#untitled photography project 1

[whoa-where-did-the-pancakes-go]

Raspberries - September 1st

[polish-art-tournament]

photography round 4 poll 1

Untitled by Marcin Nagraba, 2017:

submitted description: the artist's mother in one of Agnieszka Osipa's costumes (ig link)

propaganda: The photographer is Marcin Nagraba. The model is his mom (he never posts her name, as far as I can tell, maybe she likes the privacy?). The costume designer is Agnieszka Osipa. Osipa and Nagraba both have igs with tons of really imaginative pagan Slavic inspired work like this.

submitted by @slaviclore

Verneille, Trinidad | Silesia costume from the Borders|Granice project by Piotr Sikora and Piotr Bondarczyk, c. 2007:

submitted description: it shows a black woman in a traditional Silesian costume

more photos in the series

[albarrancabrera]

I SEE YOU – 14 ARTISTS IN A DIALOGUE IN COLLABORATION WITH HARPER’S BAZAAR NL @bildhalle Amsterdam Friday, 13 September, 18 - 21h

Special thanks to @mirjamcavegn & @miluskavantlam who have curated this exhibition.

"I SEE YOU" is a reflection on a dialogue that references appreciation and true connection. It’s a direct acknowledgment of the “other”.

We’re honoured to be in this exibition "in dialogue" with one artist that we highly admire: Richard Caldicott @richardcaldicott He’s one of the main representatives of constructed photography. A key set of his work is a series of still lifes created using ordinary plastic containers. 

By playing with the interaction of light and colour, Caldicott no only makes the viewer forget about the quotidian use of these objects, but also emphasizes the qualities of the photographic medium itself, producing objects independent of any antecedent reality.

His innovative approach to photography opened our eyes to the medium's potential for creative expression. This style of work suggests that photography, through its interplay with light, time and chance, can create images that challenge conventional perceptions and interpretations.  . In our "Polarized" series, which is part of our "Opticks" project, we continue using photography to explore the 'structure of reality' and 'the why of things,' echoing Berenice Abbott's vision of photography as “the friendly interpreter of science.” Unlike previous series, this one investigates natural components that are normally invisible, except through experiments that make them visible.

Transparent objects, especially plastics, subtly alter how light passes through them, changes that are invisible to the naked eye. However, when exposed to polarized light and observed through a second polarizer, hidden internal differences reveal vibrant colors and shades of gray. . As Duane Michals states: "Photography deals with appearances, but nothing is ever as it seems."

1: © Albarran Cabrera, Polarized #55452, 2024  2: © Richard Caldicott, Combination Green, 1996 3: © Albarran Cabrera, Polarized #55450, 2024  4: © Richard Caldicott, Untitled #167, 1996

[kainicowrites]

Writeblr Introduction

Hey there, tumblr! I'm Kai Nico! I write short stories and novels with plenty of queer characters. If you get tired of hearing about queer people, you'll probably want to find your way to the exit. For those of you who stayed: Welcome! I hope you enjoy your stay!

Random facts:

I am in my 20s

Non-binary (they/them)

From America

I have a long-term partner

Hobbies:

Writing

Thinking about writing

Getting into writing blocks

Reading

Photography

Video games

Finished Projects:

The Darkness That Surrounds Us

Storms and Sun Rays: Love on the Run

Light of the Universe

Multiple flash fiction pieces

WIPS:

The Darkness That Surrounds Us book 2

Untitled fantasy series (book 1)

Untitled queer book

Twisting Fate

Untitled mystery (short story)

Storms and Sun Rays: Love on the Run prequel

Untitled queer short story

Untitled Isekai and Crime short story

Feel free to ask me questions about any of my projects! My main goal is to share my stories with the world and find people who share my love for queer fantasy and fiction works. I am in the process of trying to publish The Darkness That Surrounds Us and get my short stories added to the writing universe through contests. If you want to support my journey, check out my medium account @kainicowrites. I appreciate your support more than I can say, which is ironic considering I am a writer. Happy reading! My inbox is always open!

