#union lido

[nanirossi]

Che Arena all’Union Lido!

[louisupdates]

FITFWT23: TOUR RECAP MASTERPOST

FASHION RECAP: NORTH AMERICA, EUROPE (Top Ten)

LITHOGRAPHS and PORTRAITS

OUTRO SONGS

IQ 123: Tour promo and production interviews

TOUR TECHNICAL SPECS [TPI MAGAZINE]

GROUP PHOTOS NA

Louis’ care for his fans

NORTH AMERICA

26 May - Mohegan Sun Arena, UNCASVILLE, CT

27 May - Bank of New Hampshire Pavilion, GILFORD, NH

29 May - Place Bell, LAVAL QC

30 May - Budweiser Stage, TORONTO ON

1 Jun - Blossom Music Center, CUYAHOGA FALLS, OH

2 Jun - Michigan Lottery Amphitheater, STERLING HEIGHTS, MI

FITFWT23: WEEK 1

3 Jun - The Icon Festival Stage, CINCINNATI, OH

6 Jun - Kemba Live! Outdoor, COLUMBUS, OH

7 Jun - TCU Amphitheater at White River State Park, INDIANAPOLIS, IN

9 Jun - Saint Louis Music Park, ST. LOUIS, MO

PORTRAITS, 1st set [10.6.2023]

IG stories and selfies [10.6.2023]

10 Jun - Starlight Theatre, KANSAS CITY, MO

13 Jun - BMO Pavilion, MILWAUKEE, WI

15 Jun - Huntington Bank Pavilion, CHICAGO, IL

16 Jun - The Armory, MINNEAPOLIS, MN

17 Jun - Harrah’s Stir Cove, COUNCIL BLUFFS, IA

19 Jun - Denny Sanford Premiere Center, SIOUX FALLS, SD

21 Jun - Red Rocks Amphitheatre, MORRISON, CO: CANCELLED 😪

24 Jun - Wamu Theater, SEATTLE, WA

26 Jun - Doug Mitchell Thunderbird Sports Center, VANCOUVER BC

27 Jun - McMenamins Edgefield Concerts, TROUTDALE, OR

29 Jun - The Greek Theatre, BERKELEY, CA

PORTRAITS, 2nd set [29.6.2023]

PORTRAITS posted 30.6 [x]

30 Jun - Louis Instagram recap

30 Jun - The Hollywood Bowl, LOS ANGELES, CA

1 Jul - The Chelsea at the Cosmopolitan, LAS VEGAS, NV

3 Jul - Arizona Financial Theatre, PHOENIX, AZ

6 Jul - The Pavilion at Toyota Music Factory, IRVING, TX

7 Jul - Moody Amphitheater at Waterloo Park, AUSTIN, TX

8 Jul - The Cynthia Woods Mitchell Pavilion, THE WOODLANDS, TX

PORTRAITS, 3rd set [9.7.2023]

9 Jul: Louis Instagram recap

10 Jul RTL Radio Interviews

11 Jul - St. Augustine Amphitheatre, ST. AUGUSTINE, FL

13 Jul - Hard Rock Live at Seminole Hard Rock Hollywood, HOLLYWOOD, FL

14 Jul - Yuengling Center, TAMPA, FL

15 Jul - Cadence Bank Amphitheatre at Chastain Park, ATLANTA, GA

18 Jul - Ascend Amphitheater, NASHVILLE, TN

19 Jul - Charlotte Metro Credit Union Amphitheatre, CHARLOTTE, NC

21 Jul - Red Hat Amphitheater, RALEIGH, NC

22 Jul - Merriweather Post Pavilion, COLUMBIA, MD

PORTRAITS, 4th set [23.7.2023]

24 Jul - MGM Music Hall at Fenway, BOSTON1, MA

25 Jul - MGM Music Hall at Fenway, BOSTON2, MA

27 Jul - TD Pavilion at the Mann, PHILADELPHIA, PA

28 Jul - Stone Pony Summer Stage, ASBURY PARK, NJ

29 Jul - Forrest Hills Stadium, NEW YORK, NY

PORTRAITS, 5th set [31.7.2023]

North America FAN EDIT

AUGUST 2023 GAP 1 recap

AWAY FROM HOME FESTIVAL

19 Aug - Parco Bussoladomani, LIDO DI CAMAIORE, Italy

AUGUST 2023 GAP 2 recap (including the 28 launch)

EUROPE

29 Aug - Barclays Arena, HAMBURG

31 Aug - Royal Arena, COPENHAGEN

1 Sep - Spektrum, OSLO [Bigger Than Me anniversary content]

PORTRAITS, 6th set [2.9.2023]

2 Sep - Hovet, STOCKHOLM

4 Sep - Ice Hall, HELSINKI

DORK MAGAZINE PHOTOS 2022 w/ links

5 Sep - Saku Arena, TALLINN

7 Sep - Arena Riga, RIGA

PORTRAITS, 7th set [8.9.2023]

8 Sep - Zalgiris Arena, KAUNAS

10 Sep - Tauron Arena, KRAKOW

11 Sep - Atlas Arena, ŁÓDŹ

13 Sep - Wiener Stadhalle D, VIENNA

14 Sep - Stozice Arena, LJUBLJANA

15 Sep - Budapest Arena, BUDAPEST

PORTRAITS, 8th set [16.9.2023]

17 Sep - Arenele Romane, BUCHAREST

18 Sep - Arena Armeets, SOFIA

20 Sep - Plateia Nerou, ATHENS w/ links to AOTV announcements

SEPTEMBER 2023 GAP recap

1 Oct - Bilbao Arena Miribilla, BILBAO (VIZCAYA)

3 Oct - Altice Arena, LISBON

5 Oct - Wizink Center, MADRID

6 Oct - Palau Sant Jordi, BARCELONA

PORTRAITS, 9th set [7.10]

8 Oct - Pala Alpitur, TURIN

9 Oct - Unipol Arena, BOLOGNA

11 Oct - Rockhal, ESCH-SUR-ALZETTE

12 Oct - Sportspaleis, ANTWERP

14 Oct - Accor Arena, PARIS

15 Oct - Ziggo Dome, AMSTERDAM

17 Oct - Lanxess Arena, COLOGNE

19 Oct - O2 Arena, PRAGUE

20 Oct - Mercedes Benz Arena, BERLIN

PORTRAITS, 10th set [21.10]

22 Oct - Olympiahalle, MUNICH

23 Oct - Hallenstadion, ZURICH

FITFWT23: LATAM promo begins [28.10]

Twitter spree: part 1, part 2, part 3, part 4 Hall Of Fame, [31.10]

IGTV [1.11]: transcript, gifs [x] [x] [x] [x] [x]

8 Nov - 3Arena, DUBLIN

10 Nov - Utilita Arena, SHEFFIELD

11 Nov - AO Arena, MANCHESTER

12 Nov - Ovo Hydro, GLASGOW

14 Nov - Brighton Center, BRIGHTON

15 Nov - International Arena, CARDIFF

17 Nov - The O2, LONDON

18 Nov - Resorts World Arena, BIRMINGHAM

FITFWT23 has come to an end!

ROLLING STONE UK 2023 AWARDS

23 Nov - Camden Roundhouse, LONDON

[eretzyisrael]

HIAS director, who helped 1,000s of refugees, dies

Jewish refugees from the ex-Soviet Union, Iran and Syria are mourning the passing of Bruce Leimsidor, who was director for HIAS, the Hebrew Immigrant Aid Society,  for 20 years. Leimsidor, who was born in 1943, also worked for UNHCR and became an academic specialising in EU migration and asylum law. Until his death, he taught at Ca’ Foscari University in  Venice.

