#vague and not put together backstory for them haha

[ghoulangerlee]

Your dnd characters 👀

i will always be down to talk about my d&d boys!!!

I don't....actually have actual photos of them because I cannot draw, and so they live vividly in my mind. I Will Eventually commission someone to draw them though I think. ANYWAY.

Jamir - he's a half-dead (as in, that is his race, homebrewed myself) ranger who isn't wise enough to multiclass (his death took away some of his wisdom). He was human before his death--not the best sort of human, joined the army at a young age because that's all he could do, really. His parents well. He made a deal with someone not so nice and in exchange for their souls, he gained the ability to perform magic; simple things though, nothing too crazy. A few cantrips here and there.

Along the way, the faction of soldiers he's with are sent out to aid a dragonborn clan that's having issues of their own with infighting.

This is where he meets Elias, eventually, and they hit it off pretty much immediately. Jamir is of course, jaded all the hell, he's been fighting for half his life in an army of soldiers who just seem to be making things worse.

Elias gives him a way out, a chance at freedom, because Elias was also looking to somehow distance himself from all the fighting. They make a pact to leave together.

Until Elias's brother Arjhan catches wind of this and kills Jamir.

I can't go too much into Elias's backstory because I haven't delved much into it during the campaign and ofc both my players follow me here haha! But, Elias takes Jamir's body and finds a necromancer, makes a deal with her to bring Jamir back.

She readily agrees and makes sure he understands the consequences of this, of what could happen. The possibilities of Jamir coming back wrong.

Elias accepts these consequences readily.

And he does, of course, come back wrong. He's no longer human, smells of rot and decay and has to constantly drink potions to keep his skin from looking too pale. He has aches and pains despite being practically unkillable now. But, along with his new chance at life, he's also gained more access to magic.

Elias [Redacted] is a dragonborn paladin (he has a family name ofc but it's unknown for now, for a good reason)

is the son of a monarch, a clan leader, and he hates it. His clan is constantly at war with each other, with other dragonborn. with humans. you name it, they have a distrust of most other races, for good reason of course.

Long ago, a curse was placed on this clan, meaning that any children born to them would die. There is no known way to reverse this, until, one day, Elias's brother Arjhan was born.

Arjhan, he had not succumbed to the curse, and no one knows why, but this makes Arjhan a very popular target.

Elias had, for years, felt like he had to protect his brother from anyone. From the weird scientists and magic folk that their father had hired to test Arjhan to see if there was something about his blood that made him different, to the older kids that the two of them grew up around.

Arjhan was, in a way, viewed as the savior of the clan, much to the distaste of Elias.

The campaign actually begins with Elias and Jamir recruiting people to help them find Arjhan haha. At this point in time, there is still no cure to the curse and Arjhan is practically hated by the party (minus Elias and begrudgingly, Jamir--but also like wouldn't u also hate the person who killed you???)

ANYWAY. Elias and Jamir are in love, they are my mid-thirties baby boys who are just tired soldiers who want to rest their head somewhere but can't because they keep getting pulled into bullshit!

(also if you vaguely guessed that Elias's family story sounds eerily like the Krogan Genophage from Mass Effect then u would be correct. Elias is based on Wrex and Jamir is based on male Shepard but with a lil gay twist LMAO)

[redthefortuneteller]

Chapter 209

Chapter 209 was… well I think it provided a lot more questions than one would expect.

So, first off, my theory of Snake being originally a snake was proven wrong by the mention of a human mother. However the experimental facility held by someone akin to a dr Moreau having made Snake the was he is, still stands. As I'd already mentioned on this post, it's been officially confirmed that he did stay and eavesdrop on their conversation. And it's also been confirmed he'd been suspicious when they said they'd leave on that morning when he said "going out again?" and finally he was indeed flip flopping between believing our Ciel and being against him, which was one of the points I made in the dr. Moreau's theory post. He says he always felt suspicious. I believe either from intuition or because Sebastian right from the get go tried sneaking into the first tier side by pretending to be lost, before he even became a member of the circus.

As a small side-note to this @abybweisse's post, Snake didn't know Smile was the earl Phantomhive. He followed the scent of their circus clothes and it led him to the town house. Once there, he was confronted by Agni and Soma, he asked if a small lad and a man dressed all in black lived there. But until then we're led to believe that he didn't know of their identity. It's been so long, I too don't remember all the details about every single thing! Also, I believe he delayed reporting to Joker because he knew Doll knew Smile was in the first tier side and did nothing. So he didn't know if he should take it into his own hands to report to Joker if Doll, who is one of his superiors in a sense, already knew of this and was keeping quiet. I spoke of this more in depth here if anyone's interested. It's the same link as the one I linked in the begining.

Right, then we have a whole rewash of things that had already been known for years, with perhaps the exception of him being taught mathematics. We'd already known that he had been taught how to read. All of this in quite a fleeting, vague way. Nothing even close to the flashbacks Baldroy got. And Baldroy didn't die so, with all humbleness, I don't think he needed so much put in about him because he shall still have time to "talk" about it. In comparison, that is. Of course it's interesting know Baldroy's backstory and know more about his time with the Phantomhives. I simply feel Snake should be rightfully owed much more in comparison, since his time is now over... I will post more of my feelings on this later. Finally, we get information about a human mother, which of course confirms my theory about his origins is not to be! At least not in it's main point which is him being a snake originally. He could still have been in a experimental facility of the sort, of course.

Now, the information we were left with is simply these three points which weren't touched on or explained in any way before he died:

he was at some point in an orphanage (but was illiterate)

he was in a cage since he can remember

he and the snakes came from somewhere far away

his mother was an actress by the name of Sarah Kemble

he not only has snake attributes like snake skin, slit pupils and a split tongue, he also understands what they say and talks to them

I've been thinking hard and am having a little bit of a hard time trying to tie these three things together in a flowing, graceful manner that would fit the story and not sound like a very twisted pretzel of a backstory. Haha! Of course given more time I hope to conjure something of sense up! I'm looking forward to reading everyone's ideas on this! Everything that I was going to say about Sarah Siddons (born, Sarah Kemble) was already said by @abybweisse on this post which is quite aptly named, given that the woman that brought Snake into the world, brought out of her womb a personified epitome of tragedy, which is him.

I'd only like to add that she was born in Wales. Although Wales doesn't really count as a place far away, I just feel like mentioning this as it could become relevant later on, or someone might think of something that might add to the story. It's hard to know exactly how much Yana intends to keep in the manga of the real Sarah Kemble and how much is made up for the story. So, how much we can stretch what we know for theories is limited. We could for example say Sarah went to one of the British colonies, gave birth to her bastard child (Snake) there and left him.

Now the orphanage and the cage are a little hard to put together for me, but alas… also him not knowing how to read is odd as he was in an orphanage. Of course, we should consider too, the possibility that he could've been living there at a time when he was very little and still unfit to learn such skills. Then some organization got him and experimented on him?

Or Was he given away in England to an orphanage and later picked up by an organization that was using "free" orphaned children to experiment on them and thus taken to somewhere far away? And that's when he was introduced to the all snakes? And then they all came together back to England again? You see how it quickly becomes a little messy? But he did say that since when he can remember he was always in a cage… was he in a cage in the orphanage? That's very peculiar. Unless, the orphanage was the experimenting facility, as in my theory (minus him being originally a snake, of course).

Could he have been born as he is of some sort of socialite demonic ritual and the mother was a sacrifice? I mean, I suppose I had already thought of this hypothesis but it just sounded so inorganic that I didn't further consider it… That's simply my opinion of course, maybe with a few little details added, it could become more palatable!

That's it for now! Thank you for reading!

[elekinetic]

user elekinetic do you have any tips to spare for outlining fics 😭 i feel like I word vomit any of the concept that I have in my head, and dialogue ,and build off that adding paragraphs as I go and I go so slow bc of it. But ive been trying hard lately to write a list of “scenes” and bullet point the story but yeah.

do you know anything that could help me have an idea of where to go start to finish instead of starting at the random spot I’ve come up with first? I waste so much writing time because I haven’t built a backstory for characters and things like that so i don’t always know how they start the story off, only the situation they’re in. Is that something that could help? Making a list for each character or something? Would love to hear your thoughts thank you! <3

hi! first of all i’m so flattered you asked! to be clear, i am a very slow writer too lmao and i’m relatively new to prose writing, and though in very confident in my understanding of what makes a good story (W screenwriting), i am still figuring out my outlining process. but hey! let’s learn together.

sorry in advance for how long this is. i love talking.

so i basically figure everything out in the outline and write after i feel very good about it. if you have a strong foundation, everything gets a hell of a lot easier. t kind of sounds like your process might be similar to mine, so i’m just gonna explain what i'm doing for my current project.

my key document is my “bible.” i split it up into a couple different sections using page breaks (page breaks my best friend ily page breaks):

pitch/word vomit summary

scene ideas

outline

notes

ok so wtf does that mean.

1. pitch/word vomit summary — explain your concept. bc i've got a film/tv background, im starting off with my logline. (e.g. "after robin learns will is gay, they have a heart to heart in an abandoned video store about insecurity and feeling alone. they learn they're not." sometimes i'll follow that up with a note to myself like, "this fic isn't robin finding out, this is what happens after. starts with her already knowing. will pov, focus on his perception of robin changing. subtly reference toward feelings about mike, dont come out (haha) and say it") then, i write as MUCH of the concept down as i can, like i'm explaining it to a friend. (sometimes i copy and paste rants from dms directly into the document). it can be totally out of order, non-sensical, contradictory. just get as many of your ideas down as possible. you want to be able to come back to this and be like, oh i totally forgot about that. vague chapter summaries, personal notes about themes, whatever you want. i have a list of beats that you find in romantic dramas for inspiration and a paragraph abt ways i want to parallel/subvert s3 of st. just. go ham. 2. scene ideas — this is pretty self explanatory. i take some of the stuff i have in the p/s and flesh it out, or put down new ideas. this is where i'm writing out dialogue in bullet points, or what i want them to be Really Saying. (e.g. "mike: [panics bc he feels seen, tries to flip it back on (redacted) and fails] ") this is for when i can see stuff more clearly or i get out of the shower with a whole exchange in my head. gonna be out of order, a little all over the place. 3. outline — so. this is where you start piecing it together. put the bullet points in order. figure out objective of each scene and what needs to happen to accomplish that goal. figure out pacing, what needs to happen when. this step is where im looking at dialogue and thinking "why does mike say that? why does he feel that way? what needs to happen to get him to this point emotionally?" or looking at scenes and thinking "these are two scenes with people arguing back to back. lets make sure they feel different and give the characters different tactics to get what they want (byler argument where mike is avoiding will vs max argument where max is avoiding lucas. i could use this to highlight similarities and differences in the relationships, but having two scenes with the same tactics back to back might feel repetitive. maybe i move the scenes farther apart or change circumstances. maybe mike and will are having a veiled argument while theyre with a group of friends in a public space and max and lucas' argument is outside max's house.) also asking if conflicts are resolved too quickly, if the miscommunications feel too convenient, if characters disappear or are only around as plot devices. write. troubleshoot. repeat. 4. random notes — everything else that doesnt fit. for me this is literally just taylor swift lyrics (writing the fic vaguely off of a Specific Song that SHOULD BE STREAMED MORE WHAT IS WRONG WITH YOU PEOPLE anyway) and links to posts i use as character reference to make sure im staying true to the characters. (remembering will said "i was being a total jerk to el, i deserved it," AND "you're ruining everything, and for what!"/"i wasn't moping!")

i want it to be clear im doing all of this at the same time. im jumping around and pulling new ideas and rearranging as stuff changes. i think the thing that's really hard is that i want to be able to sit down, write the outline, and then move on. but for us scatterbrained writers, you're gonna have to re-outline and readjust like. a thousand times. and that's okay. that's good! it feels tedious as hell but the story is so much better for it.

take your time. let yourself be slow. keep finding holes in your story and fill the world in as you fix them.

here are some more questions i ask myself to make the story better:

What are you trying to accomplish over the course of the story? What is it about? (for the will&robin fic, it was something about feeling seen for the first time.) When you get lost in your story or aren't sure why a scene feels stale, come back to this. is the scene furthering that goal?

What is changing internally for each of your main characters? (yes theyre dating by the end but like. what do they learn.)

Are the side characters people or props? (will pov scene of a party-wide picnic where everyone's talking but will is focused on mike's hands.... where is max's head at in the scene? you don't have to have a super long backstory and she doesn't have to be a big part of the plot, but if she's saying something, figure out why she's saying it. if will is having a heart to heart with el, understand why el is responding the way she is. the scene's goal may be to get will through a breakthrough, but el's circumstances will change in the scene too. figure out how this conversation lands with her. oh, and remember the adults are people too!)

Why is this character saying this/why are they responding this way? (this should answer your "where do i start?" question. start in that random spot and figure out A) why they are there and B) why they are reacting the way they do (see last bullet point).

side note: some of the best advice i ever got was "enter the scene late, exit early." skip the prologue. try starting from that random spot. if it feels like something's missing, figure out exactly what that something is, and go from there

Do the stakes feel high enough?

What do i need to set up to make sure this scene/beat is satisfying as possible? (are will and mike going to have a big argument? oh, so we have to show tension before.... BAM you have another scene to write and your outline is fuller)

i could go on a lot longer but. basically.

i edit while i write. i'm someone who needs a very fucking strong outline and a very fucking clear idea of the story before i can start writing it. i'm putting probably 70-80% of the leg work in at the start so i can focus on making the prose (or script, most of the time) the best it can be.

THAT BEING SAID, this is just the way i do it and i have like. a fic and a half published. im taking my sweet time bc im creatively burned out and this is for fun first and foremost. like i said. i am a Very Slow Writer.

i highly, highly recommend hitting up the ask boxes of writers like @/strangeswift, @/wiseatom, @/astrobei, or @/andiwriteordie. no guarantees on responses bc they are busy ppl with busy lives but i really do think theyre some of the best writers out here right now, and im not just saying that bc they're my friends. abby (strangeswift) and i have been each other's sounding board through a lot of projects and she's almost done with one of her first Big Fics, so its worth asking her about that.

i hope this helps! ah!!

