#used slight wandavision reference

[callmeklair]

unrequited. [part 11]

«he can't stop himself. he is totally intoxicated

and mesmerized by her now»

It felt like a long bad dream to Yui wishing, when she opens her eyes everything will go back to as it was. As how she and Shu were enjoying their family time in Mukamis' mansion. But this world was totally against her, the moment she opened her eyes she could feel her whole body ache, especially the place where Shu forcefully bit her and harmed her. 

She tried to get up but something was binding her down on the bed, and that's when she took in the view of the unfamiliar yet familiar room. this is the room she has been visiting lately to keep herself sane and to not lose her mind. His soothing tea fragrance calming her mind and his voice keeping her sanity in check even though most moments they spend together while sharing tea time are silent as they enjoy each other's presence and of course his perfectly saturated tea. 

Yui noticed that the large figure beside hers is none other than Reiji's who has vined his legs and arms around her in a tight embrace and surprisingly she felt… safe and calm despite blushing and shrieking internally because of such close physical intimate contact. is it because how close they have gotten lately? she feels peaceful under his touch. 

No matter how much she was oddly loving and enjoying these seconds with him right now, her body was sweaty and very exhausted, she needed a bath. so she slowly removed his hand, trying not to wake him up as she staggers around the room silently. she realised she doesn't have it in her to go to her room for the bath, it's better to do it in Reiji's instead of risking herself to be targeted by one of the other brothers' at the sight of her such weak state. but she didn't had anything to wear after the bath, what should she do? 

squeezing her remaining brain cells despite being totally exhausted, Yui looked around the room hoping to find something and that's when her eyes land on one of the Reiji's freshly ironed shirt. ah… she looked at Reiji and apologized to him in her mind for what she is about to do and she picks it and up goes for a relaxing bath. 

Yui doesn't know how long she has been in the bath as it soothed her down and relaxed her a lot, but now she was starting to feel dizzy because of the steam and decided it's time to wrap up. Reiji's shirt was really big, well he is the most tallest brother in this household but infront of her such small figure, it's really really loose though at the same time comfy as luckily the shirt reaches her knees and the sleeves are very long, hiding her palms successfully. the only issue was the hair dryer. it wasn't working! 

if she keeps her hair wet for too long, she might end up catching cold very easily especially now that she is not in a good state of immunity. and her hands still feel pretty weak so drying off with towel will consume a lot of energy and strength that she lacks right now. as Yui was pondering on rubbing her hair with the towel, Reiji rushes in the bathroom with a scared look but soon it turns into one of that relief as he saw her unharmed and in one piece. 

Though for Yui, she turned red as a tomato cause of Reiji's sudden outburst as she calls out his name in shy alarm. on top of that she was wearing his shirt, more reasons to shy away. 

Even Reiji was perplexed at the sight, composing himself on the outside while malfunctioning on the inside. he needs to calm down. 

“what are you doing at this hour in a man's bathroom?” 

“sorry Reiji-san I just wanted to take a quick bath to relax myself but as I was feeling weak, your room was the best option.” Yui tried to explain herself but kept it minimal, just like Reiji preferred. weird, why was she caring about how he prefers thing. maybe she doesn't want to get any punishment when she is under the weather? 

Reji finally noticed Yui's hair. damp. he does remember that his hair dryer isn't working well and figured out what to do for her. He gently took the towel hanging on Yui's arm and started rubbing her hair. 

Perplexed, Yui becomes stiff not knowing how to react and pondered why Reiji is suddenly being nice to hear from the past few weeks. She really really doesn't want to light another spark of hope. but… he was really being very gentle and drying off her hair using his hands as lightly as possible because of his vampire strength. he was scared to break her even from the slightest force. 

he knows he needs to stop himself, he knows this is not going to end well, he knows he'll suffer and face the consequences for eternity from this but he can't stop himself. he is totally intoxicated and mesmerized by her now. 

but he is not afraid. if it's her who'll make his destiny to be doomed then he'll gladly accept it. if it's her, he is ready to face his father's wrath for not becoming Adam. because… her happiness matters to him more than anything. if she is happy with Shu, he'll always remain in the shadows, isolated from the whole world to hide his painful unrequited love to not make her feel bad, like she always does for each and everyone. even for those founders’. 

“Reiji-san?” he has been rubbing her hair for a long time now and her hair has dried more than needed. 

“ack! my apologies, I lost track. we're done for today. now, you can go back to your room” 

after that, it's been two days yet Yui wasn't able to have a proper conversation with Reiji. he is oddly being very nice towards her, and she has no clue why. at first she thought maybe he remembers? but she didn't want herself to get filled with unnecessary delusional hope. 

at the same time she has started maintaining a safe distance with Shu. 

they say there are five stages of grief: denial, anger, bargaining, depression and acceptance. 

and it's time for her to accept the truth. it's time she starts over. crying, getting frustrated, pestering and falling into depression using that single thread of past memories in her head is only making her fall into the abyss more. The worst thing she can think of has already happened to her and she can't change it anymore, because it's the truth. she cannot keep herself hiding from this pain using the same old facade. sitting around, waiting and hoping for Shu's memories to return is hopeless, he is not even showing any signs of his memory being a blunder or getting a sense of deja vu! 

Taking a deep breath, she knocked at Reiji's door again. no response. she has been knocking on his door twice a day after that day but like always he is not responding, he is not even attending school. so like always, Yui gently puts down the tray of hot tea and his favorite carbonara she prepared for him. 

And as customarily, when she comes back to pick up the tray after few hours, she sees the usual note “not bad, not good but much more better and improved than the previous one and much more edible” 

fufu, Yui laughed internally, relieved that he is still Reiji. but at the same time, she wants to see him. odd, but she wants to see him again. 

“oi, what are you doing, smiling like that in the middle of the corridor?” 

She froze. the person she was trying her best to avoid from the past two days really appeared at bad time. 

“S-shu-san…” 

“*sigh* ha, don't give me that look. I asked something, didn't I? such a drag” 

“oh, um that…” what was she supposed to say? she can't say Reiji called her right in front of Reiji's room! 

“Hmmm, did you come and seek my little brother now that you are bored with me? after that day I haven't seen you a bit, was that really the peak of your enjoyment? heh, and here I thought I could plan more 'further' things.” he laughed but her eyes darkened.

to her, that laugh and way of teasing made all the resolve she had come crashing down. if it were the old Yui, she would have definitely blushed and denied his accusations. but now, this guy who is oblivious to what Yui remembers is just … keeps agonizing her furthermore. 

“... t-that's not true! I just came here because I had some problems in my studies” 

“study that tray?” he says pointing at her feet, totally seeing through her lies. 

at this rate Yui was starting to tremble slightly as her heart rapidly beat in a painful way, like a painful knot is getting tied from her heart veins making it hard to breathe for her. 

“Yui you are here.” 

“Reiji…” 

[oswildin]

Into The Chaos ~ Peter Parker x F!Reader (Part 3 in the ‘Bittersweet’ Series)

Summary: With the fabric your universe on the brink of falling apart, you visit an old friend and teammate to ask for her help…

Warnings: Spoilers for NWH!!! Uses elements of WandaVision, Loki & Multiverse of Madness trailer.

Pairing: Andrew Garfield Peter Parker x F!Reader

Characters: Wanda Maximoff, Dr Strange, Peter Parker

Chapter Index: https://oswildin.tumblr.com/post/671144112696754176/bittersweet-series-masterlist

a/n: Part 3 is here!!! I may be ill and struggling to stay awake (hence why it’s a shorter part) but I managed to write little bits at a time. If there’s any mistakes, I apologise! I’m trying to piece things together as I go and with a migraine it’s difficult 💀 Thank you for all the support on this fic! ALSO, obviously we don’t quite know the plot of MOM so I’m kinda just using the trailer for ideas and I imagine Strange & Wanda would probably remember Peter cause of their abilities. Anyway, on with the story!

“Contain it?”

You raised a brow, laughing slightly in disbelief. Strange’s hard stare bored into you as Peter watched from the sidelines.

“I don’t mean to laugh, but how do you plan to do that?” You folded your arms. “As far I was concerned earths mightiest heroes have scattered.” You paused. “We can’t deal with another threat like Thanos.” Peter noticed the slight change of tone in your voice. It was panic. Fear.

“I know it sounds impossible-“ Strange began. “But I think I may know someone who can help.” He told you, pacing round, almost stalking you. You narrowed your eyes, before shaking your head.

“Don’t you think I’ve tried.” You told him. Peter furrowed his brows, lost at who you were referring to.

“Er-“ Peter interjected, causing you both to turn to him. “Sorry, who are you talking about?” He questioned, curiosity lacing his words. You shared a look with Strange before returning to face Peter once again.

“Wanda Maximoff.” You told him. “She has these powers, she’s stronger than most supers.” You paused. “But she’s been through a lot.”

“She’s the only way we can do this.” Strange told you sternly. “We need her help.”

~

You were stood by the hologram, inspecting the image that was before you. There was so many questions you had, as thoughts raced through your mind. Everything suddenly seemed bleak.

God it was a mess.

“Hey-“

You were pulled out of your thoughts by Peter, standing beside you. You hadn’t noticed him approach you, too busy in your head to realise. You turned your head to face him as he gave you a small smile, almost as if he was trying to offer comfort.

“Hey.” You responded quietly. You both stood in silence for a moment before you both went to speak at the same time, causing you both to apologise.

“No you-“ “You go-“

Both of you laughed lightly.

“Penny for your thoughts?” Peter finally asked, raising a brow.

“You’re gonna need a lot of pennies.” You joked. Peter started patting his sides, groaning as he clicked his fingers together.

“Damn-“ He sighed. “No pockets.” He threw his head back. “I knew that was something I should’ve included in the suit.” He joked as you shook your head at his antics.

“Yeah-“ You smiled tightly, scrunching your nose slightly. “Maybe stick to swinging and don’t take up a career in fashion design.” He mocked a fake hurt look as you pursed your lips, trying to fight your smile at the man. It was weird. You didn’t know him, but he felt… Familiar?

“This Wanda you mentioned…” He began. “Was she apart of the Avengers?” He asked, curious. You nodded.

“It’s a long story, but yeah, she was. Or is.” You corrected yourself. “I don’t really know anymore.” You mumbled to yourself. “We were like a family.” You told him honestly. “A weird, messed up superhero family.” You smirked. “But it worked. And like every family we had our fights.” You looked at him. “It was the only stable thing I had. What does that say about me?” You joked, he gave a small smile as he stayed quiet, listening to you. He was looking at you like you were the only person in the universe. “I worked for a man, called Tony Stark, he was the one who kinda led the Avengers, with another guy called Steve Rogers. But they had a disagreement, and for a while the Avengers fate was up in the air… Until Thanos.” Your features hardened at the name as Peter noticed the way your body tensed. “And then after that… Half of them were gone…” You looked down, as Peter instinctively reached out his hand, placing it gently on your shoulder, letting you know he was there.

“I’m sorry.” He told you softly as you shrugged.

“That’s life when you save the world.” You turned to peer into his eyes. “You would know.” His eyes stared into your own, almost as if he was searching for a sign of… Something… Recognition? He swallowed the lump in his throat as he pulled his gaze away, bringing his hand back to his side.

“Yeah…” Peter gave you a sad smile. “I know how it goes.” You could feel the sorrow radiate from him, and you for some reason wanted to reach out and hug the man next to you. “For a long time I didn’t think there was hope.” He paused. “Not for people like us.” You tilted your head slightly at his words. “I mean-“ He looked down at his feet for a second. “The world can seem so bleak through our eyes. We often come face to face with the bad and rarely with the good. But when we do have a brush with the good, it reminds us why we do this.”

You remind me why I do this. He thought.

You stared at him in silence before hearing a familiar noise, you turned to see Strange had opened a portal. On the other side was a sunny field, as you furrowed your brows. Putting two and two together, you realised Strange must’ve summoned a portal to Wanda’s location. You knew she wanted to stay hidden, but at this point, it felt like there was no other option.

“We have no other choice.” Strange told you, his eyes almost sympathetic, but his tone still authoritarian. You bit your lip before nodding at his words. Turning to Peter to give him a ‘let’s do this’ look, you both headed towards the portal, following Strange through it. Around you was silent, the only sounds were those of nature. It was beautiful. You could see why Wanda hid away there. In the distance was a house, as you all headed towards it. The closer you got, the clearer things became, and you could see a figure, seemingly tending to the surrounding garden.

You couldn’t help but smile slightly as you realised it was Wanda. Someone who you hadn’t seen in a long time.

“Wanda.”

Strange spoke, as she paused what she was doing, her back to you all. She slowly turned, an unsure stare at first.

“I knew sooner or later you’d show up.” She told the man, as he gave her a small smile. Her eyes eventually trailed over to see you, as she raised a brow, before looking ashamed. “I made mistakes.” She began, talking to you. “And people were hurt.” She paused, seemingly regretful of her actions. You couldn’t help but feel for the woman, you stepped forwards away from Peter as you gave her a sympathetic stare.

“Wanda… We aren’t here about that.” You told her softly.

“Then what are you here for?” She asked, her features softening, turning into confusion as she looked between you three.

“We need your help.” Strange told her as she eyed him up and down, turning away as she began to walk back towards her home. You shared a look with Strange as you all began to follow.

~

All three of you were sat in Wandas kitchen, as she began making you all drinks. You and Peter sat opposite each other, as Strange sat at the head of the table. There was a slightly awkward silence between you all as you didn’t quite know what to say to Wanda. She’d been through a lot, more than the average person.

“How are you?”

You blurted out, eyes trained on her. She paused, almost tensing for a moment, before forcing a smile.

“Better.” She nodded at you, bringing the drinks to the table. “And you?”

“Same old, same old.” You shrugged, thanking her for the drink as you pulled it towards you. “Oh, this is Peter by the way.” You gestured to the man in question. He gave her a small awkward wave. Wanda turned to look at Strange, giving him a confused look.

This wasn’t Peter. At least not the Peter Parker she knew.

“Nice to meet you, Peter.” She went with, slight caution in her tone.

“Er, yeah, um, likewise.” He awkwardly replied, as you noticed the look between Strange and Wanda.

“So, what brings you here?” Wanda asked Strange, sitting at the other end of the table so she was opposite the sorcerer.

“What do you know about the multiverse?” He asked her as she tilted her head slightly at his question. She sighed before looking down at her own drink, playing with the handle.

“I know that it is infinite.” She said. “And dangerous. It isn’t just as simple as what it appears. There are many layers, and each one correlates to another.” She told you all, peering back up. “But that’s all I know.” She shrugged, leaning back in her chair. “I can feel there’s been a shift. This world is vulnerable.”

“That’s why we’re here.” You leant forwards, eyes on the woman. “Long story short, Stephen did a spell a few months back but it went wrong, and our Peter Parker was wiped from everyone’s minds. It was the only way to stop the destruction is this world.” You told her.

“But in the process-“ Peter chimed in. “It appears to have caused the fabric of reality, i-in every universe, to become weak. Tears are forming in time and space, allowing things and people to bleed into one another.” He explained as Wanda listened intently.

“It wasn’t just my spell that caused it.” Strange spoke. “There are other events, the biggest traced back to 9 years ago…” He paused. “And the latest to a year ago.” He told her as she realised what he was hinting at. She tensed her jaw, pulling her gaze away from you all. Silence fell between you all as Wanda began to think about her actions from that time. She knew what he was implying.

“We need your help to fix it.” You told her softly. “We can’t do it without you, Wanda.” She looked up at you at the mention of her name. She pursed her lips.

“So, what is the plan?”

~

Strange and Wanda carried on their discussion, trying to come up with a way to fix the mess that was unfolding. You were outside, stood on the porch of the house as you took in the view. It was stunning. You hadn’t been in such a quiet place in years. Your life had been consumed by noise and chaos since meeting Tony Stark. Unbeknownst to you, Peter was watching you from the door, his mask in his hand as he fiddled with it. It still hurt that you weren’t his (Y/N), and that you had no memory of him at all from his last visit into your universe.

“Staring again Parker?” You called back, sensing someone was behind you. He felt heat rise to his cheeks as he cleared his throat awkwardly.

“Just admiring the view.” He breathed out as you turned, raising a brow at him. He instantly realised what he had said, spluttering: “I mean- The er, the view of the land, it’s- It’s um, pretty.” He settled on as you smirked at him.

Nice one Peter, real smooth.

He walked towards you to join you on the porch.

“What if we can’t stop it?” You thought aloud. “What if this is it?”

“We’ll find a way.” He told you calmly. “That’s what we do.” He wore a small smile as you hummed in thought.

“There’s only so many times that luck is on our side.” You conquered, pursing your lips. Before he could say anything, his expression hardened. Something was wrong. You turned to look at him, seeing him staring out, eyes narrowed as he looked concerned. “What is it?” You asked. Suddenly, the ground shook, a low rumble travelling through the mountains. You snapped your head back to the landscape before you as you instantly became alert.

“Get inside.” He told you, putting on his mask as you furrowed your brows. Before you knew it, Strange and Wanda had appeared beside you, as they also stared out. “(Y/N), go inside.” Peter urged you, trying to usher you in as you frowned.

“Stop Peter!” You fought as you pulled back from his grip that he had on your wrist, trying to lead you back inside the house.

“I’m trying to keep you safe!” He exclaimed, exasperatedly.

“I don’t need you to!” You argued back, but before he could respond, a large crack could be heard as you all hastily turned to see a large tear forming in the ground, as it quickly began splitting the ground in two. “Shit.” You almost gasped. It was similar to the one you’d witnessed in New York, except this one was larger.

“We need to get out of here!” Wanda cried, turning to Strange as he began to form a portal. The ground was shaking violently now, as you held onto Peter for support. Without hesitation, you all ran through the portal, landing on the other side as Strange quickly closed it behind you all. You took a deep breath, trying to steady your heartbeat as your adrenaline was pumping. After you all got over the shock of what you’d just witnessed, Peter turned to you.

“You ok?” He asked, mask still on as you nodded, scanning the other three you were with to make sure they were also ok. It took a moment for you to notice that you were back at Strange’s residence, but the room was darker, greyer. It felt wrong. Looking up, you saw a swirling grey cloud vortex in the large round window. Strange obviously noticed, as he furrowed his brows, taking a step towards it.

“It’s never done that before.” He muttered, Wanda also looking at it, before she spoke:

“It’s happening.”

~

Taglist: (CLOSED!)

@hellothereobi @twinsunkithies @stylesann @woodyandbuzz20-01 @beecastle @jessyballet @sheridans-dynamos @timelesstay @degeathesaviour @vx-vexedvixen @nova-blackangel @tamascarian @fromis0 @justsom3onesworld @unknown-dreams @willowpains @shawnyboi75 @obsssedwithjustaboutanything @greysviolets @redgetawaycar @nova-blackangel @wordacadabra @eveieforeve02 @lizey-thornberry @urthereasonimleaving @shawnyboi75 @lazysheepperfection @loveonthecosmicbrain @tubble-wubble @uwiuwi @onlyangel-444 @alainabooks143 @hehehehannahthings @mi-amoree1111 @blooo0ooop @weirddominatrixpop @amber-arsenault @no-mercy-bby

(I couldn’t tag everyone so if your name is missing I’m very sorry! :( )

[danniburgh]

I WATCHED WANDAVISION EP 1 AND 2 AND I HAVE THOUGHTS

needless to say: SPOILERS

.