[abwwia]

Aneta Grzeszykowska, Hair 1, 2009

c-print, 120 x 150 cm, ed. of 3 + 1 A.P.

Aneta Grzeszykowska, Hair 2, 2009

c-print, x150 120 cm, ed. of 3 + 1 A.P.

Born in 1974, graduated from the Graphic Arts Department at the Academy of Fine Arts in Warsaw. In 2014 won Polityka's Passport Award in The Visual Arts category. Lives and works in Warsaw.

The primary medium in which Aneta Grzeszykowska works is photography. However, she treats it instrumentally, as a tool for the realization of advanced, artistic and ontological exercises. The artist is interested in the role photography plays in creating and documenting a personal identity. Therefore, in her film projects or doll sculptures, the human figure acquires the shape and aura of a marionette. One of the main topics of Grzeszykowska's works is her own identity, with which she plays on many levels: by erasing her own figure from a family collection of photographs (Album, 2005), or by impersonating Cindy Sherman in her classic cycle Untitled Film Stills (2006). Some projects by Grzeszykowska – like the cycle of illusionist portraits of non-existent people (Untitled, 2006) – take advantage of the possibilities offered by digital image manipulation, while others use photography and film in a classic way by emphasizing the performative dimension of the artist's activities. The motifs which she obsessively returns to in her works are absence, invisibility, disappearing, and the confrontation of body and thought with non-existence. Source and more HERE

[thecassadilla]

WIP Tag Game

Thank you for tagging me @annas-hair-donut! 💕

Here's a very chaotic and ever-growing list of partially written WIPs that are sitting in my drive and begging to be completed. Feel free to ask me about any of them! (And please note that this list does not include WIPs that have been published and are awaiting updates.)

To Have/And To Hold (Frozen, Kristanna) - This was originally a Purple Hearts au two-shot that I had planned for Frozen smut week, but since I was unable to complete it in time for publishing, I've decided that I'm going to turn it into a multi-chapter fic instead. It's a modern au fic where Anna, a waitress, and Kristoff, a marine, marry out of convenience so Anna will have health insurance. It'll probably be a while before I get around to actually writing it and the title will likely be changes, but I'm excited to get to it eventually!

Line of Sight (Frozen, Kristanna) - Another Frozen smut week fic that I didn't get to finish in time. This fic takes place in my Change of Pace universe, and to keep it short, sweet, and to the point, I'll just say that it involves a mirror.

Redamancy (Frozen, Kristanna) - A fic that I had started writing for Frozen smut week in 2023 (shame on me, I know). A modern au where Anna and Kristoff are married with young children and haven't had much time to themselves, if you're picking up what I'm putting down.

Into the Light (Frozen, Kristanna) - A gothic au and continuation to my fic After Dark. Basically Kristoff is a monster hunter, and Anna is determined to find out what he's hiding from her.

Untitled Frozen Smut Week 2024 fic (Frozen, Kristanna) - A modern au where Anna and Kristoff are roommates and she accidentally walks in on him...taking care of business.

Untitled Hockey au (Frozen, Kristanna) - A modern au I started writing for Kristanna School Days last year. Anna attends one of Kristoff's hockey games after befriending him during the semester.

Untitled winter/Christmas fic 1 (Frozen, Kristanna) - A modern au where Kristoff agrees to help Anna with her final project for her photography class, inadvertently stirring up complicated feelings about their friendship.

Untitled winter/Christmas fic 2 (Frozen, Kristanna) - A modern au where Anna seeks Kristoff's help during a winter storm, also inadvertently stirring up complicated feelings about their friendship.

