#unfortunately I can only think about 1 (MAYBE 2) pieces of media at a time

[rileys-battlecats]

Will you ever do more Epic animatics?

an excellent question! I Do Not Know

[girlbloggerbae13]

Against Better Judgement - Part 1

I have re-entered my hyperfixation of The Boys due to season 4's release. Unfortunately I am a maladaptive daydreamer and can insert an original character into any given piece of media. So this is a Butcher x OC story, where OC is Hughie's big sister...so it does fit the story of the show pretty much to a tee (that is just how my brain cooks it up, sorry) - but there will be more details, side stories, etc to make it more fun for the Butcher storyline! And of course, it's written in OC's pov, so you get to know her backstory and thought process quite a bit. Please let me know what you think!

At 2 o’clock in the afternoon, Mickey should have been awake. A functioning, stable, put-together 29 year-old would be. Not Mickey. She was passed out in bed (a full size mattress resting on the floor in her room), her body still trying to process all the alcohol she had consumed the night before. And the morning before. As well as the few consecutive days before that. That’s how it had been for as long as she could remember, at least since – 

The phone rang. Mickey groggily lifted her head from the pillow, reaching for her cell phone. She had apparently neglected to plug it in before she fell asleep last night. Hughie? She stumbled over to the corner, where her charger was plugged in, not quite able to reach the bed. I’ve been meaning to call him.

“Hughie? I’m sorry, I really have–,” she started, already guiltily rambling, but she was cut off by her brother’s wails. “Hughie?” He wasn’t stopping. “Hugh? Hugh? Hey, what happened? Hughie?” Mickey was already standing up and putting her shoes on, despite the hangover-induced migraine that was making her ears ring. 

Hughie sniffled, gasping, then went silent. His breath was shaky. “Hughie?” Mickey warily said to her brother.

“She, she was j-just standing there,” he started.

“Who was? Hugh. I’m on my way, but I need you to tell me what happened.”

“We were just…I was leaving work, and she…,” his voice cracked as Mickey grabbed her keys, wallet, and flask. Empty. She’d grab something on the way to fix whatever had ruffled her little brother’s feathers. He was a sensitive kid, always had been. It was probably just some car accident he had seen while going on lunch, or even worse, he had been riding his bike and, distracted by the great Billy Joel, accidentally hit a kid. That had happened before. That would make sense. Everything is okay. The bad stuff happens to me, not him. 

“Robin.” He was gasping for air now. Mickey’s heart dropped. “She was one step off the fucking…and he just came out of nowhere…she– I, I didn’t have time to…God, Mick, oh my God, Mickey…Robin, she’s gone.”

Mickey was about to open the door, but she turned around and threw up in the kitchen sink.

—

“The service was beautiful,” Dad said. Mickey had to stifle her laughter. She always did during times like these. Funerals, memorials, the like. The drinking helped, for a little bit at least. When it stops helping, it just means you need to drink more. 

Mickey took a sip of her drink – some shitty wine her dad had likely bought to assuage the “divorcee blues” – and took a look at her brother. He was staring forward, scowling, with blank eyes. She knew what he was thinking. Hughie was asking himself what he could have done differently. What he could have said, or in his instance, where he could have stood differently. He’s wishing it was him instead of Robin. Maybe he’s thinking about joining Robin in death, or maybe that had just been Mickey when her husband died.

She had stood, motionless, next to Liam’s casket, as friends and family came up to her and gave their condolences. Mickey had sat with her head down, avoiding eye contact with Liam’s mother and father. He had been an only child. Perfect Liam. Hughie had nudged her to signal that it was the part of the funeral where she was supposed to stand for the family honors. Had they never married, the “honors” would have gone to his parents. She was the one that wanted a big, white wedding. 

Mickey’s eyes had been squeezed shut as the rifle volleys were fired. Why do they fire blanks at a military funeral? The loud noises can’t be good for attendees suffering from PTSD. Like Liam had been. Mickey counted the shots.

One. Liam's face flashed in her mind.

Two. She squeezed her eyes tighter.

Three. Everything Mickey had ever wanted. Gone.

One of the other soldiers started playing Taps. She didn’t even have tears left, just rage. Mickey wanted to grab the stupid fucking bugle and slam it on her husband’s casket until it split open. She wanted to pick Liam up by the collar of his stupid fucking uniform and shake him back to life. She wanted to scream at him for leaving her a stupid fucking mess. For leaving her alone. All alone. She wanted to smash his head into the pavement until he died. Again.

They handed her – the next of kin – the neatly folded American flag. Mickey didn’t want it; she would have happily given it to her in-laws. She didn’t need another reminder of the mess he had gotten himself, or herself into, for that matter. Liam and his stupid patriotism. He had worshiped Supes, but unlucky for him, wasn’t gifted with any super ability. So he joined the military. For what? A couple years overseas firing at whatever your commanding officer told you to, a shitty government job where you’re just another cog in the wheel of the “Great Big American Dream” (the military industrial complex), and a never ending B-roll of whatever tragedies you had bore witness to. Mickey’s superiority complex had gotten her into psychology, then into the FBI’s training program to be a special agent. But this happened. And when you fire a gun at your officer’s foot – it was the ground next to him…it was never going to actually hit him…she had fantastic aim, and he was pissing her off – you can’t be a special agent. 

That left her a widow at 26. Jobless. And an escalating alcoholic. 

That wouldn’t happen to Hughie, though. Mickey wouldn’t let it. 

She was brought back to reality by her dad. “Michaela, please make sure your brother signs the papers today. It’s what Robin would have wanted” She waved off her dad, scoffing.

The Vought attorney? Paralegal? PR motherfucker. Had some sense of entitlement coming in and asking Hugh to keep his mouth shut. And for only $45,000, as if that could immediately fix his grief. Obviously, it would work in Vought’s favor. No one would ever know that A-Train had run right through Robin, leaving only her hands, still holding on to Hughie’s. And the TV “apology” the asshole had given was disingenuous, to say the least, and a cover-up, to tell the truth. In the middle of the road? Yeah, right. 

“Can I think on it?” Hughie asked the suit. Mickey breathed out a sigh of relief. It’s not like she hated Supes in general, but they reminded her of the military – especially Homelander – so each day her distaste for Vought, The Seven, and any asshole with super-strength grew exponentially. 

“Good choice,” Mickey told her brother after she hastily escorted the suit out the door. “I know the money seems nice, but in my experience, it only pisses you off more. Plus, you’ll probably blow it on something stupid.”

“Like booze?” Hughie gave a half-smile to his sister for the first time since the accident.

“Ha-ha, asshole. Exactly like booze. I’ll stop when I’m ready to come back to real life.”

“Well while you continue to bury yourself in liquor, I’m going to bury myself in work.”

“Not any time soon, though, right?” Mickey asked, standing up.

“Why not? It’ll be a good distraction.” Hughie shrugged. This behavior wasn’t like Hughie at all, granted she had never witnessed him after he lost a significant other before, not like this. Maybe it will be beneficial, at least more beneficial than the coping mechanisms she chose. Everyone handles grief differently, right?

—

“Sorry, we’re closing–” Hughie turned to see Mickey walking through the tech store door. “Oh. We are getting ready to close.”

“I know, I know. I’m not here to shop. Now that you’re back at work, stupidly, might I add, I wanted to offer my free labor. I figured we could do the opposite of what we did when we were little and had chores. You get to sit and boss me around, and tell me what to do,” Mickey dropped the Tupperware of funeral food on the checkout counter. “Plus, I brought you dinner.”

“Really? Funeral leftovers?”

Mickey rolled her eyes. “Look, dude, it was already made. Now will you tell me what wires I need to put where so we can go home and–”

Both the Campbell siblings turned to the door. The bell rang, and the door was open, but neither of them could see a customer.

“Who are you?” A voice said.

“What the fuck?” The siblings said in unison.

“Right in front of you, pricks.” They were staring at the voice when whoever it was held up a small disc, waving it in Hughie’s face. “You think I wouldn’t find this thing?”

“What did you do, Hugh?” Mickey asked her brother, gritting her teeth. Wanting revenge on A-Train was one thing, but if her hunch was correct, this invisible guy was none other than Translucent. How did he get tangled up with one of the other Seven?

The Supe grabbed Hugh’s badge. “Hughie,” he jeered, then without warning, slammed Hugh face down into the counter, cracking the glass case. Hugh was launched over the counter. “Pussy! I followed you from the fucking tower,” Translucent said, lifting Hughie up again.

“The fucking tower?” Mickey was now yelling, but still frozen. “What the fuck, Hugh?”

Hughie was then launched into one of the store’s windows, cracking it. She had to do something. “Oh, and who’s this, Hughie? Your little accomplice?” The voice got closer, and Mickey could hear footsteps making their way towards her. 

An invisible hand grabbed her by the hair, and she instinctively raised her knee, hard, hoping to hit Translucent where it mattered. He groaned, releasing her hair. Mickey tried to dash over to her brother, but was yanked up by her hair again and thrown backwards into a shelf of routers. Now her and Hughie were both on the ground, coughing, and Mickey still had no fucking clue what was going on. She propped herself up against what was left of the shelf, blinking and trying to reset her eyes. 

“Who’s that guy you were with? In the car?” Translucent asked a panting Hughie. “Who was he? He put you up to this?” Now he was screaming, Hughie trying to escape, and Mickey was trying to get herself on her feet. 

“I, I don’t know! He was just some Uber driver, okay?” Hughie’s voice cracked as he pleaded with the Supe. 

Mickey grabbed an extension cord from the ground and slowly prepared to blindly wrangle their attacker, but unable to see the Supe, she didn’t see him making his way over to the wall closest to her, and in one fell swoop, Translucent grabbed the extension cord and threw it, and Mickey still holding on, to the opposite side of the store. She landed behind the shattered glass counter, still faintly able to understand what was transpiring through the ringing the blow had left in her ears.

“Oh don’t give me some bullshit! Uber driver?” Translucent mocked Hughie. Mickey could see a TV being lifted off its wall mount. “What, you think I’m some fucking idiot?” Translucent was walking over to Hugh, the flat-screen lifted high. “Why’d you plant the bug?”

“Please, please. Please, please, no. Please,” Hughie pleaded.

“We’re The Seven. Earth’s most mighty.”

Mickey had to do something. She propped herself up and took position to leap onto the invisible asshole. 

“Champions of the innocent, motherfuc–”

A car drove right into the shop, shattering the windows, knocking down merchandise, and just barely missing Hughie. “Sorry about the mess,” a bearded man said as he exited the vehicle. “You should fuck off, Hughie.”

Mickey stood up shakily. Now she was really confused. “Who the fu–”

The Cockney-accented man turned towards her. “You must be the sister. Sorry to meet’cha under these circumstances, but you two need to scram.”

Holding a tire-iron, the man slowly walked towards where Translucent had landed, smirking. “Well if it ain’t the invisible cunt,” he chuckled to himself, then began swinging blindly around the TV wall. Moments later, he was launched into a rack of pagers.

“Hughie, Hughie, you heard him, we need to go,” Mickey said, trying to usher her brother onto his feet and away from the store.

“No, no,” Hughie stood up, brushing her off. “We can’t leave him here.”

“What the hell are you talking about? Yes, we can!” Mickey was practically pulling Hughie to the emergency exit when he stopped in his tracks. “Hugh. Hugh! No, don’t even–”

Hughie stepped back into the floor of the store with such force that he yanked her back with him. Mickey huffed and ran her hands through her hair. She inhaled and blood ran down her throat, greeting her with the familiar metallic taste.