[dkniade]

I’m doing a rewrite of Shadows Amidst Snowstorms I think. I’m taking a scalpel and breaking down the canon plot and storytelling, taking the themes and backstories, and putting them together in a tighter plot. ……I’m basically doing a “Rhinedottir” here haha

Though if the story were to follow my vision of it then it’d probably be rated R17+ because of:

Warning: canon-typical themes of trauma, human experimentation, abuse, abusive parent, character death, violence, body horror

Sigh… This isn’t the actual outline and more so organised rambling, but hear me out.

‘Cause you see, I’ve realized that it’s not that Eula, Amber, and Bennett are “boring” characters, but the way they’re placed into the canon plot is like forcing puzzle pieces together thus making them feel “insignifiant”. They’re also the reason why Albedo constantly drags us aside and loredumps his past on us ‘cause he can’t talk when the other three are around even though they don’t contribute much to the plot.

But if you remove them in canon plot then it just leaves Albedo and Subject 2, except maybe the suspense and mystery would be way low now, since it’d be just Albedo & Traveler ft Paimon vs Imposter Albedo & Fellflower Albedo.

That plot still works but… I just think Eula, Amber, and Bennett have a lot of unused potential (……kind of like an unpolished Starsilver) as Guerrilla & Reconnaissance* knights and a skilled adventurer who knows danger, going into Dragonspine which is like the definition of danger in Mondstadt.

It’s quite surprising… Usually I write short stories with like three characters max but this cast is very interesting the more I think about it. Am I really willing to write with a cast of (counts MAIN: Traveler, Albedo, Primordial Albedo, SUPPORT: Paimon, Eula, Amber, Bennett, Fellflower Albedo, MENTIONED: Rhinedottir, Durin) ten characters my god

*English localizations of Reconnaissance Company (Eula) and Outriders (Amber) are mistranslations

Because here’s the thing…

The difference (taught to me) between story and plot is that

story is what happens in-universe in chronological order; plot is how action unfolds before us as the audience.

So the STORY is that Albedo and imposter Albedo are products of genius bastard alchemist Rhinedottir’s Primordial Human Project. This is an extremely tragic and dark story about human experiments and neglect all in the pursuit of knowledge and perfection. This is a story where a character was left to die in a dragon’s stomach because he wasn’t perfect enough in the eyes of his creator/master, where he literally wants to replace/kill his successor and take his identity, where said successor stabbed a mutated plant-monster-person on-screen just to keep his friends and teammates safe.

So why does the canon PLOT feel… lighter, despite that long list of content warnings I had to put? Why did I feel… vaguely disappointed at the plot?

The answer lies in the plot’s execution, surely.

(And mischaracterization of trauma but that’s a whole other topic.)

[littencloud9]

Hello, for the character ask game, can I ask Megumi, Yosano and Cheng Xiaoshi? Thx :D

megumi

Sexuality Headcanon: pan king megumi my beloved. also definitely on the ace spectrum!

Gender Headcanon: cis or he/they nb or transmasc all work with me

A ship: ITAFUSHI!!! MY BELOVED BOYS

A BROTP: him and nobara duh. gege bring them back. they were so precious i could die

A NOTP: uhh. s.ukufushi or g.ojofushi is Not my cup of tea

A random headcanon: hes not good at comforting people so instead he brings his shikigami out for them! and he and tsumiki used to walk his divine dogs together for fun/when shes feeling down :)

General Opinion: MEGUMI!! I LOVE YOU MEGUMI WAUGH. hes the sweetest boy ever and hes so spiky and tough on the outside but on the inside he has so much love to give. also anyone who says hes annoying for wanting to give up on life. i will FIND YOU. hes been through so much. hes had his autonomy stripped and then his powers were used to hurt everyone he loves. the fact that hes even hanging on rn is so impressive i need to give him a big hug MEGUMI GET BEHIND ME!!

-

yosano

Sexuality Headcanon: lesbian or bi or anything works but she definitely Likes Women

Gender Headcanon: transfem yosano. points aggressively. see my vision

A ship: dont have one

A BROTP: her and ranpo!!! the siblings ever i could cry. and her and dazai is very compelling to me. also her and chuuya for the giggles

A NOTP: ok look. i actually liked k.ousano when i first heard about it bc they could be so interesting if you look at [gestures vaguely] their positions in life, their organisations, their morals, very clashing personalities, rs with mori etc etc. but most of the fandom sees them as ‘ooh hot dom lesbians’ or smth similar, and they’re treated as a throwaway ship/just made completely ooc to make it work and im just like. ?? so it kinda ruined the ship for me lol. theyd hate each other and thats what makes it interesting for me. they wouldnt fall in love at first sight

A random headcanon: she has a lower back tattoo! and she also gave herself a belly button piercing bc she was convinced being a medical doctor qualifies her for that, and ranpo is an enabler. but it worked out in the end

General Opinion: YOSANO AKIKO!! I LOVE YOU!! i actually didnt care much for her at all until season 4 and her backstory (dare i say best one in bsd) was shown. then i was like WOAV. and she rose up my ranking so fast. i love that shes KIND and a protector and not afraid to be fierce, and i also love that she cherishes life so much. youd think being able to bring life back so easily means she’d disregard it more but NO! gestures to her fight with kajii. i think she deserves the freaking WORLD shes my everything <33

-

cheng xiaoshi

Sexuality Headcanon: i dont think he’d label himself. just queer :)

Gender Headcanon: also no labels! he goes by he/him but he plays around with gender expression (growing up with qiao ling will do that to you)

A ship: shiguang my beloveds… best ship ever… romantic or qpr or secret third option. they are just meant to be okay

A BROTP: of course him and qiao ling. he calls her qiao ling jie like i could CRY. they are the world to me

A NOTP: i cant see him with anyone other than lu guang lol they are soulmates. so any other ship ig

A random headcanon: his favourite colour is blue :) and other than bball he also really enjoys volleyball. and back in uni, him and xu shanshan are karaoke besties!!! they both have really good singing voices

General Opinion: CHENG XIAOSHI! THE CHARACTER EVER!! god hes just so kind and selfless and despite everything hes been through he has. SO MUCH EMPATHY. and of course that could be because of his powers but i also think that it’s because cxs is HIMSELF. yes he has access to the person’s feelings and memories, but not everyone can really put themselves in other peoples shoes so easily you know? they could feel it, but cxs understands it. id destroy worlds for him haha…

send me characters!

[judjira]

Okay if you want more of my thoughts ill give you my line-by-line thoughts hehe

Jeongyeon and Dahyun smoking on a rooftop together… badass i love them but im curious to see how Tzuyu would handle that information hahah

i love love love that jeongyeon is the angel of the stars, i love how kind and gentle she is and how that shows in every move her character makes. Her showing dahyun the stars… oh my god the romance

“when her wings were as pure as the brightest day, before she had touched upon the earth, and before she had been bound to it” … what a beautiful, artful way to put that.

“knowing that such an ancient, divine, and powerful being has fallen at her knees and professed their most ardent of affection towards her.” again, holy shit i wish i could do half the things you can with words

momo, oh my poor baby. I love how delicate and gentle she is, despite being a she-wolf, how soft of a calming presence she is in either form. I love the detail of her keeping lupine tendencies, the ear twitching and careful attention. I love how gently dahyun asks what life was like but never pries. Oh god i just want to give Momo the biggest hug.

“When Momo pulls away, it is with the utmost care and reverence, one that Dahyun is honored to receive and return in kind.” is such a wonderful, warm little line.

i absolutely love the way Sana talks, it is so unbelievably endearing, and its even more endearing that Dahyun answers her with “Hiya, Satang”

and sana braving the humans to live with the women she loves.. my heart

Sana carrying Dahyun home and singing her to sleep was so cute. She loves her sm

I have to do a bit of work but ill be back later with more thoughts 😜😂

aaaaa thank u for ur thoughts !! i counter ur thoughts with my thoughts >: )

i think it's becoming a lil obvious that jeongyeon is one of my biases in this lil au HAHA i really enjoyed conceptualizing her story and coming up with her character, there's a lot more to her tho !! i just haven't explored it yet hue hue

i'm a little disappointed by how little i was able to characterize momo, i think i could have done a lot more ! but i think it still reads very well and momo is jus a lil sweetheart,,,i made her story vague on purpose, but if u enjoy roman mythology, you'll have probably picked up on her backstory !!

writing sana's speech patterns is so fun !!! (2nd most fun compared to jihyo) seriously im a sucker for that posh oldish english or whatever, and im a sucker for sana !!! her story's very sad but also very hopeful, im excited to explore more into it hehe

i shall counter ur thoughts once again when u send another ask 🫡

[delightfuldevin]

Can I bother you for any lore on your Mario S/I? Does he have any In-Universe backstory or does it all stem from White Void?

SCREAMING AND THROWING MORE HEART EMOJIS AT YOU

Ahem sorry anyway

My S/I entered the Mario universe at around age 8, so his backstory there starts at that time!! My first game in the series was Mario & Luigi: Bowser’s Inside Story, but at the time, I didn’t follow the game too well cause my cousin owned it and I only got to play it when I saw her so I lost a lot of the information. Then she lost the game before I could beat it ;^; By the time I got the game for myself 4 or so years later, all I remembered was a vague memory of the part of the game that takes place in the forest. So, this translates as my S/I having entered the world through the forest and meeting Mario, Luigi, Peach, and Bowser while they were in the middle of a “Bowser kidnapped the princess” moment.

I’ll put the rest of this under a cut cause it did get a lil long jdbdvkjgvhgvg

So I, being the goody two shoes I was, did not like villains at all as a kid and Bowser was no exception. As a matter of fact, for the first year or so, I didn’t even remember his name most of the time hcbxjcbsj. Whenever I did remember it, I thought it was “Browser”. I stuck to the bros and Peach like glue and just sorta ignored him entirely.

However, as I started to play more games in the series, he started sticking out to me more. I thought his final boss fights were really cool in the New series. I thought his lines were fun and goofy in the games with dialogue, and I enjoyed his almost tsundere personality in the rpgs. Learning about the existence of the Koopalings made me like him more too cause him being a dad just made him so endearing to me. The Koopalings were actually my first comfort characters before I knew what that was.

(Fun fact: My very first S/I was actually the Koopalings’ sibling! I liked the idea of them being my siblings and hanging out together. However, despite me seeing them as Bowser’s kids, I never saw Bowser as my dad and it actually made me uncomfortable for some reason. What led me to realize I liked Bowser romantically was that as I got older, I started seeing the Koopalings as my kids and I thought “well what does that make Bowser to me?” I thought about it long and hard and realized I had a crush on him djbcsjbcs)

So in terms of my S/I, I imagine that Bowser had a crush on me from the start and all the times I was ignoring him in the past, he was doing these things to try to get my attention. He would take any opportunity to show off his power, he would say whatever came to mind just to make me laugh. When my S/I met the Koopalings and befriended them, they played matchmaker to get us together (King Boo was a big player in that too).

In terms of his abilities, he obtained manipulation over lightning from the Lord of Lightning, the dragon from Super Mario Odyssey! It was an accident that almost killed him, but he was revived by a 1-up mushroom and when he woke up, he realized he had control over lightning. He was in his late teens (17-18 ish) when the accident happened. There’s a whole one shot for this I haven’t posted yet,, That’s also where the demi-dragon form comes in! Because his powers came from a dragon, he sorta becomes one himself by proxy when he uses them!

He’s always had the ability to conjure fireballs and his whole glowing/catching on fire thing since he first arrived to this world. It’s kinda a jokey/silly reason for why, but it’s because irl I used to be compared to the sun when I smiled as a kid so I thought “haha what if my S/I is part Shine Sprite” and then cause I have depression I compared that to the Angry Sun from Super Mario Bros 3 so yeah jdbcjsbcsjhcb. I’m not sure if he actually is part Shine Sprite or not. It’s just fun to think about sometimes.

So anyway, that’s it for the main stuff! I didn’t include how I met Rosalina and King Boo cause I wasn’t sure where that would fit in this lil ramble? Also, I know you mainly asked about my S/I’s story, but I don’t know how to talk about it without talking about my ships too fhbfjxhfgch

THANK YOU SO MUCH FOR ENABLING ME I AM STILL THROWING HEART EMOJIS AT YOU

[animeomegas]

let's imagine this: asra and his alpha are having THAT fight, although it's more like asra yelling all desperate and his alpha trying to calm him down so they can talk properly. asra is having none of that (even if his alpha it's not even mad or actually fighting, they just want asra to feel better) so his alpha just interrupts him while he's starting to panic and simply says:

"where do you want to go? i think it would be nice living in the middle of the forest, just the two of us. and if the plague continues for more than a couple of months, we could even open a shop in whatever place we'll live in"

asra is like what?? and the alpha just tells him something like "i want to help our city, but not if that is a reason to be away from you. you're my mate, the most important person in my life. i'm sure i can figure out a spell or something else that let's me help find a cure for the plague while being in some far away city instead with you, the both of us safe and most important: together"

i feel like asra would just start crying because he thought he was going to lose his alpha, that they would choose to stay instead of understanding that he doesn't feel safe in the city anymore and even if someone else could think that he's selfish, it really makes sense to just want his mate safe, you know?

and then they just cuddle (WITH FAUST TOO !!!) while talking about what kind of place they want to live in while the plague still exists. i'm soft :(

¡¡ I JUST HATE THAT IN THE GAME, MC DIDN'T GO WITH ASRA LIKE ?!?!? THEY COULD HAVE USED THAT WATER SPELL TO HELP FIND A CURE WITHOUT BEING THERE PHYSICALLY !!!

