#until dawn adaptation
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i’m so excited for the until dawn adaptation but idgaf what happens as long as emily and sam survive ok 😭
(and that we get the “understand the palm of my hand bitch” scene)
#everyone else can die i don’t mind#but as long as my girls live i’m content#especially emily#bitch better live#until dawn#until dawn adaptation#until dawn emily#until dawn sam
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I’m so torn at wanting an until dawn adaption so badly and knowing that it will never be exactly what i want it to be and therefore will be disappointed
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letssssssss gooooooooo!
(oh dont go find that article if you're spoiler free lol they spill the whole thing)
#pop culture#until dawn#playstation#horror news#horror films#video game adaptation#gary dauberman#david s. sandberg#screen gems#when i say this game is the one that got me to buy a ps4 - i couldnt not play it yall
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Honestly I wish that instead of an Until Dawn movie adaptation we were getting an adaptation of this
#twdg#yes they’re both choice based games but at the end of the day twdg ending is definitive regardless of choice#until dawn has like multiple branching endings and takes multiple deaths into account#meanwhile you KNOW the ending of Lee and Clementine is set in stone regardless of what choices you make#and I think if they’re gonna go ahead and make a movie based of until dawn then adapting twdg like they did with tlou shouldn’t be that har#do it
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I strongly feel most game plots that people bring up as being "basically already a movie" would actually be shitty movies
#on a scale of 1-10 this is like a 6 for things that will set me off but like#the fun of until dawn is taking the concept 'they don't know they're in a horror movie' and like#going 'oh yeah you do better then'#and like it's hard!#idk how you could adapt that into a movie#they could make a prequel I think
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Being as you are someone who writes about Anne Boleyn, I must ask you, which are your favorite portrayals of Anne Boleyn? I mean fiction (novels, film, tv) but also non-fiction. And, do you feel your fav portrayals have influenced you in the way you write Anne and her story? Your least favorite ones, do they have an influence too? Which ones are they? Thanks
If there's one with zero merit and/or minimal entertainment value I won't include it on the list, I'll say I'll ** = my absolute favourites and * = my compelling in some aspects, but tread with caution, and those sort of in between I'll leave alone.
Or rather, let's put it another way...* is worth a library rental or free Kindle borrow, whichever you have available, and ** is worth an actual purchase. Those without *...eh, I'll leave it to you.
The Challenge of Anne Boleyn, Hester Chapman*
Adultery, Heresy, and Desire, Amy Licence*
Raven's Widow, Adrienne Dillard**
Jane Boleyn, Julia Fox**
Among the Wolves, Lauren Mackay*
Queens of Henry VIII, David Starkey*
The Story of the Death of Anne Boleyn, Translation, Edition, and Essays by Joann DellaNeva**
The Lady Elizabeth, Alison Weir*
Renaissance Prince, Lisa Hilton*
Hunting the Falcon, John Guy & Julia Fox**
The Life & Death of Anne Boleyn, Eric Ives**
Tudors in Love, Sarah Gristwood
Tudor England: A History, Lucy Wooding**
Children of Henry VIII, John Guy*
Henry VIII by Lucy Wooding**
The Other Boleyn Girl, Philippa Gregory*
The Lady in the Tower, Alison Weir*
The Lady Anne (Book 2 of 5 of Above All Others series) by Gemma Lawrence**
Judge the Best (Book 2 of 5 of Above All Others series) by Gemma Lawrence**
Threads by Nell Gavin*
In the Shadow of Lions, Ginger Garrett*
Tarnish by Katherine Longshore*
Brazen by Katherine Longshore
Anne & Henry by Dawn Ius*
Wife after Wife by Olivia Hayfield*
The King's Mind by Christopher Rae**
The Concubine by Christopher Rae**
VIII by HM Castor
Queenbreaker by Catherine McCarran
The Tudors (2007-)**
The Lovers Who Changed History (2014)**
Anne Boleyn miniseries (2021)**
Blood, Sex & Royalty (2022)**
I Am Henry: A Compelling Novel of Anne Boleyn and Henry VIII (2023)
And, do you feel your fav portrayals have influenced you in the way you write Anne and her story? Your least favorite ones, do they have an influence too? Which ones are they? Thanks
Pieces from everything influence me, Christopher Rae's and Gemma Lawrence's novels, for example, both had some of the best and credible portrayals of Henry Norris I've ever read, both in credible unrequited love (tying into, Anne's wariness thereof) that was forged into a weapon against him and for why he became such a favourite of HVIII's in the first place (would've included Jeff Lavender's thesis of Norris also, had you asked for beyond fiction and non-fiction books). The best parts of all of the above have inspired me to craft AB as a character at turns, sympathetic and unsympathetic: proud, courageous, intelligent, zealous, prudent (more in the 16c sense than 21c), fierce, jealous, sensitive, vindictive, unyielding, talented, compassionate, bold, spirited, pious, impassioned, loyal, loving ...somebody who inspired either complete devotion or implacable hatred, with very little in between, and felt comparable extremes towards her own family, friends, and adversaries.
From my least favourite...I try to remember that every choice she made was morally defensible and/or justifiable, from her own perspective, regardless of whether or not it actually was (and of course, they weren't always). I try to remember also that fear and insecurity can best explain some of her less palatable choices, as enumerated here. Basically, just that she was human and flawed, but also that there were many people personally (and often, religiously) invested in magnifying her flaws and reducing, or even outright omitting, her strengths. Obviously, that misogyny can also be a factor in some of her portrayals, is a salient remembrance to keep in mind, as well.
#pls don't judge me for some of these lol#they are all my choices for entertainment and readability#and there are actually elements of tobg i really enjoy wrt anne's characterization that if excerpted i might actually love#i love how clear-eyed ; erudite ; ambitious and passionate she was#the film adaptation is sort of like a pale reflection of that in many ways . until the one horrible SA scene the film was actually like...#not bad i just think hviii was poorly cast . the physicality but not the charisma#or just loving the dialogue#and you did specifically say for understanding /enjoying ab as a figure/ character. not necessarily the the others in her sphere#threads im going to add sa tw and also it's really only the chapters of 16c AB which had any merit#and the same sa tw for dawn ius#also technically tobg novel even if not the same as in film#she portrays mary as 13/14 so..#in some of these like TLE and HVIII her appearance is VERY brief or ancillary but i still loved#also sa tw for TLE . damn . why is this so prevalent in tudor fiction....#anon#i mean jealous in two senses of the word also:#protective and mistrustful of unfaithfulness#both understandable traits for her to have in the circumstances she was in#my least favorites are ig TOBG even tho it's technically on this list-- lol-- altho it's way more entertaining than like#TKO by alison weir and honestly also TiL in some aspects#but somehow TLE and TiL both were better than TKO and her six wives book and also her hviii and court book#the king's damsel by kate emerson.... the concubine by norah lofts...jean plaidy...margaret george
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somebody on tik tok was talking about some video games that will be cool to get a live adaption and they named a lot of player decision based games….now how will that work if all of us played the game differently???????
#and from my knowledge i believe netflix is the only service i have seen do a viewer decision based show#which i don’t even trust netflix to handle a live adaption of twdg or until dawn or life is strange#or any video at that matter
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Excuse me, what the fuck?? You are forgetting the critically acclaimed Uncharted series by the SAME FUCKING STUDIO, my dude. TLOU is a bog-standard survival horror game with character development and interaction that is, at this point, FUCKING TYPICAL of Naughty Dog games.
I can three games that actually WERE fucking revolutionary without even thinking about it.
Wow. What an absolute fucking tool.