I'm sure I have more fics than just these, but this is what I got for now! Feel free to send me asks about any of them! And thank you again to @annas-hair-donut for tagging me! 💕

[americaluna]

Technology in Art: Introduction to Printing Digital Photos – Inkjet Prints

Printing Digital Photos – Inkjet Prints

Student Name| School Level | Course Name & Grade Level: High School – 10th Grade, Art 2 (High School)

Lesson Topic: Editing and printing digital photos

Duration: 2 Hours

Objective Statement:   

Students will be able to use simple editing techniques to present digital photos in print. Students will use Adobe Photoshop to resize, edit, and print their photos.

Lesson Overview:

This lesson aims to consider how students can present their photography or digital assignments through inkjet prints. They will consider sizing, rendering, file size, lighting, and color grading to present their photography-based projects. Students will consider how to create a cohesive collection of 24 photos. Photos must have a narrative connecting to one another. Students will learn about Richard Avedon’s influential career as a fashion and portrait photographer. Students will learn about Vietnamese American, An My Le, a documentarian photographer based from New York. 

Rationale:

Students will use technology to create a cohesive album of photos by considering fundamentals in photography and art. Composition, color, value, balance, movement, unity, emphasis, contrast, pattern, and rhythm

Overview:

Students will create a collection of 24 inkjet prints by using technology and their knowledge of art principles and elements.

Artists:

These artists have a history to be involved in the U.S. Army. (Career Route)

Richard Avedon – American Photographer born and worked in New York City. Focused on portraits. He was interested in how photography can capture the traits of his subjects. He focused on the presentation of his subjects (hair, clothing, make up) and their poses. Worked with Harper’s Bazaar, Vogue, and other magazines.  The Richard Avedon Foundation ; Avedon at the Amon Carter

Suggested Works:

Boyd Fortin, thirteen-year-old rattlesnake skinner, Sweetwater, Texas, March 10, 1979

Ronald Fischer, beekeeper, Davis, California, May 9, 1981        

New York Life #1, Central Park, New York City, July 22, 1949

gelatin silver print.

An-My Le – Vietnamese Photographer based from New York, New York. Born in Vietnam, An-My Le is a Vietnamese American photographer who has documented scenes from her home country to southern United States. An-My Le in Art in America ; An-My Le in New York Times

Suggested Works:

An-My Lê: Untitled, Nam Ha, 1994, gelatin silver print, 22 3/8 by 15 3/4 inches; from the series “Viet Nam.”

An-My Lê: Untitled, Sapa, 1995, gelatin silver print, 22 3/8 by 15 3/4 inches; from the series “Viet Nam.”

An-My Lê: Manning the Rail, USS Tortuga, Java Sea, 2010, inkjet print, 40 by 56 1/2 inches; from the series “Events Ashore.”

What is an Inkjet print?

A print created by a contact-free printer that distributes droplets of ink over a surface to create an image. Most often a print head with nozzles moves across paper depositing liquid ink in cyan, magenta, yellow, and black, although some professional-grade printers employ up to 12 colors. Many different printer types exist, and they can be used with a wide range of supports including papers, textiles, and metals. Introduced in the 1980s, inkjet prints became increasingly common in the 1990s. The process, which produces prints that can closely resemble photographs made in a darkroom, continues to improve in sophistication, and is widely used today.

Source: Inkjet print - MoMA

What is CMYK? Liquid ink of cyan, magenta, yellow, and black “key”. They are colors used in the printing process instead of using primary colors. “Key” refers to black because all the other inks are mixed to create black or darker colors in the printing process. It is best to format images in CYMK if considering print.

More information on CMYK

Materials / Resources:

Preface Photography Lesson, Students will have photos from a lesson before or photos from their personal phone gallery

Adobe Photoshop

Epson Photo Paper in variety of sizes

Ink Jet Printer

Technology:

Students will use their computers to use Adobe Photoshop.

Inkjet printer

New Vocabulary

Point and Shoot

Ink-Jet Print

Procedures:

Introduction/Hook/Bell Ringer:

From your phone’s camera roll? Analyze your favorite picture for composition, color, value or any other element or principle of design.

Lesson | Step by Step:

Students will follow a tutorial on how to resize and format their digital photo for printing. They will consider CYMK on Photoshop.

