#uomi ai

[dance-of-a-thousand-leaves-blog]

[11.22] Happy Birthday Ai!! 🎉 I couldn’t get your birthday 5☆ card, but managed to draw both of your 4☆ cards though. I’ll count my blessings and be grateful~

[effepy]

Ci sono persone che si sono sentite offese per questo commento di Ermal Meta a un post di Paola Turci perchè sostengono che sia transfobico. La verità è che l'espressione "hai le palle" è misogena perchè sottointende che bisogna essere uomini per essere forti/coraggiosi (cosa falsa naturalmente) ma è comunque espressione comunemente usata che significa "hai coraggio" ed Ermal con il suo commento sottolinea il fatto che le donne sono più forti degli uomi (su questo si può anche discutere ma in molti casi è così). Dove potete vedere un commento transfobico? Sarebbe offensivo se detto a una trans, ok, ma nel contesto in cui è stato detto non lo è. È chiaro il significato: "...... sarebbe un'offesa" perchè le donne in realtà sono più coraggiose degli uomini. Nessuno ha pensato ai trans, ne' chi ha inventato l'espressione "donna con le palle" ne' Ermal. A volte mi stupisco di certe prese di posizione..... è vero che ognuno di noi può sentirsi colpito da certe frasi anche quando non c'è la volontà di offendere ma poi vedo un tizio che per 2 anni va in tv gridando "cervello di donna" con la chiara intenzione di affermare che le donne sono inferiori e lo fanno parlare. C'è qualche cosa che non torna.

[maxusha]

My sketch which I drew today

First is Uomi from Wadanohara and The Great Blue Sea

From the second to the fifth are my & bros’s OC from roleplay cosplay Prisoner’ characters (2 - Jack Harigstone cosplay Elwine; 3 - Ai Ming is Memoca; 4 - Sylvia Lidl - Chlomaki; 5 - Ming - Minami; 6 - Sylvia is L. R. E. L. N.)

The last sketch is my OC from The Sword in the Stone

NEED MORE HASHTAGS

Sylvia is nice alway despite how I draw her :3

[seadistic]

★ l mao

o hewwo, what a surprise 2 see u here ai :3c

Send ★ for a bunch of random headcanons between our muses!

blue:

★ manami was the one to teach wadanohara how to waltz. it was an innocent enough question of, ‘ you don’t know how to dance? ’ behind a smile and a fond laugh in the midst of a conversation. it may have sent his heart into overdrive, but the experience is fondly remembered ; the shared laughter, smiles & even the missteps on toes will forever be cherished.

★ while he enjoys their piano duets immensely, as soon as wadanohara gifted him his violin, he took it upon himself to master it. the reason not only being his long-standing love of the instrument itself, but to show wadanohara how much it had meant to him, alongside being able to play further duets together. he has a favorite piece to play ( or hum, even ) when his mind is full of and missing her — schubert - serenade. 

★ manami’s depressive moods often lead him to distancing himself from others & being alone with his thoughts. he purposefully keeps away from those he cares about and brushes off their concerns under the guise of insisting he’s fine and simply needs some time to himself ; in these mindsets, he doesn’t do much beyond staring at the sea by himself and ponder. however, wadanohara is the one person that he will allow in his company and will open up to for support — or even so much as having a sense of comfort around him. her presence to him is light, warm ; enough to soothe his troubled heart.

★ wadanohara’s association with the moon is obvious to many ; manami is no different. upon finding a shard of moonstone, he recounted how it’s sheen, color & shimmer reminded him of her ; he keeps it on him always, carefully polished and fiddled with in his pocket when he thinks of her at times, or is particularly anxious ; the thought & tie it has to her easing his nerves. it eventually becomes a gift to her that he makes himself & she earns the pet name of, ‘ moonstone ‘ in verses where they get together.

★ when once spending time bird watching with wadanohara, manami took notice of her love of ducks. he found it endearing and it melted his heart to the core ; it also prompted a teasing, silly little nickname for her of, ‘ waddles. ‘ it seldom comes out, but when he feels particularly playful, he calls her it --- never meaning any harm, but just because her reaction to it is always adorable.

red:

★ sal’s love for wadanohara is true to it’s core ; he has always, & will always, love her & her alone. manami loves her --- & as much as he insists that side of him is ‘ long gone ‘ it lives on through a few things, & his love for her is one of them. it had always been his goal to make her happy --- & evidently, that continues on through sal. of course with his sway of the sea of death in his blood now, those means become more extreme ; turning her to his sea to show her ‘ true happiness ‘, killing those who dare to defy her, doing just about anything her wicked heart desires. in a sense, he worships her ; she is his everything, his soulmate ( so he believes ) ; she is his goddess & the queen of his heart. of course, that doesn’t mean he allows her to walk all over him --- far from. but her wishes are well-accommodated. after all, anything is possible if it’s for her.

★ his supply of pet names for her is in abundance, but pearl is a favorite ; while not only in reference to the ring he gifted to her, it is due to a pearl’s nature. she is rare, a beauty hidden in the depths of the red sea, once locked away behind the blue sea’s hardened shell. but he had opened it, drew her out, adored her. she is his greatest treasure ; irreplaceable.

