#univox amp

[stone-cold-groove]

Univox amplifiers ad - 1973.

[jimmyflemion]

1980

It was the year new wave broke. The start of the decade. The beginning of The Frogs. The time had come for us to take the stage. The christening of the Flemion brother duo. Drums & wires, sound familiar? Stand up drummer, stand up for your rights or sit down. We didn't have a map, we didn't have a plan, we just made it up along the way. As his younger brother, it was music that Dennis turned me on to & it spearheaded both of our lives & gave us meaning & purpose & I remain grateful. There was a sense of freedom in expression, letting your thoughts be free, letting your voice & spirit out, letting go. A Univox guitar, a Boss distortion pedal, a pig nose amp, a tom tom, a snare & a symbol. Being together making music was so much fun. I repeat the last line, it made you feel alive. Today marks the release of The Frogs "1980 " digitally on all of your favorite corporate satanic platforms, ITunes, Spotify, etc. etc. etc. Yul Brenner. Where's the vinyl you ask? Well I've been doing this & on the outskirts of this industry for over 47 years now & the phone is still hesitating to ring off the hook. As I live & breathe, I take this time to honor my brother who 11 years ago charted another course.

As always I love him so much forever I miss him deeply. You can't even begin to imagine how much your love & support meant to him. I hope this message finds everyone in love & peace & harmony. With love each & every moment to all our adoring fans ❤️ Jimmy

#thefrogs #1980 #jimmyflemion #dennisflemion #newwave #punk#sspotify

[karmadealers]

Stan’s Music, the only guitar and music store in the high Dez. “Stan’s the man” ✨🎸 #StansMusic #guitar #univox #rock #desert #highdesert #musicstore #blues #amps #Pom #dog #happy (at Stan's Music) https://www.instagram.com/p/Cdttg-KvIFX/?igshid=NGJjMDIxMWI=

[toms-amps]

1966 Univox U75 Amp

The final installment of Univox’s 1960s great small tube amps, along with the U45 and U45B (which we also have). Twin original 10″ Jensen speakers driven by 2 EL90 (6AQ5) tubes for 10 watts. A great clean tone and stunning tremolo, gets politely dirty when cranked. Jackson Smith on the demo.

[fuzzkaizer]

Soulman Vintage Museum

“... if you'll get some difficulties with some original stuff and you will want to look at it closely and at the guts too, my little museum has some info and especially a pics which probably could help.This is an about 125 pieces list below of units I got and most of them already shared on my Soulman Vintage Museum page:   https://www.facebook.com/soulman.vintage Use the search and find what you wanted to look at when you need. Some pedals are still not shared but I suppose it will be done soon too. The list is keeping in the page description and I guess will be complemented:     

