#used sports cars in san bernardino

[theyoungturks]

In San Bernadino, California, police exited an unmarked car and fatally shot Robert Adams after he reportedly fled and failed to comply with verbal demands, even though witnesses contest that any commands were given. Cenk Uygur and Jessica Burbank discuss on The Young Turks. Watch LIVE weekdays 6-8 pm ET. http://youtube.com/theyoungturks/live Read more HERE: https://www.cbsnews.com/news/deadly-police-shooting-robert-adams-23-year-old-black-man-under-investigation-california/ "Police are investigating an officer-involved shooting that fatally wounded a Black man on Saturday in San Bernardino, California. They say the man was armed at the time. The incident occurred in a parking lot around 8 p.m., and was recorded by nearby surveillance cameras. Disturbing silent footage, which shows uniformed authorities emerge from an unmarked vehicle and shoot 23-year-old Robert Adams in the back, was shared to social media and has since sparked outrage online. In the video, which lasts about two minutes, Adams is first seen standing at the rear of a parked car speaking to someone he seems to know. He appears to face the unmarked police vehicle and briefly step toward it, at which point two officers exit the driver's and passenger seat doors with their guns drawn. Adams turns to run in the opposite direction and moves just a few paces before one officer discharges his weapon. The bullet strikes Adams in the back, and he falls to the ground. Adams was transported to a hospital where he later died from his injuries. His mother, Tamika Deavila King, responded to the shooting and surveillance footage in comments to CBS Los Angeles this week. Like many others on Twitter and Facebook, she questioned the officer's decision to fire his gun." *** The largest online progressive news show in the world. Hosted by Cenk Uygur and Ana Kasparian. LIVE weekdays 6-8 pm ET. Help support our mission and get perks. Membership protects TYT's independence from corporate ownership and allows us to provide free live shows that speak truth to power for people around the world. See Perks: ▶ https://www.youtube.com/TheYoungTurks/join SUBSCRIBE on YOUTUBE: ☞ http://www.youtube.com/subscription_center?add_user=theyoungturks FACEBOOK: ☞ http://www.facebook.com/TheYoungTurks TWITTER: ☞ http://www.twitter.com/TheYoungTurks INSTAGRAM: ☞ http://www.instagram.com/TheYoungTurks TWITCH: ☞ http://www.twitch.com/tyt 👕 Merch: http://shoptyt.com ❤ Donate: http://www.tyt.com/go 🔗 Website: https://www.tyt.com 📱App: http://www.tyt.com/app 📬 Newsletters: https://www.tyt.com/newsletters/ If you want to watch more videos from TYT, consider subscribing to other channels in our network: The Damage Report ▶ https://www.youtube.com/thedamagereport TYT Sports ▶ https://www.youtube.com/tytsports The Conversation ▶ https://www.youtube.com/tytconversation Rebel HQ ▶ https://www.youtube.com/rebelhq TYT Investigates ▶ https://www.youtube.com/channel/UCwNJt9PYyN1uyw2XhNIQMMA #TYT #TheYoungTurks #BreakingNews 220719__TB01Cops by The Young Turks

[stephsmith321]

Marijuana landlord turns activist, arguing local policies are slowing legal weed

Originally Published On Ocregister.com By Brooke Staggs On May 23, 2018

Stephanie Smith, a Pacific Palisades real estate developer, is challenging the constitutionality of a portion of Moreno Valley’s marijuana ordinance. (Courtesy photo)

Stephanie Smith was balancing one of her 2-year-old twins on a hip during a quiet morning in December when she heard a commotion outside her home in Los Angeles’ affluent Pacific Palisades neighborhood.

Someone began banging on her front door. As she moved to open it, she saw a line of police officers in her front yard and red laser gun sights coming through the windows, bouncing off her and her children.

Officers searched her home. They found and took blueprints for a kitchen remodel project and her cell phone.

At the same time, 80 miles due east in San Bernardino, dozens of officers were raiding two warehouses and another home owned by Smith. They seized nearly 25,000 marijuana plants and arrested eight men for growing cannabis in the three locations without city permits.

Smith wasn’t arrested or fined. But headlines the next day painted the 43-year-old as a “queenpin” and the “mastermind” of a multimillion-dollar illegal marijuana-growing operation.