★ he’s always been unabashedly enticed by the idea of marrying her ; despite being twisted now, his romanticisms are ever present. once turned into the red sea witch, her assurance that she loves him in return prompts him to insist that they be wed immediately ; after all, waiting so long to hear those words & knowing she’d meant them were enough grounds to propose the idea. never mind how much of a damn yandere he is. are they actually married? well, probably not legally ; but as far as sal is concerned, they are --- that ring he had given her even being so much as an engagement ring. if you don’t think sal had the most extra ceremony for it, then you don’t know sal very well at all.

★ despite how rough they can be with each other ( from the... references to bdsm to how they find fun in hurting each other / tearing each other apart due to certain moods ), sal is usually disgustingly affectionate & doting with her. kisses, cuddles, lovey dovey ways of speaking, grand gestures & displays of affection ; anything cheesy you can think of, sal goes about it. one specific instance is running --- as... unsettling as it is --- bubble baths for her of blood ( he insists it’s to keep her skin soft and purely white. she drinks blood anyway, it’s fine. ), complete with candles, incense & champagne / wine. he likes to spend time with her then, typically sitting on the edge of the tub ( although sometimes he joins her & sometimes he understands she enjoys ‘ alone time ‘ and leaves her be entirely, it’s extremely mood variant ) & running his fingers through her hair while idly talking to her & leaving her something out for her to wear ; it’s all to pamper her. 

★ sal has always been extremely loyal with his affections for wadanohara. according to dsp, people flirted with him when he was a member of uomi’s court & he was always insistent on liking someone else? despite his ever-burning jealousy, he knows that wadanohara is true to him in return ; he simply loathes the idea of anyone so much as trying to make a move on what belongs to him. he’s selfish & doesn’t share well ; a fact that he, regrettably, enjoys reminding her of. though --- the thought of losing her? absolutely crushing, & not something he intends to see happen.

[starevotranslations]

petit march 1-2 - Introducing petit march!

1 ( 1 | 2 | 3 | 4 ) | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12

A little while later the chairman's office door opened with lively voices following it

Hitoshi: Imouto-chan, I brought Kanata-kun and Ai-chan~♪

Ai: Nice to meet you Onee-san! I'm Uomi Ai, I'll be in your care. Kanata: Hey there! I'm Yagi Kanata, I'll be in your care too Nee-chan. Uwa... She really does look anxious. Kanata: Eh? You really didn't know? You have a super anxious look on your face. Well that makes sense so we'll help you out. Ai: So there's no need to worry, everything will be fine! Ai: The members of petit march have been in the entertainment industry for a long time, in other words we're veterans. Hitoshi: Hey do you recognize Kanata-kun and Ai-chan? They've been in all sorts of things on TV. Ai: Ehh~ But Yui-chan aren't you so popular that whenever you open a magazine your pictures are just everywhere now? Hitoshi: Oh my, but aren't Ai-chan and Kanata-kun famous, genius child actors as well. Kanata: Well to sum it up, we're the idol group formed by genius child actors, petit march. Kanata: We're already working pros and we'll be playing supporting roles for you. There's no one that could be more reliable than us for that role, right Nee-chan! Hitoshi: So what do you think, Imouto-chan? You won't have to worry about anything troublesome. So why not spend your time with us like siblings? Hitoshi: We'll become your new family, Imouto-chan. We'll share our happiness together as well as our tears. Ai: When times get tough we'll make you laugh, and when you're worried we'll be right by your side. That's how a family is right? Kanata: When Nee-chan smiles we'll be happy too! And besides we're pro idols we can make one Nee-chan laugh easily! Hitoshi: ... Really, thank goodness♪ Alright then starting today Imouto-chan will be part of our family♪ Ai: Ehehe, I'm so glad I've gotten a big sister. I'll be in your care now and forever Onee-san! Kanata: Me too, let's have a ton of fun experiences together! And make all our big sisters (fans) laugh! Ai: You're so amazing Kanata-kun. You're always experimenting aren't you.. Fufu Kanata: Hey don't laugh Ai! You know I'm always super serious. Hitoshi please say something. Hitoshi: Yui would like it if Kanata-kun would start saying "Yui" instead of Hitoshi~... Ai: You know Yui-chan like this but in magazines he's a super handsome model. I'll bring over a magazine next time. Hitoshi: Kya, cut it out!! Don't look at Yui's pictures it's too embarrassing!! Kanata: But isn't it fine the pictures are really cool. Anyways, Hitoshi are you okay on time? Isn't it about time for you to head out? Hitoshi: Ah, I completely forgot. I'm really sorry but Yui has to go soon.

To be continued  →

[himurokira]

Blooming Spring March - 2. The “me” I wanted to be

Second part of the event story! This one focuses on Ai-chan!

