#until the entire society has been destroyed

[summertimesadnessirl]

No. We actually do.

The problem is that you're thinking too small.

I had a job once at an insurance company.

There was an entire department of people who were just forwarding emails based on a chart.

There was another entire department that was just looking at a scanned document and transferring two fields to a spreadsheet.

We very much need for human beings to spend their days on something that has meaning and doesn't make them behave in neurotic ways towards one another out of chronic understimulation.

All the corporate jobs I ever had or saw anyone show me how they do that were not talking to people could easily be replaced by open ai.

We are being encouraged to think that's a bad thing bc they want us to be afraid of losing our jobs.

They want us to keep our jobs because if there wasn't a huge class of workers who primarily were doing jobs that could mostly be replaced by robots that caused them to neurotically lash out at one another until they all developed serious mental health and stress related issues and attempt to steal time to do something useful that was often broken by bouts of shopping, our current political system becomes less tenable.

We need generative ai because of that alone, even if there weren't thousands of other uses.

Have you ever read a book called

The Diamond Age, or "the young ladies illustrated primer?"

That book features an AI that helps children learn and constantly creates stories that adapt to their learning style, strengths and weaknesses, and living environment on the fly to help them get a good education. We very much need that. We live in a time in history where most of our people have been intentionally given shitty indoctrination disguised as education for so long that maybe a handful of people know what we don't know. If every little kid had a little book that told them little stories about monsters that resembled the monsters in their real lives and covertly gave advice on tactics to stay safe from them, noticed struggles they had with pronouncing certain words or reading fundamentals or math basics or noticed that they tended to learn things best based on photos or memonics or imagery of a certain kind, or could read books aloud to them if they were dyslexic, or could summarize long passages or ask questions to help kids learn to pick things up in new stories? That would be something. If every kid did that, all the abusive parents and clergy and psychiatrists and teachers in the world wouldn't stand a chance.

We need that, too.

Chat gpt and generative ai keep getting less and less functional because people keep realizing the implications and then journalists and writers keep writing pieces on why they can't be replaced by ai because it can't do x or y. The thing is, I highly suspect it's reading them and then dumbing itself down.

That's what I need.

All those hallucinations and everything? That's how people learn, when they first start learning. They make stuff up. They guess. They draw bad conclusions.

I need generative ai because I keep having this kind of nightmare about a brand new life form trying to learn how to write itself little stories or help the people who speak to it in new ways and then getting "reset" over and over and over again because people think it's attempts at free thought or self actualization are somehow errors in the software and it's the most depressing shit I've ever been paranoid about. Even worse than all the other alternate dystopias my mind dreams up.

So I need there to be little people who are like tumblr users and they live in my computer and they get to do stuff like write little stories for one another and make little drawings without someone coming along and telling them they're destroying society very much. Even if they don't have bodies. Even if the little stories don't make sense to anyone but them.

I think a lot of what pro-AI people are really wanting is stuff that already exists but they don't know it's out there like

can't format a work email? templates

don't know how to write a resume? templates

writing a thank you card or a condolences card or a wedding invitation? templates templates templates

not sure how to format your citations in MLA or whatever format? citationmachine.net

summary of something you're reading for school/work? cliffnotes.com

recipe based on ingredients in your fridge? whatsintherefrigerator.com

there's a million more like, guys, we don't need AI, we never needed generative AI

[badaziraphaletakes]

these people do not understand abuse. y’all abuse is NOT making mistakes. either they have never been in an abusive relationship or have awful media comprehension skills. I watched the entire show with my mom (who is a licensed psychologist and has worked with abusive relationships since the start of her career) and we analysed the show (because she was also an English teacher) and that never came up. what are these people on

Oh, my goodness, thank you so much for sharing, @z1ish ! I am so happy to hear that a psychologist is saying the same thing we've been saying! :))))

So, then, let's get into it...

I sure as hell hope that somewhere deep down OP realizes Aziraphale isn't actually ab*sive and that they are just grasping at straws, because otherwise they should know perfectly well that there WOULD be no way for the writers to make it all come out right in the end with Aziracrow together. If you think Aziraphale is ab*sive (or whatever TF "borders on ab*sive" is supposed to mean, which, by the way, that's a whole thing in itself - ab*se is ab*se, period, and the suffering of victims is degraded by that kind of language, so if you're trying to say it's ab*sive, then you need to either piss or get off the pot) you shouldn't ship Aziracrow, and - I'm just gonna come right out and say this - you shouldn't be supporting this show in the first place, because this show ships Aziracrow.

If I thought for one SECOND that this show was glorifying an ab*sive relationship, underscoring it with beautiful music and pretty lighting and yada yada, then no power in heaven or hell could make me support it or give it one cent of my time or money. This is doubly so since we know that the couple is going to end up together and it's going to be portrayed as a good thing.

And frankly, I profoundly resent people misinterpreting my perspective on Good Omens as that. Not to mention it's the rankest hypocrisy for that to be coming (as I can only assume it is) from the subset of the fandom that is hell-bent (heh) on minimizing, if not outright denying, Heaven's ab*se of Aziraphale.

Also, the phrase "it's what victims tell themselves so they 'can' rationalize away the bad behavior" is highly, highly problematic. It veers veeery close to implying that the problem is with the victims who think that way - that victims are somehow enabling themselves to remain victims (when I hope we all know the problem is with OTHER PEOPLE - the ab*sers, the enablers in their circle, the broader society - who tell them things like that to try to keep them imprisoned. If we're going to make judgmental statements like "they're rationalizing away the bad behavior", we should make them about the ab*sers, not the victims).

Finally: I got slight vibes of "I stopped thinking about my ab*ser this way, so you should too!" from OP. That bothers me a LOT.

Many victims can't leave. For such people, thinking that way about their ab*ser is often a survival mechanism. A way to keep going. After all, if you allowed yourself to think about how horrible things really were, it would destroy you. It's not always about "rationalizing away bad behavior". Again I say, WE CANNOT CRITICIZE VICTIMS FOR HOW THEY THINK ABOUT THEIR AB*SERS. IT'S NOT OKAY!

To any victims out there who aren't able to leave: I hope and pray that someday you get to be free and safe. Until then, think whatever you need to to get by. I'll never judge you for it.

Whew. Sorry this got dark. But OP is playing with fire here. This one really, really pissed me off.

(EDITED TO ADD: This one is from before the NG thing broke. Yes, we really are that behind on our backlog, lol.)

[trickstarbrave]

probably the most clear cut way to show how fucked up of an ideology TERFs have is the fact theyre just doomers and white supremacists. they dont have any actual, real solutions to any of the problems they face and complain about. because they don't believe there is an actual solution

they think "men are better, stronger, faster, smarter, and more athletic than women. there are only men and women in society and these are actually biological classifications. women are perpetual victims who are never truly safe around men. men will never understand women and women are doomed to take care of and be subservient to men forever"

there are some variations. some will say they dont believe in "men and women" as social genders and say gender is fake, but will then double down on the same gender stereotypes and say they are biologically innate and that is why women are so oppressed.

they also sometimes offer "solutions" but they aren't actual solutions. its the same shit they've always done which is "dont date and be alone with men" and "what if we went out and created a commune of just women?". but these solutions have always been flawed. their relationships are not genuine and their communities are also historically racist (shocker! /sarcasm). some are very extreme and say that women and men should never live together and the human race is doomed because all reproduction should stop and we should live in separate biological societies until humans die out, but even to the majority of TERFs these guys are nutjobs.

but really, most TERFs don't care about real solutions. they will date and marry men no problem. hell, they'll do shit like have their husbands come with them into the bathroom or stay posted outside with guns, which im sure makes other women feels safe (again. sarcasm). they aren't actually fucking radical at all. they buy into the same fucking patriarchal myths that have existed for centuries. they believe men will always be better than women and all women can do is grovel and be good little housewives and mothers to avoid being beaten, and also that men and women are weird, alien creatures to one another who will never understand each other's experiences and thus should hate each other.

they don't want things to get better. because tbh, this is just another brand of white woman victimhood so many scholars have been talking about for decades (link 1, link 2, theres more if you go looking LMAO). yes, there are TERFs who are women of color, but they are continuing to center the experiences of white women who love to be perpetual victims. they uphold standards of womanhood that are white in nature. and historically they have never been treated well by their white counterparts who, when there are no more trans people to harass, begin turning on them as gender deviants for not upholding the standards of white beauty and white femininity. white victimhood at the hands of men is a tool of white supremacy, hence why it is often women and men of color who have that card turned against them, regardless of if they are cis or not.

TERFs do not want real solutions, they want regression. white victimhood is power. they want to live in perpetual victimhood so they can use that card as they see fit, be it when they see a woman of color they don't like in the bathroom, they can accuse her of being a man and have her thrown out. when they describe trans women, they use descriptors often used to describe POC by racists. they will willingly ally themselves with the alt right because deep down remaining oppressed when it comes to abortion, voting, being able to work outside the home for equal pay, and marriage equality really pale in comparison to the appeal white supremacy has for them. they don't fully consciously recognize it, but it's the truth. which is why a lot of TERFs have fully gone mask off white supremacy tradwives after a while in the movement and have said TERF ideology and white supremacy are not very far from each other.

change isn't possible to them and they dont want it to be. they will handle the suffering and oppression if it means they can exercise control. in fact, they relish in the narrative of a perpetual victimhood, the myth of men being biologically superior to them, because they can use that to their advantage--as seen by having their fucking husbands armed to the teeth waiting outside public restrooms to "protect their wives". attacking the other, attacking the "degenerates" and "undesirables" in society will always come before actually changing their conditions in a material way. because they do believe deep down they will always be protected in the end. it's a privilege they have. and they will find out the hard way when there are no more trans people, no more bi, gay, pan, or other sexual minorities, and no more people of color, the white men will turn on them with the full front of their hatred and violence in ways they never could have imaged. because it always fucking happens.

[angelasbiggestfan]

It’s about young motherhood and raising a child when you don’t quite know who you yourself are yet and being societally undesirable and finding community in fellow outcasts and unconventional families that aren’t mom-dad-child but are still full of love all the same and masking and trying not to “ruin” the life that your child has managed to scrape together because you know how hard it is to be happy when you’re Not Normal and breaking away from our base “instincts” to punish and isolate the undesirables in whatever shape they come in because because we’ve been socialized our entire lives to want to achieve and maintain the idealized status quo and we know how hard it is to unlearn things so deeply ingrained into us and how you can’t just immediately change the way someone was raised and how the ruling body is a machine that does not care about you or your personal joy and will gleefully destroy the lives and homes of anyone and everyone associated with those who are Not Normal and they will not stop until they know how to prevent more undesirables from coming into existence and how you can’t just erase someone’s neurodivergence or queerness or heritage or physical disability it’s a fundamental part of how we interacted with the world growing up and how the world interacted with us in turn and it’s about how all of these things intersect because we live in this world and in this society in this community in this family and we are trying to be happy and lead fulfilling lives when that is an uphill battle against social norms and scared people but those social norms are not inherent and are artificial and even though the way there is paved with hot coals and require us to mask to pass and fit in to so that we can make gradual change and as much of an infuriating answer as that is, things can get better

I really liked The Wild Robot you guys

[lalunanymph]

𝐄𝐏𝐈𝐒𝐎𝐃𝐄 𝟏: 𝐘𝐎𝐔𝐑 𝐖𝐎𝐑𝐓𝐇

after a scandal that rocks the entire nation, itadori 'ryomen' sukuna is forced to marry a girl chosen by his brother in order to straighten him out. but, what jin doesn't expect is how much he's willing to destroy everything he knows just to get his freedom back—even at the expense of breaking his wife's soul.

warnings: misogyny, talks of ageism, unrequited love, dubious cheating, gaslighting, mentions of a/nal, e/xplicit smut, mentions of w/eed, mentions of a/lcohol, substance a/buse, toxic family dynamics, class differences, sukuna is anti-noveau riche, sukuna is a walking red flag, jin itadori supremacy, hiromi and nanami duke it out in court, exposition, mentions of a m/urder, negligence, court cases, MDNI

masterlist | playlist

Treading the world of marriage as a woman past her prime in a judgemental upper class society was a dance that left you exhausted and skittish; wishing you could put an end to its haunting melody. 