“To be labeled a ‘drug lord’ in international press was a surprise,” she said.

“I don’t even have house plants.”

Though the mother of five boasts that she’s the biggest cannabis landlord in California, Smith insists she’s just that, a landlord. She says she isn’t involved with the marijuana businesses ran by her tenants.

Smith also insists her San Bernardino clients weren’t hiding. She says they’re part of California’s entrenched cannabis industry that’s struggling to join the emerging legal market, and that those efforts are being hampered by “corrupt” and “regressive” city policies.

Smith shrank from public attention when she was part of a very different scandal a decade ago, legally changing her last name to something that’s as anonymous as it can get.

This time, she says she’s fighting back.

Smith has filed lawsuits against San Bernardino and three other Inland Empire cities over their marijuana policies. And she’s floating marijuana ballot measures in six communities, determined to make conditions fairer for the industry that’s been so good to her.

First brush with infamy

Smith, whose name at birth was Stephanie Darcy, was raised in Minneapolis by a single working mom. She grew up dreaming of being an artist, and she still nurses a passion for painting.

After studying marketing in Boston, and using her artist’s eye to flip houses in the Phoenix area, she moved to Southern California in 2005 to attend business school at UCLA.

She was dating and working for Dr. Craig Alan Bittner, who had a successful liposuction practice in Beverly Hills. Things were going well until 2008, when a trio of lawsuits claimed Bittner had let Smith perform botched liposuction procedures even though she had no medical training. The lawsuits were eventually dismissed.

“At the end of the day, I made a regulatory mistake a decade ago and paid a $242 fine,” Smith said.

Things got more complicated when authorities caught wind that Bittner was violating medical waste laws by using fat removed from his patients to power his and Smith’s cars.

Smith said the intent with “LipoDiesel” was never to suggest that people could actually run their vehicles on human fat. She said it was simply a way to illustrate what was possible if people opened their minds to alternative energy sources. And she said they asked permission from every client, with all but one of some 8,000 patients enthusiastically consenting.

There was no word for internet “trolls” then, but Smith said she was intimidated into silence.

“If I could go back in time, I would have talked very openly about our goals for changing our view of energy,” she said. “I would have talked about my passion for the environment instead of being afraid.”

Becoming a cannabis landlord

Smith’s foray into another controversial industry started as a favor.

With the housing market in crisis a decade ago, Smith dove into commercial real estate.

A friend of a friend was growing cannabis under California’s loose medical marijuana laws as he put himself through law school in 2009. But he was struggling to find space to house his operation, with local and federal policies that made it risky for landlords to take on marijuana tenants.

Smith says she’s never been a “hardcore” marijuana consumer herself. “But like a lot of people, I wanted the laws changed.” So she let the small-time grower lease one of her L.A. properties.

The tenant finished law school and moved on. So Smith put the site back on the market, thinking its water and power stations would make for a good laundromat or nail salon.

She said she had no idea then that anyone would recognize signs of a grow house. But 45 minutes after the property went up on Craigslist, a cultivator offered double the asking price. Soon, she was in a bidding war, eventually landing a grower who paid three times the requested rent.

Stephanie Smith in San Bernardino, CA., Friday, May 18, 2018. Smith is the self-proclaimed largest cannabis landlord in California and has become a major advocate for the industry. (Staff photo by Jennifer Cappuccio Maher, The Sun/SCNG)

Stephanie Smith helps canvas for signatures, for a San Bernardino ballot initiative, with Alexander Navarrette in the Verdemont neighborhood of San Bernardino, CA., Friday, May 18, 2018. (Staff photo by Jennifer Cappuccio Maher, The Sun/SCNG)

Today, she said her company, Industrial Partners Group, owns two million square feet of industrial space. Most of it is in Southern California, but she has property as far north as Sacramento. And, while she rents buildings to Walmart and bakeries, many of her warehouses are leased to cannabis growers and manufacturers.

One reason Smith believes she’s been so successful is that many cannabis entrepreneurs were accustomed to dealing with landlords who refused to sign leases or made them use fake names so they could feign ignorance. Smith said she tried to “inject some professionalism” by treating them like other valuable tenants.

She’s also discreet.

B-Real, stage name for lead Cypress Hill rapper Louis Freese, leases a Downtown L.A. warehouse from Smith. When asked if she has any other famous tenants, Smith pauses, flashes her frequent smile and says: “I have a nice reputation among hip-hop and sports celebrities.”

