#vampires in houston

[vampfairywitch]

There is an uptick once again about real vampires. Multiple videos about the New Orleans vampire community have drawn interest to vampire groups in the United States.

As a gentle reminder, The Coven of Ash and Rose is a vampire coven, based in the Greater Houston Metoplex area, that welcomes members around the world to join with us to celebrate the darker, sensual side of spirituality.

We welcome witches, therians, and otherkin here, and many living vampires are also witches, therians, or otherkin.

The Coven is founded by Michael Vachmiel and Sonia Spaw While we retian ownership and management of the group, we are not a structured court. Meaning there are no ranks and no one has authority over another.

On occasion people were refer to me as Vampire King of Houston. I was elected to that title years ago by the existing elders of the city at that time.

Since the last two gentlement who held that title were removed from the Vampire community some of the old guard have defaulted back to that honorific.

I do not expect anyone to call me a honorific.

www.linktree.com/darqkrafts

A man demanding to be called a king is not.

So with all that said.

Hi, welcome to Houston Metroplex's Vampire Community, The Coven of Ash and Rose.

[srchiiz]

thought id put all of my dcst vampire drawings together!

[creativelycomplex]

Which 90’s diva does Lestat prefer, Celine or Whitney? My money is on Celine cause she’s French and he cannot be impartial.

[sk8vv1tch]

They are me. I am them.

[natimiles]

“Wilst thou join me upon the stage, my muse?”

William Shakespeare — moodboard

Masterlists

[geistverrse]

💔 for Shoki, 🚨 for Gene, 🎒 for Angel, 🥩for Juno, ❗️ for Julius.

💔 (broken heart) - Who has your character hurt most? Physically or emotionally? How did it feel? Do they regret it?

Shoki's a Garou wrestler who had her First Change while wrestling. She was training in the indies with her father, Shepherd, who is also a Garou - when the going went too tough and her trainer was far too abusive, she finally broke through the Veil and First Changed. If you're aware of what happens when a Garou First Changes, they go berserk, especially Shoki who went defensive mode as an Ahroun. Unfortunately, that turned on the people in the room, and it's something she does not talk about unless she has to.

🚨 (siren) - What’s your character’s relationship with the law? Have they ever been arrested? What for? What are their opinions on law enforcement?

HAHA, you must know this already from my Blusky post about her. Gene's relationship with the law is bad - also a Garou (who's in a Pack with Shoki) and a Glass Walker to boot, Gene's first interaction with the law was her First Change. She was in college for computer programming and coding. After pulling a deadly 48-hour all-nighter to complete a project, she got sidetracked (as she always did through class) and was hacking into databases to test her cyberteeth. In a freak accident, she finds a Pentex database belonging to Endron. She's in there for all of two seconds because she's shut out. 5 hours later, unable to sleep from the stress of what she might've just stumbled into and worrying about if she broke into a government database, she's SWATed. Breaking into her dorm, the Pentex-paid feds attack her and cause her to First Change. She slaughters the Endron hired guns and escapes into the woods.

🎒 (backpack) - What items does your oc usually carry? Do they have a bag or just keep everything in their pockets? Do they carry a lot or a little?

At ALL TIMES Angel is inseparable from her sunglasses with built-in HUD, the big pearl earrings she wears (contain microphones), and her Trinary supercomputer which lives in a metal briefcase she carries with her. It's usually with her on duty. Off-duty, she still covets her sunglasses and pearl earrings, never being too sure. Other than that, probably her phone and wallet which contains a photo of her and her father... which has now been put behind a photo of her and her lover, Charlie Indigo.

🥩 (steak) - Does your oc have any coping mechanisms? Healthy or unhealthy?

Juno is a Tzimisce, I'm sure almost everything she does is unhealthy! I don't think Juno has 'coping mechanisms', however - Juno is a headstrong unstoppable force, if she has issues, she'll deal with them headfirst rather than cope with them. The thing she needed to cope with most is dead, and she's happy about it.

❗️(exclamation point) - What was the scariest moment of your character’s life? Does it still affect them?

The day he realized he wasn't a person, he was a god. It affects him and will affect him until his unlife comes to an end.

[ladydragons-world]

[philossworld]

D

Vampire Hunter D: Bloodlust

[willowser]

sometimes i get the urge to write the biggest au's for no reason LOL

[ccgscans]

Praxis Seizure: Houston - Vampire: The Eternal Struggle

[vampfairywitch]

Vampires raising money for puppies and kitties!

