#value village fire

[sungkist]

August 2022 pt 8.

[kirbyddd]

still insane how layton went from

to

and no one even batted an eye

[six-of-ravens]

success! and somehow I have almost a full shelf free!!

[skipppppy]

I love how despite not being a bender, Sokka is the biggest embodiment of everything the Water Tribe values in the show, both good and bad.

Change. Sokka who humbled himself when the Kyoshi warriors proved him wrong and took their teachings to heart. Sokka who always had a plan, a few hundred backup plans, and could still get out of a sticky situation on the fly. Sokka whose friends became bored and aimless without his quick wit and initiative.

Kindness. Sokka who went to save Aang before Katara even had to ask him to. Sokka who saw the humanity in an old man from the fire nation. Sokka who gave Jet a second chance despite being the first one to be suspicious of him. Sokka who showed Zuko to his room and held no resentment against him. Sokka who shielded Toph from falling debris with his body.

Ingenuity. Sokka who invented airships and submarines. Sokka who took down the drill. Sokka who broke into a Fire Nation prison rig and out of the highest security prison in the country. Sokka who levelled Ozai’s entire sky fleet in one tactical manoeuvre.

Love. Sokka who couldn’t remember his mother’s face but carries the grief of her death so deeply that he protects every woman he meets with the same unhealthy hypervigilance. Sokka who instinctually jumps to defend his sister despite their constant bickering.

Community. Sokka who gave up his childhood to become the sole protector of his village and dedicated his time to training the younger boys in combat. Sokka who learned to let go of his hypervigilance and put his trust in the people he’a afraid of losing so they can protect him like he protects them. Sokka who stood alone guarding the gates of his home as Zuko’s ship towered over them.

[echocharm17618]

Upon explaining tumblr to my mother she said it sounds like the value village of social media

[mesetacadre]

Palace of the Republic, Berlin

The right to work at a job of one’s own choice was guaranteed by the East German constitution (Aus erster Hand, 1987). While there were some (mostly alcoholics) who continuously refused to show up for jobs offered by the state, their numbers represented only about 0.2% of the entire East German work force, and only 0.1% of the scheduled work hours of the rest of the labor force was lost due to unexcused absences (Krakat, 1996). These findings are especially noteworthy, given that people were generally protected from being fired (or otherwise penalized) for failing to show up for work or for not working productively (Thuet, 1985). The importance of the communist characteristic of full employment to workers is reflected in a 1999 survey of eastern Germans that indicated about 70% of them felt they had meaningfully less job security in the unified capitalist country in the 1990s than they did in communist East Germany (Kramm, 1999)

The Triumph of Evil, A. Murphy (2002)

The GDR had more theatres per capita than any other country in the world and in no other country were there more orchestras in relation to population size or territory. With 90 professional orchestras, GDR citizens had three times more opportunity of accessing live music, than those in the FRG, 7.5 times more than in the USA and 30 times more than in the UK. It also had one of the world’s highest book publishing figures. This small country with its very limited economic resources, even in the fifties was spending double the amount on cultural activities as the FRG. Every town of 30,000 or more inhabitants in the GDR had its theatre and cinema as well as other cultural venues. [...] Subsidised tickets to the theatre and concerts were always priced so that everyone could afford to go. Many factories and institutions had regular block-bookings for their workers which were avidly taken up. School pupils from the age of 14 were also encouraged to go to the theatre once a month and schools were able to obtain subsidised tickets. [...] All towns and even many villages had their own ‘Houses of Culture’, owned by the local communities and open for all to use. These were places that offered performance venues, workshop space and facilities for celebratory gatherings, discos, drama groups etc. There was a lively culture of local music and folk-song groups, as well as classical musical performance.

Stasi State or Socialist Paradise? The German Democratic Republic and What Became of It, Bruni de la Motte and John Green (2015)

Work itself was elevated to a place of pride and esteem and, even if you were in a lower paid job, you were valued for the work you did as a necessary contribution to the functioning of society. The socialist countries were also designated ‘workers’ states and it was not merely an empty phrase when the GDR government argued that the workers, who produced the commodities that society needed, should be placed at the forefront of society. Those who did heavy manual work, like miners or steel workers, enjoyed certain privileges: better wages and health care than those in less strenuous or dangerous professions. The GDR had one of the most comprehensive workers’ rights legislation of any other country in the world. From 1950 onwards, there was a guaranteed right to work. This right applied to everybody, including disabled people and those with criminal records. Employers were made responsible for the training and integration of everyone. This meant that everybody felt they had a place in society and were needed. This was particularly important for disabled people and those who wanted a new start in life after being convicted of a crime. Working people were under a much more relaxed discipline in the workplace. Because there was job security and it was almost impossible to be sacked, an authoritarian discipline was difficult, if not impossible, to achieve. In Western countries work discipline is invariably enforced by the implicit threat of job loss. In the GDR, only in cases of serious misconduct or incompetence would employees be sacked. There were individual cases where employees were sacked illegally for what was considered ‘oppositional’ or ‘anti-state behaviour’, but usually the sanction would involve demotion or being transferred to a different workplace. This job security gave employees a sense of confidence and a considerable power in the workplace. It meant that workers could and would voice criticism over inefficiencies or bad management without having to fear for their job. Job security and lack of fear about losing it was probably one of the greatest advantages the socialist system offered working people. Even in cases where a worker was sacked from one job, other alternative work would be offered, even if not on the same level. The other side of the coin was that there was also a social obligation to work - the GDR had no system of unemployment benefit, because the concept of unemployment did not exist.

Stasi State or Socialist Paradise? The German Democratic Republic and What Became of It, Bruni de la Motte and John Green (2015)

[jellys-compendium]

Dragon!Nanami Headcanons- Pt. 1

Dragon!Nanami who is the stoic and highly revered guardian of the people in his territory. He resides in the tallest mountain to the south, preferring to spend most of his time in comfortable solitude rather than being smothered by well intentioned but exhausting accolades from the villagers.

Dragon!Nanami who feels fortunate that he rarely needs to demonstrate his prowess in battle. The rumors of his strength and the crushing fire he breathes are enough to keep the other fantastical creatures who would cause his people harm at bay.

Dragon!Nanami who insists that the land's subjects need not pay him tribute, but finds himself inevitably burdened with surprise visitors at the mouth of his cave. Typically these visitors bring with them unwanted words of worship, handfuls of gold, and miles upon miles of fine silks (which Nanami elects to pile into a massive mound at the back of his cave, as stereotypical as that may seem). On one particular evening however, the villagers bring Nanami something entirely unexpected.

Dragon!Nanami who is shocked to see you (a human he’s never seen before), blindfolded, gagged, and helplessly tied to the back of a cart. His fury sparks and blazes as he watches you fiercely squirm against your bonds, shouting muffled obscenities at the village men and women as they push you further into the mouth of the cave.

Dragon!Nanami who fueled by the sounds of your terror, unleashes a terrible roar that shakes the heavens and cracks stone. Sparks crackle between his bared fangs as he chases the band of miscreants away, snarling a warning that if they value their lives, they’ll never return.

Dragon!Nanami who feels a deep sense of guilt as he carefully works to untie you with his claws and fangs. Although indirect, he is the cause of your current plight and he knows he owes you an apology. But the words die in his throat when Nanami feels your body subtly lean into his cautious touch. The fire in his belly grows, smoke pluming from his nostrils, when he feels your heart dance beneath his teeth as they brush against your skin.

“It’s alright.” He softly reassures, swallowing, his own pulse soaring. “No harm will come to you here.”

Dragon!Nanami who becomes starstruck the moment that tattered blindfold falls from your face and your eyes meet his for the first time. Lightning jolts up Nanami’s spine, nailing him in the back of the head and rendering him paralyzed when he realizes the gravity of just who you are.

'Mate. My mate.'

