape at your sudden boldness. George wasn't faring much better, his eyes still fixed on the curve of your breasts whenever he caught a glimpse, silently watching you rile him up further and further as your act slipped away.

With one last attempt at completely flipping the switch inside of them, throwing them over the metaphorical cliff, you doubled down your efforts. It was nearly closing time and you walked slyly over to the cash register whilst George was cashing up for the night and began stretching, pointing out your chest and making some very questionable noises. You adjusted the little cold shoulder straps on your dress and readjusted your breasts in the dress, sensing your attentive audience of George who was close by and Fred who had stopped what he was doing to watch you from across the shop. You suddenly turned and walked behind George, placing your hand on his hip as you squeezed past to reach for a carrier bag, carefully dragging your hand over his lower back as you leaned down. When you began to turn and walk away, you felt a large hand shoot out and grab your wrist.

“Angel.”

His tone was clear and clipped, telling you everything you needed to do.

“I know exactly what you’re doing,” he says, moving to stand behind you in the near empty shop, an obvious erection pressing into your behind. “Keep going little brat, you’re only fuelling the fire.”

When he lets you go and turns back to his task with no other reaction, you knew it was time to slip away. You rushed up the stairs, carefully avoiding both of them, ready for the next step of the plan. You’d prepped dinner on your lunch break, wanting to get ahead for the night and flicked the oven on with a flick of your wand as soon as you made it upstairs. You kicked off your shoes, pulled off your panties and waited, busying yourself to ward off the desperate arousal you were feeling, anticipating a good but long night ahead.

As soon as you heard the familiar, incoming footsteps on the landing, you bent over in your skirt to slip the pie into the oven, giving them quite a show when they walked in.

“Fucking Godric,” you heard Fred exclaim when he stepped through the door, followed by a similar curse only moments later by his twin as they see your pussy on full display for them, peeking out from below the short skirt as you bend over.

“Princess,” he says, beginning to stalk over to you as you pulled yourself up, closing the oven. You looked at them innocently, big doe-eyes and fluttering lashes as you watched them darkly approach you.

“You were naughty today,” George says, his hand reaching out to cup the back of your neck as he pulls you into a devastatingly sinful kiss that immediately makes your nipples harden under the dress. You gasp into his mouth when you suddenly feel a hand creeping up your inner thigh, underneath your dress.

“Remember what you said to Dean, princess?” Fred asks, voice dangerously low, prompting you to nod whilst trying to catch your breath. You knew exactly what you’d said, what you’d hoped for.

“Reckon we should start now?” He asks, his hand ghosting over the curve of your ass, feeling the bare flesh underneath his fingers. “Want you knocked up right fucking now.”

“Agreed,” George adds, somehow looking and sounding ever darker and more determined than Fred. George suddenly reaches out and turns off the oven with a harsh flick of his wrist, smirking when you look up at him in confusion at him turning off the oven.

“We’re not gonna be done with you that soon,” he says with a devilish smirk. “Gonna cum in you over and over, taking turns filling you. There’s gonna be so much cum in you that you won’t know where you start and we end, get you all round from us. Now.”

“Get on the bed.”

[ineffable-endearments]

The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

[dyssonant-skyline]

Vaggie Redesign

I am mostly fine with Vaggie’s show design. Most of my grievances with her come from how her character and backstory is handled... and I hate her name a lot lmao. I did want to give her more muscle mass, as she is a soldier after all. I’m not the best at drawing characters with muscles, but the only way to get better is to try!

More info under the cut. If you have suggestions for who I could redesign next, you can mention them in my askbox, anons welcome!

In Hellbound Hostel all angels have virtue names, even fallen ones. Angels are named after values they should embody or things they should do, usually having a full phrase as a name. These are just shortened to one word. Verity means truth and her full name would be “Find-truth-in-holy-light” or something to that effect.

I really love the purple that was present in Vaggie’s oldest(?) design and I think it makes a for nice contrast between my sunshine themed Charlie (who I’m calling Eden for now) and the moonlight themed Verity. 

I like the moth silhouette that Vaggie has, but Verity really only keeps this shawl to hide the remnants of her wings. She wouldn’t keep it after her identity is revealed. 

Verity is the antagonist of the first arc of Hellbound Hostel. She was a loyal soldier in a squadron of exterminators. 

I wrote up a bunch of info, but it is a little scattered without certain lore components explained… So! I’ll just say she wanted to kill Eden early on but she realizes Eden isn’t the devil that heaven told her she would be.

[in1-nutshell]

I have a really dumb idea for Fearless.  Getaway happens, again.  The crew is trapped on the necroplanet with six hours before the djd comes knocking down the door.  When Megatron goes off to talk to Tarn, Fearless follows because why the fuck not.  Maybe they make their presence known the moment that Megatron offers to exchange himself for everyone elses safety with a loud objection.  Maybe they wait until a fight starts and Megatron gets the shit beat outta him to try and (fail) stop Tarn.  Either way I want the angst to the max.  Tarn taunting Megs for his hypocrisy, from wiping out organic planets by the dozen to practically begging for Tarn not to hurt Fearless.

Side note, not sure how this would fit into the angst but I'm laughing at the idea of Tarn having an almost a one-sided rivalry with Fearless because he went from being Megatron’s favorite student to second to a tiny fleshling.

Instant Angst coming right up!

Hope you enjoy!