Brit was attempting – and failing – to wrestle Translucent to the ground. Looked like he was tasting that red metal too, because with an erratic grin, he spat blood all over the Supe, revealing Translucent’s position. Smart. The bearded man then had the upper hand after headbutting the “invisible cunt” and landing a few punches, whilst slowly covering more of the Supe’s body outline with more bloody spit. 

Though England put up a good fight, Translucent got one good lick in, and the man was down on the ground. Translucent looked up at Mickey, who, overcome with agitation and confusion, had not moved her feet, and she was now standing directly behind the groaning Brit. She swallowed a mouthful of blood. She was trained for this at one point in time, right? She at least had the pent-up anger for this. Mickey stepped over the Brit’s body.

“Hey, sweetheart, why don’t you just come back to the Tower with me, and I’ll make sure you don’t ever have to see these assholes ever ag–”

Mickey cut him off with a punch, slugging Translucent right across his face. Predatorial asshole. “Fuck,” she hissed, shaking her hand. She forgot how much she hated hand-to-hand combat.

Translucent stumbled a little, but popped back up, rubbing the side of his jaw. “Look, lady, I’ll give you that one, but let’s just–”

Mickey hit him again, this time with an uppercut. He charged back at her, grabbing her hair – again? – and landing a few blows to her stomach. Mickey snapped back into it, grabbing his forearm and pulling herself around so that her back was against the Supe’s chest. She flung her head back. Hard.

The Supe instinctively launched her into the wall. Now she could really taste the blood. But before she could steady herself, Translucent kicked her in the stomach, knocking her through the wall of TVs.

Thankfully, this had given England enough time to regain his strength, and he stood up, ready to attack, when Translucent gave him the same swift kick he had just given Mickey. 

“So who are you?” Translucent asked. “Fucking spy?! For who, huh? You’re gonna fucking tell me!” Translucent picked up the Brit’s tire iron from the ground. “Or I’m gonna smash your fucking scalp off! Who the fuck are you?”

Through the Mickey-sized hole in the wall, she could see Brit propped up on one of his elbows, smirking. “I’ll tell you who you are,” he said. “A fucking moron. Translucent doesn’t even mean invisible. It means semi-transparent.” England made a quick glance to the other side of the store, where Mickey was able to faintly see Hughie holding an exposed wire. Hughie’s wire couldn’t reach, so England quickly kicked the Supe, sending him backwards where he waltzed right into the wire.

Translucent screamed as he got electrocuted, lighting up the store. Hughie kept screaming until Translucent’s limp body fell backwards onto the ground.

England stood up with a groan, and through shaky breaths, Hughie asked, “Is he…is he dead?”

The bearded man kicked the Supe. “Well he ain’t movin’.”

Mickey, limping, emerged from the wall she had been kicked through, and ignoring the mystery man and the Supe, yelled at Hughie, “I’m gonna need some answers, Hugh. What the fuck have you gotten into?” She gestured back at England. “And who the fuck is he?”

England put up a hand to silence her. “Whoa, whoa, darlin’, don’t fret. Name’s Butcher, and I’m just a friendly neighbor helpin’ out’ya brother here, alright?” He turned to Hughie. “Now, kid, how’d you know the electric could do the job?”

Hughie was still sitting against the TV wall. “Skin’s carbon…highly conductive. I saw it on, uh, Jimmy Fallon…”

Butcher raised an eyebrow, “Would have taken me forever to work that one out. Good job.” One thing about Hughie is that he knows the most random shit. This time it might have just saved them. Butcher made his way to Translucent’s lifeless body, and against her better judgment, Mickey followed his lead. Hughie wasn’t going to go down for this. “Let’s get ‘em in the boot.”

Hughie brought his hands up to his head. “W-wait, wait what?”

“The trunk,” Mickey and Butcher said in unison.

“See, your sister knows the lingo,” Butcher said while trying to get a grip on the Supe’s upper half.

Hughie looked at his sister, then at Butcher. “No, no, I mean, what are we doing with him?” Hughie was panicking now.

Butcher looked up at Hughie. “Well, Hughie, you just offed one of The Seven, mate.”

Mickey let out a mix of a scoff and a laugh, much to Hughie’s dismay. “Me? I…I…,” He turned his gaze to Mickey. “You’re okay with this, Mick?”

“Well no, but…I mean, he has a point, and I’m not getting in trouble for this.”

“What?! I…I…Butcher, you hit him with a fucking car!” Hughie shouted.

Butcher dropped Translucent’s torso. “Look, potato fucking potahto, we’re all in a shitload of trouble–”

“No, no! No, no, we’re not. He attacked us, and you’re…you’re a federal officer, you know?” Hughie argued, and Mickey dropped the Supe’s legs, standing up to cross her arms. This smug, sloppy, arrogant asshole is not a federal officer. “Just…just call the fucking FBI!”

The hesitation in Butcher’s voice confirmed Mickey’s suspicions. “Yeah, o-okay, so look…technically I’m not a fed,” he said, shrugging, as if this wasn’t just the atomic bomb of all bombs to drop on Hughie right now, let alone a less-than-awesome first impression to have on Mickey. 

“Jesus, fuck,” Mickey started, holding her head in her hands, shaking it.

“WHAT?!” Hughie practically screeched. “Then who the fuck are you?”

[oro-kapi]

after god observations

so I've read After God 6 months ago but recently in October it just absolutely out of nowhere FULLY seized my hyperfixation to a level so intense I'm genuinely so startled. I haven't felt this normal about a piece of media in YEARS holy moly.

the English fandom is so miniscule so hella I was SO happy to find there's an After God tumblr corner. anyway first post, hello anyone who stumbles across these ramblings... warning this gets kinda rambly but it's just me being gushy about the series.

abt me I don't actually frequent tumblr that much, I'm kinda new in terms of experience, although I just have some social anxiety over talking about things I like publicly so I hope this sideblog gives me a little bit of strength talking to the void. I need a place where I can go INSANE over this series anyway WAHOO!! maybe will also post fanart in the future also, maybe!

there seems to be a much larger fanbase in Japan (mangaplus/urasunday where the original Japanese is posted gets hundreds of comments as opposed to English's official publisher on comikey. albeit I don't think comikey's the best at making it accessible either). Mangaplus/urasunday do post the latest 1-2 After God chapters for free on the website btw for folks who like to read ahead. Unfortunately anything before the latest 2 chapters is region-locked to the app and I don't really want to bother trying to figure out how to get it but that's what I'm mostly aware of.

I've seen some mixed reviews in the English side, though there's only a handful really out there, but most times I feel people are missing the point!!!! AHHHHHH!!!

when I first read the series 6 months ago, I didn't think of it that much except it shared some similar ideas to my own existing original work I thought would be cool to draw some inspiration off of. I'm honestly not really sure what happened in october, but I think it started because I gave it a second reread. And SO MUCH suddenly clicked. I didn't skim the dialogue as much and began to reexamine scenes and panels with the foresight of the later chapter events. And I fell absolutely in love. preordered and got the first volume in english on release date yippee!!

the first volume or chapters 1-8 is admittedly pretty much an exposition dump, but I think that rough start is kinda to be expected for most series trying to get a reader hooked into a new world. chapters 9-20 are really where things start kicking. It leads you to think Kamikura Waka is shounen-type protagonist like one chosen hero vs the big threat, but then breaks down into a more raw, mature look at the complicated lives of normal people who're just trying to survive, find their own happiness, and fight threats they only somewhat comprehend.

are IPOs really that different from humans? But not in the sense "humans are worse and gods are better" or "humans are better and gods are worse", but in the sense that "we're all equally messy in the same way, just trying to exist because that's all we know what we want to do."

I feel it's a story that needs to be read with the attempt to understand the characters as people with layers of contradiction and their relationships with one another. That's where so much of the meat and the weight of After God comes from for me, and many of these "this was disappointing" reviews don't really seem to even notice that part at all or tend to be confused why the characters act the way they do.

/// spoilers ahead!! talking about some of my observations and thoughts

I can't really remember where it was if there was a more explicitly stated spot that Ahu'az takes the form of what people see as most beautiful (at this point I'm wondering if I'm hallucinating this up oh god). Closest thing with the implication this is the case is in Chapter 34 when Yako/Furuya asks "what form did the God Ahu'az take for you?"

if this is the case though and it changes from person to person's perspective... then oh all the more tragic when Shion went to see Ahu'az and saw Waka/Alu'la as her most beautiful person.... DOOMED YURI, FUCK

--

obikawa saying "wow it's cooler here than I expected" back in chapter 9 really gets a new perspective when you apply the later reveal how IPOs are basically born

--

silly thing to wonder about, did the florescent banana tee Obikawa gave Tokinaga somehow become the saving grace that stopped him from getting eaten lol?

he is such a loser (affectionate) though like TOKINAGA YOU'RE LITERALLY 10 STEPS AWAY FROM YOUR HOUSE YOU CAN GET CHANGED!!

--

Tokinaga talks about being afraid of bathtubs chapter 17, and then on a reread I noticed he is standing in front of a bathtub in chapter 3. what kind of hell happened to you my guy omfg

--

I know that damn Default CSP Rubble Asset when I see it!!!!

pattern recognition throws me out of the loop a lot I work on comics in CSP as well and now I don't read webcomics the same way anymore oops. right off here I think it's pretty safe to determine After God was drawn in CSP; assets can't really be converted to other programs.

more CSP assets I recognized:

this hatching brush for the outline of Tokinaga here is ベタ線新 from this set

Nayuu's tree branches are from this set

and I'm pretty sure the water here is from this blood set, which might appear elsewhere a few times (i see these shapes in my dreams. this blood set haunts me so bad)

to be clear this isn't a critique or "using assets is bad" at all. normal readers are not going to notice these things. (in which i'm not normal i study Eno's art so intensely because i admire it so much). when making comics or other repetitively drawn works, artists will take shortcuts and should absolutely take shortcuts. it's just neat to share what tools were used for those curious!

off topic on the topic of csp if anyone would like the link, she's shared the brush she made for drawing Vollof here too!

--

I can't freaking imagine how it feels to have your beloved friend melt away on your lap between your fingers like that unholy

if you squint much, you can make out both Yoriko and Tokinaga overlaid in the speech bubble, though I'm not sure what the next one really says

but ahfjhfgifgh!!! the book being animal anatomy is such a stab in the leg cherry on top

(and it's probably an art error but tokinaga's pinky is back/weirdly has a solid shape there instead of it being flabby glove. wani asks how did tokinaga get there before he and yoriko so silly weird theory its tokinaga from a different time iterative loop? wonky. probably still an art error though)

--

so how did Alu'la get "reincarnated" within a human? How does an IPO get reincarnated at all? We've seen orokapi needed to eat a human to become a specific human. Alu'la definitely didn't eat a human.

We hear from Orokapi he drank seawater mixed with sewage and gained the intelligence that way. Closest I could think of are the microbiota that make up an IPO and their abilities. Maybe Waka's parents or Waka drank shit water of the sort and got the microbiota inside her that way or idfk

--

Thanks Tokinaga for the "uses chopsticks to eat everything" rep 🔥🔥

--

i'll leave you on that this is getting too long AHHAAHAJF thanks for reading, hope you got something cool out of this post! :]

[shera-dnd]

Alright I have eaten my mato peach and have gained the amazing power to do literary and thematic analysis of any piece of media, no matter how fucking stupid

and as the first activation of my ability, I'm turning it towards the stupid ecchi reverse slave harem manga, Mato Seihei no Slave (or Chained Soldier if you're not as much of a fucking weeb as I am) in order to prove that this is actually thematically consistent and surprisingly well written

(long pause as I let all my followers block me and leave)

but first to address the two shuuki in the room

WHAT THE FUCK DO YOU MEAN YOU'VE BEEN READING AN ECCHI SLAVE HAREM MANGA YOU FUCKING WEIRDO?