Dragon!Nanami  who forces himself to stay absolutely still when your small human hands reach up and run along the scales of his snout. He quietly basks in your attention, drinking in your wide eyed wonder as your fingertips trace along the blue and gold scales that make up his hide. Nanami purrs deeply when he hears you whisper, “You’re my mate, aren’t you?”

Dragon!Nanami who welcomes you into his home, insisting that you do whatever you need to make the place more comfortable. He regrets that the only thing that he has to make a suitable bed for you is a collection of fancy silks, but you smile and reassure him that it is more than enough. 

Dragon!Nanami who the next morning shows up with pelts, sheep’s wool and enough blankets to fashion you a comfortable bed a hundred times over. A little flustered that he went through all the trouble, you ask him where he got it all, but when Nanami nuzzles against you reassuringly, you realize that he’s unlikely to give you a straight answer.

Dragon!Nanami who comes to the realization that he had in fact been so terribly lonely before you came along. Nanami quickly comes to relish the time he spends with you. He loves walking with you through the forest at the foot of the mountain every morning. He loves the sound of your voice. He loves to see you smile, to listen your stories and ask you questions, all while answering your own inquiries in return.

Dragon!Nanami who has a knack for noticing when you grow tired on those long walks. The moment he sees you start to struggle, he lowers his massive head to the ground beside you, encouraging you to get on and carrying you the rest of the way home.

Dragon!Nanami who helps you overcome your fear of heights by taking you on nightly flights. Each time he takes you into the sky your nervous shaking becomes less and less. Nanami will always treasure that night when he saw you close your eyes and savor the night breeze gliding over your skin for the first time.

Dragon!Nanami whose deep, rumbling purr shakes the earth and rock beneath your feet every time you gently caress his scales. From the corner of your eye, you catch those golden eyes of his admiring you, lingering on the softest parts of your body. Is that hunger or desire? Being that Nanami is a dragon, you cannot say for certain.

Dragon!Nanami who is fiercely protective of you, especially when you’re in the presence of other dragons. He is not above shielding you in the folds of his enormous wings the moment he spots another of his kind approaching on the horizon. You notice that Nanami becomes particularly irritable when a certain dragon with snow white scales pays the two of you a visit.

“Dragons”, he later explains, “are greedy and possessive by nature. They are known to covet the treasures of others on a pure whim alone. I won’t allow him or anyone else even the slightest chance to take you for themselves.”

Dragon!Nanami who one day overhears your whispered longing for the human world you left behind while you sleep. It dawns on him then how blindly selfish he’s been in the last few months, leaving you bereft of human contact. Yes while he cared for you and protected you, he also smothered you in the same vein. Nanami knows he has to remedy this, for the sake of your happiness.

Dragon!Nanami who a few days later nearly gives you a heart attack when he reveals his human form to you for the first time. He smiles the most handsome smile as you gawk at him, slowly taking him in from his glorious blonde head, all the way down to his—oh….uh, his toes.

“Well, what do you think? Do you like it?” “Um—” Your cheeks burn as you avert your gaze. “I think I’d be more at liberty to admire you if you put on some pants. Nanami blinks, his head tilting to the side. The magnificent horns that still decorate the top of his head catching the sunlight as he moves. “Pants?”

Dragon!Nanami who after procuring a pair of pants takes your hand in his and places it on his chest. He presses a gentle kiss to your head, the first of many.

“My mate. I only wish for you to be happy. Tell me, what is it that you desire? Whatever it is, we will find it. Wherever it is, we will go.”

A/n: Thanks for reading and I hope you enjoyed these dragon!nanami hcs. A spicy part 2 of this series is on the way!

If you're interested in more Nanami fics, you can check out my masterlist here.

[byoldervine]

The Trick To Writing Filler

(TL;DR at the bottom)

Filler is when you spend a chapter padding the length of your story between plot-related events. Filler chapters have little to no impact on the overarching plot and can be self-contained, and thus in TV shows filler episodes are often reran the most as people unfamiliar with the show can casually watch without being confused without the knowledge of prior plot beats

So with the chapter being largely self-contained and acting outside of the plot, what do you use to make the filler chapter engaging? I’m going to use filler episodes from Avatar: The Last Airbender to provide examples

1. Worldbuilding. Zuko Alone depicts Zuko’s travels taking him through an Earth Kingdom village and becoming acquainted to the family that allows him to stay with them, especially their young son. He learns about what the Fire Nation’s impact on this village has been; destroyed houses, families torn apart, constant robbery and other abuses of power and injustices. And even after Zuko defends the villagers and his new friend, he’s venomously cast out from the village by even the little boy because he outed himself as a firebender. This episode explored the impact of the war on the people of the Earth Kingdom, the victims of war that have no involvement in it and no way of defending themselves from it

2. Character exploration. In The Beach, we learn more about Mai, Ty Lee, Azula and Zuko and how their own traumas and personal upbringings have impacted their personalities. For Zuko this is part of a turning point for him, but for the girls it’s more to understand why they are the people we’ve gotten to know over the seasons, especially Ty Lee and Mai. The episode also serves to showcase how Azula and Zuko are so out of place being just normal teenagers; Azula has no idea how to talk to her peers and no identity outside being Princess Azula of the Fire Nation, while Zuko’s hotheadedness and jealousy issues lead him to lash out and be far too confrontational and controlling for his own good. This episode isn’t really used to develop these characters, or at least not the girls, but instead explains and showcases their behaviours and the reasons behind them

3. Character development. Going back to The Beach, Zuko does indeed receive development rather than just character exploration like the girls do; he comes to understand that he’s not just angry at the world or angry in general, but angry with himself. This is a notable turning point for Zuko’s redemption arc, because he now understands fully that he truly regrets betraying Iroh and sacrificing his new start in life in favour of returning to the Fire Nation. He might not yet be fully decided on turning his back on Ozai, but without this moment I don’t know if he’d have gotten there, or at least not as quickly as he did

4. Relationship development. Sokka’s Master has a C plot of Aang, Katara and Toph all being rather bored and lost without Sokka’s presence. The A plot exploring Sokka’s feelings of inadequacy and uselessness in comparison to such powerful and formidable bending masters being contrasted with the Gaang unable to function without him already speaks volumes about their dynamics, but looking deeper into the C plot also shows how much value Sokka really does bring to the team; structure, planning, humour, a quick wit, strategic moves. The Gaang always supported Sokka and never seemed to view him as expendable outside of the occasional teasing, but having it acknowledged so clearly and plainly that they can feel a little aimless and flat without Sokka and being so delighted when he returns really shows us the kind of value Sokka brings to this team and brings us and the characters to further appreciate it

5. Downtime. The Ember Island Players depicts the characters taking a break to watch a comedic play based on their wacky adventures, only to be largely underwhelmed and displeased by how they’re portrayed. There are no stakes to this episode and barely any plot, just the Gaang taking a breather as they react to a bad play. This chance to relax and watch something inconsequential is just as important to the viewers as we’ve got the show’s finale in the next four episodes, which will be very plot-driven and intense. The Ember Island Players also has the additional viewer bonus of recapping the events of the show right before it all ends, giving the viewers time to reflect on the journey they’ve gone on with these characters. In order for the stakes to feel high and the tension to rise, there has to be downtime where there are low stakes and low tension; if things are intense all the time, the moments that are supposed to feel super intense will just feel average in comparison. Resetting that intensity right before such a big event while still acknowledging the looming threat coming soon will feel like the calm before the storm and allow your audience to soak it all up like the characters are

Wow, did I just go through all that without talking about Tales of Ba Sing Se? I’ll save that for another post if people are interested in more

TL;DR - filler provides a moment to breathe, reset the intensity levels the audience are experiencing and take a chance to step away from the external conflict (the overarching plot) in favour of worldbuilding and the characters within your setting. Small moments can amount to something big, and can help make large scale decisions or plot twists feel more build-up and in-character

[wilcze-kudly]

Katara and the fear of loss (aka why she waited)

I think one aspect of Katara's storyline I don't see explored nearly enough the fact that she is terrified of losing others, especially those whom she cares for. This makes sense, especially looking to her background, how the death of her mother affected her and the fact that war has been a very large part of her life since she was a small child. Not to mention, she is actively a huge part of said war, along with her brother and friends, at the tender age of 14.