Fearless VS Tarn

SFW, Platonic, ANGST, Familial, mention of wounds and some injuries, nothing too graphic, Human reader

MTMTE

Fearless wanted to go on the planetary mission with the Rod Squad.

But Megatron simple said no.

So, they tried asking Magnus, with a report too!

Still no.

They even went to Rodimus to ask to go.

Even he said no!

Fearless already was processing a sick note for the Co-captain when they saw the squad leaving.

They quickly got into their battle suit (similar to Verity’s in Last Stand of the Wrecker’s) and hopped into one of the larger med kits.

Getaway transmission inside the Necrobot’s dome. Getaway: “And now Rodimus what are you going to do? The entire crew on this ship voted mutiny. All you bots will die like pathetic fools along side Megatron. I’ll make sure to say something to Fearless for you.” Rodimus: “I swear if you lay a digit on them—” CLICK! The call had declined. Rodimus looked stressed while Megatron looked like he was going to have a stroke. Everyone who heard suddenly got worried about their little human on the ship. It wasn’t any news about Getaway behaving certain ways around organics, especially after the incident. Megatron clenching his servos. TAP! TAP! One of the larger med kits Swerve had brought in suddenly moved. Swerve: “Oh great! The med kits are possessed now!” The tap opens and Fearless pops their head out. Fearless: “Who was carrying the medkits!? I swear I nearly lost my lunch—what’s everyone looking at? Did someone die?” Megatron looks like he is about to faint. Magnus sure did. Megatron: “WHY ARE YOU HERE!?” Fearless puts their hands up in surrender. Whirl: “Megs I think you need to get your priorities checked. This is great!” Megatron: “And pray tell why having one of the most vulnerable crew members on the ship, well what’s left of the original crew, here in the same place we are going to get slaughtered by the DJD is great!?” Fearless: “…what in the world did I miss…”

Fearless wordlessly as Megatron explained their situation.

By the end of it they swore they were going to kick Getaway’s tin can so far, he would be forever drifting in space.

The small human had never met the DJD in their life.

They heard stories about the group from other bots around the ship, but it was almost like they were too scared to even speak their names.

They tried one time talking to Megatron about them, it earned them a weeklong silent treatment.

To Fearless, they were more bad guys that had made their family miserable and deathly afraid of.

They didn’t truly know what DJD did.

Fearless decided to make themselves a bit useful and tried to help more panicy bots calm down.

Apparently, it helped the bots calm down when they held/petted/cuddled them close, and they were going to bare it for their sakes.

They noticed that some bots were going to need more durable things to hold and fidget with.

Thankfully they spotted a couple of loose bolts inside a bright pink scooter.

Too bad that the scooter started up knocking them out for a bit.

When Fearless eventually comes out of their ‘nap’ they immediately open up the compartment and sees a bunch of blue flowers.

They hop off and see Megatron standing in front of a statue… of himself?

Suddenly a new bot came out of nowhere and transformed in front of Megatron.

They glared at the mysterious mech.

Something was wrong.

Something was definitely wrong…

The human’s eyes nearly popped out of their skull when they heard Megatron address Tarn about surrendering to keep the crew safe.

What was this!?!?

They were still processing what Megatron had said when Tarn started beating him up.

Fearless was ready to see Megatron completely annihilate his metal behind.

They just stared in horror seeing their father figure not even attempting to defend himself.

The tiny human was FURIOUS!

Fearless runs, jumps on Megatron’s chassis, raises their blasters up at the purple Con with fire in their eyes. Fearless: “GET AWAY FROM HIM!” Megatron feels his spark stop seeing Fearless on his chassis YELLING at TARN! Tarn was surprised to see a human DEFENDING Megatron. Tarn: “What is this? Oh, I see. You truly have changed Megatron. From making every organic life form quake in your presence, to having to rely on them to fight your battles?” Tarn laughs as he takes a step forward. Fearless readies their blasters. Fearless: “I’m warning you! Stay away from us!” Tarn: “Ha! What is the little organic going to do? I am Tarn! Leader of the Decepticon Justice Division! Megatron’s chosen one!” Fearless: “You sure about that? Cause last time I checked my names on the adoption papers and not yours.” Tarn is in a slight stuttering mess, not expecting to hear that comment. Megatron tries to move his servo but can’t: “Fearless don’t provoke him!” Tarn: “You are a peculiar organic, aren’t you? Sadly, you won’t be remembered.” Fearless glares at Tarn. Fearless: “I’m not going to repeat myself Tarn, but I’ll do it for you so your tiny processor can comprehend. Stay away from us or I WILL—” Tarn: “What are you going to do? Blast me in the face?” Fearless with a determined smile: “Yes.” BLAST! Fearless had indeed blasted Tarn in the face, then proceeded to JUMP on his chassis and started punching and shooting. Tarn was too startled to properly think what was going on as the human started climbing and tearing parts of his armor. Fearless looks behind them and straight at Megatron. They had a desperate look on their face. Fearless: “GO!”

Megatron laid down on the floor for a couple of seconds stunned at what his organic child had just done.

He scrambled up and attempted to get Fearless.

Sadly, Tarn had gotten to his senses and grabbed Fearless harshly.

The leader of the DJD’s armor was dented and some holes sprinkled around.

Fearless had a scowl on their face and thrashed around in his clenched servo.

Tarn just flexed his digits and made Fearless stop and gasped hearing something snap.

That’s not good…

Megatron yelled at him to spar Fearless.

Tarn felt disgusted… and a bit jealous.

How come Megatron cared so much about his puny organic when he had him!?