#and of course the fucking pedro people are going to go apeshit#as soon as the show drops#tlou is not and was not a playable horror movie#(that honor belongs to until dawn)#and quite frankly i am Concerned about anybody's ability to adapt it#in a way that wouldn't be wildly inferior to just watching a let's play
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THAT DUDE WHO WAS THOMAS WAYNE IN THE BATMAN IS FUCKING JAMES IN THE SILENT HILL 2 REMAKE??? AND HE SOUNDS ALMOST IDENTICAL TO NICK APOSTOLIDES??? WHAT NOW???
#raiiot#i wanna buy it but i also wanna buy the until dawn remaster abd i can afford neither#honestly… thomas wayne being james is so undeniably appropriate#theh sounded the same in the clip injust saw of sh2r#everything i love is connected#but also james now looks like he could be leons father abd idk how i feel abt that#and its not nostalgia filter fyi i dont have that i can just vibe to remakes as long as independantly theyre good in my opinion#like i do not care lol i have the capacity to recognize an adaption is just an adaption changes will happen#but the efforts to de square james face and make him look a little more like leon is where im kinds like??? guys yall horror experiences are#entirely different why u tryin to be each other lol but anyways#anyways i hope sony sees everything realizes how hard they fumbled w the horror kings and beg them to finish pt bc the franchise is NOT dead#bring it back we’re still here and we’re still mad abt pt!!! bring it back!!!#fyi this is me saying ‘LOOK AT HOW GOOD SH2R IS GOING NOW BRING BACK PT’ im complimenting it
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It's quite unfortunate, especially because Until Dawn was such a huge obsession of mine when it came out, and is still one of my favourite games, but for whatever it's worth considering this project has still yet to meaningfully gain momentum and produce a comic, but recently learning that "W****go" is an offensive term in Algonquin culture has lead me to the decision that I will no longer be adapting Until Dawn.
I still plan on adapting the first three Dark Pictures games when I get around to them, but Supermassive's first and biggest hit will be off the table for the foreseeable future. Thanks for understanding.
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[ID: Tweet by DiscussingFilm that says, "A movie adaptation of Until Dawn is in the works. David F. Sandberg is set to direct with Gary Dauberman writing the script." A source is provided, relating to an article on Hollywood Reporter dot com. Attached is the poster for Until Dawn: it shows the title on a misty, dark blue background, besides an hourglass with the top half replaced by a skull without its jaw and the bottom half looking more like a snow globe with eight figures standing outside in the snow in front of a cabin. The hourglass' sand (or snow) goes down as if coming from the skull's mouth right onto the cabin. End ID]
ok i kinda want it
#i love Love LOVE until dawn....but do we need another remake slash adaptation 😔😔😔#id text#what can this adaptation do that the game didn't? the game is literally a playable movie!
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Wielders of Wisdom: Introductions Part 4
Phantom (Guardian) [ST]
Driven and determined; orderly; kind of a diva
Surprisingly strong after Malladus fortified her body for his own use
She started dating Spirit after he renounced his hero status to go back to being a humble train engineer. Orders him around all the time (they genuinely love each other).
Her singing voice is enchanting :)
Story: [Redacted until further notice]
Echo/Aurora (Dreamer) [EoW, CoH, AoL]
She was once the hero of her era. Now she’s Depressed^TM
Barely holding it together for Dawn’s sake. She desperately misses her home, her family, and Silent.
Very fond of Hyrule and Dawn. Regretted kissing Hyrule immediately after she realized he wasn’t her Link. A small part of her is bitterly jealous that Dawn gets to be summoned away into other eras, while Aurora seems to be trapped after the Great Decline— but she loves Dawn and would never begrudge her that opportunity.
Her first and second adventures have made her an excellent dancer
Story: Since her awakening, Aurora has done her best to be the older sister Dawn never had. But the world is still devastated by the Great Decline, mistrust runs rampant, and it’s hard adapting to life centuries in the future. Dawn keeps telling her about the other Zeldas, but neither Dawn nor Aurora have been able to summon the others to their era, and Aurora hasn’t been able to leave. Aurora will do what it takes to support Dawn’s goal to help their people prosper— but who knows? She might be keeping secrets of her own…
< Part 3
Masterpost
#wisdomverse#wielders of wisdom#linked universe#zelda#spirit tracks#adventure of link#the highly requested Phantom and Aurora reveal!#wis phantom#wis aurora#wis spirit#lin draws#loz#lu wielders of wisdom#lu phantom#lu spirit#lu aurora#lu wisdomverse#spirit tracks zelda#adventure of link zelda
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You are Universe looking back at itself
(Guys, brace yourself because it is not going to be your usual post.)
I don't know if you guys understand why it is "assumption".
The thing we see, hear, smell, touch, taste. They aren't real. I'm not trying to say the same thing again and again.
I'm not emotional blackmailing you to have faith in imagination in order to have your desires in 3D. But I'm telling you to have faith in imagination because it is the only truth. The source creation.
If the 3D is actually real and vivid as it seems,
there wouldn't be Ageusia, Dysgeusia, Color Blindness, Anosmia, Anaphia and literally tons other mental illness or disorders.
Dysgeusia: A condition where taste is distorted, leading to unusual or unpleasant flavors. Color blindness: A deficiency in color vision, usually involving difficulty distinguishing between certain colors. Dysacusis: A hearing disorder where sounds are distorted or unclear, making them hard to understand despite normal hearing. Anosmia: The total loss of the sense of smell, often caused by damage to the olfactory system Anaphia: The loss or impairment of the sense of touch, often due to nerve or brain damage.
Similarly between them?
"In short, they all relate to disruptions in the way the body processes sensory information."
Now, what proves that our entire lives that what we feel is not a distortion?
our brain? the only thing that distorts?
science? the thing is which is created by human brain?
These disorders happens due to a change in neural pathway in brains or due to medical treatment of which it affects the brain of some people which alters their entire reality.
People with color blindess don't know that their brain cannot see certain colors until other people make that person aware. Only then, the person with the color blindness gets aware of their condition, so till then... That person assumes that is their reality because that's what consciousness does.
So now, what if everyone on earth had color blindness?
It would simply just be the 'true reality'.
Brain provides distortion and consciousness accepts which then repeated becomes a belief in deep subconscious mind.
Nothing is "truth". We don't actually see 3D but the brain repeats us the old assumptions again and again.
That's why 3D is a reflection of our own mind.
The assumptions doesn't affect the 3D but becomes the 3D.
Assumptions are the true reality, 4D is the true reality.
Whether new or old, there is no "true reality" out there. (link)
There is no active 3D existing. Everything is 4D. Your so called material world is just interpreted by your brain through sensory nerves. You were always living in your head.
"Oh but why do need something external like water if we only live in our head?"
Because you exist in a physical body at this moment. Your body needs it. You don't. So you can actually shift to a reality where you don't need water.
Our physical never had to suffer or endure pain, we were provided with abundant water, minerals, trees which ripe fruits, vegetables, human physical and mental strength to power other creatures since the dawn.
"Oh then why do we innovate new physical objects if it already exists in 4D?"
Because we are source of creation. Our imagination, 4D. We don't just create out of no where. Just like how the airplane was a fantasy of the Wright brothers before it came into existence. We imagine something, we drive in creating.
Everything that is existing right now is a fantasy of the creator.
We are a mere fantasy of I am.
We are the I am conceived in human form who then forgot ourselves and became a dream character.
When we are first born, our subconscious develops at 6months. The duty of subconscious is solely to protect and serve you. The baby in the womb knows how to suck milk from the mother. Your subconscious protects you now and forever, you then develop consciousness which has the possibility to change the subconscious belief considering changes in adaptation in surroundings and to mend with the society.