They will consider dpi, png, or jpeg formats. They will also consider the typical “point and shoot” film ratio such as 6x4 or 5x7. They will need to keep this ratio to size up their photos, no bigger than 24 x 18 in

Students will color grade their photos by using different layers of adjustments on photoshop. They may use filters or textures to unify their photos.

Students will edit up to 24 photos and experiment with printing them on the printers. Students must use photo paper in matte or gloss.

Students will display their photos on black or 50% gray poster boards. Students must describe their narrative and their process to the class during the critique.

[aangussca]

Art Studio 1 Lectures (19.4.24)

Lecture: My experiences in artistic research and practice (by Jacky Redgate)

Art school years (1977-1981):

1977-1979: "Combined realist and conceptual female experiences..."

Her works mainly "incorporat[ed] themes of emigration, motherhood, marriage, family and illness through [her] use of autobiography and dream[s]..."

Main techniques: photography, analogue film, performance installation and body casting/sculpture.

"Looking back now at my art school work at this time [1977-1979], I can see that art history, dreams and memory were more important to me than to many of my peers."

During the early years of the feminist art movement, she was involved in the Women's Art Movement, the Women's Art Group, the Feminist Art Theory, and in performance/screening events at the Media Resource Centre and the Experimental .

Artwork examples from the lecture:

Her Work to Rule series (original photographs - 1986-1987, negatives - 2018), Photographs March 1959 (reproduced in 2015) and Light Throw (Mirrors) Fold 1–10 (2014-2015) are among the many works drawn from Redgate's fascination with mirrors.

This fascination is with regards to how they interact with time, light and space, as well as their relationship to dreams ('hypnogogia' = the dream-like state between wakefulness and sleep, which accompanied by sensory hallucinations) and the self (she stated that she has been self-conscious about her own image in mirrors and photographs).

Like Photographs March 1959 (reproduced in 2015), the Untitled Day series (1999-2000) was influenced by the concepts of mirroring and the doppelgänger (since she has a non-identical twin sister).

The exhibition Hypnogogia with Mirrors, Old and New Works (1977-2023) explores the ideas of archives, memories, and reflecting upon personal traumas. In Redgate's case, her traumas about her immigration to Australia (when she was 11) were documented through her childhood diary.

These themes continue in her short film Mother England (1980), which focuses on the history between Australia and England, and her own experiences with immigration and with growing up in both countries.

In Wedding Wishes (1977) and the Untitled (Rosebud) series (1979), dolls and other childhood ephemera act as manifestations of personal memories, comforts and traumas, as well as the transitional period between childhood and adulthood.

There are plenty of other resources for these works, but I've provided a link to the webpage for the works included in Hypnogogia with Mirrors, Old and New Works (1977-2023), with a downloadable copy of the exhibition catalogue:

Practice-based research (group discussion notes from Oliver Smith)

Framing the learning/discovery/understanding generated in the studio:

Learning new processes - such iterative engagement is where their potential can be observed.

Consider the materials and/or materiality of your work.

Possible line of thinking with executing the idea: Commit to the idea -> Experiment and decide -> Refine

Interplay between the technical and the conceptual aspects of the work.

It is important to visualise the work, both in the specifics of the materials AND in the specific details of how you envision the work within a space.

Important to test potential directions for the work, which may open up new methodologies and resolutions.

Experiments/WIPs for my project (discussions with Oliver Smith and Jacky Redgate)

What I've done so far (some of my posts from previous weeks):

Recording the primary sounds (terrestrial biophony/geophony)

Making the secondary digital musical soundtracks in Ableton

Creating visual studies for my animated segments

Developing an animation test for how these segments may look

What I plan to do until I need to show my WIP presentation:

Continuing recording the primary sounds (aquatic biophony/geophony and biological anthropophony)

Testing the projection with the different fabric samples

Perhaps revise the installation concept (sketch)?

Creating a couple of test soundscapes

Perhaps creating another animation test???