Tarn sadistically laughed and threw Fearless into his subspace.

Megatron was about to demand Fearless back again when Overlord suddenly descended from the sky and demanded Tarn to hand Megatron over so he could terminate him.

Megatron slipped away with a heavy spark to the dome.

When he returned to the crew, Megatron told them what happened and who had taken Fearless.

Whirl was about to exit the dome at that same second if Cyclonus and Magnus hadn’t tackled him down.

Rodimus did his best to calm the crew, despite the sinking pit in his tank.

Everyone knew the chances Fearless had alone with Tarn.

They were slim to nonexistent.

Meanwhile, Tarn had just arrived with the rest of his group.

He opened his subspace and carelessly tossed the human aside.

Fearless yelped when they landed on one of their legs.

Another snap.

Oh, if Ratchet ever found out about this…

Well good news was that he wasn’t even here… yeah… good news…

Tarn just gave them a simple order to stay put.

He wanted to destroy them in front of Megatron.

No one else was to touch them under his orders.

A silver lining, now all they needed to do was figure out a way to get back to the crew and not die in the process.

Just two things.

While Fearless was starting to worry about the shortness of breath and hot/cold flashes they were feeling, they barely noticed much of the battle happening around them.

It wasn’t until Tarn and most of his group had gone to personally fight that Fearless realize that they had been left in the ‘care’ of the light blue minibot that had been giving them the stink eye since they snapped their leg.

Suddenly the minibot told them that she didn’t see them escape before head to Deathsaurus.

Fealess suddenly realized they had no one guarding them.

They yelped and grunted as they tried getting up.

Thankfully they didn’t need to stand up for too long thanks to a familiar looking felicon racing to them.

Ravage: “Fearless!” Ravage skid to a stop in front of the barely standing human. Fearless managed to give him a tight smile before leaning on him. He smelled them a bit. Ravage: “You’re bleeding.” Fearless: “That’s probably from the broken bone.” Ravage: “What is broken?!” Fearless: “Yeah and I think something in my chest snapped too…” Ravage kneels letting Fearless struggle to get on. He flinches hearing their labored breathing and yelps. Ravage: “This isn’t going to be a smooth ride Fearless. Hold on tight and don’t let go.” Fearless gripping part of his armor: “Wasn’t planning on it.”

Fearless didn’t know what was worse.

Focusing on the pain in their chest and leg or focusing on the battle around them.

They definitely needed to apologize to Ravage for how hard they were clenching his armor.

Most didn’t even take notice of the felicon being used to move the injured human.

Sadly, there was one mech on the battlefield that had taken notice.

Fearless sees the giant shadow dwarfing them and Ravage. All they see is Tarn’s large servo reach for them. Fearless raises one of their arms and starts blasting. Fearless: “GO BACK TO THE PITS WHERE YOU BELONG!” It only slows down Tarn a bit. It wasn’t enough. Tarn slaps hard at Fearless’s smaller body. To Ravage’s horror he sees the smaller body get plunged into the fray, swallowed by the fire and smoke of the battlefield. Ravage: “FEARLESS!” A pair of mechs had just seen the act from the screen. One of them immediately ran out.

Time skip after the battle…

The bots who were well enough to walk started rounded up around Terminus and Megatron.

Megatron was trying to recruit a search party for Fearless.

When Megatron had gone out, it was impossible to find their tiny body amongst the chaos around.

Even right after dealing with the DJD and Rodimus pulling him out of the place, there was still no sign of Fearless.

Hope was dwindling fast.

Megatron: “All right, in 5 minutes we depart.” Skids (yes, he lives): “Count me in.” Rung holds Skids back: “With the low energy you have, I don’t think that’s wise Skids.” Skids: “Fearless is out there, we need every bot on deck.” Whirl hobbling over: “He’s right Eyebrows. My Amica is out there and needs us.” Terminus looking at one of the monitors. Terminus: “Your human is small, correct?” Megatron not looking: “Yes.” Terminus: “And in some form of armor?” Megatron still not looking: “Yes.” Terminus: “They leak a lot of red fluids?” Megatron pauses before looking at the screen. Fearless was INSIDE the dome and staggering to the door. Megatron: “Sweet Solus Prime!” Megatron sprints to the door faster than he ever had in his life.

No one knows how Fearless got this far.

Ratchet tells them that it shouldn’t even be possible for them to move with the amount of blood loss and broken bones.

But he wasn’t complaining.

No one is.

Ratchet doesn’t leave Fearless’s side for a couple of hours.

Ratchet stands up with Fearless, bandaged up and limp. Ratchet: “I need someone to hold Fearless, very still, for a while.” Megatron: “I’ll do it.” Ratchet: “No offense Megatron, but you’re shaking like a new recruit. Any harsh movement is not what they need right now.” Whirl hobbles over and opens his cockpit. Carefully he reclines the seat and pulls out one of Fearless’s blankets from his subspace. Whirl: “I’ll take them Doc. I’ll even sit down in the corner.” Ratchet hesitates, but the determined look in Whirl’s optic finally made him gently lay Fearless inside. As soon as Ratchet finished putting Fearless down, Megatron came up and carefully tucked them in. Fearless slightly snuggles closer to the blanket. Terminus peaks over Megatron’s shoulder. Terminus: “They mean that much to you?” Megatron watches Whirl carefully hobble to a corner and sat down. He didn’t miss the Ex-Wrecker carefully adjust their blanket. Megatron: “Yes, yes they do.”