That's why kids are very 'spongy' from 6-8yrs. Their conscious and subconscious both are developing together. This is where their majority life's belief starts forming deep onto their subconscious.
(Your subconsciousness is why you are here, making you able to read this at the moment. Heart beat, lungs functioning etc. It developed long ago and is consciously listening, it can't process every thoughts like consciousness, it just simply takes you as the dominant thought)
You get adapted to 3D and forget about 4D.
So it becomes 3D-> 4D->3D (old assumptions becomes 'true'.)
instead of 4D-> 3D-> 4D (you create assumption, your own reality which then becomes the 'true').
You are only truth, I am.
Whatever state you associate yourself with after that is an illusion that you can choose to be.
Anything is possible to I am.
You were/are/will be void forever.
You are whatever you desire and get conscious of.
#affirm and persist#consciousness#live in the end#loa blog#loablr#barbs111claims#neville goddard#non duality#awareness#lester levenson#anti shifters dni#shiftblr#shifting blog#shifting stories#reality shifting#loass#loass post#loassblog#loass states#loassumption
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HELLLO!!! ☺️✨
Can I ask for a scenario where Diluc, Gorou, Tighnari, and Wanderer encounter a nekomata reader who definitely left a lasting first impression on them by messing with them in their car form?
I think it would be both adorable and funny! Especially thinking of possible annoyance turning in a crush! 😊
I hope you’re doing well and have an amazing day/afternoon/night!
I didnt feel like doing the crush part :( just wanted them to fuck around w some cats that are a little Too human also i made wanderer. kinda more lh ig bc he thot it was a cat and i see him being p chill around them lol
Diluc seems like a cat guy. A new one had begun to wander around the grounds of Dawn Winery and seemed very intrigued by him. He had no issues and enjoyed playing with the cat, letting it keep him company.
The cat developed a habit of trying to steal some of his grapes. Diluc has no worries about it because it doesn't seem like it's trying to eat them but it is a little annoying to have to chase this little kitty around the grounds until he gets his basket back.
He swears it's laughing at him but he knows that makes no sense because of the whole "it's a cat thing" but one day when he sees someone who suspiciously looks similar to the cat he's become friends with grinning at him he starts to put the pieces together.
Gorou/Tighnari was become more wary of a cat on the grounds of the camp. It seemed to enjoy misplacing everybody's things and seemed to hang back to watch people's reactions to things going missing.
He tries to shoo it off, not actually angry at it but definitely a little annoyed with how often it moves things around. He doesn't mind it lazing about though so if he sees it just laying around then he might be inclined to give it a few pets.
If you ever decided to turn into a human form he'd recognise you immediately by your scent. Gorou might decide to "confront" you directly about how you were moving things around whereas Tighnari would be more relaxed about it when asking you to not move too many things.
Wanderer doesn't mind playing with the cat either. Similarly to Diluc he easily lets it just follow him around and do whatever it wants. It's a little hard to mess with him outside of grabbing his hat or sitting inside of his hat but if he doesn't want you to mess with it then he'll simply just...float away.
He likes messing with you sometimes too, watching as you try to bat at his clothes but failing miserably because of the whole he can float away from you thing.
You turn into your human form in frustration, hoping the extra height would make it easier for you to grab at him. Unfortunately for you he adapts very quickly and darts out of your grasp, a little surprised that the cat he just met is now a person.
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me & you, beyond a horizon so blue.
scaramouche/wanderer x (gender neutral) reader cw: slight angst, brief and vague mentions of scaramouche's past and the shouki no kami fight, you and wanderer have adopted a child together, this fic takes place before scara tries to erase himself in irminsul note - after he's defeated in a fight against the traveler, scaramouche wakes up in the distant future and learns a few things about an emotion he's always felt undeserving of.
It’s dark until he has the courage to force his eyes open.
Immediately, he wants to shut them. Near-blinding, the afternoon sun beams into his room through a part in the curtains. If he were human, it would have caused some sort of irreversible retinal damage. He’s not—though he isn’t spared the impending irritation—and so he’s able to adjust with relative quickness, his indigo eyes soon finding comfort in the brightness. It means a new day has dawned. He’s not dead—if that mortal concept can even apply to a puppet like him.
With a weak groan, Scaramouche drags a hand down his face and, like a sluggish, reanimated corpse, sits up in bed. The sheets are clean and soft, a soothing balm amidst the unrest that vibrates through him. It has been a long while since he’s slept through the night, preferring the shadows over the sun. Nocturnal like nature intended. A creature created in gloom can change and adapt, but it will always seek familiarity no matter what.
Intrinsically like a rooted habit.
It’s only natural he would be forced into sleep, considering the fall was not pleasant, nor was the inevitable impact. He brings his fingers to his cheek, presses against the area, and assesses for injury. Nothing is damaged.
But then nothing is fixed. Not internally.
Having expected the dreary interior of an infirmary, he’s struck with bewilderment when he makes note of the bedroom he’s currently confined to. It’s furnished like a typical residence, unlike that of any inn he’s ever known, and there is a strange sense about this space. As if he’s always known about it and has just recalled it, destined to wake here one day and submit himself to its simple charms.
This can’t be right.
He’s never seen this bedroom before, let alone slept in it. Until now, that is. Perhaps a part of him has subconsciously willed it into existence with all of his fruitless wishing, the result of some illusion weaved from the intricacies of hopeful dreams.
Scaramouche glances at the bedside table, his brow furrowed in the beginnings of a wary scowl. Something is so obviously, painfully not right. He knows it has something to do with this room and the fact that he’s alone and unguarded. Lesser Lord Kusanali is not a fool, no matter how much he’d like to comfort himself with that delusion, and so he knows there should be no reason why he’s here instead of where he’s meant to be.
And then he hears them—voices. Three of them, actually. One is high and giggly. It’s a little girl. Judging by the intonation of the other, an adult. Her guardian, to be more exact. He can’t place the third, especially since it’s one that sounds so grossly affectionate. He’s never heard anyone, human or not, speak with such tender warmth.
He’s never known such a thing. Not in a long while.
Scaramouche throws the covers off at once, stumbling from the bed in a panicked flurry. Watching it like it’s a threat, he clutches his chest. He doesn’t feel a heartbeat; rather, it’s the crackle of Electro deep within the core of his being that resounds, fizzling like snapped, angry circuitry. His fingers dig into wrinkled fabrics and he takes pause, realizing his actions.
To think something as mundane as a bed could startle him.
To think comfort would feel like a curse.
What a joke. Even here, I’m not allowed the peace of a lonesome parting.
He walks on intact legs, bidding the room a final glower before throwing the door open and stomping outside. Wherever he’s found himself, whether the mortal coil or a place beyond, he’s determined to get out. He pays no attention to the picture frames on the wall as he stalks down the hall, his mind working twice as fast to conjure a plan. If this place proves to be foul, there will be casualties. Three of them.
Bloodshed is nothing new.
What is new, though, is the scene he walks into when he approaches the kitchen, stepping through the threshold and immediately stopping short when he sees himself.
Only…he’s different.
“You’re in poor shape,” his other self comments, almost conversationally, as if this sort of talk is casual. He’s dressed in breezy colors: whites and blues, the prettiest of hues. It’s a color scheme he would never entertain at present, but it sings of free skies with fluffy cumulus. An unburdened soul, light as a feather.
Scaramouche opens his mouth to retort—so are you—and shuts it because that’s not true. His other self looks better than ever as he sits at the table. He looks healthy.
He looks happy.
“Whoa! There are two Papas?!”