Ace Tone FM-2 Fuzz Master '72 Ace Tone FM-3 Fuzz Master '74 ADA Flanger '77 Ampeg SC-1 Scrambler '69 Arbiter Fuzz Face NKT275 '67 Barcus-Berry 1330-1 Standard Pre-Amplifier '75 Barcus-Berry 1330-S Standard Pre-Amplifier '73 Binson Echorec 2 T7E '66 Boss CE-1 Chorus Ensemble '78 Boss CE-2 Chorus '79 8900 Boss CS-1 Compression Sustainer '78 7300 Boss CS-2 Compression Sustainer '84 382800 Boss DM-2 Delay '82 232700 Boss DS-1 Distortion '78 7600 Boss GE-7 Equalizer '82 202500 Boss GE-7 Equalizer '91 QD31138 Boss HM-2 Heavy Metal '83 371300 Boss OD-1 Over Drive '77 6500 Boss SD-1 Super Over Drive '81 078300 Clark SS-600 fuzz silicon '68 Conn ST-11 StroboTuner '78 Cry Baby Thomas Organ 95-910511 Stack of Dimes '77 Cry Baby Trash Can '60s rebuild Cry Baby VOX Clyde McCoy pictured 1809 '67 Cry Baby VOX Clyde McCoy pictured 6779 '67 Dallas Arbiter Fuzz Face BC108C '72 Dallas Arbiter Trem Face '71 DeArmond 600 Volume Pedal '53 DeArmond 601 Tremolo Control '48 DigiTech WH1 Whammy Pedal '91 DOD Overdrive Preamp 250 '79 DOD Overdrive Preamp 250 upgraded to '77 Echoplex EP-1 468 '64 EHX Big Muff V1 Triangle '72 EHX Big Muff V2 Ram's Head '74 EHX Electric Mistress V2 '76 EHX Hot Tubes '78 EHX Memory Man Deluxe '79 EHX Small Clone EH 4600 Mini-Chorus '82 EHX Small Stone Phase Shifter '75 Expandora EXP-2000 Bixonic '95 Fender Blender '69 Fender Fuzz-Wah '69 Fender Reverb 6G15 '63 Foxx Tone Machine '70s Gibson GA-4RE Reverb-Echo '66 Gibson Maestro BG-2 Boomer 2 8374 '68 Gibson Maestro FZ-1 Fuzz Tone 2612 '62 Gibson Maestro FZ-1A Fuzz Tone 14000 '66 Gretsch Controfuzz '73 HR Enver Distortion '02 HR Enver Fuzz '02 HR Enver Tube Screamer '02 HR SWC-2 Switcher-Comparer '18 Ibanez No.59 Standard Fuzz '74 Ibanez Overdrive OD-850 '75 Ibanez TS-9 Tube Screamer '84 Ibanez TS-9 Tube Screamer '95 Ibanez TS-808 Tube Screamer Overdrive Pro '80 Ibanez WH-10 wah '91 Klemt Echolette S NG51 '63 Klon Centaur 713 '94 Maxon D&S '76 Maxon D&S II '78 Maxon OD-9 Overdrive '81 Maxon OD-801 D&S '80 Maxon OD-808 Overdrive '79 Maxon OD-880 OverDrive Soft Distortion '76 Maxon ST-9 Super Tube Screamer '83 Morley MOD-ABY Switcher '80s Morley MOD-AER Deluxe Analog Echo Reverb '82 Morley MOD-DDB Deluxe Distortion '80 Morley MOD-SCV Stereo Chorus Vibrato '81 Morley PWA Auto Wah '78 Morley PWF Power Wah Fuzz '75 Morley RFS-1 Footswitch '80s Mosrite Fuzzrite V1 germ '66 Mosrite Fuzzrite V2 silicon '68 Mu-Tron III '74 with PS-1 Mu-Tron Octave Divider '77 Mu-Tron Phasor '75 Mu-Tron Phasor II '77 MXR Blue Box BUD '74 MXR Distortion + BUD '74 MXR Distortion II '82 MXR Dyna Comp BUD '74 MXR Micro Amp '80 MXR Phase 45 BUD '74 MXR Phase 90 BUD '74 MXR Phase 100 '75 Pro Co The Rat '82 Roger Mayer Fuzz Face '86 Roger Mayer Octavia '79 Roland AF-60 Bee Gee '75 Roland AS-1 Sustainer '76 Sam Ash Fuzzz Boxx '67 Schaller Fuzz germ '60s Schaller Universal-Fußpedal '69 Shin Ei FY-2 Fuzz Box silicon '76 Shin Ei JAX Fuzz Wah FW-8 '73 Shin Ei Uni Fuzz '69 Shin Ei Uni Vibe '72 Shin Ei Univox Super-Fuzz U-1093 '60s Shin Ei Univox Super-Fuzz U-1095 '72 Tone Bender Jumbo '76 Tone Bender MK4 '71 Tribute Buzzaround Tribute Colorsound PowerBoost Tribute Dallas Rangemaster Treble Booster Tribute Fuzz Face NKT275 Tribute Marshall Supa Fuzz mk1 Tribute Marshall Supa Fuzz mk2 Tribute Octavio Tribute Selmer Buzz Tone Tribute Shatterbox Tribute the Zonk Machine MK1 Tribute Tone Bender MK1 wooden box Tribute Tone Bender MK1.5 Tribute Tone Bender MK2 Pro Tribute Tone Bender MK3 Rotosound Tribute WEM Pep Box Tube Driver BK Butler '87 Tube Driver Chandler '88 Watkins Copicat mk2 '61 Yamaha MBD-20M Multiband Distortion '88 “

documeted in very clean pictures: /soulman.vintage/photos

cred: facebook.com/soulman.vintage

[ifuckinglovestvincent]