[alexisnotstraight]

My Chemical Romance for Blender, april 2005 by Dorian Lymskey

"We're here to fight evil"

If death rockers My Chemical Romance say they're superheroes, then who is Blender to argue? we just don't remember Spider-Man having so many problems with drink, drugs and swearing in front of kids.

One day last august, Gerard Way boarded a plane to Japan with the grawing conviction that the might not be coming back. Over the past past year, the old singer for the rock group My Chemical Romance had got it into his head that he had to be drunk to perform, and then needed Xanax to switch off his brain afterwards, and the cumbination was making him suicidally depressed. Way didn't like being suicidally depressed, so he'd often add cocaine to the mix. That's when his mood really got black. He spent the days before the flight saying goodbye to friends in New Jersey, just in case

In Japan, Way spent all his time drunk. Before the final Tokyo show, he got so trashed on Heinekens and vodka tonics that he realized, even as he was performing, that he wouldn't be a able to remember anything about it the next day. After he came off stage he spent half an hour throwing up in a garbage can, until there was nothing coming up except bile. Tonight, be thought to himself, his hair caked with womit, I've drunk my last drink.

"It was a vicious circle," he says matter-of-factly. "I needed it to function but it made me want to kill myself. It made me extremely unpredictable and dangerous to myself. I didn't want it to get to the point where it became like a VHi Behind the Music where they show this seally had picture of me 30 pounds overweight, throwing up on the floor in Berlin. I didn't want that to happen to this band".

Way's cold-turkey fight back to the band's home of Belleville. New Jersey, was escruciating-almost 7.000 miles of skin-crawling, sweat-soaked willies. "I got really emotional outside the airport when we landed. I didn't know if I was going to see these guys again." He went straight to his therapist and booked into Alcoholics Anonymous, knowing that in the same week My Chemical Romance had to replace their drummer, fiim a video and start their tour. And you thought you'd had a hard week at work.

"We got through the hard shit," says Way. "This is the easy part".

Any fears last summer that My Chemical Romance were going to implode into obscurity were knocked flat by their swaggering teen-dysfunction anthem "I'm Not Okay (I Promise)."

Inspired by the high school experiences of Way and his friends, it delivers angst-rock verities with a knowing wink, not to mention the kind of melody that ignites careers. The tongue-in-cheek video, filmed in the same L.A. high school as Donnie Darko, depicted MCR as proudly geeky misfits. It was a role that didn't require much rehearsal.

Way calls My Chemical Romance's music "death rock." Others have tagged it goth punk or emo. Some endearing individuals have overcome genre confusion by simply calling MCR faggots. "Our guitarist Frank met somebody who said, 'How do you feel when people stop liking your band because they find out you're gay?" says Way, curling his lip with pointed amusement.

To the more meat-headed members of the Warped tour fraternity, some eyeliner and the occasional ambivalent lyric (in "You Know What They Do to Guys Like Us in Prison, Gerard sings "I'll kiss your lips again" to a male character) are too much to process, but Way hopes MCR can change a few minds.

"We've always tried to switch the way people think about rock bands," he says. "That [lyric] puts a dividing line between people. Are you on our side and you want to be different or are you on that side and you want to throw a football at my head?".

Only a morbid former comic-book artist from blue-collar New Jersey could have hatched a band as toughly unorthodox as My Chemical Romance. Gerard Way writes the songs with his bandmates -his bassist brother Mikey Way, guitarists Ray Toro and Frank lero, and new drummer Bob Bryar-but the vision is all his. He illustrates the record sleeves and defines their image. Recently he chose matching shirts, ties and armbands for the band to wear in the video for "Helena." taking enormous care not to resemble (a) the Hives or (b) the Nazis.

Most important, he's the one who assembled the band back in late 2001. when September 11 jolted him out of his rut as a struggling illustrator. On their 2002 debut album, I Brought You My Bullets, You Brought Me Your Love, and last year's Three Cheers for Sweet Revenge, MCR yoke the thunder of punk to the black humor of Morrissey, Nick Cave and Tom Waits, and blaze with purpose.

"There are bands that are in it for the wrong reason, polluting the airwaves and filling their own pockets," Gerard growls. "Or just saying. Oh I wanna be a rockstar. Right. You've got a lot of kids following you. What are you saying to them?"

So what are MCR saying?

He's ready for this one. "We're saying it's OK to be messed up. There's other people just like you. And if we stick together we'll get through this."

When Gerard was still working in comic books, his favorite creation was The Amazing Goffo Brothers, Piano Movers Extraordinaire. A black comedy set in a creepy, anonymous city, it was a metaphor for the relationship between him and his younger brother, Mikey.

Despite their age difference (Gerard is 27: Mikey is 24), the Way brothers wore matching outfits as children. Today, the Ways arrive at a Midtown Manhattan restaurant wearing identical black jackets, but that's the only visible similarity.

With his blood-red tie, ink-black hair and snow-pale skin, Gerard looks part Jack White, part Edward Scissorhands, and sounds as if he's been hanging out at the Bada Bing! club. His stick-thin sibling, meanwhile, wears oblong-framed glasses and the kind of candy-striped wool hat favored by fourth-graders and fashion stylists. He has the most extraordinary laugh: a shrill, girlish giggle that causes waiters to turn their heads.