Bruce Leimsidor’s funeral took place in the Jewish Ghetto of Venice on 19 April and his coffin was then ferried by boat to the Jewish Cemetery on the Lido island.

As  Director of  HIAS (Hebrew Immigrant Aid Society)  for Central Europe, 1982- 2002 based in Vienna, Austria,  Leimsidor assisted Iranian, ex USSR, ex Yugoslavian, and other East European refugee applicants and smaller numbers of Iraqi, Syrian, Afghan, and Ethiopian refugee applicants develop claims for entry as refugees in the US, Canada, Australia, and European countries. The office became the US State Department’s single overseas processing entity for Central Europe.

His job necessitated obtaining detailed information concerning human rights abuses in the countries of the claimants’ origin. He documented cases of  persecution and serious discrimination for presentation to immigration authorities on behalf of up to 3,000 clients per month.

Since 1983, HIAS brought more than 10,000 Iranian Jewish refugees to the United States, including 226 in 1995. The vast majority of the refugees have gone to Israel.

The HIAS Vienna office facilitated  the immigration of between 20 and 30 Iranian refugees to the United States and Canada each month.

HIAS is the world’s oldest refugee protection agency. It has worked with Jewish communities to advance the safety, rights, and protection of all refugees.

Today, most refugees aren’t Jewish, but HIAS still sees “welcoming the stranger” as a Jewish imperative.

Since the Russian invasion of Ukraine in February 2022, HIAS has been providing vital services in Europe and the United States to refugees from Ukraine, some of whom are Jewish.

[whatsonmedia]

Music Monday Top 7: A Fusion of Gangstagrass This Weekend!

Experience the genre-bending magic of Gangstagrass as they blend bluegrass and hip-hop like never before! Catch their electrifying performances at the Brighton Psych Fest on August 30 and the Manchester Psych Fest on August 31. Don’t miss this chance to witness a musical revolution that’s captivating audiences everywhere! THIS WEEKEND: Billboard Chart Topping Bluegrass-Meets-Hip-Hop Phenomenon Gangstagrass To Play Two Rare UK Festival Shows! Listen 'The Blackest Thing on the Menu' Fearless, unapologetic and a brilliant lyricist, that's just a few words I can use to describe Blackest Thing on the Menu. The entire album is a work of art in the making as these guys are telling the story of their lives and not holding anything back. Compelling stuff https://open.spotify.com/album/0QSJf6HZhBk5AO5aaMIh62?si=Tc2BW9mhSh2KmFR4R4xUuA Watch 'Mother' To hear this you wouldn't think much to it but listen again, and much more closely, Gangstagrass is bringing a social issue street violence and death to the fore. Their fearlessness is something I admire  https://www.youtube.com/watch?v=zaHQ7ormX78&pp=ygUTZ2FuZ3N0YWdyYXNzIG1vdGhlcg Watch 'Good at Being Bad' For someone who grew up listening to 90's music this definitely takes me back, and I actually enjoy it. For me, it's the pride and cheekiness that does it for me as he's saying 'this is me, here's what I like' and he keeps it decent  https://www.youtube.com/watch?v=3Scju9Q6pz4 DEAD CHIC serve-up an epic romp through a vast, barren, wild landscape with new single "Paris"! And served up and epic romp he certainly has. Not only has Dead Chic reminiscence over a past romance which is dead and long gone but he has also gone full Wild West at the same time. I enjoy how he uses the elements of the lyrics, the music, the beats and tones, even his husky voice to set up the mood.  Listen  https://open.spotify.com/track/2wTlnBBIaESfTTjhW2ExUI?si=d7100a5de9404c55 Watch https://youtu.be/WFH36iNSeLU?si=Fn5R8cY45DMet_MS Geordie Greep (of black midi) Announces Debut Solo Album “The New Sound” Release Date: Oct 4th, 2024  I have never heard of this guy before yet am interested in him and his music, even his voice is strong and rich. Geordie is a Frank Sintara and Chris Cornell for the TikTok generation. The lyrics are compelling, even a little bit risqué but it's down to what rocks your boat.  Watch ‘Holy, Holy’ https://www.youtube.com/watch?v=A4EU_0vFzuU Worldwide Tour Dates Announced - Wed-Aug-21 – Map Studios, London – (Sold Out) - Fri-Aug-23 - Map Studios, London – (Sold Out) - Fri-Aug-30 - Brighton Psych Fest @ Concorde 2, Brighton - Sat-Aug-31 - Manchester Psych Fest @ Gorilla, Manchester - Tue-Sep-10 - Brooklyn,NY Union Pool (Sold Out) - Wed-Sep-11 - New York,NY Nublu - Thu-Sep-12 - Brooklyn,NY TV Eye - Fri-Sep-13 - Brooklyn,NY Sultan Room - Thu-Sept-19 - Reeperbahn Festival @ Knust, Hamburg - Thur-Oct-10 - Llais Festival @ WMC (w/ Squid), Cardiff - Sat-Oct-19 - Isolation Festival, Budapest - Tue-Oct-22 - Fleece, Bristol - Wed-Oct-23 - The Cornish Bank, Falmouth - Fri-Oct-25 - Storey's Field Centre, Cambridge - Sat-Oct-26 - Arts Club, Liverpool - Sun-Oct-27 - Classic Grand, Glasgow - Mon-Oct-28 - The Cluny, Newcastle - Tue-Oct-29 - Brudenell Social Club, Leeds - Wed-Oct-30 - Rescue Rooms, Nottingham - Fri-Nov-01 - Les Nuits Botanique Weekender @ Orangerie, Brussels - Sat-Nov-09 - Pitchfork Festival @ EartH, London - Tue-Dec-03 - Point Ephemere, Paris - Thu-Dec-05 - Lido, Berlin - Fri-Dec-06 - Bitterzoet, Amsterdam - Sat-Dec-07 - Doornroosje, Nijmegen - Mon-Dec-09 - Magnolia, Milan - Tue-Dec-10 - Bad Bonn, Düdingen - Fri-Jan-17 - Philadelphia, PA Johnny Brenda's - Sat-Jan-18 - Baltimore, MD Ottobar - Sun-Jan-19 - Raleigh, NC Kings - Tue-Jan-21 - Asheville, NC Eulogy - Wed-Jan-22 - Atlanta, GA The Earl - Fri-Jan-24 - Nashville, TN The Blue Room - Sat-Jan-25 - St Louis, MO Off Broadway - Mon-Jan-27 - Minneapolis, MN 7th St. Entry - Tue-Jan-28 - Madison, WI High Noon Saloon  - Fri-Jan-31 - Chicago, IL The Empty Bottle - Sat-Feb-01 - Kalamazoo, MI Bell's Eccentric Cafe - Mon-Feb-03 - Toronto, ON Velvet Underground - Wed-Feb-05 - Montreal, QC Bar Le Ritz - Thu-Feb-06 - Brattleboro, VT The Stone Church - Fri-Feb-07 - Boston, MA Brighton Music Hall  Instagram X (formerly Twitter) Django Django - Default  Originally released back in 2012 and did make its presence felt in the charts for, sadly it didn't stick around. Quite a shame as I view it as one of those which should've gotten more recognition than it deserved. Default is one of those upbeat break-up tracks about the inevitable relationship endings  https://youtu.be/DDjpOrlfh0Y?si=01ySneQm0KJnUlf_ AMYL & THE SNIFFERS NEW ALBUM “CARTOON DARKNESS” OUT 25.10.2024 -  WATCH VIDEO FOR LEAD TRACK “CHEWING GUM" Absolutely loving it, completely reeks of punk attitude and I love it. I have always had an enjoyment of rock music videos, especially in black and white as it alters the visual focus. Apart from the music you get the energy of everyone in the band. I expect big things from Amy and her band. https://www.youtube.com/watch?v=DxOMGj8P2hY SINGLE LINK ALBUM LINK Instagram Twitter Facebook Official Website UK / EURO DATES BELOW 2024 / 2025 - NOV 5TH – DUBLIN – NATIONAL STADIUM - NOV 6TH – GLASGOW – 02 ACADEMY - NOV 7TH – NEWCASTLE UPON TYNE – NX SOLD OUT - NOV 9TH – MANCHESTER – MANCHESTER ACADEMY SOLD OUT - NOV 10TH – BIRMINGHAM 02 – ACADEMY - NOV 11TH – BRISTOL – 02 ACADEMY SOLD OUT - NOV 13TH – LONDON - ROUNDHOSE - NOV 14TH – LONDON - ROUNDHOUSE SOLD OUT - NOV 15TH – LONDON - ROUNDHOUSE SOLD OUT - NOV 17TH – BRUSSELS – ANCIENNE SOLD OUT - NOV 18TH – UTRECHT – TIVOLIVREDENBERG SOLD OUT - NOV 19TH – COLOGNE – CARLSWERK VICTORIA SOLD OUT - NOV 21ST – COPENHAGEN – VEGA SOLD OUT - NOV 22ND – HAMBURG – GROBE FREIHEIT 36 SOLD OUT - NOV 23rd – BERLIN – COLUMBIAHALLE SOLD OUT - NOV 25TH – MUNICH – TONHALIE - NOV 26TH – LAUSANNE – LES DOCKS - NOV 27TH – PARIS – OLYMPIA - NOV 29TH – ATHENS – FLOYD JULY 5TH – LONDON – FINSBURY PARK SUPPORTING FONTAINES DC Check out whatsOn for latest music updates THIS WEEKEND: Billboard Chart Topping Bluegrass-Meets-Hip-Hop Phenomenon Gangstagrass To Play Two Rare UK Festival Shows! Watch 'Mother' Watch 'Good at Being Bad' DEAD CHIC serve-up an epic romp through a vast, barren, wild landscape with new single "Paris"! Geordie Greep (of black midi) Announces Debut Solo Album “The New Sound” Release Date: Oct 4th, 2024  Django Django - Default  AMYL & THE SNIFFERS NEW ALBUM “CARTOON DARKNESS” OUT 25.10.2024 -  Read the full article