ST. VINCENT’S GEAR 2020

Live Rig

(8) Music Man STV Guitars

Shure AD4Q Four-Channel Wireless Receiver

RF Venue Diversity Fin Wireless Mic Antenna

Radial JX44 Switcher Radial SW4 Switcher

Sound Sculpture Switchblade 8F

RJM Mastermind GT Controller

Korg Pitchblack Pedal Tuner

(2) Eventide H9 Multi-Effects Pedal

ZVex Mastotron Effects Pedal

Boss PS-5 Super Shifter Pedal

Bixonic Expandora Pedal

Voodoo Lab Pedal Power 2

iConnectivity Midi4+

Kemper Profiler Rack Guitar Amplifier

Supro 1610RT Comet Combo Amplifier

Home Studio Setup

General Studio Gear

12 Channel Custom Op-Amp Console

Apple MacBook Pro

Avid Pro Tools HD Native Interface

(3) Lynx Aurora 16 Channel Converter

Hear Technologies Headphone Distributor

Coleman MS8 Switcher

Dangerous Monitor ST Monitor Controller

PMC twotwo.8 Active Studio Monitor (pair)

Subwoofer Pros 12" Subwoofer

Yamaha NS10 (pair)

mio10 Midi Interface

Keyboards

Electro-Harmonix Mini Synthesizer

Sequential Prophet 6

Juno-106

Moog Mother-32

Moog Grandmother

Moog Minitaur

Moog Minimoog

Teenage Engineering OP-1

Korg MicroKorg Roland Vocoder VP-03 Mellotron M4000D Rheem Organ

Korg Rhythm 33 Yamaha DX7

Microphone Preamps

BAE 312A 500 Series API 3124+ (4-channel)

Shadow Hills Industries Mono GAMA

Chandler Limited TG2 (2-channel)

Focusrite Scarlett OctoPre Dynamic (8-channel)

BAE 1073MP

Microphones

AKG C414 XLII (4) Shure SM57 Audix D2 Audix D4 Audix D6

AKG C451B

(2) Mojave MA-50 Royer R121

Rode NT5 Beyerdynamic M160 (2) RCA 44DX

(2) Reslo Ribbon

Coles 4038

Neumann TLM102 Neumann Vintage U87 (2) Neumann KM84 Shure SM7

Wunder Audio CM7 S

Outboard FX

JDK Audio R24 EQ Teletronix LA-2A

Empirical Labs Distressor

Korg SDD-3000 Digital Delay

Highland Dynamics BG-2

Space Case TE-1 2016 Delay

Roland SRE-555 Chorus Echo

Univox EchoChamber EC-80A Tape Echo

Watkins Copicat Tape Delay

Grampian Spring Reverb

JHS Colour Box

Tubecore 500 Compressor

(2) Purple Audio Action 500 Series FET Compressor

API 525 Compressor

DigiTech Vocalist Live Pro

Eventide Eclipse

[ Source: MasterClass: St. Vincent teaches creativity and songwriting ]

[spacebeach23]

1965 Univox U-75 Lead Amp

from: https://www.thunderroadguitars.com

[fierykillrock]

View this post on Instagram

A post shared by MattLehn (@fierykillrock)

Ambient noise tones on this one courtesy of natural feedback via bass signal chain thru gtr amp off camera... #korgvolca #hofnerbass #bosspedals #keeleyelectronics #rolandamps #univox #marshallamps #voxwah #earthquakerdevices #seamoonfunkmachine #stonedeaffx #empresseffects (at Portland, Oregon) https://www.instagram.com/p/CD-Khj9h5Kb/?igshid=lvq1brfslw00

[loadcali890]