10% of all sales on eBay will go to Friends for Life no-kill shelter. How do you know it will go to the shelter? It's an automatic function of eBay! The company sends it to the charity from my sales!

[srchiiz]

happy halloween!!!

[sbev-e]

first artfight attack of the year! character belongs to @lucabite :]

[artyandink]

kindred

“DON’T STAY AWAKE FOR TOO LONG, DON’T GO TO BED”

A/N: a little angst piece cause I felt like it, heavily inspired by Carry On but it happens before so tEcHnIcAlLy Carry On is inspired by this :)

God, Dean should have never taken his eye off the ball, the ball being you. Sure, you were such a damn good hunter — one of the best he’d ever seen — but even the best had their drawbacks, even the best had their moments, even those moments couldn’t be afforded. You and Dean had been casing a possible group of vampires in Houston while Sam hunted a werewolf down in Wichita, and you two determined that it could only be a few. You could take ‘em, you were good enough.

Wrong.

It was a whole nest, a whole ass nest, which you two had been able to mostly clear with some machetes and bullets laced with dead man’s blood. Until one son of a bitch had snuck up behind you when Dean thought the worst was over and shoved a thin wooden stake right through your stomach and yanked it back out

How fucking ironic.

Dean couldn’t hear the yell of your name that left his mouth as you crumpled to the floor, couldn’t feel when his hand holding the machete lashed out and took the thing out, dropping to his knees in front of you as you propped yourself against a wall.

“Hey, hey, sweetheart.” His voice was frantic, looking at the gigantic fucking hole in your stomach that was leaking hot blood— shit, shit. “Keep your eyes open, yeah? Don’t take ‘em off me, don’t you dare. You’re fine, you’re—” He had to cut himself off before his voice broke into a million pieces. His heart was racing, head spinning, hands frantically taking off his flannel to press against your stomach to stem the blood flow— you were a fighter, right? You fought everything, you never backed down, you wouldn’t this time, right?

“Dean,” You rasped out, in shock, looking down at the gash that was in your stomach, then back at him. “Dean.” It was like you were a broken record in your head, your head lolling forward, to which his hands flew up to keep your head up. Your body was fighting, he could see it in your eyes. “D—Dean.”

Your voice was strangled, and that was one of the worst sounds he’d ever heard in his life. Hearing it hurt his heart almost as much as seeing the wound did. You were pale, clammy — you were bleeding.

“Eyes on me,” Dean repeated, holding your face tighter in his hands, his eyes flitting to the wound every other two seconds. “Eyes on me, princess, c’mon, stay with me. Please.”

The panic was clear as hell in his eyes, like a storm tearing through a calm night. The sight of all that blood, your blood, staining your clothes and the ground beneath you tore his heart open and just left him raw.

He gently kept your head in place, not letting you slump, not letting you give up. “Stay with me. No falling asleep, sweetheart. Stay awake.” Just keep your eyes open, keep looking at him. He needed to see the light in your eyes.

You could feel it. You could, the pain stabbed through your stomach, making you let out a sort of strangled cry, breathing heavily. “I’m not— I’m not ok, am I?” You couldn’t even recognise your own voice, it was hoarse, it was raspy. Oh, God, oh, God.

The cry punched Dean in the gut, and he held back an almost strangled sound from himself, the way your voice was so quiet and broken making his heart shatter. He didn’t answer your question, because if he knew you weren’t ok, he’d lose it. He’d go insane with worry.

He shook his head, refusing to believe it, refusing to accept it— you were fine, goddamn it, you were gonna fight. “It’s gonna be ok. You’re gonna be fine.” He repeated those words like a mantra, both for your benefit and his.

“I can’t— just tell me.” You begged, your eyelashes fluttering, but you kept them open, wanting to hear it. “Tell me you’ll be ok, Dean, please.” You reached for his hand on your cheek, gripping it. “You an’ I both know I ain’t makin’— makin’ it outta here.”

“Stop it. Stop it.” Dean’s voice was a broken whisper, his chest heaving. He couldn’t lose you, he would not. “You’re gonna be fine. You’re gonna be fine because I won’t let you die on me, do you understand?”

He wanted to break, he wanted to scream at the world, he wanted to cry and sob. But if he did, he’d fall apart. You needed him to stay strong, to keep you alive.

“Then tell me something good.” You whispered, hot tears rolling down your grimed cheeks, eyes becoming more vacant by the second and he saw it. “Tell me something good, talk t’ me.”

Talking, he could do that — talking was a distraction, yeah, distraction for the both of you. What was something good, though? What could he say to you that would be any reassurance when you were literally bleeding out in his arms?