[thejoyofviolentmovement]

Rialto, CA-based soul outfit Brainstory will be releasing their Leon Michels-produced sophomore album Sounds Good on Friday through renowned purveyors of soul, Big Crown Records. The album will feature: “Gift of Life,” a lush, old-school, Quiet Storm-like, show-topping ballad built around a shimmering and vibey arrangement featuring fluttering, ethereal flute paired with Kevin Martin’s emotive, falsetto croon and some incredibly catch hooks. While the song see the band pulling from classic soul, psych soul and dub in a way that sounds like it could been released sometime between 1968-1974, “Gift of Life,” manages to feel remarkably modern.  “Listen,” a classic, two-step inducing groove-driven song with shimmering analog synths, an overdrive-fueled guitar solo paired with some dreamy falsetto melodies and harmonies that sounds — to me, at least — as though it could have been been a Mandrill or Isley Brothers B side. The song sees the band’s Kevin Martin encouraging the listener to spend some time enjoying the present moment, because life’s all too short and remarkably fleeting “Peach Optimo,” a slow-burning and summery bit of psych soul anchored around a strutting and wobbling bass line, glistening keys, some funky drum rhythm patterns and an expressive guitar solo paired with some retro-futuristic synths. Seemingly channelling JOVM mainstays Mildlife and L’Eclair, sees the trio diving into the banality and simple pleasures of teenaged suburban life — full of the nostalgia of cul-de-sac hangs and bullshit sessions with the homies. Sounds Good‘s fifth and latest single “XFaded” is a strutting, hook-driven and funky psych soul jam anchored around an arrangement featuring skittering boom bap, a sinuous bass line and squiggling bursts of guitar. According to the trio, the song’s sound was partially inspired by what theft thought a modern day George Clinton/Parliament funk jam would sound like — and by small town life, where getting fucked up is an unofficial/official pastime because there isn’t much else to really do. The slick Leon Michels production paired with the band’s razor sharp yet seemingly effortless performance ironically contrasts the notion of getting sloppy and fucked up but reveals the easy-going chemistry between the trio and producer. The trio are about to embark on a run of headlining Stateside dates and a couple of stops on the global festival circuit, before joining Lady Wray in May for a run of UK and European Union dates. Tour dates are below. BRAINSTORY TOUR DATES Apr 18 Lodge Room – Los Angeles, CA **SOLD OUT Apl 19 The Independent- San Francisco, CA Apr 20 Moe’s Alley – Santa Cruz, CA Apr 21 Pappy & Harriets – Pioneertown, CA  Apr 22 Valley Bar – Phoenix, AZ Apr 23 Love Buzz – El Paso, TX  Apr 25 Tandem – San Antonio, TX  Apr 26 Psych Fest – Austin, TX Apr 27 Norman Music Festival – Norman, OK Apr 29 Sister Bar – Albuquerque, NM  May 01 Larimer Lounge – Denver, CO  May 02 The Atrium – Fort Collins, CO  May 03 DLC – Salt Lake City, UT  May 04 Neurolux – Boise, ID  May 07 High DIve – Seattle, WA  May 08 Mississippi Studios – Portland, OR May 14 Bird, Rotterdam, Netherlands + May 15 Bitterzoet, Amsterdam, Netherland + May 16 Knust – Hamburg, Germany + May 17 Franz Mhelhose – Enfurt, Germany + May 18 Lido – Berlin, Germany + May 20 La Maroquinerie – Paris, France + May 23 Belgrave Music Hall – Leeds, UK + May 24 Lost Horizon – Bristol, UK + May 26 Cross The Tracks Festival – Brockwell Park, UK May 27 Jazz Cafe – London, UK + May 28 The Blues Kitchen – Manchester, UK + May 29 St. Luke’s – Glasgow, Scotland + Jun 08 The Rockaway Hotel – Rockaway, NY + Jul 08 FEQ Festival D’ete De Quebec – Quebec, Canada + notes dates with Lady Wray

[sayidoonthesuncoast]

SayIDosuncoast Your Premier Wedding Services Provider in Florida

Planning a wedding can be both exhilarating and overwhelming, but fear not! SayIDosuncoast is here to make your journey to the altar as seamless and magical as possible. As the premier wedding services provider in Florida, SayIDosuncoast is dedicated to turning your wedding dreams into a reality, one cherished moment at a time.

Marriage License Assistance: First things first, let's get the paperwork sorted! SayIDosuncoast offers expert assistance in obtaining your marriage license, ensuring that all legal requirements are met with precision and efficiency. Our team will guide you through the process, leaving you free to focus on the excitement of your impending nuptials.

Wedding Photo Shoots: Every love story deserves to be captured in stunning detail. SayIDosuncoast boasts a team of talented photographers ready to immortalize your special day with artistry and flair. From intimate portraits to candid snapshots, we'll ensure that every moment is preserved for eternity.

Destination Wedding Packages: Escape to paradise with SayIDosuncoast's customizable destination wedding packages. Whether you dream of exchanging vows on the sun-kissed shores of Anna Maria Island or amid the breathtaking beauty of the Gulf Coast, we'll work tirelessly to bring your vision to life in the most spectacular fashion.

Wedding Officiant Services: Your love story is unique, and your wedding ceremony should reflect that. SayIDosuncoast offers personalized wedding officiant services in Sarasota, Florida, and beyond. Our licensed officiants will work closely with you to craft a ceremony that speaks to the essence of your relationship, ensuring that your special day is as meaningful as it is memorable.