(Omg I totally agree! I would have been out of that city the second that plague reared it's head. I simply do not have loyalty to places and I would be gone lmao 🏃🏻‍♀️🏃🏻‍♀️💨 Also, my prompt for Asra for Kinktober is emotional sex, which you sent in of course 😉, and I think I might use this post as the backstory for it... @bymoanne)

Okay, so Asra has been watching the plague develop like a hawk, and he's decided that they have to leave. They have to. Otherwise his alpha will die, and Asra knows he won't be far behind. Things are going from bad to worse, and Asra knows they have to leave now before the city gets quarantined.

But then his alpha says the worst six words he's ever heard.

"I want to stay and help."

And Asra breaks down into hysterics completely, shouting and pleading and bargaining and saying anything and everything he can think of to convince them. He's furious at them for doing this to him. For putting him in this position where he can't protect his mate. But he's also not surprised. This is so like them, to want to help everyone, and normally it's one of his favourite things about his alpha, but right now he can't stand it.

And Asra's alpha is just staring at him, completely blindsided by his breakdown, vaguely aware of Faust slithering up to rest on their shoulders. He'd been quick to leave Asra when his shouting started.

They had no idea he was feeling so unsafe, feeling so desperate to leave. They do want to stay and help but not if this is what that decision does to Asra. He'll never leave them, they know that, and they couldn't bare to watch him breakdown like this if they decided to stay.

They try and get him to calm down, but he won't let them speak. He feels like he's going to die, like they both are going to die, if he can't convince them right now that they need to leave.

...

"Where do you want to go?" they interrupt him, speaking loud enough to be heard over Asra's panicked pleading. His voice dies down as the words register.

"What?" he asks, dazed.

"I don't know if I ever mentioned it, but my family had a cabin in the woods about thirty miles from here... It hasn't been used in years, but it was pretty hidden and secure, so it should still be there. From what I can remember, we left the kitchen stocked with plates and cutlery, and the linen cupboard stocked with blankets and sheets. I can't promise that the roof won't leak and that the blankets aren't musty and need washing but, if you want to go there we could fix it up a little?" they offer.

Asra blinks a few times, before his bottom lip starts to quiver.

"Really?"

"Of course! We can pack up as much of our stuff as we can, we'll have to hunt and grow a lot of our food there, but we can bring as many cans of food as we can to supplement. There's a river for fish and everything! I think you'll like it, but it will take us about six hours to get there at least, probably closer to eight with all our stuff- Woah!"

Asra interrupts them by throwing himself into their arms. He can't even begin to stop the tears that fall freely from his eyes. He's so relieved he can barely breathe.

"Thank you, thank you," he sobs into their shoulder. He claws at his alpha's shoulders, desperately trying to pull his alpha closer.

"Shh," they hush, holding him securely. "I do want to stay and help, but not if that makes you feel like this. We're a team. I will never make you stay in a place where you don't feel safe."

"A team," Asra repeats in a whispered voice. Faust gently begins to transfer back to Asra, now that the shouting has stopped.

"A team," they place a kiss on his head. "We'll leave at first light tomorrow, it's too late today. The cabin is hard enough to find in the daylight and I haven't been there in years, the night is too risky. It will give us some time to pack though."

Asra sighs, nuzzling in to his alpha's neck, exhausted. All the adrenaline is starting to crash and now he just feels tired, but also so, so grateful.

"I love you," Asra says, trying to push as much emotion as he can into those words.

"I love you, too," they reply, sliding a hand up to nestle in his hair. "Why don't you take a nap while I make a packing list?"

...

Asra's alpha sits on one of their sofa's, Asra's head cushioned in their lap as he sleeps, and they write a packing list.

They leave just before dawn, with as much stuff as they can carry between them, dragging a small cart behind them to help. They all (Asra, his alpha and Faust) exit the city without touching anything or talking to anyone. They walk in silence, focused on just leaving as fast as possible without a fuss and without catching anything.

It takes a whole day of walking to arrive at the little derelict cabin, but the second they do, Asra feels like a huge weight has been lifted off of his shoulders.

There are cobwebs everywhere, the roof is questionable, and the whole place is covered in dust. But it's workable, especially with magic. They have a food source, a water source, blankets and a bed, a semi functional kitchen... and crucially, they're far away from any town or city.

It's perfect.

[I really want to build the little derelict cabin in the sims 😆 Maybe I will haha]

[drabbles-mc]

Tay! how are you doing?? I have a question for you if you don't mind :)

when you're writing a story with an oc, do you usually have the storyline first then the oc completely planned as the story goes; or do you usually start it after the PC is complete??

🖤🖤

I hope you know that you can always come through and ask about OCs and everything to do with them! Its in my top five favorite topics of conversation 😂

When I'm going to write an OC story, I usually get a bulk of the character's backstory and personality traits down first. I personally find it helpful to look for faceclaims but its not a deal-breaker for getting the story started.

If I'm creating an OC that's related to another character in the story (I tend to do this more with SOA than Mayans) I map out what their dynamic is with the rest of the family. Who do they get along with? Who do they confide in? Who do they want to toss across the room like a ragdoll and feel no remorse about it? I do that for a majority of the character dynamics in a story but especially with family. Knowing your character's own moral compass and who they keep close whether it be family, friends, or a love interest helps to figure out what is going to drive your character's story, and cause potential bumps for them down the road.

Once I get a lot of the big picture stuff settled for them, then I start putting together what type of conflict would serve them best in a story. Is it going to be them vs their family? Them vs the club? Them vs a love interest? Are they the one getting in their own way and something is going to happen to make them realize that?

Once I figure that stuff out, then I get to writing. Things in the plot usually change along the way which is fine and part of the process haha. But I find that, for me, a lot of little details and idiosyncrasies for my OCs tend to get developed as I start to write them. It's like getting to know a new friend. It also helps me figure out what details and pieces of backstory are and aren't necessary for a story. Not everything you know about an OC in your head necessarily needs to make it onto the page. Other times, as you write, you'll realize that certain things you didn't think of or plan for beforehand and you get to sort of make it up on the fly, which I always think is fun too.

I feel like I usually tend to make OCs to fill a void of some kind. Whether its a family dynamic, a romantic dynamic, or just a type of person that a certain character in canon never came across. So I usually have a very vague genre idea in mind and then I get into the business of making the OC. I personally need a decent base of info for a character before I start writing them so I do some real lore-creating for my OCs before I get into story-writing mode 😂

This was a very long-winded answer and I apologize for that! If you have any other questions, please feel free to ask. 😊

One last note: I cant express how helpful it is to have someone to talk through your ideas with. This goes for plots but also very much for creating OCs. The amount of times that I have talked through the weirdest most minute details of a new character with @garbinge is too high to count but she always helps me bring my characters to life in a way I would've struggled to on my own without the feedback and questions. Its good to find your person for stuff like this. 🥰

[ja-khajay]

Stuff I read (and liked) this year

As promised, here’s a list of the novels, comics, manga, etc... I read this year, focusing on the ones I enjoyed and would recommend to people. Under a cut, this is going to be a little long.

-------- Books --------

Favorite book of the year: Stranger in the Woods, by Michael Finkel

Non-fiction. Based on the interviews of the man himself by the author, it is about a man who felt so unfit for society he decided one day to leave it, and spent the next 28 years as a hidden hermit in forest in Maine. The book details how he survived there, how he was eventually found, and some of his reasons for doing so. It’s a great reflection on the nature of loneliness.

Indian creek, by Pete Fromm

...Yet another detailed tale of living alone in the woods. This time, the diary of a student who spent a winter in the mountains to help tend for salmon hatchlings, and how he spent the rest of his days hiking, hunting, meeting the locals. It’s a fun little book who, being set almost the whole world away from where I live, was a nice way to travel.

Howl’s Moving Castle, by Diana Wynne Jones

I don’t feel the need to explain this one since everyone and their mom has seen the movie adapted from it. The book, that I first read a decade ago before I actually watched the film, is a less romantized, more spirited telling of the same story. The writing is absolutely delightful and so is the world it paints, and it’s the first time in ages a book had me laughing out loud during my entire read.

-------- Comics (BD) --------

Favorite comic of the year: Monsieur Désire?, by Hubert and Virginie Augustin

A discreet young woman becomes a maid for a decadent, unbearable, byronesque young lord. Caked in the rigid and oppressive social hierarchy of the victorian era, you follow a mental and verbal joust between the two, as the lord tries his best to offend and corrupt his new unrelenting servant, to little success. The writing and especially the dialogues were stellar, drawing me into the tense atmosphere, watching this trainwreck of a character flamboyantly destroy himself. While there’s no precise content warnings that I can give, this is a mature and heavy story.

World of Edena, by Moebius

Anyone who’s followed this blog for over a month knows how much of a Moebius fan I am. Edena combines the vague, dreamlike, wordless storytelling from stuff like Arzach or The cat’s eyes with an actual plot. While I haven’t completly finished the story, the evolution of the main characters and how the story is told have been great to read through, and as always the art is beyond gorgeous. Unfortunately suffers from some good old sexism in the writing that even if minimal, tasted sour

Le roman de Renart, by Joan Sfar (book 1)

Sfar’s work always has a signature vibe of being dreamy and light without being light hearted, of being down to earth but drifting in the fantastical, and this one is no exception. It’s an adaption of a series of medieval folk tales I grew up with, who uses the same characters to tell an original story. If you’re familiar with icons like Renart as well as other mythological big boys like Merlin you’ll fit right in. There is something special in how the dialogues are written, who feel natural in a way that you’d overhear in a street corner and is very special to me.

The mercenary, by VIncente Segrelles

Another one I post about a lot on this blog. The mercenary is a king on the throne of fantasy cheese. The worldbuilding is interesting at times but the writing is a pretty pathetic display of glorious old time sword and sorcery sci-fantasy 10 years too late for it’s prime (warning for ye old sexism and orientalism that plagues the genre, cranked very high...) but you come and stay for the art. The entire thing is drawn in a series of hyper detailed oil paintings with an insane eye for technical detail, from the engineering of the weaponry, to the architecture and weather, to the anatomy of the fantasy creatures... Each panel stands out as it’s own painting which makes even flipping through it without reading the scenario a treat. Click here to see more of the art, in my Segrelles tag.

The ice maurauder, by Jacques Tardi

A short story about mad scientists entirely drawn like a 19th century engraving. In great Tardi tradition everyone is ugly and mean, it ends terribly, it’s both a hommage to the genre of late 19th cent. to early 1900s dramatic adventure novels and a critical eye on it, and it’s morbidly funny. Most people I saw online hated the way this was written but I’m not them and I really recommend this book. Die mad

-------- Manga --------

Favorite manga of the year: it’s a tie between the following two.

Cats of the Louvre, by Taiyo Matsumoto

Most wonderful comic I have read in ages. The story follows a bunch of semi-feral cats secretly living in the Louvre museum’s attic, and the small group of humans who share their life, walking through the museum as the night watch. When the cats are together, they are represented in a humanoid way, but still act like animals, and “become” cats again when a human is nearby. The plot is a sort of supernatural mystery centered around a kitten who walks around paintings. It’s a love letter to art, sincere and beautiful, with a unique art style and great characters.

Memoirs of amorous Gentlemen, by Moyoco Anno

A sex worker in early 20th century paris starts writing down a diary of the clients she meets, in a quest to cope with the troubles of her life. You follow her, her colleagues, and her bittersweet relationship with an abusive lover. I don’t have much words about this comic, but the art and writing both are amazing, it’s the perfect length and drew me in like little series had before. Obvious content warnings as this is an adult story that talks about sexuality, but also depicts both mental and physical abuse.

Hana, also by Taiyo Matsumoto 

A very short story, this was not made to be read as a comic originally, but served as storyboarding and visual development for a play, and the way it is written follows that. Hana is a slice of life story set in a fantasy world, of a young boy, his family, his village. Despite the setting being an original one, the character interactions are refreshingly... normal, and there is no huge plot to speak of, just a bit of the life of these characters. The art is beautiful, entirely black and white, with a scratchy style and an emphasis on contrast. Matsumoto is on a speedy road to becoming my favorite manga artist haha

Delicious in Dungeon, by Ryoko Kui

While not marked as my year’s favorite, I still consider this series among my favorite manga ever. The art and writing are amazing, and it’s both heartfelt, well concieved and plain hilarious. The story follows several parties of dungeon diving adventurers each on their little quests with a premise of our protagonists, on a panic rescue mission, surviving in the dungeon by cooking and eating the monsters they come across. From a DnD party turned cooking manual dinner of the week beginning, the plot creeps up on you and slowly thickens. I don’t want to spoil anything about the overarching story of this because it was a delight to discover for myself. While everything about DinD rules, I am especially fond of the design philosophy of the author, who puts great detail in the practicality and biology of what she draws, as well as the character writing. Everyone even side characters has so much charm and depth to them, the cast is so diverse and entertaining...! Each character is just a bit lame enough but endearing, and has their own little backstory that shows in the way they exist. It’s a delight

Chainsaw man, by Tatsuki Fujimoto

I went into CSM expecting a borderline campy hyperviolent dumb fun thing to read and was very surprised to find an uncomfortably well written story about a teenager being groomed. The hyperviolent dumb fun fights are here nonetheless and the series still qualifies as shonen for some reason, but the more mature character writing as well as some truly outlandish visuals make it something very special. If you can’t stand shonen, not sure you will like it, but if you don’t mind it, worth trying.