“You know what’s good?” He spoke, his voice strained but still a little gruff. “You are. You’re so goddamn good. And when we get out of here— because we will get out of here, got it — I am gonna tell you that every day.”

You grinned weakly, losing control over your breathing, gripping his hand as fear struck through in the form of pain in your lower abdomen. “I love you.” You blurted, laughing a little in relief — a weak, barely there laugh — that you’d finally said it. You finally did it. ��Never told you that, but god, I’m crazy for you, Dean. Just— just remember that.”

For once in his life, his heart soared and plummeted at the same time. You were saying this now? You had to say it now? Not when you were safe, when he could celebrate getting your love and devotion in words and actions.

“You’re a goddamn idiot, you know that?” The scoff he let out sounded wrecked, but his thumb was a gentle caress against your face, trying to sooth you, wipe away the tears. “Why say it now?”

“You know I don’t know how feelings work.” You scoffed, unable to stop a watery laugh, blood trickling from the corner of your mouth as you coughed, some more dribbling down. “But I’m glad I— that I said it. You love me back, right? You…” You looked to him for some confirmation. Any at all.

He ached at the sound of that laugh, and he almost winced at the sight of the blood dribbling from your mouth. You were losing it too fast for his liking, but you were staying awake, and that was something he wanted to cling to.

“Of course I fucking love you back.” The admission was instant, like he had no time to be coy or hide it. Hell, what was the point of hiding anything at this rate? “Been crazy about your stubborn, beautiful ass for years. Thought it was plain to see, sweetheart.”

“Do I have to remind you that I ain’t a psychic?” You coughed again, gripping his hand tight, eyes dropping to his lips. “C’mere. Please, c’mere, Dean. Just— I’m losin’ it fast, don’t leave me hangin’.”

“Not leaving you, sweetheart.” He assured you, his voice quiet as he gently lifted you and manoeuvred you so you were laying properly in his arms. All the while, one hand kept firm and hard against your stomach, while the other gently touched your face, the curve of your cheek, your hair — anything he could get his hands on.

He leaned down and pressed his lips against yours, trying not to think about how much his heart was screaming at the idea of losing you.

Your hand left his, cupping his own cheek, even if you knew you tasted copper and he probably could too. The kiss was simple, sweet, slightly desperate and one hell of a goodbye, not wanting to let it go, salt from your tears staining your lips as well.

The taste of your tears and your blood was something he didn’t want on his tongue, not one damn bit. It felt like a goodbye, like you were giving up, and he couldn’t have that. You were too damn good to give up, too good for him to say goodbye to.

“Please.” He mumbled against your lips, desperately kissing you, like they could keep you here, like a kiss from him would keep you alive.

“I don’t wanna go.” You whispered, losing grip fast, desperately holding on to talk to him. “Just— just don’t blame yourself, ok? It was my— my dumbass that got us here. Ok? So— so just tell me it’s ok, tell me you’ll be ok.”

“I don’t blame ya, god, I don’t." He didn’t even stop to think, he didn’t know how he’d keep going in a world without you. “Stop taking responsibility, you stupid—“

He cut himself off, hating how you were trying to act like your own death wouldn’t shatter him. All he wanted was to be able to fix this — fix you — and keep you alive.

He grabbed your hand and pressed it to his chest, wanting you to feel his heart, feeling your hand curl into his undershirt.

“Dean, please, tell me I can go.” You begged, feeling the tears fully roll down your face now, giving him a brave smile. “Tell me it’s ok, please, I can’t— I can’t hold on anymore.”

He didn’t want you to go, he couldn’t let you go, but he could see it in your eyes that your grip on the world was slipping. You were so damn brave, but he was selfish, he would do anything to keep you here, even just for a second longer.

“Go where?” He knew what you meant, but he wanted to hear it one more time, he wanted a few more seconds hearing your voice. “Please, sweetheart, fight for me.”

“I love you.” You murmured, voice weak, low, head tipping forward so your forehead rested against his cheek. “I love you… I can’t…” Your breathing was slowing, grip loosening on his hand. “Tell… me.” He had to, right? He had to say it’s ok.

“Don’t you dare.” He hated the weakening tone in your voice, the way your hand slackened; hated how you were making your peace because that wasn’t allowed, not now.

He wanted to stay strong. He didn’t want to break, but hearing your voice like that, so weak and soft, broke something in his chest. Dean pulled you as close as possible, burying his face into the crook of your neck, letting the first sob free from his throat.

He gave in. “Course it’s ok. I’ll be ok, sweet girl, I’ll be ok.”