They grew up in the predominantly Italian-American town of Belleville, in Sopranos country the Pizzaland restaurant glimpsed in the show's opening credits is a few blocks from the house they still live in with their auto-mechanic dad and hairdresser mom. In Jersey, says Gerard, "There's a 99% chance you're not going to do anything with your life." Mikey yelps with pretend outrage.

"Well, 90%, maybe," his brother concedes in a deadpan drawl. "Every time I come back to Jersey, it's ready to put its tentacles all over me and suck me right back in. If I'm home for more than three weeks. I forget I'm in a band. I start to fill out applications for supermarkets."

Is there anything good about the Garden State?

"I think it gives you a bleak outlook on life, which is awesome," says Mikey, cackling. "It gives you an edge. When you're from Jersey, people act like you're from Rikers.

Gerard nods. "Sometimes all we have to do is get up there, make some feedback and say, 'Yeah we're from Noo Joisey,' and then hit 'em like a bomb. People are like, 'Hey, I don't want to get beat up!"

After high school, Gerard studied art and Mikey drifted his way through college: "I thought college was a place you went to find people to be in a band with." Sometimes they played in bands together, but Gerard was more committed to becoming an artist, which was proving to be a disheartening process. When he eventually quit, his big project was a magic cartoon chimp called Breakfast Monkey. "I was doing bullshit," he shrugs.

After September 11, Gerard wrote his first song. "Skylines and Turnstiles," and played it to an old friend, drummer Matt Pelissier. Pelissier knew a guitarist called Ray Toro. "They played me their one song and I was jumping around the attic and headbanging," says Toro, a genial, frizzy- haired film buff with a caricature of Alfred Hitchcock tattooed on his left arm.

"Gerard sounded really sincere about wanting to start something real. That's what made me excited."

The members of My Chemical Romance aren't especially weird-it's not like any of them collect skulls or serial killer memorabilia-but they all grew up with reasons to feel like outsiders.

Toro was a shy kid with an overprotective mother. Instead of going out with friends, he'd stay at home playing guitar to Jimi Hendrix or Metallica. Guitarist Frank lero suffered from bronchitis and ear infections and was ill almost constantly until the fifth grade. He was raised by his mom after she split from his dad, a musician who worked on records by John Lennon and Kiss. "I'm in the family music industry," he says. "My dad would ask me how school was, but mostly it was, 'When are you going to start playing?".

Jazz-trained drummer Bob Bryar was an Illinois kid "who took apart radios and stuff and then tried to put them back together and realized they didn't work." He has a dark sense of humor that can sometimes come off as surliness. "I get these urges to fuck off sometimes," he says. "I find it hard to entertain myself."

Bryar befriended the rest of the band in 2003, when he was a soundman for the Used, whom My Chemical Romance were supporting. When relations with Pelissier deteriorated, he stepped in. The new lineup had just two days to practice before their next tour.

"I haven't relaxed in a long time," sighs lero. "I look forward to that. I'd like to take a step back and look at some newspaper clippings."

The next morning, the sky is the color of a dirty washbowl and it's being emptied on New Jersey. Brian Schechter, My Chemical Romance's manager, taps at his cellphone as he steers his car through the damp, gray streets to pick up the Ways. We collect Mikey first.

"Did you see that MTV.com headline?" he asks, still wearing his striped hat. "MCR Aim for Smashing Pumpkins Status. It was out of context, but it's OK makes people think it's possible."

The band's destination is Philadelphia's Theatre of Living Arts. A local radio station held a competition between high schools to raise the most food for homeless shelters, the prize being an exclusive My Chemical Romance show. Considering the audience will be as young as 13. some adjustments need to be made. "We should probably have a PG show tonight," says Schechter. "We didn't do a show for charity just for Gerard to call them a bunch of motherfuckers."

It's a forlorn hope. "Put your fucking hands together!" cries Gerard within minutes of stepping onstage. In a black-velvet suit, red tie and black armband, he struts across the stage, wagging his finger to the lyrics or spraying mouthfuls of water over the front rows, while his band compress punk, metal, goth and glam into furiously concise pop songs. When he introduces "Headfirst for Halos" as "a song about suicide," you can almost feel the ripples of concern from the adult chaperones lurking around the edges of the room. However, even they can't resist tapping a toe to "I'm Not Okay (I Promise)." Last night MCR played it on The Late Show With David Letterman. Tonight they're playing it to a couple hundred Philadelphia high school kids. Letterman was a highlight of their career to date, but it's here that the song makes most sense.

"I didn't do my usual thing, where I compare high school to prison," protests Gerard later, sucking on a cigarette in a dimly lit backstage office. He admits he can see how people might get the wrong idea about MCR. "Journalists usually portray us as a fucked-up, dark, vampire. alcoholic rock band. Until they meet us."

Although he's got the charisma and the goth pinup looks to be an angst-rock martyr, Gerard seems too grounded to play the feel-my-pain card. Maybe it's the Jersey in him. Even when he talks about his therapist (a "rad guy" who turned him on to Brian Eno), he's pragmatic.

"If you're in this band, you're in it for the right reasons," Gerard declares. "You're not in it for money or fame. You're in it to do some good. Becoming more popular, it's like people are granting us superpowers and we have to use them to fight evil."

Is that the comic books talking?

"Oh yeah," he says, his grin a pearly sliver in the gloom. "We're like the Doom Patrol."