He flinches, horribly rigid, every sense on high alert. His gaze pans over to the little girl peeking out from behind your legs. She looks at him like he’s a wonder to behold—like he’s someone worth adoring.
It’s different. It’s not the fondly fearful gaze of a devout follower, nor is it the clinical stare of a mournful creator or a deranged doctor. It’s something else.
It’s…
What is it? What is that emotion—the one that has evaded him for the entirety of his existence?
“Good afternoon, sleepyhead. We were beginning to wonder when you’d wake up.”
He turns to look at you. A smile softens your features. Coupled with the glorious sunlight filtering in from the window, you are the most seraphic creature he’s ever seen. Horrified at the development of his thoughts, he hardens his face into a vicious glare and tamps down the weakness that rises to the surface.
“You were expecting me?” he asks, but it sounds like a demand. “What’s the meaning of this?”
“Why don’t you take a seat? I can fetch you a cup of tea,” you offer, your voice gentle and coaxing. He glances at the little girl. Her gaze is worn down with worry.
“I will do no such thing,” he snaps, folding his arms across his chest. “You have no authority over me. I’ll sit if I so please, and I do not please. So I will not sit, nor will I indulge in tea.”
His other self barks out a laugh. “To think I was like that… I was intolerable.”
“Still are,” you reply with a cheeky grin.
“You’re just as bad,” he snipes back, but there isn’t any heat to the remark. There’s that emotion again, reflected so clearly when he’s looking at you. His other self smiles—genuinely smiles—and then addresses him next. The smile tightens into something serious. “Relax. We’re not going to bite.”
“No, but I can and I will. Don’t think for a minute that just because you’re me I won’t—” He stops himself when the little girl tugs on his shorts, peering up at him with more wide-eyed concern. Rather awkwardly, he does his best to bring his attitude to a child-friendly level. “I… I’m fine.” He searches the silence for her name.
“Aaliya! Nice to meet you, Papa Number Two!”
Scaramouche nods mechanically, moves to bend down to her height, and then straightens again, thinking better of it. “What is all of this?” His hand sweeps across the room. “Just who are you?”
Like clockwork finely tuned, you and his other self exchange a furtive glance before nodding. It’s some unspoken language Scaramouche can’t decode. He frowns as he watches this interaction, even more suspicious than before.
“Aaliya, could you draw something for me?” you ask, guiding her from the kitchen towards the neighboring sitting room. Aaliya grabs a notebook and pencil from the countertop as she goes, humming her compliance. “We need another masterpiece to hang up, and you’re the best artist we’ve got.”
She giggles. “You can count on me!”
The sound calms him. He almost allows his shoulders to drop. Almost.
Scaramouche watches from the doorway, observing the way you interact with the girl. It’s parental and adoring. You care for this child, and she cares for you.
Just what is that elusive emotion? Why can’t he place it?
Once Aaliya has been successfully distracted with the allure of art, you return to take your seat beside his other self. Scaramouche stares between the both of you, utterly lost.
“You don’t have to sit—not like I could get you to after you’ve made up your mind—but, at the very least, let’s talk.”
Scaramouche’s eyes narrow. “Speak.”
“So entitled…” His other self sighs. “I shouldn’t expect anything less. I am you, after all.”
“Was,” he corrects astutely. “This isn’t the present day, and it can’t possibly be a dream.” He scrutinizes his surroundings, slowly fitting the pieces together. “It’s gone on for much too long.”
His other self tilts his head, playful. “Are you sure you’re not just stuck under Buer’s thumb?”
Right. Dreams. Lesser Lord Kusanali can poke her nose in and out of dreams as she pleases.
“Plausible, yes. But this is too detailed. And you—” he gestures to Blue Scaramouche— “are different. I wouldn’t dream of something so inane. Something like…this.”
Something so carefree and content, he almost tacks on as an afterthought, but he refrains. Weakness.
“Oh, but of course. You’re too good for good things,” his other self jeers, sardonic in a way that incites violence. He pushes that urge away. There’s a child nearby. “For what it’s worth, we’re still the same person.”
“Do not compare me to a weakling like you.”
“Hah? You think I’m the weak one? I’ll show you—”
“Wawan, relax,” you say, moving your body to obstruct his view.
Both look on, horrified.
“Wawan?” Scaramouche ventures, brows furrowed.
“You…” He turns away with a huff.
“What? It’s cute! You like it!” You smile and nudge him.
Scaramouche is in awe, nearly slack-jawed from witnessing such a bold display. If anyone were to do that to him—to the fearsome Lord Harbinger Scaramouche—they would not get away unscathed. In fact, he’d subject them to a death so brutal they’d beg for release even in the afterlife. No one lays a finger on him unless they’re actively seeking a bloody finale. More importantly, no one reduces his being to such flowery nicknames.
Disgusting.
His other self—this Wawan fool—recovers from his flustered state and clears his throat. “Wanderer,” he says, hurrying the syllables before you can make any more comments. “The name I go by. You should know it because you’ll use it one day.”
“I will do no such thing.”
Wanderer’s expression softens at that—out of sympathy, he realizes. Uncharacteristic, Scaramouche thinks. I do not soften, nor do I sympathize.
“You lost, Balladeer. There is no future for the god you hoped to become because he doesn’t exist. Not anymore.”
He bristles, suddenly defensive. “And who’s to say I haven’t already achieved godhood? Your claims are as useful as a corpse. You have no valid proof.”
“But I do. I’m you.”
“Even so, you’re woefully uninformed if you can so carelessly prattle on about—”
Wanderer sighs again, and this time you offer your hand. He hesitates, looking between Scaramouche and you, before his hand slips into yours, holding tight. Scaramouche’s face twists.
Foul.
“You failed, and this is the result of that—the future neither of us could have foreseen.”
“Failure is a strong word,” you chime in, running your thumb over the top of his hand. You look at Scaramouche next. “You didn’t succeed, yes, but you can learn from your mistakes and grow.”
“And grow I so apparently did,” he mutters, bitter and resentful. “Into a weakling who…” He pauses, his tongue heavy in his mouth, eloquence escaping him. “A weakling who… Who shackles himself to idyllic nonsense with nothing but…” His fingers curl into tight fists. “Nothing but filthy weaknesses to show for it.”
Nonplussed, Wanderer submits to temporary silence, to the comforts you provide. There’s a feeling sprouting between the both of you. Neither of you says anything, but you understand regardless. It’s a silent sort of communication, an undeniable connection. An understanding fostered from that despicable emotion.
With an offended scoff, Scaramouche turns swiftly on his heel and freezes when he finds Aaliya standing there. She peers up at him, studies his poker face, and presents him with her drawing.
“Papa tells me love is hard, but it comes easy when you’re with the right people. You need to be willing and accepting. When you are, love will find you and you’ll find love.”
She presses the parchment into his hands. Shakily, he beholds it. It’s a poorly drawn family portrait, but Aaliya’s artistic talents mean nothing to him. It’s the first time he’s ever been willingly included in a portrait. A family portrait. The only time someone has bothered to document a side of him that isn’t the vindictive, villainous, ever-raging tempest he’s known for. The one time he’s ever known what it means to be loved.
Ah. There’s that emotion. That temperamental, difficult, stormy emotion. It’s love.
In this future, he is treasured and cherished. He has a family. He has love, and he feels it and it’s reciprocated. Or Wanderer feels it, that is. But Scaramouche can see it: the quiet intricacies of your relationship—it’s all the result of love. You love him. Him—a being who was never created for the sake of loving. A being who has always been undeserving, unfit for the burden of divine admiration and reverence. You love him, and he loves you. Godhood and power and control—none of these things matter when compared to love itself.