.

.

I ADORE the aesthetic of the first episodes, i love that they even did the accents the tv stars had at the time

THEY ACKNOWLEDGE THAT SHES FROM SOKOVIA THATS JUST STRAIGHT AWESOME

the references in the comercial breaks had me screaming, I'll elaborate:

the toaster: MADE BY STARK INDUSTRIES!!!!!!! is it a direct reference to what wanda may see as the cause of her parents death? is it a reference to her "toaster boyfriend"? is it both?

the watch: STRIKER????? HYDRA????? ALSO WORDPLAY "HYDRA IS WATCHING" like damn lady, also i loved the slight mysoginy of that add

i need to say that almost all the analysis I'm making is based on my experience with desired realities, daydreaming and a bit on my obsession with memory

in ep 1 when ms hart keeps saying "stop it" and she's looking at wanda rather than her husband can be interpreted as Wanda's conscience telling her to fix it, so she gets vision to do it instead because in her mind he's the only one that can

also: when the harts ask them where are they from and when did they meet and how long theyve been married wanda was just so confused and scared and i think it was because when she was creating that reality she didn't think of those small details, there's a lot in the dialog that you can get if you keep in mind that most probably everything it's fake

oh God I just love vision being all over the place trynna beat the Google authentication box

VISION DRUNK ON GUM I REPEAT VISION DRUNK ON GUM

don't you just love paul bettany?

from the first moment they said "for the children" i was like "welp, she's preggo", it was almost as if by just doing the repetition of that phrase she self inserted the idea of babies in her mind and that's why the bump appeared so suddenly

the whole sequence of the talent show can be also read/seen as how wanda is basically running the show, she's pulling the strings and fixing the details of her makeshift reality to fit in it and make it as close to her idea as she can.

on that same note: I'm 76% sure that the reason of her making this family sitcom/cheesy crafted/white picket fences reality it's because when she and vision wanted to be together and settle in they only had 3 star hotels and open 24 hour diner dates, she never had the chance to actually live a normal life with him as she would've wanted so she's creating it now

dude also the title of the fucking show lmao im just going all out with this train of thought: wandavision it's their names yes but also may be because all of this it's just a vision that wanda has of what might've been if he was still there with her??????

I'm still thinking about that freaking red helicopter WHATS GOING ON IS THAT JUST A LITTLE GLIMPSE OF REALITY? IS ANOTHER REALITY LEAKING INTO THE ONE WE ARE WATCHING?

can we talk about agnes for a sec?? shes so cute and sassy i love her, I'm pretty sure she has meaning

wanda really said ✨no✨ on the sewer man, he was in color as well as the red helicopter, which makes me think that, as in the end of episode one with the tv on the desk and the voice on the radio, they're keeping eyes on her, they're trying to get inside to see what is she doing and what, I'm still wondering why the man was dressed as a bee keeper... is it maybe a costume? a cover?

can we also talk about the slight change in music and overall camera work when glimpses of out-of-wandas-reality come about?????? it just changes the mood, the vibe, i can see they might have even used a different camera, different lighting and different techniques because its very unsettling, it's the visual way to tell us that something it's just wrong and make us as upset as wanda feels

THE COLOR TRANSITION WAS SO GOOD AND THEY LOOKED SO CUTE ALL DRESSED UP IN THEIR COLORS

holy shit elizabeth olsen you gorgeous angel

i loved every second of it I can't wait to watch more 🥺🥺🥺

[pla-teau]

WHATTHEFUCK WANDAVISION EPISODE 5

SPOILERS AHEAD, YOU’VE BEEN WARNED

GIFS AREN’T MINE

EPISODE 4 THOUGHTS

opening title | right off the bat, the paintbrush is surrounded by wanda’s powers. this adds to the assumption that wanda is the mastermind behind all that is happening with westview. could mean nothing but i just find that little detail interesting. also, in the recap, in the quick moment in episode 3, we see another variation of the scene when vision asks wanda where geraldine went. she says “she’s gone. she didn’t belong here.” i feel like in recaps to come, we’ll see slight variations of past scenes to indicate that the reality in westview is breaking or just to show the actual words exchanged during the altered scene. wanda is the one broadcasting and chooses what audiences can and cannot see so maybe this is the original cut of the scene that we nor SWORD saw in the broadcast.

agnes | first off, agnes breaks character for a second like an actress who screws up and so everyone has to do a retake. when she says to wanda that she wants her to hold the kids, wanda is even confused for a second. she looks to her like she’s the one in charge. i think she did this on purpose since vision went off script as well in not letting agnes hold the boys. even though there’s footage in the 90s episode that she’s also being controlled by wanda when vision pulls her out of the trance, i still think she’s working with the main bad guy to hurt wanda. she doesn’t seem to react when the boys age up twice in front of her, always making a witty and funny comment.

wanda’s a terrorist | the way hayward quickly labeled wanda as a terrorist makes me think that there’s ulterior motives with this dude. didn’t want to believe it but marvel has put me in a habit of assuming guys in suits have sinister agendas. while jimmy woo gives a brief rundown of wanda’s life, hayward is quick to focus on the negative aspect because she’s a criminal with the sokovia accords still in place. he seems to be the only one driving this idea forward just because he’s the acting director of SWORD. he even put a damn missile on the retro drone monica controlled to get inside the anomaly. as acting director, he would know that a missile is useless against an avenger with wanda’s powers. i believe that he knew that missile wouldn’t do anything to wanda and the sole purpose was to antagonize her to continue painting her as the sole mastermind behind westview. i think he’s just trying to shift the blame from SWORD to wanda now that she possesses the body that can be used to create more weapons etc. etc.

vision’s body | so that scene we saw in the sneak peek was indeed footage of wanda stealing vision’s body and that SWORD was in possession of it. with monica saying in the previous episode that SWORD doesn’t do creation and hayward saying they’re focusing on robotics etc., it makes SWORD also v hypocritical because the brief footage we see of him - he’s dismembered. it doesn’t take much to assume that SWORD was most likely using vision’s body towards their robotics, nanotech and AI projects.

lagos commercial | clearly this is in reference to wanda’s accidental killing of innocent lives after trying to protect steve from crossbones in civil war. the saying “for when you make a mess you didn’t mean to” at the end makes me disagree more on haydick hayward’s assumption that she’s a terrorist. i like how they used this as a paper towel commercial as after lagos, the sokovia accords were written. for me, the paper towel represents the actual accords since they’re drafted on paper, right? how do we clean up any mess in the real world? with laws and regulations being written and enforced aka a piece of paper.

norm’s moment of consciousness | norm is granted a moment of consciousness by vision and is quickly hysterical. his statements about how vision has to stop and get her out of his head has me split. on one hand, he could be talking about wanda since monica said the same thing in her recounting of the events in the anomaly. but i also think it’s agnes or someone else who’s just disguising themselves as wanda (her emotions, grief, etc) to get everyone to see wanda as the bad guy (again).

SWORD computer message | how was the westview reality able to see this message by SWORD? it didn’t have much detail and only the basic rundown of what was going on but it’s interesting to see that message be ‘intercepted’ by the hex. we didn’t see from the outside that they were trying to communicate with wanda or someone within the town. it was also weird how the whole staff read it together at once - very creepy and raises more questions than answers.

“you can fix the dead” | tommy’s comment to wanda when sparky passes away. clearly the only dead one is vision in wanda’s world even though he appears very much alive in westview. i don’t think even wanda knows the true extent of her powers if she is the main perpetrator in all of this. i’ve also seen people mention that maybe the death of sparky is meant to push wanda to unlock that power if she has the ability to bring back the dead.

wanda and vision arguing | from the get go, we’re seeing vision going off script because he’s piecing things together. he notices how agnes always comes in to save the day or with something the couple needs. i like that we’re seeing the pair fight because they haven’t been on the same page arguably since episode 3 which was the last time we saw wanda edit an episode.

“you’ve never talked to me like this before” | wanda to vision. as i’ve said before, the show is really making vision seem more of the human one of the couple even being supposedly dead. what wanda says is true, we’ve never seen vision so much as raise his voice at wanda. in the past, before westview, vision always tread lightly around wanda and thought about how to word news of something she may not react well to. he’s always been calculating and thoughtful in his approach to wanda. even when she shoved him down however deep into the ground to leave the avengers facility in civil war, vision didn’t yell at her when they fought. it’s been nothing but love that vision has communicated to wanda. now with his clear frustration of the situation and evidence, it’s understandable that he’s yelling at her. it’s human to assume and jump to the worst conclusion about someone. he’s becoming more human in being upset and frustrated with someone he cares for that looks like the bad guy and victimizer of a whole town and seemingly controlling him and making decisions for him. i really hope he doesn’t get killed off at the end because i’m truly loving vision’s growth and range throughout the series.

“i can’t remember my life before westview” | this speaks to vision’s physical state. i think he’s not fully dead but because he doesn’t have the mind stone. every iteration we’ve seen of vision in the mcu has been with the stone since 2015. he doesn’t remember his creation or his death in 2018. the last 8 years are a blank for vision and understandably so, he’s upset and frustrated at the situation and at wanda. maybe it’s because he’s in the hex and maybe once outside, he’ll remember or somehow recount what’s happened? again, i hope he doesn’t just die once he gets out of the hex.

pietro’s ��recast’ | the most shocking part of this episode that made me choke on my water and feel 50 different emotions in a matter of seconds. anyways, i think wanda damn well knows that it isn’t the brother she lost. i think she pieces it together that he is pietro but just not her world’s pietro like she feels some sort of connection to this pietro (if that makes any sense)? love that this brings in the multiverse into the mcu. i am still was holding my breath for aaron taylor-johnson but seeing evan peters’ peter was a fun surprise. in rewatching, the episode sets this surprise cameo up with billy and tommy asking her about pietro and this reoccurring theme that ‘family is forever’. i think that either wanda doesn’t realize her powers and her life in westview is bringing in people from other universes or that whoever is behind all of this is giving wanda one more reason to stay in westview since vision is starting to go off script and can’t be controlled by wanda anymore.

long lost bro | the fact he says this makes me curious as to whether this truly is peter from the x-men universe or if whoever is orchestrating this is just using peter’s body to manipulate wanda and play along in her ‘show’. if it’s truly peter that’s been plucked from the x-men universe, maybe he’s given this knowledge or whoever is controlling him is planting that information in his brain so he can say that he’s wanda’s long lost brother which he technically is. there’s also been people pointing out that in the mirror behind wanda looks distorted when you look, you would be able to see peter and wanda’s in the reflection. it looks unreal and this could be a key to seeing the reality of what’s happening in westview, maybe hopefully this’ll be a key to opening wanda’s eyes that something clearly isn’t right.

[jadoue1999]

The X-Men and the member they lost - Chapter 4

Summary: This chapter references the 6th episode of WandaVision and the events from Wanda's point of view in my previous story in chapter 2-3-4. I recommend reading those before continuing, but the best would be to read the entire story. I hope you enjoy this chapter.

Previous parts: Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4, Chapter 5, Chapter 6, Chapter 7, Chapter 8, 

Chapter 4: Regrets

The episode continued with both the twins talking directly to the camera. Erik frowned at this unusual situation, was this how television worked past the eighties? Billy was dressed up as some sort of magician and was talking about Halloween. The two brothers argued about the true meaning of the holiday, one saying something about being someone else for a day and the other one saying it was all about candies and scaring people. Erik smirked, from the little time he had been with Peter, he, too, would have probably said the same thing had he been asked. Speaking of him, he had yet to appear. Thankfully, he didn’t have to wait long as the twins moved to the living room, where he was laying on the couch, sleeping. The metal bender was still feeling uneasy about the blonde hair. The boys talked, the one wearing the cape seemed suspicious of him. They argued about waking him up, but he beat them to it.

“Blood is thicker than water, I show you!” Peter screamed as he sped off the couch. The twins yelled and started pacing around the couch as Peter used his speed to circle around the sofa. Erik smirked despite himself, it might have been a pretend, but the speedster really did seem to have a good time with his fake nephews. The scene cut to Wanda going down the stairs wearing a costume she qualified as a fortune teller. Peter watched her, unimpressed.

“Wow, that is so...”

“Rad!”

“Lame”

He frowned, that was a little strange, and rude. Charles probably felt his confusion since he turned to him. His gaze was enough to inform him that he too found the line strange. It switched to a reference to their childhood to which the redhead seemed confused about. But that didn’t make sense, she had casted him as Pietro; surely, he would have his memories as well? The husband walked down the stairs wearing a frankly ridiculous costume. Peter also made fun of him by trying to guess what he was dressed as. Vision walked to his wife and seemed to challenge her authority once again. He quickly moved on and pointed out how Wanda hadn’t really talked about her brother before. The scene cut to him and the twins playing games. Then the android decided to go off on his own, to which Peter stepped in.

“Don't sweat it, sis. I got the old XY chromosome. Uncle P to the rescue, uh?”

Raven spoke up at the strange line, “is- is he referring to the X gene? I know it doesn’t make any sense since it doesn’t seem to exist in this universe, but it’s so specific...”

Erik agreed with the shapeshifter, while it technically made sense in the sitcom word; it was way too specific to just be a throw away line. Was Peter conscious to a certain degree? He secretly hoped not, he must have been suffering greatly if he was.

Peter then asked about balloons and shaving cream, something that had apparently happened at the manor before because Charles sighed suddenly in exasperation. He was vaguely whispering about the clean up it took after one of his pranks. Peter and the long-haired twin sped off at Wanda’s complaint about their lack of costumes, coming back with matching ones and spiky hair. From what Erik could gather, they were probably dressed as runners, their hair up perhaps meant that they were going fast? He had no idea; he had never really dressed up for Halloween before.

The scene cut to the neighborhood where everyone was out and trick or treating. He had never seen so many town resident active at the same time, and now there were children. Erik noted with curiosity that the ratio parent to child didn’t really make sense; not enough kids were out for the number of adults present. He suddenly had an idea.

“Charles,” he said, turning to the man, “with that many residents, perhaps Wanda’s hold is weakened; can you read any of their mind?”

The telepath put a hand to his head in concentration and stared at the screen for a few seconds. His gaze didn’t falter as he desperately tried to make contact with the poor townspeople. After a moment, he shook his head.

“There’s something blocking me from seeing into anyone’s mind; I’m betting Wanda has something to do with it.”

Erik sighed in defeat and turned back to the screen, the children were off, and the redhead was questioning Peter.

“You're testing me.” He told her accusingly, she widened her eyes at the accusation, apparently not fond of being so easily read.

“No, I'm not.”

Peter raised his hand in surrender, showing he didn’t blame her. “Hey, it's cool. I know I look different.”

“Why do you... look different?”

Erik stared at the screen anxiously, Wanda was definitely aware that something was wrong. How could Peter answer anything that wouldn’t sound suspicious? He had always been quick to find something to say, hopefully he would still have it, even mind controlled.

Peter tilted his head, acting nonchalant. “You tell me. I mean, if I found Shangri-La, I wouldn't wanna be reminded of the past either.”

Whatever that place was, he had never heard of it, but the context made it seem like a perfect place without remorse. The children came back, asking for more candies and Peter suggested to use superspeed to be more efficient. That was... strange to say the least. He was running with the boys without worrying about whiplash, they were holding on to his belt. They really seemed happy, like any uncle and his nephews. Slight worry crept into his chest as he noticed that his speed now showed up on camera; something it never did before. Was he slowing down for the sake of the show? Also, there was a little blue lingering behind him. Raged filled Erik as he realized that Wanda had changed the aspect of his speed to match her late brother’s. She had erased his name, his hair and now his speed; was there something this woman couldn’t and wouldn’t do to fulfill her fantasy world? 

She went to talk to the neighbor on the left, Herb if he remembered well. It turned out that Vision wasn’t actually on duty, which meant he had broken out of her control for now. That assumption was right, the next scene showed the android walking through the neighborhood, feeling uneasy about his surroundings. He smiled to some passerby as he noticed a couple putting up decorations. Except they were not.

“Is this a common occurrence?” He questioned his friend. Both adults were stuck in a loop, the woman was in the process of hooking up a ghost, but she lowered her arm before she ever reached the fishing line. The husband in the back keep picking up and putting down a bucket.

“No, it isn’t,” said Charles. He frowned as a tear rolled down the woman’s cheek, ”they are trapped in their minds, but unable to do anything. Wanda is sidelining them because they’re not useful to her right now, but they have to keep acting as they would be if she were there.”

Erik stared at the wall, deep in thoughts. They were all suffering, that meant... “Is Peter stuck in his mind as well?” The telepath was silent, but it was enough to confirm his fears. “I wish he could have told me earlier, perhaps I would have been enough to save him from this fate.”

Charles shook his head with a serious face. “Don’t say this, old friend, even I did not sense anything amiss the night of his disappearance. As for knowing earlier, Peter didn’t tell anyone other than Raven. She’s the one that told me.”

He looked at the screen where Vision was still observing his surroundings with discomfort. “Watching this woman puppet my son on her show just serves as a reminder that I missed nearly thirty years of his life. And even now that I’m aware of his existence, I can’t do anything to save him from this nightmare.”

Charles stopped him from saying anything more as he put a comforting hand on his shoulder. “Erik, Peter is a very secretive person. And as much as he rambles like his life depends on it; we never knew his real name or the fact that he had a twin sister.”

He had to give it to his friend, Peter hadn’t really spoken much about his past to anyone. But had he been aware that he had a son, could he have made a difference?

The screen now showed Vision walking away and it cut to a commercial. Erik didn’t watch much as he was contemplating what the episode had been so far. He had seen horrible things in his life, but Wanda’s little perfect life was unsettling. There was no record of how she made it in any of the files, it just appeared out of nowhere. The only other person he had seen displaying a power that was close to what the redhead was doing was, ironically, Jean; the other redhead he knew at the mansion. He had seen her unleashing hell to destroy En Sabah Nur back at Cairo and had been impressed since.

He was pulled out of his thoughts as Kurt panicked at whatever was going on at the television. The little boy was slowly decomposing. He wasn’t sure was had happened previously, but he watched in disbelief as the boy’s cheeks hollowed out and his eyes slowly disappeared. Then all that was left was a skeleton as the screen showed a picture of a yogurt brand.

‘Yo-Magic! The snack for survivors!’

What was that commercial? What did it even mean? Was there a threat looking to consume Wanda’s magic or was it a metaphor for what was happening to all the citizens? Everything in this show seemed to have a double meaning. He really should have paid attention. The screen switched to Wanda, Peter and the boys. They were walking in front of a theater that showed movies that hadn’t come out yet. Well, except maybe parents trap but he doubted it was the original one. Peter was complaining about having to return the candies and Wanda was teasing him about being a bad influence. The speedster turned to her, offended.