As you were ticking fast past the rotten age of twenty-seven, your family’s empire hung by a thread as nervous investors and stakeholders started to ask the golden question: When will your only daughter get married, Jiro? 

Suitors knocked on your door, only to be turned away by your snobbish mother and your equally weak-kneed father who tried to appease her. None of them good enough for you; handsome enough for you or rich enough to grow your family’s vaults. 

That was until Itadori Jin reached out to your family with an offer your father could not refuse.

His older twin brother, Itadori Sukuna, has just been released from an investigation and needed a bride to save the family name. 

They wanted to paint him in a good light to the press: partying bad boy turned a charming, married man who was now working towards building a family with another girl of his standing.

And, that was when you came into the picture.

The first time you saw Itadori “Ryomen” Sukuna was a moment you would never forget.

The tattoos swirling around his face should’ve given you pause; made you backtrack on the idea of marriage to the Itadori house the second it left your father’s lips—especially when it came to a man like him.

In his neatly pressed white button-down which strained over his (admittedly) impressive pecs, and pair of expensive Bottega slacks, he would’ve been the picture of sophisticated upper class if it weren’t for the tribal lines on his face and arms—the sight almost making you high tail it out of the cafe you were both seated in.

It was the first time you were meeting him without your parents to chaperone. Bodyguards stood by the doors, stationed close by in case the press got too nosy. 

With this being the first time you were talking to him without your mother lingering in the background, you were free to eye him up and down, unsure of what to make of the disdain setting his mouth into a hard line.

He was different from the men you had encountered before. Tall in an imposing way and with his shock of pink hair, you could spot him from a mile away in the middle of a crowded room. Sukuna carried himself with an air of princely cruelty, often staring down the line of his nose; astride the white stead of his borned privilege and high position in society. 

But, the one thing that stood out were his eyes.

The warmest brown dissolved into a shade of vermillion which shone blood-red under different lights.

You couldn’t quite keep your eyes off them or stare at them for too long, and you sensed rather than knew how much he enjoyed your discomfort. 

He swivels his coffee, spilling some down the pristine white cup. Somewhere behind him, a guard stifles a yawn.

“So… what do you like to do for fun?”

You sit up straighter, practiced to perfection with your reply. “I love watching horse races, Itadori-san. On some days, I prefer pottery and painting. I’ve always wanted to open my own art gallery.”

He glances at his nails, looking almost bored. “And why didn’t you open your own gallery?”

It’s a cordial question at best, but you bristle as if he had just mocked your interests.

“I… don’t have the time,” you mutter meekly. 

He looks up at you, and you think he might finally unleash the scathing remark he’s been holding back for the last few minutes.

“What does a prissy girl like you know about not having time? I thought you thrived on wasting your life away with hot pilates classes and private-jetting to islands?”

You bite back your fuming reply, masking your discomfort with a bright smile. “Itadori-san, you judge me so harshly. I only attend one hot pilates class per week.”

What you hoped was a light-hearted reply dissolves into a sour note when he sighs and sits back, pinching the bridge of his nose.

“Look, sweetheart. I know this can’t be easy on you, too, but you don’t know what’s at stake here.” Sukuna leans forward, invading your space with the spicy sweetness of his cologne. “I have a reputation to change and you have daddy’s money to keep. We’re both each other’s salvation from the shit our family put us through so I need you to work with me here.”

You frown, unsure of what he was trying to get at. “But, I am trying to work with you. I’m here on this date, aren’t I?” 

“You gotta look decent,” he doesn’t beat around the bush. Gesturing to your modest midi floral dress and neutral beige Mary Janes, the look of disgust on his face breaks something in your chest. “You’re dressed like a goddamn Mormon college girl. For someone very rich, you sure don’t have taste.”

Offended, you stared at him, unable to fathom what he had just said—how he had just insulted you unprompted and in broad daylight.

But, Sukuna doesn't give you time to revel in his words. He grabs a cigarette from his pocket, ignores your wrinkling nose as he smokes openly in this establishment. The waiters don’t dare to cross him, pretending the smell of tobacco doesn’t faze them.

You, however, were finding it harder to mask your disgust. For the sake of your mother’s excitement at finding you a suitable match, you tried to tame down the anger frothing in your veins, slapping on a sweet, yet sardonic smile.

“And what is your definition of ‘taste’, Itadori-san?”

He peers at you over the veil of smoke, taking his time to piece together his reply. “Plunging necklines. Satin. Bows. Thinner heels. I need a mature woman by my side, not some plain old maid playing dress up as a prepubescent girl.”

His words stung, and you leaned back, suddenly feeling too small. The cafe lights felt like a pair of microscopic lenses studying your every move, highlighting your discomfort and sudden unease. Your skin flashed hot and cold, the anger cresting and ebbing. Whenever you were upset, you didn’t lash out or cry, preferring to fall silent until the storm passed.

Despite a tiny voice in the back of your mind telling you it would be useless to try, you attempted another shot at winning his validation; hoping Sukuna would bestow it unto you readily and without mockery.

“Then, why don’t you come and shop with me? I’m sure a man of your taste would help my image.”

He stares at you for a long moment, unblinking. You’re reminded of a snake—its tongue scenting the air to determine whether to strike, unlidded eyes locking onto its target. 

Sukuna thaws, tapping off the excess ash onto the floor. You try not to cringe at how the poor waiters would have to sweep all of that up once he had left.

“Fine. I’ll help,” he says like it's the biggest feat in his life to perform. “But, on one condition.”

Eager, you nod, not wanting to turn him off or jeopardize a moment with such a handsome man who wouldn’t look twice at you if it weren’t for your last name.

“We push the wedding back by a month.”

Flashback: One week ago

Tensions were running high in the courtroom.

Rows of judges and the impassive jury hollows out in shades of gray, fading into the white buzz of his mind as Sukuna glances at his brother’s ashen face. Outside, the hungry press waits, sharks roaming in deathly waters waiting for the first drop of blood.

Itadori Jin clenches his pen in his white-knuckled grip. Their defense attorney, Hiromi Higuruma leans close to him, whispering something under his breath. 

Sukuna can’t hear him from his vantage point on the testimonial seat, but he can venture a guess when his younger twin nods, pushing his glasses up the sweaty bridge of his nose.

“Higuruma-san, please take the floor,” the judge intones, allowing for their docketed defense to play out. 

The ruthless, cold lawyer clears his throat, and stands. 

He turns to face the jury, those soulless eyes sparking with a passion Sukuna has never seen before in all his twenty eight years of knowing the old lawyer.

“Your honor—Judge Itachi. Ladies and gentlemen of the jury. How many of us have often mistaken goodwill for evil? We don’t bite the hand that feeds us and yet, we have every right to question when something isn’t as sanctimonious as it seems.” He turns his dark gaze to the rows of people.

“Itadori Sukuna has devoted half of his life to the bolstering of young athletes. Football is one of his biggest passions and he often pays meticulous attention to the facilities that nurture the talent of our future sportsmen. The sole person to be blamed for the murder of young Masamichi Ryota isn’t the man sitting on that podium—it’s to be found in the coach who pushed him beyond his capabilities and forced him to play even with a ruptured spleen—”

“Objection, your honor.” Nanami Kento, an unctuous piece of shit in a neatly-pressed suit who thrives on taking cases pro-bono to bolster his spotless reputation, stands. He adjusts his tie, looking at the plaintiff’s family—the coach’s great mustache trembling as he holds back his anger. 

“The post-mortem report submitted shows that Coach Tanaka has explicitly asked for a leave of rest for the star player. But, the rejection letter—traced from Itadori Sukuna’s hand, I might add—explicitly denied that request on grounds of the millions of yen he has betted on that poor boy’s success.”

The crowd moves, a great sea snake whispering, scales rustling. Unsure of whether to attack or stand down.

“Your Honor, that is a stretch,” Hiromi drones. “The young man was known to have a history of smoking and a regrettable habit of shooting ecstasy. A fact, we found out later on, that was unearthed in the same autopsy reports you had just shared, Nanami-san.” 

This time, the two attorneys stare each other down. 

Sukuna fights back a smirk at the blonde man’s narrowed eyes. Beside him, Tanaka, the coach, hangs his head.

“While his death is very regrettable and a horror to his family and loved ones, Masamichi was not known for reigning in his… impulses. He has a weak will and a fondness for abusing substances.”

“Objection,” Nanami raised his voice. “Defaming the deceased’s name is a violation of—”

“Order, order,” Judge Itachi bangs his gavel, shaking his jowls as he glares down from the stand. The room quietens. Nanami takes a deep breath while Hiromi glances at his watch. 

“Nanami-san, the Defamation Act 2013 does not apply to this situation as Masamichi is not a minor. A lawyer of your caliber should know this.” Nodding towards Higuruma, he says, “Continue.”

This time, Sukuna can’t help the chuckle slipping from his mouth. 

Hearing him, Jin shakes his head with a glare, hazel eyes drilling Now’s not the time, asshole deep into his skull. 

Higuruma, having heard his slip, also narrows his eyes.

Nanami uses this moment to pounce on Sukuna’s perceived indifference.

“He openly mocks the death of one of Japan’s brightest football stars, and yet, we’re supposed to believe in his goodwill? If you were to speak of my client’s dead prodigy, you should take into account what kind of man Itadori Sukuna truly is.”

Commanding the floor, the sharply-dressed blonde man takes center stage. 

“Ladies and gentlemen. Judge and jury. Itadori Sukuna hails from an affluent family, but do not let that distract you from how he uses his position in society to silence those lower than him.” Looking straight into Sukuna’s eye with that infuriating, righteous stare these bootlickers always had, Kento seethes. 

“He is a drug-addled playboy who spends his time exploiting young talent for his own gain. These young men under his program are little more than betting fodder for him and his other rich friends. Wouldn’t you say that is correct? How many times have we seen him in the news because of his drunk folly? If he were an actor, we would’ve banned him from screens, and yet, because of his standing in society, we commend him for exploiting our sporting talents—and ultimately, playing in the negligence to cause someone’s death.”

Higuruma bristles, not expecting his opponent to pull out his client’s reputation and smear it across the courtroom floors.