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10

-The next day-

Ai: Goood moorning! Supervisor: Morning, Ai-chan. I'm looking forward to working with you for today's commercial shoot Ai: I’ll be in your care-♪ Supervisor: I believe you've heard already, but this shoot is for a body soap commercial you've done previously. Supervisor: Since the last one was so popular, they made the offer to have you do it again. Supervisor:　I'm looking forward to seeing your full powered cuteness Ai-chan. Ai: Of course☆ Ai: (I'm really happy that I'm getting work but...) Supervisor: Alright, can you gently blow on the bubbles in your hands and then say your line. 3, 2, 1... Start!! Ai: Foo- Ai: With the highest quality floating bubbles, let's get refreshed together☆ Onee-san♪ Director: So cute~! Just as we thought a cutie like Ai-chan was the perfect pick for this commercial. Supervisor: Is it ok? Director: Absolutely! Director: We'll look forward to working with you again when the third shoot is decided, Ai-chan. Ai: Are you sure!? Thank you so much! Director: For the third shoot... I'd like if the costume was more fluffier and maybe fairy like~ Director: Ah, but throwing out the angel idea is much too hard. But anything that makes Ai-chan's cuteness stand out is good. Ai: Ehehe, I'm so happy Ai: (I'm really happy but...) Ai: (I want to wear something cool like what I saw Yui-chan in yesterday) Ai: (Not only that but I want people to say I'm cool!) Ai: (I know I still have a ways to go before I can be like Yui-chan but... I'm still a man! At least I can dream.) Director: Ah, shall we do the poster shoot now. Ai: Of course♪ Photographer: Alright, can you look over your shoulder and wink. Ai: Something like this... Ehehe☆ Photographer: That's great~ Very cute~ Photographer: Girls might get jealous over how unbearably cute you are! Ai: (How is that a compliment for a guy?) Ai: (I mean, now isn't the time to think about that. I have to do my job) Photographer: Ok next, can you kiss the rose petal while looking over here? Ai: Alright☆ Is this okay~? Ai: (Concentrate, concentrate!) Ai: (This is my job!) -- Manager: Ah, Uomi-kun. Good work today. Ai: Good work today as well- Manager: Actually Uomi-kun there's someone I'd like you to meet. Magazine Editor: Nice to meet you.　I'm from ran-ran's editorial department. Ai: Nice to meet you. I'm Uomi Ai from petit march☆ Magazine Editor: Mhm mhm, he is good. Ai: For what? Magazine Editor: Actually we've decided to do a large scale feature for our next volume. Magazine Editor: So, we'd like to have you, Uomi-kun, to be on the opening color page Ai: W-... What!? Me, in ran-ran!? Ai: (Getting a huge job like this, I'm speechless!) Ai: (But ran-ran is known for sexy guy photos aren't they) Ai: (Before this they did a feature on LunaLore, and before that a feature about men that wanted to be held!(?)) Ai: (This magazine has a reputation for promoting cool men. Does that mean... Me as well...!?) Ai: (If that's the case then people must know that I'm not just cute!) Magazine Editor: Ah, first let's take a look at the job proposal. Alright Uomi-kun take a look and tell me what you think. Manager: I myself think that this fits the current Uomi perfectly too. Ai: That kind of flattery is making me a little embarrassed~ Manager: While this is a job the company wants to take, the rest is left up to how you feel about it, Uomi-kun. Manager: Ah, here's the proposal. Ai: Thank you very much- Umm, let's see? Ai: ... Huh.... Ai: Cr... Crossdressing!?

To be continued →

[sweetdarkselfishness]

LIST IDOLS/ Rhythm games

Part1 Part2

UTA NO PRINCE SAMA:

http://utapri.com/cd/

STARISH: Takuma Terashima as Otoya Ittoki Kenichi Suzumura as Masato Hijirikawa Kishô Taniyama as Natsuki Shinomiya Mamoru Miyano as Tokiya Ichinose Junichi Suwabe as Ren Jingūji Hiro Shimono as Shō Kurusu Kousuke Toriumi as Aijima Cecil

QUARTET NIGHT:

Showtaro Morikubo as Reiji Kotobuki Tatsuhisa Suzuki as Ranmaru Kurosaki Shouta Aoi as Ai Mikaze Tomoaki Maeno as Camus

HEAVENS:

Otori Eiichi (CV. Midorikawa Hikaru) Mikado Nagi (CV. Yonaga Tsubasa) Sumeragi Kira (CV. Ono Daisuke) Eiji Otori (CV. Yuma Uchida) Kiryuin Van (CV. Takahashi Hidenori) Hyuga Yamato (CV. Ryōhei Kimura) Amakusa Shion (CV. Daiki Yamashita)

Tsukino talent production:

http://tsukino-pro.com/talent_artist/

Six Gravity Kaji Yuki as Shiwasu Kakeru Toriumi Kousuke as Mutsuki Hajime Masuda Toshiki as Kisaragi Koi Maeno Tomoaki as Yayoi Haru Hosoya Yoshimasa as Uduki Arata KENN as Satsuki Aoi

Procellarum

Aoi Shouta as Minaduki Rui Hatano Wataru as Fuduki Kai Kakihara Tetsuya as Haduki You Kondo Takashi as Nagatsuki Yoru Ono Kensho as Kannaduki Iku Kimura Ryouhei as Shimotsuki Shun

Soara:

Chiharu Sawashiro as Nozomu Nanase Makoto Furukawa as Sōshi Kagurazaka Taishi Murata as Ren Munakata Toshiyuki Toyonaga as Sora Ōhara Yuuki Ono as Morihito Arihara

SolidS:

Natsuki Hanae as Rikka Sera Sōma Saitō as Tsubasa Okui Takuya Eguchi as Shiki Takamura Yuichiro Umehara as Dai Murase

QUELL:

Kōtarō Nishiyama as Eichi Horimiya Sho Nogami as Ichiru Kuga Shugo Nakamura as Issei Kuga Shunsuke Takeuchi as Shu Izumi

Growth:

oshitaka Yamaya as Kensuke Yaegashi Daiki Yamashita as Ryōta Sakuraba Junta Terashima as Mamoru Fujimura Shun'ichi Toki as Kōki Etō

The Wizard Of Twins (Futago no Mahoutsukai ) Lico & Gli

Hirakawa Daisuke as Bisu Jr. Shimazaki Nobunaga as Gli Hidenori Takahashi as Dia Kaito Ishikawa as Lise Atsushi Tamaru as Stein Minase Inori as Lico

Tsukicro’s /Tsukikura (ALTAIR THEATER) : Rigel Regulus Sargas

Dynamic Chord:

http://www.honeybee-cd.com/dynamic/artist/index.html

KYOSHO: Showtaro Morikubo como Yorito Kisaka (voz) Shinnosuke Tachibana como Tokiharu Hanabusa (guitarra) Kaito Ishikawa como Yuu Kuroya (bajo) Taku Yashiro como Shinomune Sumiya (batería)

LIAR-S: Takuma Terashima como Sakura Hinoyama (guitarra y voz) Nobuhiko Okamoto como Chiya Suzuno (guitarra) Tetsuya Kakihara como Seri Yuisaki (batería) Souma Saitou como Soutarou Haruna (bajo)

Apple-polisher: Shouta Aoi como Narumi “NaL” Amagi (voz) Takahiro Sakurai como Yuusei “Toi” Atoishi (batería) Yoshiki Nakajima como Yuki “UK” Aoi (guitarra) Yuichiro Umehara como Shinobi “Kuro” Kurosawa (bajo)

Rēve parfait: Takuya Eguchi como Reon “King” Kashii (voz) Ryohei Kimura como Tsumugi “Bishop” Momose (bajo) Kousuke Toriumi como Kuon “Rook” Tsukinohara (guitarra) Yuuya Hirose como Aki “Knight” Kashii (batería)

IDOLISH:

http://idolish7.com/unit/

Idolish7

Toshiki Masuda as Iori Izumi Yusuke Shirai as Yamato Nikaidō Tsubasa Yonaga as Mitsuki Izumi KENN as Tamaki Yotsuba Atsushi Abe as Sōgo Ōsaka Takuya Eguchi as Nagi Rokuya Kensho Ono as Riku Nanase

Trigger:

Wataru Hatano as Gaku Yaotome Sōma Saitō as Ten Kujō Takuya Satō as Ryūnosuke Tsunashi

ZOOL:

Hirose Yuuya as Haruka Isumi Kimura Subaru as Touma Inumaru Nishiyama koutarou as Minami Natsume Kondo Takashi as Torao Mido

RE:VALE

Tachibana Shinnosuke as Yuki Hoshi Soichiro as Momo

Starevo:

http://starevo.jp/unit/

Pura net Ootori Kei: Okuyama Keito Kushiro Jun: Yano Shougo Kozuka Rin: Nagatsuka Takuma Suzume Chiaki: Ichikawa Taichi

4+U Shirokita Noel: Nakada Yuuya Saotome Seia: Tamaru Atsushi Tenma Kaito: Yashiro Taku Tsurugi Mio: Furukawa Makoto

Judgement Sumishiro Yuki: Terashima Junta Yagasaki Akira: Uchida Yuma Tendou Nozomi: Shirai Yusuke Asahina Senya: Nishiyama Kotaro

Niko*Ichi Namiki Tera: Tokutake Tatsuya Namiki Giga: Fukamachi Toshinari

Luna Lore Kanno Takuto: Ikuta Youji Harima Rito: Chiba Shoya Mikekado Shiita: Yamaya Yoshitaka

Glorious Hanabusa Mizuki: Sasa Tsubasa Hashizume Rudolf: Ookawa Genki Shidou Hayate: Zaima Kenta

Petit March Uomi Ai: Abe Daiki Ooguma Hitoshi: Yonai Yuuki Yagi Kanata: Fudemura Eishin

Mobius: (cast:unknow)

7colors:

https://dream.voltage.co.jp/anidol/character/

Yuto Suzuki Taku Yashiro Junta Terashima Yamaya Yoshitaka Yusuke Shirai Shunichi Toki Junya Enoki

Clarity: Tasuku Hatanaka Shunsuke Takeuchi Masatomo Nakazawa Shuuta Morishima

Bproject:

http://bpro-official.com/music/

Killer King‎: Koutaro Nishiyama:  Terami Tsu Taku Yashiro: Terami Haruhi Shouya Chiba:  Fudo Akane Takuya Eguchi:  Shingaris Miroku

Kitakore‎: Ashuu Yuuta:Hanae Natsuki Kaneshiro Goushi :Toyonaga Toshiyuki Aizome Kento:Kato Kazuki

Moons‎:   Yuuto Uemura as Masunaga Kazuna Tetsuya Kakihara as Onzai Momotaro Genki Okawa as Nome Tatsuhiro Toshiki Masuda as Sakimura Mikado