Smith considers her work with the industry a form of activism. But this election cycle, she says, is different.

“This is my first time taking it to the streets.”

Raid prompts activism

Smith wore a gray cotton shirt, jeans and colorful sneakers on a recent Friday evening as she joined a political support team canvassing San Bernardino’s Verdemont neighborhood. The goal is to collect the 8,602 signatures needed to get her proposed cannabis measure on the November ballot.

Residents seemed largely receptive, though they’ve been through this before.

When Californians voted to legalize recreational marijuana under Proposition 64 in 2016, San Bernardino voters also approved Measure O, which laid out a framework for cannabis businesses to operate in town.

The measure was needed because Prop. 64 gives cities the rights to regulate businesses in their borders. And a study of local marijuana policies shows more than two-thirds of cities in California still bans all marijuana ventures.

San Bernardino awarded its first business permit under Measure O last year, to the owners of Flesh Showgirls. They now run a strip club in one half of the building and Captain Jack’s marijuana dispensary in the other.

But multiple lawsuits were filed over Measure O, and in December a judge threw the initiative out because, he said, it used spot zoning to create a monopoly that allowed just two shops in town. That ruling is being appealed.

Smith says her San Bernardino tenants had applied at least eight times for licenses to operate their businesses legally under Measure O, inviting city officials to inspect their high-end security and odor filtration systems.

A week after the raids, she said two of the tenants received letters from the city saying they could legally grow marijuana if they paid $140,000 in fees. Smith said they paid up but still haven’t been cleared to operate, leaving 100 people out of work. And she said police have been called 10 times since the raids over reports of vandalism and homeless people squatting in the vacant buildings.

The city is now accepting applications under its own licensing scheme. But a new policy says companies previously deemed to be operating illegally aren’t eligible for permits, leaving Smith’s clients with no route to run legal cannabis businesses in San Bernardino.

City and police officials declined to comment on any of Smith’s claims, citing pending and potential litigation.

Branching out

Spurred by what happened in San Bernardino, Smith has filed additional lawsuits against Colton, Hemet and Moreno Valley.

Concerns raised in the suits include Colton’s requirement that residents get permission from the city if they want to grow marijuana plants at home for personal use, as allowed under Prop. 64. And that anyone working for a marijuana business in Moreno Valley, from contractors to janitors, first get a city permit.

Her team is also collecting signatures for marijuana ballot measures in Colton, Hemet, Upland, Bakersfield and Kern County.

The initiatives are tailored for each area, Smith said. That means Central Valley policies support a cultivation-heavy market while San Bernardino is encouraged to put its affordable industrial properties to work by becoming a manufacturing hub, making vape pens and edibles popular with cannabis consumers.

California is close to an inflection point, Smith believes, where marijuana businesses won’t have to hide or beg cities to let them in. When that happens, Smith said she hopes Southern California cities will have fair policies in place that position them to compete for the jobs and tax revenue the cannabis industry can generate.

And Smith, of course, will have properties ready to house those valuable tenants.

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[festfashions]

5 Tips to Beat the Heat at Hard Summer 2019

For those of us based in Southern California, we’ve been waiting for summer to hit, and now that it’s here, it’s going to be a late, long, and hot summer. Temps have been hitting 100° easily already, and if you’re like me, thinking about being at a rave in that heat is quite frightening.

But if you’re also like me, you know there’s ways to beat the heat to be ready to survive a hot weekend.

Hard Summer this year is once again going to a hot-hot-hot event. The event takes place Saturday, August 3 - 4th in San Bernardino, CA. A summertime racetrack event, there’s not a lot of natural places to escape the sun. Instead, Hard takes the time to make some chill zones, but you can also come ready to beat the heat yourself with the tips below.

And to be specific, here’s the weather at Hard this weekend. Yep. 102°. X_X

Hard’s doors open at 1PM, right as we’re approaching the hottest part of the day.