[dapper-lil-arts]

Someone has pointed out that Danny Williams (from my little pony 'n friends) and the cmc (from my little pony friendship is magic) are very similar in personality. And Danny has helped defeat multiple villians (not to mention Danny being smart enough to figure out the gizmonks' tech, made some traps, lead a group against grogar briefly. Plus his prank attempts are funny and cute) and Has helped redeemed some crappy people that makes Cozy Glow look like a child playing in comparison (plus Cozy got close to being redeemed herself before Chrysalis made that stupid speech). So imagine an au where Danny and the cmc are working to redeem Cozy. With the five kids ending up in a lot of chaos. Sorry this is so long. I have a habit of ranting.

Thats cute, but I don't know the character well enough to attest for its verity and potential!

Cozy glow in general is a victim of the same kind of writing that makes Celestia lose very fight she's on; It's just a weird choice to make it so that a CHILD of all creatures would be irredeemable; Like yo that is now how children work lmao. AND. AND. Although a fully fledged backstory is not necessary for all villans, you can't have a 10 year old be so twisted and fucked up without explanation. Where are the parents when girliepop gets sent to HELL.

[utilitycaster]

You mentioned previously that Bell's Hells going to Yios earlier in the story or starting from there (I don't remember which) would've fixed most of early campaign issues. Could you elaborate on that? Which issues would it have fixed and how?

Hi anon, sure! It was going to Yios before Bassuras, but I actually have two separate pitches after talking through this with some people: Either have them go to Yios, or, alternately, get rid of Yu (either to show up later or, frankly, Erika can and has played far better characters).

The issues to be addressed:

general lack of party interactions. I've covered this before but basically...bonding is a subjective and nebulous term so I'm deliberately not using it, but there is, objectively, a culture in this campaign of doing far fewer check-ins, group conversations that aren't "what do we do next" or rehashing the same theological discussion, taking watch together/having conversations before bed, or just...little moments, honestly, than compared to the past two. I think this is because the foundation was not laid earlier, and, indeed, may have been disrupted.

pacing. the Bassuras arc is an overstuffed slog with no real wins and two entirely externally driven missions, both of which go rather badly. I say this as a person who advises people to still watch the first 27 episodes of Campaign 1 and who refuses to give C1 and C2 abridged versions: I would happily put together a "what to watch and what to skip" for C3.

related to the above, infodumping. It is somewhat unavoidable in this campaign, but chunks of the Bassuras arc and then, much of the Yios arc, are just Grim Verity Wizard or Fey Says Things About The Apogee Solstice At Bells Hells.

The fact that Otohan Thull holds the dubious distinction of being the most deadly villain CR has had, while having said about 10 lines total of which zero were remotely interesting. Everything that is intriguing about her is, well, infodumping that has ultimately been entirely irrelevant to the plot.

Letting the party choose where to go next rather than sending them directly to Bassuras after the Heartmoor would likely have sent them either to Yios or to where the Gorgynei are, on their way to Yios; those were the two main hooks. (A third is the caravan for which Cyrus Wyvernwind was blamed for the robbery, and if the party followed that hook, one could very easily have the trail lead to Yios.) This would not have been on business for Eshteross, so it would have likely been slow travel. The party had already shown some promise in the Heartmoor and on their journey there so this would have kept up that momentum of taking watch together, sharing information with each other, and making decisions on their own steam, without a guiding patron. I think it would have laid that stronger foundation of a culture of, well, talking to each other, by giving that nascent 20s and 30s episode period far more time to breathe. Upon arriving in Yios, they already knew to seek out the Grim Verity and Kadija Sumal; the same exact outcome could have occurred. The one major wrinkle is Ludinus, but that could be set in Bassuras, with him coming to talk to Otohan (thus introducing him and giving a much richer insight into the Vanguard generals' dynamic). The party wandering around a city themselves and learning of Liliana and the Vanguard and perhaps getting hints of the Grey Assassins would set the groundwork of the core apogee solstice plot. You could even, and this is very much a hindsight is 20-20 situation, have Planerider Ryn give them some sort of favor a la J'mon Sa'Ord - use this sending stone and I'll come get you out of a sticky situation, with a price (the price being destroying the Feywild Malleus Key). You could also achieve the lore drops from Ira here; either move him here or have someone else show them a telescope that has been enchanted to see the city. And, of course, you could have Otohan in Imogen's dreams.

While in Yios, having had some time to get their bearings as a party and to more slowly lay out the moon plot, you could then have Eshteross have someone message them or send word via the airship that Treshi has escaped prison and fled to Bassuras, etc etc, please infiltrate the Paragon's Call. From there you could run it roughly as before, with the party having more information about the Vanguard and the Paragon's Call as a front for it and thus acting with more subtlety and caution and giving the party more time to interact with Otohan so that she possessed literally any interesting features that weren't just told to us out of character. Honestly I think saving Yu for later in the campaign would still be wise (or playing a different character but honestly, introducing Yu on the moon as a disgruntled Zathuda underling? could have been great) but I think the party and the plot would have been better able to accomodate them. It's worth keeping in mind that by the time Yu left (episode 29), there had been a guest in over half the campaign's episodes. No shade to Dorian, who I think was great, but the party needed some time to readjust and figure out who they were.

In Bassuras, the party could then have Ryn as their Otohan Fight Hail Mary should that come up, which would send them to the Feywild, and things would proceed from there roughly as they did before;

Which brings me to option 2, which is that actually, I think just not having Yu there would have done wonders. Think about how much time the party spent talking to them and their story instead of like...to each other. There were some good early conversations on the ship over and their first night in the city! And then they spent most of their time in Taste of Tal'Dorei talking about someone who, ultimately, served to introduce Fearne's parents and nothing else. Imagine if they'd just...talked with each other.