[polish-art-tournament]

photography round 1 poll 10

tap to view full images

Untitled from the Milk Bars series by Nicolas Grospierre, early 2000s:

[no propaganda has been submitted]

[what are milk bars?]

more photos in the series

Untitled from the Ba Lan series by Rafał Milach, between 2005-2008:

submitted description: Vetnamese women are eating hot soup at a restaurant, you can see fragments of vietnamese writing on the window

propaganda: This too is Poland (also i'm getting hungry just looking at this pic)

more photos in the series + a description of the project (in polish)

[basmalahasad]

Week Ten - Armet Frances

Activity One

Before cropping: This image shows kids at an ice cream shop. But instead of serving them, a girl is staring at the camera/photographer with a disturbed face. The image is marked by disorder and messiness - there are no queues, the table has ice cream stains, and shows a boy with multiple ice creams in one hand and a crumpled bill in the other. The ice cream has such an odd color that is definitely unnatural, almost like it could be harmful. although the ice cream doesn't look its best, the image demonstrates how people in that area kept strong throughout difficult times by sharing experiences and connecting via food.

After Cropping: I cropped the image to only show the girl working at the ice cream shop. This way I am emphasizing her aggressive glare and shifting the focus to her instead of the kids. This narrowed focus may give a sense of resistance, implying her unwillingness to help or connect with the customers. The larger context of the excited children that contrasts her look will be lost. This photo could be about why this girl dislikes the photographer or her photo being taken, the context will be more about her and the photographer since the setting was removed.

Activity Two

Title 1: The aftermath Title 2: Moments lost Title 3: Intersections of time

a) When it comes to writing captions for photos, there are no hard and fast rules to follow. However, there are a few things that photographers should keep in mind if they want their captions to enhance the meaning of their images. These include providing accurate information about dates and locations, using a tone and voice that align with the intended message, using clear language that is easily understood by most of the audience, and using relevant captions that may engage the viewer with the content.

b) Some approaches that we can take when photo-captioning are: - Who, What, When, Where - 'Untitled' or Ambiguous Captions - Storytelling - Quotations - Context about history/culture - Questions - Analogies

Armet Frances - Beyond the Black Triangle

Fashion Shoot, Brixton Market, London, 1973

This shot shows a girl posing in front of a wide red door, holding an umbrella, and dressed in bright, bold colors. She appears to be making direct eye contact with a woman going by who is dressed entirely in black. I find the contrast between the girl's colorful and vibrant outfit and the backdrop of the intimidating red door interesting. The girl's eye contact and engagement with the passing woman create a sense of connection or curiosity.

The framing here is the most important aspect of this image, the striking difference in clothing choices between the girl and the passing woman is an important compositional element here. 

The contrast of colors and clothing affects how the subjects in the shot are seen. The girl's vibrant outfit against the red door represents brightness, youth, and maybe a sense of assertiveness or confidence. The passing woman's black attire, on the other hand, may generate a different vibe, potentially projecting a more muted or traditional demeanor. The girl here represents black models who are gaining the confidence to go against the stale trop of white models, and the older women represents society and their judgment and segregation based on color.

This photo reminds me of David LaChapelle's work that we looked at in week 2. The vivid color and intentional posing that look like street photography look similar to his photo of the fashion model Alek Wek. 

Carnival Sound System, London, 1968

This image shows a large crowd, mainly black men, gathering around a large set of speakers. This photo is specifically interesting because of its possible historical relevance. Seeing a gathering of black people in London in 1968 is likely to have cultural and social significance, particularly in the context of music, community, and maybe activism. This reminds me of a documentary I watched called Hip-Hop Evolution, which shows how important these gatherings were in the creation of a new music genre as well as making connections between people.

In this image, the point of view is a very crucial aspect. The image is captured from an elevated position, like the photographer is looking down on them. This point of view makes the subjects look smaller and provides a broader view of the group, hence showing more people. 