Now, some of you may ask "quill what the hell does Aang have to do with Katara's mother?"

Yes, on the surface, there isn't that much connecting Katara's dead, grown ass mother to Katara's alive 12 year old goofball bf but the parallels between Kya and Aang are planted even at the beginning of the show, in the first few episodes.

When Zuko and the Fire Nation attack the Southern Watertribe, they are looking for Aang, the last airbender, not dissimilar to the Southern Raiders looking for the last Southern waterbender. Furthermore, both Kya and Aang willingly give themselves up to the Fire Nation in order to protect the village, particularly Katara.

Throughout the show, we see Katara's interest and endearment towards Aang grow, and we see them create a genuine friendship. But I'd argue that Aang being the Avatar is, to some degree, a problem to their relationship. Aang's duty as the Avatar, and the risks and decisions he is faced with due to it, often create a rift between him and Katara.

Be it due to Aang's responsibilities leading him to make decisions she doesn't agree with, like in the Avatar State, where Aang feels the pressure to force the Avatar State due to the suffering of the soldiers he feels responsible for.

Or, more poignantly, in the Awakening, where Aang is once again compared to one of the parents Katara lost due to the war, though Hakoda's 'loss' was not due to death, but a need to fight. I think this also shows how much Katara values Aang not just as the Avatar, but as a person.

Katara: Aang. He just took his glider and disappeared. He has this ridiculous notion that he has to save the world alone, that it's all his responsibility. Hakoda : Maybe that's his way of being brave. Katara: It's not brave; it's selfish and stupid! We could be helping him, and I know the world needs him, but doesn't he know how much we need him, too? How can he just leave us behind? Hakoda : You're talking about me too, aren't you?

This is twice Aang has been directly paralleled to one of Katara's parents, whose repsective losses have clearly affected her greatly. This is also extremely poignant, since we've been explicitly told that Aang's love for his own lost family, the Air Nomads, was reborn into Katara. For Aang and Katara, the ways they deal with their losses influences how they pursue each other romantically.

Of course, there's also the ✨️ immediate threat of death and physical injury✨️. Aang and the rest of the Gaang, but particularly Aang is constantly being chased and tracked and endangered by the Fire Nation and he is meant to face the Firelord and defeat him. There are a lot of possibilities for something to go horrifically wrong here.

From Aang being half dead when Katara found him, then almost immediately getting kidnapped by the prince of the goddamn Fire Nation, to almost every villain of the week shenanigan, Katara already has good reason to worry for Aang.

But then the reach Ba Sing Se and things get even worse. Jet, Katara's only other canonically confirmed love interest dies, and Katara is helpless to do anything about it. This is already enough to make someone reconsider future romantic endeavours, but surely it can't get any worse, right?

Oh yeah, Aang FUCKING DIES

He gets blasted in the back with lighting, right as he enters the avatar state, right before Katara's eyes. The saviour of the world, but more importantly, her dear friend, brutally cut down before her very eyes. And Katara, a child, is the only person with even a sliver of hope of bringing him back.

So is it really any surprise that Katara, having experienced loss before multiple times over, and almosf having lost Aang himself, would be hesitant to enter a romantic relationship with someone being actively hunted by the greatest military in the world, someone obligated to take on the leader of said military?

Katara is afraid. She's afraid of opening her heart up to loving Aang and then losing him after that. This is the main reason why she hesitates in initiating her and Aang's relationship. Whenever Aang tries to brooch the subject, she brings up the war and the Firelord, but due to being a child, she struggles in communicating her exact feelings, which leaves Aang confused and of kilter. Katara often gives Aang romantic attention, and clearly feels rather possessive of him, however, she is not ready to enter a romantic relationship due to the threat of the war looming above their heads. But due to being 14, she doesn't know how to explain these feelings, which is what leads to the minor conflict between her and Aang. Because, you know, they're both children in a situation that children aren't built to deal with.

Katara : Aang, I don't know. Aang: Why don't you know? Katara : Because, we're in the middle of a war, and, we have other things to worry about. This isn't the right time.

It's important to note that Aang isn't exactly a bad person for wanting this relationship to be made tangible. He does push boundaries, and kissing Katara without her consent in the Ember Island episode is obviously a horrendous misstep (which he acknowledged), but I think you can at least understand his motives. He may soon die, after all, and he wants to love Katara and wants to express that love before he possibly loses his entire goddamn life. I think this can also be traced back to how Aang deals with the genocide of the Air Nomads and vs how Katara deals with the death of her mother.

Aang certainly blames himself for the death of the Air Nomads, although this guilt is unfounded. Perhaps part of him believes that if he'd just stayed with them, spent a little more time with Gyatso, he could've helped them. It wouldn't be a leap to imagine that Aang wanting to spend more time with those he loves, including Katara is a coping mechanism surrpunding that loss.

Now juxtapose this to Katara, who's entire encounter with Yon Rha is permeated by helplessness and fear, an 8 year old Katara being unable to do anything but run away and try to get help, sadly not in time for Kya to survive. So Katara trying to assert some control over her relationships, maintaining a certain distance to Aang while the war that robbed her of her mother is still in full swing isn't an improbable concept. She's trying to not feel that helplessness again.

(Katara probably blames herself for her mother's death too, but it has less to do with Katara's actions and more to fo with what Katara was; a waterbender, something she hasno bearing on)

This is why she initiates the kiss with Aang at the end of the show. Not because she feels the need to give in to his advances due to him being the hero of the world. Not because she's caving to his insistence or because she's pressured. But because the possibility of Aang getting fucking murked by glorified pyromancers are significantly lower than they were during the war.

This is not a 'taking one for the team bcs I feel like I have to due to Aang saving the world' type of smooch. This is a 'finally I feel safe to express my feelings' type of smooch.

To be completely honest, I don't like how Kataang was handled post day of black sun, I think it was an unnecessary addition of a redundant "will they, won't they?" aspect to the relationship. Teasing Zutara in the last few episodes was also just unnecessary, because it was obviously never a viable endgame relationship and it only served to give kid zutara shippers false hope. This is especially fucked up looking at how the same zutara fans were later mocked by the creators, which, no matter what you think if the ship, is a horrible thing to do to a bunch of teenage girls and I think has contributed to those teenage girls growing into bitter, aggressive adult zutara shippers.

But, as much as I dislike this storyline, it does make sense for Katara's character and is an interesting and touching 'silent arc' for her to have. We often see characters fall in love in the midst of a conflict, but we aren't always shown how that conflict would affect the way they look at their relationship, so I appreciate this storyline for what it was.