Witch hat atelier, by Kamome Shirahama

The oh so elegant fantasy seinen every cool kid started posting about this year, who I also succumbed to and fast. Witch hat is hard to explain, as most of it’s plot revolves around the rules of the world it’s set in, specifically the regulations around it’s magic and the social and historical reasons for them. It’s about growing up, learning, disability, making art. You follow a little girl taken in by a witch as an apprentice, her magical education, and learn little by little why her lovely teacher is so willing to break a lot of rules... While a bit too gentle and pretty for my taste at times, Witch hat has great worldbuilding and explores sensitive themes I rarely see in manga, much less in fantasy. And Berserk wishes it had art this good

[betawooper]

rating every demon fight in kny bc i can

non-biased, completely objective rating (more or less) of every significant demon fight in kny based on a number of factors, including:

cleverness of fighting tactics

placement in the story’s timeline

integration of character backstories

cohesive themes between characters

etc

by non-biased and objective i mean i’m not skewing the rating if a death felt fair or whatever

everything past where the anime ended will be under a read more so anime onlys who havent watched mugen train, youre safe lol

oh and i reread the manga like 20+ times (reread the latter arcs at least 40 times, haha hyperfixations am i right?) so be rest assured im not pulling these ratings out of my ass

also ill randomly be bolding certain phrases just to improve readability

anyways let’s gooooo

VS NEZUKO

[Image Description: Manga panel of Kamado Tanjirou and Nezuko. Tanjirou is fending her off by putting the axe handle in her mouth, keeping her from eating him. End Image Description.]

10/10

i like how realistic it is, because yeah tanjirou would react the way to he did with zero fighting skills against a demon

very clear why tanjirou is fighting nezuko and shows a bit of worldbuilding on how normal people react to their family becoming demons

always nice to see worldbuilding

giyuu is the perfect example of a seasoned demon slayer who’s good at his job, and he juxtaposes tanjirou very well in that aspect

my only complaint is not directly in this fight itself but how nezuko is handled throughout the story as a whole

like bro, it is literally never explained why nezuko is different from demons

could have been easily explained if maybe her family’s ghosts like slapped her hand every time she wanted to eat a person but nope

she’s just built different lol

so yeah youll see future ratings get points docked off bc nezuko unlocks some secret power with no prior explanation other than she angy >:3

VS TEMPLE DEMON

[Image Description: Manga panel of a demon. The demon has a sharp-nailed hand over his neck and there are four text bubbles around him saying “But a wound like this... will heal in no time! See? The bleeding already stopped!” End Image Description.]

10/10

may be more forgettable compared to like rui but still good

tanjirou did exceptionally well in this fight and his ability to think on his feet is once again beautifully illustrated here (trapping this dude’s head against the tree trunk with the axe)

very clever

again, establishes more demon worldbuilding regarding regeneration and still being able to move without their head

and the demons burning in the sunlight thing since nezuko wasn’t able to show that

the ending where tanjirou hesitates to kill the demon also serves to show his sympathetic nature towards demons that will last throughout the entirety of the first 60-ish chapters

:)

we’ll talk about what the hell happens to tanjirou after that

or not, it could honestly be its own post

VS HAND DEMON

[Image Description: Manga panel of a many-handed demon. He has six hands around him, three of them covering his mouth while he chuckles, two of them grabbing his cheeks, and one holding on to the top of his head. There are two text bubbles saying “That’s how many of Urokodaki’s students I have eaten! I’ve decided to kill all of his students!” End Image Description.]

10/10

ooooh probably the first big fight against a demon in the series

oh yeah not doing the two random demons tanjirou one shot in a single blow bc eh

anyways hand demon’s pretty goddamn scary, considering the fact that this is the 5th demon or whatever tanjirou has had to face so far

very nice way to show us how much tanjirou’s innate intuition and all his other random abilities (sense of smell, hard forehead) can come together and help him decapitate this guy

i liked the mini history with urokodaki this dude had and why he had beef with our favorite mentor figure, it establishes that urokodaki was in fact a super good demon slayer and its cool to see that actually shown

i also liked that small moment of compassion tanjirou gave this demon, staying consistent with tanjirou’s established kindness

the demon’s sad tale with killing his own brother very much humanizes him when all the reader has seen up to this point is that this guy is a monster who eats people

sets up the theme of demons just being humans but being victims of circumstance that unfortunately doesn’t hold up as well in arcs past mugen train

VS SWAMP DEMON

[Image Description: Manga panel of Kamado Tanjirou fighting off three horned demons as they appear from below. There is a spiky text bubble saying “Three of them!!!” End Image Description.]

10/10

not my most favorite fight but it still portrays everything alright and im not allowed to let my personal opinions mess with the rating so

i like how tanjirou mentioned the fact that he trained in conditions similar to the bog and explains how he pulled off the whirlpool form

using past experiences to aid him in the present, nice nice

tanjirou and nezuko dont quite work together very well but its yknow the first mission so ill chalk it up to simple inexperience

also the way the muzan curse thingie was hinted at here? fantastic way of showing that little bit of demon worldbuilding

...

oh god, it mentions nezuko being stronger than normal demons

ok its not a problem here per say since i can still suspend my disbelief, but later on it just becomes a glaring problem that gets worse over time

VS SUSAMARU AND YAHABA

[Image Description: Manga panels of Susamaru and Yahaba. The first one is a joyful Susamaru about to throw a temari ball. There is floating text saying “Is she one of Kibutsuji’s minions?!” The second image is an annoyed Yahaba, holding one of his eye-hands to cover himself. There are two text bubbles around him saying “My kimono got all dusty. Tch!” End Image Description.]

9/10

why dont these bitches have a good looking panel together dammit

anyways amazing entrance, the way yahaba used his hand eyes to track down tanjirou is really neat

the synergy yahaba and susamaru have is incredible, its awesome dude, they work extremely well together and it shows

tanjirou actually mixing his water breathing forms together is a god tier move and i absolutely love how he can show off his ability to think on his feet once again

establishing how yushiro’s bda works early on is really well done

establishing tamayo as a fugitive this early on is also super well done

not to get into spoiler territory but both these things pay off

how tamayo ended up defeating susamaru is literally awesome in so many ways

shows off both how smart she is by exploiting the muzan curse

and speaking of the muzan curse, we actually get to see what happens to demons who even say his name, back when it was hinted with the swamp demon

tamayo is amazing dude, and we get some real evidence of the horrible suffering demons go through if they even accidentally attempt to betray muzan :D

...

now heres what keeps this fight from being perfect

nezuko somehow grew stronger against susamaru’s temari

with no explanation

which could have been easily explained if tamayo was like “oh yeah the drug also boosts a demon’s strength temporarily”

but nope

god, i just dont like how gotouge handles nezuko’s power boosts throughout the series bc like i said before

no explanation is given anywhere

this is a huge issue, this isnt a pokemon game, you cant just kill demons and get exp at the end of every battle, level up, get some sweet stat bonuses and move on

(actually if gotouge established that this is how nezuko grew in power, than all my complaints about this would be gone, im not even joking)

anyways i get that nezuko is supposed to be “special” but thats too vague of a descriptor

how the hell is she special? ya gotta be more specific and stick with that explanation or that suspension of disbelief is going to disappear

VS TONGUE DEMON

[Image Description: Manga panel of a four-eyed demon with horns and a long tongue. He is crawling in an awkward position, one foot in front of his tilted head. There are two text bubbles around him saying “Heh, heh! I’ll slurpy slurp your brains out through you ear!” End Image Description.]

10/10

not much to say, showcases zenitsu’s true abilities really well

nicely done

VS HORNED DEMON

[Image Description: Manga panel of a big, single-horned demon. There are three text bubbles saying “You dodged! You’re awfully lively for a human! It’ll be a treat to carve away your flesh!” End Image Description.]

10/10

would have ignored this fight if not for the fact we havent seen inosuke fight before

it definitely shows how very fast-paced and wild inosuke is

no complaints here lol

VS KYOGAI

[Image Description: Manga panel of Kyogai, a demon with tsuzumi drums attached to his shoulders. There are four text bubbles around him saying “Why?! Why does everyone keep sneaking through my house? It’s so aggravating. It’s my prey! It’s my prey! Found in my territory!” End Image Description.]

10/10

establishes marechi blood pretty early on, once again expanding the worldbuilding of kny which is always cool

interesting terrain where it’s always shifting, tanjirou once again proves his ability to adapt really quickly by altering one of his forms to work with the turning room

(man, i wish the form mixing/form modification thing carried on throughout the rest of the story, but it really didnt which is just a shame)

the injuries tanjirou had prior to this mission actually affecting him was a nice touch

oh yeah, kyogai gives us more worldbuilding (which is always nice) regarding the 12 kizuki, and the aspect of him being cast out due to being weak shows a lot about muzan’s indifference towards his own demons if they arent strong

his backstory being a failed writer once again humanizes kyogai as a former human being and not just a monster

tanjirou shows his sympathy and compassion again by not stepping on his written work and complimenting his bda

well, tbh tanjirou’s actions kinda came out of nowhere but its a very minor thing and not enough to dock a point off, like it didnt affect the outcome of the fight that much if at all

(so if you see future battles where points are docked off for things not logically making sense, its bc whatever nonsensical concepts were integrated into the fight actually turned the tide of the battle and thats a big no-no)

very good fight and if you remember how kinda bad tanjirou was at accurately slicing the swamp demon, you can see that he’s already improved leaps and bounds

im so proud of him

VS MOTHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and the Mother Spider Demon. There is a light shining down from the top right on to the demon as Tanjirou slices her head off, rain following in his wake. There is floating text saying “Water Breathing: Fifth Form - Blessed Rain After the Drought!” around them. End Image Description.]

10/10

i mean does anyone disagree?

all the demon slayers getting their necks snapped by her threads was pretty horrific, probably more horrifying than anything else we have seen in the entire series if im gonna be honest

the death scene is probably the most beautiful one in the series

it reveals a water breathing form that we havent seen before thats the 5th form

as far as i know, no other breathing style has this merciful sword stroke so it shows a lot about the original water breather and what they might have been like

but enough about them, really the focus is on tanjirou bc this is like the best example by far of how kind and sympathetic he is to demons

dunno what else to say, its perfect

VS SON SPIDER DEMON

[Image Description: Manga panel of Agatsuma Zenitsu performing Thunder Breathing 1st Form: Sixfold on a spider-like demon. Zenitsu is crashing through the roof of a shed, and a zig-zag path is left behind. There are sound effects all over the panel, saying “Bam!” in large font. End Image Description.]

10/10

chose a picture without a huge spider on it bc i would like to not scare myself half to death

anyways extremely amazing fight, showcases zenitsu’s immense talent and skill, adapting the 1st form of thunder breathing to be a more versatile move

theres a moment where his backstory with kuwajima and kaigaku were revealed and his hidden insecurities are out in the open which is super nice and further develops a character weve only considered as comedic relief until now

the anime made the backstory scenes and the killing scene so much cooler

while there is no thematic connection between zenitsu and the demon, it really isnt necessary to keep this fight interesting

anyways another pretty much perfect fight

VS FATHER SPIDER DEMON

[Image Description: Manga panel of Kamado Tanjirou and Inosuke slashing at the Father Spider Demon. The demon has blocked Tanjirou’s sword with his arm, and Inosuke is slamming both his blades down on the demon’s other hand. End Image Description.]

10/10

again, not my most favorite fight but it does everything right

i do have to say it was excellent how gotouge hyped up the father spider demon to be the big bad, only just so the plot twist later takes the readers by surprise

nicely done

VS DAUGHTER SPIDER DEMON

[Image Description: Manga panel of Kochou Shinobu and the Daughter Spider Demon. Shinobu’s back is seen and her haori looks like a butterfly’s wings keeping her afloat as she holds her stinger blade out to the side. The demon looks surprised as blood gushes from her side, arm, shoulder, chest, neck, and forehead. There is floating text on the panel, saying “Insect Breathing - Butterfly Dance - Caprice!” End Image Description.]

10/10

first time weve seen shinobu and her fighting style

what i love most about this is how much it shows her true character, appearing as a carefree and naive individual so she seems underwhelming

then bam, reveals exactly how dangerous and uncaring she is of demons, listing out the specific ways she would torture the daughter spider demon in grotesque detail

her using poison to take demons by surprise is also super clever and brings back the worldbuilding established way earlier about wisteria being poisonous to demons

amazing integration of that concept

anyways this fight really encapsulates who shinobu is as a character and thats why it gets a perfect score

VS RUI

[Image Description: Manga panel of Rui holding his hand out directly towards the viewer. There are two text bubbles around him, saying “Give me your sister. If you hand her over quietly, I’ll spare your life.” End Image Description.]

8/10

not only is it a super scary fight but there is a deeper conflict between rui and tanjirou, what it means to be family

they are opposites in the sense that while tanjirou believes love is what makes a family, rui’s subconscious desperation for an unbreakable bond drives him to use fear to keep his “family” together

excellent juxtaposition of their values, and this is only further emphasized when rui expresses out loud what he was going to do to nezuko

i also like the symbolism regarding rui’s bda, how he uses threads or the “familial” bonds to cut up his fake family with it if they act out of turn or annoy him

super neat detail

alright what i dont like about this fight is nezuko (again)

mostly her unlocking her bda to turn the tide of the battle bc her mom was like “yo, wake up, your brother is going to be killed”

feels... forced ig

her bda in general is confusing and not consistent

man, i wish i could make a stronger argument for this but i do believe the problem stems from the fact that we dont ever know what nezuko is thinking, and what she thinks of tanjirou specifically

if she even cares for him as a sibling or if shes only going along with what her family is saying to her, things like that which would have been fixed if gotouge actually gave her thoughts some screen time

so the action feels pretty shallow

im also conflicted over tanjirou somehow remembering how dance of the fire god works

on one hand, hes using past information and applying it in the current setting so he doesnt die, which is understandable

but on the other hand, this was a teeny bit random?

i think what could have fixed this is if there was a scene in the beginning of the series where tanjirou was performing it himself, like practicing before he actually had to do it for new years

so that when the rui fight rolls around, it would have felt less like throwing dry spaghetti at a wall

but yeah

overall super good fight, giyuu ending up having to kill rui instead of tanjirou was super good in that tanjirou didnt become a pillar this early in the series and to show how strong giyuu is

there are some odd bits regarding the ultimate “beheading” of rui using nezuko and tanjirous supposed bonds but it doesnt kill the fight entirely so it deserves its pretty high score

***under read more is manga-only fights so beware***

VS ENMU

[Image Description: Manga panel of Enmu holding his hand out directly at the viewer, with a mouth on the back of it. There is floating text to the top right of Enmu that says “Whispers of Forced Unconscious Hypnosis!” End Image Description.]