Thrive‎: Korekuni Ryuuji:Kishio Daisuke Kitakado Tomohisa:Ono Daisuke

I-CHUU:

https://www.i-chu.jp/unit/

F∞F: KENN Toyonaga Toshiyuki Iguchi Yūichi  

Twinkle Bell: Morikubo Showtaro Kondō Takashi

I♥B: Hanae Natsuki Masuda Toshiki   Yuuichirou Umehara Nakanishi Naoya Junya Enoki

POP'N STAR: Murase Ayumu   Amasaki Kouhei   Yamamoto Kazutomi

Lancelot: Maeno Tomoaki Shirai Yuusuke Uchida Yuuma

RE:BERSERK: Shimono Hiro Shimozuma Yoshiyuki Kakihara Tetsuya

Tenjyou Tenge: Saito Soma Kimura Ryouhei Ono Yuuki Minegishi Kei

ArS: Hirakawa Daisuke Matsuoka Yoshitsugu Kagura Hiroyuki Atsushi Tamaru Yachi Katsufumi Roa Kenji

Alchemist: Nishiyama Kōtarō Takumi Yasuaki Kobayashi Yuusuke

Dream Festival:

http://www.dream-fes.com/cd/

Ace: Asuma Ogasawara: Tatsuhisa Suzuki Eiji Katsuragi: Junji Majima Chikage Saotome: Atsushi Abe

Sankishi: Haruto Mikami: Toshiyuki Morikawa Makoto Susa: Fumihiko Tachiki Ikka Saotome: Hikaru Midorikawa

Dear Dream: Takuya Mizoguchi   Soma Ishihara   Kentaro Tomita   Masaki Ōta Kaoru Masaki

KUROFUNE: Kimito Totani Hideaki Kabumoto

Pitagoras Production:

http://marginal4.net/artist/

Marginal 4: L Nomura  by KENN Atom Kirihara  by Toshiki Masuda Rui Aiba  by Naozumi Takahashi R Nomura  by Yuuto Suzuki

Unicorn jr: Shouta Aoi as Tsubasa Shindō Chiharu Sawashiro as Alto TakimaruToshiyuki Someya as Teruma Nakama

Lagrange point: Toshiyuki Toyonaga as Shy Makishima   Genki Okawa as Kira Himuro

[cannonette]

Starevo ☆彡 88 Seiza no Idol Kakumei PV

[ Pura.net ] Cast: Ootori Kei: Okuyama Keito Kushiro Jun: Yano Shougo Kozuka Rin: Nagatsuka Takuma Suzume Chiaki: Ichikawa Taichi

[ 4+U ] Cast: Shirokita Noel: Nakada Yuuya Saotome Seia: Tamaru Atsushi Tenma Kaito: Yashiro Taku Tsurugi Mio: Furukawa Makoto

[ Judgement ] Cast: Sumishiro Yuki: Terashima Junta Yagasaki Akira: Uchida Yuma Tendou Nozomi: Shirai Yusuke Asahina Senya: Nishiyama Kotaro

[ NIKO★ICHI ] Cast: Namiki Tera: Tokutake Tatsuya Namiki Giga: Fukamachi Toshinari

[ Luna Lore ] Cast: Kanno Takuto: Ikuta Youji Harima Rito: Chiba Shoya Mikekado Shiita: Yamaya Yoshitaka

[ Glorious ] Cast: Hanabusa Mizuki: Sasa Tsubasa Hashizume Rudolf: Ookawa Genki Shidou Hayate: Zaima Kenta

Petit March Cast: Uomi Ai: Abe Daiki Ooguma Hitoshi: Yonai Yuuki Yagi Kanata: Fudemura Eishin

[pangeanews]

La poesia supera la Storia e fa parlare l’inesprimibile: Pasternak e Majakovskij, gli eroi della Rivoluzione

Vorrei spendere ancora due parole in merito all’ormai trascorso e pluridecantato centenario della rivoluzione russa per due motivi. Il primo motivo servirà ad isolare la causa che portò all’instaurarsi della dittatura da tutto il resto. La causa è stata il partito bolscevico, tutto il resto è stato l’attesa di un rinnovamento a livello politico, sociale ed umano, necessario e sentito in Russia a cavallo dei secoli XIX e XX. Spesso infatti ci si sofferma solo sulle estreme conseguenze di ciò che accadde dopo il 1917, per catalogare un intero movimento, passato alla storia con il nome di rivoluzione russa, e ci si dimentica delle premesse, degli sviluppi e degli uomini che vissero quei giorni. Per tornare alla causa che portò alle estreme conseguenze della rivoluzione russa, basta dire che ciò che accadde in quei giorni di ottobre non fu semplicemente l’instaurarsi di una dittatura che pretendeva di imporsi sulla realtà, ma l’instaurarsi di qualcosa che pretendeva di essere tutta la realtà, fu l’instaurarsi di un fenomeno quasi religioso. Come scrisse Nikolaj Berdjaev, noto filosofo del tempo, “il bolscevismo russo è un fenomeno di ordine religioso, in esso agiscono alcune estreme energie religiose, se per energia religiosa si intende non soltanto ciò che è rivolto a Dio. La surrogazione religiosa, la religione inversa è anch’essa un fenomeno di ordine religioso, in questo sta la sua assolutezza. Il bolscevismo non è politica, non è semplicemente lotta sociale. E’ uno stato dello spirito e pretende di prendere tutto l’uomo, tutte le sue forze, vuole rispondere a tutte le sue esigenze”.