“I'm just trying to do my part, okay?” Erik frowned, his part? Could he be aware about his predicament? If so, why not try to escape? Or perhaps she wasn’t able to completely subdue him, and he ended up being casted as someone that knew too much for his own good. There was no telling what was going in the speedster’s head. Peter continued his rant, explaining his purpose, “Come to town unexpectedly, create tension with the brother-in-law, stir up trouble with the rugrats, and ultimately give you grief. I mean, that's what you wanted, isn't it?”

His remark earned a general frown from the viewers in the room, what did she want?

Wanda narrowed her eyes at him in suspicion, “What happened to your accent?”

Peter didn’t let her get to him as he snapped back, “What happened to yours?” That caught her off guard, though Erik couldn’t think why. Perhaps she was supposed to have an accent? Her files did say that she was from this Sokovia place in Europe.

Kurt suddenly spoke up, “I know Peter can be sarcastic, but he’s being very rude. He’s never like that normally; is that his role or is it him being conscious and trying to hide it?”

The teen had a point. The speedster was hyper and excited, but he wasn’t rude. The lines he was forced to say definitely didn’t sound like something he’d just blurt out at someone he was supposed to consider family. Peter continued talking about being shot for no reasons and hearing her voice calling to him. That was definitely the other brother’s memories, that was for certain. Erik wasn’t sure how to feel about this. Did it mean that his son would now be stuck with a double set of memories trapped in his head? Was he torn between two versions of himself? He couldn’t dwell on his questions as the children came running back. “They've got full-size candy bars a few blocks up. Mom, can we go?” Tommy was suddenly gone in a blur and back in an instant, with candy bars in his hand. He looked proud as he exclaimed, “Next stop, Cavity Town!”

The excitement on Peter’s face was something that made Erik smile. He found himself wishing that the circumstances were different, perhaps Peter could have reacted the same way to a student. The way his eyes gleamed up and his mouth turned into a wide grin seemed so genuine, so much like Peter. “Right on, little dude! Chip off the old Maximoff block. You've got super speed!”

Wanda and Peter looked at each other with pride in their eyes. If Erik hadn’t known better, he truly could have believed that they were siblings. They simply felt right together. He watched as Tommy broke into superspeed, running all around the place as Wanda slowly began to get more serious. Peter, though, was grinning like a mad man and repeatedly nodding in approval as the mini speedster raced through the street. Their fun was cut short as Wanda grabbed her son, stopping him abruptly. He frowned at her movement, if there was one truth about Peter, it was that once he started, he couldn’t be stopped by anyone. He was simply too fast. It was because of his superspeed, no one could touch him. It had to be the same for Tommy. How could she even see the young speedster in the first place? Let alone being able to grab him without any whiplash. Wanda then warned them to not go past Ellis Avenue. From her tone, he had to assume that it was the end of the barrier.

Raven turned to Charles, “he has superspeed, is he a mutant?”

The professor continued to look at the screen. “By how it manifested so suddenly, we have to assume that they are. The real question is, did Wanda steal mutant children from our dimension or are those children her own?”

The next few scenes were unexpected to say the least. Vision had found the dreaded Avenue and realized that no one was moving. He switched to a futuristic looking suit and flew in the air. The voices of the residents were echoing in the screen. Vision spotted a lone car, which ended up being Agnes’. She wasn’t moving either, that was unsettling since the woman usually was always so full of life. The robot did his best to question her, but she seemed barely aware of her surroundings.

“How can she even move at all? No one else is,” chimed in Raven.

That... was a valid question. Perhaps the fact that she was usually so close to Wanda gave her a slight immunity against the end of the barrier? He didn’t have time to tell his idea, Vision suddenly woke up the neighbor. It didn’t help much though, she confirmed that it was Wanda who controlled them and then started freaking out. He put her back under the spell and she drove away. The scene cut away as he was nearing the barrier.

Peter and Wanda were walking through the straw maze and sat on one of straw bundles. They talked a little about their parents and how she truly was living her best life. Then Peter pulled a face that was very unlike him and started questioning her. That made no sense, he was pushing for information Wanda should have known. Was there something else in this town talking through his son? She looked frightened for a moment, but Billy ran to her, screaming about their dying father. He was a telepath. Both twins apparently had mutations.

‘Don’t sweat it, sis. It’s not like your dead husband can die twice!’

This remark greatly angered Wanda and her eyes glowed red as she blasted him into nearby decorations. She turned to her son and made him focus on his claim. Judging by the screaming outside of the base, Vision had gone outside the town and the twin sensed it.

The broadcast suddenly cut off.

An alarm blared through the base, ringing loud enough to feel the vibration. Shouts outside of the bunker quickly made them aware of the situation. The barrier was expanding. The three other people with him were quickly picking up their stuff, but Erik couldn’t move. She had blasted his son away, like he was nothing. Was he dead? He hadn’t moved at all, he hoped he was just unconscious. Charles was grabbing his arm, telling him to snap out of it. The world suddenly caught up to him, they were in danger, the barrier was expanding. They had to get away.

He got to his feet, trying desperately to not think about Peter and the pain he had to be in. They ran out of the bunker; the barrier was already beginning to move towards the base. Soldiers were scrambling around, trying to get into cars and escape their upcoming fate. No one was paying attention to them, so Charles turned to the teenager.

“Kurt, you have to get us out of here,” the young man was frozen in place, staring at the approaching red wall. The professor pulled his arm, “Kurt!”

The blue mutant snapped out of his trance and told them to hold on to him. He closed his eyes in concentration, but they didn’t move. He opened his eyes in fear before closing them and trying again. “I- I can’t!” He panicked, “I’m sorry. This is my fault; I can’t do it!”

Raven gave him a reassuring smile and encouraged him to try again. He nodded and concentrated once more. After a few agonizing seconds, the world melted into a puff of smoke and they reappeared a mile away from their previous spot. Erik felt a nausea similar to the one he felt back when Peter broke him out. He looked around with a smirk. They had done it; the boy had succeeded. They looked at each other and laughed in relief, Kurt had saved them. They would live to fight another day, they were- they were-

Not far enough.

The red wall was still moving towards them with increasing speed. There was no escape now, the teen was too exhausted to try moving them again. He grabbed Charles’ hand and braced for impact. The telepath warned them to try to hold on to whatever they deemed was their story. Perhaps they would be able to remain unaffected if they could block their minds from Wanda’s control. He quickly followed his friend’s advice and focused on his life and the reason he was here.

His name was Erik Lehnsherr, he was a mutant, he had lost his family because of the Nazis and he had traveled to a different universe to find his son, Peter.

The wall crashed over them, he felt everything around him pulsing.

His name was Erik Lehnsherr, he was a mutant, he had lost his family and he had traveled to a different universe to find his son, Peter.

He felt Charles slipping away from beside him.

His name was Erik Lehnsherr, he was a mutant, and he had to find his son, Peter.

Raven kept calling for him, telling him to hold on.

His name was Erik Lehnsherr, and he had a son.

The teen he had been traveling with kept apologizing, but he wasn’t sure why.

His name was Erik Lehnsherr.

The woman had gone silent.

His name was... Erik.

He was alone, had he always been alone?

His name was...

It was...

What was his name?

***

Notes: Props to anyone who can tell me what was my reference for Erik going into the Hex (Not Marvel) Thank you for reading, reviews are always appreciated! Next chapter: Charles the Xtraordinary has a visitor

[3pirouette]

Fic: Worthy (or Five Times Steve Talked to People about Time Travel and One Time He Didn’t) (1/1)

By: TriplePirouette/3Pirouette

Disclaimer: They're not mine. Distribution: AO3 Anyone else please ask first :)

Story Summary: “What…what if I stay?” He took a breath. “I don’t feel like there’s much for me there… in the future… anymore. I’m tired. I wanted… I wanted to hang up the shield when that war was over… I think I’ve given more than my fair share.” His words fell to nothing as he finished that sentence. “I only ever wanted to do my fair share…”

A/N: I started this on August 8, 2019. I have revisited it various times since then, fixing things that were misremembered after we got Endgame on DVD and fixing tenses. It feels more appropriate than ever right now to post, though. The first section, with Wanda, was written back in 2019. I’ve made minor edits, but her words have been around LONG before WandaVision was even announced. Obviously, by the ending, AU.

Also, I KNOW I skip potentially the MOST important person he should be talking to, but Steve’s conversation with Bucky from this fic actually got pulled out and turned into it’s own fic/universe: Six Dates, Times, and Places. Read that if you need some BFF Steve and Bucky.

~*~

Steve woke up at night in cold sweats, still feeling the vibranium cracking under his fingers as he tried to recenter himself, as he tried to remember where he was. The small tent on the edge of the former battlefield wasn’t much, but it was better than he’d been used to when he was in the trenches, and it was enough for now.

He let other people, better equipped people like Pepper and Strange and Sam handle the big stuff- the cities and the government and the publicity and the how of everything they did. He was never really prepared for what happened if they brought everyone back, he admitted it to himself now on dark nights when he woke up with his heart racing, that he never really thought they’d do it.

He headed up the clean-up: walking through the destruction and trying to put some order to it, helping dig out the bodies of good men and women who lost their lives, who wouldn’t be brought back by a snap, helping destroy the tech that Thanos had brought so it never fell into the wrong hands. He and Wanda spent their days putting right what went so very, very wrong.

Even with everything nearly done, with the building nearly ready for renovation and every lost soul accounted for and laid to rest, it didn’t seem over. It had been weeks, and yet the years before seemed like moments. He spent his days moving like a ghost, going from task to task, keeping his thoughts to himself.

After it was over, when the clean-up was deemed done and it had been decided it was time to move on, Wanda was the first person he said anything to as they stood together on the ridge, overlooking the old Avengers headquarters as it was bulldozed to the ground. “I should probably feel happier,” Wanda mumbled. “At peace.”

Steve sighed, looking at the scorched dirt beneath his feet: it was ruined. Nothing would grow there for years after the hit it took. “You don’t have to feel anything.” He looked at her, unsurprised to find tears slowly making their way down her cheeks. “I don’t.”

“I’ve thought so many times about…” The words caught in her throat, but she took a deep breath and continued, “About sneaking into Bruce’s lab and taking that stone. The time stone…”

Steve didn’t say anything, just waited for her to finish: he was afraid that his own selfish desires regarding that stone would just fuel her own.

“But going back wouldn’t fix it,” her words were as much for his benefit as her own. They both knew it was far, far too tempting.

“You don’t think so?” He played the devils advocate, and it felt good to let it out. “You don’t think that maybe you two could just avoid it all? Or even stop it all?”

“After this?” She looked over the dead land and shuddered. “The way I understand it, it would always happen, would always come. And I just…” Her voice broke, and there was a darkness in her eyes he was uncomfortable with when she turned to face him. “I just couldn’t live through that again.”

Wanda turned to walk away, but stopped, looking back at him. “We deserve more,” she whispered. “We’ve lost everything to make this happen. We deserve more.”

It wasn’t much of a conversation, but it was enough to remind him that those dark thoughts were just that- thoughts. And those thoughts would have consequences he wasn’t ready to pay the price for, or so he told himself.

Deep down, he felt like he deserved something, too.

~*~

The next time he discussed time travel was with Bruce and Hank. Pym was describing the use of his newly altered regulators while Bruce was constructing a smaller platform. This would be the last time, they both said over and over, that it would be used. Pym planned to destroy all references to the quantum realm in his work and Bruce had been working with Fury and Shield to carefully control the flow of information about what had happened.

“Son, please tell me you understand how dangerous this little trip of yours is going to be?” Pym asked him softly, laying both his hands on the table as he looked him right in the eyes. For a minute, Steve felt like he was back with Erskine- Pym had the ability to see straight into his soul the same way that man did.

“I understand, sir.” Steve nodded, trying to hide every morsel of dark thought, every late-night inkling and every dark moment. He was going to bring the stones back, return, and… and…  He doesn’t know where he fits in in this new world, doesn’t even know if he wants to, really, and that must be what Pym saw on his face.

Pym narrowed his eyes at him, but didn’t move. The silence stretched so long that even Bruce stopped what he was doing to look over and watch. “Ask your question.”

Steve could barely hold the façade of surprise for a breath before it fell. He let the pretense fall away: his shoulders hunched, his eyes dropped to the floor, and he felt like a different man. He felt like Steve, the broken veteran, and not Captain America, the superhero. “How much… how much damage can I really do?”

Before Pym could speak, Bruce put down his wrench and had his hand on Steve’s shoulder. “I know that look, Steve. That’s the look I had about a million times before I left every place that ever meant anything to me.”

Pym slid a stool over and sat softly, his face grim. “There’s not much that you could say that would surprise either of us, so I suggest you come out with it.”

Steve looked at them, their faces as open and honest as his was at every grief management group he ran during the dusted years: they were waiting for him to say that he wasn’t coming back because he wanted to take his life.

But it was more like he wanted to take his life back.  It hadn’t been his since Erskine accepted him into Project Rebirth, he just didn’t know it then.

“Don’t I…” He stopped, staring at his shoes. It took a lot for him to look up, into their eyes. “I don’t feel like…” He stopped again and took another deep breath. He wasn’t sure if they’d ever understand. He wasn’t sure if they could.

He shoved his hand in his pocket and it bumped against him compass. His lifeline. His reminder.  

He knew their stories. If anyone could understand, they would.

He pulled the compass out and opened it gently, putting it on the table. “Her name was…”

“Peggy Carter,” Pym finished. “She busted my balls as the head of Shield, but she was on my side when it counted.” Pym turned the compass gently, noting the slow spin of the broken dial.

Bruce looked at Steve, sadness in his eyes. “Steve, I didn’t…”

“No, I didn’t want anyone to know.” He shrugged, taking the compass in his hands. “She died, right before the bombing and the signing of the Sakovia Accords.”

Pym stood, the scraping of his chair cutting off anything either man would have said. “You were… a lot skinnier when you met her, weren’t you?” He stepped next to Steve, hands shoved in his pockets. “Kinda sickly, too.”

Steve laughed, a slight smile on his face as the memory hit him. “I wasn’t exactly in the best shape of my life.”

“Director Carter kept this picture on her desk of a skinny, kinda confused looking GI.” He looked up at Bruce, “I asked her about it one day. I knew she had a husband that no one ever got to meet, and that he was at least 6 inches taller than her based on the glimpse I managed of him once when I showed up at her house unannounced.” Hank began to circle the room, hands coming out and fidgeting. “She said it was someone she knew during the war, and that it was a reminder to never take a single thing for granted. Now, most people assumed it was her brother who was KIA.” He turned and looked at both men, a smirk on his lips. “But the way she smiled when she looked at it: it wasn’t sad and it wasn’t sisterly, either.”

Pym picked up a vial of the serum, looking at it. “Bruce, correct me if I’m wrong, but to be as honest as I can be, we really don’t know what kind of damage you could do if you go back and…” he chose his words carefully, “don’t stick to the plan.”

“Uh, that’s true. We really don’t know how this works; I just know what Strange and The Ancient One told me. That if we put them back, it should kinda… fix itself.” Banner shrugged, unsure if he was as onboard with what Pym was implying as Pym seemed to be.

Pym almost looked happy as he continued to think out loud. “We don’t know the rules. For all we know, there are no rules to it. The Quantum Realm is… nearly unknowable. But the way she looked at that picture…” He sighed, placing the vial back in its rack. He looked Steve in the eyes, open, honest, and unjudging. “You’ll have enough to get back, if you want to.”

Pym went back to his computer, and Bruce went back to his tinkering, and Steve never heard another word on the subject from either of them.

~*~

His first stop in the past was the sanctum. He wanted to meet the Ancient One, to see her, to hear what Bruce had told them for himself directly from her.

She didn’t disappoint. She took the stone back, letting it float into the locket she wore with no more fanfare than if she were asking him about the weather. “So, I assume you prevailed?”

“We did,” he confirmed, sitting when she gestured for him to join her in the library. “There were still losses…” he sighed deeply, thinking of Tony, “but we won.”

She sat quietly, waiting expectantly as the tic of the clock was the only sound between them for long minutes. “In your time,” she whispered gently. “Your question is not something that can be rushed.”

“Do you know what I’m going to ask?” He leaned forward, letting Mjolnir rest on the floor, the case full of stones next to it.

“No,” she tried to smile but it fell flat. “I can feel the anger and frustration coming off you in waves, the defeat, the… fatigue. You did not come to me first out of convenience.”

He looked away, still unsure of where to start even though he had said it a million times over in his head. In the end, he blurted it out. “What if I stay?”

He’d caught her off guard, for it wasn’t remotely what she thought he’d ask. She sat straighter; eyes wide. “I’m sorry?”

“What…what if I stay?” He took a breath. “I don’t feel like there’s much for me there… in the future… anymore. I’m tired. I wanted… I wanted to hang up the shield when that war was over… I think I’ve given more than my fair share.” His words fell to nothing as he finished that sentence. “I only ever wanted to do my fair share…”

She looked at him, wonderment in her eyes, “You never planned on giving up your whole life.”

He tried to laugh it off. “The things you don’t understand when you’re barely more than a kid, right?”

“You had hopes and dreams, just like any other man out there.” The Ancient One stood, stepping toward him. “Why that surprises me, I’m not sure. Even Gods are men at their very core. Even I was once a woman with hopes and desires.”

“It feels wrong to say these things out loud...” he let his hands fall to Mjolnir, afraid to try to lift it. Every day since the battle he’d been surprised that it still comes so easily to his hand.

She came closer until she was kneeling before him. “And yet they must be said.” She waited until he met her gaze. “If you go back to your time, my future, what waits for you?”

He took a deep breath, leaning back, eyes far away. “Friends. Duty.” He sighed with the weight of the world on his shoulders. “Putting the world back together and finding our place in the universe.”

Her expression didn’t change. “And what waits for you if you go back to the past?”

He couldn’t look at her. “I don’t… I don’t know if…”

The Ancient One put her hand on his. “What do you hope is there?”

Steve smiled briefly, the words out before he can stop them. “I had a date.”

“Love,” she whispers, almost disappointed.

“And understanding,” Steve pipes in quickly. His words grow passionate as he continues. “She knew me better than anyone ever has- she knew me before this,” he gestured to himself, not for the first time wishing his muscles were a suit he could shed to show people just what he was like, and why it’s so significant that Peggy understood him back then, “and she still stood by me. I got the feeling… I got the feeling that even if the serum never worked she still would have liked me. No, I’m sure of it. She was smart and beautiful and everything I ever dreamed my future might be.” He stopped short. “Don’t... don’t I deserve that, after all this?”  