9/10

id say this fight is definitely overshadowed by the dream stuff prior to this but its pretty good in its own right

enmu fusing with the train was kinda confusing, like when was it established that demons could fuse with objects?

this worldbuilding element doesnt even appear again so yeah thats why it loses a point

how the kmbk gang end up defeating enmu is pretty sweet though, tanjirou using dance of the fire god to sever the neck bone was really nice and shows that him using the breathing style in the rui fight wasnt a one time thing

while kyojuro’s role was smaller in this part, the next part makes up for it so i cant complain

anyways ye, almost perfect score but its pretty good

VS AKAZA (MUGEN TRAIN)

[Image Description: Manga panel of Akaza holding his hand out to the viewer’s left. There is a text bubble saying “Why don’t you become a demon?” End Image Description.]

10/10

this encounter is literally amazing okay?

after the crew kills the big bad, it seems like everything is fine

but plot twist, upper moon 3 appears out of nowhere

this is the first time the reader has seen an upper moon, let alone the 3rd/4th strongest demon in existence and the way gotouge handled this twist is fucking amazing

kyojuro’s death scene really shows just how human even the strongest pillars are against demons with incredible power

its just

amazing

VS OBI DEMON

[Image Description: Manga panels of the obi-like demon. The first image shows the obi hung in the air and strung over each other like decorations, with women-shaped patterns in its folds. The second image is Hashibira Inosuke fighting the Obi demon which now has lips and eyes. There is floating text in that panel saying “Breath of the Beast: Sixth Fang - Jagged Gnaw!!” End Image Description.]

10/10

on to red light district

this fight is admittedly super forgettable and not very interesting at least compared to the main fight with daki and gyutaro

but it wraps up the sub plot of the women and uzui’s wives going missing so it gets a perfect score for not messing that up

oh and it establishes the stretchy neck thing daki has going on which is very good

VS DAKI AND GYUTARO

[Image Description: Manga panel of Daki and Gyutaro. Daki is sitting on Gyutaro’s shoulders. There is a text bubble on the top right that says “The two of us are one, after all.” as well as floating text that reads “The power of the irregular siblings...!? Next issue lead color and the fight reaches its climax!!” End Image Description.]

8/10

love how this battle challenges tanjirou’s sympathy and kindness towards demons, just simply bc daki and gyutaro are horrible people

(too bad nothing came of this, which ill explain in the hantengu portion)

daki and gyutaro are very good villains and kept this fight super interesting from start to finish

uzui acting as a foil to gyutaro is nicely integrated and properly shown with how jealous gyutaro gets over seeing uzui’s perfect form and stature

tanjirou not only mixes forms but mixes breathing styles as well, which is so fucking awesome

(too bad it was only used like once throughout the entire series, its quite unfortunate)

the super high tension right after inosuke gets stabbed and tanjirou wakes up was expertly portrayed and handled, it felt like the kmbk gang and uzui were actually going to lose

super awesome

the tanjirou and gyutaro parallels are expertly portrayed, with how gyutaro taunts tanjirou over failing to protect his little sister, and the more visual thing where tanjirou imagined his own neck underneath his blade, that was super duper nice

the ending is extremely tense and emotionally gripping, gotouge did a really good job with that artistically too

the demon mark acquisition scene was surprisingly not frustrating, considering that it wasnt really explained prior to the battle

i do think it has to do with how it was explained later just exactly how they worked so its not just some random thing gotouge pulled out of their ass

so pretty good

/

what i dont like is nezuko and her full power demon form

first of all where the fuck did that come from? she just got angry and suddenly shes as powerful as an upper moon

like

how?

that doesnt make sense???

her extremely quick regeneration makes no sense

her ability to manipulate her blood’s properties makes no sense

and it doesnt even appear again so what was the point of that existing

none of this is even explained later which annoys me

that one part where tanjirou sings a lullaby to her to calm her down was alright ig but nezuko in this fight makes me extremely irritated and frustrated

just ugh

VS HANTENGU

[Image Description: Manga panel of Hantengu opening a shoji door. He is crawling inside, his hand in a gnarled, unnatural position. There is a text bubble saying “Eeeeeeek.” End Image Description.]

1/10

swordsmith village

this fight can go fuck itself /j

no but seriously it has so many problems that it would be shorter to name its redeeming qualities (which ill do later)

first off, the nezuko full power form thing again

i hate it so much with a passion

again, where did her ability to regenerate instantly even come from???? this is never explained, ever

and why did she cut herself on tanjirou’s sword anyway

did she somehow know that it was going to turn red if she burned it?

gotouge what the fuck, there is literally no reason why nezuko would do that and we cant even read her mind to see her thought process

gotouge hates nezuko, i swear

/

remember when i said uzui is meant to be a foil to gyutaro in the rld fight? its pretty obvious that those two are opposites, it was nicely done

... what the hell does mitsuri’s insecurities about strength have to do with whatever the fuck hantengu has going on (which is basically nothing)?

so no meaningful connection between mitsuri and hantengu

theres no meaningful connection between tanjirou and hantengu other than tanjirou getting pissed off for like the second time

also tanjirou’s thing with being kind and sympathetic to demons was entirely dropped at this point

but instead of it leading up to a corruption arc of some sorts, it just doesnt

like honestly if something actually came of that anger he exhibited in this arc and from red light district from this point forward story-wise, i would have counted this as an amazing writing decision

but it literally doesnt so who cares

(god, i really start to hate what happened to his character after this )

and genya’s revealed motivation also doesnt fit at all with hantengu’s thing, he’s not a foil, not a parallel, nothing, there is nothing

/

tanjirou being the catharsis for development for mitsuri and muichirou, who he has only talked to like twice

theres definitely a better way to handle those two’s developments without his help

like gotouge, you have a big cast of characters, use them lol

/

i want to kick hantengu in the face for being boring as fuck (at least his clones have cool looking weapons)

doesnt even have a proper backstory, just a single spread of him being blamed for shit as a human

like... thats it? this is upper moon 4 what the hell

/

theres no clever form mixing here at all (regarding tanjirou) which probably would have helped with foreshadowing the 13th form for dance of the fire god/sun breathing better

also gotouge established that as tanjirou’s thing and now he doesnt do that stuff anymore which sucks

/

oh hey remember when tanjirou actually learned how to do zenitsu’s speed boost thing?

if you didnt, i dont blame you bc it literally doesnt appear again, ever

you could argue that he adapted it into his “waltz flash” technique or whatever the fuck that is but the way it was integrated into this fight was like throwing dry spaghetti at a wall

which is just a shame bc its meant to be representative of how tanjirou and zenitsu are good pals but the way it was utilized is forgettable as hell

/

i absolutely loathe the crimson blade concept as a whole and im mentioning this now bc its going to come into play why future instances where this goddamn thing comes up again causes points to be lost

its inconsistent as fuck ill tell you that

/

at least some yoriichi stuff appeared here and not shoved into the final battle with everything else

so the yoriichi stuff later didnt come out of absolute nowhere

genya and mitsuri’s unique fighting styles expand the kny worldbuilding just a little more which is always nice

tanjirou got a cool sword out of this which would have been cooler if him and yoriichi had a deeper connection that was actually explored

but we didnt get shit so whatever

other people getting demon marks being revealed here is also okay so that again, the final battle isnt filled with absolutely everyone getting their marks at once

demon marks have their own slew of problems but its not as bad as the fucking crimson sword shit

god i hate the crimson sword shit

...

dude this section needs a tldr, even i cant sit and read through my shit

TL;DR - this fight sucks and crimson swords are bullshit (more on this later)

VS GYOKKO

[Image Description: Manga panel of Tokitou Muichirou and Gyokko. Muichirou is looking to the left while Gyokko is looking to the right, both with their backs to each other. There are mist clouds billowing in the foreground and background, as well as a slash mark going across Gyokko’s neck. End Image Description.]

7/10

this fight suffers from the same lack of cohesive themes through characters like the hantengu battle bc the antagonist is given nothing

but its better

we havent actually seen mui fight before so theres no consistencies that the reader has to keep track of for now

and there arent like 10 characters in the fight so this fight gets a lot of points just for being a lot more coherent

i do like that this fight shows just how good mui is that he can defeat an upper moon by himself

mui’s backstory is neat

gyokko’s bda is very interesting too

... thats pretty much it lol

ye, anyways not the best fight but not the worst fight either

VS KAIGAKU

[Image Description: Manga panel of Kaigaku holding the hilt of his blade with one hand. There is two text bubbles around him, saying “...As usual, you’re still shabby. It’s been a while, Zenitsu.” End Image Description.]

9/10

alright on to final battle arc

theres some good fights and then some really sucky ones, but this one was pretty incredible and very emotionally charged

theres a clear reason why zenitsu and kaigaku are battling each other (kai betrayed the corps and inadvertantly caused the only parental figure in zenitsu’s life to die, and zenitsu is rightfully pissed off about that)

the visual yin-yang symbolism is awesome too

zenitsu winning due to using the 7th form he created himself (which i have reason to believe was inspired by tanjirou) was the perfect ending to the fight, really couldnt ask for anything better and is a perfect example of how much of an effect tanjirou has had on zenitsu

the 7th form is what tanjirou’s waltz flash should have been lol

/

what keeps this fight from being absolutely perfect is lack of development prior to this conflict

(since the final battle arc is basically a culmination of all the hinted developments through the series, im going to actually factor in how much and how well these conflicts were foreshadowed)

anyways if we had actually seen zenitsu, kaigaku, and kuwajima actually interacting with each other and showing how they were essentially a family (not just through flashbacks), it would have made zenitsu placing the responsibility of killing kai onto himself a lot more tragic

but like, apart from brief flashbacks where zenitsu actually met kaigaku off screen and that one thing all the way back in natagumo where both kuwajima and kai were introduced, thats pretty much it in terms of thunder family development

so yeah its underdeveloped for sure

also one random thought, i personally think zenitsu should have gotten his demon mark in this fight, it would have been cool to see

VS AKAZA (INFINITY FORTRESS)

[Image Description: Manga panel of Akaza’s face. There are two text bubbles around him, saying “Okay, let’s get started. It’s time for the feast.” There is also floating text saying “The inspection of the strong has begun...” as well as a simple box on the lower left, denoting its the end of chapter 147. End Image Description.]

6/10

oh god please dont hate me for this

ill list the good things first how about that

this conflict was foreshadowed perfectly in mugen train, you bet the readers were expecting a tanjirou vs akaza battle after the death of kyojuro and gotouge delivered

akaza’s power is shown extremely well with how many close calls tanjirou and giyuu had while fighting him

akaza eventually giving up on his own volition was really nice and fit into the context of the battle very very well, like sure tanjirou and giyuu wouldnt understand why he gave up but us readers do know

akaza is a really good character and a good villain

/

now notice how im only mentioning akaza and not giyuu or tanjirou in the good aspects

bc those two are eh

no form mixing at all from either tanjirou and giyuu

i know i said form mixing was kind of tanjirou’s thing but you’d think giyuu would have gotten more creative with his moves once akaza said that he was getting predictable

(well he said he “ran out of water breathing forms” but same thing)

so its kinda bland lol

speaking of giyuu, his whole thing with his insecurities of being weak wasnt handled well (it was sort of immediately brushed off in pillar training, and its unclear what part of his character arc he was in)

like sure him announcing that he’s going to protect tanjirou is cool but it feels like he was haphazardly dropped into the tanjirou and akaza conflict

isnt he supposed to be both their foils? that wasnt really explored that well in this fight and theres no deep meaning behind him even being here just analyzing what he did in it

he could have been handled better or even given more focus is what im saying

the anatta state came out of nowhere, im sorry okay? just bc inosuke like barely hinted at not being able to sense grandma hisa bc she had no fighting spirit and tanjurou magically taught his son how to achieve this state doesnt mean it was properly integrated into the fight

if the anatta state was actually explored prior to this battle, i would have given it a pass but it just feels like a cheap and poorly developed trick to get around akaza’s technique development (which is overpowered as fuck might i add)

gotouge should have just given akaza a plausible weakness to his technique development instead, especially since they dont use or even mention the anatta state after this

the transparent world shit makes no sense but ill elaborate on that in the koku battle analysis

oh and this thing doesnt affect the score but why wasnt there a “yoriichi visage overlapping” moment when tanjirou was fighting akaza? hes an upper moon, he should have gotten those visions but he didnt

for some reason

anyways this battle was alright and has good set up but the middle and end parts didnt hold up as well bc random concepts were thrown at us without prior explanation or development

VS DOUMA

[Image Description: Manga panel of Douma licking Shinobu’s butterfly pin. There are two text bubbles around him saying “Anyway, tonight is a good night. Such fine feasts keep showing up one after another.” End Image Description.]