Scaramouche stares at Aaliya next. He folds the drawing into a neat square, clutches it in a trembling fist, and—
And he cries.
Silently. His shoulders do not shudder. He does not gasp and wail like a newborn. It is entirely soundless, a reaction delayed by years. Tear trails streak down his porcelain cheeks in steady streams. His lip wobbles.
And he cries.
He cries as he brushes past Aaliya, ignoring her protests and your mumble of, “Let him go. He needs space,” while he flees, beelining for the bedroom. He cries when he unfurls his fingers to cradle the folded square in his palm. He cries when he thinks of the life he’s lived—the suffering and the lies and the tragedy and the backstabbing and the manipulation. He cries because he can’t hold back anymore. Because he failed. Because he will never be a god. Because he is inadequate in the eyes of the divine—as unsubstantial as a common pest.
He cries because he’s loved. Because someone has found something within his fractured being that’s worth loving.
He cries into the night, curled in on himself to protect what’s left of his exposed weakness.
It’s dark when he closes his eyes, and unlike before they remain shut. Because if he opens them—if he doesn’t patch up the damaged floodgates—he will cry.
And it hurts to cry.
And Scaramouche, for all of the pain he’s dealt, has never enjoyed being on the receiving end of agony, self-inflicted or otherwise.
It is a long, sleepless night punctuated with the soft pitter-patter of rainfall.
He’s lying sprawled like a defeated starfish when the first few rays of sunshine poke through the window. Groaning, he slides his arm over his eyes. He knows himself, even if Wanderer is a version of himself he has not yet experienced, and so he doesn’t expect to be checked on. The silence is both a comfort and a curse, smoothing his nerves and chewing through to the core of his being.
He thinks I’ll come to him first. How utterly foolish.
Scaramouche turns his back towards the sun and presses his face further into the sheets, drained of energy even though he’s just woken up. His ears prick at the sound of a girlish giggle and he lifts his head slightly, his eyes sliding towards the window. Aaliya skips down the pathway, carrying a basket in one hand and holding another girl’s hand with her other.
A friend, Scaramouche observes, watching the girls until they’re out of sight. He hears you call out to them even though they’re already long gone: “Be back before dinner and don’t get into any trouble!”
He peers at his own hand and flexes his fingers experimentally. Is everyone this feeble in the future, or am I just too strong?
There’s a knock on his door next. He intends to lie back down and block the world out, but instead he sits up and stares.
“Balladeer, I’ve put a pot of tea on. You’re more than welcome to have some if you’d like.”
He won’t dignify you with a reply. Or that’s what he initially thinks, but then he’s covering the distance to the door before he can stop himself. He yanks it open, much to your surprise.
“I—” he starts, his scowl mellowing into a reflection of the cold and cruel Fatuus he’s known to be. “I…will have a cup,” he finishes, oddly subdued.
“You don’t have to force yourself to talk. You can glare at us if it makes you feel better. Just make sure to take care of yourself, okay? We’re here for you if you need anything.”
He scoffs, straightens his posture into something regal, and pushes past you. “I was feeling much better until you opened your mouth and spat that irritating dross.”
You exhale through your nose, tentatively stepping into his path. For a minute he considers sweeping past you, but deep down he knows that he—the one he supposedly becomes in the future—would regret it. He would hate to push you away when you’re making an effort to be close—an emotional proximity he’s so clearly avoiding.
“You’re always welcome here.”
“Considering the circumstances, you have no choice but to be hospitable. It’s pointless to feign sincerity just because I’m here. I’m not fragile. Do not treat me as such.”
“You’re right. You’re far from fragile.”
He opens his mouth to argue that point and then pauses, absorbing your words with a dubious frown.
“You may not believe me, but you’re very resilient and so strong. I should know because I wake next to him every morning, and his existence is enough to remind me that he’s come a very long way.”
Smiling, you continue onwards. Scaramouche stalls, wondering what that could possibly mean. A very long way from what?
He’s not sure he wants the answer to that.
As if it matters.
“Without spoiling too much, I’ll say you’re in for a world of development,” Wanderer says once Scaramouche has graced the kitchen with his arrival. He’s sitting at the table, which is set for three people and adorned with the usual Sumerian snacks. The scent of tea hangs in the air, fragrant like perfume. “Lots of fun things.”
“Fun,” Scaramouche parrots, his nose scrunching. “What an unconventional way to refer to countless days and nights of agony.”
“I never said it’d be easy.”
“You never said it’d be difficult either.”
“Both of you,” you cut in—vocally and physically, you’re standing between the two of them— “no fighting at the table.”
Wanderer takes your hands in his when you lower into the seat beside him, his thumbs tracing delicate patterns into your skin. “Do you see how troublesome he is? Did you really have to put up with him all those years ago?”
“He’s part of you, Wawan.”
He scoffs. “No part I particularly care for anymore.”
Scaramouche rolls his eyes and folds his arms over his chest so the couple in front of him won’t pick up on his discomfort. “I’m not asking to be cared for or coddled. Hate me all you want. I don’t intend to like either of you.”
“Well?” Wanderer raises a brow, a smirk lazily tugging at his lips. “Insufferable.”
“Bitter like your tea,” you agree, to which Wanderer and Scaramouche huff in unison.
They glance at one another, searching the other for an indication of mutual tolerance, before turning away.
“I suppose,” Scaramouche says after a beat of silence, “I shall indulge. Be grateful.” He steps closer towards the table, lifts his cup from its saucer, and brings it to his lips. It’s lukewarm and just as bitter as the tea he’s enjoyed in the past. “It would be a shame to let tea go to waste after your efforts to prepare it.”
He nods in your direction and you beam under his approval.
“Thank you, Balladeer.”
His brow raises, but he doesn’t ask. You fill in the blanks yourself.
“This is the current you. Right now, Wanderer and I, this entire home, the life we share, and even our dear Aaliya—none of it exists in your present. If anything, we’re just a dream to you. So who else are you if not The Balladeer?”
Who else…
“Obviously I’m no one in this…reality.” He frowns. “If I’ve become that, there’s no need for any of my current aliases.”
“Perhaps not, but you’ll see for yourself when you get there.”
“I’d rather not. I’ll simply shut my eyes.”
“Avoidance is a common symptom of unresolved trauma,” Wanderer oh-so-helpfully adds.
“Oh, you’re a comedian now, are you?” But he isn’t laughing.
“Just passing on a fact I learned. You’ll hear it for yourself one day. Why not share it in advance? Soften the blow a little.”
“And you’re so perfect?”
“I have no intention to be.”
“Sure.” Scaramouche sips his tea, swallowing the torrent of insults weighing heavy in his mind and on his tongue. “I suppose all of this just fell into your imperfect lap then?”
“Wouldn’t you like to know?”
Before they can continue their petulant bickering, you gaze sharply at Wanderer and then at Scaramouche. He’s never felt compelled to obey anyone; he’s never needed to heed those who have always sat below him on the hierarchical pyramid. But for some reason he shuts his mouth and lowers his gaze to the floor.
This is pointless. I must find my way out of here at the earliest convenience before he drives me into the ground with his irritating sentiments.
“Arguing isn’t going to solve anything. He’s our guest, first and foremost. We should treat him like one.”
“I guess it can’t be helped. If this truly is our reality for the next few days, there’s no point in living in denial and self-loathing,” Wanderer concedes with a huff.
“Which is precisely why we should welcome this opportunity. It might not come around again.”
“Let’s hope it never does,” Wanderer and Scaramouche admit at the same time.
That elicits a giggle from you, and they turn on you with disapproving glares. “Sorry, sorry. It’s not funny—I know. I just couldn’t help it. You’re the same person, yet so different. Even your stares hold different feelings.”