He felt you let out a breath, but you didn’t take in another one. Your head fell limp against his shoulder, but you didn’t pick it back up. Your hand released his shirt, slid down like it was weighted and never got back up.

Your eyelashes fluttered, closed, but you didn’t open them again.

His whole damn world stopped. He had felt everything, even heard the moment your breath left you, and then nothing. Every good thing, every sweet moment, every stupid laugh and smile and sarcastic comment — it all just stopped.

Dean sat there for a long moment, refusing to believe it, refusing to believe you were gone. He gently laid you as best he could, not letting go as he put his fingers against your throat, trying to find your pulse.

There was nothing, he found nothing, just your cheeks paling, head limply falling sideways, lips parted — stained with blood — one final tear rolling down your cheek.

You were cold.

“No. No.” He couldn’t stop himself from pulling you back into his lap, cradling you to his chest like a broken doll. He wanted to scream, he wanted to cry, he wanted to tear apart the world and everyone in it for letting this happen.

He let out a wretched sob, burying his face into your hair, wanting to feel you just one more time, praying to a god he was never sure existed to bring you, his pretty girl, back to him.

“Come back.” He whispered, his voice cracking, begging. “Please, please, come back to me, just breathe again, give me something— anything.”

He gently gripped your chin, lifting your head up so he could see your face one more time, ignoring the fact that you were so damn still. Just a breath, that’s all he needed, just one damn sign you were still with him, even if it was just for a few seconds.

“I’ll do anything.” He choked out, pressing messy kisses to your face and hair, not caring about the blood — he’d never care less about it, he’d take every damn drop you had left in you. “Sweetheart, just open your eyes, just move for me, please?”

Nothing.

“Please?”

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@deansbite

[fans4wga]

'Why creatives are seeking residuals' - thread by Stefanie Williams

[Tweet thread by Stefanie Williams @/StefWilliams25

TRANSCRIPT:

Why creatives are seeking residuals vs. "do you pay the mattress maker every time you sleep on a mattress?" A thread. I keep hearing over and over again that writers/actors/creatives don't deserve residuals for the work they create. "If I build a bathroom in a house, I don't get paid every time someone uses the toilet."

TRUE! However, your bathroom build has a set market value. Art does not. No one knows what makes one TV show an overnight success, and another a flop. No one knows what makes one song a hit, and the other a dud. If they did, trust me when I say record companies would be churning out Taylor Swifts over and over again. Studios would be making nothing but Stranger Things.

But that isn't the case. No one could predict Stranger Things would be a massive, billion dollar hit. No one could predict Taylor Swift was going to be a world wide phenomenon who literally could record herself reading Aesop's Fables and make millions of dollars. Which is why residuals are important. The pay structure protects both the creators and the publishers/distributors.

The easiest way to explain it is by referencing an author writing a book. Sure, an author might get a very modest up front fee, but the author is banking on royalties to really make money on the book — for every book sold, the author gets a piece of the pie. This protects both the author and the publisher—because if the book is a flop, the publisher doesn't go broke on a financial promise they made to the author that didn't pan out, and if the book is a mega-hit, the author didn't give away a massive, million-dollar book for 20k.

It's a sliding scale that is required for a product that has no set market value. What makes an actor's work on a hit show more valuable than an actor's work on a show that gets canned after five episodes? The market value for art almost always comes after the fact, so residuals account for that reality. They make sure the creator get compensated at a fair market rate. A person who builds a bathroom knows, upfront, what the market rate for a bathroom is. That bathroom won't suddenly be worth 1000 times more than you built it for in six months. It doesn't have the potential to be built for 20k and generate 20 million.

Residuals are a pay structure that simply account for an unsure market value. Trust me, we all wish we could quantify art in terms of dollars. But art is unpredictable. So studios and streamers -- which literally REQUIRE content to stay viable -- have to account for that unpredictability. And for studios (or record labels, or book publishers) it's always trial and error. The only way to get a hit, is to go through a few flops.

For every Whitney Houston, there was a singer you never heard of. For every Sopranos, there was a show that got scrapped mid season. For every Titanic, there was a movie that bombed. For every Twilight, there was a book about vampires that went nowhere. Residuals are kind of a reverse market valuation. They pay a fair wage for a product than can only have a set value once it's been created and effectively consumed.

And even then, shit changes. Anyone think Kate Bush would spend weeks on the top of the charts in 2022? Residuals account for unpredictable markets. And in order to have accurate residuals, streamers and studios need to be transparent and open about their data, which is one of the MANY things the WGA and SAG are both fighting for.