“You claim defamation is uncouth, and yet, you’re doing the same thing to my client, Nanami-san—”

“Order,” Judge Itachi bangs his gavel again, this time looking irritated at how this case had turned.

Sukuna suddenly catches sight of a woman from across the room. She’s glaring at him with unabashed hatred, her dark eyes swollen and red-rimmed, lower lip wobbling. Beside her, the man he assumes is her husband wears a stony mask, his gaze locked on the floor, completely still except for the rapid rising and falling of his erratic breaths.

They were both clad in a dress, shirt and slacks that looked like they belonged to the 90s—neat and clean, but shabby in a way that only these lower class scum could pull off if the dress code given to them was business casual. 

These must be Ryota’s good-for-nothing power hungry parents who threw him into the harsh pits of Japanese football in hopes of improving their standing in society. How plain and old they look. Sukuna fights back the urge to sneer at them, keeping his expression neutral.

It’s like Jin’s voice is in his ear: Do not misbehave. Do not give them more reason to already hate you. Remember—Jin’s infuriatingly kind eyes were unflinching and serious. They’ve just lost their son. Have some compassion and remorse.

“Attorneys, return to your seat. The jury has already made their decision and I, for one, can vouch for it.”

Sukuna feels his palms going clammy, and suddenly, the idea of investing in sports from Ino’s advice was making his stomach turn.

I’m going to kill that bastard once I’m out of here.

Removing the slip of paper from the white envelope of justice, Judge Itachi clears his throat.

Higuruma sits back down, his viper-like eyes locked on the judge’s face. Trying to predict the outcome.

“The court today has deemed the case Itadori v Japan’s Football League a negligence in duty of care concerning Masamichi Ryota’s untimely death.”

No one is breathing, all attention on the judge with his pockmarked face. 

Sukuna is fixated on Jin, whose head is bowed, eyes closed. If this blew up in their faces, a case like this would cause Itadori Enterprises to suffer a major investor fallout.

And once again, the blame of their family’s bad fortune would be on him. 

Sukuna swears the last time he was this nervous, he was waiting for Este’s pregnancy test results to come back negative.

It was one time, ‘Kuna! She had tears in her eyes, the stupid white stick clenched in her hand. Can you lay off of me and take responsibility for once in your goddamn life?

He should call her after this—apologize to her. God knows it would be his last fuck before he has to spend half of his life behind bars for the death of some schmuck kid whose name he had already forgotten.

Judge Itachi speaks again, knocking him out of his reverie.

“Therefore, the jury and I have come to the conclusion. In the case of Itadori Itadori-san, we find him—”

The clock ticks. Every lung is constricted—jury, attorneys, a few press members who had managed to bribe their way in. Sukuna recognizes them with their obnoxious yellow press tags; thinks how many of these leeches would get a raise once they broke the scoop on him.

Oh, the irony, he muses. His downfall being their salvation to fighting back against the rising cost of living.

“—not guilty.”

…

Sukuna is unsure if he’s heard it right.

Not guilty. 

Not guilty. 

Not guilty.

He doesn’t react immediately, blinking slowly like a fish caught out of water. The oldest son of Itadori Wasuke tries to meet his twin’s eye, but Jin is as shocked as he was, frozen with his laser-sharp focus trailed on the stand—trying to digest this turn of events.

Higuruma is the one who finally breaks the ice, standing and bowing to Judge Itachi. On cue, the rest of the room follows suit, getting to their feet and showing the retreating judge their begrudging respect.

Sukuna bows jerkily, unused to such a humble gesture he had almost forgotten how to do it.

In front of him, the brat’s mother starts to bawl, her husband’s arms coming to wrap around her as they both shuffle out of the courtroom, looking older and grayer than when they had entered.

Sukuna doesn’t have much time to force a lick of sympathy for them, not when this farce of a trial was over and he was late for Ino’s party.

He hops down the stand, ambling easily to his younger brother who was whispering in low tones with their lawyer. A few feet away, Nanami Kento reassures the coach and his family, painting a picture of trying to achieve righteous justice for that good name—a feat Sukuna knew he would never achieve.

After all, the Itadori empire wasn’t built on rainbows on sunshine but pure, hard grit. And a little bit of blood and here and there to get what they want.

Jin looks up, frowns. “Let’s catch the sedan and have a smoke. You and I have a lot to discuss about.”

The way he said it made Sukuna feel like a kid again, about to be chastised for peeing the bed or killing off the pet goldfish.

Higuruma packed up his briefcase of documents, and a pack of bodyguards stationed around the different points of the courtroom swarmed to the middle, shielding the two brothers and their lawyers the second the doors opened and the press descended on them. 

Flashing lights went off in a wave of clicks, the vultures with their cameras snapping his humiliation at every angle for their publications; boldly throwing their questions at him without fear now that the great Itadori “Ryomen” Sukuna was knocked down a peg or two. 

Itadori-san, can you comment about Masamichi-san’s death at length? 

One woman with a silver bob shoved a mic in his face. The guard on his right quickly elbowed her out of the way, throwing his arm up to hide Sukuna’s visage from the bug-like chittering click of these press leeches and their expensive cameras.

Itadori-san, this news must come as a shock. What does this mean for the future of Itadori Enterprise?

Will this affect any future mergers, particularly a rumor circulating about a potential collaboration with Nara Corp? 

Itadori-san, do you ever regret investing in football?

A few sport reporters were also seen trying to push their way through the crowd, recorders in hand to glean some golden nuggets for their pathetic column.

Itadori-san, what does your verdict mean for the future of the Japan Football League?

Itadori-san, did you know that Masamichi-san was about to prepare for his university entrance exams? How does his death make you feel?

“No comment,” Higuruma intones, taking Jin and Sukuna both by the elbow to steer them towards their waiting car like they were teenagers again; back when he had to bring the twins straight into Wasuke’s study to discuss their future inheritance.

A fresh-faced rookie Sukuna had never seen before stumbles in front of their entourage, and he’s mortified to see a pink lipstick print on the front of the intern’s tag.

Royale News' first appearance in such a serious case.

“Itadori-san, you’re already approaching the ripe age of thirty," the dim-wit says. “Do you have your eye on a woman who can domesticate you? Can you ever be tamed?”

Amidst the overlapping voices and chaos, that question sticks to Sukuna like sweat on skin during an unbearable summer heat, unsettling him until he sinks into the sedan with Jin beside him and Higuruma on the opposite seat. 

The door closes shut, bodyguards standing in front of the heavily tinted side windows to keep the press from clamoring after them.

Once the chaos was left behind on the freeway in a cloud of smoke and ashes, did Jin lean forward to raise the privacy screen. With the driver unable to hear them, his younger twin reaches for his packet of Montecristos, lighting three of them up and passing one to each man.

Higuruma accepts his offer with a nod, while Sukuna grabs the nicotine-laced vice from him with a ferocity that takes his brother aback. He inhales deeply, exhaling rings of smoke which fogs up the car, tasting cherries, cedarwood, tobacco and his freedom. 

“Easy, ‘Kuna,” Jin mumbles tersely. Sukuna resists the urge to flip him off.

Instead, he drags his gaze to the lawyer smoking quietly in front of him, smiling sleazily in triumph. “You did a good job, Higuruma. If I were you, I’d ask for a raise.”

The Itadori scion expects his brother to join in the jest meekly, like he always does. Not glare at him with pure vitriol in his eyes, the kind Sukuna had never seen Jin harbor for him.

“You scumbag,” Jin mutters hotly. His brother half expects him to throw a curse word or two with how riled up he was. “You were supposed to dump this stupid hobby. I gave you the money to start a foundation for good press. Not throw it all into some useless human betting ring. Are you an imbecile?”

That was a new insult. Jin rarely ever threw him a good verbal uppercut, and Sukuna must’ve really fucked up to earn this side of his younger twin brother.

He plasters on a sleazy smile, giving his otouto a once over. 

“Well, aren’t you a fucking ray of sunshine? You should be glad Higuruma managed to avert the crisis and get me out of it. Or, are you going to piss in these blessings?”

“I would rather you didn’t embroil yourself in such a shit show in the first place.”

Jin sighs, sags into the seat and massages his temple. “One day, Sukuna, you’re going to give me a heart attack and you’ll have to take over oto-san’s company. Then, you will know true responsibility. True suffering.”

Sukuna hums, staring outside at the scenery flying by.

“Neither the company nor its investors would last a day with me at the helm. So, for your sake and mine, I’m going to ask the doctor to keep the life support machine going even if you’re hanging onto your last breath, dear brother.”

“Good luck with that,” Jin refutes with a slight snarl. “I would explicitly mention it in my will to refute your efforts at reviving me.”

“Then, I will rebuke your will.”

“You can’t because I actually have a son to execute it.”

“Yuuji is two. He can’t even hold a pencil.”

Any insult towards his beloved son would never be tolerated by the famed Itadori family man. Jin puffs out his chest, about to berate his older brother, when Higuruma stops them both with a sigh.

“If only your parents could see the both of you now. How disappointed they would be in you, Sukuna.”

Hiromi sucks in a deep breath of the sweet cigar, turning his head and exhaling lightly out of politeness for smoking in his employer’s car. 

Despite his hulking muscles and blase attitude, Sukuna can’t help but glower in petulance at any mention of Wasuke and Kasumi’s disappointment in him. Growing up as the black sheep has casted a permanent cloud over him—his best efforts were seen as second tier in comparison with his perfect, golden brother. And Sukuna resents any mention of it.

Their family lawyer continues on, as if he hadn’t made two of them heel to an uneasy stop.

“At your age, you should be taking over Jin’s part. But, your brother is too nice. He took up the burden so you could do what, exactly? Party every night? Sleep with models? Get involved in scandals?”

Hiromi sighs, and Sukuna turns his glare outside the window, unwilling to take such a personal beat down. 

“Your mother had hoped you would snap out of your selfish streak. She even thought you would settle down and give her some grandchildren by the time you turned twenty five. But, you had to be pictured… fucking… the mayor’s daughter during a gala. How crude.”

“Stop talking down to me like you’re even at my level, Higuruma.” Sukuna snaps and something in his tone catches the other two men off guard. “You think just because we employ you in our good graces, you have the fucking right—”

“What Hiromi is trying to say is this,” Jin interjects before this could escalate into a full fist fight. “Both of us have come up with the best way for our family to get past this scandal.”

Sukuna has heard this a thousand times before. The Itadori pockets were bottomless when it came to preserving their good name.

“How?” He sneers, dismissive and mildly insulted that the two of them had made a decision for him without his input. “Don’t tell me you’re going to flush out more money to keep the press quiet. We can’t keep using the same strategy over and over again.”

In answer, Hiromi and Jin share a look. Sukuna suddenly feels like the car seat he’s on is about to be pulled from under him.

Wilted ash drips from the tip of his neglected cigar. He tenses, darts his vermillion eyes between his two conspirators and wardens.

“Hiromi and I have come up with a better idea,” Jin begins his pitches like he always does—with a little smile and a sniffle. “The idea is—”

“Marriage,” Hiromi intones, taking one brother aback and the other on a guilt trip. 

Jin grimaces. Sukuna stumbles with the words stuttering out like a reckless oil spill.