Look... LOOK! It's not what you think!

Okay so like a lot of anime and manga recently (primarily isekai) have been including slavery as a thing in their world building, and tho I'm not gonna claim that's the only thing it ever gets used for, it's quite clear that a lot of people are only using that as an excuse for kinky slave play BDSM

and then forget that that stuff comes with like... you know, the horrific implications of slavery as an institution

WELL GOOD NEWS! The author of this manga does not give a shit about disguising his femdom slave play kink as commentary on slavery, this is literally just a BDSM thing and it never pretends to be anything else

...besides, a woman has needs, okay?

WAIT SHOULDN'T THIS MANGA TRIGGER YOU? ISN'T YOUR TRIGGER THE LITERAL CENTRAL GIMMICK OF THIS?

YOU WOULD BE CORRECT! By all logical means I should not be able to read this manga without having the most viscerally negative response possible... except that I don't

I'm not gonna pretend that I know why or how this is working

But I read Monster Musume back in 2015 and it somehow helped me get over my fear of spiders, SO WHO KNOWS maybe niche ecchi manga are how I get over my mental blocks

I would rather it wasn't, but I'm having a hard time proving otherwise!

oh god we're already 400 words in and I have only just finished the preamble. Why am I like this?

Okay okay let us get started as I'll give a detailed explanation as to why Mato Seihei no Slave is about the bonds between people, the ways we bring out the best in each other, and what makes a good dom- ahem I mean leader... what makes a good leader

So for those who don't know the central conceit of this story is that this is a world where women get super powers and men get... to be stay at home husbands

Our protagonist is male wife supreme, Yuuki Wakura, whose main hobbies include cooking, cleaning, and day dreaming about one day becoming a hero

unfortunately for our adorable little boy toy he immediately finds himself falling through a portal into actual literal hell (technically it's called Mato, but like it's just hell) where he's promptly attacked by several giant monsters

BUT GOOD NEWS FOR HIM! He's being saved by a hyper competent hot woman in a uniform (lesbians going "it should have been me!" count should be at 1 by now)

BAD NEWS FOR HIM! She's alone and soon they both get overwhelmed because she can't go full apeshit murder mode while protecting his soft boy ass

Thankfully there is a way for her to save him still, it just requires some collaboration from him

("it should have been me!" count: 2)

And here we are at the main fucking gimmick. The reason why all the ecchi shit happens, the silly excuse for why this bad bitch decides to keep this guy at her side

Chains of Eternity: Slave

Kyouka Uzen (the ultimate girl boss) can forge a contract with someone to bind them to her will as her slave. This will bring out their hidden potential and allow them to fight by her side, turning them into a super powerful killing machine at her command.

In exchange once the task is done she must give a reward to her slave based on the difficulty of the task and the slave's "latent desires"

So yeah, Kyouka doesn't get to decide what the reward is, Yuuki doesn't get to decide what the reward is, only Kyouka's magic can decide what the reward is. Which basically just means the author gets to insert whatever horny fuckery they want into this

Rewards vary from giving him head pats, offering him treats, giving him a back massage, kissing him, to...

well this is a femdom series for a reason

(I think the "it should have been me!" count is at like a 4 or a 5 now)

and now I'm gonna analyze the ever loving shit out of that ability and how it is the crux to all the themes of the show and actually informs us on the nature of Kyouka's character

no, I'm not kidding

Okay so let me just break down what Slave does here from a kink point of view. It basically allows Kyouka and Yuuki to enter into a BDSM relationship where the dom always knows what the sub wants, while still being able to surprise the sub with her actions. She gets to constantly keep her sub beneath her, while also being magically required to reward him and give him aftercare once she's done

Those two have entered a ridiculously healthy BDSM relationship by forging a magical contract that lets them skip all the negotiation bits and go right to what the audience wants to see

(yeah it's gonna be impossible to track the "it should have been me!"s from this point on, so just try to keep your own count at home)

This is also the author's way of like having his cake and fucking it too

Because that way we can have Kyouka as the baddest bitch to ever live AND have her do embarrassing stuff with Yuuki without ever breaking character. In fact the loftier her goals and the more tragic her backstory the more reason she has to accept the reward mechanism as the price to pay for this power

It's also why Kyouka is easily the most developed and interesting character of the manga, to the point that Yuuki is more a supporting character to her arc

This brings us back to those three themes I mentioned waaaaay at the start

Starting with: "how we bring out the best in each other"

For starters it's quite obvious how that works with Yuuki. He wants to be a hero in a world where he should not be able to have super powers, and in comes Kyouka who gives him both the power and the purpose to achieve that goal

But this also extends to literally everyone in Unit Seven and beyond

We have seen the ways in which Kyouka has helped all of her team mates grow stronger and overcome their past traumas, some times by the sheer confidence and kindness of her presence

Hell we see one of her team mates unlock a rage mode power up because someone said Kyouka was a bad leader

and there's even another team leader who straight up evolved her powers into a new stronger form just out of sheer love and respect for Kyouka

This culminates in the development of Lending. The ability to let others take Yuuki's chain and use him in combat

and like I'm not stupid, I'm not gonna pretend this isn't primarily an excuse to have different hot women give Yuuki rewards in ever hornier scenarios, with the added benefit of being able to design cooler monster forms for him

and I mean... those are some really cool monster forms

But that's besides the point

The point is that this also pulls double duty by allowing Kyouka and Yuuki to constantly empower all of the people around them and help them through their character arcs

From helping people stand up to abusive family members, to allowing others to gain the confidence they need to grow, to just decking an asshole real hard in the face

And not once does Yuuki steal other's glory. The final confrontation and the catharsis is always delivered by the person who is being helped. Because lover boy here is the supporting character in his own story

This all leads neatly into another point: the bonds we have with others

DAMN RIGHT MOTHERFUCKERS WE'RE GETTING CHAIN SYMBOLISM IN THIS BITCH!

Oh are we getting a message about how we're all links in the chain and the stronger each of us gets the stronger we all get? FUCK YEAH

Are we getting chains as a representation of a mutual bond of trust and respect, and get to see those bonds be used as a literal weapon to defeat a foe who is antithetical to that idea? ABSOLUTELY

TEAM WORK MAKES THE DREAM WORK, BABY!

But wait there's more! We got a character who can copy other people's skills and she also grows like crazy with each person she bonds with

We got teams of heroes besting villains who refuse to work with anyone

THAT'S THE SHONEN ANIME GOODNESS WE'RE HERE FOR!

(I mean this is technically seinen but who gives a shit, right?)

And that brings us finally to the third point, the series antagonists, and Kyouka's main goal

What makes a good leader?

So far we've focused on Kyouka and her ability, Slave, and how that allows her to help the people around her grow and encourages her to fight on the front line where she can be a shining example for all around her to follow

She treats everyone around her with trust and respect, even the boy who is literally her slave, and is by all metrics BEST GIRL!

Now all of that good shit doesn't mean much if we don't have anything to contrast and compare to

Enter Ren Yamashiro

gonna give y'all a second to simp for a bit before I continue

done staring at her legs? good. Anyways here's why she's awful!

Ren is the commander of the Anti-Demon Corps and easily the strongest character in the setting by a wide margin

She's also self centered, corrupt, physically AND emotionally abusive, horrifically petty, and likes dogs in the exact same way Makima from Chainsaw Man likes dogs

This is, of course, perfectly translated into her special ability, because this author loves having abilities inform characters

So not only does she have some absurd broken power that she has the power of anime and buddha on her side, BUT the way it manifests is as kanji covering her eyes whenever she activates her skills

Quite literally making so all she can see is her own power and greatness

AND her main use of her powers is to fly around, so she can be ABOVE everyone else

This isn't fucking subtle, but it sure as fuck gets the point across

This is a trait that Ren shares with ALL the main villains of the series. Each and everyone of them is blinded by their own greatness and is constantly looking down on others

Ren is just the least subtle. I guess they had to compensate for the fact that she isn't an actual literal evil god

And so all of those are put in opposition to Kyouka, whose goal is to overthrow Ren, become the new commander, and destroy Mato for good

The woman whose power makes her dependent on others, but that allows her to bring out the best in everyone she meets

A power that grows stronger the more people she helps and the more people help her in return

Standing up against all these people who refuse to rely on anything besides their own strength

That is why Kyouka is the shining example of a good leader!

Now here we are 2k words into this (OH DEAR GOD WHY AM I LIKE THIS), so what was the point of this journey?

Is it me recommending this manga to people and claiming it's genuinely "peak fiction"? OH GOD NO

This thing has so many issues and literally all of them stem from the fact that this is an ecchi harem manga story first and foremost.

Titillation always comes first over anything else, several of the smaller side characters eventually devolve into just different flavors of wanting to dom Yuuki, and that's not even going into all the pet play stuff featuring Ren

This is an unashamedly horny manga with a very specific brand of kink in mind and when I started reading it that was legit all I wanted out of it

But then it refused to be JUST that. It had an interesting story, fun action scenes, compelling characters, and a surprising amount of thought put into its themes

It's not a manga I'd recommend to most people at all, and it requires a considerable amount of tolerance for some capital H Horny anime bullshit

But honestly? If you're cool with that and want a fun and a little unhinged story you can do way worse than this

So what else is left to say except

IT SHOULD HAVE BEEN ME!!!!

[metvmorqhoses]

Nononono waitttt what do you mean about Good Omens season 2?? Why didn't you like it?

I personally thought it was better than season 1 - better paced. There wasn't a single boring moment. And sure, the plot maybe had fewer stakes, but seeing as this was a bridge season between season 1 (the of Good Omens book) and hopefully season 3 (the book that never came out, “668” or something like that), I thought it was good. Warm & fuzzy.

I need to know your opinion now

As abashed as I am to have to respond to such enthusiasm with, well... the very opposite of enthusiasm, please at least know that I consider the truth the best thing I have to offer in general and in regard to that unfortunate (yet somehow still-untouchable?) mess the second season of Good Omens has proven itself to be in particular, so accept it as some sort of well-intended even if perhaps unwanted gift.

This is probably the most unpopular opinion one can have on Tumblr right now, so I'll go straight to the point: Gaiman managed to ruin Good Omens (perhaps he isn't able to write it by himself, perhaps he got carried away with fan service, who knows), once one of the most delightful, witty, engaging, profound books/shows existent, changing its register and raison d'être in order to turn it into, per great popular request, the same lame simple plotless cheesy cookie-cutter gay romance without rime and reason apparently every single piece of media is deforming itself into lately.

The dramatic loss of... artistic quality this show suffered is appalling and even more appalling is the fact I seem to be one of the very few on this green earth to have even noticed? Did I perhaps read too much in the show before? I don't think so, it was indeed a masterpiece. I saw many die-hard fans of the series beyond puzzled at this last season too, straining themselves to try and make sense of it with wild theories, justifying them with the simple fact that Neil Gaiman is a genius and surely this hot mess must mean something, right? I wasn't aware the world was mostly populated by hysterically besotted people hailing Neil Gaiman's alleged greatness from dawn til dusk without contextualized merit, and the discovery didn't particularly excite me, to be quite honest. I think a healthy amount of fairness in the critique of any artist should always be the norm, but I digress.

