#valentin zubkov

[oldfarmerbillswife]

'I'll catch you.'

I honestly like this scene better than the trench kiss. His open arms and eager face! She's afraid to take the plunge; isn't it futile to fall in love with a soldier? Everyone's bound to die.

[swampflix]

The Cranes are Flying (1958)

Immediately after our viewing of Soy Cuba, my viewing companion started reading about the director, Mikhail Kalatozov, and discovered that he had also previously directed Letyat zhuravli (The Cranes are Flying), and that it had won the Palme d’Or at Cannes in 1958. We checked to see if it was on the Criterion streaming service and discovered that it was, and immediately made plans to watch it as…

[agendaculturaldelima]

  #ProyeccionDeVida

🎥 MosFilm 100, presenta:

🎬 “LA INFANCIA DE IVÁN” [Ivanovo detstvo / Ivan's Childhood]

🔎 Género: Drama / Bélico / II Guerra Mundial / Espionaje / Infancia / Nazismo

⌛️ Duración: 95 minutos

✍️ Guión: Vladimir Bogomolov y Mikhail Papava

🎵Música: Vyacheslav Ovchinnikov

📷 Fotografía: Vadim Yusov

🗯 Argumento: Segunda Guerra Mundial (1939-1945) Frente Oriental; Iván, un niño ruso de doce años, cuyos padres murieron durante la invasión nazi, trabaja espiando a los alemanes.

 👥 Reparto: Valentin Zubkov (Kholin), Nikolái Burliáyev (Ivan), Andréi Konchalovski (Soldado con anteojos), Nikolai Grinko (Gryaznov), Irma Raush (Madre de Ivan), Yevgeny Zharikov (Galtsev), Stepan Krylov (Katasonov), Valentina Malyavina (Masha) y Dmitri Milyutenko (Anciano).

📢 Dirección: Andrei Tarkovsky

© Productora: Mosfilm

🌎 País: Unión Soviética (URSS)

📅 Año: 1962

📽 Proyección:

📆 Martes 10 de Setiembre

🕖 7:00pm.

🏪 Cine Club de la Universidad de Ciencias y Humanidades (av. Bolivia 537 - Breña)

🚶‍♀️🚶‍♂️ Ingreso libre con DNI.

[mechaegodzilla]

The Tragedy of Macbeth (2021) / Ivan’s Childhood (1962) 

[dare-g]

The Cranes Are Flying (1957)

[scenesandscreens]

Ivan's Childhood (1962)

Director - Andrei Tarkovsky, Cinematography - Vadim Yusov

"Mamma, there's a cuckoo up there!"

[ozu-teapot]

Ivan’s Childhood | Andrei Tarkovsky | 1962

Valentin Zubkov, Valentina Malyavina

[viandede-porque]

It’s hard to believe, but it’s not a poster for Soviet ‘Brokeback Mountain’.

[pierppasolini]

Ivanovo detstvo (1962) // dir. Andrei Tarkovsky

[lamiaprigione]

Ivan’s childhood (1962)

[cinemagal]

Ivan's Childhood (1962)  Dir. Andrei Tarkovsky

[genevieveetguy]

If a well is really deep, you can see a star down there even in the middle of a sunny day.

Ivan's Childhood (Ivanovo detstvo), Andrei Tarkovsky (1962)

[deprotagonisten]

De Spiegel

Recensie De Spiegel (The Mirror) ☆☆1/2 - nu in de bioscoop en vanaf 8-10 ook op Ddv, Blu-Ray en lumiereseries.com Aleksei krijgt een zenuwinzinking, waardoor hij zijn ongelukkige jeugd herbeleeft. @EYE_film @LumiereBeNL @ThePublicityCy #DeSpiegel

De biografische dramafilm De Spiegel (The Mirror) gaat over een zenuwinzinking van Aleksei. Door die inzinking herbeleeft hij zijn jeugd, wat niet de meest fijne jeugd was. Wat wij van De Spiegel vinden, lees je in onze recensie.

(more…)

[pigeons-sitting-on-branches]

Ivan's Childhood (1962) Andrei Tarkovsky 06-07-2018 Great mise en scene and cinematography with a compelling story and affecting ending

[byneddiedingo]

Ivan's Childhood (Andrei Tarkovsky, 1962)

Cast: Nikolay Burlyaev, Valentin Zubkov, Evgeniy Zharikov, Stepan Krylov, Nikolay Grinko, Dmitri Milyutenko, Valentina Malyavina, Irina Tarkovskaya, Andrey Konchalovskiy. Screenplay: Vladimir Bogomolov, Mikhail Papava, based on a story by Vladimir Bogomolov. Vadim Yusov. Production design: Evgeniy Chernyaev. Film editing: Lyudmila Feyginova. Music: Vyacheslav Ovchinnikov.

There are scenes in Ivan's Childhood that would work in the hands of only Andrei Tarkovsky. The famous scene in the birch forest, in which Kholin (Valentin Zubkov) straddles a trench and kisses Masha (Valentina Malyavina) while dangling her over it is completely extraneous to Ivan's story, as are almost all the scenes in which Masha, the physician's assistant, appears. And Tarkovsky never falls into the trap of sentimentality in the dream sequences, including the film's ending. In fact, I think it's a mistake to call them "dream sequences" -- they mostly avoid the conventions of movie dreams like odd angles or camera tricks or surreal elements. They're really memory pieces, explorations of the other side of Ivan's childhood, the innocent years of peace, poetically interpolated into the harshness of war. In fact, the "real" sequences are often more dreamlike than the memories: the dizzying ghostlike trunks of the birch trees, the flares falling silently like meteorites, the spiky war ruins that threaten to impale. It's a heartbreaking film because Tarkovsky refuses to pull out all the melodramatic stops but lets his images speak for themselves and because Nikolay Burlyaev performs with such conviction as Ivan, in one of the greatest performances by a child ever captured on film. It's probably the most poetic war film ever made because the war recedes into the background as a thing remembered.