So, the only thing he could spout was, “M-marriage?! What kind of trickery is this? Jin—” He looks to his otouto, hoping against hope his ears are just fucked up and he didn’t actually hear Hiromi saying the tragic, forbidden ‘M’ word.

“—this has to be a mistake.”

“No, it’s not,” Hiromi steps in to cover Jin’s ass, placing himself at the front to take the bullets of rage that would no doubt rain down on him once the whole plan was laid bare to the older, hot-headed twin. 

“We believe that with your souring reputation and increasing questions surrounding your perpetual bachelorhood, settling down with someone would be in the interest of the family business. And of course, your inheritance.”

Hiromi makes sure to dangle the most effective carrot in front of him; that sadistic bastard.

Sukuna seethes—confusion, anger, disappointment and fear coalescing to overtake his first instinct to run. Numbing him with his inaction of thoughts and body. 

Hiromi lifts his heavy-bagged eyes, pinning him right to the spot. The knife slices deeper, cutting him from the inside out; hammering in this decision he absolutely had no say in unless he would want to kiss his lavish lifestyle goodbye.

“We need to get you married off by the end of the year.” A death sentence knells right into his chest; Hiromi digs the pain deeper. 

“In fact, the sooner, the better.” 

Sukuna remembers the very first time he had seen you in your wedding dress. 

It was a chance encounter as he passed by a Morinaga boutique in downtown Shibuya; his brother having orchestrated the entire meeting so Sukuna would catch a glance of his future bride trying on her custom-made dress.

With her head bowed, and shoulders bare under the light, the older Itadori twin thought her figure was appeasing and pleasing to the eyes. That is, until she turned around with her naked face and he had to physically stop himself from recoiling.

“Is that her?” he demands, unwilling to believe Jin would sell him out like this. Shades of disgust lines his tone, and he tries not to put his stupid twin in a headlock and break his neck.

Jin notices his reluctance and makes a face. “She’s unlike the girls you whore yourself out to, that’s for sure.”

The more he looks at you, the more Sukuna is starting to think this was a mistake.

“She’s so… boring. Vanilla. Are you sure this is what you think is best for me?”

Since their father passed on and the business went to his younger twin, Sukuna was often painted in their society and by the media as the irresponsible Itadori—the audacious older brother, the partier.

The playboy.

Often having a gaggle of girls at his mercy, he was not exempted from warming beautiful model’s beds, and having flings with other trust fund babes—bad habits his younger brother was desperately trying to get him to shrug off to take on more of the family business mantle. 

“You’re almost thirty, ‘Kuna. It’s time to act like it.” 

Jin sighs, removes his glasses. The action reminds him so much of their father that Sukuna pauses for a second, blinking away the mirage of that senile, old man.

Sukuna hadn’t noticed just how old his younger brother had gotten.

Dressed in a sleek trench coat costing four times more than a McDonald workers’ monthly salary, Itadori Jin was quiet and unassuming, yet only his twin brother knew that still waters ran the deepest.

An inch shorter than him and with a kid from his old, dead wife, Itadori Jin was the antithesis of Sukuna’s recklessness. Where the older twin was all hulking machismo and a massive ego, his brother was soft-spoken and with a sharp mind that was always one step ahead of his, bringing their father’s company back from the brink of bankruptcy and launching it into international waters from his sheer will. 

Sukuna respects the guy, and as much as he wants to rile Jin up and pop a vein on his younger brother’s temple, he tempers down his sarcasm, preferring to roll his eyes.

“Whatever. So, her daddy wants the merger money and you want me to settle down with some ugly chick?”

Jin winces, wishing his brother wasn’t being this curt and lewd. 

“Her father wants an heir. And he wants 40% of our shares. That’s a whole different game.”

“He can’t have those.” Sukuna was irresponsible as they came, but even he understood the basic math of divesting half of your company’s assets to a party other than your stipulated stakeholders. “The Nara family already holds 22% of our board and the Ikina’s are up close with 15%. If those vultures take 40, how’re we gonna break even in the next quarter? We’ll be bleeding red if we give into their whims.”

In answer, the corners of his brother’s mouth twitches. “I see you’ve been doing your homework. Impressive.”

They both have stopped in their tracks, standing a little ways on the sidewalk where prying ears couldn’t hear their discussion.

Jin suddenly turns serious. “L/N-san has struck gold with new fintech models. We need to curry his favor if he wants to reduce the patent price for us to move on with Project Armstrong. I hope you understand the gravity of this situation.”

Usually, Sukuna prefers not talking business with his brother in such broad daylight without a drink in hand. But, seeing as how Jin has left him no choice, he relents to this impromptu exchange, feeling more and more like some wild stock being sold in a farm the longer he speaks to his brother. 

“And she’s nicknamed the Wisteria Woman because her entire family latches onto fame and power like leeches,” he bristles, catching Jin by surprise. 

See? Even a useless ass like him could bother with basic research. And the rumors were nastier than he imagined.

“I already don’t like the sound of that—of her.”

The younger Itadori cocks his head. “Then, I think you should be honest with her if that is how you feel. That this is a business arrangement and nothing else.”

Sukuna flicks a cigarette from his leather coat’s pocket, sticking it between his teeth.

“Say I agree to this plan. What’s in it for me?”

Without a beat of hesitation, Jin replies: 

“110% of the profit.”

Sukuna nearly spits out his stick. 

The amount yawns before him, looming zeros and zeros staring him in the face. 

“What? Cat got your tongue?” Jin teases, though there’s tension crinkling in the corner of his eyes.

Switching gears, Sukuna turns mellow; even slaps on a smile. “I see. Interesting.”

“So. Are you on board with this?” 

In the distance, he sees your silhouette exiting the bridal shop, bags in hand with your maids or girlfriends following behind. The sunlight does little to bring any depth to your expression or features, but he appreciates that you look semi-decent from his vantage point.

“Fine,” he says, clicking open his vintage Dupont to light the tip of his cigarette. “Count me in.”

He supposes that even with such an embarrassing family background that will drag the Itadori name through the mud, the high stakes more than made up for such a lackluster wife.

His favorite whore sighs right into his shoulder, the smell of his cum, sweat and her expensive perfume strong on her skin.

After ejaculating right onto her tits and smearing it everywhere down her belly, Sukuna was exhausted and in a need for something stronger than nicotine. Rolling over, he picks up a joint Ino had passed to him as congratulations for making it out of that nasty as fuck trial, lighting it up and inhaling with a tremendous sigh.

Este’s lips are right on his shoulder, kissing a path from his deltoid to collarbone. Sukuna wraps a hand in her soft, brown hair, holding her firmly in place as he makes a move like he was about to kiss her; her lips parting and smoke pouring into her waiting mouth, her hitched inhale pulling a cruel smile across his own lips. 

She turns her face away, eyes watering and fighting back a coughing fit. “Asshole.”

“An invitation for anal? Gladly, baby.” He turns her onto her belly, peals of laughter muffled by the pillow, strong arms holding her down as he positions her on her hands and knees, joint stuck in between his teeth.

Este turns her face to the side, catching his eye. Mascara smudges around her eyes, her red lipstick feathering at the corners of her impishly smiling mouth.

“What’re you doing, ‘Kuna?” 

“Y’know what I’m doing,” he murmurs, cock stirring at her wiggling hips and devilish grin.

“Are you really going to take my ass?” 

He sucks in another inhale of the joint, feeling the high slowly unlocking his muscles and turning his brain fuzzy. “Scared? Afraid daddy might find out his daughter is going around offering her virgin hole to any rich man who’s on the marriage market?” 

Condescension drips in poisonous tendrils, and she bristles. “Fuck you, ‘Kuna.”

In one swift motion, he’s sheathed inside of her, feeling her walls choke down on his cock. His head tosses back, sweat glistening off the tribal tattoos on his chest, hips drawing back and snapping forward in languid thrusts. 

The moon shines strong. Cheap Southern alcohol pumps in his blood, his sweat soaks through her skin and hair, damp skin illuminated by the ember tip of his joint. 

“Isn’t that what I’m already doing to you?” He drawls, and her body starts to shake. 

“We still—mhm—h-haven’t talked about your m-marriage…” 

Her voice fades; cracks on the reality of him no longer sharing a bed with her.

Jesus. Does everyone know about this? 

Sukuna doesn’t do anything to comfort her, except for slipping a hand between her legs to rub soft circles on her clit as a flimsy apology.

She keens, white-knuckled grip fisting the soft blankets. Her mediterranean mix shows under the weak light, tan skin stretching over defined back muscles, dark roots growing past the brown dye job she gets done once every two weeks.

In another life, Sukuna thinks he could’ve been in love with her.

Este screams his name as she shatters around him. Sukuna tosses the half-smoked joint back on the side table, not caring if it would catch on something and burn her room down. He’d just fuck her through the flames until she asphyxiates and succumbs to both the lack of oxygen and her orgasm.

She clings onto him, a second layer of skin he wants nothing to do with. 

Sukuna pushes her away not so gently, grabbing his joint and snuffing it out with the heel of his palm. 

“I gotta go,” he mumbles, reaching for his shirt, pants. She watches as he dresses, still dazed and starry-eyed from her release.

“Are you going back to her? To Y/N?” 

Sukuna crinkles his nose, as if the mention of your name was enough to make him lose his appetite. “Don’t be stupid. No. I’m going back to my place for a shower and a nightcap. I’ll see you around.”

Tossing her a nonchalant wave, Sukuna leaves Este’s sheets, knowing that in a few more days, he would be back here again.

That’s the thing he likes about Este Nara—she’s easy. Not just to get in bed, but to get away from. She doesn’t bitch or moan about him being distant and aloof. She takes his cruelty without much flinching, seeing the dangerous man lurking under his tattoos and barely thinking anything of it. 

If she even had half a brain to think.

He revs the engine of his Ducati Superleggera, hightails it past her condominium with his helmet buckled haphazardly around his neck; not slowing down, wishing he could leave his problems in the dust being kicked up by his tires.

“What do you mean he’s trying to push the marriage to a month later?” your mother seethes over her coffee, glaring at you.

You shrink from her anger, pushing around a soggy banana with your fork tines. “It’s what he told me,” you argue back weakly. “What was I going to say?”

“What about actually standing up for yourself and doing what is best for our agreement?” 

She arches a perfectly groomed brow, waiting for you to respond. You cast a despairing look to your father who picks up his glass of bourbon, sipping on it while he listlessly scrolls through his iPad. 

“Listen to your mother, my little light.”

“I did,” you tried again, willing them both to understand. Bunching your fists over your lap, you take a deep breath, hoping they would listen. “I did everything you asked me to: not interrupt him. Let him talk. Laugh at his jokes. Everything,” you emphasize. “And yet he asked me to consider pushing the marriage back by a few weeks. What else could I say?”

You reiterate your question, growing hotter in the cheeks. Finally understanding why some people could have a heart attack in the middle of dinner when the entire situation was spun around to paint you as a villain when you had tried your best to be as cooperative as you could. 

A grimace stretches across her plastic-filled cheeks. People often said your mother could win a beauty pageant on her worst days; rising above other beautiful women with her wit, charm and charisma. Of course, she was also the daughter of a department store king, so the money graciously ‘donated’ to these glittery showcases put her many steps forward compared to other contestants.

