#verhaeren design

[resplendentoutfit]

A Selection of Stunning Edwardian Evening Gowns

Design House Rouff • French • c. 1895

Jean-Philippe Worth • 1910 | Silk satin embroidered gown • 1910

Doeuillet embroidered chiffon gown for Queen Alexandra • 1910

Verhaeren of New York • 1909

[justhighstone]

Eternal Serenity: Discovering the Rich Legacy of Père Lachaise Cemetery in Belgium

Edit By Justhighstone

Nestled amidst the charming streets of Belgium lies the renowned Père Lachaise Cemetery, a place where history, art, and nature converge to create an oasis of solemn beauty. While often overshadowed by its more famous Parisian namesake, the Père Lachaise Cemetery in Belgium holds its own unique allure. As we embark on a journey through this remarkable burial ground, we uncover its fascinating history, notable residents, and enduring appeal.

A Historical Perspective:

Established in the early 19th century, the Père Lachaise Cemetery in Belgium shares its name with the iconic Père Lachaise Cemetery in Paris, a nod to the French connection of the era. It was founded during a time when cemetery design evolved from gloomy churchyards to spacious, park-like settings that emphasized nature and tranquility.

Architectural Beauty:

What distinguishes Père Lachaise Cemetery in Belgium is its architectural and artistic brilliance. The cemetery boasts an array of striking tombstones, mausoleums, and sculptures, many of which reflect diverse architectural styles, from Neo-Gothic and Art Nouveau to neoclassical designs. The result is a visual tapestry that captivates visitors and pays homage to the rich history of Belgian art and architecture.

Notable Residents:

The cemetery is home to the final resting places of numerous notable individuals, including writers, artists, politicians, and cultural luminaries. Among them, you'll find the tomb of the renowned poet and playwright Emile Verhaeren, whose contributions to the world of literature earned him a special place in Belgian hearts. The cemetery also holds the graves of World War II resistance fighters, adding a layer of historical significance to its grounds.

Artistic Tributes:

One of the most captivating aspects of Père Lachaise Cemetery is the artistic tributes scattered throughout the landscape. Intricately carved sculptures and symbolic tombstones are a testament to the creativity and craftsmanship of Belgian artists and stone carvers. The cemetery's commitment to artistic expression breathes life into the memory of its inhabitants.

A Place of Solace:

The sprawling grounds of Père Lachaise Cemetery offer a peaceful escape from the hustle and bustle of urban life. Strolling through its tree-lined avenues, visitors are enveloped in a serene atmosphere that encourages reflection and introspection. The carefully maintained gardens and well-preserved monuments enhance the sense of serenity and respect that permeates the cemetery.

Cultural Significance:

Père Lachaise Cemetery in Belgium is more than just a final resting place; it is a cultural treasure. It encapsulates the nation's artistic, historical, and societal facets in a tranquil and contemplative setting, inviting visitors to connect with the past and celebrate the contributions of those who have shaped Belgium's identity.

In conclusion, Père Lachaise Cemetery in Belgium is a hidden gem that beckons to be discovered. Steeped in history, adorned with artistic gems, and graced by the presence of notable figures, this cemetery offers a profound and moving experience for those who visit. It stands as a testament to the enduring cultural and historical significance of Belgium, inviting all to explore its quiet avenues and remember the lives of those who rest in eternal peace.

Edit By Justhighstone

[robertv27]

Alors, j’étais mêlé à sa belle vie ample ; Je me sentais puissant comme un de ses rameaux ; Il se plantait, dans la splendeur, comme un exemple ; J’aimais plus ardemment le sol, les bois, les eaux, La plaine immense et nue où les nuages passent ; J’étais armé de fermeté contre le sort, Mes bras auraient voulu tenir en eux l’espace ;

L’arbre, Emile Verhaeren

[random-brushstrokes]

Emile Claus (Belgian, 1849-1924)

At first forbidden by his father to become a painter, Emile Claus started his career as a baker's apprentice, a railworks inspector and a linen merchant before he was allowed to go to Antwerp in 1869. There he took lessons at the Academy from Nicaise de Keyser and Jacob Jacobs which he subsequently abandoned in the mid-1870s when he began to study solely from nature.

Between 1889-92 Claus spent several winters in Paris (where he exhibited annually at the Salon until 1914) during which time he slowly abandoned his academic naturalism and started focussing on the play of light while increasingly embracing plein air painting.

The poet and critic Emile Verhaeren wrote of Claus in 1901 : "His art is sure, clear and ceaselessly in search of air, light and life. It commands respect in this country as the art of a Master" (World Impressionism : The International Movement, New York, 1990, p. 261).

Luminism, the term applied to Belgian Impressionism, was taken from the group of artists Vie et Lumière which was formed circa 1904 around Emile Claus who exhibited with the members of La Libre Estethique. The group paid homage to the old Flemish tradition of light which was of continuing importance to the modern artists. The special contribution of Belgian Impressionism, it was said, was that "to the truth and beauty of prismatic colours it added the distinction of well-thoutht-out design" (Frank Rutter, Belgian Art in Exile, London, 1916, p. 16).

Zonneschijn ('sunshine'), the artist's house at Astene on the banks of the Lys was a haven for writers such as Emile Verhaeren and Cyriel Buysse. Claus was not unique among the Belgian masters in his intimacy with writers and his style was as much inspired by Zola as by the Impressionist artists. (source)

[maureenwattenbergh-blog]

Typographical poster “Emile Verhaeren Poems” - Maureen Wattenbergh 

[kitchenrestoration]

Image taken from page 43 of 'España negra. [With illustrations by the author. Translated by D. de Regoyos.]'

Image taken from page 43 of ‘España negra. [With illustrations by the author. Translated by D. de Regoyos.]’

Check out these modern kitchen design images:

Image taken from page 43 of ‘España negra. [With illustrations by the author. Translated by D. de Regoyos.]’ Image by The British Library Image taken from:

Title: "España negra. [With illustrations by the author. Translated by D. de Regoyos.]", "Single Works" Author: VERHAEREN, Émile. Contributor: REGOYOS, Darío de. Shelfmark: "British Library HMNTS…