[narrativelysignificantturtleduck]

i'm fully willing to accept that sokka's weird "play hard to get" advice in "the fortuneteller" was just the writers (rightfully) making fun of that type of dating advice however there's a part of me that's still like. HOW did sokka come up with that. there were no girls his age in his village besides his sister so presumably he's only had 1 single romantic encounter (suki) by that point and that very much did not involve him being aloof and uninterested. yes he's lying to aang about being romantically experienced and probably pulling it out of his ass but why is that what he comes up with.

after pondering, i think there's a few possibilities:

hakoda. now, i don't think it's romantic advice hakoda would give. he's a friendly guy and presumably pulled kya just by being, y'know, sweet and funny and hot. however i CAN see him saying it as a joke. like he says something goofy and kya rolls her eyes fondly like "why did i marry you" and he's like "definitely my cool unattainable mysterious appeal" and they both crack up because he was actually adorably down bad. only thing is, baby sokka does not know that and takes the joke at face value. that's how dad said he got mom! but dad was joking. dad actually tripped over himself and fell face first into the snow when she smiled at him

some older kid in the tribe. there are no girls sokka's age in his village but i have to imagine there are other villages in the tribe, we just don't see them bc after the raid the villages got more isolated and more mobile (tents over igloos) to avoid detection by the fire nation. so baby sokka had a baby crush on a girl from another village and an slightly older boy (someone who would later be just old enough to go to war with the men and leave sokka as the oldest boy in the village) tried to give him Sage Advice. but sokka was 10 and the kid was 14 so it was Bad Advice

bato. this is the funniest option to me bc "play hard to get" is such childish advice for a grown adult to give. but it kinda fits with the whole bakoda storyline of bato quietly pining for hakoda for years. worked so hard at maintaining Maximum Aloofness that the guy he liked didn't realize it for decades

katara. okay actually maybe THIS is the funniest. she found out sokka had a crush on the girl from the other village and thinking her brother is gross and icky and no girl should have to deal with that she said hey. you know what girls like? when you pretend you're not interested :) baby katara is so cute and so full of mischief <3

[herdarkestnightelegance]

Magpie Stash

Pairing: Astarion/ g/n unnamed Tav Tags: fluff, trauma Length: 1k words Summary: While looting, Astarion comes across items he wants to own.

A/N: Another headcanon which I may have shared with some of the talented fan fiction writers out there before. So, if that’s the case, don’t come for me! But holy Hells this got much longer than I planed! I guess this is s drabble now? Or a whole ass fanfic? You tell me 😂

Thank you wonderful @nyx-knox for the beta reading! It was *chef‘s kiss* ✨

::::::::

Astarion has not owned anything in 200 years.

The only things he could call his were his wits and the clothes on his back - and both he cared for and mended meticulously.

But suddenly he’s part of a ragtag group of strangers, and he finds himself looting a temple not far from where they crashed with a damn Nautiloid after being abducted and infected by mindflayer parasites. And frankly, he’s not entirely sure what part he finds most surprising.

Finding food, weapons and healing potions is a priority. For the others. Not so much him. Honestly. Why should he bother looking for food he won’t even eat? He doesn’t know these weirdos.

But he humors them and even aids his positively helpless companions by picking locks. And as he opens the lid of a gilded chest, something catches his eye.

Beneath old parchment and a rotten carrot he finds …. pretty things? There’s a particularly sparkly ring. A skilfully bound book with gilded letters on the cover. A fine silk scarf hemmed with the most delicate fell-stitches …

He has no idea if those items are of any value. They certainly are useless for the group. But … they are beautiful. And he wants, no he needs to own them. So without giving it too much thought, he takes them.

He has no intention of selling *HIS* items to the vendor they meet at the Tiefling Camp. Hells, he doesn’t even have the intention of showing them to his companions.

He wants these pretty things for himself, he wants to keep them safe. The spawn siblings used to steal from one another all the time, so he’s used to being protective over his meagre possessions. Can’t shake 200 years of hypervigilance that easily.

::::::::

Over the next days and weeks of travel, Astarion fills up a little purple leather pouch with whatever catches his eye. Going through the diverse collection of beautiful bits and bobs for a few moments before meditating becomes a secret source of calm for Astarion. A soothing ritual, especially after the more straining days.

Which is what he’s doing now. He sits on his bedroll cross-legged, inspecting the things. His things. His little private treasure trove. That he owns.

A bejeweled comb, random gold coins, a tiny picture frame containing an even tinier painting …

The only piece of his treasure that gave him more of a bittersweet feeling had been a silver hand-mirror he had found in the goblin infested village. To be honest, he was not too mad when he accidentally smashed it in frustration the other night after talking to Tav.

Tav. Their unofficial leader. They never seem to have a problem sharing the things they find. They share their food with the group, their scrolls, and they even gave Astarion that freakish but intriguing tome they had found in that cellar. Far too generous, if you ask him.

As Astarion packs up his collection he hears coughing outside. Again. It’s been going on all night.

He peeks out. Tav is on second watch. The night is cold, and they just added another log to the fire. Still, the cool wind is picking up and Tav pulls their cloak close around their neck - which unfortunately does not prevent the coughing.

For a moment, Astarion considers just ignoring them, letting them hack up a lung. But to his dismay, he … cares? He finds he doesn’t want Tav to be cold or sick. But it’s just because he just doesn’t want their coughing to get annoying. That’s all. Obviously.

So he leaves his tent and saunters up to their leader, who greets him with a sleepy but friendly smile.

Astarion holds out his hand to Tav, holding a long piece of white fabric. He’s offering them his beautiful silk scarf with the immaculate fell-stitched hem that he had inspected a lot over the past weeks.

„You’re coughing too much, darling. It’s keeping me up and I do need my beauty sleep.” he says with mock indignation and his trademark smirk.

„Thank you.“ Tav says as they take the scarf from his hand and wraps it around that oh so delicious neck of theirs.

After an awkward moment of silence Astarion offers a final „Well. Good night, my dear.“ with a courteous bow and walks back to his tent.

He can’t help but wonder at the strange feeling in his chest. Tav can and will never know just what big of a deal this small gesture was for the pale Elf.

For the first time in 200 years Astarion gave away something that was his simply because he wanted to. He wanted them to have it. Because they needed it more than him. And not only that. He does not even expect anything in return. How in the Hells did that happen?

He’s sure it’s nothing.

:::::::

A few years from then, Astarion finds himself in the cellar beneath Tav’s and his home. He’s looking for something, and he’s sure it has to be here somewhere.

“Aha!” From the trunk before him he pulls a skilfully bound book - even though the gilded letters on the cover have worn off with time.

He opens the book - and huffs in relief. And nervousness. It’s still right where he left it between the pages all those years ago.

Hidden inside the old book lies a particularly sparkly ring.

He smiles. A lot has changed since that day they looted that temple and he found his first little treasures. Back then Astarion couldn’t fathom sharing his magpie stash - or anything, for that matter - with anyone. And now? Now he shares a home with the person he loves. And he plans on sharing so much more with them.

What better way of showing that than by proposing with the first thing he ever called his? Because now there’s only one thing, or rather person, he wants for himself. The one person he wants to share everything with.

He looks at the particularly sparkly ring.

Yes. This should do nicely.

So, and on a completely unrelated note: When does a headcanon become a full on fanfic lol?

[running-with-kn1ves]

BELONGINGS

Orc x Kidnapped human reader (Gender neutral)

A/N: Literally NO ONE asked for this but I kept seeing all those shrek/swamp romance tiktoks and got inspired to do some orc stuff. Man I love orcs... like big dumb bugs personified. (also ignore the experimental latin pet names idk what im doing)

CW: Kidnapping, forceful holding, arson, raiding, kind of just angst fluff?

Word count: 2600

You knew the excitement of your life would never move past the blandness of day-in day-out work to survive, not as one without any bestowed or taught brow-raising talents that could lift you away from the mundane daily life you held in the wispy fields of the woodlands. 

As a realist you concurred that you’d never be the breadwinner in your family, maybe not the strongest when hauling crops, or the smartest when it came to solving passed down arithmetic equations from your cousins’ old school books. But as a child you always took comfort in the thought ‘at least I won’t be chained down, won’t be tied to some ugly pig farmer for a couple shillings.’ Your family valued you that much; well-- your working hands, that much. ‘One more body is one more mouth to feed’ you were told time and time again, but you pulled your weight and then some. 

You had little time to think outside of planting, weeding, bathing and eating. Meals and getting rid of the dirt covering your soles that you were scolded for after hours of being in the damp pastures were the only down time you had to yourself, not surrounded by the screaming nieces and nephews you were expected to take care of when the elder of your family members eventually passed from whatever disease ran rampant in the village the coming winter. You prepared your life, prepared for taking care of others and continuing your hard work in growing what you needed to survive, and selling what you didn’t. 