5. Pack a Water Bottle

I know this seems like an obvious one, but do yourself a favor and pack a bottle for your mini backpack, with a carabiner to clip to your pants, or invest in a hydration backpack to stay hydrated at the festival. I don’t care what you’re doing, drinking, rolling balls or staying sober, you’re going to need water -- and lots of it. There’s nothing more frustrating than having to pay $5+ for a new water bottle each time, so save your money and bring your own refillable bottle.

iHeartRaves has an awesome selection of hydration packs so you don’t have to settle for one that doesn’t match your outfit. You can still even order it to arrive to you on time. Check them out here. Just make sure it’s empty when you get to the security checkpoint.

I’ve found the hydration packs are great for a group cuz they hold a lot more water than just one bottle of water. When it’s just me, I usually am OK with one bottle that I refill and hold in my backpack.

Pro Tip: if you and your squad is driving to the festival, pack some FROZEN bottles in the car for the end of the night with even some snacks if you want. You’ll thank me later.

4. Light Layers and Sunscreen

110% pack your sunscreen. Hard’s list of what you can bring says Sunscreen lotion. It doesn’t say it has to be new or closed, which is interesting so I guess it can be already used but it says it will be inspected upon entry. This is great to me cuz sunscreen is big and expensive and you would never use a whole one in a day, so I’m glad you can bring the same one both days.

Personally I’m a big fan of the cooling sunscreen sprays on super hot days. I also think the Sport option is a good idea too because we’ll all be sweating a lot, and this helps from it just washing off. Also according to SkinCancer.org - you should apply sunscreen 30 mins prior to heading outside, and then reapply every 2 hours. I’d suggest maybe even more if you feel it sweating off.

If you’re super nervous about being exposed to the sun for long hours, pack some light, loose layers to wear. Light layers for example is kimonos, mesh tops, and of course there some real SPF options as well.

Powerful Python Sheer Kimono: iHeartRaves, $17.52 Trinity FIshnet Jogger Set: iHeartRaves, $39.95 Walkin’ On A Dream Rainbow Kimono: iHeartRaves, $29.95 Holographic Cropped Hoodie: FestFashions Shop, $30

3. Learn the Map

I feel like this is a stellar recommendation for any event, but like seriously, this is SUPER important for an event that has any extreme weather conditions. Make sure to make note of the water refill areas, shade areas and cool down zones. I’ve done you a favor of highlighting them out on this version of the map.

Also because of this crazy world we live in, please be aware of all exits from the venue, depending on what stage you are at.

2. Spray Bottles

Spray bottles and misting fans are a favorite way of mine to stay cool, and make friends! You can bring a bottle that holes 1.5L or less, and it must be empty upon entry. Just use a hair tie around the top of it, and then some ribbon to make a little hodler so you can keep it on your shoulder! I’m probably rocking this event solo, so I plan on bringing one cuz it will be an easy in to start talking to people and making friends! Just make sure to not spray anyone with a phone or nice camera!

1. R&R

R&R stands for rest and relaxation! Make sure to take a break from the crowded stage to sit down in some shade, get some food, refill your water and let your body recover. There’s always lots of food options to check out with some bomb food trucks. I love checking them all out, finding a meal then resting in the shade for a bit before I head to my next set! Try to plan ahead where your “open times” will be in between sets so that you are ready ahead of time to head to the food trucks. It’s easy to get lost in the headliners and forget to stop for a break!

R&R time is also a great time to get your photos, cuz I know you’ll be rocking some fun looks and need some squad pics to remember the day! Here’s a few accessories I love that add pizzazz to photos!

Dixie Doll Cowboy Hat: iHeartRaves, $16.95 Daft Boy Holographic Fan: iHeartRaves, $26.95 Round Kaleidoscope Glasses: FestFashions Shop, $15

Stoked to see you all at Hard Summer! Tickets are still on sale. You can buy single day, or two day tickets! The event is 1pm to 11pm each day (woo! Early nights!) There’s even city shuttles you can take, check out the SoCal locations they’re picking up here.

Remember, I’ll share my outfits each day on my IG stories so you know how to find me at the event!!

[jafreitag]

Grateful Dead Monthly: Hollywood Sportatorium – Pembroke Pines, FL 5/22/77

On Sunday, May 22, 1977, the Grateful Dead played a concert at the Hollywood Sportatorium in Pembroke Pines, Florida.