I'll try to keep it as brief and matter-of-factly as possible, especially since some time has passed and the fumes of my rage aren't as scorching or as precise as they used to be lol

In a word, this season was subpar. Not only did it lack that original witty, ineffable meaningfulness, that intrinsic and very human sense of wonder and protectiveness towards life and its profound sense the original show brimmed with, but even from the most basic literary point of view, it literally lacked a plot worthy of this name, a story, characters that felt complex and real instead of caricatures who tried and reenact themselves, and in general what should have been, quite simply, good writing.

More than Good Omens' long-awaited season 2, this felt more like a high-budget filler fanfiction created by someone who didn't know what they were doing with story and characters most of the time, but who sure as hell wanted to please the audience to disastrous lengths.

The very first thing that irked me beyond belief, and it literally started from minute one, was the immediate, more or less subtle, change in acting from both Michael and David. Michael stressed it way more, with, in my opinion, quite tragic results, thing that from the start immediately allowed me to guess where they were going with their (already established as extremely complex) relationship, entirely turning the vibe from sophisticated allegory of Divine Comedy kind of love (love for your enemy, love for your friend, love in all its form and in its entirety) to banal romantic comedy-level gay drama, downgrading what Crowley and Aziraphale shared (the subtle abysses of it!) into the most boring and obvious of soap operas, obviously forcing them to act out of character in order to compensate (was any flash-back meaningful to their character or the story? Was there a writing reason behind any of them beyond writing for the sake of filling screen-time?).

Some relationships deserve to be left alone, alone in their subtlety and ambiguousness or you'll inevitably ruin them. Not everyone must kiss on screen, no matter how much the audience screams and throws up for it. This little woke drama completely ruined and eclipsed everything else those two characters were for each other, turning them from cosmic and devastatingly loyal best friends to petty and dumb lovers that need two plot devices (the messy pointless and quite frankly offensive representation-wise lesbians from across the street they literally met five minutes prior) to tell them they actually have feeling for each other and should share them. After literal millennia of this relationship, relationship that has its own inner workings and reasons, we needed the plot-lesbians to subvert the order of things and spur Crowley into action, obviously obtaining disastrous and lame results? Are we witnessing the interaction of immortal beings or five-year-olds? The only way I can genuinely make sense of this dumbness is considering those two female "characters" (that feel anything but real people) no more than that, characters, golems, put there by Metatron via the power of the Book of Life (again, so many Chekhov's guns with no use whatsoever in this season) in order to separate Az and Crowley using the only thing that could succeed in doing it - an ill placed declaration of love.

But even this doesn't match the true être of what Good Omens originally was nor comes full circle with the ineffable mystery season 1 ended with. It genuinely feels like Gaiman changed the whole rhyme and reason of the story, vibes, meaning, register, just to meet the modern needs of a category that is sadly phagocytizes everything else in both life and fiction. And I find it a true pity - and a bore.

And even leaving aside this personal boredom of mine at a non-existent plot that consisted in 1) a big mystery that promised cosmic repercussions (season 1 ended with the after-nonapocalyptic world that was slightly changed just because two enemies had loved each other and life too much not to oppose god's plan - fact that was probably god's plan all along), mystery that was actually no mystery at all (two random, from the original story's perspective, previous minor characters in literally ten supernatural minutes fell in love and run away together) and that meant virtually nothing in the grand scheme of things, but serving as a plot device so that the other two minor new characters could intrude into the protagonists' relationship so they could finally have the excuse to jump literary genre and kiss & queer tragedy the story away 2) an endless series of symbols, facts, episodes and characters that constantly seemed to hint at something but that in reality resulted in nothing story-wise (also, the change of heart in God's personality, first the witty and almighty trickster for the greater good, now the divine bully??), even leaving all this aside, I'm mostly disappointed the quality of the writing plummeted so inesorabily one of my comfort show turned into the symbol of an artistic era I'm utterly distraught to have to witness - the era of crowd-pleasers and un-imagination.

As for this being a filler season, writing in such an unresolved way (basic and predictable plot, colourless characters, cliché romance, hours of happenings that don't mean a thing in the current story) is unacceptable and a failure, even if you are a famous writer. You cannot waste hours of the audience's time going nowhere shielded by the sole future promise of sense. Writing doesn't work that way, and I'm sincerely appalled to see people noticing it and deciding to excuse it with a "surely next season everything will look genius!". It doesn't work this way. The faults were too many, they can't possibly be all resolved next season. This product wasn't great, even if your faves kissed and your little fanfictions came true.

The sad thing is, Good Omens used to be a work of art, not the next consumeristic piece of fiction to satisfy woke needs.

[savebylou]

The problem of Louis at barricade.

Besides the problem of some people still throwing things on stage, this year the barricade aspect feels more extreme and lately this incidents are more often and some fans are not being careful with Louis in the pit.

Paying a ticket, travel to see their artist, camping for hours or days, none of this reasons make any fan have the right to be disrespectful towards the artist and cross their boundaries.

Before I start this text I want to make clear I'm only criticizing the fans who cross that boundary of respect toward Louis I'm not generalizing fans behavior.

[tw flashing in the links] In the EU & Canada tour there was a fan at Cincinnati that was grabbing Louis' throat and sharing it very proud, other fan try to do it in Woodlands. In Phoenix and Vancouver fans grab Louis' head down in the pit. In Philly someone hit Louis' back, there was other in Hollywood Florida when they grab his neck and pull his ear piece, also in Council Bluffs trying to rip his shirt, this were a few events I can mention but this leg in Europe this incidents are also happening.

There was a very scary incident in Hamburg where fans grab Louis into the pit (video 1 & 2) and then when he try to leave fans hold on his tank top and looks like this hurt him. In Vienna someone grab his white tank top and he couldn't leave, in Bucharest happened the same thing with someone grabbing Louis' t-shirt and now in Sofia with fans grabbing Louis' tank top and not letting go when he clearly wanted to leave (even after Louis look at them annoyed the fans that did it were smiling after).

Even if Louis smiled after a few rip tank tops in the US doesn't mean he will always feel that way and always want that reactions from fans, he is allow to change his mind and feel different each time and from recent reactions seems that he doesn't like fans grabbing his clothes.

I don't know if because Louis flips off fans often and is taken as a fun/lovely gesture makes the fans that get an angry Louis flip them off don't get it or they don't read body language and no verbal communication well or they simple don't care what Louis feels, but it's clear when Louis is annoyed or angry in the pit, you see it on his face and behavior.

Whether this moment of certain fans created for attention is because they wanted to be notice by their favorite artist or get a viral video in social media, the things to achieve that can cross the artist boundaries and just in general social rules of how to behave and be respectful towards others. In an article by Rolling Stone they were talking about throwing things on stage but this quote I think can be apply to the barricade problem as well:

"What these incidents have in common is a bizarre lack of respect, a main-character neediness for attention, a child’s ignorance of boundaries. This isn’t fan enthusiasm going overboard—this is hostility disguised as fandom".

In this other article Grace King says "It seems like people disregard concert etiquette to this extent just to gain likes and follow on social media plataform such as TikTok". D'Angelo Wallace a youtuber comment in a video maybe some of this fans prefer to get notice by their artist even if is doing something that can make them mad at them as long as they see them.

Being in a show is a gift, artist want to share a part of their: heart, thoughts, feelings with the music they created. It's just so unfortunate that the artist that is performing in their own show can't feel completely safe because of the behavior of this type of fans.

Just because Louis comes to barricade every show doesn't mean fans can do whatever they want with him and grab him and touch him as they want. Fans need to be careful and respectful with Louis at barricade.

Louis is still a person, he can get hurt, he can feel someone or more than one person cross a boundary of his, just because he wears a tank top or wear any clothes and gets close to fans doesn't mean automatically fans have the right to rip it apart. Louis deserves to be respected in general but specially at his shows.

I hope Louis is okay, I hope he takes the measures he needs to feel safe and comfortable whether that is not going to barricade or going but with more distance, is just sucks that a experience Louis loves so much is getting ruined and make him feel bad. It breaks my heart not seeing Louis enjoying his favorite part of the show going down on barricade because some fans are not gentle with him.

Louis always takes cares of his fans in the shows, from giving free water, to having staff/crew paying attention if fans faint or there are pushing each other. Is up to fans to make Louis feel safe as well.

I don't know how to end this post, I just wanted to share my thoughts, I'm hoping for happier experiences for Louis.

[anosci]

Media Thread

im making a list of media ive watched/played/etc this year with brief thoughts. its going to be far less featured than my music list, but still a bit long. again mirroring twitter except this time because fuck twitter.

list below the cut

～January～

1/ Princes Arete (2001) I was sold on this movie under the premise that it's similar to Kino no Tabi. and… it is. kinda. Kino and Arete would be cool pals. Every character is interesting, which seems rare(?) Only real drawback: the hostage situation kinda really sucked.

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2/ Time of EVE (2008/9) the classic tale: androids indistinguishable from humans as an allegory for racism. but unlike DBH, this is actually really good. its a story that feels like a single thread in a vast tapestry that'd be fascinating to explore, but too bad: you only have 6 eps

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3/ Spice & Wolf (2008) i remember loving this show. i don't remember understanding the economics. I took notes this time. I still struggled. (spoilers for ep3) regardless: wow this is a good show. weirdly, I saw myself in the relationship portrayals. I guess that means its realistic?

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～February～

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4/ Spice & Wolf II (2009) i feel like this kinda fell off? :( like it tried too hard to be action-packed. and that worked sometimes. but that first arc was just… :( it feels like a case of "just needs an editing pass. needs a bit more focus" i'll treasure S1 more, after all

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5/ Double Fine PsychOdyssey (2023) absurdly captivating. i say that it's a miracle that any video game gets made ever. this shows that Psychonauts 2 was several miracles in succession. it's simultaneously illusion-shattering and inspiring.

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6/ The Owl House S1 (2020) finally sat down to watch this. it's GOOD. lots of worldbuilding to chew on, and then it picked up quite nicely. im immediately pouncing on S2 and feeling glad i was late enough to be able to marathon

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～March～

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7/ The Owl House S2 (2022) stumbling down the boulderest mountain and hitting every rock on the way down. the rocks represent engagement. i am engaged. i adore this show. it is a little weird to suddenly freeze mid-tumble.

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8/ Broken Age (2014) (Dr. Mick's LP) delightful start! brilliant, even! then the big bad is revealed and…. meh. I watched Dr. Mick's playthru tho, and holy shit that's some really cool commentary.

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9/ Double Fine Adventure! (2015) its a little unfortunate that the nature of gamedev means that the ending is kinda anticlimatic but good lord what an amazing journey. i'd watch a million of these.

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10/ Everything Everywhere All At Once (2022) ok ok fine ill [finally] watch it …oh its good. like really good. its rly funny but in a way that fascinatingly beside the point? yeah I can see why some ppl didnt like this but i think its super fun

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11/ Nichijou (2011) a nice and cute slice of life thing… that occasionally breaks out some quality jokes. though only half of them landed for me. i feel like i would've gotten more out of this if I caught it at the time.

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～April～

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12/ The Owl House S3 (2023) i had a lot of reservations about the collector initially but having seen the entire arc: that came together nicely! still sad that it's The End, but like. good overall!

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13/ Penguindrum (2011) i DONT think i followed 90% of the themes and their connections. that said, i DO love the way metaphors are treated as "literal". confusing maybe, but i adore the idea of "paint what you feel not what you see" applied to storytelling.

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～May～

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14/ From the New World (2012) this has a mess of an opening (several) episode(s), but it eventually found its footing and became quite a cool action adventure… thriller i guess? i do take some issues with bits and pieces but it was a good watch overall.

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15/ GinGitune (2013) fluff. the lightest, fluffiest of fluff. melts in water. there are several elements that couldve been mined for drama and intrigue but they were all treated as background elements. (this isn't a bad thing, but it's not what you might expect.)