Unfortunately, that humdrum future was wiped out by swirling flames and the braying of stallions of mountainous size. They came in, trampling the greening cranberry bush you were planning to keep all to yourself, and the cabbages your family would have relied on for meals for the next two months before winter fell. 

Persimmon trees were burnt to crispy thorned stumps, the lush of your family’s acres now shredded to flecks of dead grass and muddy hoof prints, along with humanoid footsteps far too large to resemble any of the humans or disfigured hybrids in your teensy rural hamlet. Who were these unwelcomed strangers, the enormous creatures of the night that disrupted the only human civilization for miles around? You remained clueless for the entirety of being ripped out of your bed, continuing to be hauled over some olive-colored shoulder and thrown into a sack on the back of a wagon. 

“This one.” You heard, right before your dirty finger nails were pulled away from your twin beds fading sheets you desperately tried to keep. You had even managed to bring a small, lumpy pillow along with you, the creature that slung you over their shoulder leaving no assumption of a notice. You witnessed the still-burning remnants of your frail thatched home, as the silhouette of a muscular man lowered a flamed stick to its leftovers. 

The entirety of the bumpy ride to wherever your captors were bringing you to, you could only think of the fires holding onto the greenery of your land, of the dirt and rubble and smoke that clawed at your feet when you tripped into the wagon, burnt air choking you as a baby screamed out for its mother. 

Hours must’ve passed before you were brought into this musky, dank room with other fading faces from your village, but it only felt like a few moments ago that you heard the crackling of a fiery tree crushing rows of perking crops. 

The snapping of fingers nearly as grimy as your own blocked your recollection of clouded smoke and angry flames, bringing your attention back to the leather hut you sat domestically within. It was damp and dark inside, the light of torches outside being the only form of light. That, and the reflection of the metal on the warrior in front of you. He turned back, thumbing toward you as he looked at a similar creature.

“Agh, its no use, practically fucking deaf this one. Sure you don’t want one of the mothers?” 

The other orc slapped his fellow warrior on the shoulder with a hearty laugh. 

“No, my friend. Besides, sweet things’ only other option is Brutus. Don’t think he could last with one of these poor creatures without splitting it in two; ‘specially this one.” 

You were suddenly and acutely aware of the orcs conversation, now that your fate was being so clearly decided in front of you. 

The first, far sootier orc patted his fellow brethren on the chest as he turned away with a look that showed he was hardly convinced. Yet, he still walked out of the tented hut, ducking slightly to fit under it. 

You watched him leave, feeling a sense of relief as the threat had been removed. And yet, there was still one so prevelantly in front of you. 

“Hey there.” A guttural, almost faltering voice murmured to you. 

Eyes growing wide, you gripped harder onto the smushed pillow in your lap, instinctively leaning your upper body backward to get away from the orcish face right in front of you. 

“I’m not going to hurt you,” The orc gruffed, falling to a crouch as he watches you slide to the edge of the hut’s leather wall. “Just wanna see you up close.”

He consumed the entirety of your fearful attention, his existence like a heavy weight in the room as the quiet tension aimed at him. You pushed your head painfully against a wood pole behind the leather walls, trying to morph your body any distance away that would provide you a miniscule fraction of comfort. But none came, especially not when a sudden warm finger pushed into your cheek. The green thumb pulled your upper lip, showing the ends of your teeth. Your other cheek smushed into your eye as the orc did the same to the other side, observing your poor excuse for chompers compared to his large, well-groomed tusks. 

“Guess these’ll do. You can atleast chew meat, right?” he pulled your jaw open gently, making your lips part. “Don’t wanna have to feed you like a baby bird; though, that wouldn’t be the worst of troubles.” 

You slapped his hand away, grimacing at the idea of being fed by this beast-creature. 

“I can eat perfectly fine.” You grumble, noticing how stiff the orcs arm was, still holding out beside your face as it rests dejected. “What does that matter, aren’t you going to eat me anyway?”

You keep a frown on your face, glaring up at the crouched brute. 

He let out a hearty laugh, those around you turning away from their miserable memories to face the strident disturbance. 

“So cute, as if you’d be enough to feed an orcling!” He let out another chestful of a laugh, grabbing at your cheek this time with a pinch. “My little to-be spouse, I knew you’d be worth the trouble.”

Wincing in pain, your fingers came up to try and pry his rough, printless thumb off your salty skin. 

“So adorable,” He throatily squealed, dragging you closer by the cheek to stumble into his chest. The only thing covering the caverned flesh of deep holes and ravined slices in his skin were straps of bull leather, and the furs of cottontails sewn to form a thin shawl around his bulky shoulders. 

He smelled of a foreign musk, the slight piquant scent of his skin being swallowed in by your nostrils as your lips smushed against the dip in the middle of his chest. Something sharp poked into the side of your face as you were held tightly against the orc, making you muffle against him to let you go. 

“You’re right you’re right; we should have some privacy-- and you, should get a chance to see your new home. My home.” He huffed against your ear, humid breath making your neck sweat as tusks touched the top of your head. “Name’s Xerxes, don’t forget it-- make sure you tell it to any orcs that try n’ talk to you.”

“Wait now--” Your aimed attempt of protesting was cut wrongly short by the sudden grab of your ankles, Xerxes beginning to stand back up as he dragged you with him. Before you knew it you were upside down, hollering as fat fingers made their way around your tibia. A shoulder jutted into your soft stomach, throat heaving as Xerxes began to move. You saw your lone pillow left on the ground, growing farther away as the large legs belonging to your captor moved from below your vision.

With every huge step he took, the harsh necklaces of teeth (which you prayed belonged to animals) dug into your side-- huh, so that must’ve been what was scraping against your face earlier. They clinked together as he walked, his body so rigid and unorthodox that he made a sound whenever he moved, whether it be a snorted grunt or the stomp from his feet, or the shift of his clothes and sheathed weapons. 

Xerxes didn’t open the leather flap of the hut sahe carried you out, walking straight as it brushed across your head. You shut your eyes in an unavoidable flinch, but the orc hardly noticed as he adjusted you on his shoulder, grabbing right below your thighs to hold you steady. 

The brilliant idea of beating and scratching his back enough to get free was so enticing you were on the brink of trying it-- but the orc standing outside the hut you just left, the unfamilliar darkness of the grasslands surrounding you, made you think twice. 

And just like that, your world spun and you were tossed inside what must’ve been another tent, a blur of oranges from fiery torches and grey browns of animal hide entering your vision. Something soft hit your back as you let out an ‘oof!’ from the depths of your chest. 

You scrambled to get back up, alert now that you were thrown in some different environment. But as you clambered to look around, whipping your head from side to side, all you saw were reddish walls of leather and two warm torches, along with the occasional spread of a map or a scribed foreign language.

This tent was much smaller than the last, not meant for a community to rest in. Instead, it was about the snug and spacious size of a room for only one to sleep in. The softness of hairs touched your palms, layers upon layers of furs covering beneath you to create a small lump of a warm, makeshift bed. 

“Look at this,” An excited, guttural voice begged of you. “Been keeping it since forever; saw it in some… abandoned goblin grotto, once. Couldn’t help but take it with me as a memento. As soon as I saw it, I just knew it’d be the perfect gift for my future amasiuncula.”

You could taste the lie on your tongue, as if it was thick in the air once he spoke it. Orcs didn’t just ‘find’ things, the destruction of your teensy village showed you that much. But that didn’t matter, not when the piercing blue of a silk fabric dazzled at you. Why, you had never seen something so plush in your life. It was surely just a base blanket-like piece likely once spooled for the future of becoming some sort of clothing or undergarment; it was still so silkenly smooth nonetheless. Your fingers traced the perfect fabric, its sensation nothing you had ever felt in your years of living as a farming peasant. The softest thing you’d ever touched were the baby calfs your far neighbors had bred into existence. 

“See how soft it is?” Xerxes said with a slight sputter, bringing the silk to your cheek. “Like a cloud… it’s yours. My engagement present.”