Wedding Notary and Minister Services: Need a wedding notary or minister in Sarasota? Look no further than SayIDosuncoast. Our experienced professionals are dedicated to officiating your ceremony with warmth, professionalism, and the utmost attention to detail, ensuring that your union is celebrated in a manner that is truly authentic to you and your partner.

Elopement Services: For couples seeking a more intimate and spontaneous celebration, SayIDosuncoast offers elopement services in some of Florida's most enchanting locations. Whether you envision a barefoot beach ceremony or a secluded garden affair, we'll help you create a magical elopement experience that is uniquely yours.

Affordable and Free Wedding Venues: Budget-conscious? SayIDosuncoast has got you covered. We offer a range of affordable and even free wedding venue options in Sarasota, Florida, ensuring that your dream wedding doesn't break the bank. From picturesque beachfront locales to charming indoor spaces, we'll help you find the perfect venue that fits both your style and your budget.

Destination Wedding Venues: SayIDosuncoast specializes in curating breathtaking destination wedding venues that showcase the beauty and romance of the Gulf Coast. Whether you're envisioning a waterfront extravaganza or an intimate garden affair, our team will help you find the perfect venue to set the stage for your happily ever after.

Your wedding day should be nothing short of perfect, and with SayIDosuncoast by your side, it will be. Let us be your ultimate wedding companion, guiding you through every step of this extraordinary journey with professionalism, expertise, and a whole lot of love. Say "I do" with SayIDosuncoast, and let's make memories that will last a lifetime.

[theblogs2024]

Interamente Colui il quale devi sapersela cavare sull'accettazione di un fotografo proveniente da matrimoni

Ora i quali la patronato è fissa e hai trovato l'umanità dei tuoi sogni, è Adesso nato da trovare qualcuno i quali catturi il giorno per giorno più storico della tua vita nella sua essenza più vera, ovvero un enorme fotografo proveniente da matrimoni! Scovare un fotografo intorno a matrimonio adatto è più eseguibile a dirsi i quali a bucarsi. Principalmente al tempo in cui hai a disposizione una serie tra interessanti opzioni, diventa duro sceglierne isolato una. Fino a tanto che ce da là sarà qualcuno le quali ha un colossale sostantivo nel zona ed conoscenza nei ritratti che spose, ce di là saranno altri il quale hanno poco riconoscimento ciononostante hanno portfolio così impressionanti e un intelligenza nello scagliarsi foto straordinarie. Ora la fetta più complicato è modo decidi chi è quello esemplare Secondo te?

Aiuto, è Durante questo le quali siamo ora! Durante aiutarti a far sapere alla maniera di accettare il miglior fotografo che matrimoni, abbiamo creato una scorta completa all'assunzione proveniente da fotografi di matrimoni. Scorri e approfittane!

1. Il conio di immagine intorno a letto cosa desideri FOTOGRAFIA CANDIDA

La immagine spontanea è più spontanea e a meno che posata.

Tende a catturare le persone e le emozioni Sopra un occasione abbondantemente più realistico.

Questo tipo tra fotografia richiede più abilità, conoscenza, pianificazione e know-how conoscitore.

A lui scatti spontanei sono difficili attraverso compiere e intorno a conseguenza costano un po’ di più.

FOTOGRAFIA TRADIZIONALE

La descrizione tradizionale è generalmente messa nera Per mezzo di luogo (posey).

Implica cosa il fotografo si assuma l'intero ed impareggiabile incarico.

Tende a catturare gran fetta del connubio, garantendo quale nessun opportunità se no ciascuno venga persa.

Tali scatti costano la minoranza.

2. Il stampo che videografia tra matrimonio che desideri VIDEOGRAFIA CINEMATICA

L’idea alla cardine della videografia cinematografica è piuttosto simile alla immagine spontanea.

Implica più creatività e narrazione nel documentare a lei eventi.

Tende a catturare il matrimonio, il cast delle personaggio (tu e le persone importanti) e le emozioni circostanti Con un video intorno a 20-40 minuti.

Questo tipico che videografia richiede attrezzature specifiche, telecamere, droni e know-how tecnico.

È un affare costoso.

VIDEOGRAFIA TRADIZIONALE

La videografia tradizionale è una delle forme più antiche che videografia.

Implica la minoranza creatività In aggiunta a documentare qualunque isolato minuto dell'fatto.

Nel circostanza della videografia tradizionale, l'intera compito del unione viene filmata Durante almeno 2-3 ore.

Questo impronta tra videografia richiede una tipica videocamera e alcune attrezzature che caposaldo Secondo riprendere Con espediente continuo

Un televisione tradizionale lido la minoranza.

3. In che modo impostare il budget Secondo la immagine tra matrimonio Conosci il budget totale del tuo matrimonio.

Calcola una guadagno approssimativa del budget pieno quale sei collocato a designare nella fotografia di unione (Nato da ordinario, le coppie spendono il 5-10% del budget generale Verso la descrizione proveniente da nozze)

Fai una caccia elaborata e seleziona certi fotografi le quali ti piacciono (sulla principio della qualità del loro sistemazione)

Sapere i prezzi che mercato (In tua avviso: Durante mass-media, i fotografi fanno liquidare Rs. 15.000 Durante la immagine spontanea, Rs. 18.000 Durante la immagine cinematografica, Rs. 9.000 per la immagine tradizionale, Rs. 10.800 per la videografia tradizionale, Rs. 18.000 In il pre-matrimonio, Rs. 10.800 In il letto Album al giorno per giorno) Elenco: i prezzi e la qualità del collocamento possono variare per fotografo a fotografo.

Una Torsione il quale conosci i prezzi nato da emporio, avrai un’idea chiara Limitazione rientrano nel budget stabilito o Dubbio egli superano.

Nel caso Con cui i prezzi rientrino ovvero si avvicinino al budget impostato, puoi giudicare il budget originale in che modo budget finale.

Eppure, Condizione i prezzi intorno a emporio superano il budget le quali hai impostato, puoi rivalutare il budget se no scendere a compromessi e destinarne l'importo estremo ai tuoi servizi preferiti.

Controlla ulteriori informazioni. qui: fotografo matrimonio Brescia

[beachbreezeweddingsfl]

Sarasota's Serene Beach Breeze Weddings: A Perfect Union of Love and Nature

Introduction:

When it comes to saying "I do," few settings are as idyllic as a beach with its gentle waves, soft sands, and the soothing caress of the beach breeze. Sarasota, Florida, with its stunning Gulf Coast beaches, offers the perfect backdrop for couples seeking a romantic and natural wedding experience. In this article, we'll explore the charm of "Beach Breeze Weddings Sarasota" and why this coastal paradise is an ideal destination for couples looking to tie the knot in a unique and unforgettable way.

The Allure of Sarasota's Beaches:

Sarasota boasts some of the most breathtaking beaches in Florida. Whether you choose Siesta Key Beach, Lido Beach, or Longboat Key Beach, you'll be surrounded by pristine white sands and crystal-clear waters. The soft, powdery sand provides a comfortable setting for you and your guests to celebrate your special day, while the gentle waves and beach breeze create a serene and tranquil atmosphere.

Planning Your Beach Breeze Wedding:

Planning a beach wedding in Sarasota is easier than you might think. Many local wedding planners specialize in beach weddings and can help you navigate the logistics. From obtaining permits and arranging for seating to selecting the perfect spot on the beach, these experts ensure that every detail is taken care of, allowing you to relax and enjoy your day.