Boris Pasternak e famiglia, nel 1920

Il secondo motivo è ben più ampio e riguarda la categoria che spesso viene strumentalizzata in casi come questi, sia dai contemporanei sia dai posteri: la categoria dei poeti. Perché i poeti che vissero in quel periodo vengono chiamati i poeti della rivoluzione? Perché sono nati in un dato momento storico. Ebbene, io vorrei prenderli per quello che sono stati: dei poeti inseriti in una dimensione spazio temporale circoscritta. Punto e basta. Parlerò di due poeti in particolare per i quali la rivoluzione ebbe un significato preciso. Il primo è Boris Pasternak (1890-1960). Per lui il poeta è uno spettatore, un testimone, non partecipe degli avvenimenti. All’inizio le sue poesie non erano comprese, sembrava fossero distaccate dal tempo, un tempo che esigeva che tutto riecheggiasse la rivoluzione in atto. Solo Majakovskij ne intuì la forza: “le sue opere sono fra i modelli di una nuova poesia che stupendamente sente la contemporaneità. La sua essenza non è frutto dei libri, ma ha potuto formarsi solamente nelle circostanze della nostra vita”.

Di lui non si può parlare di “versi sulla rivoluzione”, essa è onnipresente e inafferrabile come l’aria.

  Come di bronzea cenere caduta dai bracieri,

di scarafaggi brulica il giardino assonnato.

Vicino a me, a livello della mia candela

sono sospesi universi fioriti.

  E come in una fede inaudita

io entro in questa notte,

dove il pioppo vetustamente grigio

ha ombreggiato il confine lunare.

  Dove lo stagno è un mistero svelato,

dove bisbiglia la risacca del melo,

dove il giardino è sospeso come palafitte

e tiene dinanzi a sé il cielo.

  La sua è una rivoluzione costante, la quale, anche se in termini di rinnovamento della società, verrà tradita, continuerà sempre, perché ripone la sua fiducia nella natura e nel continuo rinascere della vita: “Ho sempre inteso il tutto – la realtà in quanto tale – come un messaggio ricevuto o un arrivo inaspettato, e mi sono sempre sforzato di riprodurre puntualmente questo carattere di messaggio, perché mi sembrava di trovarlo nella natura stessa dei fenomeni. Tale dev’essere la vita. Deve essere la tragedia della pienezza. La tragicità della vita è la sua legge naturale, essa deve essere tragica per essere reale. Quando poi sulle sue testimonianze versi lacrime, non è perché in essa le circostanze si sono combinate in maniera sfortunata, ma perché essa è costata cara. É la sua grandezza che fa piangere”.

Quelli che seguono son versi tratti da una poesia scritta nel 1931, L’alba.

E dopo molti, molti anni

la tua voce di nuovo mi ha turbato.

Tutta la notte ho letto i tuoi precetti,

rianimandomi come da un deliquio.

  Il deliquio è la vera vita che è concessa di vivere al poeta in rari momenti: riprendersi dal deliquio, scoprirsi nell’universale. La realtà si svela a noi perché è una forza. La forza, così come la vista e la coscienza sono dirette verso l’esterno. Sono un’energia che richiede di essere spesa.

Voglio andare tra la gente, nella folla,

nell’animazione mattutina.

Sono pronto a ridurre tutto in schegge

e a mettere tutti in ginocchio.

  Egli passava nel folto delle battaglie, che avrebbero mutato la Russia, come un sonnambulo, destandosi a tratti per annotare con voce assonnata, non le gesta del popolo, ma i prodigi del cosmo.

Vladimir Majakovskij, morirà suicida nel 1930

Il secondo è Vladimir Majakovskij (1893-1930). Differentemente da Pasternak, egli ama esaltare se stesso; assume la posa del cinico e del tracotante, adopera immagini molto forti. La sua attività artistica durante gli anni immediatamente seguenti alla rivoluzione d’ottobre, è immensa. Per lui il dilemma dell’aderire o del non aderire non esisteva. La rivoluzione proletaria era il suo elemento naturale. Il teatro, il manifesto politico, la satira, le parole d’ordine, insieme alla poesia lirica, diventano i suoi mezzi più immediati ed efficaci d’espressione. Una delle sue peculiarità che lo rendevano così simile a un tuono era il fatto che non sopportava la quotidianità. Tutto doveva essere grandioso, non poteva essere altrimenti. Se esisteva l’amore allora doveva esserci anche la rivoluzione! Qualcosa di cosmico, enorme!

  Amara   

     significa

               correre in fondo

al cortile

       e sino alla notte corvina

con l’ascia lucente

                               tagliare la legna,

giocando

           con la propria

                                  forza.

Amare

             è balzare

                               dalle lenzuola

strappate dall’insonnia,

                               gelosi di Copernico

  Ma a fianco delle iperboli e delle metafore vivissime, delle arguzie, dei giochi di parole, si inserisce a tratti un singhiozzo, uno scoppio di pianto.

  Se urlerò a squarciagola

io

con la mia voce immensa,

le comete torceranno le braccia fiammeggianti,

gettandosi a capofitto sulla malinconia.