You looked back up at him bewildered. “Engagement?” 

“A present. Orc tradition is to offer a gift of richness; the wealthiest thing I could get my hands on.” He covered you in the silk, wrapping your shoulders in it as he pulled you from the furs to his bare lap. You would’ve resisted given the chance, but the orc smugly kept the silk around your arms, bringing the other side of it to wrap around you, pulling it tight; you could hardly move yourself now, shoved in this warm softness of a cocoon; it frightened you. But the tusks pressed against your cheek, chewed lips touching your temple as a tongue gently poked out to swiftly press against your skin, made you fear something else more. “Always wanted a human..” The orc exhaled, audibly sniffing in the scent of your hair. “Been looking for a good once for a while now. One that’ll be nice and docile, a sweet little foal for me to enjoy--” 

You slid your arms against the suffocating silk that was beginning to build heat. “I don’t think i’m what you’re looking for, besides I’m not--”

“Oh but you are,” Xerxes cut you off, leaning his orcish face close to yours to make you look at him. “So.. soft, your skin is like obsidian smoothed and frosted by the tumbling of waves of the sea, so polished and spotted I can’t help but want to keep it in between my fingers.”

Beads hung low by his neck, attached to rings of metal that pierced large holes in his pointed ears. The black and silver balls that dangled would jingle when he moved his head to get a better look at you, along with the wire and metal ornaments wrapped around the braids in his hair. Despite the undercut he fashioned (that you could see better now), a great mane of thick brown hair traveled to his shoulders, tickling your neck as he squeezed you closer. You felt almost like a baby, swaddled and pressed close to his large beating heart that thumped against your shoulder. 

“And oh your dainty little fingers and toes, when I saw them peeking from your bedsheets I knew grabbing them with would be no mistake.”

The orc nuzzled into you with his flat nose, warmth spreading against your cheeks as his sunken face created friction. You always sort of thought your fingers were quite round, your toes a little mishappen, but compared to him, your entirety was merely like a child’s straw doll’s. 

“I don’t want to marry you!” You blurted, freezing as the orc kept himself nestled against you. “I wanna go home, I want to go back to my bed and forget this-- I'm not some little trinket to mate with!"

Xerxes gave you a look. It was so smushy, an embarrassed grin like some pubescent boy watching his crush undress. It was perverted, so snickeringly crude as he bit his lip at the word "mate."

Ahh, he heard his fellow warriors, his chief in command even, discuss their "mates" with lustful wonder and candied eyes that danced with images of their beloved, their spouse. He had never had a person, never had a soft warm thing at night to hold, for him to bully himself into; it was hard to contain the joy inside of him, even with your rapid repeating of "no no no!"

"Mate…" He repeated. 

"I said NOT to--"

"But you said it; and now… I can't get it out of my head, dulcis." Xerxes was snug against your wiggling chest, pressing his freckled cheek against yours to make your lips pucker. He was unbelievably, fiery warm, with a heat under his skin that you wondered was just a layer of embers. 

The mixture of the orcs body heat and the humid equinox night made sweat cling to your dirty skin, the satin coddling you now feeling stickier.  “Now, I s’pose its time we get you looking like a proper orc, smelling like one too. Like me,” Xerxes pressed his tusked mouth below your ear, protruding lips pressing a deep, slightly nipping kiss to below the corner of your jaw. “Get rid of this disgusting… exhilarating human stench.”

[teriri-sayes]

Reactions to The Incomprehensible's Chapter 344

New title - 44. What The Heck Are They Doing?

Brief summary: Cale tells Aurora about his plans to pretend to be Arm and confuse the game world residents. Aurora treats Cale as the God of Wealth after receiving gems from him.

==========

Not much happened today except for Cale telling Aurora about his future plans. With the 6th Battalion fully captured thanks to the overpowered DA, Cale summoned rain via SEW to put out the fires in the village.

The next step of the plan was to identify themselves as Arm. The ones who attacked the 6th Battalion was Arm, not the Arbitrators. Arm were GoC followers, and was a secret group raised by GoC. They attacked the 6th Battalion to turn them to sacrifices for GoC.

Demons used gray-colored powers, and GoC followers also used a gray-colored power, so most people would find it hard to distinguish between a demon and GoC follower. Cale would release a few prisoners to report to the Demon King that it was the GoC follower group, Arm, who attacked them in the village. 😂

Meanwhile...

Cale: Miss Aurora, who are we? Aurora: *scared of Cale* We are Arm. Cale: Yes, we are Arm. *smiles brightly* Raon: Human, are you finally going to strike the back of their heads? I'm excited, hehe! CH: Hmm. I guess I have to act hard as an Arm member. Raon: No! Choi Han-ah, don't do anything! You're great just by standing still! Just stand still with me!

CH still wants to act hard. 😂😂😂 Fortunately, Raon was there to stop him. 🤣🤣🤣

Lastly, our golden turtle got upgraded into the golden god, aka the God of Wealth. 🤣🤣🤣

Aurora lifted her closed eyelids, determined. I will definitely do this- “Huh?” But what came out of her mouth was a dazed voice. “Huh?” Once again, she sounded dazed. Her gaze was frozen in front of her, unable to move. “Huh?” She couldn't help it. She could hear Cale's voice in her dazed ears. It was still soft and gentle. The voice that had frightened her continued, “Time and manpower. Let's cut back on that.” The corners of Aurora's eyes twitched. “And finding a new headquarters base, moving the village demons elsewhere. Let's do it all quickly.” Aurora closed her eyes, then opened them. “Ah-” But the dazzling jewels were still there before her eyes. Gems that were piled on top of Cale's two palms. Those sparkling gems, so finely crafted that it was hard to fathom their value! “Take them.” Aurora took the jewels from Cale's hands with her own shaking hands. Then Cale pulled out another subspace pouch. “There are gems in this one, too.” Gulp. Aurora swallowed hard. She looked at Cale with trembling eyes. Cale said with a gentle smile, “Let's save time and manpower with money. We can do that, right?” He was right. Aurora nodded. With these gems, yes. “And let's make sure we have a new home, too. We're Arm, right?” Aurora's mouth opened. Her lips trembled. She let it out unbidden. “Oh, dear god.” For the first time in her life, Aurora found god. Yes, this man in front of her was a god. A god of wealth, too. “Hmm?” Cale's smile turned a little shaky at the unexpected answer.

Aurora got converted to Caleism. 🤣🤣🤣 Because of the power of Cale's ✨money ✨.

Ending Remarks The last part had me laughing. 😂 Next chapter would be... I dunno. Cale's business in the Demon Realm seemed to be over after he sponsored Aurora and told her of his plans. Does that mean he'll be returning to Aipotu then? Or will Cale himself interrogate Count Deshran, extending his stay here because of some new info he might get?

[hazerun3]

I just saw your post about the difference between passive and swan. I'd like to ask the difference between young swad and dream?

shittier doodle this time cuz Im getting tired but the ramblings are probably more unhinged

I dont have particularly strong feelings on dream so this is gonna be mostly younger swad and comparisons to dream when needed

-Views social interaction as inherently transactional and as a game that he can learn to play (he doesnt realise that in the village he was never going to be a player on equal ground, this is why after his ascension his persona is more deity ified rather than a king or smth like nm cuz he wants to be Above it all and in control.)

-Been obsessed with swan even as passives (His Duty to help people got drilled into him, the village feels entitled to his help and swad slowly grows tired of them, but his little brother is always kind to him and doing things for him feels so much more rewarding [tho eventually the village tries to stifle any attempts swad does to get something nice for his brother which frustrates swad so much and swan not asking for anything and just being happy to see him and trying so hard just to make swad happy, even as hes hurt fuels this.] so the mix of the sense of duty, him being the older brother so self imposing a sense of responsibility and swan being nice to him leads him to adopt a mentality where Swan is the only one whos special and actually cares about him not just what he can do for him, but with the way hes raised by the village he tries desperately to try and do something for swan in return cuz he still feels like hes failing in his part of the social bargain)

-Also the cult village placed sooooo much value on stuff like never being angry, always being happy :), youre not allowed to be mean, you Must be hardworking all the time, visibly showing that youre sad is Evil. And swad seethes constantly cuz no one in this fucking village follows that and the one person who embodies all these values the most is swan (who everyone still hates for reasons inexplicable to swad, who believes theres still a way to get swan out of his outcast status if the village just realises that swan is the kindest soul in this rotten place.)