The Ideal Season for Beach Breeze Weddings:

One of the advantages of Sarasota is its pleasant climate year-round. However, the best time for a beach breeze wedding is during the fall and spring seasons. The temperatures are milder, and the weather is more predictable. Avoiding the summer months can help you escape the heat and the possibility of afternoon showers.

Choosing the Perfect Beach Breeze Wedding Venue:

Sarasota offers various beachfront venues for your special day. Many resorts and hotels have beach access, and some even have dedicated beachfront event spaces. Alternatively, you can opt for a more intimate and secluded beach spot for a truly unique experience. No matter your preference, you'll have the opportunity to exchange vows with the sound of the waves and the gentle beach breeze as your backdrop.

Décor and Setup:

Beach weddings often embrace a more natural and minimalist aesthetic. The beauty of the beach itself is a significant part of the décor. You can enhance the ambiance with simple yet elegant touches, such as white fabric drapes, seashell centerpieces, and tiki torches. Just be mindful of local regulations that may restrict certain decorations to protect the environment.

Beach-Friendly Attire:

Choosing the right attire for a beach breeze wedding is crucial. Opt for lightweight and breathable fabrics for both the bride and groom. Flowy, bohemian-style dresses and linen suits are popular choices. Remember to wear appropriate footwear, like sandals or barefoot sandals, to navigate the sandy terrain comfortably.

Creating a Comfortable Experience:

While the beach provides a stunning backdrop, it's essential to consider your guests' comfort. Provide shade options like umbrellas or a canopy, especially if your ceremony takes place during the sunnier hours of the day. Offer water stations to keep everyone hydrated, and consider providing fans or handheld misters to beat the heat.

The Beach Breeze Wedding Ceremony:

The heart of your beach breeze wedding is the ceremony itself. Imagine standing barefoot in the sand, the sun setting on the horizon, and the gentle beach breeze carrying your vows to your loved one. Beach weddings often have a relaxed and informal atmosphere, allowing couples to infuse their personalities into the ceremony.

Capture the Moment:

Be sure to hire a skilled photographer and videographer who are experienced in beach weddings. They know how to work with the natural light and elements to capture those magical moments. From candid shots of you and your loved ones enjoying the beach breeze to romantic sunset portraits, these images will be cherished memories.

Legal Considerations:

Before planning your beach breeze wedding in Sarasota, familiarize yourself with the local regulations and permit requirements. Be aware of any restrictions on group size, alcohol consumption, and noise levels. Obtaining the necessary permits and adhering to the rules will ensure a smooth and hassle-free event.

Reception Options:

After the ceremony, you have several options for your beach breeze wedding reception. Many resorts and beachfront venues offer on-site catering and reception spaces. You can also consider a beachfront restaurant or a tented reception on the sand. Beach-themed menus featuring fresh seafood and tropical cocktails are always a hit with guests.

Entertainment and Activities:

Make your beach breeze wedding a memorable experience for your guests by incorporating beach-inspired entertainment and activities. Consider a steel drum band, beach volleyball, or even a fire-dancing performance. These additions will add a fun and festive touch to your celebration.

Conclusion:"Beach Breeze Weddings Sarasota" offers a unique and romantic way to celebrate your love amidst the beauty of Sarasota's stunning beaches. With careful planning, attention to detail, and respect for the environment, your beach breeze wedding can be an unforgettable experience for you and your guests. The gentle sound of the waves and the soft beach breeze will create the perfect atmosphere for your special day, making it a cherished memory that you'll treasure forever. Contact us now!

[ward12345-blog]

❤️Best Cheap Hotels In Venice Italy Near The Sea 50$ Reduction❤️

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[tarditardi]

Felicetta salpa dal Salento per donare ai suoi ospiti una vacanza accessibile ed inclusiva sul mare  

Grande attesa e curiosità attorno a Felicetta, la prima imbarcazione accessibile inserita nel progetto "Tourism for all" realizzato dall'associazione Portatori sani di sorrisi  odv, che oltre a Felicetta portami al mare, comprende anche Dinamiko Beach, Dinamiko Village e Access City. L'iniziativa fa parte del progetto "Tourism for all" dell'associazione Portatori sani di sorrisi Odv.

Un progetto strutturato di inclusione sociale che ha il principale obiettivo di far vivere una vacanza spensierata, e completamente gratuita, a coloro che hanno delle difficoltà motorie e sensoriali o che hanno vissuto lungo degenze per una malattia e trovano in questo progetto serenità e unione familiare. Tutti i servizi sono completamente gratuiti e prenotabili sul sito www.portatorisanidisorrisi.it. Sul sito sono anche disponibili maggiori dettagli su ogni iniziativa.

Pierangelo Muci, presidente e volontario dell'associazione, parla di Felicetta non come un punto d'arrivo, bensì come un ulteriore punto di partenza, che potrà dare molto agli ospiti ed alle loro famiglie, che quotidianamente vivono le difficoltà di superare barriere fisiche e sociali, puntando a regalare delle ore di assoluta spensieratezza in una esperienza sul mare. Un'attività che si aggiunge alla clown terapia nelle corsie degli ospedali, ai viaggi della speranza su Felicetto, il primo camper attrezzato e colorato a supporto delle famiglie che devono spostarsi dalla propria regione per raggiungere luoghi di cura in tutta Italia, alle attività e ai servizi nel lido accessibile, ai tour accessibili in città, attività svolte con un sorriso e per generare un po' di buonumore a chi è più sfortunato. 

Si ringraziano la Regione Puglia, la Provincia di Lecce, i comuni di Porto Cesareo, Nardò, Gallipoli e Galatina, Unisalento, Samsara Beach, la Capitaneria di porto e la Lega navale di Gallipoli, i Lions di Gallipoli, che con il loro impegno hanno fatto in modo che il progetto sia presente su Gallipoli e tutte le associazioni, aziende e persone che negli anni hanno creduto e continuano a credere nel progetto. Ringrazia anche il gusto unico di donare con 1 caffè onlus (fondata da Luca Argentero) e coppa del nonno, che ha selezionato Portatori sani di sorrisi Odv tra 14 mila associazioni italiane. 

L'imbarcazione sarà ormeggiata nei vari porti del Salento, dando l'opportunità di vivere il mare senza barriere e di capire a tutti che a volte «i limiti più ingombranti sono nella testa e che sono superabili».  

Portatori sani di sorrisi Odv

https://www.portatorisanidisorrisi.it

Video con interviste ai seguenti link 

https://we.tl/t-Pp69S203gm (immagini copertura)

https://we.tl/t-vMYshnvxt2  (drone) 

https://we.tl/t-NbrtytJZO5  (stralci conferenza)

https://we.tl/t-Ja4GxNTQ38 (interviste)

https://we.tl/t-Ja4GxNTQ38 (interviste)

MAGGIORI INFORMAZIONI PER GLI OPERATORI DEI MEDIA

antonio.torretti.informazione@gmail.com

[louisupdates]