Scaramouche won’t acknowledge your observations with a response. Instead, he watches his reflection as it warps and wavers in the tea. And then he drinks.
This is by far the most excruciating dream I’ve ever had the displeasure of experiencing.
There is no pain or death in this dream. No power tantamount to that of a god. He may as well be an apparition without an apparent place in this world. But there is domestic bliss and that is by far the most torturous aspect of this dream.
To think anyone could look upon my visage with such tenderness… You must be out of your mind.
“It’s not like I particularly care, but you seem to lead a quaint life.” Scaramouche sets his empty cup down and leans against the wall, his arms folding impetuously. “Why?”
Wanderer, troublesome menace that he is, bats his eyes and pulls you against him in a possessive half-hug. “Difficult to believe, isn’t it?”
Scaramouche wants to scowl, but he refrains. “I wasn’t asking you.”
“It’s mostly quaint,” you cut in, smooth as alabaster. “Life is always busier when you’re with your loved ones and there’s plenty to do—never a dull moment, as they say—but I don’t mind it. I like busy days.”
The delivery sounds rehearsed, but Scaramouche suspects it’s the truth. Your eyes soften and your smile mellows into something adoring when you nudge Wanderer. He almost retches outright when his other self nudges you back, discreetly reaching for your hand beneath the table. He won’t comment, but it prickles his skin with disgust when he watches this display. His other self fancies you so openly… The current Scaramouche would never.
Could never.
“Also, busy days prevent useless idling.”
“And keep boredom at bay,” Wanderer finishes. He assesses Scaramouche with a fleeting once-over. “You’ve always been a sad, lonesome existence. Your busy days were but minor distractions meant to fill a bottomless void that could never truly be filled.”
“What of it? I prefer solitude.”
He exhales a humorless breath. “Centuries of solitude and all it took was a single vase of flowers… Neither of us could have guessed.”
A vase of flowers? he wonders, bewildered, but too prideful to ask for an explanation. When will I ever receive flowers?
“You don’t need to worry about that right now,” you say, sipping at your tea with a cryptic smile. “Good things come to those who wait.”
Scaramouche rolls his eyes. “I’ve had enough ‘good things’ for the rest of my life.”
“I wouldn’t be so sure. Even if you don’t think so, you’re deserving of good things. Everyone is, even if they’ve done something bad.”
He waits for the gutting punchline. It never comes.
He watches the world beyond the window: fluffy clouds, grass rustling in a breeze, a bird hopping about on the ground. His reflection frowns back at him. “I don’t agree.”
Wanderer shrugs. “If you say so.”
“That’s okay. If that’s what you think, who are we to judge your opinion?”
Briefly, Scaramouche wonders how you can have the patience to put up with him. With Wanderer, he thinks, even though he knows he’s just as troublesome, if not more.
He finishes the rest of his tea and then rises from his seat.
It’s not as if it matters. He doesn’t fit in this family portrait. He never will.
But he does in some distant future.
How peculiar…
Scaramouche wakes on his third day in a rather pleasant purgatory. As it happens, he’s still stuck in this unusual cottage with a bizarre doppelgänger.
So be it, he thinks, sitting up in bed. It occurs to him that he hasn’t been very resistant since he was plucked from his timeline and dropped here. But what is there to resist? You and his other self? This comfortable home? Family? Happiness? Love?
I should get back to my world as soon as possible. That’s my priority. Do not get distracted.
Ideally, he’d like to imagine that’s where he belongs, but he knows there’s no place in this world—or any other world and timeline—where he’s wanted and accepted. At the very least, there’s some semblance of home in his timeline. Even if it isn’t the most welcoming.
When he wanders into the kitchen, he finds you standing over the stovetop. Strips of meat sizzle in a pan. Sitting at the table, doodling on a blank page, is Aaliya. He hasn’t spoken much to her since his first day, and she hasn’t come to his room to pester him.
“Let him settle in,” you and Wanderer tell her whenever she stalks past the closed door.
Still, he feels the beginning of a smile pull at his lips as he watches her kick her legs to and fro to an imaginary tempo.
I’m looking after a child in this timeline. Me. A parent…
He struggles to fathom it.
“Oh, Papa’s back!”
“Already?” You whirl around, a greeting on your tongue. “Ah, no, honey, that’s our visitor. The Balladeer is his name. He does look like Papa, though, doesn’t he?”
“B-Balla… Ballaba… Babadeer?” She scrunches her face up, perplexed.
Scaramouche offers her a gentle, understanding smile. “You may call me ‘Baba’ if it’s easier to pronounce.”
She lights up immediately. “Okay! You’re Baba and Papa’s Papa!”
He finds that the term is more endearing than any alias he’s taken on in the span of his lengthy existence.
“Speaking of, where is he? I would assume he’d be smart enough not to leave me by my lonesome.”
“He’s out for the day. Won’t be back until later.” You lift the pan from the stove and proceed to distribute breakfast between two plates. He shakes his head at you when you attempt to fix him a plate. With a shrug, you add, “You slept in. How was it?”
“Acceptable,” he admits, lowering into the chair beside Aaliya. “I suppose it’s better than most places.”
“I’m happy to hear that.” You place a cup of tea in front of him. “Bitter. Just how you like it.”
Scaramouche eyes it like it’s poison. “Your hospitality is…appreciated.”
“What do you think?” Aaliya lifts her drawing, proudly showcasing the portrait she’s sketched of you.
Scaramouche is a critic of many things. Art is not one of them. Still, he takes the page in his hands and spends a moment admiring the shaky linework.
“Very wonderful,” he praises, and he means it. “You should become an artist.”
“I want to, but I also wanna be like Papa. He’s really smart.”
“Is he now?”
“Mhm! He’s studying at the Akademiya. My friends told me only really smart people go there.”
I’m a scholar? Truly? He looks to you for confirmation. The proud smile on your face is answer enough. To think this is what becomes of me in a distant reality…
“A commendable occupation. You should always do your best in your studies. They’re very important. But most of all…” He hesitates. Thankfully, his other self isn’t here to listen to his encouraging words and ridicule him. He’s certain he’d never hear the end of it. “You should pursue what you enjoy.” He reaches out to pat her on the head. “Always dream, Aaliya.”
“I will! I promise.”
Scaramouche doesn’t do promises, but somehow he’s convinced by this one.
You sit across from him. “Time to eat, my dear. You can finish your pretty drawing later.”
She nods and pushes her pencils and crayons away in favor of focusing on her plate. Scaramouche watches, stiff and awkward. Family meals are not an unusual occurrence, but it’s been so long since he’s spent quality time with another living creature. With humans.
Am I really so foolish that I’d willingly indulge in a life with humans? Don’t I know better?
“Wawan told me your arrival might be linked to a faulty Ley Line. We’re not sure when you’ll return to your world—if that’s even a possibility—but until we know more you can stay here with us.”
“If I must. Although I assumed that was already established.”
You chuckle. “Is that right? Then it looks like you’ve gotten comfortable in the three days you’ve been here.”
He rolls his eyes. “Your singular deeds are not enough to earn my veneration.”
“I’m not trying to.”
With a huff, he averts his eyes. An uncanny feeling crawls up his throat and settles on his cheeks. You hide your playful grin behind your utensils and eat alongside Aaliya in peaceful silence.
If only everyone could see him: a puppet now named Wanderer, who attends the Akademiya and has a family of his own. A puppet who seems complete when he surrounds himself with his loved ones. It’s impossible to live in denial when all of it is unfolding before his eyes like a fantastical tale in a storybook. He really can’t believe it.
“Tell me—am I fulfilled in this reality?”