Ventura Guitar Serial Number Lookup

Beautiful old vintage Ventura Bruno V14 guitar. Looking at other similar models on e-bay, I GEUSS it to be 60's-70's but I do not know. Serial number is 74725, could be made in Japan but I do not know! This guitar includes chipboard case, has warm aged tone, the vibe of old guitar. Ventura was a brand of stringed instruments imported from Japan by C. Bruno and Company during the 1960s and 1970s. Bruno was bought by Kaman in the early 1980s, after which the brand disappeared. Some of the Ventura guitars were knock-offs of the Martin line, such as the Ventura V-35 appearing similar to the Martin D-35, and the Ventura V. Good luck and happy Ventura hunting! Re: Ventura Guitar 14:51 on Saturday, June 5, 2004. (David Woodson) Posted by Archived posts. I have a 'Bruno' Ventura Classic gut string that I bought from C&S Music in Fort Worth,Texas in 1965-66. It has a nice classic tone but that is all I know about it.

GENERAL VINTAGE GUITAR RESOURCES:

Vintage Guitar Magazine - this is Vintage Guitar 101 and all neophytes are advised to start here. Of course, my favorite part is Michael Wright's 'Different Strummer' column, which covers the history of all those wild, wacky off-brand instruments in elaborate detail. VG has also published several of my own articles over the years, some of which can be found on this site.

The Blue Book - if you're serious about buying and selling used guitars, the Blue Book provides the most detailed pricing, dating and identification info. Much of it is available online for free.

GuitarHQ - a nice all-around mainstream vintage guitar site. All the standard Gibson and Fender type stuff, plus some other interesting odds and ends.

ProjectGuitar.com- where the Internet goes to work on guitars! All about guitar maintenance and repair.

MIMF - the Musical Instrument Makers Forum is a goldmine of information about materials, construction and repair techniques, including a gallery of unique custom built guitars that range from inept to incredible. If you need professional advice about repairing your old guitar, this is the place to ask.

Stewart-McDonald - a good source for replacement guitar parts and repair tools to keep your junker running. Also check out WD and Allparts. I'm not sponsored by or affiliated with these or any other manufacturer or retailer, but I'm often asked to recommend good parts sources.Well, here you go.

Ampage - a nice info source for amp schematics and other guitar electronics.

GuitarElectronics.com - lots of wiring diagrams.

Dr. Duck's Dating Service - an excellent resource, lots of serial numbers for many brands of guitars.

OTHER 'JUNK GUITAR' SITES:

Cheesy Guitars - a true kindred spirit, Meatex Z has created a wonderful site dedicated to all those unplayable Russian and Eastern European guitars. He was also nice enough to give me credit for naming his site and helping him out with information initially. We were originally going to do this project together, but decided that two sites are better than one. Go visit Meatex and tell him Big Beat says 'hi'.

SovietGuitars.com - this cool Russian language page for fans of Soviet era instruments is rapidly becoming an important resource.

Vintaxe.com - an excellent site about some of the lesser known vintage guitars produced in the 60's, 70's, and 80's. Lots of pictures and vintage catalog scans, including some of mine that I have shared with them.

My Rare Guitars - a nice collection of cheesy offbeat axes by a very hip collector and dealer. Vintage Normas, Ekos and Dominos galore, plus some great modern reissues.

Fetish Guitars - a fabulous site about Eko, Wandre, Galanti and other Italian guitars of the 60's. Both visually stunning and very informative, it is an absolute marvel.

Lordbizarre's Electric Guitar & Amp Museum - The name says it all. This collector from Belgium has put some seriously weird axes on display for your viewing pleasure.

Cheap Trashy Weird Old Guitars - cool name, and certainly the right spirit! A small but impressive collection of Egmonds, Wilsons, Musimas and even something called a Horugel.

21 Frets - I just love it when somebody takes totally trashed Hagstroms and Melody Makers and restores them from trash to flash. This site chronicles some really cool restoration projects.

Gudok - a Russian site that showcases 'the weapons of the proletariat', old Soviet guitars such as the Tonika, the Formanta and the Solo-II.

Hendrix Room - a Japanese site with a neat collection of totally off-the-wall 60's guitars with names like Youngtone and Melodier.