  […]

  Passerò,

trascinando il mio enorme amore.

In quale notte

delirante,

malaticcia,

da quali Golia fui concepito,

così grande e così inutile?

  Il suo tema dominante era l’amore. Uno dei suoi più grandi poemi, insieme alla Nuvola in Calzoni è Di questo. Uscì per la prima volta nel 1923. Un poema progettato, appunto, sull’amore.

  E’ un tema furbo!

Si tuffa dentro ai fatti,

nei recessi degli istinti, preparandosi al balzo

furibondo ormai

                     osano dimenticarlo

ti scuote;

cadranno le anime dalle pelli.

Questo tema s’è presentato da me iroso

e m’ha ordinato:

                         Dammi

il freno dei giorni! –

Ha guardato, con una smorfia,nel mio quotidiano,

come una tempesta ha disperso uomini e cose.

  Il punto principale di questo poema è la difesa dell’amore minacciato dai meschini valori della vita borghese. Majakovskij credeva nella rivoluzione che avrebbe cambiato qualcosa, ma purtroppo non riusciva a far tornare i conti.

  Che posso farci

se io

     con tutta,

l’intera portata del cuore

in questa vita,

in questo

mondo

credetti

e credo.

Capì infine che la vita dell’arte non era più possibile e il suo suicidio non fu un atto di capitolazione ma un grido, il grido che la rivoluzione era morta. A conclusione di questa mia riflessione, emergono due cose: la prima è che, sebbene la storia sia inevitabilmente intrecciata all’esito e all’attività artistica in generale, è anche vero che in qualche misura se ne discosta. In campo artistico quello che ci arriva non sono le gesta poetiche di grandi uomini vissuti in un dato periodo storico, ma è un’intensità, una forza in grado di far parlare l’inesprimibile, dalla tragedia di un popolo a un pioppo nel campo. La seconda è che vi è un’essenza in ogni poesia che trascende la storia e inspiegabilmente l’abbraccia. Per dirla con le parole di Brodksij: “La poesia è una reazione al mondo, un po’ come fare le smorfie nel buio o le boccacce alle spalle del bastardo di turno, oppure è un modo per controllare la paura o il vomito. La poesia è un modo per cui “per te la luce o il buio si rifrangono”.

Isabella Serra

    L'articolo La poesia supera la Storia e fa parlare l’inesprimibile: Pasternak e Majakovskij, gli eroi della Rivoluzione proviene da Pangea.

from pangea.news http://ift.tt/2n91f1n

[starevo-88]

Happy Birthday, Ai!

Today is Uomi Ai’s birthday, and his birthday gacha is now open! Make sure to login to receive your birthday login bonus - a scouting ticket for his gacha! 

Ai’s birthday gacha is not a solo box - you can obtain cards of any boy. Only Ai’s initial 5* is available, not Autumn Jersey Hunt, but it’s a special edition of the card with his autograph! It also comes with a bonus birthday story. This is counted as a separate card to the original. 

The next birthday is Saotome Seia, on November 27th. You can see all the boys’ birthdays here.

[starevo-88]

EVENT START

“Harvest! Autumn Jersey Hunt, First Part” has begun! This event is a Mission Event. To play Mission Events, collect jerseys as drops from Lives. Give these jerseys to boys in Lessons to clear missions and get stellar jewels and tickets! Mission Events are gacha based, so all you have to do is scout.

The boys up for grabs are:

Shidou Hayate

Ootori Kei

Shirokita Noel

Sumishiro Yuki

Uomi Ai

Saotome Seia

[starevo-88]

Uomi Ai Birthday Announcement

November 22nd is Uomi Ai’s birthday! An announcement has been posted by the official Twitter with some information about his birthday campaign.

Ai will get a happy birthday gacha, which will open at 0:00 JST on November 22nd. We don’t know whether it will only contain Ai’s cards, or if Autumn Jersey Hunt Ai will be included. Every player will also get a login bonus if they login during November 22nd!

[starevo-88]

UNIT INTRODUCTION PART 7: petit march

Their cuteness is at 3000%! You’ll love watching this adorable unit! petit march is a cutesy unit of idols who all used to be child actors. In fact, Kanata is still an active entertainer outside of his unit.

[starevo-88]

petit march’s song, “Koi Ai Beginner” (Love Love Beginner) has been given an MV! Make sure to listen to it!

[starevotranslations]