You blink back at him, and suddenly he regrets asking. There’s vulnerability in a question like that. An open wound waiting to be exploited.
“Will knowing put you at ease?” Before he can snap back with a defensive reply, you add, “I suspect you’re already aware of the answer.”
He stares at the amber-colored tea in his cup. “I am,” he confesses quietly.
“And do you feel any better?”
“Am I supposed to feel that way?”
“I can’t tell you because there’s no right or wrong way when it comes to emotions. You just…feel them.”
Just feel them?
“I’m more conflicted than anything else. That Wanderer fool… He can’t truly be me. I would never allow myself to grow so weak. To surround myself with weaknesses… How utterly thoughtless.”
“What you see as weakness is his strength.”
Scaramouche’s gaze slides from the tea to you. “And he… And I… I’m happy here? This isn’t a grand farce?”
“As absurd as it seems, this is to be your reality. You’re not always going to be happy. Sometimes you’ll dwell on the past. Sometimes you’ll feel angry and upset. It’s all part of existing.”
“That sounds horrendous.”
“What does?”
“Existing. Isn’t it tiring? I’ve never understood how humans do it.”
“It’s tiring, yes. But it’s also very rewarding. To exist is to cherish happiness and weather hardship. It’s not perfect, but it’s enough. Sometimes all you need is enough.”
What if I’ve never had enough? What if I’ve never had anything?
He shuts his mouth. So many questions flit around in his head, but he already knows the answers to most of them. He just doesn’t want to hear it from himself.
To have enough when you’ve never had anything—when you’ve never felt like anything substantial—he surmises Wanderer can sympathize.
The first few drops of rain patter dry earth. Like dolls moved with wire, you and Scaramouche turn towards the window to watch water beads pearl on verdant fronds.
“Oh, it’s raining!” Aaliya exclaims with a delighted giggle.
Scaramouche reaches to touch his cheek. A single tear wets his fingertip.
“Huh,” he mumbles. “So it is.”
Sitting on the stoop, watching worms wriggle in wet soil, Scaramouche sighs.
“Did you know the worms sometimes lose their way when it rains?”
“Is that right?” he murmurs, glancing at Aaliya who scoops one up from the stone path and places it in the grass. He smiles at her kind impartiality. “It’s very admirable of you to help them.”
“Mhm! Papa tells me even worms need homes, so it’s important to help them when the rain washes them away.”
He breathes a laugh that sounds more like a scoff. “I really said that? That’s difficult to imagine.”
Ironic, too.
“If no one helps, how will they find their homes?”
“They’ll find their way. Everyone does eventually.”
“Even you?” She blinks at him from where she stands in the grass, worms held in her palms.
He exhales slowly and gazes skyward. The clouds have opened to let in the tiniest peek of sun. “If worms can find their way, then so, too, can I.”
He’s not sure he trusts it. Not now, at least. But it’s just as inevitable as the shifting seasons—an undeniable, irrefutable fact. He’s changing, if only slightly, and soon he’ll be in Wanderer’s shoes—a puppet with a home and a family. With all of life’s greatest joys and sorrows at his fingertips.
Aaliya sets the worms down in the grass before meandering over. She lowers to sit beside him, resting her head against his arm. “I believe in you, Baba.”
“Thank you.”
Soft as rain, subdued like a snuffed candle, his voice doesn’t waver. For the first time in a while, Scaramouche is defenseless. He’s not so sure he believes in himself. Wrapped in waning sun, listening to the hushed sway of grass, he tries on a smile. Albeit awkward, it fits.
He knows why his future self has become the wind, free and flowing, gentle and tumultuous all at once. Liberated from the past.
Even though he has his doubts, he knows he’ll get there soon.
The sky clears up just as Wanderer’s form comes into view. At first, he’s an insignificant pinprick against a blue sky. Aaliya jumps up from her spot on the stoop to run the rest of the way, calling out to him in an eager voice.
“Feeling any better?”
He keeps his eyes pinned stubbornly ahead. “It’s nothing to concern yourself with.”
“You’re our guest, silly. Of course I’m going to be concerned if you’re not comfortable during your stay. Ah, but I expect you’re coming up on the end of that, aren’t you?”
He blinks at his hands and realizes they’re transparent. “So it appears.”
“Does it?” you tease, patting him on the shoulder. Or you try to, at least. Your hand goes through him. “Guess it wasn’t very funny.”
“Not in the slightest,” he snaps with a scoff. He checks to make sure Wanderer isn’t within earshot. He’s kept occupied with Aaliya, who jumps around him like an energetic bunny. “But… Thank you…for everything. I’m aware I wasn’t the most grateful guest, nor the kindest.”
“You don’t have to be. As long as you felt safe and secure during your time here, despite everything that’s happened in your timeline, that’s all that matters.”
Scaramouche stares at you. I suppose it was a worthwhile escape. Unnecessary, but worthwhile.
“It wasn’t as hellish as I thought it’d be.”
“I’m glad. It was nice having you.”
Just then, Wanderer approaches. Aaliya sits proudly on his shoulders, her fists in his hair. “Glad to see everything’s still in one piece. No atrocities today?”
Suddenly, any sort of security Scaramouche might have been feeling evaporates. He’s reminded that it’s impossible to endure his other self for more than a few minutes. It’s actually impressive you’ve put up with him for this long.
Love is weird like that.
“Go back to the Akademiya and maybe you’ll learn a better sense of humor.”
“Aren’t you a bundle of joy?” Wanderer chuckles and levels him with a playful smile. His next words are tender and truthful. “Good luck on your journey. Have lots of fun.”
What sort of fun could possibly be found in pain? I don’t want or need your sardonic optimism.
“Oh? Baba’s leaving already?”
Scaramouche and Wanderer share a look. You smile behind your hand.
“Baba?”
“P-Pay it no mind!” He reaches for his hat in hopes of relieving everyone of his flustered expression and stops short. He’s not wearing his hat. He hasn’t had it this entire time. Refusing to admit he forgot such a crucial detail, he turns away and folds his arms over his chest. “It matters not.”
“Sure,” Wanderer concedes, but Scaramouche can tell he’s thinking something snarky. “We’ll go with that.”
“Thank you for visiting us,” you interject before the two of them can argue semantics. “Even though our time together was short, it wasn’t any less enjoyable.”
“I’ll miss you, Baba!” Aaliya extends her arm for a high-five.
“Careful now,” Wanderer warns, steadying her on his shoulders. “I suppose, though you’re more trouble than anything, it wasn’t so bad seeing my past self again.”
“You’re a welcoming lot,” he says with a curt nod. “It made this entire debacle slightly tolerable.”
“Only slightly?”
“Your presence didn’t add anything of substance. Don’t get it twisted.”
“Hmm. Perhaps not. At least I get to say I saw you once more.”
At that, he rolls his eyes. Am I supposed to feel flattered?
Wanderer smiles, but Scaramouche can’t place the authenticity. Maybe it’s there and he just doesn’t want to confront it.
“Don’t be so hard on yourself. I know the feeling well enough.”
“And live every day one at a time. There’s no rush,” you advise, sweet like a real parent.
“I believe in you, Baba! You’ll find your way just like the worms.”
Wanderer raises a curious brow, but instead of ridiculing him he takes your hand in his and squeezes. Aaliya giggles and pats Wanderer’s head. The three of you make a family. Togetherness. Love. It’s everything he’s never had.
Now he understands. When Wanderer is with you and Aaliya, he’s whole. He’s happy. Free. He’s turned a new leaf. There are still so many apertures and questions—so much he’s missing from a puzzle not yet pictured to completion—but he isn’t worried. Equipped with this new information, he finds himself at peace with the present situation.