-Dream maintains a more "child" status in the village even as hes older than when swad fights to "adult" status, seeing it as a way to get more social power cuz he picked up that Adults have more power than Children but lol not for him, he just gets to have more responsibilites, the expectation to cut off swan and no money OR gifts for his work cuz gifts are for children doing chores not working adults and since its both swads duty and the fact that he doesnt have anything to spend it on that wouldnt be spending it unwisely they just dont pay him at all! and also hes an object not an adult to them so rushing to try and be an adult backfired miserably

-Swad loves listening to swan read stories to him, reallly wants to be the Prince who saves the damsel and sets his enemies on fire and he projects that persona

-Both he and dream were taken hunting I think, but dream didnt take to it (he had a knack for archery but as soon as he was told to turn that arrow on an innocent bunny he couldnt do it, his more "child" status helps him get out of it) swad was also aprehensive at first but since he places a lot of importance in being the Older Brother and being responsible (also he wants to kill people) so he shoots the bunny, he feels bad and cries about it to swan but he cant let go of the feeling, the smell of blood, the idea of that being someone who hurt swan

-in my head he killed people already lol (used the hunting trips as cover but his hit list is soooooo long and he gets less and less opportunity...)

-he loves shiny things so much but being materialistic and greedy is one of the sins, swan cant get him anything but he does press little flower ornaments for his brother and so much flower jewlery so that swad can roleplay being a prince.

-he hates everyone soooooooo much <3

[closetsof-backlogged-dreams]

okay so I’ve seen and loved a bunch of these posts already but everything u say is immediately correct and amazing and sending u asks is the best

opinions on why zukka works and makes sense as a ship and if you think it could work in canon (outside of fanon)?

I CANT BELIEVE YOU JUST MADE MY ENTIRE LIFE COMPLETE AND FULL BY ASKING ME THIS QUESTIONNNN (strap in folks hold on to your hats keep a good hold on your bladders bc this is 10+ years worth of BUSINESS)

Why "Zukka" works and makes sense as a ship

something i've discussed THROUGHLY with my notes app and a school slides presentation is that Zuko and Sokka are both direct parallels AND contrasts to one another, at the same time. i'll list them out here:

Their fathers' roles in their lives

Both Hakoda and Ozai were the leaders of their respective nations, with Sokka and Zuko as the heirs. Then, they both become absent in their sons' lives and leave them to fend for themselves.

This is a parallel, but this is also where they contrast. Sokka's father left to go fight in the war, a noble and honest pursuit, and left Sokka to protect his sister and the village.

Ozai, on the other hand, cast Zuko out of the nation and forced him to protect and defend himself, while effectively turning all their people and his own sister against him.

Their sisters' roles in their lives

Despite both of them being the oldest sibling and brother, they both have severe inferiority complexes due to their younger, powerful bending sisters.

With Katara, she was the only waterbender in the entire tribe, a marvel. She could learn to protect the tribe in a way that Sokka had been trying all his life, and she eventually does. Despite all this, Katara is still a grounding and valued person in his life, and he would be completely lost without her (something he openly admits to in canon!!)

With Azula, she was a prodigy firebender, while also being a special kind of keen and cunning. She was adored by their father and grandfather and Zuko could never quite measure up. Because of this, Azula is the main villain in Zuko's childhood. She does everything she can to break him down, and that continues when she returns as a character in his life in season two. All throughout the show, instead of being a source of comfort and familial love, she is his main obstacle he must overcome.

The loss of their mothers

Both Sokka and Zuko lost their mothers at very young ages to the Fire Nation, but they had vastly different impacts on their families (and further developed their sisters' roles in their lives!!)

When Sokka's mother died, she was killed by a Fire Nation general. Katara quickly took over the motherly role in his life, cementing her place as a grounding and comforting force. Her death also did not break their family. It deeply hurt all of them, but Katara, Sokka, and Hakoda still loved one another just as much as before.

When Zuko's mother died (obviously not really, but this is what he believes for many years), she was "killed" in order for his father to ascend to the throne and become Fire Lord. This left Zuko without anyone to protect him from Azula's tormenting and cemented her place as a destructive, villainous person in his life. Ursa's death also did destroy their family. Whatever way she had managed to keep them all together was eradicated, and Zuko was left with a sister and father that resented him and a sister fighting for his place in the line of succession.

Their obessesions

Both Sokka and Zuko had two bone-deep obsessions that were very defining parts of their characters in the first season, that slowly wavered and faded away as the story progressed and they developed as people. They were both given these obsessions by their fathers immediately before they became absent in their lives (whether leaving themself or sending their son away) and proceeded to dedicate their entire life to these goals in the name of honor.

With Sokka, his father asked him to protect his sister and his village. Sokka then dedicates all his time and energy to becoming a brave soldier and training the children of the village in order to protect his people. This is seen further in season one even after they leave, when he is overly protective of Katara and constantly worried for her safety (something this fandom doesn't talk about enough!!)

With Zuko, his father sent him on a wild goose-chase to find the hundred-years-lost Avatar, and when he actually does, all he can do is chase after Aang so he can go back home. As we see in season three, letting go of capturing the Avatar was essentially letting go of his former self.

Unlearning their flawed cultures (the big one!!!!)

Both of their cultures had many flaws that became ingrained in their belief systems and characters; their whole development is dedicated to unlearning these flawed teachings and reorienting their perception of the world.

It is very obvious throughout the shows that the Water Tribe had strict gender roles that were both implicitly and explicitly taught from birth. The men go off to fight in the war, the women take care of the children, Sokka has to protect his "defenseless" little sister, etc. Suki helped start him on the journey of unlearning his deeply-rooted misogyny, and by the end of the series he's really drinking the Respect Women Juice™️ (unlearning the flaws of his culture also brought him much closer to his sister and strengthened their bond and respect for one another)

The Fire Nation is a lot more complicated with a lot more cultural nuances and implicit and explicit teachings, but we'll focus on one central cultural theme: the constant prioritization of ambition over absolutely everything else, including (if not especially) love. (I actually talk about this extensively in another analysis post about Azula, if you want to check that out<3) We see Zuko battle with this teaching all throughout the series, and it is the main conflict he faces, at its heart.

We watch him commit his entire life to capturing the Avatar in season one. We watch him betray his uncle in season two. We watch him, time and time again, put his own health and safety on the line trying to capture Aang, especially in season one. Constantly, over and over again, he puts his ambition first because that was what he was taught.

And though this is a trait him and Azula share, it is also what pits them against each other. Azula's entire character is built on putting ambition first, and that leads her to chasing the throne that is Zuko's birthright. Zuko just wants to go home, but that would reestablish him as the heir to the throne. Time and time again, we watch them fight and betray each other, constantly battling for this crown for a broken nation. In the end, it is Azula's undoing, but that's another post.

All in all, unlearning the flaws of their culture is central to their development as characters and a place where they parallel... but it is also a place where they directly (and perfectly) contrast.

Despite the cruelty of the Fire Nation, they are the only military that includes women. They seem to not really struggle with the same gender roles the rest of the world does. They may be colonizers, but they're not misogynists. Zuko never looked down on his sister because she was a woman, nor did her father. It was always her propensity for cruelty that undid her. (They even send a team of highly skilled women to capture the Avatar!!)