FITFWT23: OUTRO SONGS

NORTH AMERICA

26 May - Mohegan Sun Arena, UNCASVILLE CT: The Best, by Tina Turner

27 May - Bank of New Hampshire Pavilion, GUILFORD NH: This Charming Man, by The Smiths

29 May - Place Bell, LAVAL QC: Downtown, by Petula Clark

30 May - Budweiser Stage, TORONTO ON: Summer of 69, by Bryan Adams

1 Jun - Blossom Music Center, CUYAHOGA FALLS, OH: Bittersweet Symphony, by Verve

2 Jun - Michigan Lottery Amphitheater, STERLING HEIGHTS, MI: Chasing Rainbows, by Shed Seven

3 Jun - The Icon Festival Stage, CINCINNATI: All These Things That I’ve Done, by The Killers

6 Jun - Kemba Live! Outdoor, COLUMBUS OH: The One I Love, by REM

7 Jun - TCU Amphitheater at White River State Park, INDIANAPOLIS: Love Will Tear Us Apart, by Joy Division

9 Jun - Saint Louis Music Park, SAINT LOUIS: Johnny B. Goode, by Chuck Berry

10 Jun - Starlight Theatre, KANSAS CITY MO: Moondance, by Van Morrison

13 Jun - BMO Pavilion, MILWAUKEE: I Can See Clearly Now, by Johnny Nash

15 Jun - Huntington Bank Pavilion, CHICAGO: September, by Earth, Wind, and Fire

16 Jun - The Armory, MINNEAPOLIS: Nothing Compares 2 U, by Sinéad O’Connor

17 Jun - Harrah’s Stir Cove, COUNCIL BLUFFS, IA: Ever Fallen in Love (With Someone You Shouldn't've?) by Buzzcocks

19 Jun - Denny Sanford Premiere Center, SIOUX FALLS, SD: American Pie, by Don McLean

21 Jun - Red Rocks Amphitheatre, MORRISON, CO 😪

24 Jun - Wamu Theater, SEATTLE: There Is A Light That Never Goes Out, by The Smiths

26 Jun - Doug Mitchell Thunderbird Sports Center, VANCOUVER BC: King Of Pain, by The Police

27 Jun - Mcmenamins Edgefield Concerts, TROUTDALE OR: Always On My Mind, by Elvis Presley

29 Jun - The Greek Theatre, BERKELEY CA: Never Tear Us Apart, by INXS

30 Jun - The Hollywood Bowl, LOS ANGELES: California Love by 2Pac ft Dr. Dre & Roger Troutman

1 Jul - The Chelsea at the Cosmopolitan, LAS VEGAS: Human, by The Killers

3 Jul - Arizona Financial Theatre, PHOENIX: Liberator, by Spear of Destiny

6 Jul - The Pavilion at Toyota Music Factory, IRVING TX: Hello, I Love You, by The Doors

7 Jul - Moody Amphitheater at Waterloo Park, AUSTIN TX: Teenage Dirtbag, by Wheatus

8 Jul - The Cynthia Woods Mitchell Pavilion, THE WOODLANDS TX: Walking On The Moon, by The Police

11 Jul - St. Augustine Amphitheatre, ST. AUGUSTINE FL: Every Breath You Take, by The Police

13 Jul - Hard Rock Live at Seminole Hard Rock Hollywood, HOLLYWOOD FL: Your Song, by Elton John

14 Jul - Yuengling Center, TAMPA FL: Hit Me With Your Best Shot, by Pat Benatar

15 Jul - Cadence Bank Amphitheatre at Chastain Park, ATLANTA: You Can’t Always Get What You Want, by The Rolling Stones

18 Jul - Ascend Amphitheater, NASHVILLE: Hold Back The Rain, by Duran Duran

19 Jul - Charlotte Metro Credit Union Amphitheatre, CHARLOTTE NC: Perfect Day, by Lou Reed

21 Jul - Red Hat Amphitheater, RALEIGH NC: Moondance, by Van Morrison

22 Jul - Merriweather Post Pavilion, Columbia MD: Easy, by The Commodores

24 Jul - MGM Music Hall at Fenway, BOSTON: More Than A Feeling, by Boston

25 Jul - MGM Music Hall at Fenway, BOSTON: Here Comes Your Man, by The Pixies

27 Jul - TD Pavilion at the Mann, PHILADELPHIA: Nothing Compares 2 U, by Sinead O’Connor

28 Jul - Stone Pony Summer Stage, ASBURY PARK NJ: Dancing In The Dark, by Bruce Springsteen

29 Jul - Forrest Hills Stadium, NEW YORK: We Are The Champions, by Queen

Away From Home Festival 2023

19 Aug - Parco BussolaDomani, Lido di Camaiore: We Are The Champions, by Queen

EUROPE

29 Aug - Barclays Arena, HAMBURG: Love Will Tear Us Apart, by Joy Division

31 Aug - Royal Arena, COPENHAGEN: Under Pressure, by Queen and David Bowie

1 Sep - Spektrum, OSLO: Wake Me Up When September Ends, by Green Day

2 Sep - Hovet, STOCKHOLM: Seven Nation Army, by White Stripes

4 Sep - Ice Hall, HELSINKI: Always On My Mind, by Elvis

5 Sep - Saku Arena, TAILLINN: All Star, by Smash Mouth

7 Sep - Arena Riga, RIGA: Thuderstruck, by AC/DC

8 Sep - Zalgiris Arena, KAUNAS: Can’t Help Falling In Love, by Elvis [Zouis this day]

10 Sep - Tauron Arena, KRAKOW: Lust For Life, by Iggy Pop

11 Sep - Atlas Arena, ŁÓDŹ: Blitzkreig Bop, by the Ramones

13 Sep - Wiener Stadhalle D, VIENNA: Supersonic, by Oasis

14 Sep - Stozice Arena, LJUBLJANA: Smile Like You Meant It, by The Killers

15 Sep - Budapest Arena, BUDAPEST: Helicopter, by Bloc Party

17 Sep - Arenele Romane, BUCHAREST: My Hero, by Foo Fighters

18 Sep - Arena Armeets, SOFIA: Bombtrack, by Rage Against The Machine

20 Sep - Petras Theater, ATHENS: Go With The Flow, by Queens of the Stone Age

1 Oct - Bilbao Arena Miribilla, BILBAO (VIZCAYA): Where Is My Mind, by The Pixies

3 Oct - Altice Arena, LISBON: Farewell To The Fairground, by White Lies

5 Oct - Wizink Center, MADRID: Munich, by Editors

6 Oct - Palau Sant Jordi, BARCELONA: One Armed Scissor, by At the Drive-In

8 Oct - Pala Alpitur, TURIN: Are You Gonna Go My Way, by Lenny Kravitz

9 Oct - Unipol Arena, BOLOGNA: Helicopter, by Bloc Party

11 Oct - Rockhal, ESCH-SUR-ALZETTE: Where Is My Mind, by The Pixies

12 Oct - Sportspaleis, ANTWERP: My God Is The Sun, by Queens Of The Stone Age [very self-aware choice]

14 Oct - Accor Arena, PARIS : Bubbles, by Biffy Clyro

15 Oct - Ziggo Dome, AMSTERDAM: Song 2, by Blur

17 Oct - Lanxess Arena, COLOGNE: Can't Stand Me Now, by The Libertines

19 Oct - O2 Arena, PRAGUE: Are You Gonna Be My Girl, by Jet

20 Oct - Mercedes Benz Arena, BERLIN: Friday I’m In Love, by The Cure

22 Oct - Olympiahalle, MUNICH: Praise You, by Fatboy Slim

23 Oct - Hallenstadion, ZURICH: Last Nite, by The Strokes

8 Nov - 3Arena, DUBLIN: These Are The Days, by Inhaler

10 Nov - Utilita Arena, SHEFFIELD: Mr. Brightside, by The Killers

11 Nov - AO Arena, MANCHESTER: This Charming Man, by The Smiths

12 Nov - Ovo Hydro, GLASGOW: Gloria, by The Snuts

14 Nov - Brighton Center, BRIGHTON: I Wanna Be Sedated, by Ramones

15 Nov - International Arena, CARDIFF: 20th Century Boy, by T-Rex

17 Nov - The O2, LONDON: Can’t Stand Me Now, by The Libertines

18 Nov - Resorts World Arena, BIRMINGHAM: Till The End Of The Road, by Boyz II Men

You can also find the list at this Twitter account: ltwtoutros.