“The universe doesn’t deal in ‘deserves’ Mr. Rogers.” She stood, her voice flat and perfunctory. “If it did children wouldn’t die of cancer and good men wouldn’t die in religious wars.” She kept her hand on his, pulling him to his feet. “The universe deals in balance, though, and I feel you are due for some rest.” She reached down, lifting the case of stones and handing it to him, but she did not even attempt to lift the hammer. “Go on,” she waited as he gingerly lifted the hammer, his breath coming easy after it was in his hand. “I cannot tell you anything for sure. But I can tell you the sanctums you know of are in existence back farther than you could imagine. Should you feel things have taken a turn for the worse, do not hesitate to find me.”

Her smile was gentle, and somewhat forced, but it made him feel just a little better.

~*~

The soul stone disappeared from his case as soon as he materialized, and he didn’t stay to find out why. He understood the toll that place could take, and he had so very little left to give.

He left so quickly he didn’t hear the Red Skull whisper his name on the wind.

~*~

Once on Asgard, he thought about just putting the hammer down and letting Thor find it, but he decided that wielding it might just get him out of trouble if he was caught trying to make his way into the palace through the underground tunnels Thor told him about.

The only person who saw him was the one he least expected.

“Why did he send you?” Loki asked from behind the forcefield. “Unless… he isn’t…”

“No, he’s not dead.” Steve supplied the information wearily.

The god paced his cell, “You’re from the future, as well, then?” He smiled at the soldier. “Thor was looking a bit… pudgy.” His voice and face showed his confusion and slight repulsion at the idea. “That’s not the Thor running around with his little girlfriend up there now. I know that much.”

“Things went…bad.” Steve didn’t know how much to tell the man. He believed Thor when he said Loki wasn’t the villain they pegged him to be, but he also was still very wary of the god. “We…did what we could.”

“Could you be any more cryptic?” Loki sat on his bed, leaning back, amusement in his voice. “Interesting development, though, there,” he pointed to Thor’s hammer, “You must truly be something to wield that.”

Something must have changed in Steve’s face, something barely perceptible, but Loki saw it. “You doubt yourself?”

Steve knew he shouldn’t talk to him, and yet, there was something alluring about the trickster. “I’m… concerned I won’t be… worthy.” It sounded lame even to him as it fell out of his lips.

Loki laughed. “Who is?” The trickster paced. He started to speak, then changed his mind with a dramatic shake of his head. He stopped, crouching behind the forcefield so he was eye to eye with Steve. “Whatever it is rattling around in your head… You’re leaving Mjolnir here, aren’t you?” Steve nodded. “Then does it really matter if you’re worthy?”

Steve looked at the god, his mind clicking slowly around the idea that perhaps his own morality didn’t matter. He tilted his head and regarded the hammer. “This is the only thing I’ve ever really wanted purely for myself, and somehow that seems wrong.”

Loki stood, smoothing out his coat with a huffed laugh. “You’re talking to a man who has been politely described as a narcissistic megalomaniac. The only things I’ve ever really wanted were for myself. I learned that lesson young.” He looked Steve right in the eyes. “If you don’t want it for yourself, whatever ‘it’ is, no one else will want it for you.” Something sad fell behind Loki’s eyes though his face didn’t change. “No one will just give you what your heart desires, not when you’re giving them what they need. They’re thinking about themselves, not you. Sometimes, you have to just take it.”

The revelation settled like a rock in the pit of Steve’s stomach. He didn’t want to believe it, but somehow it felt right. ‘Captain America’ served a purpose. He filled a hole that needed filling by someone and as long as he was there, they were going to take advantage of that.

He didn’t need to take over the world, as Loki had attempted, but he needed to take what he deserved before there was nothing left to have.

Before there was nothing left of him to enjoy it.

~*~

With each step through the Lehigh base he kept thinking one thought: this is too easy.

There were less guards, less people, than when he’d been here last, and theoretically, if he’d done things right, that should only have been less than a few minutes ago. He tried not to dwell on the knot settling in the base of his stomach as he swiftly moved to put back the tesseract.

He almost had it slid in nice and tight when the voice came over his shoulder. “Jarvis said he saw you. I thought the man was nuts, but he refused to leave.”

Steve let his head fall, his hands on the edge of the glowing box. “Howard…”

“I didn’t tell anyone, just cleared out the base.” Steve heard the soft footsteps as his former friend joined him. “Said I needed to run a dangerous experiment.”

Steve turned, taking in the tight and so much older face of his friend, unsure of what to say. Howard shoved his hands in his pockets but just continued. “I mean, I wasn’t exactly sure you’d come back, or if Jarvis had ever really seen you in the first place, but here you are, putting back something you stole from me. Without even a hello?” Howard laughed darkly, pointing at his suit. “You get tired of the red white and blue, or are you serving another nation now?”

Steve pressed his hands to his own chest, his head falling down and his eyes squeezing tight. “It’s a long, complicated story, Howard. And I don’t know how much I can really say.”

Howard shook his head, disappointed. “Can you tell me who that man was with you? The one who couldn’t even remember his own name?”

Steve couldn’t look at him, pain coursing through him at the loss of his friend. “No.”

Howard waited until Steve looked at him, cutting him close with the hurt in his voice, “Can you tell me why you never told me you were alive?”

Steve nodded. “That much I do owe you.”

Howard bobbed his head, really taking in the appearance of his friend for the first time. His eyes went wide as he looked at Steve and found the things he tried to not see before: the new lines along his eyes, the tightness of his jaw, the way the lines around his mouth had deepened that all signaled not only was this not a social call, but the man was not all that well. “Ok, well, I’ve got a bottle of scotch in my desk, that’ll have to suffice for me.” He tipped his head, “Let’s go.”

The hallways were deserted, and Steve lingered his eyes just a second too long on Peggy’s door, which had only blackness behind it.

Howard noticed. “I sent her home, too. She doesn’t know why and I’ll catch hell for it tomorrow.”

Steve didn’t know what to say to that, so he said nothing. A few more steps and they were settled in Howards office, Steve on the almost comfortable chair across from Howard as he sat behind his desk, pouring out two tumblers of scotch. “So, can you tell me how I managed to look for you for years and here you are, waltzing into my facility and stealing the tesseract?” He lifted the glass to his lips, taking a hearty gulp. “Though, since you were putting it back, I guess you were just borrowing.”

Steve took the other tumbler from the table, holding it in his hands but not drinking. “I’m honestly not sure what I can or can’t say that doesn’t risk changing things.” Steve stopped, took a deep breath, and leaned forward. “But what the hell, right? If anyone’s going to understand this… will understand how important it is, it’s you, right?”

Howard shrugged, leaning back in his chair, a hint of a smile playing at his lips. “There’s a good chance I’m your guy.”

Steve took a second, eyes lost in the whiskey. It wouldn’t do anything, but the idea of it somehow gave him courage all the more. He drank it like a shot, swallowing and putting his glass on the desk. “I’m not even sure where to start.”

Howard set his elbows on the desk, leaning over it, intensely curious. “How about at the beginning… How did you walk away from that plane crash? We looked for you for-“

“I didn’t,” Steve interrupted, solemn. “I spent almost 70 years in the ice.”

Howard sat up straight. “But you’re…”

Steve couldn’t decide if he wanted to laugh or cry. “I told you it was a long story.”

“That’s why you’re worried about changing things.” He leaned forward, hands in fists. “You managed to time travel?” Howard shook his head, his eyes glazing over as he thought. “Is that like a… normal thing in the future?”

“No,” Steve replied right away. “It was a last desperate attempt to…” he took a deep breath. “A lot of people had died, half of…” He took another breath, not really sure how to explain it all. “It was more than just our world at stake.”

Howard pushed back, eyes wide. “Other…planets?”

Steve smiled and nodded. “Yeah. The future was… interesting.”

Howard reached over and lifted the bottle of scotch, the liquid only half filling it. “We might need more than this…”

Steve laughed, really laughed, for the first time in months. “For this story? Yeah.”

~*~

An hour later Howard was pacing the length of his office, sleeves rolled up, hair tousled from running his hands through it, and half a tumbler of whiskey in his hand. “You weren’t kidding.”

“No. It’s complicated.”

“Complicated?” Howard laughed and leaned back against his desk. “It’s a fucking mess is what it is.” Howard turned and put both hands on his desk. “I can’t believe it actually fucking worked.”

Steve felt guilty. He hadn’t mentioned Pym, not knowing exactly how the two were relating at the moment. He hadn’t named Tony, either, just called him ‘an inventor’ and later Iron Man and gave no indication to his friend that his son would end up dying to save humanity. But there were some things he wasn’t ready to risk ruining, some things he couldn’t quite yet face. “That’s… not the worst part.”

Howard turned his head, his eyebrows at his hairline as he looked at his friend. “There’s more?”

Steve looked at his folded hands, feeling guilty. “I want to stay.”

“Is that inherently a problem?” Howard searched his face, hoping for some hint. “You are, technically, more from this time than you are that one.”

“I… don’t know.” He sighed. “I was hoping you would.”

Howard sank in his chair, kicking his feet up on the desk. “Like, if you stay, you become your own grandfather or something like that?”

“Well… not quite, but yeah.” Steve’s teeth were set on edge. Of all the people he knew, of all the people he’d asked about this, Howard would be the one to give it to him straight.

Howard tented his fingers, eyes un-focusing as he thought about the problem.

The phone rang and Howard ignored it, looking at his friend. After five shrill rings he lifted the receiver and slammed it back down, silencing it. “What did… what did the scientists who were helping you say about—” He was cut off again as the phone rang once more.  With a sigh Howard put it on speaker. “Hello?”

Jarvis’ anxious voice filled the room, startling Steve. “I’m sorry sir, but I couldn’t stop her without risking serious bodily harm.”

Howard’s face soured, “Stop who?”

The door behind Steve crashed open. “Howard you bloody wanker this is absolutely ridiculous. You ship me off for no reason when I have serious work to do. You’re not even doing an experiment are you? No, you’re drinking and—"

It was when she looked down that she got her first glimpse of him, and it ripped the words from her mouth.

He stood, slowly, and tried to smile, even though he could feel his heart beating hard in his chest. “Hi, Peg.”

Her breath caught and her mouth opened and closed for a moment before the only thing she could think to say fell from her lips. “You’re late.”

~*~

End Notes: To keep track, here are the five times: 1. Wanda 2. Pym/Bruce (Yes, they count as one, sue me) 3. The Ancient One 4. Loki 5. Howard. And the one time he didn’t was Red Skull. I don’t write this trope that often, so… yeah.

This was all written LONG before Loki came out. Just in light of all the silliness going around I felt like I needed to post, and hopefully some of you needed to read it.

Let’s keep fandom happy and enjoyable, friends.

[shierajones]

Agnes Analysis

As previously stated, on Valentine’s Day my husband and I did a rewatch of all the WandaVision episodes thus far so that I could take the time to do a deeper analysis on Agnes and explain why she is suspicious and good. I need to amend my thoughts and say that she is suspicious and not the villain.

I don’t think she’s good necessarily…but she’s not bad. She’s naughty as they keep telling us and naughty is playful. I do think she’s 100% Agatha Harkness, but Agatha isn’t a villain despite what you may hear in some circles.

Look at her name Agnes. Agatha Harkness. Maybe she’s named that as a misdirection, but I doubt it.

 Moving on to the series and my nonsense analysis:

 When we start the series, it seems clear that the “show” is already running and there are episodes that we, the audience, have not seen. However, we don’t get to view the situation until Agnes returns to town. Yes, the episode starts with Vision and Wanda in their home, but they are the main characters so of course it would. Still, our first episode is her first episode.

 When Vision leaves for work, Agnes appears and says, “I’m Agnes, your neighbor to the right. My right, not yours. Forgive me for not stopping by sooner to welcome you to the block. My mother-in-law was in town, so I wasn’t.”

Right off the bat, Agnes is suspicious. These lines are suspicious. Specifically, “My right, not yours.” I don’t think she’s referring to the actual location of her house (Herb lives to the left of them and he is not her husband). I think she’s referring to her place in this story. She’s been placed there by her right, not Wanda’s.

 Important note: her anniversary is June 2nd…Salem Witch Trials. Agatha Harkness confirmation.

 To the episode, Wanda turns to Agnes for assistance and she leads her down the wrong direction. Perhaps how Agatha leads Wanda down the wrong direction in seeking help prior to the start of the Hex…

She is also the one to make Wanda start questioning her marriage and her reality because of their lack of song, anniversary and rings.

 We get the first “You’re so naughty!” in this sequence.

 Another thing I noticed in the first episode is that every time Agnes appears to apparently help, things get more complicated and the “ingredients” meant to aid Wanda, bring her more chaos.

 Moving on to episode two, Agnes is in their house in the intro while everyone else is outside. Because she is in the inner circle. Still, she is noticeably alone even though she is apparently married. Suspect husband.

 In the episode, she says “Look, it’s the star of the show,” and pretends it’s about the rabbit but I think it’s a slight test of Wanda’s awareness of the Hex and this odd sitcom. Agnes is testing Wanda’s reaction.

 We also get another nod to Agnes as Agatha with her rabbit’s name Senor Scratchy like Agatha’s son Nicholas Scratch.

 Then we see that strange exchange with the mailman which makes him suspect as hell too! And once again, Agnes tries to help Wanda by warning her about Dottie, but instead makes her nervous about the situation that turns out poorly because of the pressure.

Important lines to note in this scene:

“The devil’s in the details Bev”

Agnes “That’s not the only place he is.” Interesting.

 For the rest of episode two and most of episode three we see less of Agnes and I think that’s because of Geraldine (Monica)’s presence. For reasons Agnes doesn’t understand, Wanda quickly grows fond of “Geraldine” and she steps into the role Agnes is supposed to play in her life.

 Agnes and Herb question her existence because she doesn’t belong, and she’s being invited into the inner circle. It seems that Agnes is worried that “Geraldine” will lead Wanda down the wrong path or at least the path to the truth she’s trying to hide.

 Episode four doesn’t have much development in the WandaVision fake series but we do see that Agnes’ identity is not known. They have no real name for her and she doesn’t appear to be a New Jersey resident like almost every other relevant character.

 In episode five we see that Monica’s exit leads to an increase in Agnes’ role again, “Auntie Agnes.” Also, with Monica gone, Agnes solidly knows that Wanda is aware of the illusion. She continues to play her part, but she addresses Wanda directly when things start to move off script. Despite being in front of Vision, she brings attention to Wanda’s control of the world. I think she’s moved on from Wanda and is now trying to wake up Vision.

 Strange note: the babies stop crying when Agnes breaks character. Wanda’s magic doesn’t work on them but somehow their cries are tied to the sitcom narrative and Agnes’ actions.

 “Kids, you can’t control them. No matter how hard you try.” Weird line. Is she referring to Wanda trying to control them or her?

 Later when she claims to have seen the dog from her kitchen window I again have to question how. She is not next door! How can she see into their fenced in yard from the view of her house?

 We finally see outside of her Bewitched styled home—Agatha Harkness nod—and I say again, she is not next door to them! Earlier in the scene in the kitchen she says, “Let’s just hope this dog stays the same size,” and then he dies eating bushes at her house thereby forever staying that size. Creepy and suspicious.

 Her face, however, in this entire interaction that follows is why I don’t believe she’s bad. She has genuine concern on her face when the kids say that Wanda can bring back the dead and a wave of relief passes over her when Wanda says, “Some things are forever.” Watching Wanda and her children, Agnes looks like she’s relieved that Wanda is growing and willing to accept death and wants her children to do the same. It’s the first time she shows true vulnerability and I think (or maybe just hope) that’s because in her own strange way she doesn’t wish ill on Wanda.

 Fast forward to episode six and once again we see less of Agnes because of the introduction of a new character. The fake Pietro.

 When we finally see Agnes, dressed as a witch fully confirming her identity as a witch (given that all the other main characters are dressed in nods to their true identities Herb is dressed as Frankenstein’s monster and the concern that brings me is big) she is somewhat frozen but not fully. Just as she is somewhat under Wanda’s control but not fully. Her lines here are vital!

In this trance-like state she tells Vision that she “got lost, took a wrong turn.” Pointing to the narrative of this story. She and Wanda are lost, and things (like the apparent resurrection of Wanda’s dead brother) have taken a wrong turn. She’s lost. She doesn’t understand her purpose here anymore. She’s on Ellis Ave trying to escape but she doesn’t really know if that’s what she’s doing. When Vision “wakes” her, she immediately clutches at her neck/chest seemingly in search of her broach. The necklace she usually wears could have been the thing keeping her out of Wanda’s control but Pietro’s appearance (and the strange necklace he now wears) have taken that from her. She asks Vision if she’s dead. In the comics Wanda does kill Agatha, but we’re not there yet. Probably. But she asks because Vision is dead and then she screams dead over and over again as if he’s not the only dead thing around. Look back at my thoughts about Herb. He’s dressed as Frankenstein’s monster and if we can apply the same logic to his costume as the other relevant characters, that could be pointing to the fact that he is a reanimated body. SO CREEPY! SO SUSPICIOUS!

 Agnes name drops Wanda where Norm didn’t when he was taken out of the trance. I don’t think this is just to place the blame on Wanda and take the focus away from her. Agnes is still trying to wake up Vision so she’s giving him answers where Norm had none, but I also think she is speaking to her position. Wanda’s magic is growing and she has finally taken control over Agnes where she was limited before. 

There are holes in her story to Vision that Wanda is behind it all, but she’s still hiding a significant truth. She’s probably protecting her “husband” the real villain of this story.

[joe-maristopher]

«WandaVision»: 3. Wanda, dear, do we have a problem?

Boom! We have a mention of Pietro, Ultron, Shakespeare (ah, Vision's an ntellectual), neighbors with a slight horror in their eyes, unjustified speed of events, as well as the subtext "Wanda in her world is a king and the god". And yes, that awesome soap ads! The slogan is a reference to Wanda's newfound abilities, I think. I keep my eyes on Agnes and prepare an invitation for her to go to the evil characters' bench. You can't be sure of anything, but who knows, she is able use the situation for her own purposes and be a helper of Mephisto.

Let's talk about the kids and the speed of everything.

I've never been a fan of Billy and Tommy in the first place. I don't understand all the excitement associated with them, and I remember that everything ended after their appearence... badly. Besides. I've always wondered why Wanda rode into the magical wilds and didn't think/want to solve the problem any other way. Adoption, for example. Donor sperm. Something else. Why was it necessary to create such problems, taking pieces of Mefisto´s soul, and thereby laying a huge dynamite under her family?

Let's say, our Wanda goes with a different vector, without the insane desire of a crazy momma-wannabe, but the children are still demonic? Playing with Mephisto's shadow isn't for nothing, is it?

I can't help but notice that Wanda's pregnancy in the comics also appeared suddenly. I might have forgotten something, because I was laughing so hard while reading the pages, but it was like this, the quotes are not accurate.

Wanda: I WANT A REAL FAMILY WITH KIDS. WANTWANTWANT!

The magic poof!

And Wanda is on the eve of her confinement. I don't remember Vision's reaction...