Animal Charme - dedicated to all those pointy headstock axes of the 80's, this is the home of the shred and heavy metal guitar!

Pointy Guitars - more 80's pointy guitar madness!

Guitare Collection - A wacky French site that showcases some totally bizarre Euro junk guitars, even including a couple from Russia.

Rockin' Hollowbody Guitars - a great forum for people of the thinline and archtop persuasion. If it's got F-holes, you'll find all about it right here.

Vintage Guitars - this Swedish dealer has a photo gallery with lots of Goyas, Hagstroms, Levins and other oddball Scandinavian beauties.

Vermona - here's a German page about those amps and synths, so familiar to professional Russian musicians of the 70's and 80's. Never mind Fender, Vox and Marshall, everyone behind the Iron curtain knew that the best amps were made by Vermona. This factory also produced the famous Weltmeister accordions and the Ionika electric organ. To many older Russians, 'Ionika' is still synonymous with 'keyboard'. See the old Vermona amps HERE and the original Ionika HERE.

VINTAGE GUITAR INFO BY BRAND:

Ampeg - Vintage Ampeg Scroll Basses Aria - Guitar Gallery Burns - Burns Guitar Museum Carvin - Carvin Museum Danelectro - Danoguitars Egmond - Egmond Guitars Eko - Fetish Guitars, My Rare Guitars Framus - Vintage Framus Futurama - Futurama Story Grazioso - Palka.com Galanti - Fetish Guitars Goya - Goya Guitars Hagstrom - Hagstrom USA, Hagstrom Canada, Hagstrom UK Official Hagstrom Site Harmony - Broadway Music Co., Unofficial Harmony Page, Harmony Thumbs, Hillman Guitars Heartfield - Heartfield Central Hofner - Guitar HQ, Hofner Club Guitars, Vintage Hofner, Hofner Hounds Hopf - Hopf Guitars Hoyer - Hoyer Guitars Ibanez - Ibanez Vintage Page, Vintage Ibanez Museum, Ibanez Vintage, Ibanez Collector's World Jolana - Jolana Info, My Jolana Kramer - Kramer Krazy, Kramermaniaxe, Vintage Kramer Music Man - Unofficial Music Man Guitar Page Ovation - Ovation Fan Club, Ovation Tribute Page Shergold - Shergold Guitars Silvertone - Vintage Silvertone Starfield - Unofficial Starfield Guitar Site Teisco - Teisco Twangers Tel-Ray - Unofficial Tel-Ray Page Tokai - Tokai Registry Univox - Univox Page Vantage - Guitar Gallery Ventura - Unofficial Ventura Guitar Page Vermona - Vermona Vox - Vox Showroom Watkins - Watkins Guitars Westbury - Westbury Guitars Westone - Westone Guitars

Ventura Guitar Serial Number Lookup Serial

MISCELLANEOUS OTHER LINKS:

Guitars.RU - Russia's top guitar community. The place to go for information about Tonikas, Aelitas and other Eastern Bloc guitars. If you speak Russian, you can also hang out on their popular forum and socialize with other Russian guitarists. Even if you don't, many of the regulars do speak English.

Russian Rock Club of America - not really vintage guitar oriented, but these folks are my friends and associates. We keep the flame of the classic Russian rock tradition alive in our new homeland, promote independent Russian rock bands in America, stage concerts, music festivals and other cultural events. If you're a Russian rock musician or fan living in America, you're not alone!

© 2003 - 2008 JunkGuitars.com. All rights reserved.

: I bought this Ventura in 1980 at H & H music in Houston and I was just wondering what it is worth. It has a classical body style, not the dreadnought. The action is low and has an adjustable truss rod. The serial number is 60505 and the model # is V-200B. Does anyone out there have an accurate answer? Thank you for your time and effort in responding to this e-mail inquiry.

Have a great day.I ALSO HAVE A MATCHING PAIR OF V-11 BRUNO & V-15 12 STRING FROM MEMORIAL MUSIC JUST PRIOR TO H & H. THEY TOURED WITH BUFFETT IN 74-78 THROUGH CARIB/PROVO SOUTH & NORTH FLORIDA. NO ONE WILL VALUE THEM @ MORE THAN PURCHASE PRICE. : I bought this Ventura in 1980 at H & H music in Houston and I was just wondering what it is worth.