[djs-party-edm-italia]

Felicetta salpa dal Salento per donare ai suoi ospiti una vacanza inclusiva ed accessibile sul mare  

Grande attesa e curiosità attorno a Felicetta, la prima imbarcazione accessibile inserita nel progetto "Tourism for all" realizzato dall'associazione Portatori sani di sorrisi  odv, che oltre a Felicetta portami al mare, comprende anche Dinamiko Beach, Dinamiko Village e Access City. L'iniziativa fa parte del progetto "Tourism for all" dell'associazione Portatori sani di sorrisi Odv.

Un progetto strutturato di inclusione sociale che ha il principale obiettivo di far vivere una vacanza spensierata, e completamente gratuita, a coloro che hanno delle difficoltà motorie e sensoriali o che hanno vissuto lungo degenze per una malattia e trovano in questo progetto serenità e unione familiare. Tutti i servizi sono completamente gratuiti e prenotabili sul sito www.portatorisanidisorrisi.it. Sul sito sono anche disponibili maggiori dettagli su ogni iniziativa.

Pierangelo Muci, presidente e volontario dell'associazione, parla di Felicetta non come un punto d'arrivo, bensì come un ulteriore punto di partenza, che potrà dare molto agli ospiti ed alle loro famiglie, che quotidianamente vivono le difficoltà di superare barriere fisiche e sociali, puntando a regalare delle ore di assoluta spensieratezza in una esperienza sul mare. Un'attività che si aggiunge alla clown terapia nelle corsie degli ospedali, ai viaggi della speranza su Felicetto, il primo camper attrezzato e colorato a supporto delle famiglie che devono spostarsi dalla propria regione per raggiungere luoghi di cura in tutta Italia, alle attività e ai servizi nel lido accessibile, ai tour accessibili in città, attività svolte con un sorriso e per generare un po' di buonumore a chi è più sfortunato. 

Si ringraziano la Regione Puglia, la Provincia di Lecce, i comuni di Porto Cesareo, Nardò, Gallipoli e Galatina, Unisalento, Samsara Beach, la Capitaneria di porto e la Lega navale di Gallipoli, i Lions di Gallipoli, che con il loro impegno hanno fatto in modo che il progetto sia presente su Gallipoli e tutte le associazioni, aziende e persone che negli anni hanno creduto e continuano a credere nel progetto. Ringrazia anche il gusto unico di donare con 1 caffè onlus (fondata da Luca Argentero) e coppa del nonno, che ha selezionato Portatori sani di sorrisi Odv tra 14 mila associazioni italiane. 

L'imbarcazione sarà ormeggiata nei vari porti del Salento, dando l'opportunità di vivere il mare senza barriere e di capire a tutti che a volte «i limiti più ingombranti sono nella testa e che sono superabili».  

Portatori sani di sorrisi Odv

Video con interviste ai seguenti link 

https://we.tl/t-Pp69S203gm (immagini copertura)

https://we.tl/t-vMYshnvxt2  (drone) 

https://we.tl/t-NbrtytJZO5  (stralci conferenza)

https://we.tl/t-Ja4GxNTQ38 (interviste)

https://we.tl/t-Ja4GxNTQ38 (interviste)

MAGGIORI INFORMAZIONI PER GLI OPERATORI DEI MEDIA

antonio.torretti.informazione@gmail.com

[sounds-right]

Felicetta salpa dal Salento per donare agli ospiti una vacanza accessibile ed inclusiva sul mare  

Grande attesa e curiosità attorno a Felicetta, la prima imbarcazione accessibile inserita nel progetto "Tourism for all" realizzato dall'associazione Portatori sani di sorrisi  odv, che oltre a Felicetta portami al mare, comprende anche Dinamiko Beach, Dinamiko Village e Access City. L'iniziativa fa parte del progetto "Tourism for all" dell'associazione Portatori sani di sorrisi Odv.

Un progetto strutturato di inclusione sociale che ha il principale obiettivo di far vivere una vacanza spensierata, e completamente gratuita, a coloro che hanno delle difficoltà motorie e sensoriali o che hanno vissuto lungo degenze per una malattia e trovano in questo progetto serenità e unione familiare. Tutti i servizi sono completamente gratuiti e prenotabili sul sito www.portatorisanidisorrisi.it. Sul sito sono anche disponibili maggiori dettagli su ogni iniziativa.

Pierangelo Muci, presidente e volontario dell'associazione, parla di Felicetta non come un punto d'arrivo, bensì come un ulteriore punto di partenza, che potrà dare molto agli ospiti ed alle loro famiglie, che quotidianamente vivono le difficoltà di superare barriere fisiche e sociali, puntando a regalare delle ore di assoluta spensieratezza in una esperienza sul mare. Un'attività che si aggiunge alla clown terapia nelle corsie degli ospedali, ai viaggi della speranza su Felicetto, il primo camper attrezzato e colorato a supporto delle famiglie che devono spostarsi dalla propria regione per raggiungere luoghi di cura in tutta Italia, alle attività e ai servizi nel lido accessibile, ai tour accessibili in città, attività svolte con un sorriso e per generare un po' di buonumore a chi è più sfortunato. 

Si ringraziano la Regione Puglia, la Provincia di Lecce, i comuni di Porto Cesareo, Nardò, Gallipoli e Galatina, Unisalento, Samsara Beach, la Capitaneria di porto e la Lega navale di Gallipoli, i Lions di Gallipoli, che con il loro impegno hanno fatto in modo che il progetto sia presente su Gallipoli e tutte le associazioni, aziende e persone che negli anni hanno creduto e continuano a credere nel progetto. Ringrazia anche il gusto unico di donare con 1 caffè onlus (fondata da Luca Argentero) e coppa del nonno, che ha selezionato Portatori sani di sorrisi Odv tra 14 mila associazioni italiane. 

L'imbarcazione sarà ormeggiata nei vari porti del Salento, dando l'opportunità di vivere il mare senza barriere e di capire a tutti che a volte «i limiti più ingombranti sono nella testa e che sono superabili».  

Portatori sani di sorrisi Odv

https://www.portatorisanidisorrisi.it

Video con interviste ai seguenti link 

https://we.tl/t-Pp69S203gm (immagini copertura)

https://we.tl/t-vMYshnvxt2  (drone) 

https://we.tl/t-NbrtytJZO5  (stralci conferenza)

https://we.tl/t-Ja4GxNTQ38 (interviste)

https://we.tl/t-Ja4GxNTQ38 (interviste)

MAGGIORI INFORMAZIONI PER GLI OPERATORI DEI MEDIA

antonio.torretti.informazione@gmail.com

[vintagecamping]

The Vespa’s are loaded up and ready to go to Union Lido Eurocamp in Cavallino-Treporti 

Italy, 1955

[nanirossi]

Grazie Union Lido …e Grazie all’immenso pubblico!

Grazie Union Lido …e Grazie all’immenso pubblico!

[pochiperpe90]

Points of view – The Interview: Luca Marinelli

How do you approach your characters. 

Sometimes I also wonder how I get to the character. For “Non essere cattivo”, I had a very detailed script and a fascinating director at my disposal, so I didn't struggle to relate. It was a very brave script for the way it dealt with reality. At first my auditions went in the direction of Vittorio's character but also knowing the figure of Cesare, more than once I thought I would like to play him. I saw the auditions of others and I stopped to think how I could have done Cesare. Then at a certain point I remember that Claudio looked at Valerio and told him that it would be better to reverse the roles, to let me try Cesare, and so it went. When I read the script of “Lo chiamavano Jeeg Robot”, the first thing that struck me, besides the courageous imagination, was to understand how a film of this kind could be made. 

In the first part of your career, you brought an image of introverted and staid youth to the screen. Was this a choice. 