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～June～

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16/ Space Dandy (2014) dropped after ep4, but on good terms i guess? fun animation, funky vibes, sometimes even funny! anime johny bravo…or I think i saw a Dirty Pair comparison, which feels right. but im not meshing with the silly wacky high nrg antics rn. maybe another time.

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～July～

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17/ Death Parade (2015) rly misleading intro (i was ready to drop lol) rly rly promising setup by ep4 RLY good development and mildly biffed ending, but hard to fault considering its a 12ep. i love the aesthetics, worldbuilding, characters. overall i really really liked this!!!

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18/ One Punch Man S1 (2015) i forgot how fun this show is! and the great worldbuilding! i dont plan to move to the second season again tho. i thought about grabbing the manga instead but good lord it's way longer than i thought. oh well.

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19/ Flying Witch (2016) slicest of life with a la croix touch of supernatural. the normal slices didn't do much for me 90% of the time. but the supernatural slices? choice. (…mostly.) tbh i just want an entire season of that cafe.

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～August～

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20/ Haven't You Heard? I'm Sakamoto (2016) i was skeptical, but this actually worked rly well. for moment. a short, beautiful moment. most of the potential here was stifled by trying to add high school drama/plot. the comedy tho, at its best, had a vibe i havent felt since hayate

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～September～

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21/ Saiki Kusuo no Psi Nan (2016) it is VERY EASY for a comedy show to slide from "absurdity = funny" to "this is just annoying". somehow, this never crossed that line, which was weirdly refreshing? not always a winner, but overall a good mix of laughs and superpower exploration.

21b/ edit to add: oh this was right after Sakamoto! Man. The two feel kind of kindred but Saiki is leagues better at staying fresh.

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22/ Viewfinder (2023) short but very sweet mind-bender puzzler thing. the story had a cool foundation but fumbled in execution imo. but the gameplay? top notch. felt great through and through. never too difficult. beautiful idea and beautiful execution.

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23/ Flip Flappers (2016) uncertain about the show at first, and then, after watching… im still uncertain. i did enjoy it, but I also felt outside the audience ig? a case where I can imagine a version of this show that knocks my socks off, but as-is it's just a fun ride

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24/ Fionna & Cake (2023) my expectations were very low and they were VASTLY exceeded! think this show is at its strongest when exploring characters w short stories, which was most of this. the ending felt slightly fumbled…i think it couldve rocked me but instead it was just :).

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～October～

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25/ Outer Wilds: Echoes of the Eye (2021) i already played and loved this game, but happened upon About Oliver's playthrough and fell in love again. truly that is The Most outer wilds playthrough. good lord.

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26/ The Amazing Digital Circus (2023) interesting and filled with style… but not for me. i'd list complaints but basically all of them are strengths and favorites for someone else. yknow?

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～November～

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27/ Little Witch Academia TV (2017) as the credits roll, i find myself with two thoughts: croix was done dirty and wow this is SPECTACLE. aptly magical. oh also! it was quite fun to follow along with contemporary discussion

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～December～

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28/ Scott Pilgrim Takes Off (2023) oh it's like. really good. i dont remember the movie so i cant compare but this stands well on its own and i love the character exploration, even if i dont like some of the uhh… what would you call that? scifi jokes? (spoiler territory soz)

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29/ Land of the Lustrous (2017) FLOORED by how much I loved this. qualms about the CG turned into admiration, the shading drawing me into the world. worries about annoying characters melted away to find admirable layers. THE USE OF SYMBOLISM kept me SO well fed. and the pacing!

29b/ cont: my only complaint that isn't a nitpick: i hate how it left so, so, so many threads loose. i faceplanted my dashboard during the decelerating pace between the first 10 eps and the final 2. i get that it's from an ongoing manga but that still felt maximum bummer.

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30/

[coldalbion]

THINGS WOT I HAVE LEARNT AFTER BEING VIRTUALLY HOUSEBOUND FOR 3 YEARS THAT MAY BE HELPFUL TO THOSE IN SELF ISOLATION AND/OR LOCKDOWN DURING THE CORONAVIRUS PANDEMIC

(Background: I have a lifelong disability and am a wheelchair user. After surgery I’ve basically been stuck living and sleeping in one room for three years. These are things I have learnt which may help, though with the caveat that everyone is different, and baseline mental health varies.)

1. YOUR MENTAL HEALTH WILL PROBABLY SUFFER - and although humans are social creatures, even the most introverted will chafe against boundaries enforced upon them by circumstance. The degree to which it suffers will be related to your mental health baseline and physical health. Understand that this IS NOT YOUR FAULT. Stimuli and enrichment methods are required. It’s why animals need such things in zoos and conservation parks. This leads us on to my next point.

2. COMPREHEND WHICH ACTIVITIES ARE ACTIVE AND PASSIVE FOR YOU Spending your confinement solely doing passive things (watching TV, Netflix, browsing the internet, scrolling through the internet) will take a load off your brain and make the time pass quicker. But if that’s all you do, the sense of disconnection increases over time. Activities which require you to *do* something, even if it’s just engaging your motor skills via video games, or lifting some cans of beans, or actively reading - these deliberate acts foster a tiny sense of achievement which gives your brain a dose of helpful chemicals. If you want to consider your activities, look up the work of Marshall McLuhan as regards “hot media” and “cold media” (See https://mediawiki.middlebury.edu/MIDD…/Hot_versus_cool_media for basic premise.) Balancing out your media intake with hot and cold activities keeps your brain active and pumping tasty neurotransmitters.

3. LIMIT YOUR SOCIAL MEDIA USAGE TO SOCIAL PURPOSES. Infinite scrolling as found on many social media platforms is a hot medium, as per McLuhan. The reason Likes exist is to give that little spike of interactivity. It’s not a conspiracy to say many platforms are designed to keep you on them so they can show you more ads. (See also https://www.theguardian.com/…/has-dopamine-got-us-hooked-on… which explains the brain chemistry angle) However, DM’s and other messaging faculties are supremely useful. Use them to interact with your friends, indulge your fandom theories. Person to person interaction requires and enhances deep-seated neurological and biophysical reflexes. Text your mates. Skype/Facetime or otherwise call them. Use the technology of the 21st century for genuine social ends, deliberately. Catch up with their lives one to one or in groupchats.

4. PICK TIMES TO CHECK THE NEWS AND STICK TO THEM. This relates to point 3 - unfortunately we live in a 24hr news cycle, with constant liveblogging of important issues. This means that we’re constantly streaming anxiety inducing situations into our brains JUST IN CASE. That’s not helpful, particularly when you can’t actually DO anything about those events - the urge to DO something is why people are panic-buying. It’s a very basic primordial need to grab resources for defence. By picking times of the day to check news, you are again, making a DELIBERATE CHOICE, enacting some small level of agency, while at the same time limiting anxiety-inducing stimuli. If the news gets too much, then don’t check it as much - or at all - and do something else.

5. IF YOU DO THINGS WITH FRIENDS, SEE IF YOU CAN DO THEM ONLINE. Run that game of DnD/Other TTRPG you’ve been meaning to. Hold your book club online. Have a few drinks online over voice-chat if you are missing the pub. Hold watch parties for your favourite shows. The key, as ever, is to be engaged rather than passive. It’s harder if you’re ill, yes, but it can be done.

6. USE YOUR IMAGINATION TO CREATE THINGS. Write that fanfic. Start that novel. Design that game. Doodle. Paint. Humans have been creating since the day we became human. Consider things from the perspective of a pre-modern person. Make handprints on your own personal cave wall - contact each other and tell spooky stories. Build a complex fantasy world. Write an account of your confinement for some person to find pieces of years after you’re gone from the world. Think about a problem, and learn how to solve it via taking online classes (See http://www.openculture.com/freeonlinecourses) Write an essay on your chosen passion or hyperfixation - nobody needs to read it but you. Treat yourself to intellectual stimulation, if that’s your thing.

7. IF YOU HAVE A SPIRITUAL. RITUAL, OR MEDITATIVE PRACTICE DO IT. It doesn’t matter if it’s not perfect, or limited in scope. This also includes atheists and those who despise woo - you have personal rituals, things you do that have Meaning to you as a person. Maybe it;s alphabetizing your music collection, or spring cleaning or cooking your favourite meal like grandma used to make. Humans have patterns they perform. When you perform them DELIBERATIVELY (or dare I say MINDFULLY) you become aware that these are the scaffolds that structure human life.

8. STRUCTURE YOUR TIME. Following on from 7, we often don’t realise the structure of our lives until it is disrupted. When that’s removed, our minds can go into freefall. If you’re isolated/in lockdown, oftentimes you won’t be able to access those structures. Rather than wait for them to to become accessible again and risk a period of feeling lost and directionless, which can enhance depression and anxiety, it’s best to develop a new structure based on the resources you have. It can be as loose or as strict as you like, but sticking to it allows us to develop a rhythm which makes time pass in recognisable fashion and gives us a sense of being-in-the-world as some sort of engaged process.

9. KEEP YOUR SLEEP PATTERN REGULAR AND LONG ENOUGH. The key here is REGULAR. Following on from 8, it’s important to keep your body well rested, as this aids your immune system and cuts down on the possibility of your body having to deal with stress . If you’re ill it’s harder to keep this regular, because sometimes your body just needs sleep to regenerate NOW. Equally in isolation, particularly if you’re feeling mentally low, it can be tempting to sleep forever, because y’know, you’re feeling low and what’s the point. (Of course the point is why we have 8 in particular, along with all the rest.)

OBVIOUSLY EVERYONE IS DIFFERENT. Particularly for those with disabilities or chronic illnesses, we may be even more limited in our activities while isolated than able bodied folks. That said, the key is to remember that certainly during this pandemic, and otherwise YOU ARE NOT THE ONLY ONE FEELING THIS WAY. Rubbish as it may be, many are in the same boat. If it pleases you to, seek them out - see what commonalities you have, what hopes and dreams and fascinations you may share. FIND THE OTHERS - it’s what humans have always done.

Be well.

[andmaybegayer]

Last Monday of the Week 2022-10-31

Last Monday Of The Month, a week with a peculiarly high concentration of media so it's a long one:

Listening: Went to a live show on Friday, here's a pull song from each set:

Superloser, with Neon City Dream, the opening act

The Painted Flowers, who were dressed as tennis players because this was ostensibly a Halloween deal, with River Song

The Tazers, probably the most well known band at the show, who have a new album out but I'm going to take an older song, A Bomb & A Bill

and lastly, Ruff Majik, who when told they only had time left for one song did a song that was like ten minutes long. This is not that song.

Watching: Went to a performance of "Who's Afraid of Virginia Woolf" for the first time, I've read *about* the play but never actually read it, because I basically only read plays if I can strut around my room acting out the parts because what's the goddamn point otherwise.

I am a huge fan of devastating tragedy so I of course found this incredible. Great portrayals from everyone, especially Honey and Nick who were extremely good at carrying on their responses in the background.

My brother came along and he has an extremely unfortunate taste in media so he did not have the best time.

Reading: Dispatches From The Rap Wars was a fascinating article about the intersection of rap music and gangs in modern cities, which is of course a fascinating pile of hyperlocal culture.

Playing: Butterfly Soup 2 is out, and I have done nothing but think about Butterfly Soup 2 for two days. I've got like four half-written drafts about different parts of this game. It was very emotionally affecting because it is a lot to see words that could have been taken directly from your brain or from whiny forum posts you made when you were 14 written by someone else. Validation, of a kind.

