#vaguely but like there ig

[skittlesandham]

First tma post! I've actually been a part of this fandom for years, but none of my friends are caught up so I've been holding myself back from posting. speaking of which, YOU KNOW WHO YOU ARE, LOOK AWAY YOU BASTARDS. -

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More from Tma/TMagP: 1-2-3 Master post

[chronicallyabsent]

i am begging. crying. Throuiwng up. Pleading for more of the one dodode.s.. the cring throwing up dyin go dodoels please. (IT IS OKAY IF NOT!! i love them so much. ive tried making my own i litearlly cant.. u got hte special ability 2 make them and i wish u the best... <3)

i'm gonna assume you're talking about the reaction images so here's some older ones that i got on hand. some of these just felt too specific to include in the other post

also peanut on skateboard emoji i saw in a dream one time

[radioroxx]

anyway i think the overcomplication of queer labels has really done a disservice to younger (or newly discovered) queer folks trying to figure themselves out. you dont need to know every aspect and detail or your sexuality, gender, preference, etc. sometimes you just gotta let things happen and you’ll figure it out as you go. you may never have a word for it and that’s okay.

[transrevolutions]

the autism won

[atoriv-art]

haven't you always been wise beyond your years

[arkhavens2]

the fact that i havent been able to find any eldritch horror stuff(aside from like one fic on ao3) written about the dark urge character yet is criminal. durge is quite literally a pureblooded child of a dead god and i cant stop thinking about it, but i cant really find anyone else exploring that in their writing. i love all the people writing their durges as just murdery little weirdos who have something severely wrong with them, but like...

give me a dark urge that no matter what shape they take, their form has teeth and claws befitting a predator. too-sharp teeth lurking behind a face not made to keep them, designed to shear through flesh and crack bone. give me a durge that's just plain unnerving to be around even beyond the murderousness and religious fanaticism that Bhaal's Chosen holds. Like, in silent rooms, if you listen carefully enough, faint whispers of the urges within their profane blood seep into the air—unintelligible but still undeniably present. A shadow that pools beneath their feet like the blood they leave in their wake. a constant scent of copper that follows them around, no matter how clean they are. Seeing them from the corner of your eye and for a split second you swear you saw tan hide and thick black horns.

idk. just...it feels like theres a lot im that genre of stuff that could be done!!

[littletealights]

What makes you think that Arthur is a person of color? :0 just curious.

gladly.

so, at first, i thought it was me projecting but i think the first clue i got was eddie. yall might think i’m being dramatic but eddie was…suspicious from the get-go. in a normal situation like this, there’s actually 0% chance that it turns out the way it did for arthur.

but that’s beside the point. eddie knocks on the door and receives an unhurried response. he walks away to do.. whatever it is he was doing. arthur comes to the door, opens it, looks around and picks up some trash, muttering to himself. suddenly eddie has urgent business inside the office with a. flimsy excuse at best. strike one.

we, as the audience, know that arthur is being shifty because he’s just killed a man. eddie has been told, quite convincingly, that arthur was moving… boxes or something (im looking at the transcript, arthur just says ‘not furniture’ so…). and that arthur is working with sensitive documents. not sure if you know this but private detectives have to work with proper authorities to be allowed to operate legally. that means they work with the police and the courts. when a PI says a document is sensitive, they mean legally. they mean eyes only. they mean ‘come back later or i could lose my fucking license because you got the wrong look at classified documents.’ a building manager, especially their building manager, should know that. strike two.

he also asks for arthur’s partner, peter yang (who is, i can only assume, an east asian man). i should hope that i dont have to remind you that this is massachusetts in the 30’s we’re talking about, and what that means logically. but i will. america hated asian people the most they ever did until COVID in the 30s through the 60s. the only people they hated more were black and brown people. no matter how shifty and suspicious arthur was acting, eddie would’ve been… let’s just say ‘incredibly unlikely’ to ask for peter instead of the white man. strike three

there’s some little bits about subvocals and tone that i could say, but it’d be a lot and i don’t fully understand it enough to explain well why eddie set off alarms for me. because i dont have to. it takes 5 minutes (from 11:48-16:09 on spotify, so nearly exactly) for eddie to go from inconvenient, to annoying, to suspicious, to violent. and he ends the conversation with a very real threat of violence that essentially boils down to ‘don’t come back to the building again.’ eddie is a maintenance man. he did not have the power to evict anyone. unless, of course, they were a poc. so why was arthur worried about eddie when sneaking back into the building?

but, like i said, i thought i was projecting. projection and being-on-the-lam can easily explain arthur’s hesitance when delivering the baby and asking for a ride. or the gunshop in part 6. but the lighthouse? no, what really solidified it for me was the end of part 8.

here’s what officer collin knows so far: a visibly disabled man has stumbled, confused and upset, away from a lighthouse and a body that CANNOT have been killed by a human; and it is dark outside. that’s it. using this knowledge, he then proceeds to beat said man. brutally. repeatedly.

in part 9 they learn he is blind and when that timid little fucker (mitchell) expresses doubt, collin says this

this is something we like to call coerced confession. arthur did not kill that man (the lighthouse keeper). officer collin knows that arthur didn’t kill that man. (dont play, he knows.) but because it is convenient to say that he did, they’ll threaten and torture him until he says that he did.

now, friends, i’m not going to lie to your face and say that white folk are safe from the cops, youre not, i know. but what im also not going to do is pretend like there os any world in which this happens and arthur is visibly white. not in the thirties, not in america. despite being forgotten or unmentioned they are in the midst of the great depression, the exact last thing these small-town cops need is the arrest of a blind white man on their hands. regardless, i have never ever heard of a cop speaking this way to a white person unprovoked. i, on the other hand, have been spoken to this way myself.

this is already quite long and it doesn’t even cover the sheer magnitude of people who feel comfortable calling arthur (at his grown ass age of visibly-an-adult) ‘boy.’ or the wicked and downright racist way that larson says it, (genuinely. it sounds like he’s a middle school boy who discovered the word ‘fagg*t’ for the first time the way he says it. i couldn’t tell you how many times that word (boy) drove an ice pick through my fucking skull this season.) but i hope you can at least get the picture.

original post is here

[transmasctwilight]

some assorted twilight + twilight/sombra sketches

[hey-its-tofu]

Layers of Red

[lets-all-calm-down-a-bit]

self care is knowing i can say stan is short and chubby and kyle is tall and average build and no one can take that from me. stan's growth was stunted from all that weed randy put in his food at a young age (not to mention the alcohol lmao.) he's not weak though. he works on the farm so he's pretty dang strong, he just has a sleeper build. kyle's taller because of a combination of genes, healthy lifestyle, and sheer luck, and he's not buff but he's pretty toned because of basketball. stan's stronger and can pick kyle up but kyle can use stan's head as an armrest like a jerk. i can say this and no one can stop me. i'm free

[dyingbuck]

who do you think taught him those pick-up lines ?

[welcometogrouchland]

I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim

Secret origins 80 page giant, ID in alt

(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)

Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:

Robin (1993) #4, ID in alt

Straight up the progression here goes:

The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting

Robin (1993) #4, ID in alt

Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.

Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)

Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)

[skitskatdacat63]

2023 Las Vegas Grand Prix - Qualifiying - Fernando Alonso

[thecrowsart]

👁️🦎🎯

(crops under cut)

[epicfirestormer]

Guess who's playing Steamworld Heist 2 and isn't being normal about it