Blooming Spring March - 6. The Place Where I Belong

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10

Chiaki: Good work today. Yui: Oh my, it's Chiaki-chan, good work today. Chiaki: God I'm so tired. Wasn't the shoot this time way too long? Yui: You're right, with all those outfit changes it took soo much longer to change than expected. Chiaki: Gotta admit I was into wearing all those outfits though. Chiaki: But the producer is super committed , aren't they? When they yelled "is that all!?" it made me jump a little. Chiaki: Oh well, in the end it was a pretty fun shoot. Yui: Fufu, you can say that again. Chiaki: ... So, uh, Yui-chan. Yui: What is is? Chiaki: First off, sorry if I just got the wrong idea but... Chiaki: You haven't been doing so great lately, have you Yui-chan? Yui: Huh...! Chiaki: Sorry! I just kinda had a feeling... It's just, you seem kind of out of it. Chiaki: It's like you're doing what you have to for work, but it seems like your feelings aren't all there. Yui: ... You're really mindful of others Chiaki-chan. Chiaki: Then... Yui: You see, I've been troubled by my own existence recently. Chiaki: Is this something you're okay with telling me? If it is then I'm willing to listen. Chiaki: And y'know, Rin's worried about you too. Yui: Rin-chan was worried as well, you two are so sweet. Yui: But it really isn't anything important... Yui: The person I am now, and the person I want to  be aren't the same... And this inconsistency leaves me frustrated. Yui: As a model, people want Yui to be cool. Yui: But Yui doesn't want to be cool at all. Yui: Yui wants to wear cute clothes like the model from today. But that isn't what people want from Yui... Yui: And even though Yui knows that... Yui can't help but feel a bit upset. Chiaki: So that's what's going on... Yui: I'm so sorry about this gloomy talk. Yui: Yui is just hopeless. Compared to me, you're incredible Chiaki-chan. Yui: As an idol and a model you've grown so much. Yui: The staff were saying that as well today that compared to the old you, you've become a reliable guy. Chiaki: What, they were? That makes me kinda happy. Chiaki: But I don't really feel like I've changed... Chiaki: If I somehow got more reliable then it's all thanks to PURA.net. Chiaki: Y'know, way back when I'd hide who I really was Chiaki: Because that “me” wasn't what the fans and photographers wanted. Chiaki: But you know what happened, Kei and Rin told me it was okay for me to be "my real self." Chiaki: Even Jun told me it wasn't something I had to get so worked up over... And after that I felt like I could do my work without any worries. Chiaki: Wouldn't petit march do the same for you? Yui: Eh... Chiaki: I mean c'mon, Yagi and Uomi have been friends with you since you guys were child actors. Chiaki: They've seen how you are when you model and how you are in puchima, Chiaki: And when you're with them I feel like you could just let everything go. Chiaki: Or wait? Am I mistaken? Yui: Oh, no no, you aren't mistaken at all. It's just like you said Chiaki-chan. Yui: When I'm with them I can really be myself, without any worries. Chiaki: Well then that's great. Chiaki: When you're doing shoots, I feel like you should act how you're required to. Since that's your "job." Chiaki: But when it's just petit march, you can relax and be who you really are? Yui: But wouldn't I still be mismatched? Chiaki: It's not mismatched! You're just switching. Chiaki: Just think of it as separating your work life and private life. Chiaki: They're both part of you, so you should still love them. Yui: ... You've really gotten so many Chiaki-chan Chiaki: H-have I really? Yui: You really have... It's really just like you said. Yui: petit march is something Yui really treasures. And from now on I have to keep it safe. Yui: (And to do that I have to make up with Ai-chan)

To be continued...

[starevotranslations]

petit march 1-3 - You get it♪

1 ( 1 | 2 | 3 )

Found this in my files so unfortunately this is the last unit story part I have unless I can find a compilation of them somewhere

Kanata: Anyways, Hitoshi are you okay on time? Isn't it about time for you to head out?

Hitoshi: Ah, I completely forgot. I'm really sorry but Yui has to go soon. Ai: Yui-chan does modeling work on top of our idol stuff so he's suuper busy Hitoshi: Sorry again Imouto-chan, let's play again some other time okay♪ Ai: Huh? "Isn't it hard?" Well we are pros, and there aren't that many professionals idols here at the school Ai: Not only that we've been in show business for a really long time too. We really should be like seniors to every one but they all treat us like kids. Kanata: That may be because we're first years though, but still being treated like kids is really annoying. Kanata: Me and Ai have been acting since we were three. And if we're talking about careers that's over 10 years already, knowing that what's everyone thinking? Ai: You're so right! Hey, Onee-san, do you think we're wrong? Ai: ... Right♪ There's no way we're wrong! Onee-san really is one of our "Big sisters"♪ Kanata: I thought that too! It's like she totally gets where we're coming from or something... Ai: Huh, Kanata-kun, wasn't I the one that said Onee-san understood us first? Ai: No copycats allowed and there's nothing that will make me change my mind. Kanata: But I was the one that said it first! Right Nee-chan? Ai: But it really was me, wasn't it Onee-san?

Choice: Uomi Ai → Ai: You see, even Onee-san said it was me! I win♪  Kanata: It's not like it was a matter of winning or losing though. But it's still a little annoying.

Yagi Kanata → Kanata: Look at that, even Nee-chan agrees with me. She really does get it.  Ai: Tch. But I was the one that thought it. But of course Onee-san gets it, she's our ally after all♪

Kanata: Anyways when Hitoshi told us you would be our big sister it was really surprising, but he's a really good judge of character isn't he. Kanata: There aren't that many people that get us, so this has me really excited! Ai: That's true, so Onee-san welcome to petit march Ai: And of course since we're pros we'll give our all in helping you out! Kanata: We have a perfect track record after all. We want to help you out in any way we can so we’re here to listen to anything you’re not sure about! Ai: Ah, but I was the one that said that first, alright. Kanata: It doesn't matter who said it first. All three of us are helping out aren't we? Ai: Yup, Yui-chan is helping out too, ehehe♪ Kanata: Oh right, Nee-chan are you thirsty? The school store it a bit far from here, is there anything you want me to get?