The Sportatorium was built in 1968 in a then-sparsely-populated and unincorporated area of Broward County southwest of Fort Lauderdale and northwest of Miami. The developers were a couple of guys – Stephen Calder and Norman Johnson – who opened a horse track and later a motorsports track nearby. The plan for the venue sounds like a proto Florida Man’s fever dream. From the Wiki:

Among the plans for the Sportatorium were sports events, ice follies programs, auto and boat shows, and eventually a “Gold Coast State Fair”. The Sportatorium was constructed as a hangar-like facility constructed out of concrete, a steel roof, an asphalt floor, and no air conditioning. Originally designed to seat 18,000 for stage events and 15,000 for arena events, it opened in December 1969 with only 6,000 seats.

“The idea was to have a facility which could have entertainment and events out of weather”, said Bruce Johnson, Norman Johnson’s son, who managed the arena until 1980. At first, it hosted indoor rodeos, indoor motocross events, wrestling, boxing, and some concerts.

According to the Wiki, the first event in the Sportatorium was the 1969 Miami Rock Festival on 12/27-29. The Dead played that Fest on 12/28, but Deadlists indicates that the venue was the International Speedway (the aforementioned motorsports track?), so the Wiki is likely inaccurate. The Sportatorium ultimately did become the premier concert mecca in South Florida, fulfilling the Johnson family promise of something something inside. Here’s a list of who played there in the early/mid-’70s: ELP, Zeppelin, the MC5, Fleetwood Mac, and Spirit in 1971; ABB, Floyd, and Yes in 1972; Uriah Heep, Zappa, Elton John, and Chicago in 1973; Dylan and King Crimson in 1974; the Doobies and Skynyrd in 1975; and the Eagles, ZZ Top, Clapton, and KISS in 1976. Yeah, the ’70s were eclectic and amazing, and dominated by duuudes.

By the late ’80s, the Miami Arena was the main stop for big acts, and the Sportatorium was reduced to booking stale metal bands like Iron Maiden and Judas Priest. (Zero shade: I’m fine with Maiden and Priest, but they were past their primes at that point.) The last show there was on 10/21/88 – some country and western unknowns. In 1992, the land was zoned residential. In 1993 after Hurricane Andrew, the Sportatorium was leveled.

The Dead played there for the first time in 1977. (They returned in ’78, 80, and ’85.) Let’s get to the tour and the show. Caveat: I am a complete ’77 geek. I don’t think that the band played a bad show that entire year, and most of them were exemplary.

The band started the year with a handful of Cali shows – San Bernardino (2/26), Santa Barbara (2/27), Winterland (3/18-20) – before heading to the other coast. By then, the weird/cool segue-happy ’76 approach had been jettisoned for something leaner, setlist-wise. The 1977 template was basically the one that the band would use until 1995: A crowd-pleaser opener or openers; Bobby stuff (sometimes cowboy, sometimes blues, and Dylan in the ’80s-90s) interspersed with Jerry stuff (mostly ballads); a big first-set closer; a big second-set opener; a song or two leading into something sorta jam-able; drums and space; a vaguely-segued, three-to-five-song, crowd-pleaser ender that could/would include Bobby energy and Jerry gravitas; and encore that might be fun. Shit was predictable, but it worked.

In April, the band landed in Philly (4/22), traveled up to Springfield, MA (4/23), traveled back down to Passiac, NJ (4/25-27), camped out for five nights (4/29-30, 5/1, 3-4) at the Palladium in NYC, then jumped from New Haven, CT (5/5) to maybe the best three consecutive nights in their history – Boston (5/7), Ithaca, NY (5/8), and Buffalo (5/9). The tour then wound its way around the eastern half of the country: St. Paul > Chicago > St. Louis > Tuscaloosa, AL > Atlanta > Florida (two places, including the Sportatorium) > Richmond, VA > Baltimore > Hartford, CT. My recitation of that itinerary isn’t gratuitous. Like the setlist architecture, the tour structure was starting to take shape. The only reason that ’77 didn’t become the template for the latter was Mickey’s June 20th car accident, which gave the band a summer break that extended until September.