In this scenario, I'd have the party focus on FCG and Ashton's connections. I think you could have introduced the Calloways later, in the Feywild (in this scenario the Yios arc still unfolds roughly as it did, so just...have them there at Morri's the way they were there in episode 78), but if you did want to include that, you could have just had Imahara Joe notice that Fearne looked a lot like Birdie and say something, since going to Joe's would be easy to guide the party into doing. You also, by focusing more on FCG and Ashton, could explore the culture of Bassuras and the Stratos Throne and therefore actually get a sense of what "Legend of the Peaks" actually means.

As before, I really think having Yu show up either as the party made their way to the Feywild Malleus Key, or on the moon, would be a much better showcase for the character and would fit the story better. As is, we learned nothing about Zathuda from them other than that he exists; the Moontide Crown was yet another MacGuffin in The MacGuffin Slog and as discussed Ira's role could have been achieved in Yios (he also could have shown up causing problems at the Material Plane Malleus Key to establish the enemy of my enemy is my friend so that he could be in the same position as the moon mission); and the Calloways could easily have been introduced by Joe or when the party went to the Feywild.

I also really think you could just save all the infodumping for Yios; I think one giant lore drop would have been stronger than two decently sized ones. Naturally I still think going to Yios first would be more graceful, but truly, just a little more breathing room in Bassuras would have done so much.

As an aside: I think one thing that would have mitigated the pacing of Bassuras/Whitestone is, well, not going to Whitestone. In the Yios-first model, theoretically they would go to the Feywild (perhaps Morri could bring people back had that been necessary, which would have been fun as hell to explore) but in the Bassuras w/o Yu scenario, Whitestone would still be an option. Now, what's done is done. However, I do want to point out, if any Crown Keepers fans are in the audience, I strongly suspect that the Jiana Hexum connection not being leveraged in favor of going to Whitestone is a major factor in the Crown Keepers not coming into the story, because the hook for them was via Cyrus being sought after by Jiana and they went with Keyleth.

Obviously this is D&D! As mentioned above, hindsight is 20-20, Monday morning quarterbacks are a day too late, and so forth. I still think that a session zero would have also been very helpful (not the typical CR main campaign "play out a scenario with your pre-existing companions," but one like they showed for Daggerheart and for the various Candela seasons; I have separate thoughts about how the screen test strategy vs. a more traditional session zero has twice now had less than impressive results). But either of these changes would, I think, have made it a much stronger campaign.

[st311ar]

Protective Redson x GN! Reader

Genre: Fluff

CW: Creepers (of the human verity)

summary?: Redson is getting car-parts while you stop for food at a grocery store.

Of course, out of any night, it was Friday Redson was shopping for replacement car parts, and you were stuck grocery shopping late at night without him. You didn’t blame him, of course. The poor guy had a stained windshield that stunk like chicken broth every time it got over 80° outside. Not to mention he had to melt two full car windshields to fit his “blood fire”, as he named his prized car.

but none the less, you couldn’t not help him. Yes he was a bit of a brat here and there, but when he gets all sappy when you two were alone, it makes up for his “asshole-ness”. You can’t blame him though. Sometimes some things just get on your nerves and well…they get on his much harder.

Just as you headed into the drinks section though, you noticed a quite drunk looking individual spot you. Must be from one of the clubs down south… you think to yourself. The person dosen’t seem too drunk, but just enough you can tell they had a bit too much. You grab you Sunny’s fruit punch Gatorade and make your way out of the isle…but then the individual follows you. You think nothing of it at first, since they were drunk and all, they could just be aimlessly wondering, and coincidentally followed you…

right?

just in case, your body sends shivers down your spine, making you jitter a bit as you went to get Redson’s spicy Doritos that he really wanted.

The person proceeded to follow you again.

okay, now was the time to get nervous. You picked out Sunny’s chips, and set them In the basket, pulling out your phone to text him.

“Sunny”

“love somebody is following me”

is all you could type before you felt a hand on your shoulder, and the sickening smell of alcohol enter your lungs. You almost gagged at how strong it was.

“Scuse me, but you seem lost~” the following individual spoke In a husky tone. Oh this was not good. Now despite years of being told how to deal with such an encounter like this one, your fear has you frozen, and basically unable to do anything the second they aproached you. “Well, I’m not, thank you…” you managed to say. The drunken individual scoffed, giving a small laugh, “You sure about that sweet-cheeks?”

you internally cringed so hard it would’ve been physical In a normal setting. You figured you could try to walk away, since that was the easiest option here. But as you tried, they grabbed your shoulder again, more forcefully. “Ah-Ah-ah, where do you think you’re going sweetheart~?”

this was it. You had had it with this stupid drunk dude, and you debated punching them, right when the intercom kicked on.

sounds of fighting and arguing we’re heard, before your favorite voice kicked on over the com,

“If somebody could PLEASE get that ugly peasant off of MY girlfriend?” Redson sounded esteemdly annoyed, right as the intercom turned off, and you instantly heard running stomps from the other side of the store.

The person stopped to glare at you, and just as their fist was riled up, “YOU.” Oh sunny was fuming. You could feel the heat of his fire from over here, and that wasn’t a thing that could happen every day.