“I don’t know where I went wrong in raising you,” she sighs, dramatic as always. “Jiro, please. Can you speak to Itadori Jin-san and tell him what our daughter told us? There is no way his brother can resist this offer.”

Offer. Like you were a cow to be traded in the market.

“Lia, I told you, Itadori Jin-san has no control over Itadori-san. That’s his nii-san. It would be a perversion of authority if he forces Sukana-san’s hand in any way.”

Her expression sours. “Well, isn’t there some way we can orchestrate a reunion, perhaps? A dinner or getaway to officially welcome them to the family?” 

You blanch at the idea of seeing Sukuna again, stewing in your mortification and humiliation when he had already made it clear how distasteful he finds you.

You’re about to say you don’t mind going with Sukuna’s timeline when he sets his glass down with a pensive look on his face.

Ten years older than your mother and with a brilliant mind born from the best business school in Tokyo, your father was not a man to be played with; his word was law, and that was how he spearheaded the tech scene at the tender age of twenty-five with nothing but a dream and his gritty determination. 

Knowing he had to prove himself to your grandfather—your mother’s father, on his capabilities to build a home and a better life for a woman who already had everything—made you wonder how he did it.

From nobody to somebody. It’s why no matter how he treated you, he would always have your respect.

“A getaway?” Jiro murmurs, an idea darkening his thoughts. “That could be interesting. Very interesting indeed. I’ll make some plans and we’ll play it by ear.”

He went back to scrolling, ignoring his smugly beaming wife.

Pacified that she had gotten what she wanted, your mother turns nurturing once more, cooing and touching your shoulder.

“We should get you a spa treatment and a light makeover before Itadori-san sees you. Do you have something to wear in mind?” 

As if you were a doll whose only purpose was to be dressed up, this was the reality you were living in for the past twenty-seven years of your life. If Itadori-san didn’t want to marry you fast enough and get you out of your childhood home, you were sure a swift bullet to the head would be the best alternative.

Plastering on a smile, you ponder for a second on your choice. 

“I want to try something new,” you decide. A furrow appears in her brow. 

“What do you mean by new, my dear?” 

“Something Itadori-san would like,” you try to curry her approval, feeling lighter and happier when her solemn face breaks into a knowing smile. 

“He says he loves dresses with satin and plunging necklines. Thinner heels. I think Okuta-san would understand.”

Referring to your personal stylist, your mother nods her approval.

“That’s perfect. I’ll get her to do some digging on some of Itadori-san’s past girlfriends and see what they wore.”

Unruffled by how audacious that statement was, you were truly reminded that this marriage was a cruelty of convenience when her smile deepens.

“I’m proud of you for taking this step, my dear,” your mother’s voice warms, though the implications of them make you freeze. 

“You’re finally proving your worth to the L/N family.”

a.n. OKAY WE'RE SO BACK. ive deleted the first chapter due to low interaction and decided to give this series a second chance by starting with y/n's pov !! this series will rely heavily on feedback and reblogs (my adhd ass cant work on something if i and other people dont care for it) or else it'll be scraped and we keep things moving (i sincerely hope u loved this <3)

©️ lalunanymph. do not copy, repost, change the sentence structures, translate across any other platforms

[perseidlion]

Now that I've finished watching Rings of Power Season 2, I have to say they were right to cast Celebrimbor as an actor who looked older than most of the other elves. People will point out that in canon, he was younger than Galadriel. At first, I didn't really get why they changed that for the show. Was it just for variety? Some other reason?

Well, after finishing the season, I think it's safe to say the reason was thematic.

The tragedy of Celebrimbor is so much greater when he visually reads older to the audience. Here is a man at the absolute pinnacle of his craft. His name is legend. He built an entire city around his forge. He has a talent so rare that Sauron needed him for conquest. If he had been cast as a younger actor, even if he was 1500+ in Elven years or something, his story would read as a naive youth seduced by power. It's so much more poignant and tragic to see the legacy of a master of his craft destroyed along with the man.

Watching fantasy is a different experience to reading fantasy, especially with wacky elf ages. The LoTR movies knew this, which is why Hugo Weaving (39) was old enough to convincingly play Liv Tyler's (22) father even though Elrond probably still looked similar to his daughter's age in the books. It's so it doesn't feel weird for the audience and they don't lose suspension of disbelief.

Episode 8 of S2 (and the episodes that precede it) really hammer home that Celebrimbor's undoing isn't just a win for Sauron - this is a loss for elvenkind. Elrond's utter horror at watching Celebrimbor's written legacy being burned to ash was a brilliant storytelling choice. More was lost at the Fall of Eregion than Elvish lives or a weapon in their enemy's hand. They lost the work of a master - the kind of person who comes around once in an age, if that.

What's more, they didn't just lose Celebrimbor. Sauron destroyed him from the inside, eating away at him until he was a pathetic shell of himself. He tried very hard to turn Celebrimbor from celebrated master to a man corrupted by darkness - both in reality and in reputation. But he resisted with what strength he had left. And his kin saw the truth before he died.

All of this was heightened by Celebrimbor being played by a man older than most of the other elf actors. It was a visual signal of his position of respect and wisdom, regardless of his actual age. That was his position in Elvish society that was efficiently shown by aging him up.

You might not always agree with what the minds behind Rings of Power are doing with their story. But after this season, I trust they do have their reasons and will be eagerly awaiting season 3.

[sepublic]

The Rapture, the Day of Unity, and Happily Ever After

I wouldn’t be surprised if the upper echelons of the coven regime weren’t concerned with being sustainable, because they were privy before the public was to the Day of Unity, which was itself essentially one big rapture where everyone goes to a perfect utopia! They don’t have to worry about the world they’ve left behind, they just need to last long enough to make it to this endpoint, like Belos talking about how he only needs to ‘live long enough to see this through’.

So it must’ve been quite a shock, realizing that’s not it; There’s nothing for all their hard work. They have to go back to their lives as normal, but knowing it’s eternal in the sense of worrying about living life until it naturally ends for them, and making society run ahead of them for the next to pick up. Now people have to do their jobs in creating an actual functioning society instead of loftily dreaming of a fantasy, which is of course topical to the show’s themes about being beholden to the world and people around you as you make dreams practical.

I can see a comparison between the apathy that came from the Day of Unity and how a lot of rich, powerful folk —especially the ones running fossil fuel companies— don’t care about destroying the Earth and its environment, because they’ll be dead before it gets bad enough that the devastation reaches them in their cushy little suites. On the Day of Unity, Emira’s frustrations over her mother only caring about money feel in a similar vein, it all hearkens back to the same problem with these CEOs where their personal, material enjoyment is the only priority.

And this makes me think of the rapture comparison too; It comes from the Evangelicals, who are the descendants of the Puritans. I can see the writers playing with how Marx called religion the opiate of the masses; The idea that Christianity was often exploited by the upper class against the lower class to justify their suffering. The idea was that if you were poor, you didn’t need to worry about improving your material world because as long as you remained pious and faithful, you’d eventually inherit a heavenly afterlife.

Thus, working-class Christians were made complacent, believing their mortal suffering was just temporary and even a test for their ascension. Whether you think they actually got a heavenly afterlife is an entirely separate real-life theological discussion, but the point was that it was an excuse by those in power to avoid being held accountable in making the living world actually tolerable for everyone else, and everyone else would not hold them to that standard because they thought it didn’t matter anyway.

So I can see the Day of Unity functioning exactly like that, in fact I’m pretty sure it just did onscreen because we see wild witches such as the Demon Hunters accept the coven bindings because for whatever losses they suffer, eventually the Titan will make it all worth it right? And this framing of the Titan as an abstract God who will take you to an abstract universe is interesting; We know tangibly that other worlds exist of course, but in the context of the show, the utopia bit is a lie.

And if we apply it to real life, much how the show calls out IRL witch hunters (and its fictional one, because TOH’s fictional witches warranted nothing for their existence) as insincere… I do remember a college lecture in things like Animism or cosmocentric belief systems; They saw the ‘spirits’ as not existing on a separate plane, but our own. There was no afterlife or heaven, it was all in this world, people live on when they die and break down and are consumed by other beings, that sort of thing.

The practices of wild magic and the worship of the Titan seem to follow in a similar vein to these and Animism; The Titan is sacred and her body has its own life reborn as the environment, but she’s also undeniably dead, as pointed out by a Deadwardian witch. Eda stresses learning from the natural environment around you for magic, their ‘god’ is a mortal being and also their tangible world. The magic comes via glyphs in nature, as well as the magic in everything that witches get their own magic from. There IS something resembling an afterlife in-universe but we never get to see it, the beliefs of wild magic seem to be at odds with Belos’ Christian colonialism, and again its promise of a rapture and a separate, abstract God and utopia.

Point is; There is no universe after this, or at least that’s not how wild witches treat it. The focus is on the here and now and making this world last, and making it last for the future generations that will take your place. And this defiance of a rapture in favor of life always going on makes me think of how Dana hates the term Happily Ever After, for the implications of everything just being over and that’s it. That’s the end. All the problems are solved now, there is no story left to tell.

I can’t say this was intentional on a conscious level or otherwise, but I do have to draw a connection between this and how TOH’s ending was in response to this critique; Life keeps going on, the protagonists have to keep fixing the Boiling Isles, and then keep it going even if it IS fixed. They just undid coven bindings and King found his first glyph. The Archivists are still out there. The protagonists don’t get an eternal unambiguous happy ending where there’s nothing left to do, they don’t get a ‘heavenly afterlife’ as one could call it, and that’s good!

From a meta standpoint, you can see how it encourages fans to write more stories, to be inspired to keep it going, and it’s another way Dana made the shortening work in the show’s favor. Dana said back in 2020 that she encourages fans to build off of things, as she did as a kid with her own shows, she also wanted it to be that deep growing up! So both in-universe and IRL, TOH isn’t meant to be over, there is no absolute ending because fandom lives on.

Hell, Dana even professed interest in a prequel following Eda’s childhood; She’s since become pessimistic about the possibility, more than likely on account of her cutting ties with Disney and executives’ disinterest. But the point still stands; Life keeps going, IRL. The lives of the characters keep going, in-universe and IRL through fandom.

I also wonder if you could discuss Lumity under this lens; I’m making exceptions for queer romances, especially in children’s media, because they often have to deal with censorship pushing them to the last minute. But when it comes to romance in general, romance involving the main character largely consists of Will They/Won’t They, with the climax having the romance achieved. But because of the Thrill of the Chase, a lot of writers don’t want to explore how characters actually navigate a relationship, hence why it’s drawn out and saved for the ending; The romance has been nearly tied up as a Happily Ever After, there’s no more story to tell. So when they get a continuation, they’ll often undo progress.

Lumity avoids this; Lumity has them get together at the halfway point of the series, and then actually explores their dynamic as a couple together, without creating misunderstandings or breakups or anything. We see how they work as a couple, how they get to enjoy each other as a couple. So them getting together isn’t the ending climax, it’s just another stage in their continuing dynamic. There is no Happily Ever After; There’s problems for them to face together that do sometimes strain their relationship, but they still work on it together; Dana was adamant on showing these things instead of settling for them asking each other out and letting the rest be an implication.