Representation is not a terminal good but it is a kind of good and it can be extremely important in how you respond to a piece of media. Butterfly Soup 1 already has a certain level of care and knowledge that (if you are in the target audience) tells you that the author on the other side of the words has an understanding of you and how you grew up and live and how that affects you to this day.

BS2 is a lot blunter, and while there is plenty of gay stuff, I know I'm gay, that was easy, it was not the affecting part, I solved the question of Being Gay when I was 14; demonstrating an intimate understanding of the kind of complex family relationships you develop when you grow up with very little contact with your extended family or even family friends has, on the other hand, kept me awake for literal hours last night.

Man was that paragraph one sentence. You can tell I have it bad here.

The Asian Diaspora part is. Okay I don't know how essential it is because I'm already aligned with it, but you could probably find a few kernels of concept to relate to even if you are not. I mentioned that at times it can feel like I'm getting hit with Barnum Phrases because so much of this feels like the universal experience of growing up, but I know other humans and I know that their relationships to their cultures and parents are wildly different along a ton of different axes that are not expressed here. I don't know. Play it if you want that or if you want a twee ass gay story about some lesbian teens.

Fundamentally similar to a lot of aspirational queer media which must imagine a less hostile, less risky world where you can say the things that the reader has only thought, and do the things the reader has only dreamed.

I have thoughts on why the racism and gender segment felt a little off but that's a post that's half written so maybe you'll see that eventually. That's more of a fun historical piece.

I also played Inscryption but I'm still playing that so I'll reserve it for next week. Still haven't beaten the cabin but I got close last time.

Making: Participating in extending the arm of western hegemony, by which I mean the neighbourhood parents organized a pseudo-halloween thing and I got dragged into it. Did a jack-o-lantern out of a blue food pumpkin for their thing yesterday, today we cut that up and I made soup and fritters out of it. So at least I didn't waste a pumpkin.

Tools and Equipment: Alcohol, specifically for cleaning. I keep a bottle or two of isopropanol or ethanol around my desk and it always comes in handy. 90-ish percent alcohol is fantastic for non-polar dirt, and has just enough water left to handle polar dirt too. Just this past week I've used that for everything from cleaning small wounds to dissolving ink to getting goo off my knife.

[otonymous]

⚠️ PSA: Everybody Hurts (When People Repost)

Hello @thebestaqua32​,

Thank you very much for your Ask.  I cannot tell you how much I appreciate the fact that you are reaching out to ask me for permission before actually doing so.  Unfortunately, I do NOT allow my work to be reposted by anyone other than myself, on any platform, whether it is Wattpad, Instagram, Twitter, etc.

What follows is by no means directed towards you, dear @thebestaqua32​, but I thought I’d take this opportunity to talk about something many creators (writers and artists alike) have been dealing with for a while now, and me, myself, recently.

Over the course of the past 3-4 weeks, I have found instances of my work being reposted to no less than 3 different platforms, once with attribution in difficult to see fine print with no links back to the original source of my work, and twice with absolutely no credit at all.  As you can probably imagine, it was quite upsetting to me that pieces I’ve worked so incredibly hard on was being distributed in such a manner, and a lot of time and energy was expended in order to rectify the situation — time and energy that could’ve been otherwise used to create more content for my lovely readers and followers.

Unfortunately, reposting without permission from authors and artists is a common occurrence, and some may not realize the damage doing so can inflict.  I seek here to try to explain why reposting in this manner hurts everybody, not just the content creator.

Argument #1: 

“How can I possibly hurt someone by reposting their work?  The more likes and comments I generate on this post of mine just means I’m giving them free publicity!”

This is something I’ve heard many reposters say in defence of their actions, and while publicity is definitely a good thing for content creators, that is only the case if the people consuming a piece could be bothered to check its original source — that is, if exposure is a guarantee of user traffic being driven back to the creator’s website, social media accounts, etc.  And oftentimes, especially in this digital age of “see it and forget it” fast-consumption, most cannot be bothered to do so — the action that is one-step removed proves to be too much of an effort, even if it is merely clicking a link.

Please also consider this: many creators depend on commissions to make a living.  This avenue of revenue has only become more important in current times because we are in the midst of a pandemic.  People are literally relying on these funds to pay their rent and feed and support themselves and their families.  The ability of a creator to support themselves is thus dependent on the size of their fan base or their numbers of followers.  If people cannot be bothered to check the original source of a piece of writing or artwork, this essentially cuts down on their potential earnings.  You cannot commission a piece from someone or support them if you don’t know of their existence.

This is especially so if things are reposted without proper credit at all, as was the case with one of my works.  The worst part was that the stolen piece was taken from a project where the proceeds from all commissions were being donated to charity.  In doing so, the thousands of people who liked this post had no way of finding out about this charity project, which means that even if they would’ve been interested in donating, they would not have known how.  In essence, this translated to less money being raised to help those who really needed it in dire times.

So please, please, please do not think that the act of reposting hurts no one because that is simply not the case.  There needs to be a direct link between people that engage with the content and the creator, which is why reblogging on Tumblr is excellent (feel free to reblog any of my content here if you wish, dear @thebestaqua32​) and retweeting (without quotes!) on Twitter is great.  These are among the best ways to support us!

Argument #2: The act of reposting could potentially contribute to the decline of a fandom.

Imagine you spent hours, days or even weeks working on something — pouring your heart and soul into a piece — and when you finally shared it to the world, not much happened.  Maybe you got a few likes here or there, a couple of comments if you were very lucky.  How would you feel?  What conclusion would you draw?  Some might feel discouraged, others might stop creating altogether.

Imagine then, that same post receiving tons of comments and likes and legitimate shares because someone with a bigger following reposted it on their own social media account without your knowledge.  Imagine what you would’ve done with this information — the feeling that others loved and enjoyed your work and wanted to see more.  Perhaps it might’ve encouraged you to continue creating.

Case in point:

I wrote this letter.  And if I weren’t alerted to the existence of this post, I would’ve never known that thousands of others had liked my work.  Also, that’s 124 comments I didn’t get the chance to read.  Furthermore, this was a piece that was written for the charity project.  Imagine how many potential donors we might have received if people knew about its source.

Feedback is absolutely crucial to creators.  It enables us to discover what others did and did not like.  Not only can it serve as a compass of sorts to guide our artistic progress and work (and create pieces that can cater to the needs and desires of those who consume it), it is also a point of communication between members of a given fandom.  It builds community.  And without a strong sense of community, a fandom flounders and could eventually fizzle out.

Without content creators, there is very little for people to consume.  Please support all of us by not reposting our work, especially without our knowledge and/or permission.

With that being said, please accept a giant THANK YOU from me to you for reading till the very end.  It is very much appreciated. 🙏🏻💕

[gottawriteanegoortwo]

The most baffling part of WKM is that everyone trusts and adores Damien, despite him being the only one in politics and actively in office. Mark made the mayor character the most trusted and loved. How????

(uh oh, you unlocked my 'Love Damien' mode)

You came to the right person! This is a great question and I will gladly go on a rant to try and help shed a little light on this!

In short, it's exactly because of how you phrased your question. There's a politician. He's seen as nice and trusted and loved. It seems like something that shouldn't be, and you assume the worst of him because it has to be an act for whatever reason; and that is because of the general view of politicians at the moment. I'm not touching IRL topics with a ten foot pole, but I will say that at present, there is a sorta wariness/a 'they don't care about us' vibe toward politicians in certain countries (including my own). That's something that then seeps into media.

Think about it. If there's a politician in a show of any sort (especially one holding office), they're usually up to no good behind the scenes or are unreliable - just like how a librarian might be cranky, for instance - in a sort of caricature. Off the top of my head I can remember seeing... A mayor that wanted to evict an entire community to build a business something-or-other to make lots of money, a mayor who branded a local team of agents as non-trustworthy when they went against his pretty crummy views (which could be the same show tbh), an absolutely useless buffoon of a mayor who needed the help of children to constantly save his city from supervillains, and a politician (maybe a mayor?) who constantly clashed with the chief of police in a city. This isn't even considering the times a politician character (whether or not they hold office) is involved with criminals, bribery, is being blackmailed, or even has a criminal record of some sort.

Damien is an exception to this trope. It may or may not be completely intentional, but it's genius on Mark's part. You walk in, see this well-dressed man with a rather cheesy Mayor badge pinned on... And people would immediately get suspicious... Something which Mark called people out on at a panel! Don't forget, every character was framed in a way to give reason for them maybe being the killer. I watched WKM (and got vaguely into the fandom) a week after it finished, so I missed the speculation in between each episode. From what I've seen, it appeared that a lot of people were wary of Damien, though I'm not too sure if it's because they were like "IT'S JUST DARK IN DISGUISE DON'T BE FOOLED" or if it was because of his job and mannerisms. Either way, it turns out his worries were genuine, and he was innocent of any crime that night, which completely subverts the expectation of a politician in a show. He's a rare breed - someone that has good intentions and a good heart, who wasn't 'tainted' by politics in some way.... But ends up getting corrupted anyway through matters far beyond his control.

Not only that, there's two important points that I think people forget and I'll go into better detail of under the read-more because this is getting pretty long.

-

1. The character that is the viewer has known Damien since university. That means they've been friends minimum... Let's say five years, but probably closer to ten. You're going to be more at ease and more 'yourself' around people you are very fond of, and Damien's face lit up the moment he noticed the viewer arrived. Since the viewer would be going into this cold the first time it's viewed, they wouldn't feel that bond and might think Damien's friendliness is an act. 2. While he is the Mayor, he's not The Mayor at that moment. He's merely a Mayor by title alone. For the events of Who Killed Markiplier?, he's just Damien. It would be different if we had walked into his office, but we arrived at a party with people Damien was comfortable with. He had no need to impress anyone because they were friends. Remember, the reason the badge exists is to tell the viewer what Damien does. Otherwise he could be any sort of businessman or guy in a fancy suit, and the explain everything video states that everyone thought Mark got the suit for a wedding when he shared a photo.

(Both points are showcased nicely in the very first scene we meet Damien if you compare the way he talks to the Detective - someone he barely knew - to the viewer - who has been a friend since university. When talking to Abe, Damien stands poker straight (almost rigid) and rests his hands on his cane. One hand moves to emphasise something, but the rest of his body remains still. There's a polite, yet formal, air to him. Here, he is The Mayor. I'd bet they were having casual conversation on how they met Mark or some other generic topic to break the ice. Then the pair notice you and that conversation is instantly DROPPED. Damien immediately lifts his cane as his entire body turns to the viewer. That smile isn't one that's given out of politeness. He's now Damien. There's no need to put on an act when it's a familiar friend. He still stands straight, but his body language and facial expressions are far looser and more casual. Gestures are with both hands now. His expressions are more playful, including widening his eyes to emphasise his tease about the viewer's skill of poker. This continues until he walks off-screen where, I presume, he was going to say hello to William.)

We don't know the extent of how much anyone trusts anyone else, but one of the big exceptions is the Colonel. I know I've written a headcanon on a roleplay blog about this, but he didn't know you, so he was polite, but distant and aloof. He had no reason to even care about you. We saw a good example of William acting like this the morning after. HOWEVER, after spotting the viewer talking to Damien outside at the end of the first episode, he notices a connection. The moment he knows you are Damien's friend he opens up with no hesitation in the second episode and is rather friendly toward you from then on. He trusts you because he trusts Damien, which to me suggests that our Mayor keeps good company and has a good judge of character. Plus, no one really has a reason to think ill of Damien. He and William have an argument focused on William's reaction to Mark's death (and don't forget that Damien wanted to apologise but William kept running away), while Celine shuts him down for Damien trying to get her to reconsider her idea; but neither are motives for them to be suspicious of Damien. Chef and George are indifferent, while the Butler is probably indifferent but feels comfortable enough to make a drug joke with Damien in earshot (and Tyler's IC stream as Butler had it that he thought well of Damien, but this might not be considered canon). On the other hand, you could say that the Detective is wary of Damien, but he was suspicious of everyone between all the work he did and the warning he got from Mark, so it's not completely reliable.