Our Vision was as surprised as I was, because in normal life, it does not happen, even if you are a synthesoid (five points to Marvel for mentioning this term! Finally! We waited for the long time!). I felt like I was watching the Sims with their woohoo and three-day pregnancy. It was all very fast, and I couldn't even blink. I didn't like that part, honestly. Something is missing. I also don't like that Marvel didn't focus much on Wanda and Vision, and instead our characters existed for fast-paced development, plot tools for introducing the twins, and Geraldine-Monica's "deportation" beyond the bubble. In other words, long periods of time are reduced to the limit.

A small question. The child is already doing magic (and Wanda calmly allows)?

Creepy moment. Let's talk about Vision again.

I thought that my screen glitched or the cat walked on the keyboard, so I didn't notice... Wanda, we have a real problem... And a new question. In the opinion for the first two series, I posted a list of the questions and now it gonna be expanded. We're still walking in the fog.

So... Vision is an illusion? Highly likely! Who would give us a resurrected Vision, right? Marvel won't let us be happy, and neither will Wanda.-_-

But if Vision was an illusion, controlled, a Wanda's puppet, then why did he even begin to think about what was happening, to understand that something was happening? Why? And how many times has this actually happened, off-screen? Fic-writers, let's go! And I'm probably going with you.

I also remember Vision's face when their dinner went wrong. So what are you, Vision? And by the way, how much control do you have? The feelings are your own, aren't they? Yes, Marvel?! Don't mess with me here. Don't make the shippers angry, they're already traumatized by the comic book versions of Wanda and Vision.

A lyrical digression.

There is one more thing that I want to touch, connected with all above. A certain Twitter user previously guessed or knew the names by which Wanda and Vision will be in the series. Before the release of the series, I ask you to note. I'm talking about Illusion and Glamour. Back then no one took it seriously, but after the release of episodes, the account began to be studied almost under a microscope. There is a long history with the renaming of acc, creating new acc with the same info, it's not the point. The same acc wrote that what we see isn't Vision, but Wonder Man, who thinks he is Vision..

I have a confession. I can't stand Wonder Man and everything that goes with him, including his shenanigans with Wanda. I just hate this stuff. Who doesn't know: Wonder Man and Vision have a connection in the comics, Wonder Man's brainwaves formed the basis of Vision's, correct me if I am wrong. So, technically, they're kind of brothers. Difficult, you may say? It's comics, kids! In short, if it really turns out to be so — I will consider it a personal insult. I'm sorry, but I love Vision and I watch the show with him, not with someone else.

Also, in general, Marvel owed us one moment, and it's good if they remembered about it and give a serial explanation: for all the years of Endgame, you did not try to do anything with the Vision's body? Where is it? In what condition? Tony forgot and didn't remember Vision?

Screw it!

Okay, okay, I've calmed down. I return to the subject and stop burning with righteous anger.

Illusion or not, we know from the trailers that Vision will posibly receive an information about his death. I see how it can go: It turns out that Vision learns the truth, Wanda is not there to stop him, he decides to find out everything from Wanda, but the moment is not very good, because the agents of S. W. O. R. D doing their job, and Wanda is already in the berserk mode... And it ends badly.

Creepy moment. A sad moment. Give Wanda some cocoa and a warm blanket. Please.

That was full of pain. Wanda could try and run from her memories, or force herself to forget them, but they are coming back with suspicious questions from a stranger, with jewelry on someone's neck. Wanda's upset, the neighbors ara glitching (to Vision´s concern), and under the iceberg of family life with two newborns and a lullaby for them, there are the abyss, hiding... Creepy and painful.

I am kinda dissaponted with the 3rd episode, but still enjoyed some moments and still want to save Wanda from this darkness.

[cleverclove]

Okay slight vent but??? You can appreciate Elizabeth Olsen’s acting in Wandavision while acknowledging she DID use the g slur in reference to Wanda’s racial identity...

[doctorofmagic]

Thoughts on this? I wonder if Magik will show up in WandaVision. If the rumours about alternate versions of characters played by the same actors come to be true, I want the same to happen to Illyana and Anya Taylor-Joy. We could forget about that hot mess of movie and do it right with Roberto, Dani and Xi'an.

Greetings and thanks for asking!

That’s a pretty good analysis regarding Magik, Belasco and the elder gods, as well as her connection to Wanda. Although... I do recall a post in which said blog doesn’t read comics anymore, so I wonder if they touched Doctor Strange v4, X-Men: Empyre (even though it’s bad), Civil War II and Strange Academy, assuming they feature important moments between Magik and Illyana.

As I said previously, I strongly believe Illyana and Wanda share a good relationship mostly because of magic - mutant issues aside. I use these comic books as reference to support this idea, and I do cherish their relationship.

That said, I have a few theories about characters from alternate realities who will enter the MCU in MoM, especially the X-Men and Deadpool. From what I’m gathering, it seems to me that the MCU will indeed reuse characters from older franchises that didn’t belong to Disney before their deal with FOX. Still, I’m not sure what will happen to the mutants. I find it hard to create them from scratch all over again. Will they hire the same actors or will they create a whole new alternate reality and bring them to the main universe? Maybe bit of both, considering that leak in WandaVision?

Not gonna lie, I’d love to see Laura and Logan in the MCU, but - unpopular opinion here - the “young” mutants from the recent movies are an easy pass to me. And concerning The New Mutants... *sigh* I love Anya Taylor-Joy but I’m not pleased with her role as Illyana, for many, many reasons. Not because of her performance, heavens no. She’s a great actress, loved her in Queen’s Gambit. I’m not pleased with her characterization, reduced to a racist straight edgy girl. And that’s on the script and the director, who also whitewashed Roberto. Not to mention that the movie failed big time.

With that in mind, I find quite difficult to bring these characters to MCU based on the New Mutants movie. Still, Illyana is the only one who has a slight chance to make it, mostly because of her magic side and her canon connection to both Wanda and Stephen. However, considering that Wanda BARELY shares any connection to Stephen because she was denied both her mutant powers and chaos magic, and assuming people over there hate magic, odds don’t look so good.

I have hope, though, that WandaVision will finally bring chaos magic to the table. And deep down, I wish Illyana made it into the MCU, certainly, played by Anya Taylor-Joy, but definitely not the same character seen in New Mutants. I’d love to see Leah’s characterization from What If? and The End. And that’s my not-so-reliable opinion on that matter because, even though I know the importance of Illyana’s mutant life with the X-Men, especially her connection to Kitty/Kate, Colossus and her team, I also adore her relationship with Stephen.

It’s hard to predict it. The New Mutants definitely deserve a new chance, especially Roberto, Dani and Illyana - not to mention Xi’an. As for me, I can only dream. If I had any control over the MCU, Illyana would defintiely make her debut in MoM haha. I suppose many fans feel the same...

[officialotakudome]

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WandaVision Season 1 Review

The new era of Marvel Television begins with WandaVision. Following the events of Avengers: Endgame, Wanda Maximoff has continued her grief stricken life in wake of the death of her lover Vision. With her powers ever growing Wanda takes the small town of Westview hostage to cope in a mind-binding super hero take on classic and modern sitcoms.

WandaVision is a 2021 superhero sitcom, it is produced by Marvel Studios and distributed by Walt Disney. It aired exclusively on Disney+. Season one is currently available in its entirety. 

Editor’s Note: Near complete to complete spoilers for WandaVision and the Marvel Cinematic Universe as a whole may be present within this review. 

The next stage in the Marvel Cinematic Universe begins in WandaVision.

WandaVision begins a new era for the Marvel Cinematic Universe as the first of insanely big budgeted TV series for the Disney+ platform. After the shut down of Marvel Television and incorporating it into Marvel Studios proper many were worried about the future of Marvel properties coming to the small screen. Thankfully while it’s not necessarily on traditional TV the small form Marvel content will continue in even greater heights due to Disney’s push for it’s streaming platform. And WandaVision is already a big part of that move. Acting as an homage to classic sitcoms old and modern WandaVision is a superhero trip that’s for fans of all Marvel content.

WandaVision’s consistent roller-coaster ride story keeps viewers on their toes.

THE GOOD: The series takes place sometime after Endgame. The world is still recovering from the snap reverse & the fact that time has skipped for a majority of the world. Wanda, still grieving over the loss of her lover Vision has lost control of her powers and even some of her sanity. She unknowingly uses her powers to change the small town of Westview into the image of the TV sitcoms she watched with her family as a child. Fearing her power Wanda is investigated by S.W.O.R.D a government agency meant to be the space focused version of S.H.I.E.L.D. Agent Monica Rambeau has a particular interest in Wanda sympathizing with her after losing her mother to cancer. Believed to be having a waning mental state Wanda changes the world design of Westview based on different eras of TV sitcoms. Wanda is eventually revealed to be mostly sane choosing Westview as her method of coping having lost Vision twice.

As the world design changes so does the storyline Wanda created for the series, including the title, aspect ratio, and cast of characters. Wanda becomes pregnant and soon gives birth to twins. Meanwhile S.W.O.R.D has been sending in agents in an effort to stop Wanda and save the citizens of Westview. But they instantly become apart of Wanda’s Westview upon entering. Even the sympathetic Rambeau becomes a victim of it. The more S.W.O.R.D. intervenes the more erratic Wanda becomes in retaliation. Rambeau eventually regains herself after escaping Westview and returning to real life. 

Vision becomes suspicious of Wanda after strange interactions with his co-workers & neighbors. The twins have also begun aging at an accelerated rate and also gain superpowers. One night Vision finally has enough and questions Wanda only for her “brother” Pedro to appear. This Pedro is in the form of the FOX’s X-Men universe, but Wanda has complete recognition of him. S.W.O.R.D ramps up it’s attack on Westview and Vision finds the exit for the altered Westview. As he attempts to escape the area, Wanda’s powers resists him and he’s nearly erased. When his son feels Vision’s pain Wanda increases the reach of the altered Westview which encases others including Darcy who was helping S.W.O.R.D. 

Vision and Darcy become apart of the rebooted Westview with slight memory loss. Vision recognizes Darcy and they work together to return to Wanda. However, the world is rejecting them causing a multitude of distracts that stop them in their tracks. Eventually regaining their memories Vision flies off to Wanda, leaving Darcy behind. Wanda feels as if she’s losing control of the world and Agatha Harkins who kidnapped the she reveals she was behind all of the chaos. Agatha reveals that she is an actual witch from the Salem trials era and wanted to absorb Wanda’s powers to control the Darkhold an ancient spell book with powerful magic. Agatha also reveals that Wanda holds the title of Scarlet Witch an ancient witch with chaos magic abilities. S.W.O.R.D unveils a man-made version of Vision which was made from the original with intent to be controlled on their command. 

As Agatha threatens the boys in front of Wanda and Vision returns only to be attacked by White Vision. A dual battle ensues between Agatha & Wanda and Vision & White Vision. After a conversation Vision returns White Vision’s memories causing him to abandon S.W.O.R.D. and fly off. Agatha & Wanda’s fight makes it to town where the citizens memories have returned. Begging Wanda to free them she complies only to stop when Vision & the boys begin to disappear. Monica who had returned to the world with her DNA changing her into a superhuman offers to help Wanda. She & the boys along with Vision fight and defeat S.W.O.R.D who were intervening. 

Agatha has released magical runes which has taken over the altered Westview. Just as it appears that Wanda has been defeated she reveals that she tricked Agatha. Taking control of Agatha’s runes Wanda transforms into the Scarlet Witch and defeats Agatha. Instead of killing Agatha she returns her to her fake Westview personality as a hostage planning to use her vast knowledge in the future. 

Head of S.W.O.R.D, Director Hayward is arrested for his actions. Monica and Agent Woo who had been trying to protect Wanda take care of clearing her name as she heads off with her family. As she releases Westview from her control she says goodbye to her family. Monica is visited by a Skrull posing as a human who invites her to the S.H.I.E.L.D station in space. Wanda studies the Darkhold in her Scarlet Witch form and suddenly hears her children crying her name.

WandaVision is a story of overcoming loss and grief.

Initially, WandaVision is rather slow paced, but picks up around episode threeish. As a fan of nearly all of the sitcoms parodied I think the series personally connects with me more than the average viewer. I was able to get all the references and inside jokes, but I can see someone who isn’t particularly a fan of even one of said sitcoms being lost & put off from the direction. Also just wanted to shout that I was shocked a bit seeing the Malcolm in the Middle repping, but happily so as it’s probably my favorite sitcom of all time. This was surprisingly laxed in action compared to previous MCU work. However, given the focus was to establish magic, multiverses, and other key Marvel elements into Phase 4 this is understandable. Though I can see the heavy focus on story & world building being a major turn off for casual MCU fans. In regards to the action, while it was there it’s what you’d expect from a big budgeted Marvel project. However, I must stress that there’s a rather large absence of it.

The twists and turns that start to unfold midway through the series is a fun ride. And WandaVision knows how to have fun with itself. Commercials were used as inside jokes and one even references Hydra. Kathryn Hahn as Agatha also kind of stole the show with her always on energy. She flourishes with the comedic villain character type. The acting as a whole is probably some of the strongest currently in the MCU.

The series features big implications for the future of Marvel Studios.

THE BAD: The series is a slow burn in such a way that you may have to take small breaks. Normally binging would be an advantage here with every episode being available. But even so it can be a turn off until about episode three or four when things really kick into place. There’s also some balancing issues with the storytelling. Like for example there’s a mailman who frequently pops up as if he’s an important character to the show like Agatha, but it goes no where. There’s a handful of times where it felt like the story went there with certain threads. Also viewers should be warned that this is lacking on action compared to previous Marvel efforts. With most of said action being restricted to the final episodes.

WandaVision is a successful first entry into the Disney+ Marvel TV era.

OVERALL THOGHTS: WandaVision isn’t perfect, but it sets up the future of the MCU in a beautiful way. Though there are a few pointless teases and some stories feeling like they were flat out dropped. Despite this, WandaVision (mostly) lives up to it’s hype. Even with some early opening hiccups for the series. Otaku Dome gives WandaVision an 80 out of 100. 

[kainetestament]

WandaVision Pt2

Let’s continue where we let off..

So far, 14 out of these 42 leaks are confirmed, 2 slight errors and the rest are inconclusive since there are still 2 more episodes remaining. Let’s start with the 2 errors first (since there are only two of them).

17. Monica would try to help Wanda realize the truth after getting her conscious back, but Wanda will get pissed off when she says her Vision isn't real and will throw her away from the town (to the outside world) using her powers.

The slight error on this one is that the event didn’t occur on same event and episode even. Monica was indeed under the HEX spell but is not fully brainwashed because she mentions about Ultron killing Pietro (not Vision) that’s why she was thrown out of the HEX by Wanda, and this was on Episode 3. Making Wanda realize the truth was on Episode 7 after Monica returned inside the HEX and she’s making her accept the reality that Vision is dead, not he’s not real, and this time, Wanda was unable to kick her out because Monica has activated her powers.

 16. Monica managed to enter Wanda's town while she was asleep in a helicopter. Sword will again try to break.

For this one, the only error on it is “asleep in a helicopter”, because neither Monica nor Wanda was in a helicopter, Monica did sent a helicopter drone to check what’s going on in Westview because of the paranormal occurrence that is happening. Wanda on the other end was asleep in her bed and was awakened by the noise of the helicopter drone (transformed into a toy) probably bumping into their outside bedroom wall before running out of battery and falling into the bushes.

Honestly my personal feeling about Peter is that he really is the real Peter (Pietro) of X-Men Universe. If we are to break it down, here’s what I noticed.

1.  Peter shows up in at the end of Episode 5, he still wears a leather-like jacket that is similar to the other jackets he wore in X-Men and TV commercials except, here in WandaVision – it’s black, not his usual silver colored jacket and snickers, but all of them still contains a lot of zippers. Though it does looks similar to the jacket he’s wearing when he made a cameo in Deadpool 2, but he’s on the background facing the camera so we cannot see the back design, but both have zip sleeves, studded lapels, epaulettes, the front look of the jacket is pretty identical.

2. Personality is still the same. We don’t know much about Pietro’s personality since he only appeared in Age of Ultron, and only has displayed arrogance or being over confident personality. On the other hand, Peter is still his usual “man child” playful self. He even called Vision “popsicle”, which coincidentally or probably a reference when he was eating a popsicle in X-Men Days of Future Past when he first met Wolverine, Charles and Hank.

3. Silver accents still present. When he first shows up on Wanda's doorstep, he still has his silver hair, (although I did find it odd why in Episode 6, his hair became very light blonde). He still wears stainless steel watch. The only thing he's missing is his silver goggles.

4. Powers remain the same. He is still the Quicksilver, running in super speed. He showed his super speed twice in Episode 6, first was when Wanda told him he doesn’t have a costume - he took Tommy with him and came back in matching outfits, second was when they’re being mischievous destroying pumpkins and spraying silly strings to townspeople. And just wanna point out how adorable both Peter and Tommy together, cant help but put a smile on your face really, the two of them look like father and son.

5. Vision comments about Peter being “great with kids”. Well this is probably a reference to X-Men Days of Future Past where Peter have a younger unnamed sister and probably takes care of her a lot, making him the elder brother being good at handling kids. If we look at the deleted scenes in Days of Future Past, the little girl (probably about 10y.o), said to Logan “I’m a princess, what are you?” Logan responded with “I’m the Wolverine. Where’s your brother?” and the princess pointed out to the stairs leading to the basement. Then later on, we see Peter watching the news about Magneto while the little girl is sitting on his lap, dressed as a princess.

6. Peter still loves video games. As seen in Episode 6, his way of bonding with the twins is by playing video game (PS1) and I’m guessing it’s a versus game like Marvel vs Capcom because we can hear on the background what sounds like the character selection menu and the punching and kicking sound-like effects, in which they removed the character voices (like Ryu, Ken etc) probably due to the CAPCOM copyrights.

Note: for some who may wonder, why DDR (Dance Dance Revolution) has been featured too in Episode 7, why Marvel vs CAPCOM cannot? That is because Disney (Japan) is one of the games publisher, even having its own DDR game called Eurobeat Disney (Japan Exclusive), while MvsC is developed and published by CAPCOM, so its them who own the copyrights of the game.

Also speaking of them, CAPCOM was mentioned on Episode 7 by the soldier when she said to Monica “Capcom Check”, well this could probably be referring to the astronauts communication which is also called Capcom. But it can be a double meaning; they could be referring CAPCOM Company, to pay tribute/reference to the video game, but at the same time, to avoid any possible legal matters, the “space engineer”, “the astronaut suit”, “outer space vehicle” will help masked the Capcom reference since Capcom is a real astronaut communication position.

We’ll continue this on part 3 with more of Quicksilver‘s conversation with Wanda this time.

[bearholdingashark]

Hurt Comfort Exchange 2021 Creator Letter

Hi! Thank you for creating something for me! I’m excited to see what you create! :D

General info

I adore tropes, the more ridiculous the better, and really what I love about ridiculous tropes is how it gives the creator an opportunity to explore the characters and their dynamics and motivations. Fun plots are great, but the characters and what the plot reveals about them is what I really love.