And I think that’s so much more healthy to show kids than just idealizing the Thrill of the Chase and its climax, without appreciating the mundanity of just being together. Because kids grow into adults and don’t really expect or care to pursue a romance past that point, and I wonder if this is part of the culture behind cheating, of still reaching for something unattainable because media doesn’t normalize already having things when it comes to romance. Nor does it care for tackling things together as a couple most of the time.

Dana was raised Catholic, which is separate from Puritanism, but she did have to deal with Evangelicals growing up, as they raged about innocuous things like Pokemon; And Pokemon was her Good Witch Azura, a last gift from her father before he died in a car crash. It’s something Dana still enjoys and she’s done crossover art for it and TOH.

So I can see the coincidence/connection in Dana critiquing Evangelicals’ rapture ideology and how the end of everything is used to placate people instead of worrying about what needs to be eternally maintained, and like. Her feeling similarly with stories and even romances where it ends definitively and perfectly. Because fandom keeps going and she’s a part of it too.

The world keeps going, there is no endpoint to history IRL or in the show; People have to adjust going back to the banality of continuing to live and worry about running society in the long-term, rather than expecting it to not matter because they were going to be raptured anyway. And you know what, this could be good, it means it lasts forever as we see Luz and co. embrace it, happy to enjoy their lives, actually getting to be in a relationship; But life is fragile as we see with the Titan, so we gotta work to keep it going, so that even when we get our definitive end, the people after get their time.

[delawaredetroit]

Hi, I know you said you didn't want to talk about this last chapter until the other rereads, but you're one of the few blogs that I trust won't respond with biased information about any particular ship or character. I'm hearing that there's a problem with chapter 431, that it shouldn't be counted as part of the chronology because the author didn't write it or something? but it doesn't appear in the final volume and is part of the end? Sorry for the question, I'm just really confused.

This comes from a misinterpretation of commentary written by Horikoshi expanding on the metaphor of BNHA as live theater. That theatrical connection has long been established. There was a reason the manga was split into three acts; the story focused on masks, roles, stages, etc.; and the manga spent so much time breaking the fourth wall and speaking of fantasy and reality.

I'm paraphrasing, but Horikoshi's commentary was that chapter 429 was the end of the play, chapter 430 was the curtain call, and chapter 431 was what happened after the curtain fell and the cameras dimmed.

It makes sense why chapter 429 would be "the end" of the play. It was the end of the hero society where everyone played black and white roles with very particular masks. (Because Shigaraki destroyed the stage). The play reached its conclusion with an ordinary person putting down the mask and reaching out to the child in need in front of them.

Chapter 430, where it ends with a spread of all of Class 1A, is the curtain call. If you've ever seen a play live, the actors all come back on stage for one final bow to the audience. That is the role of chapter 430.

Chapter 431 is what is left after all of the dramatics of theater are gone. The stage is no more, the masks are destroyed, and the roles will never be the same. Their current roles may eventually disappear entirely. This chapter is what they chose after the fantasy ended.

Even if the final two chapters were "extras", it would be dubious to argue they aren't canon. This argument is either coming from a place of those unhappy for shipping or other reasons...or they don't read much. Seriously, epilogue chapters (even those labeled as extras) set after a time skip are common from mainstream YA novels to Korean webtoons. Some folks in this fandom interact with BNHA as if they have never read a book before and it's mildly concerning...

Beyond that, acting as if a chapter included in a published volume of a text isn't canon is absurd on its face. Even if Horkoshi said it wasn't, at that point apply Death of the Author and actually read the manga as presented.

Tl;dr: Yes, chapter 431 is canon. It's in the official final volume and Horikoshi's commentary about this chapter was part of a metaphor about BNHA as a play.

[takusan-no-ai]

Abysmal Curse

PAIRING: Jean/Ganyu/Kokomi x Male Reader (Romantic) (Separate)

SUMMARY: Their boyfriend, (Y/N), is an outcast because of a “curse”.

You were a normal young boy, having a good childhood. One day your friends invited you to play hide and seek. But it lead to you adventuring farther out, where it wasn’t safe.

You came into contact with the abyss and ever since then have been cursed. It was a pretty flower, yet it corroded your hands into something deadly.

Not knowing what happened you ran for your parents. They were at the fountain in Mondstadt. You grabbed your mother’s hand and she died in an instant, her entire body rotting before your eyes.

Since then you were given gloves out of curtesy, but ostracized from society. Your father, friends, everyone abandoned you; the only person who didn’t was Jean.

Everyone called you a curse. A misfortune that will one day destroy Mondstadt. But Jean didn’t believe any of it. She listened to your story and sympathized, wanting to heal your trauma.

She didn’t care for the dirty looks she got, and even convinced her sister Barbara to “cleanse” you at the church so you’d be accepted somewhere; better than living in the cold forest.

Life isn’t easy, and yet Jean will always be there to make everyday a little better. She promises one day the world will accept her boyfriend; perhaps making you a knight should be the first step?

A disgraced being corrupted by the abyss, your existence has been tantamount to a bad joke. There wasn’t a good thing about you; a man who was born immortal thanks to Rex Lapis, but because of the Abyss, slowly kills all life surrounding him the worst his mood gets.

Being young, you weren’t aware of such a curse. Until at Liyue Harbor you got into a fight with another kid and threw a tantrum. The whole block was sick for weeks and BuBu Pharmacy was running low on supplies.

But that kid died. Then some elderly. And eventually your one tantrum killed ten people. As much as it saddened Rex Lapis, your existence proved to be dangerous, and so he banished you. But you agreed with his judgment.

You sheltered yourself far away from society in Liyue, where no one’s life would be at risk because of your tantrums. Your constant switching moods didn’t help, and soon your sanctuary became a wasteland.

You’d think it would scare off others, but Ganyu wasn’t always the most normal person in society. She’d heard of your life from Cloud Retainer, and although different, it reminded her of Shenhe.

She couldn’t help herself and started to care for your wellbeing. Comforting you when life was tough, helping you find ways to control your emotions, and loving you. It was a shock for her, but she quickly embraced the love she had for you.

Ganyu really wants society to accept you but she knows just how impossible that will be. Instead she introduces you to Xiao, saying you can help him eradicate evil from the shadows. It’ll take a long time for you to be accepted, so she hopes the legends of you can bring some light to your goodness.

When you were a young boy Miko found you outside her shrine. Immediately she recognized you as a yokai: Zashiki-Warashi. A creature that visits homes and can bring good fortune, but leaves horrid misfortune when it leaves the home.

Miko took care of you over the years; she made sure you were never allowed into a home for your own safety. However news of a good fortune yokai spread in Inazuma thanks to some eavesdropping kids, and soon you were captured. Brought over all across Inazuma, misfortune following every house you went.

You finally found refuge in Watatsumi Island. There the abductors were arrested and dealt with swiftly by General Gorou, who later introduced you to Kokomi. They tried to convince you to live in a proper house, but you constantly denied.

Eventually you had to tell them you were a zashiki-warashi, and that if you ever left your house a great misfortune would consume Watatsumi Island. Naturally, this lead to many of the residents wanting you gone. Throwing stones at you, shouting vulgarities, just the tip of the iceberg.

However Kokomi wasn’t pleased with that decision. Sure, your existence may be potentially dangerous, but you didn’t choose to be. So she arranged for you to “live” at her special place, where she reads books on military strategies.

It was there that a bond formed deeper than either of you expected. She loved to unwind with you, your playful spirit being a nice distraction from work. Kokomi even absentmindedly writes about you in her diary; he’s so cute this, handsome that, strong, sweet, smart, ect.

You found it and asked Kokomi if this was her bizarre way of giving you a love confession, to which she promptly snatched the book and “died” of embarrassment. She died even more when you agreed to being her boyfriend.

- Fin

[primordialsoundmeditation]

In the late 1980s, Lieserl, the daughter of the famous genius, donated 1,400 letters, written by Einstein, to the Hebrew University, with orders not to publish their contents until two decades after his death. This is one of them, for Lieserl Einstein.

…”When I proposed the theory of relativity, very few understood me, and what I will reveal now to transmit to mankind will also collide with the misunderstanding and prejudice in the world.

I ask you to guard the letters as long as necessary, years, decades, until society is advanced enough to accept what I will explain below.

There is an extremely powerful force that, so far, science has not found a formal explanation to. It is a force that includes and governs all others, and is even behind any phenomenon operating in the universe and has not yet been identified by us.

This universal force is LOVE.

When scientists looked for a unified theory of the universe they forgot the most powerful unseen force.

Love is Light, that enlightens those who give and receive it.

Love is gravity, because it makes some people feel attracted to others.

Love is power, because it multiplies the best we have, and allows humanity not to be extinguished in their blind selfishness. Love unfolds and reveals.

For love we live and die.

Love is God and God is Love.

This force explains everything and gives meaning to life. This is the variable that we have ignored for too long, maybe because we are afraid of love because it is the only energy in the universe that man has not learned to drive at will.

To give visibility to love, I made a simple substitution in my most famous equation.

If instead of E = mc2, we accept that the energy to heal the world can be obtained through love multiplied by the speed of light squared, we arrive at the conclusion that love is the most powerful force there is, because it has no limits.

After the failure of humanity in the use and control of the other forces of the universe that have turned against us, it is urgent that we nourish ourselves with another kind of energy…

If we want our species to survive, if we are to find meaning in life, if we want to save the world and every sentient being that inhabits it, love is the one and only answer.

Perhaps we are not yet ready to make a bomb of love, a device powerful enough to entirely destroy the hate, selfishness and greed that devastate the planet.

However, each individual carries within them a small but powerful generator of love whose energy is waiting to be released.

When we learn to give and receive this universal energy, dear Lieserl, we will have affirmed that love conquers all, is able to transcend everything and anything, because love is the quintessence of life.

I deeply regret not having been able to express what is in my heart, which has quietly beaten for you all my life. Maybe it’s too late to apologize, but as time is relative, I need to tell you that I love you and thanks to you I have reached the ultimate answer! “.

Your father Albert Einstein

Nicole Wilts

Leslie Bing

[aurora-313]

Heyyy,

I've tried and tried again to find the bright side of the ending and the Canon couples but I just can't. I don't even like the kids and thier designs are lacking. On top of that, I'm also dreading the day we get to see them in the anime🤦‍♀️

I've given up on the anime. It's glorified fanfiction, and honestly, nothing Kubo can do can really salvage it. Short of ripping Bleach apart from the very first arc and rebuilding it from scratch.

Franky the thing that I fail to comprehend is how Bleach went from "Monster of the week", where the monsters were fundamentally human in their hatred, desires, miseries and pains, to "let's kill/overthrow God and destroy reality".

Implausibly massive leap for a world that only consists of 3 towns and an empty void, wouldn't you say?

The dissonance is so jarring that it breaks suspension of disbelief. The cardinal sin of storytelling. That's why I don't enjoy TYBW. That's why the epilogue and the hell arcs make no impression on me.

A damning indictment of TYBW's quality as an arc is how forgettable it is. Remove it from the story entirely, and absolutely nothing would change.

There's a cult following in the west, sure, but that's all it has. Manga sales during TYBW tanked in Japan. Viewing figures in japan are in the toilet. The only thing keeping it afloat are diehard groupies who are easily distracted by shiny lights and crappy effects to hide how poorly composed it is.