It has a classical body style, not the dreadnought. The action is low and has an adjustable truss rod. The serial number is 60505 and the model # is V-200B. Does anyone out there have an accurate answer? Thank you for your time and effort in responding to this e-mail inquiry.

Have a great day.I have a Ventura Bruno V-12 I paid $110 for in 1972 at Hauschild's music in Victoria, TX. Don't know if they are still around as the owner was up in years then. I have heard they were made in Japan but I dont know this for sure.

Guitar ID and AppraisalThere are many reasons for determining the precise age of your used guitar. The most important one is probably pricing the instrument appropriately when you’re looking to sell it. Prices for certain vintage models vary by thousands of dollars depending on whether it’s a 1963, for example, or a 1964.

You’ll also need to know exactly what your guitar is worth for insurance purposes.One of the most valuable and often overlooked resources to help you identify and appraise guitars is your local used instrument dealer. It’s so important to establish a working relationship with these folks. While it may be tempting to call every store in the area in order to save a few dollars when you’re shopping for something, developing a loyalty to one or two shops pays off when you need service that goes beyond a simple purchase.

While most shops charge a fee for an official appraisal, it may take an experienced retailer only a second to realize that your old Epiphone is actually a Nova 390, produced from 1976 to 1980 in the company’s short-lived Japanese factory. The shop employee may be glad to look up the approximate value of your ax in a book and give you an opinion about what it’s worth. But if you randomly drop by a store that you’ve never been to before and ask for this kind of help, they might not take the time to look carefully at what you’ve got.LEARNING THE HISTORYIf you want to educate yourself to identify guitars, the first step is to become familiar with the histories of some of the larger companies.

In recent years, more and more books providing information on the major guitar manufacturers have become available, and they’re a great place to start. There are some basic questions to ask.

When did the company start building guitars? Where were the guitars manufactured? Did the company move in the course of its existence, and did it move its production overseas? Did the model in question change drastically during the years of production?

For example, Gibson’s J-200 started out with rosewood back and sides and fairly standard X-bracing in the late 1930s. It was changed to maple back and sides (except for a few rosewood examples) and a double-X bracing pattern in the ’50s. Yet another double-X bracing pattern was used during the ’70s, and then a more Martin-like scalloped X-bracing was adopted when the model was reintroduced in the late ’80s. These are all differences that would be difficult for the uneducated eye to notice, yet they drastically affect the guitar’s sound and value.At the very least, these books will identify the time period during which the guitar in question was produced, basic information that will, for example, keep you from paying a premium for a '1960s Martin HD-28' (you’ll know that this model wasn’t introduced until 1976). Sometimes you can narrow down even further the time period in which your guitar was built because of a certain distinguishing feature. For example, a volute or scroll at the back of a Gibson headstock usually indicates that the instrument was built between 1974 and 1981 (although some appeared as early as 1969).Another thing that the trained eye will immediately be able to pick up on is whether an instrument was built in the U.S.

Or imported from one of the many low-end Asian manufacturers. When I worked in retail, a customer once walked in with a Ventura archtop for sale.

Convinced that he had a guitar that was built in the U.S. In the ’50s, he stormed out after I told him what I’d be able to offer him for it. Even if I hadn’t known that Venturas were made in Japan during the ’70s (which was confirmed by a quick look in the Vintage Guitar Price Guide), I knew as soon as he opened the case. It was mostly the guitar’s thick finish that gave it away, complete with lacquered neck-to-body joints and drips through the f-holes. The wimpy hardware was another dead giveaway that this guitar was neither domestically made, as he thought, nor a high-quality import. The best place to gain this kind of familiarity is at your local music store’s used-and-cheap section; the more guitars you inspect, the more experienced you’ll be.One of the biggest roadblocks in identifying a guitar can often be the serial number.

These numbers are frequently inconsistent or missing from reference books. In many cases, a serial number by itself is about as useful as a phone number with a missing digit. Few companies have consistently used the same system of numbering during their entire existence (Martin is among those that have). For example, Gibson began using an eight-digit number in 1977.