Absolutely not. Or rather yes, it was the choice of those who met me first. Perhaps a part of my personality has been seen that could best marry the characters in question. It happened both in “La solitudine dei numeri primi” by Saverio Costanzo and later with Virzì in "Tutti i santi giorni", then it can be said that with Casare of “Non essere cattivo” and the Zingaro of “Lo chiamavano Jeeg Robot” I was allowed to turn things around slightly, to play a character who had a disposition and behavior that was completely the opposite of what I had faced previously. 

What do you remember about your debut with Saverio Costanzo. 

He was my initiation into cinema, I came from the Academy and I had no idea what it was like to work on a set. The best memory, in addition to the experience of the film with him and Alba, is the first meeting, the first audition, where I really understood that I strongly wanted to work with him and that if this had happened I would have ended up in the hands of a great author. 

With that film you found yourself in the main competition of the Venice Film Festival. What memories do you have of that first time at the lido. 

Of a huge confusion and a big headache. We were tossed around from one interview to another and not only that, because the worst thing was always answering the same questions, and I was terribly worried not to make the situation even more boring for the machine operator, who never changed, and I don't think could take it longer to hear the same phrases over and over. Fortunately, Alba was there as well and saved me in more than one interview. The experience helped me because the following times I knew slightly more what I was going through and how to manage situations and keep stress at bay. Or maybe not yet, it's a long way. 

I noticed that when you talk about your job you do it using the verb “to play” (giocare). Is it a coincidence or the choice has a precise meaning. 

Perhaps it’s not a coincidence that in English the term recite is said precisely in this way because in my opinion to play, or the French jouez, represents the feeling of freedom and fun that is inherent in the job I do, better. As far as I'm concerned, the moment of the take is when the actor has to stop thinking, abandon worries, to be able to bring out the energy of his character. He has to play with the same seriousness and commitment with which a child does. I remember a piece of advice from Carlo Cecchi on the fact that in acting counts listening and the here and now. Being actively present to oneself and to others at that exact moment.

You have a method for achieving this condition. 

If someone asked me something about technique, I wouldn't know what to answer, apart from listening. On the set of Andrea Molaioli's film in which I am the father of the young protagonist, the actor who plays him, Ludovico, who is really good, full of talent and very smart, once asked me what was the technique to make the best of the character, and the only thing I felt able to advise him was to try to be present in that moment and then to let go, listen and not think about the rest. 

But I imagine that there are also practical aspects in the preparation that precedes the start of filming. 

As for me, I try to prepare as much as I can before arriving on set because at the start of the shoot it would be good to be ready. But not everything happens automatically, in the sense that you can’t always find the character immediately. However, I have always been lucky enough to have more or less long periods of rehearsal before starting a film. I remember this moment with Saverio and Alba, where we spent weeks among us and also with the kids who would have played us as children, to try the various scenes and to create a union and harmony between the characters. The same happened with Paolo Virzì, Thony and I, more than once we gather, facing the script, to clarify all the passages and moments of the scenes. 

And how did things go with Claudio Caligari. 

The same thing also happened with Claudio even though the illness made everything more complicated for him. He asked us to change our bodies, to participate in the auditions of the other actors. This allowed all of us, the cast, to integrate and develop a unity of purpose and a truly rare familiarity. So in front of the camera it seemed to me that the gang, to which Cesare and Vittorio belonged, was really part of my life, that it wasn’t hard to pass from Luca to Cesare, because I had found him. And always to identify with the environment of the story, I preferred a house in Ostia, and Alessandro often came to me from Rome to spend time between the two of us. Claudio, in addition to having reading meetings together, also showed us films that were a source of inspiration for him for this film, such as “Accattone” by Pier Paolo Pasolini, “Rocco e i suoi fratelli” by Luchino Visconti and “Mean Sreet” by Martin Scorsese.

Instead, I wanted to ask you what happens between takes, for example when you come home after a day of work. You stay inside the character as it happens to Daniel Day Lewis, or you put it aside and think of something else like Marcello Mastroianni did. 

I try to disconnect from the set. I try. I go home and try to do something else, but the last thought before falling asleep always goes to the next day's work plan and I leave myself a few minutes for the memory and concentration useful for tomorrow and then I close my eyes.  

We asked Roberta Mattei and we ask you too. During the processing you were aware of the exceptional nature of what you were doing. 

Yes. Let me explain: I saw with my own eyes that what was happening was exceptional, a man who was dying wanted to give his latest work to the public, to his audience, to his people, to people. This has no equal for me. Don't think about yourself in such a situation but about others.

Then it was the turn of Lo chiamavano Jeeg Robot. 

I shot Jeeg Robot in March 2014, and therefore before “Non essere cattivo”. The fact that Mainetti's film is only coming out now is due to the long post-production period necessary to assemble the shot with the special effects present in the film. 

Here as well it was an interpretation and a character who completely overturns the transparent and pristine image of the first part of your career. 

To make Jeeg Robot we had to convince each other, Gabriele Mainetti and I, about my success in the character. I pushed him towards a theatricality and Gabriele towards a real madness, a pure pain. In the end, I think we have found the right amount. 

The construction of the Zingaro was already very clear in the writing and it was up to us, however, to find its true aspect. 

Guiding him is this crazy and boundless ego, and the obsession with having to leave a mark. The Zingaro's eccentricity is partly reflected in his look, halfway between a rock star and a suburban bully. For the costumes and make-up we were inspired by the great rock icons. We dared in some choices, such as the black coat with pink leopard lining that characterize the wardrobe. For the aspects related to the way of performing, his model was Anna Oxa and in particular the video of her at Sanremo, when she sings “Un’emozione da poco”. 

In part you have already answered, but I wanted to know how you choose to accept the proposals that are made to you and if you have any foreclosures towards television, or more generally towards commercial cinema. 

I choose the proposals on the basis of love at first sight that must happen with the film, with its screenplay. Then figure out who will be leading the film, meet the director. I don't have any kind of foreclosure, let's say that if I don't like something I don't do it and if I like it I do. And it doesn't matter if it's cinema or television. 

As a spectator what is the cinema you love. 

I like films that have something to say and that I also choose based on who directed and starred in it. Usually when they ask me to name some titles I have a void. Think that the same thing happened to me also during the audition to enter the experimental center, when Lina Wertmuller asked me the title of a film I had seen recently. I was struck by a cosmic void and instead of naming her an authoritative and important film I left her stunned by citing Batman, I think Nolan's first, still a good film, but I still had Wertmuller in front of me... But to go back to what you asked me, I tell you that in general I always like to watch films that come from Sundance, of which I remember, for example “Like Crazy”, which I found disarmingly beautiful, the films of P.T. Anderson, Wes Anderson, the Cohen, there are many, and among the Italians those played by Alba Rohrwacher, Valerio Mastandrea, Elio Germano, Kim Rossi Stuart and directed by Alice Rohrwacher, Costanzo, Virzì, Sorrentino, Garrone, Salvatores. Without forgetting those of the great Joaquin Phoenix. But in reality I look at everything, let's say that I try not to lose anything of these. 

Despite the certificates of esteem you have received for your performances, the impression is that of an understatement that almost seems not to be aware of what you have achieved so far as an actor. 

Whenever I see a film of mine I always think there is something I could have done better. But basically I'm happy with what I've done so far. Having said that, I think that the films alone should be enough to explain everything and that the interviews don’t add anything new to what there was to say before making them. But when I am in the dance, when I need to promote, I am committed to doing it in the best possible way. I strongly think that in life and at work it’s important to demonstrate that you know how to do and not to show at all costs that you do.

DREAMINGCINEMA

Just wanted to translate this old interview for the non-italian’s fans ^^ (sorry for my English)