The high angle of view influences how the subjects seem in this shot. It highlights the scope of the gathering by making them look smaller, either emphasizing the breadth of the community or the significance of the occasion. This point of view showcases the black population in London in 1968, implying a feeling of inclusion and shared experiences.

This photo reminds me of Andreas Gursky's style with how the photos are taken from a high angle and are used for advocacy. 

from the series Lambeth and Brixton Tube, 1994

This image shows two guys standing in front of the Brixton Station's entrance and joyfully pointing at the station sign. I found this photo interesting because it creates a sense of inclusivity and happiness, the image feels light and is very visually appealing. 

All of the straight and clean lines, as well as the symmetrical pose of the two guys, are important compositional aspects. This mirrored mood, in which they keep the same exact pose while pointing to the station sign, provides an interesting visual symmetry within the frame.

The emphasis on straight lines and symmetry enhances the photo's feeling of control, balance, and unity. The people's mirrored poses create a feeling of harmony and synchrony which heightens the sense of community and shared experience between the black community that Armet Frances is trying to communicate with most of his photographs.

This photo does not remind me of any specific photos that we looked at. What makes this photo different is that it mixes the style of street photography with the organized cultural and personal narrative and I feel like that makes it unique.

My photographs

Ephemeral Fashion, 2023

In this image, I aimed to capture how people perceive outfits on the streets, especially in a fast-paced city like London. I used a long exposure technique to blur the people who were moving while I took the photo. This technique imitates how people do not pay attention to what others are wearing, specifically in a beautiful city like London, where people often get overlooked due to all the beautiful landmarks. The bright and well-lit location highlighted the concept that there is a subtle beauty that may go unnoticed even in plain clothing. The snapshot invites you to observe the elegance and grace in these subtle fashion choices among all the dazzling light and action. The photo also highlights that with social media and consumerism, people tend to look ordinary because they all follow the same trends. I titled this image "Ephemeral Fashion" to show how these are just passing outfits, so there is no need for the overconsumption of fashion that is happening right now with fast fashion companies. This picture serves as a reminder to appreciate  the modest fashion inside our wardrobes, demonstrating that, even in the midst of the frenzy of fast fashion, there remains a timeless appeal in the subtle and unassuming designs that quietly brighten our daily lives.

With the photo now cropped and the lack of a descriptive caption, this image might be interpreted as a representation of the work culture and fast-paced society in the UK.

[jen567]

Theme 1: Inner Space  

Artistic references

Frederik Heyman

Frederik Heyman is a fashion photography multimedia science artist born in 1984 in Belgium and graduated from the Royal Academy of Fine Arts in Antwerp in 2007 with an MA in Photography and an MA in Graphic and Illustration Design. He has created 3D works for brands like Burberry, Y/project Kenzo, Gentle Monster and many others. His works present an imagination of the real world and the sci-fi future world, rearranging the real world with observations of desires and fantasies to create his own virtual worlds. He copies elements from the present world and pastes them into this alternate reality. This reality depicts detailed descriptions created out of a desire to overcome human nature.

Eero Lundén and Juulia Kauste

Another Generosity

Born in 1986, Alexey graduated from the National Technical University in Poltava, Ukraine with a Master's degree in Visual and Decorative and Applied Arts. He has created a series of CG works for the fantasy field, produced a large number of 3D models and collaborated with clients all over the world, and in 2012 he started his research and work in the field of scientific visualisation.

He has won several major awards in the field of 3D graphics, including two CGSociety 3D Awards and the ZBrush Image of the Year Award, and has been published in more than 30 international print magazines and books. in 2017 he founded Newt Studios, a medical animation company, with his business partner Mike Moran. He is also the founder of the Ukrainian company ARQUTE Ltd. He is also a strong believer in a healthy lifestyle and believes that a healthy lifestyle leads to a more fulfilling life.