The first and fifth digits indicated the year of production (8XXX2XXX meant it was built in 1982). If you tried to apply this formula to a serial number on an older Gibson, or even a newer vintage reissue (which sometimes use 'vintage' serial numbers) you’d be making a big mistake.REFERENCE BOOKSSo, how does one go about accurately identifying a used instrument? Probably the publication most often referred to is Gruhn’s Guide to Vintage Guitars. Written by George Gruhn (of Gruhn Guitars in Nashville) and Walter Carter, the guide is a must-have for identifying older American-made guitars. Organized into brands, general information, serial numbers, specific features, and model designations, the book identifies most major-brand guitars of the past and offers meticulous descriptions and a wealth of helpful photos. It offers little or no information on smaller makers, budget instrument makers, and recent entries into the guitar market.Although designed to give approximate values for vintage instruments, the Vintage Guitar Price Guide is also quite useful in identifying instruments. While it doesn’t describe each model’s features in detail, it does provide a company history for most of the makers included.

The book’s many photos can be very helpful, and the general listings, which include many off-brands, are among the most complete available. As with all price guides, the dollar amounts shown are to be taken with a grain of salt, but having even a vague idea of an instrument’s value will make you a more savvy buyer or seller.Another excellent resource is the Blue Book of Guitars. This hefty book probably represents the most complete compilation of information on guitars that have not yet reached vintage status.

Ventura Guitar Serial Number Lookup

Ventura Guitars Models

It’s one of the few books that lists instruments made by companies such as Kay and J.B. Player and by individual luthiers such as Dave Maize and Steve Klein. Besides retail price information, the book includes brief descriptions of most companies and models listed, as well as a unique section on grading the condition of an instrument. In a color section, a variety of guitars are pictured front and back, showing a range of possible conditions-from 20 percent (poor) to 100 percent (new).You can also join guitar-related newsgroups on the Internet, but beware of advice from uneducated participants posing as guitar experts. Of particular interest to acoustic guitarists are rec.music.makers.guitar.acoustic, rec.music.makers.guitar.jazz, and rec.music.classical.guitar.

Find Guitar By Serial Number

You might also check out rec.music.makers.guitar and alt.guitar.These resources and the others in the Acoustic Guitar Owner's Manual should help you on your way to becoming a guitar expert. All you need is hours and hours of paging through every available book on the subject, countless weekends spent at guitar shops and vintage instrument shows, a careful examination of all of your picking buddies’ axes, and (let’s face it) the purchase of a lemon or two.Excerpted from Acoustic Guitar magazine, October 1998, No. 70.Toll Free 877-712-4747.

[karmadealers]

Stan’s Music, the only guitar and music store in the high Dez. “Stan’s the man” ✨🎸 #StansMusic #guitar #univox #rock #desert #highdesert #musicstore #blues #amps #Pom #dog #happy (at Stan's Music) https://www.instagram.com/p/CdttRmBv9Ii/?igshid=NGJjMDIxMWI=

[guitaramplifier]

Univox U-1235 Amp Head Cover - Black, Water Resistant, Heavy Duty (univ009p) https://ift.tt/31Fkkhj

[wilsoneffects-blog]

Now that’s tight! #Repost @fasterthansenna with @get_repost ・・・ Had to take a photo of my Number 2 pedalboard in the middle of audio and DC re-wiring. Work in progress. . We go in to Wilson Ten Spot II mini. I don't use wah that often so I'm thinking of using it off-board. . Then to TC Spark that's always on, using it as a treble and upper middle boost. You don't notice it until you turn it off. . Then to my drives, DOD 250, Rockett Animal, ProCo RAT2, EQD Park Fuzz and DOD Carcosa. I cover tons of different drive sounds with these. . Then the signal flows to Line6 HX Stomp for modulation and delay. And last but not least we hit the DOD Rubberneck analog delay for another delay. Thinking of running that in amp's fxloop. . The power unit (cheap but seems to work ok) is on top of board because I tend to swap my drive pedals. Sometimes I replace Carcosa with legendary Behringer SF300 when I need Shin-Ei/Univox Super-Fuzz sounds ala @fumanchuband . #pedalboard #pedalboardsofdoom #pbod #fuzz #delay #line6 #hxstomp #dod #tcelectronic #wilsoneffects #rockettaudio #proco #procorat #earthquakerdevices #parkfuzzsound #Rubberneck #analogdelay #distortion #overdrive #dod250 #carcosafuzz #sparkbooster #fxpedals #guitarpedals #pedals https://www.instagram.com/p/CEIY_7cnltE/?igshid=1fhbufvqi3bv2