I also really love AUs (especially modern/historical AUs) or crossover fusions, and love how much changes and how much doesn’t. But straight up canon stuff is really good too. Really, character focused stuff is what I love most. I do also think canon divergence AUs can be really great, so feel free to play around with canon as well.

While I’m a big fan of romantic ships, I also love relationships in general, romantic or not. Just characters being there for each other is great. I love fluff, but more serious/angsty/dramatic stuff is just as good too. :D And unless specifically stated otherwise, I have no problem with characters other than I requested in the story, but I want the requested characters to be a main focus.

In relation to hurt/comfort, one thing that I really love is desperation: desperate kisses, desperate plans, desperate goodbyes, etc. 

A lot of the freeform tags that I selected, (and I selected a lot) tend towards more dramatic plots/circumstances, but feel free to go where you feel comfortable on the fluff/angst/dark/light spectrum. 

My DNWs (also listed on my sign up) are:  

smut

Romance is great, but nothing more than kissing/fade to black for the physical stuff.

explicit gore

violence and injury are fine, but nothing super graphic, generally I would say canon typical violence/gore or less is a good way to go

Sexual assault/rape

I really don’t want this to be the hurt that any of the characters go through

permanent character death of requested characters

angst without a happy (or at least hopeful) ending

Obviously, there’s likely to be at least some angst, seeing as it’s a hurt/comfort exchange, but I just don’t want the story to end without any sort of hope. 

I hope this helps! I’m including my general prompts below, but feel free to go where the inspiration takes you. My prompts tend to be more fic focused, but that doesn’t mean I don’t want art, I’m just not as good talking about what I like there. Go with whatever style you feel fits best/you’re most comfortable with and I’ll be happy. :) Happy creating! 

Request 1

Fandom: Scarlet Pimpernel - Baroness Orczy

Relationships: Marguerite Blakeney/Percy Blakeney (Hurt Percy)

Prompts: 

Marguerite helping with the League somehow--whether on a regular basis, or stepping in because Percy’s hurt. (I especially love the latter)

Percy getting hurt trying to protect Marguerite and/or the League, and Marguerite comforting him/patching him up after they’re all out of danger

As you can tell by my freeform selections, I’m all about the DRAMA, but I think this is a fandom where really going hog wild with the dramatic stuff could be so great. (Percy literally kissed the ground Marguerite walked on in the book because he was pining so hard, I’m not sure anything can top that in terms of being Over The TopTM :D)

Bonus points if Percy is being his little shit self even while hurt

In a totally different direction, if we match on ‘Character who regularly takes risks gets hurt while doing something that is usually safe’ or that interests you, I think that could be a really funny direction to take the story/art, especially if Percy tries to convince Marguerite that he received his injury in a totally dashing manner, and not something really simple and dumb, and Marguerite is not buying it

Request 2

Fandom: Smallville

Relationships: Clark Kent/Lois Lane (Hurt Clark)

Prompts:

While I don’t watch the other current DC shows, I have seen the Smallville scenes in the Supergirl/Flash/Multiverse crossover episodes, so if you would like to explore Clark giving up his powers, I think that would be interesting, but I am also very happy with things either set before that, or completely ignoring that.

If not exploring Clark without powers, (whether using the above canon or going completely AU), what I love about this request is that when Clark is physically hurt it usually means something is VERY WRONG. 

Lois having to comfort a hurt Clark and help him figure out what’s going on and how to fix it. 

Lois protecting a hurt Clark and defending him when he can’t defend himself against a powerful enemy. 

Lois and Clark on a Daily Planet assignment when something goes wrong and Clark gets hurt

Clark getting hurt protecting Lois. (Bonus points if combined with the above prompt where Lois protects him after he’s hurt)

Exploring Lois’ line “Being a hero's wife means never accepting defeat”, either in context of the gladiator episode, or in a later situation

Request 3

Fandom: Smallville 

Relationships: Clark Kent/Lois Lane (Hurt Lois)

Prompts:

While I don’t watch the other current DC shows, I have seen the Smallville scenes in the Supergirl/Flash/Multiverse crossover episodes, so if you would like to explore Clark giving up his powers, I think that would be interesting, but I am also very happy with things either set before that, or completely ignoring that.

This request could be a little lighter than the one with hurt Clark, simply because Lois is much more easily hurt/sick as not a superpowered being, but I am also just as happy with the angst and the drama

Lois being protective (whether of Clark or their friends or random civilians) even after being injured

Clark feeling guilty (whether it’s at all justified or not) about Lois being hurt and Lois having to get after him a little for it/reassure him

Exploring Lois’ line “Being a hero's wife means never accepting defeat”, either in context of the gladiator episode, or in a later situation

Request 4

Fandom: Captain America (Movies)

Relationships: Peggy Carter/Steve Rogers (Hurt Steve)

Prompts: 

I am totally okay with basically any form of canon/au here: modern Steggy, modern Steggy because of time travel, Endgame compliant, Skinny!Steve in any way, CA: TFA missing scene/mission, Steve is found during the 40’s/Never goes into the ice, etc. This can also be either established or pre/beginning of their relationship too. 

Steve doing something really reckless to save people, and Peggy berating him a little, but also there’s comforting and tenderness there

I love mission related stories (although don’t feel you need to go too hard on the plot heavy stuff if that’s not your thing), but no power AUs are great too

Steve hurt and having to pretend he’s not while they’re undercover (either established relationship or pre-relationship pining)

I would also love Peggy doing some protecting of her own and being bad ass as well

In parallel to the scene at the end of First Avenger, Peggy having to watch/listen to Steve getting hurt, while she coordinates the mission/his rescue, and then seeing the damage in person after he’s home

Bonus points if they comfort each other

Request 5

Fandom: Knives Out

Relationships: Benoit Blanc/Marta Cabrera (Hurt Marta)

Prompts:

While I love established relationship scenarios for them (and in general), I think this could lead to some great love confessions and getting together scenarios.

This could be set in the movie ‘verse or in an AU if you feel inspired to go that direction

As far as other characters go, I love Harlan (Harlan Lives AUs are my favorite), as well as Lt. Elliott and Tropper Wagner. The Thrombeys are really fun, but I don’t want them to be the focus, especially Ransom. (I really don’t want any hint of romance between Marta and Ransom.)

Marta gets hurt on a case, and Benoit has to take care of her after, all while dealing with the emotions of seeing her get hurt (whether his feelings are known or not at that point)

Bonus points if they’re undercover as a couple on the case

Marta getting hurt protecting Benoit and/or other people

While many of the freeform tags I selected reference physical pain, emotional hurt would be great too, especially with everything Marta is dealing with post movie. (And during the movie. #ProtectMartaCabrera)

One of my favorite things about Benoit and his interactions with Marta in the movie is just how tender he is, almost from the word go. Regardless of the actual plot/scenario, I would love that tenderness to be on full display.

Request 6

Fandom: WandaVision

Relationships: Darcy Lewis & Jimmy Woo & Monica Rambeau (All Hurt)

Prompts:

I have seen through the finale, so don’t worry about needing to avoid spoilers or anything like that.

This could be set during the show, with canon AU to add in things we didn’t see, or set after the show with them teaming up again. I would also love a full on AU if that’s where you’d like to go. 

Slight canon AU of the last episode where the three of them meet up again after everything and comfort each other/catch each other up/celebrate/process/etc

I’m a little bitter we don’t see them all together after everything. Yeah, Darcy’s line was funny, but I wanted more scenes with the three of them.

Most of the freeform tags I’ve selected are about physical hurt, but emotional hurt is great too, and some combination of the two among the three of them would be cool too. 

I would especially love Monica’s powers being a factor in this, and all of them trying to protect each other in various ways. They’re all so competent and strong in different ways and I love seeing that come together in their teamwork.

Just them being a supportive team and relying on each other after a difficult mission/experience. 

Request 7

Fandom: Spider-Man: Into the Spider-Verse

Relationships: Jefferson Davis & Rio Morales & Miles Morales (Hurt Miles)

Prompts:

While I do love AUs, this request one is where I’m less interested in a complete AU. I would prefer him to still be Spider-Man, even if you change other things about the canon. 

Jefferson and Rio know that Miles is Spider-Man, but they found out/figured it out and Miles didn’t tell them, so they’re letting him think they’re still in the dark, but they’re doing what they can to help and keep him safe 

Jefferson and Rio don’t know that Miles is Spider-Man and how they find out is when he’s injured

Bonus points if he gets injured protecting one or both of them

Miles is starting to feel the overwhelming weight of being a teenage superhero and without telling them specifics, goes home to get comfort from his parents

This could involve both physical and emotional hurt, or just one of those

Just lots of soft, tender family comfort in and around the angst

[pla-teau]

WANDAVISION EPISODE SEVEN THOUGHTS

GIF NOT MINE

SPOILERS AHEAD YOU’VE BEEN WARNED!

BREAKING THE FOURTH WALL MORE LIKE BREAKING MY BRAIN AND HEART

wanda’s mood | as she talks to the camera, she treats her expanding the false world she’s created to having a bad night out. we’re seeing how tired she is from expanding westview - it damn near drained her it seems. the last episode was a lot to take in, keeping up with her torn emotions with pietro, her relationship with vision crumbling, worrying about her kids, expanding the hex — it’s enough to fry out your nerves. wanda also categorizes what happened in the last episode as reckless and decides to stay in to punish herself. even her kids notice that she’s out of it because she doesn’t stop them from fighting and doesn’t say a word as she heads to the kitchen. she’s drained, she’s tired - she doesn’t want to deal with anything today. wanda’s not being the doting mom she’s been since the birth of the twins as when billy talks about his head being too noisy, she ignores his complaints and lounges in bed a little longer. she’s drained and is acting out of character throughout the whole episode.

wanda’s reality is starting to break | right off the bat, we see how the reality in westview is going haywire. the boys mention their game freaking out. it switches to games from different eras. then we see it with wanda’s milk - switching from black and white to color and even changing shape to fit the style of a past era like 50s with the milk being in glass bottle or a milk carton with the ‘missing’ label on the side. we’ve seen the trailer/promo footage of different objects/furniture in the house glitching in this same manner and it seems that wanda’s power is not strong enough to keep everything together - physically or mentally so it seems in this episode.

“thanks for tuning in to W.N.D.A.” | as wanda is in the kitchen making herself some cereal, you can hear the tv from the living room say this. this sets up the opening credits for the show as everything is about wanda. if you turn on the subtitles, you can read exactly what the anchor is saying on the television. he says “not a thing weighing heavily on your conscience. i hope your little ghosts arrived home safe last night. it’s always such a treat to see those creepy kiddos out and about once a year.” it seems as though it’s wanda’s mind we’re hearing. nothing’s weighing heavily on her conscience - kinda is with expanding the hex. the little ghosts is in reference to all the kids that we finally saw come out for halloween in westview. calling them creepy kiddos could mean nothing but i thought about tommy and billy? since the two gained their abilities on halloween and weren’t doing much to conceal their powers (at least tommy wasn’t). i also say it’s wanda’s mind we’re gaining insight to cause when it goes on to the bit about giving tips about resisting temptation of the leftover candy or just eating it all - wanda is skeptical of what’s happening with the milk but still takes a big spoonful of cereal.

opening credits | we don’t have some super catchy lyrics this time around for the opening credits of the show - making me think that this is a nod to the office. but we do get ‘wanda’ splattered in every frame of the credits. the one that stands out to me is the ‘i know what u are doing wanda’ since everything else it seems to be replacing random words on signs like restaurants and other shops. comes off as a tad bit scary/creepy since it’s written with cut out letters from different new articles/magazines. could be a hint to vision knowing that it is all wanda’s doing. or as we later find out, it can be a set up to agnes’ reveal since she plays a more sinister role in all of this. this is the first we’re seeing any sort of credits in the opening sequence. created by wanda maximoff - again driving home the fact that the hex and everything we’ve seen so far has all been wanda’s creation or so we’re forced to believe...

SWORD retreat | we learn that the broadcast has been taken down - all they get is dead air supposedly. maybe that’s just a result of wanda’s expansion of the hex but i think it’s too weak given how har out they are and since they are farther from wanda as she doesn’t live right at the edge of town. we also learn that haydick hayward is planning to launch a missile or some kind of powerful weapon on/in to the hex to stop wanda. let’s hope it fails or if it goes through, wanda can point the missile/weapon back at SWORD and let it go.

“if he doesn’t wanna be here, there’s nothing i can do about it.” | wanda’s comment about vision not being home and response to billy asking if they should go looking for him. this clearly speaks to wanda not having any control over vision anymore. this is the first time we’ve seen the couple apart for the entirety of the episode. he’s gained enough sentience within the hex to not be controlled by wanda as other residents are. she knows she can’t rewrite or edit the scene for him to suddenly come through the door and have everyone be a happy family.

“he is not your uncle.” | wanda confirms to us that the pietro we’ve seen so far is a stranger and not some multiverse version of her dead brother. this to me also shoots down the theory of the multiverse existing at this point and wanda being responsible for it even though evan peters does play pietro in the x-men universe. i think it was a wink to fans about marvel gaining rights to the x-men franchise. i could be wrong but until then, ‘uncle p’ is sus to me.

“i don’t have all the answers” | wanda going on about how despite being their mother, she doesn’t have all the answers. this is the third time wanda’s been asked about the truth and she doesn’t have an answer. first with vision when he asks how all this happened. second with ‘pietro’ also asking how she created westview. now, it’s the twins seeking answers about their not-uncle if she’s claiming he’s an imposter and a liar. if anything, wanda has been consistent in this claim of not knowing anything. she knows she created westview but she doesn’t know how it got to be this way. i still believe she was offered something or was taken advantage of from the get go by someone else to get to her and observe how powerful she is. i personally love the twins’ reaction to her speaking on not having all the answers. hello yes i love them.

hayward’s interest in vision | we learn that project cataract is/was hayward’s plan to bring vision back to life. this man was trying to make vision into a weapon for SWORD and that’s why he’s so focused on vision inside the hex. wanda somehow brought him back to life despite hayward’s various attempts. i hate this man and i’m sorry but i hope monica and/or wanda beat the shit out of him. obviously, hayward was using SWORD’s resources to try and bring vision back to life but it’s a question of whether or not other people within SWORD knew this was happening and what the intentions were. because we also have monica’s contact be another agent working in SWORD. so why do i get the feeling that we’re gonna be dealing with a SHIELD 2.0 in which bad guys operate within the agency and it’s going to eventually fall like 2014?

“do you think maybe this is what you deserve?” | the interviewer asking wanda this question after we see her house starting to glitch like there’s no tomorrow. while later we do find out agnes is behind the mic, it made me think that this was mephisto finally coming out a bit since the question is very pointed at wanda. the interviewer wants to see wanda suffer because why would anyone ask such a thing let alone say that? they’re taking joy in wanda losing touch with her reality. this is the lowest we’ve seen wanda throughout the series. she’s usually put together - has a slight moment of crisis - but gets back on her feet for tomorrow to enjoy her life with her family. slowly it’s been building up to this point in which wanda just...crashes. she’s lost control in this reality so for the interviewer to pose that question, it’s a signal that someone else is in charge and going to come for wanda at her weakest.

the nexus commercial | this commercial is definitely referencing wanda during infinity war/endgame. the world goes on without you? could be talking about how the world keeps spinning after wanda lost the only family she had left or how everyone moved on in endgame despite losing the person she wanted to spend her life with. wanting to be left alone? all wanda wanted was to be with vision and now to be left alone as she lives out her life with vision in westview. i know the word nexus itself has a double meaning in marvel. nexus was first name dropped in aou, with it being the center of the internet located in oslo. in the comics, i know wanda is referred to as a nexus being in which this could definitely set up the multiverse as the commercial does state that the medication ‘anchors you back to your reality. or the reality of your choice.’ i’m guessing this is on purpose since we’re conditioned to see everything marvel puts out or puts emphasis on to have a double meaning. maybe wanda discovering that she is a nexus being in multiverse of madness could be what the side effects are talking about. if she’s confirmed to be this being, she’d feel a lot of feelings, confront her truth (maybe her role in westview and hopefully her trauma), seizing her destiny (taking control of her life and bigger role in the world), and possibly more depression (i don’t think she needs more of it but with her, it’s almost inevitable especially given where these next two weeks might be heading). given that it does hold two meanings for marvel, it could explain the scenes we’ve seen in promo footage of her time in sokovia with the mind stone. we were told that the show would explore more of wanda’s past from aou so maybe it is going to give nexus a double meaning in the mcu: the largest internet hub and wanda’s confirmation as a nexus being.

the twins with agnes | this scene had me anxious. billy commenting about it being quiet heavily hinted at how agnes isn’t like anyone else in westview. again, we’ve never seen her husband ralph and we still don’t see him in this episode. we get another glimpse of señor scratchy with billy holding him but that’s about it. the house is also a big contrast to wanda’s house and westview’s scenery overall. there’s usually a lot of light and warmth in westview but agnes’ interior is toned down and has darker tones throughout our time in it. clearly, a set up for the big reveal that everyone’s been echoing since the show started. this is also the last time we see the twins in the episode.

monica | after the SWORD rover failed to get through, monica goes right in and clearly her passing through a third time has a permanent effect. she’s finally got her powers and is more badass than before. i loved how we got bits and pieces from her, maria, carol and fury in captain marvel. monica has been one of the best characters in this series and i can’t wait to see what happens next with her.

it’s all about vision | monica’s explanation to wanda about hayward. i said this before about the end credits in the show always zooming in on vision’s eye to segway into the crystal sequence. we’ve learned that hayward was trying to bring vision back and somehow wanda managed to do this once she took his body. i wouldn’t be surprised if by the end of the season we see vision being the key to saving everyone in westview since hayward just wants what he believes is his and is willing to blow up a whole town to get it or cover his tracks. while this whole series has been focusing on wanda, this all boils down to vision.

agatha all along | of course the big reveal is agnes being agatha harkness and the mastermind behind a lot of the weird occurrences in westview. what is interesting is that she’s choosing to reveal herself to wanda in this way. it doesn’t seem like it was her plan to do it at the time she did but seeing that monica could’ve swayed wanda to go off script in agatha’s plans, better sooner than later. i think señor scratchy is none other than mephisto and maybe in the next episode we’ll see the other big bad reveal himself to wanda and us. when’s that bop dropping on spotify

snooper’s gonna snoop | finally, we get a post credits scene with uncle p and monica. we’ve learned that agatha was behind the ‘recasting’ of pietro but who is he?! he could be a multiverse!quicksilver we’ve never seen before - which could explain his skewed memories with wanda. right when the camera comes to view with monica, it cuts to the credits. i believe that maybe this pietro shapeshifts into who he really is - who this might be? i don’t think mephisto but possibly agatha’s son nicholas scratch since he seems to be an accomplice of hers?

ugh god so much to unpack and we have another two episodes before shit really hits the fan.