9/10

damn, such an amazing fight

the build up to this was properly foreshadowed

shinobu finally showing her true anger after hiding it for so long is amazing

douma is a super interesting character and fantastic villain

shinobu showing off her true power and determination against douma was sooooo nice

shinobu’s poisonous body plan is so clever and so interesting

if i was to rate the shinobu part of the fight alone, it would have gotten a 10/10 no question

the reason why its knocked down a point is because of the kanao and inosuke part

dont get me wrong, the way kanao is able to hold her own against douma by herself is pretty cool, how shes meant to parallel douma with their similar struggles surrounding human emotions and demonstrate how she has grown as a person, how she regains the ability to cry

that shit is cool, inosuke also getting in touch with his emotions after learning what happened to his mom was super neat as well

however

bc this battle takes place in the final arc with everything else, there wasnt proper build up regarding many things, the kotoha reveal especially

so inosuke feels kinda forced into the kanao shinobu and douma conflict, similar to how giyuu felt forced into the tanjirou and akaza conflict

its quite unfortunate bc if the kotoha stuff was actually explored prior to the confrontation, this “forced” feeling would have disappeared

i know some people have suggested that the douma fight should have just been its own arc, and i very much agree, it would have certainly helped fix this problem regarding inosuke and kotoha

last random thought, i wish shinobu, kanao, and inosuke got their demon marks

VS KOKUSHIBOU

[Image Description: Manga panel of Kokushibou looking directly at the viewer, holding the hilt of his blade as if he’s going to pull it out. There are text boxes around him saying “This... is Upper Moon One... He’s so different compared to the other Upper Moons. He looks so dignified and majestic.” The text boxes are narrated by Tokitou Muichirou. End Image Description.]

5/10

this fight is... mediocre

at least theres a more tangible connection between muichirou and kokushibou

even though that was handled kinda poorly

tbh there really was no point to revealing that mui is koku’s descendant like at all, it just had no significant bearing to the plot of the fight

sanemi’s backstory being here is... okay ig?

idk the whole shinazugawa conflict has fundamental problems that i just cant think of any other place to put it without changing the entirety of canon

the marechi blood concept coming back was nice though

genya is there

him getting his bda was cool and helped turn the tide of the battle in a satisfying way (before kicking the bucket but thats not the focus here)

gyomei is a hollow husk of a character who barely got anything at all

but his fighting style is extremely cool and conveys his immense power very well

oh and him and sanemi are amazing at working together, like better than giyuu and tanjirou, and better than kanao and inosuke

theyre that good yet pretty much nobody acknowledges it which is sad

koku himself is pretty interesting and pretty tragic, very nice villain

but everyone together?

gonna be honest but this is such a random collection of characters, there was basically no foreshadowing that these four were going to go up again kokushibou, they are not that connected very well

i know there was this one post that focused on the theme of family that was common in all 5 characters in the fight but its just not enough

it would have been more cohesive if gotouge emphasized gyomei, mui, sanemi, and genya being like different aspects of yoriichi coming together to kill kokushibou hundreds of years after yoriichi failed to kill him

lmao its not like the 4 of them defeated koku with the power of family or friendship, they just smacked him over and over with a flail, shot him with magical bullets, and stabbed a crimson sword into his abdomen

wouldnt have been too hard to switch over to koku’s pov and go “damn these bitches are like my stupid brother”

...

speaking of crimson swords

i fucking hate the crimson sword concept oh my god can i complain about it now? im gonna complain about it now

unlike demon marks, the crimson blades werent even given any proper conditions, you just hold the stupid thing hard enough and it somehow imbues it with magical properties with no logic behind those properties

what part of crimson swords completely destroys a demon’s body in an instant? even muzan didnt go through that process when he was almost killed by yoriichi so where in the goddamn fuck did it come from

it could be explained bc the sword was left in the same spot for a long time but this tactic doesnt even appear again in a meaningful way (didnt kill muzan when tanjirou and giyuu held the sword together) so what the fuck was the point of having this even exist

its so underdeveloped and confusing and i hate it

the transparent world stuff is also confusing as shit and its pretty much never explained how they work aside from the vague “close your mind” advice, like why did it exist, it did nothing to help the present day demon slayers

its just so... poorly integrated

yeah anyways this is around the same rating as the akaza fight but a little worse bc there wasnt that strong set up beforehand

VS KOKUSHIBOU (SENGOKU ERA)

[Image Description: Manga panel of a bag getting ripped open, pieces of a wooden flute tumbling out. End Image Description.]

10/10

easily 10/10

this fight shows the tragedy of kokushibou giving in to his envy and hatred, when yoriichi cries over seeing his own family commit terrible attrocities against the people he wanted to protect

and yoriichi dies, now carrying the fact that he couldnt even save his own brother from the influence of muzan on his conscious forever

what a sad ending for yoriichi

and after koku angrily slashes apart yoriichi’s corpse, having him find and keep the flute he gave to him when they were kids to the present day gives him a small shred of humanity in the midst of his monstrous anger

VS NAKIME

[Image Description: Manga panels of Nakime. The first one shows a low quality version of her playing her biwa. The second one is a close up of her eye. There are spiky text bubbles saying “It’s Upper Rank... 4!” End Image Description.]

0/10

no nakime backstory

not even a goddamn fight

forgettable

useless

VS MUZAN

[Image Description: Manga panel of Kibutsuji Muzan in his white-haired, mouth-covered form. There are text bubbles around him saying “Not a single one was of use to me. I will crush the demon hunters tonight. I’ll massacre them all right now.” End Image Description.]

1/10

._.

i have many complaints but ill try my best to not make this another hantengu rant section lol

first off, obanai deserved better

im serious, this poor dude was forgotten until pretty much the end when we finally get a backstory out of him

and then he died

what a waste of a potentially amazing character

mitsuri getting taken out early was ehhh

pretty sure someone else made a post about her supposedly being extremely strong but she was nerfed in this battle which i agree with

literally none of the pillars work together very well, like remember how i praised sanemi and gyomei for being super coordinated? lmao that doesnt exist anymore

you could say this is caused by desperation though and you wouldnt be wrong, its just boring to sit through

that causes issues bc this now basically requires the crimson sword and transparent world concepts to be there to spice things up

but in this fight, they do nothing in the long run (except for tanjirou using the crimson sword at the very very end)

youve already heard me talk about why those two things are super shittily integrated and i cant be bothered repeating myself so moving on

kanao, inosuke, and zenitsu

they... exist? they didnt do much tbh, which i guess is the point but like, now its boring again

nezuko could have been used as a potential way to raise the stakes and make things interesting again (like “ah shit, muzan might actually be unkillable if he gets nezuko but its okay bc shes not here- oh fuck shes here this is not good”)

but nothing came of her running off except confirmation that she became human again so whatever

uzui and shinjuro are useless, why werent they at the fight?

like they could have followed nezuko and contributed to the battle even a little but they just didnt and now theres literally no point to them appearing in this arc at all

wasted potential

tanjirou

i wish him going absolutely apeshit had actual substance behind it, like it being a part of his character arc or something

i remember having this one theory that he had a corruption arc (due to dropping his kindness thing towards demons) and i wanted this to be true so badly

but it doesnt exist

not with how the series ended

god

the only thing that saves this fight from being complete trash is tamayo’s poison thing being amazingly executed

and the part where everyone got blasted away, losing limbs and shit, that made things a little more interesting again

but thats it

VS MUZAN (SENGOKU ERA)

[Image Description: Manga panels of Kibutsuji Muzan, Tamayo, and Tsugikuni Yoriichi. The first one has Muzan and Tamayo, while the second one has Yoriichi pulling out his sword. There are text boxes saying “And the moment I met him, I understood that I was born into this world to defeat this man.” End Image Description.]

9/10

finally something good again

while short, that’s just the nature of all of yoriichi’s battles with demons

anyways pretty nice, theres a clear reason why this battle exists (shows the scenario that made the original breather get super close to defeating muzan in detail)

adding tamayo here was a nice touch

my only complaint is that it seemed extremely coincidental that yoriichi somehow developed a breathing style specifically countering muzan’s multiple organs without even knowing prior that he had all those brains and hearts floating around freely in his body

like thats kind of ridiculous, even for yoriichi whos supposed to be “blessed by the gods”

could just be me though

VS TANJIROU

[Image Description: Manga panels of Kamado Tanjirou in his demon form. The first image has his eyes closed. The second image has his eyes opened and the tumor on his face almost completely faded. There are text boxes around him saying “You will destroy the demon hunters in my stead.” End Image Description.]

1/10

hoo boy

ok first off, demon tanjirou lasted for 2 chapters

thats it

2 chapters

so thats already a problem

i am aware its meant to parallel the beginning of the series but also its ridiculous how completely vague and rushed this entire thing was

nezuko doesnt do shit through not just this battle but this entire arc which i already explained so not gonna go into it further

kanao magically having a demon cure on her made very little sense

the scene where tanjirou leaves muzan in purgatory is pretty but if you look at it in the context of everything else, its ambiguous and confusing

(if someone could explain it and see how it connects to the original theme of “demons just being victims of circumstance,” i would love to hear it)

/

actually you know what makes me so mad about this “fight” as a whole? there was so much potential to do more with this concept

and im not talking about him escaping and nezuko becoming a demon slayer roleswap au (even though its a pretty cool concept)

him becoming a demon could have been a metaphor for his lost kindness and sympathy towards demons halfway through the series

it could have been a punishment for letting his anger towards muzan cloud his judgement

it could have symbolized literally anything about him losing his humanity as he got stronger

but those three things are just scenarios from my head, they dont exist in this series just based off of what weve seen from these two chapters

its disappointing

the only thing keeping this from getting a 0 is the one part where inosuke couldnt chop off tanjirou’s head bc he cared about him too much

that at least shows inosuke had grown as a character

everything else is just meaningless and convoluted garbage and “convoluted” is not what you should be aiming for if this is supposed to be the ending of your series

IN SUMMARY

early kny is very good, later kny is questionable and the ending is just a mess of wasted potential and disappointment

i get why gotouge had to have the transparent world ability, crimson blade ability, and the demon marks appear before they all appeared on yoriichi but theyre all just so underdeveloped and terribly handled in the battles they are used, it makes me want to kick a wall

like lmao, i could literally think of so many ways they could have been properly integrated, hell, im even writing a whole goddamn rewrite using my ideas for these three things (link to that is in my pinned)

just, god

if you want to debate over these ratings, my ask box is open ig? idk

[hubz88]

So Aaron asking Ben to move in and this plot about his dad seemed to be more about the parallels with Liv’s drinking problem then any real character development for Ben or their relationship.  Surprise, surprise. 

I had a few people jumping on a twitter response of mine last week, don't really do twitter much and wasn’t hoping to invite a conversation from Ben fans, Ben/Aaron fans, but anyway I was completely baffled, fascinated and mad and had to get my thoughts down.

Firstly my comment was about how weird I find it that on top of having this abusive father his whole life, Ben was so happy to forgive and forget the bullying that Aaron put him through, that made him want to die, within a day and a vague apology wanted to date him and it was brushed under the carpet.  I got two different responses from the fans that I want to look into because it has been on my mind all weekend.

1) About 2 or 3 people commented that I have clearly missed some episodes

This is hilarious to me, not only have I never missed an episode, but I have over analysed all Ben and Aaron scenes a thousand times over, without ever watching back I remember a great detail of what was said, weird dialog, acting/directing choices and facial expressions.

But mainly on this I am just hugely confused by what scenes they actually think I missed? There have been very little actually story about this bullying backstory full stop, no real content and no real resolution or explanation as to how come Ben got over it so quickly.  Given that I was referring to the first week or so on screen, it literally went like this.  Ben having no words in the Hop whilst Liv was acting like Aaron goes their all the time to see Ben at the Hop.  Ben orders a jacket potato and chilli whilst Chas awkwardly tries to suggest that Aaron gets back on the dating horse, hint hint hint to this random man who we know nothing about at this point and if he is even gay/into men.  Ben with Al and Kayak’s getting introduced to Aaron.  Aaron going back on his own to ask about Kayak lesson when Ben flips with the you don’t remember me, now I can hit back and you made me want to die etc. Ben’s car breaks down, Aaron says he can help, gets his number to text about parts or something.  They go for a drink as you do with your school bully.  Aaron explains vaguely about having a tough up-bringing and struggling with sexuality.  Ben has no reason to really trust him at this point or take his word for it but decides to awkwardly start trying to flirt and talks about the bullying he suffered as “reminiscing”, (weirdest line to use in context, I certainly don't reminisce about the kid that used to call me names at school let alone actually kick my head in on the daily). Then Aaron goes to the Hop and asks about a lesson, clear indication of a date.  This was all over a few days episodes, but one actual date time-wise.  That is is, whole story wrapped up.  No Ben talking to other people in the village that tell him to give Aaron a chance, no forced to work together, share friendship group, locked in a room together or whatever contrived plots soaps like to use to get people talking.  No longer story of getting to know each other, Aaron proving he had changed.  Just one conversation and it was all fine. Like what was the point?

Then from that point on we got a couple of episodes were Ben turned up out of nowhere, no build up, no aftermath, again no discussions with other people in the village, friends, co-workers, so we never saw his motivations or reasons for wanting to be with Aaron he just showed up apologizing for their disaster pint or Aaron apologised.  So much so that Ben was only in 11 episodes from September to January and many of those were like one or a couple of scenes, which is so poor when you compare to the other new characters introduction, interactions and multiple mini stories that played out.

The 4.5 months Ben was off screen was also used as a reason some how to explain how the lack of actual relationship discussion makes sense, like they talked again when he came back, (about his sister being an alcoholic), as if that suddenly makes it ok that they haven’t address the bullying or that argument again before Ben became a literal cardboard cut out glued to Aaron’s side. 

2) There was one person who replied saying it wasn’t a date at that point with the first lot of pints, which those terrible pint plots arguably were meant to be a date, but in any case they were still planning to meet up just the two of them, Ben kicked off after Ben didn’t turn up after divorce papers and Kayak lesson etc. So it still doesn’t make sense to want to get so pally with your ex bully. Through-out this point Aaron was pretty hot and cold and damn right rude at times.  Yet Ben kept following him around and showing up wanting to talk and try again and they suggest a pint several times.  One person did not like my response about him following Aaron around as if it was Aaron following Ben around because Aaron was the one that suggested the Kayak lesson to begin with.  But this person clearly hadn’t seen the scenes where Ben kept showing up out of nowhere wanting to get in Aaron’s orbit, Aaron largely seemed uninterested and said about them being friends beginning of December, (I think), which was never shown on screen and apparently didn’t happen according to January scenes at Aaron’s birthday when Ben said the friendship thing hadn’t worked out. 