“Get your hands off of them before I come over there and burn them off for you.” He growled. The individual promptly did as followed, and stumbled over as Redson shoved them aside into the racks. He cupped your face In his hands, checking for injury “oh- Love! Love- did they hurt you?!” Well that was one hell of a mood swing. “no…” you murmured, a bit embarrassed by Sunny’s pampering.

“Come on, love. We can get groceries later…” Redson gave one last death stare to your attacker, and gently linked your arm with his.

Slowly, you both made your way to the parking garage that his truck was In. He helped you In, and shut his door behind him, letting out a dramatic sigh. “I’m so sorry love…i shouldn’t have just left you there when you could be hurt…” Redson looked oddly guilty. But then again, around you, he did soften up a bit.

“Love- no…It’s fine- it happens…” You try to reassure him, but oddly enough, her looks like he’s about to cry.

“Love if my phone wasn’t charged you’d be left alone with that- that creep!” He appeared to be trying his damndest not to cry, but it just wasn’t working, so instead, you wrapped your arms around him.

“it’s okay…love, my phone was charged…i could’ve easily called the police…” this information seemed to let sunny relax a bit, but he didn’t finish crying until about a whole five minutes later. He pulled up with a sniffle, and sighed. “Right…” he murmured. He looked out his stained windsheild, and sighed. “Well…let’s get home…aaaand I can make you some s’mores…how’s about that?” He turned to you with a slightly exited smile.

You smiled back, and turned to him, giving him a small kiss. “That sounds wonderful.”

[gaiahypothesims]

321

Evelyn- I will try my hardest. But I do have to at least call to check in on Verity.

Jake- Of course. She should be the only other person on your mind.

Evelyn- I really dislike how you are so rational.

Jake- Sweetheart, I don't think you have any more room in your life for another crazy. <smirks> Look at me, I love you. I want you to be happy and stress free.

Evelyn- I love you.

Jake- Did I tell you that you look beautiful today?

Evelyn- You did, and I appreciate you not mentioning that I didn't manage to grab what I intended to grab from the house last night or a change of clothes.

Jake- We'll swing by later. Maybe one day we can consider even going on a vacation that isn't on the Island. Really get away.

Evelyn- That would be nice. Maybe we can visit your family? Are they weird?

Jake- Mostly normal. Mostly.

Evelyn- Mostly normal is good.

[flower-boi16]

Part of what makes Penn Zero: Part-Time Hero such a good show is how it's able to utilize its premise incredibly well; the show goes all out with creating a lot of the settings and situations the characters are in and it provides a lot of verity from episode to episode, not to mention that each world looks distinct from one another.

Not to mention the environments themselves look appealing and nice to look at thanks to the show's art style, and the creativity with a lot of the settings here creates the show's appeal to me. You can the characters go to a cereal world, a medieval world, a wild west world with dinosaurs, a fish world, and so many more.

It utilizes its premise to its absolute full potential and creates fun and creative scenarios and settings for the characters to be in. It never gets old or repetitive at all because of how diverse the settings the characters explore and the scenarios they get into are.

[dyssonant-skyline]

2. What's your favorite and least favorite design in either show?

9. Since you mentioned drawing your redesigns, I have to ask - is there any way I could see Verity having a jolly ol' time on a swing? I was looking over your art again and the thought just struck me on impact out of nowhere.

13. Where does Lilith fit in Hellbound Hostel? Is there anything planned for her yet / concepts you're tossing around?

9. I know this probably isn't what you were imagining but!!! I love conversations on swings and I wanted to draw Eden and Verity together.

2. Favorite and least favorite designs are hard to figure out, most designs I like have glaring details I don't and designs I dislike have potential somewhere in the design. I'll pick the ones from Hazbin that I like/dislike the most as they are, speaking roles only.

Carmilla Carmine is my least favorite design. Her hair completely throws her design off balance imo. I hate the fact none of these characters have ears and I thought Carmilla’s earrings were dangling from her hair at one point. When her hair is down, her design is better I guess… but then there isn't anything that screams hell or sinner in her design. The hairstyle at least alludes to horns, without it she is just a grey human with red eyes and slightly big arms. I kind of wish she kept her extremely long fingers from the pilot, but that wouldn’t tie in well with her fighting style imo??? Eh.

Breaking my own rules since they never speak but, but this design ruins every scene it is in. What an attention grabbing eyesore, it was impossible to watch the overlord meeting with her just sitting on the side orz

Sir Pentious is probably my favorite design in the show, but the story behind his design just makes me sad. I don't like his tail and the eyes pasted all over it, slithering on your eyes?? ow. The hood acting like hair and flaring out is very enjoyable to watch. His palette is also more balanced than most characters. Prefer him without the hat though.

Breaking the rules again, my real favorites are background characters.

13. In Hellbound Hostel, Hellborn are created through a ritual that only requires one participant. Eden is more like a creation to [Lucifer] than a daughter and she has no mother. Sort of an [Adam] parallel. I might shift Lilith's role/traits to one of the Sins, Idolatry.

The Sins are effectively Eden’s family as they are all fallen angels that rebelled with [Lucifer]. A lot of the early/pilot stuff with Lilith shows her as wanting rebellion from sinners and I think Idolatry would also stoke that flame. She is a champion of individualism and finding your own “gods” to worship. She believes that the free will that humans were granted makes them superior to The Creator.

As for the aspect of someone from hell residing in heaven as a potential villain? I have some ideas but most of the conflict I’m figuring out right now is episodic conflicts centering around the hotel, like a power outage and trying to get residents excited for a hellborn holiday.

Thank you for asking! :D