[bewitching-elizabeth-olsen]

Press: A Thorough Breakdown of All the Marvel Easter Eggs on WandaVision

POPSUGAR: WandaVision has finally arrived, and it’s chock-full of hidden goodies for Marvel fans to devour! While the series is built upon a mystery that we’ll be spending a reported nine episodes trying to figure out, the smallest details in each episode provide clues on where the show is heading. From supermarket banners to foreboding commercials, viewers have an abundance of references and callbacks to classic comic lore and pivotal MCU moments. Are they setting the stage for a big reveal at the end, or are they just fun details included for fans to enjoy? While we try to figure it all out, scroll through to see what we’ve gathered! And check back every week for an episode-by-episode breakdown as WandaVision progresses.

WandaVision Episode 7 Easter Eggs

The episode opens the morning after Wanda has expanded the border of the Hex, finding the Avenger hiding from the world under her comforter. The comforter in question has a hexagon pattern, which is both a nod to the overall theme of the show as well as a metaphor for how Wanda is literally hiding away under a hex.

Billy and Tommy run into the room to reveal that their video game console has been messing up. Everything in the house is glitching, trying to transform back to earlier versions of themselves.

Billy also tells his mother that his head hurts and things are “noisy.” Since the twin inherited his mother’s ability to read minds, it seems he’s able to hear the thoughts of everyone in the bubble (and near it on the outside, since he was able to hear his father when he was dying). It’s a sign that Billy’s powers are growing, which means we could see the little boy reach his Wiccan potential before the end of the season.

Wanda wanders into the kitchen as the news drones on in the background. The news station is called W.N.D.A. or Wanda. The newscaster makes pointed comments, noting that there’s “not a thing weighing heavily on your conscience,” and that they “hope your little ghosts arrived home safe last night. It’s always such a treat to see those creepy kiddos out and about once a year.” The comments refer to Wanda’s building guilt at her actions in the previous episode and the rare appearance of children during the Halloween episode.

As Wanda makes her breakfast of “Sugar Snaps,” a nod to the big Snap of the universe, her milk carton reverts from its modern design to the old school glass bottle and back. The carton has a missing person’s ad on the back with a picture of a little boy on the back. This could be a reference to the oft-mentioned absence of children of Westview, and what could have happened to them.

Wanda and the twins “break the fourth wall” frequently to talk to the camera in the same vein as Modern Family.

This week’s theme song sounds similar to The Office’s, which also usings talking head segments like Modern Family. The opening credits are similar to the show Happy Endings and allude to the show’s focus on Wanda, even attributing the creation of WandaVision to her with the title image. Vision is notably completely absent from the opening credits, but there’s a clue that someone else is watching in a message that reads, “I know what u are doing Wanda.”

Agnes stops by to take the boys off of Wanda’s hands, which the exhausted mother is exceedingly grateful for. The twins are visibly uncomfortable with the idea, with Tommy asking Wanda if they have to and Billy telling his mother that someone has to stay to take care of her. It seems like they can sense that something is off with their “kindly” neighbor.

Wanda sends them off with Agnes, but once they’re gone, her magic goes incredibly haywire. All the furniture begins glitching again, with the stork from the painting in episode three making a reappearance. “I don’t understand what’s happening,” Wanda laments during a talking head segment. “Why it’s all falling apart and why I can’t fix it.” The off-screen interviewer responds, “Do you think maybe it’s what you deserve?” which visibly unnerves Wanda, who notes that they aren’t supposed to speak. It’s another sign that Wanda does not have as much control as she’s been led to believe.

Cue the sixth commercial, and it’s even more pointed than any of the others have been. It’s an ad for the antidepressant Nexus, for “when the world doesn’t revolve around you. Or does it?” The drug allows people to anchor themselves to the reality of their choice with side effects that include “feeling your feelings, confronting your truth, seizing your destiny, and possibly more depression.” Whew, the pointed commentary is even making me sweat. Nexus is a nod to two things: Wanda’s crippling inability to deal with the trauma she’s been through and her depression that’s pushed her into the creation of Westview, and two Marvel comics concepts. The first is the Nexus of All Realities is a kind of gateway point between dimensions from which all universes in the multiverse can be accessed. (Remember, Wanda’s next reported appearance is in Multiverse of Madness.) The second concept is the existence of Nexus beings, people who have powers that can alter reality, probability, and the Universal Time Stream. Guess which two Westview residents are considered Nexus beings? That’s right, Wanda and Vision! The commercial can either be just a cheeky nod to the couple’s seemingly infinite power or an allusion to the bigger picture that WandaVision is leading to.

While Darcy and Vision are attempting to make their way to the house, the doctor gives the synthezoid a brief rundown of his origin story, explaining how he died twice in an attempt to save the world. Vision points out that it seems like someone is trying to keep him from getting home, which spurs him to fly off, leaving Darcy behind in the blocked truck.

Billy and Tommy are watching Yo Gabba Gabba in Agnes’s lowkey creepy home. (It tickles me that Yo Gabba Gabba is more canon in the MCU than the X-Men or Fantastic Four right now.) While Billy pets Agnes’s bunny Señor Scratchy, he notes that he likes being around the older woman because he’s unable to hear any of her thoughts. “You’re quiet inside,” he says, an allusion to the idea that Agnes can hide her thoughts from him because she has magic.

Back outside the Hex, after the super-rover isn’t able to penetrate the field, Monica decides to run through it again. As she struggles through the barrier and we watch her, a montage of dialogue from Captain Marvel plays. The voices of Maria, Nick Fury, and Carol play over Monica getting through, and as Captain Marvel says “when they were handing out little kids, your mom got the toughest one,” Monica she pushes through to the other side. She lands in the stereotypical three-point-stance of all Marvel heroes, and her eyes glow, showing that she can see energy. We just witnessed the rise of Photon, folks! (Or Spectrum or Pulsar.)

Monica confronts Wanda in her home, and as their fight spills onto the lawn, the residents of Westview watch from their own homes. The delivery man is wearing a “Presto Delivery” uniform, a reference to the magic words said by magicians before they pull a magic trick.

In the first blatant show of Agnes’s ulterior motives, the older woman stops the fight when she realizes Monica is getting through to Wanda and pulls the young mother into her home. But when Wanda gets there, she notices the green bug and rabbit in the living room and the lack of her sons’ presence. When she asks Agnes where the boys are, she’s told to head to the basement, where the big showdown occurs. The scene hints at the eventual disappearance of Billy and Tommy.

Wanda notices a book on an altar, which could be the Darkhold, also known as The Book of Sins, The Shiatra Book Of The Damned. Originally a collection of papers known as the Chthon Scrolls, the book contains all the spells and ideas of the evil Elder God known as Chthon. The book is a conduit for Chthon’s power and can open a doorway from Earth to Chthon’s dimension. If that book is in Agnes’s basement, it stands to logic that she may be working with the evil god. The Darkhold emits an orange glow, which is a distinctly different color than the purple of Agatha’s magic.

Speaking of magic, Agnes finally reveals herself as the witch we’ve known her to be. Although the show tells us that “it’s been Agatha all along,” it still doesn’t ring completely true. There’s definitely more at work than just Agatha’s magic.

In the mid-credits sequence, Monica is caught snooping in Agnes’s backyard by Pietro. Her eyes seem to glow purple, the same color that signals Agatha’s magic. Does this mean she’s now under the witch’s spell?

  WandaVision Episode 6 Easter Eggs

The opening credits for episode six seem to be a tribute to Malcolm in the Middle, which ran for seven seasons between 2000 and 2006.

The entire Wanda and Vision family wear their comic book character costumes for Halloween.

There’s another reference to Thanos’s snap as Director Tyler Hayward talks about dealing with the repercussions of all the people “who left.”

The terrifying Yo-Magic commercial seems to foreshadow Vision’s future. Even though Wanda was seemingly able to bring Vision back to life, it looks like he won’t stay alive for long as it’s implied that he can’t exist outside of the Hex later in the episode.

Blink and you’ll miss the fun Disney movie Easter egg on Westview’s movie theater. The sign outside the theater shows a double feature of The Incredibles and The Parent Trap. Connecting right to Wanda’s family, The Incredibles is about a family of superheroes, while The Parent Trap is about a pair of long-lost twins reuniting.

Wanda’s changing accent has been brought up countless times by fans, and in episode six, Pietro makes a slight reference to it when Wanda asks, “What happened to your accent?” to which he quips, “What happened to yours?”

There is another reference that Agnes is actually Agatha Harkness as she is spotted wearing a witch costume on Halloween.

It appears that Vision has no memories pre-Westview, as a conscious Agnes tells him he’s one of the Avengers, and he has no clue what she’s talking about.

The episode further hints at Monica’s powers as Darcy confirms that the Hex rewrote her cells on a molecular level.

A few interactions between Pietro and Wanda have fans wondering if he might actually be Mephisto in disguise. Not only is he fully aware about Wanda creating Westview, but he makes several references to the devil and hell throughout the episode.

  WandaVision Episode 5 Easter Eggs

Wanda and Vision’s brand new house, suitable for a family of four, is reminiscent of homes in ’80s sitcoms such as Full House and Growing Pains.

When Agnes comes in to offer her babysitting help, she refers to herself as “Auntie Agnes,” which is eerily close to her comic counterpart’s nickname, Auntie Agatha.

An uncomfortable break in conversation leads Agnes to ask Wanda if she wants her to “take it from the top.” Though Wanda appears confused for a moment, she readily smoothes the conversation and carries on. Vision is visibly perturbed, though Wanda attempts to redirect his attention. It seems like the facade is fading all around.

To the surprise of their parents, Tommy and Billy age up five years while the two argue over Agnes’s break in character.

This episode’s opening sequence shows Wanda and Vision growing up, which we know didn’t happen in real life for the synthezoid. The theme song sounds very similar to those from Family Ties and Growing Pains, and consists of lyrics noting that “we’re just making it up as we go along.” Sounds pretty close to how things are going with Wanda and Vision!

When Wanda’s scans come back, they’re inconclusive and show up blank. Considering Monica gains her powers due to bombardment by extradimensional energies in the comics, it’s entirely possible that the blast from Wanda back in episode three, coupled with passing through the forcefield around Westview twice, have given her those abilities. We could be seeing the rise of Photon!

While Jimmy Woo is explaining Wanda’s backstory to the agents of S.W.O.R.D., Director Hayward asks if she’s ever used a “funny nickname” like the other Avengers. She hasn’t, in fact, she’s never been referred to as Scarlet Witch in the MCU ever. Since her powers are different from her comic book counterpart, there’s never been a reason for anyone to call her a witch.

That never-before-seen post credits scene from Infinity War has officially made its debut. Director Hayward reveals footage of Wanda entering S.W.O.R.D. headquarters to steal Vision’s disassembled body. The video harks back to a moment in the comics where Vision was kidnapped and taken apart — but still very much alive. Much like that Vision, the one in Westview has his memory wiped and doesn’t remember anything before he woke up in his new world. So, the question is whether Vision is actually alive or not. Wanda’s hallucination from episode four might suggest he’s a walking corpse, but there’s more to the story.

Jimmy mentions that Wanda’s stealing of Vision’s body violates the Sokovia Accords, which haven’t been mentioned since Captain America: Civil War. Unfunnily enough, the Accords were a direct response to the mission gone wrong in Lagos where Wanda lost control of her powers and caused the death of many civilians.

Darcy mentions that Vision is playing “Father Knows Best in Surburbia,” referencing the ’50s sitcom.

Tommy and Billy find a dog that, with the help of Auntie Agnes, they name Sparky. The Vision family has a dog with that exact name in the King and Walta comics, but he’s green. Sadly, he meets a similar fate as his live-action counterpart.

Wanda blatantly uses her powers in front of Agnes, who has seemingly handled the magic around her with ease. It’s almost as if she’s used to magic.

Darcy calls the Westview anomaly the “hex” because of its hexagonal shape. Although the magic has been taken out of the phrase, Wanda’s powers are known as hexes in the comics.

Jimmy, Monica, and Darcy try to understand how Wanda can revive Vision and control the Hex, which takes much more power than she’s ever displayed before. Monica notes that Wanda has always been powerful, being the only Avenger who was close to taking down Thanos singlehandedly, which Jimmy interjects to note that Captain Marvel could as well. Both are empowered by Infinity Stones, with Carol’s Kree biology giving her a power boost.

When Jimmy brings up Captain Marvel, Monica is visibly uncomfortable and changes the subject back to Wanda. What happened there?

Vision’s office mates learn about the sweet glory that is dial-up internet! But when he and Norm open their first bit of electronic mail, it’s a transmission picked up from S.W.O.R.D. talking about the Maximoff anomaly.

Vision breaks through Norm’s conditioning, revealing that he’s under the control of a woman (alluding to it being Wanda). He directly references his family, a conversation that Jimmy mentioned in his notes in the last episode.

The twins have aged themselves up to 10 by this point and are seemingly completely aware that Wanda has control over certain aspects of life, like time. They point out that it was Saturday when they woke up, but Wanda says it’s now Monday. She apparently changed the day to send Vision to work. Is their awareness because they also have magic or because she doesn’t control them?

Monica sends an ’80s drone into Westview after working out that Wanda’s Hex is rewriting reality to suit each era occurring in the bubble, and the drone would need no era-appropriate change. Though she attempts to speak with Wanda through the drone, Director Hayward commands agents to fire a missile at Wanda instead — directly ignoring that Monica said she doesn’t see Wanda as a danger. The action results in Wanda leaving the Hex and confronting the S.W.O.R.D. agents outside. She’s wearing the suit we last saw her wearing in Infinity War and Endgame and has her accent back, although it’s much thicker than it’s been since Ultron.

Episode five’s commercial is more pointed than any of them have been. Lagos brand paper towels directly reference the city in which Wanda accidentally killed several people in Civil War by blowing up a building. Thus, the Sokovia Accords were born.

While Wanda and the twins are searching for a missing Sparky — with no one calling out the fact that Wanda disappeared for some time — the mailman tells the boys that their mom “won’t let him get far.” It seems almost like a dig at how no one can leave Westview, like the doctor mentioned during episode three.

When Agnes reveals that Sparky died after eating too many azalea bush leaves, the boys ask their mother to reverse his death. Agnes seems particularly surprised by the idea of Wanda having that ability despite having seen other displays of her power and watching the twins age up rapidly twice. Wanda tells the twins that they can’t reverse death as there are still rules to things, which almost seems hypocritical considering her circumstances. Is she trying to say that she hasn’t revived Vision? Or is she simply trying to keep her boys from expecting too much from her?

Later that night, Vision reveals that he unearthed Norm’s repressed memories and demands to know what’s going on. He tells Wanda that she can’t control him, which she cooly responds asking him, “Can’t I?” Although the credits start rolling, their argument continues as Vision unleashes his frustration with not knowing his past and his confusion over their circumstances. Wanda tells him that she doesn’t control everything, saying, “I don’t even know how all of this started.” Vision believes it began subconsciously, but chastises Wanda for letting it get that far. Wanda reiterates that she isn’t controlling everything, which gives weight to the theory that there’s someone else behind the scenes. But who could it be if Wanda isn’t the “she” that Norm was referring to?

Mid-argument, the Vision family doorbell rings, which Wanda states she didn’t do. I’m inclined to believe her because when she opens the door, she is genuinely shocked speechless. At the door is her “brother” Pietro, now sporting the face of Evan Peters. Darcy asks the question we were all thinking as the episode closes, “She recast Pietro!?”

  WandaVision Episode 4 Easter Eggs

This episode opens with the heartbreaking reveal that Monica Rambeau was one of the people lost to the Snapture from Infinity War. She returns from Endgame’s Reverse-Snap in a hospital where she had been awaiting news after her mother Maria’s surgery.

As Monica is waking up, we hear familiar voices echoing in her head. It’s Captain Marvel calling her by her childhood nickname, Lieutenant Trouble.

As Monica weaves through the chaos of people reappearing in the hospital post-Reverse-Snap, she finally locates someone who recognizes her. Although Maria survived the surgery five years ago, she died from cancer three years ago in real time, having not been blipped with her daughter.

We finally have some information on S.W.O.R.D.! The acronym stands for Sentient Weapon Observation Response Division, rather than the meaning in Marvel comics, which is Sentient World. It sounds a little more ominous, right?

Maria’s badass legacy continues well past her friendship with Captain Marvel; according to S.WO.R.D.’s acting director, Tyler Hayward, Maria helped build the agency during its inception. She was the acting director until her death.

Tim gives Monica a mission to help out the FBI in the town of WestView, NJ, where something super freaky is going on with a missing person’s case. This confirms that WestView is, indeed, a very real place.

Welcome back, Jimmy Woo! Monica’s FBI contact is none other than Scott Lang’s parole officer and semifriend, Agent Jimmy Woo.

Jimmy reveals that a person in witness protection has somehow dropped off the map in a town that no longer seems to exist where no one recalls anyone who lived there. In an attempt to figure out what’s going on, Monica sends in a S.W.O.R.D. drone that vanishes inside the forcefield. It’s revealed to have transformed into the retro-style helicopter that Wanda picks up in episode two! We can only assume that since it’s an item from the outside world, it gained color when it entered Wanda’s reality to show that it doesn’t belong.

Darcy Lewis is back! Now a doctor in astrophysics, Darcy is called to help figure out what’s gone wrong with WestView. She’s the one who figured out a signal for the broadcast and is the owner of the hand we saw watching Wanda and Vision in episode one.

The mysterious beekeeper from episode two is revealed to be S.W.O.R.D.’s Agent Franklin, who journeyed through Westview’s sewers to investigate. His hazmat suit became a beekeeper’s uniform, and the cable around his waist becomes a jump rope as he travels through the tunnels.

Darcy explains that the sitcom that’s become Wanda and Vision’s life is literally being broadcast through the signals that S.W.O.R.D.’s viewing, with an audience and everything. There’s no explanation for how this is happening, but Darcy and company watched those first three episodes just like we did, credits and all.

Darcy also points out that Vision is supposed to be dead-dead, which leaves his presence in WestView still unexplained.

While Darcy and Jimmy can identity a majority of the neighbors we’ve met in WestView to their real-life counterparts, Dottie and Agnes are the only ones who are missing real information.

It’s revealed that Agent Woo was the voice behind the radio disruption, just as we suspected! But while we can see Wanda and Dottie’s reaction to the call, Darcy’s broadcast didn’t show the same thing. She explains that someone is “censoring” the visuals they’re receiving, which means someone knows they’re watching.

Back in the sitcom WestView, we see that Monica’s slip-up resulted in Wanda blasting her through the house and the energy field. It’s the first time we physically see Wanda using her powers again, so she still has them. But the lapse in her facade has consequences — when Vision returns from his talk with Agnes and Herb outside, Wanda hallucinates him as she last saw him in Infinity War, a corpse with his head crushed in.