“I don’t know if we’ll ever have the chance to meet again in this timeline, but if we do let’s not dwell on the past.”
Scaramouche can feel his consciousness slipping from this realm, every sense pouring in like light through the gaps in trees. Just before he can make sense of it all, he notices the pendant glowing just above Wanderer’s chest.
Impossible… Is that what I think it is?
“You have a lot to look forward to, so next time let’s talk about the future.”
Suddenly, he’s not so sure he wants to leave. Scaramouche steps towards his other self, hand splayed, and wants to say something. Anything. A million words and phrases stick to the roof of his mouth.
I’d like that, he thinks just as the rest of his corporeal form vanishes in a blip.
Scaramouche comes to in the infirmary. He lifts his arm towards the ceiling, observing shattered fingers and broken joints. Thin cracks run along his arm—surface injuries as far as he’s concerned. They’ll be gone within the day, a testament to his self-sufficiency.
You’re very resilient and so strong. Someone once told him that. But who? And why does it warm him so?
“Oh, you’re up!”
He gazes sidelong at Lesser Lord Kusanali, the God of Wisdom, past the wellness bouquet on the bedside desk, and his features harden with antipathy. “Buer.”
“Did you have a nice dream?”
“Dream?” He scoffs. “I don’t dream. Not anymore.”
But it feels like I’ve been asleep for ages… Just what have I been doing all this time?
“Everyone dreams—even when they’re awake. Dreams are what give us hope.”
“Not me.” He turns on his side and shuts his eyes to block her out. “I have no need for childish dreams and misguided hope.”
What does it matter? I have nothing. I am nothing. There’s nothing for me in this rotten world.
Her hum of acknowledgment reaches his ears. “I wouldn’t be so sure.”
Scaramouche scowls. Stop poking around in my head. You have no authority over my thoughts, Buer. Get lost.
“Well, if it makes you feel any better, I’m here to give you a second chance.”
“I don’t want it. It’s pointless to put me on the path to redemption. Inane, even.”
“Redemption starts with recognition. If you realize that what you’ve done is wrong and are willing to change, redemption will find its way to you.”
He inhales a long, weary breath. “What more is left for me?”
Scaramouche, despite his grandiose title, feels small lying here and contemplating the worth of his existence.
“Plenty of things—good and bad—that you’ve yet to experience.”
He tries to envision what these things could be and turns up blank.
Strange. I was so certain… He sits up in bed, clutching the space where his heart would be if he was human. I could have sworn there was something…
He gazes at his palms next. What happened while I was unconscious?
Surely he witnessed a joyous scene. Otherwise why would he wake feeling so…hopeful?
Inhaling a resolute breath, Scaramouche decides it doesn’t matter.
“Why don’t you take some time to think about it? I may not know the full extent of the turbulence in your mind, but I do know it’s not something to treat lightly.”
The void is both loud and quiet when she departs, and now he’s forced to come to terms with his reality. He lost. Even as a manufactured deity, he was still unfit for godhood. It was a moment so short-lived it was practically a blink—insignificant in the colossal tapestry of time.
“What a joke,” he spits, glaring at the wall ahead. “All of that for nothing…”
He sits back against the cushions and drowns in the silence. It doesn’t comfort him.
Don’t be so hard on yourself. Where has he heard that line before?
Perhaps it was just another delusion.
Scaramouche’s gaze is drawn to the bouquet next. The flowers are fresh and vibrant, each blossom a representation of good health and happiness. Someone placed these here. Someone went out of their way to assemble a bouquet in his honor and then send it over. He wonders if this is the work of Lesser Lord Kusanali.
Who else could muster the empathy for a sorry creature like him?
Will knowing put you at ease?
He thinks it might. At the very least, it would soothe a restless part of his being—the part that craves a connection and yearns to be wanted despite everything he’s done. He wants a heart and a home. He wants to feel the rays of the sun stinging his skin and bathe in the exhilaration of being alive and in the moment. He wants to finally know all of the sweetness he was deprived of in life. The sweetness that comes from love in all its many shapes and forms.
Scaramouche reaches for the bouquet and pauses. He could swipe it off the table and watch rumpled petals scatter amidst shattered glass in a puddle. He could ignore it and pretend it’s not worth his time or attention.
He wants to act like it doesn’t matter, but something’s nagging at him.
For once, the feeling isn’t terrible. For once, he has something to look forward to—an anchor to cling to in this vast, wild sea.
And he isn’t going to let go.
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In the live-action "One Piece" adaptation, there's a brief confrontation in which Cabaji says that Zoro chased him and his brother through the jungles of Goa Kingdom or something. Which made me think IMMEDIATELY about an AU in which Zoro and Luffy meet early, when Luffy is around 15 or so and Zoro is around 17, sometime shortly after Ace has set out on his own adventure and Luffy is on his own.
So, like, imagine Zoro being this 17yo bounty hunter who thinks he's hot shit, people are starting to call him "THE Demon of East Blue". He gets one Cabaji brother but the other escapes, leaving Zoro injured and alone in the jungle (similar to the side wound that Zoro gets at Orange Town in the manga). It's getting dark, he has a corpse to drag back to a Marine base somewhere back in Goa Kingdom, and there are beasts here. He thinks he can see a tiger, stalking him in the bush.
And then some 15yo in a straw hat and shorts bounces out of the trees going, "WHOOOOOAAAAA, you're SO cool! I was watching your fight! You're amazing! You should join my pirate crew!" Like... what? (If there was a tiger, the tiger has fucking RUN FOR IT. It doesn't want to be EATEN.)
So, Luffy drags Zoro back to Dadan's place for medical aid ("YOU BROUGHT A BOUNTY HUNTER INTO MY HOUSE?!" Dadan yells, while her guys patch up this kid anyway) and politely introduces Zoro to Makino ("I'm not going to be your first mate, don't introduce me that way," Zoro says for the tenth time already). And Zoro ends up being convinced to stick around Dawn Island and Foosha Village to train for a month (and also to heal, but that's less persuasive), with Luffy following him around like a starry-eyed puppy the entire time, unless he's dragging Zoro off to fight beasts and each other in the jungle. Kicking the shit out of each other is a sign of FRIENDSHIP.
Seeing Luffy's burgeoning fighting skills is enough to make Zoro go, "Maybe this kid is alright," and hearing Luffy talk about dreams is the beginning of Zoro's doom. But he's not going to sign up until Luffy is more impressive! If Luffy wants him for his crew, he has to come find Zoro when he sets out on his own adventure. And Luffy agrees this is reasonable even if he's going to miss his new best friend sooooo badly.
Now, I'm a Zolu fan (ace-spectrum Luffy), so I like to imagine Zoro and Luffy having a really dorky teenage romance between future monsters here. If only because when Luffy and Nami bust into Captain Morgan's Marine Base, Luffy can go (after 2 years of having Makino keep track of Zoro in the newspapers), "Oh, my boyfriend is here!!! 😃 I wonder how much stronger he's gotten? I need to impress him so that he'll join my pirate crew!!!" And Nami and Koby can be like, "What the FUCK are you talking about?! The PIRATE HUNTER?! The demon who kills pirates?!" Luffy: "Yeah! ❤️"
Even better if Luffy has already gone to a couple different islands (with or without Koby), loudly going, "I'm going to be King of the Pirates! And also, HAS ANYONE SEEN MY BOYFRIEND?! He has green hair and three swords and he gets lost really easily!" Or maybe Luffy was just shouting this on Alvida's ship and around the town under Morgan's control? It doesn't really matter. It just has to be loud enough that Garp finally catches wind of this situation.
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