On a recent road trip, my best friend and I deep-dived into the Good Ol’ Grateful Deadcast, the “official” podcast from Rhino Records, who owns the vault. The first season was a track-by-track dissection of Workingman’s Dead. The second season was a track-by-track dissection of American Beauty. Those records celebrated 50th birthdays last year. Somewhere in the second season, main talker Jesse Jarnow mentions that touring wasn’t really a thing in the late ’60s and early ’70s. His point, which comes across with great aplomb in an interview with road manager Sam Cutler, is that the Dead had to create the tour concept for themselves before they could draw ‘heads into following them across the country year after year. Anyway, I can’t recommend that podcast highly enough – it’s been fantastic so far, and I’m excited to hear when it goes next. Well worth a listen.

So. 5/22/77. It must be alright if Dick Latvala picked it as the third release in the vault series that bears his name? Yep.

The show starts with a fun Funiculi Funicula wiggle, then drops into a funky The Music Never Stops. Next is a fantastic Sugaree that seems to go on forever. Is it the longest of the tour? No. According to a post on the Dead for a Year blog, there were seven versions of Sugaree in 5/77. (I confirmed that.)The longest is 5/28 (18:43, per Deadlists); the next longest is 5/19 (17:02). The rest, including 5/22, fall into the 13-15 minute range. This one is 15:38, and it doesn’t disappoint. The rest of the first set is a trade off between Bobby and Jerry. El Paso, Peggy-O, Minglewood, Friend of the Devil, Lazy Lightnin’ > Supplication, Ramble on Rose. All excellent. The first set-closing Dancing in the Street is just slightly less great than the Cornell version.

The second set-opening Help on the Way > Slipknot! > Franklin’s Tower is just slightly less great than the Buffalo version. (Hey, DW. Just checking if you’re awake.) The Samson & Delilah pops, and Donna isn’t a minus, until she is. After a so-so Brown-Eyed Women and an even more so-so Good Lovin’, she’s back to lead Sunrise. Whatever. The Estimated > Eyes ticks all the boxes for me. Estimated is big and round, and Eyes is plenty fast. The segue from Eyes into Wharf Rat is an honest >, noodly and smooth. (Deadlists calls it Space, but it’s better than that.) A short Terrapin and a long Dew ends the set. And Sugar Magnolia is a suitable encore. That’s my take.

Here’s everybody’s favorite Deadhead with his listening notes. Ladies and Gentlemen, Emcee ECM…

When GD archivist, Dick Latvala unearthed a damaged analog tape of 5/22/77, it was probably one of best finds/surprises in Grateful Dead taping history. Of course, the story of Rob Eaton acquiring the Betty Boards of 5/8/77 (among many other shows that were missing from the vault) takes first prize, but most people in the taping community already knew about Cornell from audience tapes that circulated. With 5/22/77, nothing circulated. It was a completely unknown show, which made it’s mystery all the more intriguing. Latvala and crew painstakingly restored the damaged analog tape and released it for all of us to hear as Dick’s Pick Volume 3 in 1995. The show opens with a mind blowing Music > Sugaree combo, the latter being an all-time version. Listen to the way Garcia weaves a hypnotic spider web of notes in Sugaree. Later in the set we get a sizzling Lazy>Supplication and a tender Peggy-O. The set closes with a groove-a-licious version of Dancing In The Street that gives Cornell a run for its money.

In Set 2, we get our faces melted with a spellbinding Slipknot! and a joyous Franklin’s Tower. Eyes of the World starts with a gorgeous lengthy opening jam before the verses and ends with an otherworldly jam that leads into a stunning Wharf Rat. Then we get to the reason why Dick Latvala released this show. It’s one of those magical Grateful Dead moments where everything seems right in the universe. Here, somehow, Wharf Rat finds its way into Terrapin Station WITHOUT the Lady With A Fan section. It’s the only time this ever happened. From there we get another incredibly rare treat: Morning Dew. The last version the band played was at Cornell two weeks before this performance. Dew was only played five times in 1977, and all of the versions are astounding including this one. Also, this is the third of only four performances ever of the TerraDew combo. Wish they would have played it more just as I wish they would have performed the Playin’ Palindrome more often. A legendary Grateful Dead show in the legendary month of May 1977. Time to revisit this Dick’s Picks if you haven’t done so already.

As Ed mentioned, most of this show is an official release, Dick’s Picks #3. (Idk why they opted to include Sunrise over BEW or Sugar Mags.) Here’s the Spotify widget…

And if you’re not on Spotify, or just want the whole show, transport to the Charlie Miller remaster of the soundboard recording HERE.

More soon.

JF

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[empiremotors]

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