3) There were the comments of the conversations on his return in May and the scene in the Hop discussing the bullying over some table football, you know do completely casual.  Again ignoring this does not change the facts of how this story started and how poorly it was executed regarding the bullying. Also in my opinion that chat was way little too late, they were official at this point and had only really been seen discussing Liv, her drinking problem, Liv being missing, Ben’s alcoholic dad and oh the mystery guy Ben put in a taxi.  Therefore no actual relationship or feelings chat anyway at this point, other than I’m miserable and we apparently have a laugh despite the fact we haven’t seen that onscreen. So why would I expect any in depth relationship story.  Even the Aaron Ben fan said they “try” with the Hop chat.  And like fair play, if you are happy with such shit a story and effort, then go live your best life hun.  But wow really, what are you liking here?

In actual fact Aaron still seemed quite offish on many occasions with Ben and snappy upon Ben’s initial return once again and yeah he was worried about his sister but why would Ben want to be around this permeantly, with someone he barely knows still, and would have possibly been triggering for him but yet he is promising to support him no matter what, you aren’t on your own Aaron, you have me, we and us etc. .

On the point of proving Aaron had changed the show has made a point this last year of many characters talking about how aggressive Aaron is, Liv about how he pushed her instead of Luke that whole time and calling him a control freak and lots of nasty names.  Mandy calling him a bully when Paul first died before she found out the truth.  Luke calling him a violent thug or something whilst Ben was there and talking about bad boys and stuff moments later, Ethan and Charles talking about him being scary and the same from Vinny at as well.  On top of the Pollard nonsense plot with the brooch and Ben was well aware that he was up for a bulgary/assault charge of which Ben had no real reason to believe he was innocent again he didn’t really know. He had only just re-connected with him after months off screen following the toxic argument, which also never got resolved, no sorry I didn’t realise Liv had a drink problem, I get your concern now, sorry for what I said, sorry for how I treated you, which as much as I don’t like Ben I feel he sort of would have deserved after how Aaron spoke to him.

Finally, and I realise no one is going to read this haha.  In one of my responses to these people before I gave up and said we are never going to agree, let’s leave it. I said content wise the story has been poor, there has been such little effort with the writing and Ben isn’t really a character right now, still only serving for other Aaron related plot and after 10 months on the show has only one small chat about gay marriage with Charles and the weird gay app conversation with Vic, Ethan and Luke outside of Aaron which is just not a proper character on a soap that it is 6 times a week.  Funnily enough, I got no response on that, no comeback or pathetic or disillusioned excuse. So do they all know how bad the story is and choosing to fight on the missing episodes I haven’t seen, whether those pints were dates or the fact they spoke after Ben’s disappearing act, which does nothing but really prove what a nothing of a character he actually is more than anything as there is no way I really believe it was all just down to COVID when other plots didn’t suffer the same way.

I will shut up now!

[biteghost]

How do you come up with so many cool characters?? All of your OCs seem so vibrant and fleshed out. Do you have a specific process for developing them, or do they just kinda come to you mostly formed? I find I struggle with building a compelling OCs for D&D games & would love to hear your thoughts on character development.

(This answer got long, sorry.) This is a super nice sentiment, I’m happy you think my characters are all cool and unique!!

As far as process goes, uh, it depends on the character? I’ve spent a long time (years) rewiring my brain when it comes to what I think about when creating OCs. They don’t usually come to me fully formed - I get an idea in my head about a concept, and then over like a week or even months of fiddling I end up with a character for that concept.

A lot of the time my characters are simply people I wanted to see more of in media as a kid! Mostly, female characters I actually relate to or are as nuanced and messy as their male cast members, haha... (It was a trip when I realized in high school that I didn’t hate female characters - it was actually that none of them were written as well as the cool boys in the anime series I liked, haha! Be the change you want to see in the world, basically.)

Inspiration for characters (and stories for them to be part of) come from a lot of places. An easy piece of advice is to make an effort to intake media you like! Read new comics, watch new movies and television shows, read books, play video games, listen to music and obsessively memorize the lyrics - hell, obsessively learn everything there is to know about black holes or public domain characters (that’s what I did, lol...)!

(Note: ’New’ meaning new to YOU - you don’t need to only be partaking of media that’s created in 2021 - you can find a lot to love in media that was created before your time, or for generations before you!)

I must reiterate: intake new media that you ENJOY! You don’t have to like all the same things as everyone else, you don’t have to be invested in the same shows and podcasts as your friends. Varied interests and taste is part of what makes us all unique! Increasing your pool of inspiration will help you come up with interesting ideas, and help you find YOUR voice. Your particular interests and the niche things that speak to you will help you figure out what kind of characters and what kind of stories you like to create! But the process doesn’t end at just intaking media... When you find the stuff that brings you joy, analyze what exactly it is about that thing that speaks to you... Put it into words. Explain it to a friend. Make it tangible, analyze the feelings and why the series made you feel that way... and then take it and shove it into your own stories, lol!

Engage critically and thoughtfully with work you like, with characters you like, and it will help you have the language and thought process to recreate it in your own work!

My creative process is like an exquisite corpse of all the characters and series I’ve liked over my lifetime. I mesh them all together in a grim blender and what comes out is a shake in the vague shape as an OC, lol

BUT... it seems like you’re asking more specifically about making characters for tabletop roleplaying games like D&D? And THAT is a different process for me than making OCs for my comics or original story ideas!

I don’t usually join a tabletop game with a fully fleshed out character, actually?? I don’t spend a long time on their backstory, and I usually figure it out like halfway through the story, or through collaboration with my game master!

My TTRPG characters are usually whatever I think would be most interesting in the given game setting or set-up and... usually they exist in opposition to whatever the core concept of the game is. So, the examples I have from games I’ve played are:

In Cardians: West (World of Darkness: Hunter the Vigil): we played in a modern-day urban fantasy setting, where players were recruited into a supernatural Hunter group that was also a criminal organization that Did Crimes and Broke The Law in the name of keeping peace and protecting humanity from the supernatural creatures that go bump in the night. I played Andrew, a Lawful Good Police Detective, because I thought playing a character who would need to grow past his original ideals of ‘Right and Wrong’ in the name of the greater good would be interesting! (And it was!)

In SINNING ADVENTURE (WoD: Geist: The Sin-Eaters) we payed in a modern-day urban fantasy setting with the premise that the players all Died and were brought back to life by forming a pact with a powerful spirit (and getting cool ghost powers in the process!) I played Cassius, a character who could not cope with his death, and thus refused to use his new powers because they were evidence that he was no longer strictly human. It caused conflict in the group and world, but I thought it would be interesting! (And it was! Cassius was a Bitch.)

In Rex Machina (Dungeons and Dragons 5E), I wanted to play an Aarakocra, but was having a hard time deciding on a class or backstory... until I found out that in the ‘canon’ of D&D Aarakocra only live to be like, mid 20s???? Their lifespans are insanely short compared to other playable races!! And I thought that was stupid, so I decided to make MY Aarakocra, Izzy, a warlock that’s looking for ways to extend his own stupidly short life. His pact essentially granted that to him, giving him extra time to find a way to achieve True Immortality. His conflict challenges what’s ‘true’ living in this world, and his extended life is in direct conflict with a lot of forces in the world we play in, and while it is very stressful I think it’s really interesting to play!

In Lamplighting (Monster of the Week), my character Aicen is an assassin who made a deal with a demon and gained supernatural perks out of it... except I decided that she doesn’t WANT to be in this deal. She is actively trying to undo it because it wasn’t her deal - she inherited it from a CEO that she killed during an unrelated job. (Aicen is probably my character I’ve put the most backstory into, and that’s just because at character creation in MOTW you are given a lot of questions about who your character is and why they’re where they are!)

In Hand of Adam (WoD: HtV), the concept was that all players were going to join a post-apocalyptic supernatural-hating cult. I played Shouter, who was a self-preserving pacifist coward who also turned out to be a fae (which the cult would have killed him over). It was stressful but very fun. I love Shouter. He ran away from fights and didn’t actually kill anyone until the last episode where they fought God (whom he killed, lol).

NOW. THESE ARE ALL JUST EXAMPLES OF HOW *I* LIKE TO PLAY CHARACTERS!! For me personally, I enjoy playing a character who has built-in conflict either with the world, the story, or the other players. I’m only able to play characters like this because my friend group are all really cool and we all know that conflict is not bad - it’s fiction and we’re just roleplaying! If I didn’t trust my GMs and fellow players as much as I do, I probably wouldn’t have felt comfortable enough playing some of these concepts.

I don’t think you need to know every little thing about a tabletop character, and in fact, not knowing some things and leaving it up to the GM and story to flesh out is an easy way to help you get more invested in both your character AND the story your GM is telling! Tabletops are a collaborative storytelling experience, so if you’ve already plotted out your character’s whole story, there won’t be much participation from other players or your GM. Figure out what your character wants, and let your roleplaying and GM slowly put all the other pieces in place over the course of your campaign!

But the TL:DR about how I make tabletop OCs is that I just... try to give them a goal, an ideal, or a personality that is in direct conflict with some aspect of the game we’re playing. I don’t want the character to be undermining the whole game, because that’s really crappy to do to your GM, but I have to have something for my character to grow through or change. I like giving them built-in character arc starters, lol. I haven’t played a game where my character has gotten along with every other player character and NPC over the entire campaign since my very FIRST game, lol!

Also, if you’re having trouble, why not ask your GM what they think? Again, tabletops are collaborative! Don’t be afraid to talk ideas out with your GM for your character.

A final note about playing in specifically oneshot games (i.e. games that are not long campaigns but are meant to be played in one or two sittings). Personally, I always just retrofit an OC I already have to play in oneshots! When I make a new character for a long campaign, it usually takes me two or three sessions to find their voice and figure out how to roleplay them. If the game you’re playing is only one session, I find it easier to jump right in and get the most out of your character and the game when you’re playing a character you already know pretty well! I’ve played characters from my webcomic quite a few times, and it’s always a lot more fun for me than figuring out a new character on the fly!

SO UH, IN CONCLUSION... sorry if this is mad unhelpfu!! My personal processes are unique to me! but that's the point - no one person will have the exact answer that works for you! You have to keep trying until you figure it out for yourself! Good luck! Keep creating! <3

[hydrobes]

Do you have any least favorite Genshin characters and if so, why? (Can include both playable characters and NPCs)

My least favourite of all time is probably obvious at this point, haha

That’s right it’s Godwin still. Absolutely despise the man. It will forever baffle me that Hoyo doesn’t let us call out his bullshit and we just have to maintain his lie to Glory. As always, fuck you Godwin.

Playable characters wise; Never really liked Kokomi. Apologies in advance to those of you who have her as your main waifu. It just falls down to what I’ve said before;

Her aesthetic is pretty but it’s not for me

I’m not keen on her voice

Healers? I’m supposed to use healers? /sweatsnervously

When I think of Watasumi Island I think of Ippei and Gorou before anyone else. Kokomi is the leader of the island, yet I can scarcely remember any scenes we had together with her because the majority are just her dumping information on us

The only interesting thing I remember about her is that I think she’s into DnD/table top games? That quest where we find her in her little cave, she gets flustered when we try to read a book that I very vaguely remember as a DnD book

And honestly, I didn’t like her first introduction. That fighting on the beach cutscene had me creasing. The build up with all the bubbles and the music was incredible and then she just.. plops down from the sky. The cutscene is a riot otherwise, like when Gorou clapping a guy with his thighs hahah

TLDR for Kokomi: I found her to be rather dull and not really the ‘incredible military mind’ she was built up to be. I suppose I thought the leader of a rebellion would have a stronger personality.

Honourable mentions under cut lmao:

I don’t really have an opinion on Xinyan and Fischl so they’re definitely in my least favourites. If they had more screen time I’d probably care a bit more for them.

But that being said even if a character doesn’t appear often that doesn’t mean I write them off as immediately uninteresting. Reading about their backstories on their character profiles is always enticing.

These are just my opinions obviously but for example Rosaria doesn’t appear much at all but I think her backstory is very interesting and she’s definitely one of my favourite characters because of it.

Meanwhile Fischl’s story isn’t as interesting to me, I’m not particularly bothered about whether or not she’s from another universe or if it’s just a coping mechanism.

Another NPC I’m not really taken by is Zhiqiong in the Chasm quests. She was endearing at first, but by the end of the quest line (which I’ve done all of, I have the Frostglaze Crystal wink wink) I found her ‘I’m going keep putting myself in danger!’ type of bravery(??) to be irritating.

Anyways I’ve wrote far too much again, haha

If you want to reply in an ask, Anon, then who are your least favourite characters? I’d be pretty interested in hearing what characters others people don’t like and why.

[copperpieceharlot]

Bud I’m sorry to swing into your inbox uninvited like this but my soul is having an OOTS renaissance thanks to your content in the tag and did you say Leverage AU

haha holy SHIT this got Long. but yes. i’ve been. Thinking. (also literally Never feel like you have to apologize for sending me messages. i was Hoping someone would ask me about this. now i have an Excuse to share EVERYTHING ive written abt it :3)

Obviously, Roy is the leader/brains of the outfit. He grew up having some Strong Opinions abt what’s Legal versus what’s Right due to tragic backstory involving the death of his little brother which was definitely SOMEONE’S fault for negligence but since there technically wasn’t any illegal behavior, there were no consequences for it. Also he’s still angry at his dad bc he thinks his dad is also partly culpable (and also also just a dick). He’s the Moral Backbone of the team (alongside Durkon, more on that later) in basically the same way Nate was in og Leverage. He’s actually not the best at figuring out what people want (that’s Haley and, shockingly, occasionally Elan), but once he has that info, he is the absolute best at figuring out the ideal plan of attack to use in any given case.