Drew Berry

Drew Berry is a medical animator, artist and cell biologist who can make the violent cellular and molecular movements and abstract and complex science that occurs in the human body understandable in beautifully visualised images. He has worked as a biomedical animator at the Walter Eliza Hall Institute of Medical Research in Australia from 1995 to the present. His animations have been exhibited in numerous museums.

Stine Deja

Stine Deja is a visual artist born in 1986 in Denmark and living in Copenhagen. Her work is about the impact of technological development on the human psyche, living conditions and behavioural patterns. It is a dystopian and critical perspective on the future of human culture, combining extensive conceptual research with transcendental aesthetics and a sense of irony. Deja's creations use different mediums such as monolithic installations, kinetic sculptures, sound installations, videos, 3D animations, and texts, and focus on the integration of human biology and digital technology, biology and digital technology. She focuses on the relationship between human emotional complexes, motivations and obligations, and the mechanisms that humans employ to help them fulfil their desires. Her work is in the collections of numerous museums and foundations.

[polishwomenartists-sztukakobiet]

Weronika Gęsicka, @wgesicka Untitled #5, Untitled #54, Untitled #1 (4th also from this series)

Polish Women Artists @sztukakobiet

All photos from the book Traces, photo: courtesy of the artist via culture (pl)

Weronika Gesicka (1984, Włocławek, Poland) graduated from the graphics department of the Academy of Fine Arts in Warsaw and the Academy of Photography in the same city. Her projects address themes tied to memory and its mechanisms. She is interested in scientific and semi-scientific theories that deal with memory, mnemonics and the processes of memorizing and forgetting. She is primarily a photographer and creator of objects. via lensculture

See also TRACES the book / a catalogue (source)

#weronikagesicka #artbywomen @abwwia #femalephotographer #sztukakobiet #PolishArt #artistnotamuse #gesicka #PolishWomenArtists

[alixhatzidakis]

Final Project (inspiration: Vivian Maier)

Untitled (Summer 7)

ISO 3200 - f/5.0 - 1/80

ISO 800 - f/8.0 - 1/30

ISO 1600 - f/14 - 1/50

ISO 3200 - f/7.1 - 1/50

ISO 400 - f/14 - 1/50

ISO 800 - f/8.0 - 1/30

ISO 200 - f/14 - 1/50

ISO 3200 - f/8.0 - 1/60

I chose Vivian Maier’s photography as my influence for my final project. I became aware of Maier's photography around the time the documentary Finding Vivian Maier (2013) was released while I was taking a photography class in high school. Her photography is captivating in how she was able to capture mundane subjects of life repetitively while still creating interesting images. How I attempted to emulate her work was by paying attention to my life throughout the week and looking for images to capture. I noticed how her photographs contained motifs of reflections, shadows, and high contrast and remained aware of those characteristics while capturing my images.

[aubethangribble]

Place Of Words - Bibliography

Page 04 -

Screenshots from: https://www.penguin.co.uk/company/work-with-us/cover-design-award/2023-briefs

Page 16 -

(FIG3) Moss, O., (2010) The Evil Day. [ONLINE]. Available at: http://ollymoss.com/#/the-evil-dead/ [Accessed 14 February 2023].

(FIG4) Moss, O., (2010) My Neighbour Totoro. [ONLINE]. Available at: http://ollymoss.com/#/my-neighbour-totoro/ [Accessed 14 February 2023].

(FIG5) Moss, O., (2010) Star Wars Trilogy. [ONLINE]. Available at: http://ollymoss.com/#/star-wars-trilogy/ [Accessed 14 February 2023].

Page 43 -

Screenshot from: https://www.dazeddigital.com/fashion/article/47476/1/reddit-counterfeit-fashion-reps-fakes-knock-off-su preme-nike-jordans-off-white

Page 47 - 48

(FIG6) Morsillo, A., (2020) Sion Fanzine. [ONLINE]. Available at: https://www.behance.net/gallery/122367963/DOLLY-NOIRE-Sion-Fanzine [Accessed 23 February 2023].