This is a direct contrast to the teachings of the Water Tribe, which are entrenched in misogyny and gender roles. The men go off to war, the women stay behind. The men are strong, the women are weak. Can you imagine how much Zuko could have assisted Sokka in his development here? (blah blah directly paralleling Suki's role in Sokka's life blah blah blah)

In the Water Tribe, love and family comes before everything. We see that time and time again. Sokka's main priority, every time, is his sister and his tribe. They stick together. They love one another. They are united, with one person leading them as a group but not standing over them like a tyrant. "Ambition" seems like a mostly unheard of concept in their nation. The only ambition we ever really see from Sokka is when he's trying to protect his tribe (season one finale)!!

Can you imagine how much Sokka could have helped Zuko unlearn his constant prioritization of ambition?? Like, come on. All the things Zuko was left to stew with and angst over all on his own Sokka could have gently taken into his own hands and shown him the way. Like, it actually makes me go feral just thinking about it. Sokka could have helped Zuko so much!! (pushing the Ba Sing Se Zukka AU rn)

Consensus

Okay, let's recap. It looks like Zuko and Sokka are both direct parallels and contrasts, paralleling in the ways that allow them to understand each other but contrasting in the ways that help them heal one another. Like, it's actually insane. I really don't know if it was intentional or not but it's really just so perfect. They slot together perfectly as characters. I hope this all made sense😭😭

Could "Zukka" work in canon?

Now, this is tricky. Believe it or not I'm actually really glad they didn't make Zukka canon. ATLA had a huge problem with writing good romance, and in the canon we saw in the show, neither Sokka or Zuko were in a place to get together.

I've enjoyed my fair share of Zukka AUs where they get together before the end of the war, but you and I both know that would have been a hot mess. (Both of them just weren't ready, they were both in relationships, and sorry but they were kinda busy—Katara was right about the whole "there are other things to worry about.") If they were ever to get together in canon, it would have to be years after the war ended.

Let's address a few things that needed to happen before they could ever have gotten together:

Finally admitting that Maiko was just an extreme example of comphet

Zuko did not give a single shit about that girl. Like. He didn't even personally go get her out of prison WHEN SHE WAS LITERALLY ARRESTED FOR PROTECTING HIM😭😭 And then they try to play off their story as some big epic romance?? uhhhh no

(really, Mai was in long-time unrequited love with Ty Lee that was finally requited after Boiling Rock but idk if society is ready for that yet)

Not to mention, Azula literally forced both of them into that relationship, but if I get started with that I'll never stop so. Moving on.

Figuring out Sokka and Suki

Okay, so while there is a good chance that Sokka and Suki could have made it work in canon, there is also a good chance they would have broken up. They both had very different priorities: while they both did care about overall world peace, it was obvious from Suki's first introduction that her Kyoshi Warriors were her top priority every time, and Sokka's was his tribe, his found family (Aang, Katara, Toph, Zuko, yk yk), and world peace at large. You're telling me those don't conflict? Especially because they really seem like a Piper/Jason situation, where they found comfort and love in each other during wartime but wouldn't have known how to keep up the relationship without the constant threat of death.

Overall, in order for Zukka to work, Sokka and Suki would have had to break up, which would not have been difficult to arrange.

Sokka needed to go home and begin rebuilding the Water Tribe

No matter how much I adore fics where Sokka stays behind in the Fire Nation and helps Zuko rebuild, it just wouldn't work. Sokka's obvious priority had always been his tribe. The second the war was over (ignoring the comics bc that's a can of complicated worms i don't want to get into), he would've gone back with Katara to work on rebuilding their destroyed tribe. Only once the Southern Tribe could stand steadily on its own two legs could he have even considered leaving.

Anyways, that's really it. In order for Zukka to work, three plot points would have to be resolved: Maiko, Sukka, and the reparation of the Southern Water Tribe. Extremely doable, imo.

Personality-wise and just as characters, would it have worked?

I really think it would have! Like I said before, Sokka and Zuko are two characters that perfectly parallel and contrast at all the exactly right points to make them slot together flawlessly as a pair. (Whether that's romantic or not—doesn't matter.) Really, I genuinely think they are a real missed opportunity. I have genuinely never seen two characters that seem so different that actually work that well together, or even just characters that work that well together at all.

Like, I really mean it, they are perfect matches. It's genuinely scary. Like it or not, no one will ever be able to replicate the perfection of what Zukka could have been.

Anyone that says that it's "random" or "doesn't work" obviously hasn't been watching the same show or simply just hasn't been paying attention. People might ship it just because it's opposites attract or red and blue or even just the most accessible MLM ship in the fandom, but they really are perfect for each other.

alright, I think that's it! sorry for this monster of a post😭😭 genuinely did NOT expect that to happen. PLS SEND ME ANY ASKS YOU CAN THINK OF ABOUT THESE TWO!! i have spent a concerning amount of time thinking about them and these show has analysis potential for days, so. (and who knows, maybe i'll finally post the like three unfinished fics i have for them💀💀 god knows i should)

thanks for the ask, and have a great day <3

[bensbush]

My pirate AU drawing has been getting a lot of love, so I thought I'd share my ideas about each character within this universe!

Yaz's Crew: Brooklynn and Ben

Sammy's Crew: Darius and Kenji

Yasmina:

Runs a very organized ship

Super skilled with a sword

Worked as a member of the royal navy, and went rogue when she realized how corrupt their organization was. She often targets ships owned by the navy to steal supplies and anything else of value.

She's considered a major threat by authorities due to her knowledge of their system, and how successfully she uses that knowledge against them.

Has issues with teamwork sometimes, as well as trusting people to complete tasks up to her standards

Brooklynn:

Has an uncanny sense of direction

Was famous for leading her own crew, but after losing a battle to another infamous pirate, she lost her ship, her crew, and her hand.

Yaz found her drifting in the sea and brought her back to good health.

Her missing hand was replaced with a hook

She and Yaz clash sometimes because Brooklynn is used to being a leader, but with time they've learned to get along.

Ben:

Loves cannons and will find any excuse to fire them

Yaz saved him from imprisonment by another crew of pirates, and he was so grateful he pledged his loyalty to her forever (even though she didn't really want it). His background was pretty sheltered and comfortable, so he had a lot to learn about being a pirate.

Bumpy is his pet crocodile, he found her as an egg and raised her on Yaz's ship. Yaz and Brooklynn freaked out when they saw her for the first time and told Ben to chuck her in the ocean. He set Bumpy free, but she follows the ship everywhere because she sees Ben as her mother.

Sammy:

A bit of an unexperienced leader, but her attitude makes up for it most of the time

Skills in carpentry have saved her ship from sinking on multiple occasions

Became a pirate to fight back against a crew that targeted her village and her family. After winning the fight, she was able to take over the ship, form a crew, and travel around to more towns in need of defending.

Her intentions are often misunderstood because through word of mouth, a lot gets mixed up. Her association with village raids gets her in trouble, even though it's her apprehending the raiders.

Darius:

Most recent addition to Sammy's crew

Has great aim with a pistol

Wanted to study sea creatures, but didn't have the money for higher education. When Sammy stopped at his village, he snuck on the boat to see it up close. The boat left the port while he was still on it.

Sammy was impressed that Darius was able to go unnoticed for so long, and she offered him a place in her crew. Darius was conflicted because it meant it would be a long time before he saw his family again, but living at sea was the future he'd wished for since he was a kid.

Brand was distraught when Darius went missing. He finds out he's alive by seeing him on a wanted poster.

Kenji:

Likes hanging out in the crow's nest

There is no financial reason he needed to become a pirate, he came from a rich family. He got into a big fight with his father one night and went to a bar to get drunk, which is how he met Sammy. They got along instantly, and he impulsively agreed to join her crew to get away from his dad.

He regretted joining the crew once he realized he'd have to work

The sense of community on the boat gave him a reason to stay, they were like his first real family

I wish I had the commitment to write a fanfic about this, but knowing myself I don't! Someone else is gonna have to step up and take one for the team