Haley is still a thief. I mean she maps to Parker almost PERFECTLY. Her dad was a thief & a conman, her mom wasn’t but knew about it and mostly accepted it, but she died tragically in a mugging gone wrong or smth, which made Ian crank the paranoia WAY up and taught Haley to do the same in the name of “safety”. Let’s keep the “Ian is in Trouble and Haley needs money, Fast” which is why she signs on to the first job in the first place. She’s less acrobatic than Parker, tending towards finding (or making) weak spots in security, but she can still make a tumble check when she needs to.

Elan is the grifter who is somehow an Idiot but also not???? It baffles everyone. When he’s playing a part for a con, he’s FLAWLESS, but then the rest of the time he’s just. No Thoughts Head Empty. He probably gets lured in initially because he’s decided to try his hand at being part of a full team, rather than the two-man cons he’s been running that invariably end w his partner conning him as well and stealing half of his take. Also he likes the idea of being Crime Friends. He’s that tweet where it’s like, Roy: “after the heist is over, we split up and never communicate again” / Elan: [about to unveil his Crime Buddies Forever Friendship Quilt Puppets]: “never?”

Vaarsuvius is the hacker/gadget person. They have a Vaguely Snobby Yet Unidentifiable accent, dyed(?) purple hair (nobody has ever seen their roots) and nobody knows who they “really” are or where they came from, but they’re good at what they do so everyone just accepts the mystery. They probably got suckered into the team by their initial employer (who I’ll get to Eventually, lol) framing it as a challenge to their intellect, like, “oh, I see, you’re not smart enough to make this team work for you...” to which they were like Fucking Watch Me and also melted his computer. Anyways. They are joined (digitally) by their Intrepid Friend And Co-Conspirator (his words, not theirs), a fellow hacker known only as Blackwing, or, on certain forums, Blackwing_Bird. (In the first season, V only occasionally references him when saying they’re “calling in extra help” or smth for a particularly complex hack job. He starts showing up a little more in s2 and eventually by the start of s4 is a regular & established presence, but only appears as actions in a computer interface or output.) Elan is convinced he’s an AI, Belkar doesn’t think he actually exists, Haley pretends she doesn’t think he exists, and Durkon and Roy try not to think about it too hard, as long as B and V still get the job done.

Belkar is the hitter. He is on the team bc their initial employer got him out of jail for it. He doesn’t have a tragic backstory, he just likes doing violent crimes. As the series progresses, he grows some empathy & stuff, but really only for people who actually deserve it. Assholes still get decked. It’s all very touching. (Also he has dwarfism caused by achondroplasia. It doesn’t actually bother him and is useful in fights bc his opponents frequently have no fucking clue how to approach him, but he likes Pretending to take offense at stupid things just to see how far he can go with it.)

Aaaand last but not least, Durkon is the least involved member of the team. He’s actually a career criminal and Roy’s mentor, and wasn’t a member of the initial team that [redacted, I’ll tell you later, PROMISE] put together for a couple of reasons, the main one being that he’s Officially retired in order to spend more time with his family, which consists of his mom, his friend (not girlfriend) Hilgya, baby Kudzu, and a truly stunning number of aunts, uncles, and cousins. Roy frequently calls or visits him for advice and he Occasionally shows up to help out on local jobs, but generally he avoids doing crime if he can (as part of a deal with Hilgya, who is also a career criminal; basically, they’ve both cut back on the crime in order to provide a more stable home environment for Kudzu. But sometimes, you gotta do a little crime, and in those cases, Sigdi enjoys spending time w her grandson.)

NOW. THE BIG REVEAL YOU’VE BEEN WAITING FOR. Who got the team together in the first place?!

The answer: Lord Shojo (or whatever Normal Person Name you want to assign him). Now this is where it gets tricky: he had them do a thing that they thought was good, THEN they thought it was BAD, but then when they confronted him he revealed that it Appearing to be bad was actually a test of character and would they consider working as basically internal investigators for him? But then he had a heart attack, so, rip. But THEN it turned out that he’d left them a bunch of money anyway and they were all feeling kind of Inspired so they formed the Order of the Stick, LLC (which, no, i am not coming up with a new name, actually, because I just don’t care. someone else can come up w a justification for that name, tho, i’m sure it’s possible). Also Miko was there and was unhappy abt their actions, and also their general existence.

Moving on. Villains!

Redcloak is the Sterling replacement, because that DEEPLY amuses me.

Xykon is a season-long main villain, probably one that Redcloak finds himself working for but then “teams up with” (read: blackmails) the Order to bring him down bc even Redcloak finds Xykon distasteful. That’s season 3, let’s say.

Tarquin is another season villain, say season 2. Nale probably shows up pretty early in s1, actually, as another recurring antagonist like Sterling but uh. Less good at it. Anyways the s2 final 3 eps deal with them (accidentally) discovering that Tarquin runs some Evil Empire Company, then trying to outplay him and take him down. Idk if Nale still dies in this version tbh.

Tsukiko is a one-off s1 villain who returns briefly in s4 alongside Miko, who has gone well and truly off the rails.

Season 1 finale has to do w Roy finally getting Vengeance for his little brother.

The vampire squad is the s4 finale villain who do smth terrible to Durkon and then get the Mother Of All Revenge served up to them by the Order.

I envision the show as being 5 seasons (like og Leverage) but I’m not going to sketch out s5 because I think it should be based off whatever happens in the current story arc, possibly involving some legacy of the OotSquiggle.

Other stuff!

The Order of the Squiggle is a legendary criminal team from the 60s who stole a BUNCH of famous shit & then proceeded to legendarily implode. This has no bearing on the plot I’ve sketched out, I just think it’s fun.

The Sapphire Guard members should probably be reworked as FBI. I don’t care about most of them but I do think that Lien and O-Chul could be like, FBI agents who Choose to look the other way while the Order does their very-much-not-legal-but-still-fair Justice Crime, and maybe even help them out on occasion.

So, the Final season-by-season outline, based on everything I’ve written so far:

s1 e1: getting the team together, doing a con for Shojo, then at the end he dies and the gang is like “dang what now?" and intend to split up except then they Don’t.

mid-s1: Nale shows up and tries to trick the Order, but then gets beat like a drum.

late s1: Tsukiko is an underling of the Villain Of The Week, winds up in police custody. But She’ll Be Back.

s1 finale: Roy’s Vengeance: The Vengeaning. also we meet Redcloak as an antagonist.

s2 e1: the truth abt Haley’s father comes out

early s2: The Two Live Crews Job but it’s the Order vs the Linear Guild and the Linear Guild ARE all bad guys.

mid-s2: Redcloak returns. ugh.

late s2: the sapphire guard FBI makes its first appearance, hello O-Chul and Lien.

s2 pre-finale: once again they’re in conflict w Nale over smth, he spends the whole episodes making Cryptic Remarks, they basically beat him (like a drum!) but then the stinger at the end is that Tarquin reveals himself and Elan is like “Dad?!”, roll credits.

s2 finale, part 1: Elan is hanging out w Tarquin bc he’s DEEP in Denial, the Rest of the team tries to take Tarquin down, but it doesn’t work.

s2 finale, part 2: Elan finally gets a clue and they manage to beat Tarquin. still haven’t decided if Nale dies or not, but I’m leaning towards yes. also they rescue Haley’s dad.

s3 e1: fuck dude idk.

early s3: Redcloak shows up, AGAIN, everyone groans. he has blackmail on them, he wants them to take Xykon down.

mid s3: The Rashomon Job but it’s about stealing the Talisman of Dorukan and it turns out that Nale was there too (“oh!” Elan says. “I was wondering why I looked so weird in all those mirrors! But it wasn’t my reflection, it was Nale’s!” “Sweetie, that wasn’t Nale’s reflection,” says Haley. “Huh,” says Elan, “so the mirrors were broken?”, cue eye rolling from everyone else.), and the Successful thief was Hilgya, who’d nabbed it from the owner before it even went on display.

s3 finale: they beat Xykon, actually factually, because he deserves to get his ass Thoroughly kicked, even if only in AU form. Lien and O-Chul are there, so are some other less helpful FBI people. There’s a bit where O-Chul Exact Wordses his way out of telling his superiors about the Order’s less legal activities without technically lying. King shit.

s4 e1: doesn’t really matter. maybe smth to do w some legacy of Tarquin’s company to set up the drama w Malack & Durkon later.

early s4: Durkon gets SENT TO PRISON. Malack approaches the Order abt this because sure they have Different Ethics but they’re still Friends. (Roy is surprised and a little hurt that he’s never heard of Malack, but he ignores that in favor of Let’s Get Whatever Fuckers Did This To Our Friend.)

immediately after that: Miko and Tsukiko return as a Team, preventing the Order from working on the Durkon situation

mid s4: Redcloak makes another unexpected & unwelcome appearance but he’s maybe a little less of a dick? the Order collaborates with Malack & his Crime Buddies (hello, Vector Legion) to pull one over on him tho, because “less of a dick” does not mean “a pleasant or decent person”, and also he was mean abt Durkon being in jail, so he totally deserved it. he still gets whatever he wanted tho, just takes a blow to his pride. also prevents the Order from helping Durkon. they’re having a LOT of setbacks wonder why that could be, not to make sure the season fills its whole length or anything, no sirree

s4 finale: something something taking down the organization, headed by Hel (yes that’s her real name), which framed Durkon for their Big Crime. Durkon goes free and Extra Firmly retires, For Good, He Swears, but says he “met someone new” who might be an asset.

s5 e1: minrah joins the team! and the episode is set in like, somewhere really snowy. that’s all i got.

the rest of s5: don’t know, don’t care, it’s open-ended until the comic finishes up.

[sunseteyes]

hey! its the anon who requested the lady tamayo angst im sorry for the late reply haha, but thats fine!

prompt 22. “I love you so much it hurts.”

you saw her at a festival and you were moved.

not only was she beautiful on the outside but her movements were also enticing; the way she walk—as graceful as the gentle breeze making the trees dance, the way she talks—like a melody of a choir singing a certain hymn.

so everyday you watched her, developing feelings that you’ve never had before. before you didn’t believe in love at first sight but after you saw her, your perspective changed.

so you approached her one day, the very last day of the festival. she was wearing a beautiful purple yukata that matched so well with her eyes and her entire presence. 

although as you were about to go and ask for her name, you were suddenly hit be a cart. one that caused you to tumble forwards and down to the ground. you could already feel the pain shooting up your chest and your arms but a soothing voice extinguishes the fire, giving you a sense of relief that made you almost forget that you were caught in a minor accident.

“are you alright?” you look up to see the same pair of eyes that you had been admiring for quite sometime now, and out of your disbelief, you couldn’t answer her.

“here, let me help you stand up.” she offers her hand, her fingernails sharp and almost alluring. and as you took the offer, you couldn’t help but enjoy the suppleness of her skin and the way it bounces back on yours, as if it was meant to be touched in the most gentlest of ways.

pulling you back up, that’s when you came to feel the pain again, as if bringing you back to reality after daydreaming from your own little world. 

ever since that day, you had been meeting up with tamayo and just spend sometime together, especially the days she doesn’t have much patients.

although there was one thing you find very odd about her.

she doesn’t like being under the sun.

you asked her about that before, but she will only answer that due to her work, she never had the time to go out. you understood, but you had the feeling that she was hiding something from you.

actually, you know she is hiding something.

it’ s not just plain intuition, no. you just noticed that there are just topics that she usually try to avoid like; why does she doesn’t let you in her workplace anymore, not after treating you with the gashes you received that day you first conversed with her, or when she’d get asked why she always doesn’t seem to have an appetite whenever you ask her to try on some of your favorites, you admit, it was getting a little bit frustrating.

until you met her assistant one night. from what you remembered, his name is yushiro.

his piercing eyes and also-sharp nails gave it away.

now you don’t believe in other creatures like demons,but your mother did and she would always tell stories about them, most of which you could still vaguely remember by the heart.

and for some reason, it suddenly made sense; why she doesn’t--or couldn’t go under the sunlight, or why she doesn’t have interest in human food even if it was already dinnertime and most people were eating around them. it was all clear but you had a difficulty adjusting from the knowledge and realization you acquired because for a normal human like you who never had such experiences, it was hard to believe.

“tamayo, i hope you don’t misunderstand.” you say, facing her with a determined look on your face, prepared for any kind of situation or consequences that may happen after the conversation. 

she was looking at you with her usual facade, calm and almost too serene for such a small body.but nothing can stop you right now, not after you gathered up the courage to finally find the truth.

“are you a demon?”

it caught her off-guard indeed. her face twisted into a troubled look, one that you rarely had seen from her aside from the times you question about her identity. you could already identify the answer but you waited patiently, dreading of whether she would deny it or not. you hoped for the latter, of course.

but what she did was what you expected.

“if i tell you the answer, we can never see each other again, (y/n)-san.”

your eyes widened and your fists clenched on your side. the truth or desire; both are stronger than the other and you had no intention to choose.

“tamayo, that’s so unfair.” you struggled to put the words together, but your lips were already moving and your voice had already spoke for itself.

“i love you. i love you since the very first time i saw you and that’s not even the time you first met me. i love you so much it hurts. i only want the truth.”

she was silent, but it was clear in her once solemn face that the tides had been set, its waves dictating the calamity of her emotions.

“(y/n)-san... you shouldn’t love a creature like me.”

“but tamayo-”

“no,” she stops you from stepping near her,

“-don’t.” she warns, backing away.

and even if you can see how much it pains her too, you let her walk away.

because even if you didn’t decide, she did.

and that’s to protect you—even from herself.

this is kind of short for my liking to be honest. i like tamayo’s character in kny, actually. she has that same hidden anger like shinobu’s and i sympathized for her when i read about her backstory.

btw anon i am really relieved you found my post bc i was seriously shocked when i clicked “post” and forgot to switch it to draft .·´¯`(>▂

okay, feel free to send requests to the other kny characters~ the demon hc’s are coming up by the way so let’s see if i can finish it soon!!

event links: prompts and masterlist