[doutlereijba]

via Vintage Univox Tube Guitar / Bass Amplifier w/ Matching 810 Cab! Holy Grail Amp!

[guitarquest]

The Silvertone 1448 had a 23-5/8" scale length.

Here are some of the closer ones:

23-1/2":

Gibson Byrdland, ES-350T (thru 1963)

Epiphone Elitist Byrdland

Peavey T-15, T-30

24" (to below 24-1/2")

Fender : Musicmaster II, Bronco, Duosonic II, Mustang (all permutations), Jaguar (all permutations), Jag-Stang, “Short Strat” (japan), Squier Classic Vibe Duosonic, Squier Jagmaster, Super sonic

Univox UC-2

Brian May (& Burns Brian May)

SX SST62, SST57, SJM

Ibanez ORM1

Elgava Unika-2

Hopf Explorer Standard

Gear4music 3/4 Electric ST Guitar

Mannix LAST36-SV-B

Magnatone Zephyr

Maton JB6

Vanzandt Bronson, Broken Arrow

Mario Guitars Serpentine

Durango Guitar Works Contender

Don Dodd ("3D") Jr T, Nugget, Chunk

24-1/4”

Harmony : Bobkat , Stratotone Mercury, Stratotone Jupiter, Rocket, Meteor, Silhouette, Rebel, 3 Pickup, H65 Electric Archtop

Silvertone : 1326, 1327,1420,1421,1423,1429, 1453,1454, 1476,1477, 1478, 1480, 1485

Heathkit : TG-26 “Silhouette”, TG-36 “Rocket”, TG-46 “Deluxe Hollow Body”

[dogisblue]

#tbt to the guitar rig used on a few tracks on our upcoming album, Dead and Gone (out Sept. 28). 1960's Univox Custom from @caskmusic and homemade Fender 5F2-A Princeton tube amp recorded through an upgraded @rodemic NT1A with a new capsule from @micparts.

[toneproshop]

Jext Telez Uni-Drive Vintage Overdrive & Fuzz Pedal (Jimmy Page/Zeppelin Tones) AU$231.82 #jexttelezpedals #ecw93422386 #ecwid Jext Telez found some original Univox Uni-Drive pedals- yes, the same holy grail pedal once used by Hendrix and Jimmy Page. Upon hearing the majestic rock soul of these originals the mission was clear-- we must remake them and make new ones that sound exactly the same. We slaved over getting this one right and now proudly present the overdrive flavor of 1970, right now, in 2017. What to expect tonally? The Uni-Drive with the drive knob dialed all the way down is a warm amp-like transparent bit of magic. The low-end is full with the signature of a 4 x 12 cabinet-- full, punchy, yet nice and even up top, a natural open top. Dial the drive knob up and enter into gnarly saturation. Dial the drive knob farther up and enter into fuzzed overdrives-- wave-forms separate violently, complex tone-colors emerge-- harmonically shattered beauty. You can hear a lot of great early 70's tones, dial in transistorized fuzz tones or dial things back to just warm up and boost your amp with some punch. If you add some Uni-Drive to a great tone it's going to get even better. With 35 db of clean gain and a ton of headroom on board, the Uni-Drive is capable of taking your rig to many new places. Distortion boxes were the tool of rebellion that formed magnificent new textures of communication. The Uni-Drive is one of the earliest overdrives ever made and an incredibly great one. We are proud to play a part in reintroducing these textures of rebellion now. (at Canberra, Australian Capital Territory)