(FIG7) June, L., (2023) MAGAZINE. [ONLINE]. Available at: https://www.behance.net/gallery/166414791/MAGAZINE-Larry-June? tracking_source=search_projects%7Crap+magazine [Accessed 23 March 2023].

(FIG8) Morsillo, A., (2019) STRT MAG. [ONLINE]. Available at: https://www.behance.net/gallery/84536681/STRT-MAG-Issue-2?tracking_source=project_owner_other_projects [Accessed 23 March 2023].

Page 55 - 56

(FIG9) Labrinth. (2012). Express Yourself (Official Video). [Online Video]. 16 May 2012. Available from: https://www.youtube.com/watch?v=III3G1egUcU&feature=youtu.be. [Accessed: 26 April 2023].

(FIG10) Whistle, C., (2023) Levi Jeans Campaign. [ONLINE]. Available at: https://colorwhistle.com/combining-illustration-photographs/ [Accessed 26 April 2023].

(FIG11) Whistle, C., (2023) Untitled. [ONLINE]. Available at: https://colorwhistle.com/combining-illustration-photographs/ [Accessed 26 April 2023].

(FIG12) Hakeisolai, H., (2018) One Piece. [ONLINE]. Available at: https://www.boredpanda.com/linemood/ [Accessed 26 April 2023].

(FIG13) Robescu, A., (2018) Illustrations. [ONLINE]. Available at: https://www.behance.net/gallery/66830521/2018-illustrations [Accessed 26 April 2023].

(FIG14) Robescu, A., (2018) Illustrations on fashion. [ONLINE]. Available at: https://www.behance.net/gallery/35902089/Illustrations-on-fashion-photography-and-ads [Accessed 26 April 2023].

(FIG15) Wilson, M., (2021) Drawing On Photos. [ONLINE]. Available at: https://photographywithmisswilson.weebly.com/drawing-on-photos.html [Accessed 26 April 2023].

(FIG16) Mos, E., (2018) I Love To. [ONLINE]. Available at: https://www.boredpanda.com/i-love-to-combine-photography-with-illustration-and-create-new-universe/ [Accessed 26 April 2023]. 

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[jessicawardcreativeenquiry]

Contemporary Artists using Salt printing and its technique.

Figure 2.1 Untitled, from the In Subdued Light series, untoned ammonium chloride/sodium citrate salted paper, 26 × 17 cm © Kees

Funahashiya Senbei Shop, Sanyo, Kyoto 2011, platinum/palladium toned salted paper salted with Tokyo Bay water, printed on Bamboo Bristol, © Wynn White 2011

Elizabeth City, untoned ammonium chloride/sodium citrate/gelatin salted paper print © Christina Z. Anderson 2016

Stand Back Adam!, untoned salted paper print © Christina Z. Anderson 2016.

Moonlight on the Boulder, casein sized Hahnemühle Platinum Rag, 7″ × 10″ © Elaine Nabors 2017

Private, arrowroot-sized salted paper weakly selenium toned, 7.5″ × 10″ © Clara DeWeese 2017

Anderson, C. (2017) Salted Paper Printing. 1st edn. Taylor and Francis. Available at: https://www.perlego.com/book/1572380/salted-paper-printing-a-stepbystep-manual-highlighting-contemporary-artists-pdf (Accessed: 1 May 2023).

i found an amazing book by artist Christina Z. Anderson where she explained in detail the theory behind salt printing and the technique as well as include works of current contemporary artists who this technique. even tho i am not doing photography for this project it has still bee interesting to learn the process and see how salt has been used in other disciplines in art and the history of it. From talbots methos of using salt artist were then able to create photograph like drawings similar to the process of cyanotypes which then led to the cyanotype process itself. This is another clear example of how amazing the material, salt is an how diverse its properties are. It also gave me the question of how lightfast will my own work be? will the salt bleach in the the light, the colour that i have used with the rust to create depth and deeper tones. will this fade in a matter of weeks. only time again will tell whether i have created another piece of work that will fade.