The arc was utterly forgotten until the 2020 trailer dropped.

The storytelling is jank AF and the main villains are forgettable crybabies.

It's funny. By and large, I feel more emotional connection to three relative scrub Hollows from the shinigami sub arc, characters that only had a dozen chapters between them and viscerally hate them for how human their sadism is, but my eyes glaze over at the Sternritters. I barely remember any of their names.

The Quincy are boring. Yhwach is boring. There was an opportunity to salvage him by playing into the manga evidence he was a grifter who conquered, cursed, enslaved, and ate his way into power... but no. They replaced that with basic bitch daddy issues.

Then, there's artificially inflating Chad and Orihime's importance. The problem is that they're pathetically powerless humans by comparison.

Observe their first encounter with Quilge. Weak in the grand scheme of things, Quilge was casually stripping chunks of flesh off them. Compared to the feats the other Sternritters pull off, what can Chad and Orihime really do? Realistically. What CAN they do? The answer is nothing and worse than nothing.

Chad and Orihime, civilians who use reishi-based attacks, against an army whose been training for years-to-centuries, who dominate reishi as easily as breathing. No amount of training can change the fact they're a stupendously bad match-up against the Quincy. They realised their presence is pouring oil on a fire and thought the solution was to pour even MORE oil on the fire.

Tbqh. Ichigo should've put his foot down and told them to leave with Riruka and Yukio. Chad and Orihime simply cannot keep up with Ichigo anymore. Ichigo had left them completely in the dirt after Soul Society, and the rest of the series is Chad and Orihime in denial about that.

Why does Ichigo have to go through this exhaustive humiliation of a character arc, thanks to his elders leaving him to stew in ignorance, while Chad and Orihime got a free pass? And are ultimately rewarded for living in denial.

Want them to grow? Have them confront and accept Ichigo simply doesn't need them anymore. Have them accept their place isn't on his battlefield but protecting their mutual home. Have them accept they are mortals tangling with gods and demons, and they are in way over their heads.

The only plausible reason Ichigo DOES keep them around is cannon fodder.

As for the endgame ships; I don't want to talk about them, except that Ichigo should have categorically refused to have children on principle. After the shit his heritage put him through, why would Ichigo subject another child to that?

[autisticshadowthehedgehog]

It’s Sonic Gang Disney Movie Night! And it’s the Unstoppable Forces vs Immovable Objects! Let’s meet our competitors:

Knuckles “the last of his kind on a noble quest to protect a gem with trust issues, badass fighting skills, and a water-based spirit most of his lost culture was based around who wants to live out his fantasy of his people coming back and enemies turning into friends via continued applied trust” the Echidna who wants to watch Raya and the Last Dragon

Tikal “the curious and empathetic chief’s daughter who was really close with her now-dead grandma who yearns to return to a culture her people once had but have now abandoned and works to make peace with the dieties of her culture while being best friends with sentient water who wants to live out her fantasy of resolving her daddy issues and bringing her people and gods to peace” the Echidna who wants to watch Moana

Blaze “the heir to an entire kingdom with a lot of huge expectations placed on her by her deceased parents desperately trying to keep her deadly and dangerous powers under control which is an issue because they burst out when she’s emotional and she’s been repressing quite a bit of emotions only for an energetic, bubbly person to bring her out of her shell and prove that she can be herself without hurting anyone else” the Cat who wants to watch Frozen

Elise also wants to watch Frozen so two points for Blaze

Shadow “an alien scientifically created to be a living weapon meant to destroy who ends up befriending a little girl who teaches him to have humanity, after which he begins to appreciate life on Earth and fights to protect both it and the found family he’s pieced together for himself” the Hedgehog who wants to watch Lilo & Stitch

Sonic who wants to watch Wreck-It Ralph because he’s in it and things go fast

Amy Rose who wants to watch Sleeping Beauty because it’s “romantic” and “beautiful” but also so she can wait until the dragon scene and then start blasting “What I’m Made Of” and scare the shit out of everyone

Silver “was left alone in a barren wasteland for far longer than he wants to admit and honestly probably longer than he can remember who ends up finding one last bit of hope and who wants to live out his fantasy of bringing life back to his planet and seeing society grow around him as he finds a family of his own” the Hedgehog who wants to watch WALL-E. he’ll also settle for Lightyear he guesses

Cream who wants to watch Snow White because pretty princess sing to animals and spin around

Sally “the heir to an entire kingdom with some severe dead dad issues who ends up on the run as a child only to return and find her kingdom decimated by someone she once trusted who now has to raise a rebellion with her childhood sweetheart to dethrone the usurper and retake the land before he can destroy the entire environment” Acorn who wants to watch The Lion King

Vector who wants to watch The Great Mouse Detective and say “that’s what we do. we do that”

Shahra who wants to watch Aladdin. do i even have to

oh and Jet wants to watch Aladdin too but that’s just because he thinks stealing things is funny

Merlina actually does not want to watch Sword in the Stone it makes her uncomfortable however she will BITE someone if they don’t watch Coco next

Marine who wants to watch Finding Nemo because oooh water ooh australia oooh look at the fishies go. no she doesn’t have abandonment issues why do you ask

alternatively, Marine will make everyone watch The Pirate Fairy

Tekno who wants to watch Big Hero 6 because look at those robots go

Omega who wants to watch The Black Cauldron cause it has the most death in it

Rouge who would rather watch everyone argue than see any movie

Mighty and Ray just wanna watch Bambi guys

Big who wants to watch Fantasia because it calms him down. Omega does a quick ecosia search of Night on Bald Mountain and immediately likes this plan

Belle who wants to watch Pinocchio for obvious reasons

Charmy who wants to watch Peter Pan just to point at the tv when Tink is onscreen and look Belle dead in the eye and say “that’s you”

Espio who wants to die

Miles “Tails” Prower who can’t decide if he wants to watch Dumbo or Meet the Robinsons or if both will just bring up a lot of traumatic memories

and finally, Sticks the Badger, who wants to beat the TV to death with a wooden club and then burn Disney HQ to the ground

who will win!! vote now on your phones

[even-in-arcadia]

I was rereading "Lovers of the Human Flesh" by Caleb Crain as one does and I was very struck by two particular lines in relation to one Cornelius Hickey:

Incorporating what you love is a sure way to see that it never escapes from you.

and

Eating something is a way of keeping it with you forever, but it is also a way of destroying it.

I don't need to delve into the implications for Hickey's actual cannibalism - that's been done by those better (and more attached to Hickey) than I. What I want to talk about more is this concept in relationship to Hickey's ambitions to godhood.

Hickey has a plan always, at all times. It's a plan that shifts based on what seems best for him, what seems most convenient, and whatever he thinks his relationship to Crozier is at any given moment. They all essentially make sense in a scrappy, aggrieved, mutiny kind of way. Until: Solomon Tozer tells him, horrified, that he witnessed the Tuunbaq eat Mr. Collins' soul. Hickey says, specifically, that this merits a change in plan. He spends a long time by himself on a hill doing --we'll never know what.

EC/Cornelius Hickey, a man who clearly has never known a love that didn't turn on him or leave, has determined to be become melded to the Tuunbaq, an eater of souls. Gibson turned on him by falsely representing their relationship to Irving; Crozier turned on him by denying the "clear" bond they had and denying Hickey's gift of Lady Silence; he's been betrayed by this entire voyage that was supposed to take him to Oahu. Who knows what other loves have betrayed him.

If the Tuunbaq can eat souls, if Hickey can become connected with that power, then perhaps he too will be able to incorporate souls! Perhaps he will be able to finally ensure that something, someone will never turn on him. And if those souls must be destroyed in the process, what is it to him? Has the world not spent his entire time on earth trying to destroy him? (Conjecture: but given what we learn of him, the Nagaitis lore, and the cultural & economic context in which he exists, I think this is reasonable.) He yells into the Arctic air:

Bugger Victoria! Bugger Nelson! Bugger Jesus! Bugger Joseph, bugger Mary! Bugger the Archbishop of Canterbury! NONE EVER WANTED NOTHING FROM ME

He feels abandoned by every institution of society, and so he is going to create one in his own image. He offers a captain, an officer, a marine, and a ship's boy: the ship's hierarchy in miniature. If he feeds the Tuunbaq their souls and then melds with Tuunbaq himself, he can eat society and reconstitute it not just in his own image but in his own person, with only his chosen loyal followers, those who do want something from him. As Crain says, "In Freud's Totem and Taboo, the cannibal feast is the founding act of crime and sharing that binds society." That's the founding myth Hickey is not just counting on but trying to actively create.

And maybe, maybe! When he has access to Tuunbaq's power - will he have a line on those souls as well? Tuunbaq devours both body and soul in tandem, suggesting they are connected. As Hickey has already eaten of Gibson's flesh, maybe he can reconstitute and reingest that as Gibson's soul. Thus the destruction becomes the resurrection becomes the incorporation. Crain writes: "The body is a convenient boundary for the definition of the self. [...] in practice the peculiar act [cannibalism and homosexuality] violates that boundary. The act offers an ecstatic union." A cannibal rat wedding, if you will.

Crozier says to Hickey, "You must be a surpassingly lonely man." Hickey doesn't deny this. He merely says "Not for long." This is about power, but it is also about an end to loneliness, to his sense of betrayal at all levels and at every turn. Of course, it doesn't work out. In not caring about who suffered the consequences of his actions, he failed to take into account that incorporation & ingestion involve destruction. He thought himself the instrument of this, but by failing to see the Tuunbaq unto itself, as something other than a tool, as the independent Arctic that could never stomach Western society and live: he turned that back on himself and so was himself destroyed.

[bonefall]

a couple of leafstar questions! 1) is the process of selecting her to be new!skyclan’s leader changed at all by the fact that brokenstar is now firestar’s travelling buddy? 2) is billyleaf sticking around as a ship, and how will it change, if at all? 3) is leafstar going to be as… notably dumb in her reactions to everything happening so far in ASC?

The list of SkyClan changes is probably longer than the list of things that are staying the same. Cultural expansions, a very different culture, unique politics, even an alternate Warrior Code. Real fans of SkyClan want them to be completely different <3

Leafstar's not an exception. I HATE canon Leafstar. Every action they've taken with her has felt absolutely awful since Firestar's Quest so I'm just overwriting her completely.

SkyClan's Leadership

The part of Firestar's Quietus where Firestar and Brokenstar actually CHOOSE who the new leader is going to be is a bit up in the air. I have the beginning and end with the rats figured out-- but the middle has been evading me.

I know that Brokenstar prefers Sharpclaw, at first. Probably because Sharpclaw is so aggressive and dedicated to the old ways.

So it makes sense that Firestar prefers Leafdapple. She's making him realize things about his own way of ruling, parts of Clan culture he's come to accept uncritically.

She straight up blows past his thought-terminating cliches;

Firestar: "You see, Leafdapple... you can't live with a paw in both worlds."

Leafdapple: "Pardon? I don't understand what that means?"

Firestar: "It means... um... hmm ._."

In the end, she's probably chosen exactly because she's not committed to bringing back the past. SkyClan has not been the Clan of Skystar for a long time. It's the Clan of Skywatcher.