Speaking of, I haven't forgotten about the Detective's study and how there's a record sheet for Damien with something scribbled out. Unfortunately, I don't think it's something we'll ever get clarification on. I double-checked the explanation stream and there wasn't any mention of what was on it... But I feel like I heard Mark say something like 'forget about what is there, focus on why it's there', or how it got there in the first place? Maybe it was for another project, but the idea is more that the Detective's work was built up over time, and not in the span of that weekend; rather than focusing on every little piece of writing that can be seen. Perhaps there is something shady in Damien's life... But since it wasn't relevant to the 'story' we were being shown, it was omitted. This could very well be where people take the idea of a corrupt politician and run with it (and I have seen some excellent roleplayers over the years work with that!), or they could be like me and say that the crimes were things he was framed for. Or maybe, as I'm writing this, it could be like how Abe had documents for things that didn't happen in WMLW, and that the crimes he scribbled out were ones that Dark would do later... But that's going into theorist territory and that's not at all relevant to what I'm talking about.

Anyway, I've rambled on waaay too much as it is. He's trusted and loved as a character because he's so human. Mark pointed out in the explanation stream that Damien was the only one to question what was going on. He was upset, mourning, and had no idea what to do. It's a vulnerability that you don't see from people often, especially if they are supposed to be leaders.

If there's anything people wanna add or point out, jump in and do so! :D

[hopeshoodie]

Ok so in light of the Independent article (see my tag #fusebox layoffs for more info), I’ve been trying to piece together the sequence of events that lead to FB Going to Shit™. 

All of the below is based on articles, tweets from the staff, and dates from screenshots. Especially with the Matchmaker stuff, I’m using the dates I personally accessed the stories- that might not be accurate to when they were actually released to an international audience, just when my phone updated the app. In hindsight, I’m not a great person to do this because I have a shit memory and don’t keep receipts, so if you have any corrections PLEASE lmk either in the dms or replies. 

In sum, the timeline appears to be:

1. Key players left Fusebox in early 2020. 

The one that people are probably most familiar with is David Gallopim, one of the artists who helped define the S2’s distinct style, leaving sometime before March 2020. He seemed to indicate that there was conflict over the new art style of S3, and released assets he’d designed of Harry in his own style (notably way prettier than Harry looks in-game). 

But probably more important to the direction of the company, Michael Othen, one of the co-founders and former CEO, left in July of 2020 (I had thought it was earlier in the year but according to LinkedIn it was July). It’s much more unclear why he left, but it’s notable because he was a huge force in making the game inclusive of LGBTQ characters. 

So all in all, not a great sign when employees who had a huge hand in creating the content and direction of a game that defined its success jump ship. Especially after the game was seemingly hitting its stride, with the host of Love Island (the TV show) doing a sponsored Let’s Play of S3 and projects in the works like Boat Party and CMM.

2. It seems like Fusebox‘s CEO/executives hired new management, either in 2020 or early 2021. Employees complain that the executives don’t understand what it takes to make a game and are pulling the studio in the wrong direction. It’s unclear if the newly hired execs had experience. 

Wil Stephens, the CEO/founder, has been with FB since its inception but also appears to have only founded game distribution ventures and not worked in any development or employment capacity. If that’s the case, maybe the complaints about lack of experience/knowledge about the mechanics of making games work are about him. If not, then some of the newly hired execs would likely be to blame. 

Paul Virapen, COO, was brought on in November of 2020. He’s worked with Disney’s gaming division, Big Pixel studios, Wooga. The quality of that experience is dubious since he headed up the ‘let’s make apps for Apple watches, it’ll be the next big thing’ department… Lol. Notably also, all of his roles had been in the executive/managerial realm, not the development teams, so the complains might have been about him. THIS IS SPECULATION, but I’m willing to bet that Virapen was a if not THE driving force in switching Fusebox’s focus entirely to matchmaker. All the studios he’s worked with have primarily produced and promoted Match 3 games, and he has a background working with big studios that produce games for large international audiences, not small studios making narrative games for limited audiences.

A new Manager of Finances, Ruth Erskine, was brought on in December of 2020

Rob Goddard, a new producer, was brought in January of 2021

Several key operations positions were filled by existing employees being promoted to management- 2 as far as I can tell. But as a whole it seems like December 2020 was a huge shift in leadership for the upper management while a lot of the other teams expanded but kept their old players as well.

3. At some point in late 2020- mid 2021, the executive team made the decision to switch LITG’s focus from a narrative pass-based game to a Match 3 incorporating romance narrative cut scenes. In early 2021, Fusebox teased more content to come while releasing S3 (seemingly referring to Matchmaker and not S4). In the interim between S3 endings and Boat Party’s release they put out an interview confirming the new game will be Match 3 but did seem to indicate that the plan at that time was for Matchmaker to be a side project with a different development team and not replace the main game. Notably, the LITG writers and artists were reassured that their roles will continue to exist (according to the independent article) as they’re working on S4.

3. In September of 2020, Matchmaker became briefly available in the US. That’s when I first downloaded it, at least. It would be added/removed from the google play store multiple times before having a unilateral release in July of 2021. 

Throughout 2020, Matchmaker is available to Asian audiences solely with LITG S1 getting rolled out in incremental updates. 

Eventually, Beanie Quinn is released (March 2021)

LA Noir is released (May 2021)

Seduction Games is released (late May or June 2021- I got the update and played it June 3rd, but hadn’t opened the app for a month or so. It might have come out before then, which is unfortunate for this timeline since it’s so inextricably linked to the open letter and layoff dates)

LITG S2 is released (only like 20 levels of it) the same month- June 19th for me. Notably, all of these stories are only released to an international audience, with the UK and USA still not having access to the app.

4. At the same time, Fusebox’s internal affairs are pretty quiet from 2020-2021, at least on social media. 

S3 comes out in 2020, Boat Party comes out later in the year and finishes in 2021. Post S3 in October of 2021, a survey goes out gauging player interest in new art styles and representation, which was pretty in keeping with past actions and seemed promising for S4. 

Boat Party features a promising cross promotion implementing irl brands into the game. It’s unclear if enough money was made from this on FB or the sponsor’s end to make that strategy viable, but that might’ve impacted management’s outlook for the profitability of LITG.  

Fusebox teases more content for the summer on Instagram, and then follows up and confirms it’ll be a proper season.

5. More key players leave in early 2021

Ed Sibley is still listed as Narrative Direction on LinkedIn, but he’s not credited as a writer on Season 4 (he was on 3,2,and 1) and started work with NetSpeak games in May of 2021, so we can assume he left around then or at least transitioned away from Fusebox then.

Fred Francis, another writer who had been on the team since S1, turns in his resignation ‘weeks’ before the layoffs were announced in late June. So we can assume he made his exit sometime early June or late May.

6. Prior to the release of Seduction games in May/June, staff expressed concern about the biphobia in Seduction Games. No sources have given a specific time when this took place. They were reassured that the problem would be corrected prior to release, but then the story was released as is to an international audience in June. The article released by the Independent is unclear- there might have been discussion prior to the open letter where staff expressed concerns and then were reassured before the game going live. OR the open letter might have been the first expression of concern by the staff. I tend to think the former, and the open letter was a response to Matchmaker going live with Seduction Games anyways, but I have no proof for that. On May 24th, 31 employees sent an open letter of concern regarding the problematic content in Matchmaker. This letter isn’t public, so we don’t know the scope of the employees' concerns or who the employees were.

7. To resolve the situation, a meeting between the staff and at least the COO (likely more than just him though) was held sometime after May 24th. Allegedly, Virapen was disrespectful to the employees who had questions, refused to answer, and ended the meeting early before any resolution was had by closing his laptop and leaving the room. At least 4 HR complaints were made in the wake of that meeting, we do not know the nature of those complaints. 

8. Some time mid-July (maybe July 26th? A writer tweeted about their job ending soon on that date), employees were made aware that the LITG app would move into ‘sunset mode’. It’s unclear what was communicated, but it seems as though S4 will be heavily delayed or cancelled altogether and no future seasons would be made. Writers begin to post about looking for work on Twitter

9. June 30th- The majority of Fusebox writing staff announce on twitter they’re out of work. In addition to the entire writing staff, unity engineers and producers are also let go.

10. July 5th - Fusebox executives respond to an article by MCVUK with a statement asserting they were “consulting with [their] employees on a proposed change to its business model” that would focus on producing Matchmaker content. They also expounded that the move was to secure “cash injections and and continued support from respected investors across the media and gaming industry”

11. July 6th- Fusebox announces that S4 will be delayed from the summer release date and that there is no fixed release date. 

12. August 2nd- three jobs are posted to Fusebox’s careers page on their website, one being Head of Narrative Content. In the job listing, it specifies that they’ll be maintaining existing properties as well as new ones, and that because of the co-development model (re:fusebox outsourcing Matchmaker to another studio) the new Narrative Lead must collaborate with external content creators.

Hopefully posting this timeline gives players a better understanding of how radically Fusebox has changed in the course of 2021 (and how royally they screwed over the people who made LITG what it is). Again, please let me know if you have receipts showing dates are different or things to add. 

[gorgosim]

The Artist Tag by @morgynemberisagenderfluiddaddy

Rules: Show us a rendition of yourself in your own art! Can be anything! Sims render? Random stick figure? Picrew? Go nuts! (Just be sure to tag the artist if you use someone else’s picrew!!!!) Tag the blogs you want to know, and don’t be a dick that’s it! Also, feel free to answer as vague or in-depth as you want. And if you don’t want to answer a question for any reason just don’t vibe with it! Skip it if you wanna!

Thanks @bakersimmer for tagging me bb 💕

1. Do you prefer to be referred to by your name or blog name?

I really don't mind either. People call me lots of things (Mainly Divlly) so call me whatever you wish.

2. Where are you from?

USA, Utah.

3. Do you have pets? 👀

I have an English bulldog puppy.

4. Tell us about your “dream”.

My ultimate dream is to be an archeologist and travel the world with my future husband/wife and forcefully make my friends come along. (((:

However, because it would cost all of my organs and more to do that, my "reasonable" dream is to just have a career that I don't dread, a loving partner and (maybe???) family with a nice house and a studio or office for myself.

5. Aside from art, what are your hobbies?

Video games (obviously), Cooking, Paleontology and writing.

6. Does anyone irl know about your blog?

Nope.

7. Do you know anyone from your blog irl?

No, unfortunately.

8. What are some fun facts about you?

Other than what I've already stated about myself, I'm quite the collector. I have lots of figures and other small trinkets that I like to collect. Eventually, I want to have a big display case to display everything.

I love puzzles and working out my brain.

I'm an mmo addict degenerate.

9. What’s your day job?

Currently working towards becoming an Insurance CSR.

10. Do you have a celebrity look alike?

Nah.

11. What’s your aesthetic?

Goth, Punk, Fantasy, Metal, Snakes, Green. Idk, whatever that is put together lmao.

12. What kind of artist are you?

I mainly do traditional painting/drawing, but I dabble with digital when I want to challenge myself. Now, editing is something I'm starting to dabble into.

13. How did you get into your form of art?

I used to do avatar pictures for IMVU every once in awhile back in the day. Given, they were shit, but I still enjoyed doing so. Luckily, some of my techniques have stuck. Other than that, idk. I just do what I like.