It’s important to note that Vision seems to become more aware of the strangeness of their world with each episode. It makes sense because no matter how human he may seem, he’s still a synthezoid who has always been able to see beyond the superficial. It harks back to his “birth” in Age of Ultron. He’s omnipotent and always learning.

When Monica lands back in the real world, all she says is, “It’s all Wanda.” That seemingly serves as an answer to what’s going on in WestView, but it’s not a whole answer. Wanda seems just as confused and unaware as everyone else, but she is willing to stay in her “perfect” world. The question is, who put Wanda in the position to have her perfect world?

  WandaVision Episode 3 Easter Eggs

Much like the comics, Wanda magically becomes pregnant! But this time around, things are progressing much more quickly, and her doctor isn’t Dr. Strange.

The first of the episode’s weird glitches happens with Wanda and Vision’s neighbor Herb, who is attempting to saw through the brick fence separating the two houses instead of trimming his hedges. When Vision points out that his aim has gone a bit askew, Herb’s detached reaction is a bit creepy. He thanks Vision but keeps sawing through the wall! And unlike the previous weird behavior, there’s nothing that triggers the moment, especially not from Vision or Wanda.

Wanda and Vision contemplate what to name their baby boy, with Vision suggesting Billy and Wanda throwing out Tommy. (The argument becomes moot when they have twins!) These are the names of the pair’s sons in the comic, who later become members of the Young Avengers. In the show, Wanda chooses her name because it’s “all-American,” which is also a fair indicator of why her perfect reality is framed around sitcoms. Vision cites William Shakespeare as his inspiration and uses a quote from As You Like It that seems pretty on the nose. “All the world’s a stage, and all the men and women merely players” seems like a pointed reference to the fact that WandaVision is, in fact, all a show.

Wanda decorates the nursery using Simser brand paint, which is most likely a nod to Jeremy Simser, a storyboard artist for Marvel Studios and WandaVision.

The second glitch appears when Wanda says the residents of WestView always seem “on the verge of discovering our secret.” Vision has a moment of sobering clarity where he notes that something is wrong in WestView, citing the incidents with Mr. and Mrs. Hart and their neighbor Herb. A second after his says this, reality glitches and the scene starts over with Vision seemingly worry-free. The last time this happened with the beekeeper, it was clear Wanda was the culprit in turning back time, but in this case, she doesn’t seem to do anything to force the change. This suggests someone else is pulling the strings.

Wanda mentions that their child could be human or “synthezoid,” a term that originates in the comics. Although fans like to joke that Vision is an android, he’s technically a synthetic human. He’s not made of metal or machinery — in the comics, his body is composed of the bioengineering tech of Dr. Helen Cho, while in the MCU, he’s made of organic tissue mixed with vibranium and “powered” by the Mind Stone.

Vision jokes that Billy will be just like his mom, which is funny because, in the comics, Billy has magical abilities similar to Wanda’s powers. Tommy ends up having superspeed abilities like his uncle, Pietro.

It’s time for the third commercial! Much like the previous episode’s watch promotion, this break references Hydra — though a tad more directly. It’s all about Hydra Soak, and the message is decidedly more pointed than we’ve had before. “Escape to a world all your own, where your problems float away,” the announcer says. “When you want to get away, but you don’t want to go anywhere: Hydra Soak.” Marvel: Agents of Shield fans will recall that Hydra Soak HAS been mentioned on the show. During the series’s Framework arc, Phil Coulson claims that Hydra is brainwashing people using soap, so he makes his own. Is the commercial another sign that Hydra is behind the mystery of WestView? Is it a warning that no one in the town will be able to get away? And what’s that about finding the goddess within?

The actors in this ad are the same ones as the previous ones, Victoria Blade and Ithamar Enriquez. Their recurring presence might mean they have some significance in Wanda’s life. Maybe they’re her parents?

In what feels like an ominous follow-up to the Hydra Soak commercial, the doctor reveals that he and his wife won’t be taking their trip away after all. “Small towns, you know, so hard to escape,” he mutters, pointedly. I think we’re starting to get the hint, folks! Wanda mentions she is a twin and that her brother was named Pietro. It’s been a hot minute since anyone has talked about MCU’s Quicksilver — he made his debut back in Age of Ultron, the same film in which he was shot and killed.

When Geraldine lets it slip that she knows about Pietro’s death at the hands of Ultron, Wanda interrogates her and discovers her necklace bears a familiar symbol — it’s that damn S.W.O.R.D. logo, and Wanda is apparently not a fan.

In another sign that something is UP, Agnes and Herb seem to warn Vision about Geraldine. They note that she’s “brand new” to town with no family and start to say that “she came here because we’re all —” before they’re cut off. It’s worth noting that the two figures that may be MCU versions of formidable Marvel characters are the ones who seem to understand that strange things are going on in WestView. If Agnes and Herb are the MCU’s Agatha Harkness and High Evolutionary, they would definitely be the ones in the know. But why would they try to warn Vision about Geraldine if WestView is a trap?

Agnes is wearing her infamous brooch as a necklace that could be referencing an MCU supervillain mentioned before. The necklace has three figures close together, with the center figure holding what looks like a giant scythe. Is it another clue that the Grim Reaper is on his way?

Wanda literally throws Geraldine out of town — though she tells Vision that she had to run home — and Geraldine passes through what seems like a magical forcefield. While fans have been assuming WestView is a fake town, this shows us that physically, it’s a very real place. But it’s currently bubbled off with a barrier that Wanda can apparently allow people in and out of. And the song that plays as Geraldine finds herself outside the barrier? “Daydream Believer” by The Monkees. It seems pretty appropriate for a situation that feels like a surreal dream.

When Geraldine lands on the outskirts of real WestView, she’s instantly swarmed by cars and agents all bearing the S.W.O.R.D. logo. Since we know Teyonah Parris is playing the adult Monica Rambeau, it’s safe to assume Geraldine was an alias she used to go undercover in WestView. Combined with the mystery agent watching the show within the show from episode one, we can conclude that Wanda and Vision are being closely observed by S.W.O.R.D. for some reason. But they clearly aren’t the ones in control, since Monica is so easily forced out. What will they do next?

While the opening credits of this episode are a reference to The Brady Bunch, it’s the end credits that give us another clue about the big bad coming our way. Just like the previous episodes, Wanda and Vision are framed in a hexagon as the end credits roll. The symbol is so important because it’s the preferred shape of the creators at Advanced Idea Mechanics, or AIM, who are last seen in Iron Man 3. Remember the beekeeper suits that resemble AIM agents’ clothing? It seems like the evil organization might be making a comeback.

  WandaVision Episode 2 Easter Eggs

The opening credits for this episode aren’t just an adorable homage to Bewitched but a whole bevy of Marvel Easter eggs! The illustration of the moon happens to be surrounded by six stars, and we can’t help but be reminded of the Infinity Gauntlet.

When Vision phases through the floor, there’s a dark shape that looks exactly like the helmet worn by Marvel supervillain Grim Reaper hidden in the space. In the comics, he’s the brother of Wonder Man, whose brainwaves were used in Vision’s creation.

When Wanda goes to the supermarket in the opening, three references hang above the aisle! Bova Milk refers to Bova, the humanoid cow who raised Wanda and Pietro on Mount Wundagore. Auntie A’s kitty litter is a witchy reference to Auntie Agatha or Agatha Harkness, whom we’ve discussed before, and her cat-like familiar named Ebony. And Wonder Mints is most definitely a cheeky reference to Wonder Man, aka Simon Williams, the superhero who Vision’s brainwaves are based on in the comics!

When animated Wanda and Vision settle on their couch, the small figure on their side table is a statue of the Whizzer. Featured in 1982’s Vision and the Scarlet Witch, the Whizzer thought he was Wanda’s father but later discovers he was wrong. Whizzer and his wife were offered the chance to adopt Wanda and Pietro when they were kids on the mythical Mount Wundagore, but they declined.

When Wanda hears a crash outside the house, she heads out to the front, where she finds a colorful toy helicopter in an otherwise black-and-white world. Not only does the red-and-yellow helicopter have the number 57 stamped on it, but it also bears the S.W.O.R.D symbol! The number is likely in reference to Vision’s first appearance in Avengers #57, while the symbol hints to the presence of S.W.O.R.D outside Wanda’s perfect world.

The creepy, cult-like refrain spoken by the fundraiser organizers of it all being “for the children” seems to be a reference to Wanda’s involvement in the comic event The Children’s Crusade. The story follows her son, Billy, who’s trying to gain control over his reality-warping abilities by looking for a missing Wanda.

Well, here’s another blast from the angsty past! The Strücker timepiece is a very obvious callback to Hydra and Baron von Strücker. The watch bears the unmistakable octopus skull symbol of Hydra, and Strücker is the Hydra leader who recruited Pietro and Wanda for the experimentation that gave them powers. He was later killed by Ultron in his prison cell. Does anyone else hear that ticking noise? Remember good ol’ Herb? In the comics, a character named Herbert is also the High Evolutionary who runs Mount Wundagore, the very same safe haven where Bova delivered the Maximoff twins. Time will tell if the super-scientist is the same character, but it can’t be a coincidence.

Wanda and Vision’s magic show has two gems that we’ve noticed! First thing, the literal Mind Stone happens to be the design on the doors of the Cabinet of Mystery that plays a huge part in their act. Second, Wanda and Vision use the names Illusion and Glamour for their actor, which are also the names of the magicians that Vision goes to see in an issue of The Vision and the Scarlet Witch.

Though we all enjoy a good jam, The Beach Boys’ “Help Me, Rhonda” gets interrupted by someone asking, “Who’s doing this to you, Wanda?” And doesn’t that voice sound an awful lot like Randall Park’s Jimmy Woo?

While it may seem weird that Wanda shows her pregnancy in an instant, it’s in line with what goes on in the comics. Wanda uses magic to help her have children, which checks out since her husband is a synthezoid.

Oooh, that mysterious beekeeper! Not only does their presence lead to the reveal that Wanda has some control over the reality they’re in, but it also sets off some alarm bells. Even though the beekeeper’s suit bears the S.W.O.R.D logo on the back, the costume is reminiscent of the yellow costumes worn by A.I.M., a military science organization founded by Baron von Strücker. Could this be a sign that Wanda is being watched by more than one organization? And is this a hint that Hydra is back!? (Obviously, it is.)

  WandaVision Episode 1 Easter Eggs

When Wanda accidentally smashes a plate into Vision’s head, he jokes about his wife and her “flying saucers,” and she comments back about his “indestructible head.” Considering that Vision died after having the Mind Stone ripped from his head, it’s a dark joke to kick off the series.

Vision’s work tie has a visual reference to his comic-book alter ego! In Tom King and Gabriel Hernandez Walta’s Vision, whenever the character dresses as a human, he wears a tie clip that emulates the diamond pattern on his chest.

Vision’s boss, Mr. Hart, is likely named after comic creator Steve Englehart, who created 1985’s The Vision and the Scarlet Witch with Richard Howell, a miniseries that heavily influenced WandaVision. It’s been heavily implied that Kathryn Hahn’s Agnes is the MCU’s Agatha Harkness, a witch who helped train Wanda’s magic back in the ’70s and ’80s.

When Wanda magically saves dinner, the bottle of wine she pours from is Maison du Mépris, which translates to house of contempt or scorn. As fans have pointed out since the trailer drop, this seems like a reference to the House of M comics storyline in which Wanda bends reality into a new world ruled by her family.

The Stark commercial break refers to two things: Avengers icon Tony Stark and his part in Wanda’s dark past. As Wanda and her twin brother, Pietro, explain in Avengers: Age of Ultron, their parents were killed by an explosive Stark Industries device, leaving the twins trapped under rubble. The Maximoffs were trapped by a Stark Industries shell for two days, expecting it to detonate before they get rescued. Even though Wanda eventually fights beside Tony in the future, there’s still some trauma from that experience and her brother’s death. If it weren’t for the Starks, Wanda could have been a completely different person.

The episode closes with a mysterious observer watching the “show” and taking notes on a pad with the logo of S.W.O.R.D. on the cover. For those who don’t know, S.W.O.R.D stands for Sentient World Observation and Response Department and is a subdivision of S.H.I.E.L.D. It’s a counterterrorism and intelligence agency that deals with extraterrestrial threats to world security. Expect to see them around more.

  Press: A Thorough Breakdown of All the Marvel Easter Eggs on WandaVision was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen

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Marvel’s WandaVision Episode 4: MCU Easter Eggs and Reference Guide

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This article contains WandaVision episode 4 spoilers, as well as potential spoilers for future episodes and the wider MCU.

WandaVision episode 4 ditches the sitcom format in favor of something that gives us a much clearer picture of what’s happening in the “real” MCU. Primarily functioning as a Monica Rambeau origin story, and one that gives us a better look at the inner working of SWORD (and puts FBI Agent Jimmy Woo front and center!), this week’s WandaVision also answers some big questions about what’s going on in Westview. Or does it?

Let’s get to work…

MONICA RAMBEAU

This episode is more or less Monica’s MCU origin story. We learn that Monica was snapped, Maria wasn’t, and she died two years after Monica disappeared. Her reappearance after “the blip” makes this chronologically the first appearance of adult Monica in the MCU, taking place concurrently with the final act of Avengers: Endgame.

As Monica re-materializes we can hear Carol Danvers’ voice her nickname “Lt. Trouble,” a reminder of the bond that the two shared in their time together in Captain Ma 

The drone that Monica sends into Westview features Captain Marvel colors because of course it does. She introduced the color scheme to the hero to begin with!

Is it possible that Monica made it through Wanda’s energy field because of her latent powers? Monica’s powers in the comics allow her to turn into energy, and there’s a lot of weird energy stuff in this week’s episode.

Monica wakes up from “the blip” in Room 104 in the hospital. Room 104 doesn’t have any significance in Captain Marvel history, but Avengers #104 is a potentially interesting connection. That issue has the Avengers and the X-Men teaming up to fight mutant hunting Sentinels, who have strapped Wanda to a machine that will cause a solar flare that will…sterilize humans allowing Sentinels to breed out the genetic variation that causes mutation. Weird. 

MARIA RAMBEAU

Maria Rambeau from Captain Marvel is confirmed to have died of cancer in-between Infinity War and Endgame. Apparently, she worked for SWORD in a high-level capacity, possibly even founding the organization, likely inspired by the craziness she witnessed in the ’90s as depicted in Captain Marvel.

Through her time in SWORD, Maria retained the callsign “Photon,” one of the many codenames Monica would use as a superhero in the comics.

SWORD

Monica arriving at SWORD HQ is a bittersweet juxtaposition with news reports about “celebrations continue” as people are reunited with their loved ones, since Maria never got to see her daughter return.

SWORD director Tyler Hayward appears to be a brand-new MCU creation, but he does share a last name with a “Brian Hayward” who was a villain on Marvel’s Agents of SHIELD.

Anyone else think that the blue, black, and white SWORD color scheme could be teasing a Fantastic Four connection? Especially since Hayward and Monica have a conversation about an “astronaut training program” that apparently isn’t going too well.

The number on Monica’s van is S-8512. No, we haven’t found any significance for this, either. She has special government/SWORD plates that read ZB718. Drawing a blank there, too.

The name of the SWORD agent with Darcy when she first discovers the broadcast is Agent Monti. Doesn’t ring any Marvel bells with us, either.

Westview

As we suspected, Westview is indeed in northern New Jersey, most likely Bergen County. If we have this right, the “Route 2” Monica is driving on to get to Westview (off Exit 32) no longer exists, and may now be what is known as Route 17, which runs through both NJ and New York.

Westview’s population is 3,892. Anyone have anything on that number? March 8, 1992? August 3, 1992? 

THAT YOU, MEPHISTO?

The Eastview sheriff’s vehicle number is 1966. That doesn’t correspond to first appearance years for Wanda, Vision, Jimmy, or Monica. BUT…hang with us for a minute here…

If you look at those numbers closely, the “9” and the “6” don’t appear to be different numerals. And what’s a “9” but an inverted “6” meaning that this is low key continuing the recurring “666” motif that keeps popping up in this show.

The sheriff’s deputies are from the town of “Eastview.” Mephisto is also known as Lucifer…as in Lucifer Morningstar, and The Satanic Bible says that as one of the princes of Hell, Lucifer’s domain is the “east.”

JIMMY WOO

Welcome back to the MCU, Jimmy Woo! Jimmy is one of the older characters in the entire MCU, believe it or not, predating the actual Marvel Comics universe by several years, having first appeared in 1956. His MCU version made his first and only appearance (until now) in Ant-Man and the Wasp.

Agent Woo pulling out his card with close-up magic was a fantastic callback to the running gag from Ant-Man and the Wasp.

CMBR

The “Wandavision” broadcast being hidden in the cosmic microwave background radiation feels like an indication of just how serious Wanda’s powers are. The CMBR is, as Jimmy says in the episode, the leftover radiation from the early moments after the Big Bang. It’s not a formative energy source, but it’s the waste product of a formative energy source. To hide a signal in there could be an indication that there are some fundamental tenets of reality being altered. 

According to Darcy, there are other episodes of WandaVision’s “show” that have aired before the first and second episodes. Not to mention the glance she got prior to the first episode.

THE BEEKEEPER REVEALED!

The mysterious“beekeeper” was referred to as “Agent Franklin.” Is there anyone of note with that last name in Marvel? The damn Richards kid kind of muddies up that research, and right now we’ve got nothing. Our hope that he was in fact Eric Williams, the Grim Reaper, however, appears to be fading.

VISION

Vision’s true form is a colorless husk with a chunk of his forehead missing due to what Thanos did to him. This coincides pretty well with the comics where Vision was captured and disassembled during the West Coast Avengers days. While he survived, he wasn’t quite the same and was illustrated as colorless. This just added to Wanda’s downfall.

THE CITIZENS OF WESTVIEW

Herb’s real name is John Collins and Mrs. Hart’s real name is Sharon Davis. Wouldn’t you know it, those are also the names of two of the show’s art directors! We haven’t turned up anything on the others yet, though. And yes, we’re also suspicious that they can’t place a real name to Agnes, as well.

While a lot of the glitches appear to be censored from the broadcasts of the sitcom, the file on Mr. Hart shows that the entire “Stop it!” moment was shown in its entirety.

SKRULLS?

On his whiteboard, Jimmy Woo suggests that Skrulls might be behind all of this. No, you have a few years before we get into that plot, dude.

THE SONG

The end credits song is “Voodoo Child (Slight Return)” by Jimi Hendrix. The lyrics certainly hit different in the context of the show, like creating your own island, stealing the time of others, and seeing the dead in a new world.

Not to mention the first line is “Well, I’m standing next to a mountain…” as in…Mt. Wundagore?

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The Ending

The final moments of this show sure would appear to point towards a House of M scenario where Wanda has lost all control, but that seems a little too easy now, doesn’t it?

Spot anything we missed? Let us know in the comments!

The post Marvel’s WandaVision Episode 4: MCU Easter Eggs and Reference Guide appeared first on Den of Geek.

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