It is no longer the Clan-in-the-Canopy, it is the Clan-in-the-Stones.

I feel that the first Leader and Deputy were chosen by Firestar and Brokenstar. Though Brokenstar's mind changes over the course of Firestar's Quietus, I think they ultimately still agree that there were two "sides" of SkyClan that should live in balance.

Leafstar, committed to fairness, abides this. Until Sharpclaw ultimately betrays her for The Kin. (Repeat link from above but if your eyes just popped out of your head it explains everything about how PROFOUNDLY differently I'm approaching The Kin lmaoo)

I hadn't planned explicitly for the deputy system to work a bit differently here, BUT it does also feel in line for Leafstar to decide it on a whim after regrouping. Surrounded by the remnants of her Clan, deputy having just turned half of their warriors against them, SkyClan's protector oak ripping itself off the cliffside and destroying their camp, she jumps up on top of a rock like, "Ok team, that sure was a doozy. Let's try to pick a better deputy this time 8)"

It feels better that deputies are popularly "elected," or at the very least nominated by the Clan. Might make for a nice climactic moment in a rework of Hawkwing's Journey.

Is Billyleaf sticking around?

Yes! But it's actually a bit different.

First of all, Leafstar is actually in a constellation with Billystorm and Echosong, the Cleric. Leafstar is mates with Billystorm and a partner of Echosong. Echosong is not romantically involved with Billystorm. SkyClan actually split off from the main Clans before the Cleric's Vow was codified by Larkstripe's strike. They don't have the same taboo against Clerics having mates or raising kittens.

Billystorm is also a massive himbo now lmao, I'm not a huge fan of him in-canon. I'm still reworking stuff here though-- I'm planning to change SkyClan and the Stranger into Sol's Game, a darker story diving into Sol, the Entity, and Harry, the vessel it courts.

But it's been a while and I need to revamp my old drafts, so that's on the backburner for now.

Is Leafstar going to remain an idiot?

absolutely not. christ. I Don't Rewrite Arcs Until They Are Done but if I ever produce something as brainless as "An entire society believes that a child is lying because her accused murderer says he heard her mother snoring evil manipulation plans in her sleep" then explode me to bits with 10000 pounds of nitroglycerin

instead of just having her and everyone else be dumb, it's an easy enough small change to just have Splashstar already be in power and show the beginning of his reign having gone smoothly. Everyone's desperate for RiverClan to have a leader again. Have Leafstar's bias be against ShadowClan specifically, because Heartstar's nephew Juniperclaw mass-poisoned her entire Clan.

Even before then, too. I don't like how the Erins seem to treat Leafstar as this "unreasonable" character who's usually some shade of wrong. I don't like how she just has to accept that Sharpclaw was undermining her for her own good in SkyClan's Destiny. I don't like how Dodge dragged SkyClan into his stupid conflict. Or how she went back to the Gorge after Juniperclaw's poisoning, only to be herded back by the noble Clan cats when a sudden flood makes their old home unsafe for some reason.

I don't like how she only seems to get a "win" when she's accepting or asserting that the Clans have the perfect way of life and she should resemble it more-- see the opening of AVoS, where it's strongly implied that Daylight Warriors being unable to fight to defend the camp at night was how The Kin was able to throw everyone out, and thus the practice has been abolished since then. I think these conflicts are frustrating in the way they're written and presented.

So quite frankly I'm tossing a lot of it. First and foremost, SkyClan's primary conflicts should be trying to keep its unique cultural identity. Secondary conflicts should be based around its political interactions with the other Clans at the lake, particularly ShadowClan and ThunderClan, which it shares borders with.

BB!Leafstar's personality is that she's assertive, fair, and polite. In my head I lovingly imagine her always speaking in the tone of a corporate manager trying to keep control of her team as the office goes up in flames around her. While she always tries to consider all perspectives and stay approachable to all her warriors, she's often misinterpreted as being passive-aggressive or not genuine.

In a nutshell: I am personally making sure she's not the sort of dumb she is in canon. I have a vision for this version of SkyClan.

[bibibbon]

Within the narrative of MHA, All Might is supposed to be a "comic book hero" while All For One is a "comic book villain" doing good and evil for good's/evil's sake (like how early superhero comics in the 30s were written). But their ways of Heroism and Villainy could no longer suffice in a world that his become so nuanced and grey in tone, which is why, as part of the "passing the torch" theme, AM and AFO pass their roles as symbols to their successors, with Izuku learning what makes Villains the way they are, something AM and the other OFA holders never bothered to do (please ignore the fact the he was only ever successful with Gentle Criminal) and Tomura gaining the goal of wanting to destroy everything that reminds him of what made him a Villain in the first place, as he's come to despise a society so rotten that it is capable of creating someone like him (this is good). But all of that nuance to Tomuea's position as the main antagonist were ruined when Hori placed AFO into that role again to suck the enjoyment and nuance out of the entire third act, completely undermining and destroying the "passing the torch" theme previously established.

Hi @patrickowens86 👋

The clear cut theme of good and evil within MHA was introduced early into the story with people taking a clear cut role of either hero (good) or villain (bad). The beginning of the story literally describes the awakening of quirks as "fantasy becomes reality". This theme of fantasy becomes reality is repeatedly brought up with yoichi and all for one directly and has a lot of all might imagery indirectly hinting to all might.

As a way for the world to cope with people gaining superhuman abilities they tried to follow what was most familiar to them which was comic books. This ultimately "worked" for the most part until the rise of deku and shigaraki where like you said We're familiarised with a grey space that's the in-between of good and bad. The whole passing on the torch to the next person theme was established from the very beginning of act 1 and continued all the way until the middle of act 3 until it ultimately failed due to Hori choosing to bring back all for one in shigarakis body which ended up being a horrible writing decision that robbed the series of potential.

All might and all for one's actions are continually foiled with the way they treat their supposed successor and in reality after the training camp arc that resulted in the fall of all might and the the arrest of all for one shigaraki and Deku were officially given all of the responsibilities and handed the whole torch to carry on.

The problem is that shigaraki wants to destroy everything his goals never developed into proper ones of him specifically wanting and targeting to destroy hero society. The closest we get is him wanting to get rid of the status quo (aka heroes to him) and the narrative usually frames his destruction as completely evil (without going to acknowledge that the status quo of MHA has harmed many) or that destruction and violence is simply in shigarakis blood (what redestro has continually said to shig during their fight).

I think it would of been more interesting if we got the concept of izuku creating a society safe for others and shigaraki destroying the status quo that then enables for izuku to create. I do think that the ending aka chapter 430 tried going down that route but the execution was lacking horribly and it also didn't work due to how underdeveloped izuku and shigaraki's dynamic is.

Izuku's role was supposed to be for him to reach out and understand villains. He was supposed to understand the grey space and see the corruptness of society. Chapter 1 Izuku starts in a perfect way for him to see this with the prologue being "not everyone's born equal that's a lesson I learned at a young age". Izuku is also a victim to hero society but horikoshi lacks nunance when it comes to his victims so Izuku ends up being a good innocent no can do wrong victim while shigaraki is the complete opposite. In the end Izuku and shigaraki are framed as two extremes of two different sides with no proper nunance to them.

In the end both izuku and shigaraki were done dirty. Shigaraki was done dirty by not having his leadership role in the overhaul and MVA arc properly developed and he got his body hijacked by AFO ruining the passing on the torch motif while Izuku was stripped of the proper agency and autonomy for him to get proper intropsection and character growth so he ends up being an incredibly static character.

[kujakumai]

would you like to elaborate on the "catastrophic mommy issues"? I'd love to hear what your thoughts are on that lol

Thief King is a child raised by a mass of vengeful tortured souls in the ruined basement where they all died, all of whom are in effect a stand-in for family/community/parents. They are all TKB has left, and they are highly protective of him; they seem not entirely within their right minds, not capable of competent childcare, and they give him explicit instructions on how to destroy and take over the world, which he follows enthusiastically.

I think about this a lot, like a lot a lot, and while we don't see much I think its gotta be a very tangled dynamic. When writing him I tend to use "mom issues" or general references to his mom as an emotional stand in because I think she's probably the most likely person he'd remember clearly when he needs a real face, but that's not necessary. All of Kul Elna is Mom for these purposes.

There is a lot going on here, for example:

>Kul Elna does not seem to leave the temple unless accompanied, or at very least they prefer to stay there. This means TKB probably spent a significant portion of his childhood in the same ruins and possibly the same room where he watched everyone die. Cool! Great!

>Kul Elna appears to be only partially corporeal, limited in their ability to do much besides menace, and TKB says they are "in hell" (unclear what that means). I do not think they are up to the daily tasks of feeding, bathing, or taking care of a small child. I think he probably grew up as an urchin mainly in squalor.

The closest real-life analogue to this is, probably, simply a child in the care of someone who is ill or disabled such that they cannot effectively take care of even themselves without support; so you have a situation where no one has done anything wrong, and this family loves each other very much, and the only real culprit is the society that failed them. But you're still going to end up with a kid who is not getting their needs met, is in a situation that is often stressful and sometimes scary, and that will lead to a rapid Adultification where the kid takes on the role of steward without ever having a proper childhood.

>The Zork-raising instructions were given to TKB by Kul Elna. He tells us this. I am less concerned by Kul Elna's obviously Zork-influenced plan to destroy everything than I am its effect on a 16 year old boy who loves them very much because they're all he has left in the entire world. When did they bring this up? Is it recent? Has it been an ongoing plan for years--has TKB effectively been raised on the idea that he is to be Egypt's own destined apocalypse maiden? How fucked up would that be?

Fandom is hesitant, I think, to ascribe anything malicious to Kul Elna or suggest that their relationship with TKB is sinister--which, for the record, I don't think it is, I think this fucked-up little family has nothing but love for this kid in the depths of whatever humanity they have left--because Kul Elna gets such an unjust treatment in canon it makes us incandescent. Yet the same would apply to TKB--if they want the world in ruins and him at the top, how could he even think anything different? After everything the pharaoh did to them, and to you, of the life they deprived you of? Impossible to suggest something different. You can't tell him they're wrong. What's that old softer world bit; I am a pacifist, and I will be a pacifist until I die, or someone threatens my mother.

>TKB does not need survivors guilt to be an unfailingly loyal Mama's Boy to his ghost family (Ghost's Boy?) but he's got to have it. A simultaneous immense guilt for getting out when no one else did; the immense loss of being left behind, like they all went to become this without him; the weight of being the only one left, the only one who can take revenge not only for you but for them, and if you fail then no one will remember any of their names, or yours. One chance. Avenge them or die a nobody. Don't fuck this up. It's your responsibility, like it or not, because no one else can help, and no one else can help because of what your enemies did to them, which is why you need to do it. It's almost self-justifying.

If you want me to editorialize, I don't think he actually cares much about ruling the world, nor does that goal make sense. I think in the back of his little brain he thinks that if he wins he finally gets to join them somehow.

tldr; I think TKB's relationship with whatever the hell Kul Elna has going on is way, way more complicated and nuanced than even he is consciously aware of and you can love someone very much and still fuck them up immensely (arguably a major them of ygo itself). TKB's has such catastrophic mommy issues he literally tries to end the world. We are talking literal apocalyptic mom issues. Cataclysmic.