14. What do you watch/listen/read/anything else while you create?

I mainly listen to music. The music depends on what type of piece I'm doing. Example, if I'm doing some editing on a sim, I listen to music that I think that sim would listen to. It helps me put together the overall aesthetic of the piece.

15. What is your favorite of your own creations so far?

Well I've only uploaded 1 thing so far, so I guess this.

16.) How would you describe your art style?

I don't think I could describe it. I like to attempt a lot of different styles but with my own taste.

17. What is more satisfying to you coloring or outlining?

Coloring 100%. Shading and coloring is my favorite part. Outlining can bite me. 🧛‍♀️

18.) What meme would you use to describe yourself?

19. What character from any media form do you most identify with?

Uh, I don't think I really relate to any character

20. If you were on the run, what would you change your name to?

Juniper Thorn

21. Have you ever or do you want to change blog names?

Many times. Not because I dislike it, but because it's taken on other platforms and I wanted to post things on instagram and things like that. I've tried changing it before, but nothing sticks like simdiv does.

22. God forbid Tumblr decides to pull a MySpace and lets us have page songs, what song would you choose?

Bitches Brew - ††† (Crosses)

23. Did you understand those references or did you have to look them up? (I’m fully aware I’m ancient, but are you?)

I understood them. Though I'm only 21, I had some older cousins and even a few younger friends my age that had it. My childhood best friends brother was MySpace famous. 😆 (I skipped the top 8 question)

25. One last question; why are you like that?

IDK MAN it's probably the trauma + me just not caring

I don't really know who to tag tbh so if you see this and like it, say I tagged you. 😘

[your-brilliant-lady-m]

Part 5 - Basic Concepts of Miraculous Ladybug: Guardians

Helloooo! Did you think I was done? No!

My PhD thesis chapters were approved last week, so have some celebratory meta. I haven't seen the latest Season 4 episodes, so do forgive me for not being up to date.

Welcome to the next part of my analysis of the basic concepts of Miraculous Ladybug. Today we are talking about Master Fu, Order of the Guardians and how little everything here makes sense. I highly recommend reading previous parts to fully understand this one, but I'll try to quote most parts of earlier posts.

Order of the Guardians

Order is an international and ancient organisation (New York Special showed us the guardian from North America and he was dressed like Su Han). Presumably, Miraculous jewels were created by these people. Guardians are responsible for the preservation of jewels and knowledge about them. They also distribute Miraculouses to worthy people around the world to combat mostly magical threats, but sometimes jewels are used against normal threats too. It's implied that Master Fu used Miraculouses during WW2 when he was in Paris. Perhaps he performed some spywork with Marianne, but the magical nature of his interferences was discovered and he was forced to flee, before returning to France many decades later.

Why does the Order need so many people to take care of a 3 Miracle Boxes? If its only purpose is to preserve knowledge, keep magical secrets and distribute Miraculous jewels then wouldn't it be more logical to have Master-Apprentice system? It's much easier to keep magic knowledge a secret and train a few people in martial arts than doing the same in the self-sufficient temple full of people, keeping in mind that a good part of them are teenagers and children, who are bad at keeping secrets. Also a single person can travel around the world much easier to give out Miraculouses. Imagine that we have a few active guardians traveling the world with Boxes. What do other people at the temple do in the meantime? They teach the next generation about the powers of each Miraculous and Mirakung Fu, but besides that?

Master-Apprentice system gives us more personal conflict between Fu and his mentor and makes his relationship with Marinette and Adrien more nuanced. In this scenario Fu accidentally caused the death of his Master at 14 because he wasn't careful. It makes sense for him to take on only 1 or 2 students if this is how things were done with Miraculous Guardians. This Wang Fu is very cautious and protective, he spent the majority of his life afraid of hurting someone else and never took an apprentice as a result. But now he is ready to try again, since he is not getting any younger and he likes these 2 kids. He wants them to succeed. Maybe Master Fu, becomes the father figure for Adrien in this situation and a guide for Marinette. Just think about it. This way writers avoid the need to develop all these extra characters (Su Han) and traditions related to the Order. All inconsistencies I mentioned before and later in this post are gone now! Hell, even memory loss and the changing of the Miracle Box shape could make more sense. We also raise the stakes post-amnesia, if it happens of course (the whole Season 3 finale didn't make sense, so stay tuned for my next meta). Marinette and Adrien are on their own now, there's no one who can give them answers. It's very fun scenario, which has potential to be brilliant. Any thoughts on that?

The existence of Order of the Guardians is not quite a secret, at least it wasn't in XIX century China. Master Fu in "Feast" says that guardianship was considered "a great honor". It implies that people who lived close to the temple of the Order knew about Miraculouses and what exactly guardians did for the greater good.

The existence of other Miracle Boxes around the world makes sense from a real-life perspective. Writers have the ability to create many stories set in the same universe and use them for merchandise and an almost unlimited amount of content. Judging by the unholy amount of specials in production, this is exactly what the creators are going to do. It probably won't go down well, but who knows?

However, it doesn't work in our main story. The main conflict is Paris-centred. Gabriel's motivations revolve around Emilie's resurrection and Season 4 gives us more reasons to suspect that Adrien's mom wasn't as wonderful as everyone says. Hawkmoth still remains the main villain of the show and most likely it's going to stay that way. There's no point in moving the main story to different places for the sake of introducing more Miracle Boxes from around the world. Ladybug and Chat Noir aren't needed to fight something halfway across the world unless Hawkmoth also changes locations.

LB and CN are centrepieces of this franchise. They brought success and money to ZAG. Creators constantly need to remind the audience that this new piece of media with new characters who will never be mentioned again is connected to Miraculous Tales of Ladybug and Chat Noir. Writers have to come up with reasons to include our heroic duo into the story even if makes no sense.

New York Special had to introduce American Heroes whose names rarely come up in the fandom because people stopped caring about them or their stories shortly after the release of the Special. I barely saw any content dedicated to them. In order to bring LB and CN into the story, you have to include Hawkmoth too. Gabriel suddenly needs to get his hands on the Eagle Miraculous and goes to USA. Marinette and Adrien suddenly have a class trip to New York. Unfortunately, their presence in this story is required only to expand the world of Miraculous and attract fans of the show, so that they could keep an eye on new content related to newly introduced characters.

In the end, it's not their story. Events of the special don't affect main story of the show and the development of the love square is merely an illusion, because Adrien and Marinette are no closer than before. In season 4 LB and CN are growing apart and their test of trust in NY Special doesn't matter. Perhaps, some people don't see it that way and it's their right, but I find it hard to see NYS as a valid contribution to canon. I mean, even people in large portion of the fandom state in the tags on AO3 that "specials are not canon", "specials didn't happen" or "ignores both specials". It speaks volumes about continuity and preferences of your fandom.

Shanghai Special didn't give us more information about the Order, which is located in China, history of Miraculous jewels. We still don't know much about how Gabriel and Emilie found Peacock and Butterfly. Maybe, Marinette's family had connections to Miraculous jewels. Maybe, Adrien does some snooping and discovers research his parents made while Gabriel is away. All of these are relevant to the main story. However, we got something much different in the end.

Marinette chases Adrien across the globe and they make new friends. Fey becomes Ladydragon and now has a direct contact with Marinette through her uncle. Gabriel's desire to get his hands on the Prodigious comes out of nowhere. Apparently, he had been planning this trip for years, presumably even before Adrien was born. It probably happened at the same time as Agrestes found 2 Miraculouses. He bought bracelet-key (which is also a Miraculous apparently, but its Kwami is a Guardian of the Prodigious and they existed separately for a very long time - and let us not dwell on this mess) from some shady mafia boss, who can easily find out just who Gabriel really is (fashion designer billionaire) and use this information to blackmail him. This Special didn't answer important questions, but it gave us a new superhero character.

The real question is whether Miraculous as a project will survive long enough for writers to create content for every minor character they introduced in all specials. This is only a beginning after all.

Miraculous is not a global show and it can't be globalised in a way that makes sense, at least with Ladybug and Chat Noir in the centre of action. Case closed.

Mirakung Fu

I liked the idea of Mirakung Fu introduced in "Furious Fu". It makes sense and things rarely do in this show. Miraculous grants its holder superhuman strength, stamina, endurance and ability to fight. This means that essentially transformed heroes are guided by magic in combat. There's nothing personal in the way Miraculous holders fight. You can predict their moves and learn how to fight this magic guidance, which is what Su Han does.

However, if the holder has any special training, skills or knows any martial art in their civilian life then they become more dangerous opponents during transformation because now their fighting is a mix of magical moves and their personal knowledge, tricks and style. Therefore, Adrien and Kagami as skilful fencers have more chances of winning against someone who knows Mirakung Fu than Marinette, for example.

Memory loss

At the end of season 3, we find out several things:

apparently, now Miracle Box can change appearance to suit its guardian;

when Guardian passes down the Miracle Box to someone else, they lose memories not only about everything related to Miraculous, but also about pretty much everything in their life (Fu doesn't recognise Marianne, instead he experiences the love at first sight)

Master Fu trains Marinette to be the proper holder and next Guardian off-screen. He says that her training as the holder is complete in "Feast" and wants her to become the next Guardian. Fu told her lots of things, and yet, he never mentioned the fact that he would lose his memory after relinquishing the box, nor the fact that Marinette would lose her memory afterwards. She finds out about this from Wayzz after the battle with Miracle Queen and the letter that Master Fu gave her. That's not proper training! How on Earth do you forget to mention this memory loss? How?

Master Fu's amnesia is a convenient plot device that removes him from the narrative almost completely. That's mostly all there is to it. Why? Because it doesn't make sense.

Fu was around 7 or 8 when he started his training. The disaster at the temple happened when he was 14. He stated that his training was never complete, which means that he never passed any magical ritual, never swore an oath or was bound by some kind of spell that made him subjected to the rule of memory loss.

Miracle Boxes belonged to the order, not Fu. Their design reflected their country of origin because these Miraculous were made and kept in China. They were just standing there on the shelves not magically bound to anyone in particular. When Feast attacked, monks just tossed Wang Fu the miracle box and grimoire. No one at the temple lost their memory after Fu took the box with him (Su Han is the proof). Su Han not only remembers Fu and his mistake but everything that happened that fateful day as well. In "Furious Fu" Marinette explains Su Han that Master Fu lost his memory in the very first conversation they have. However, after Ladybug and Chat Noir fight Su Han on the roof and escape with the Miracle Box, the latter searches for Fu and attempts to take his staff from him. In this scene, Su Han acts like Fu knows very well what is going on and who he is.

Su Han should be aware of the memory loss rule as the Celestial Guardian. He remarks on the different shape of the Mother Miracle Box and calls her "incorrect", which means that Su Han should have been able to easily tell that previous Guardian lost his memory and the Miracle Box is now bound to someone else. But he doesn't say anything. Moreover, since Su Han is supposed to know about amnesia, he seemed awfully chill about forcing this 14-year-old girl in front of him to give up the box and her memories. Hell, Chat Noir wasn't on board with this. But we get zero reaction from Su Han.

During the first conversation between Marinette and Su Han, he doesn't ignore what she is trying to say, instead he actively comments on every word. Even if Su Han didn't listen when Marinette told him about Fu's memory loss, than he still should be able to understand that Fu doesn't recognise him, because of common sense and the "incorrect" shape of the box. But nothing of the sort happens. Because writers apparently forgot that "memory loss" is supposed to be known to everyone in the Order. On-screen it looks like Su Han is not aware of the "amnesia rule".

"Furious Fu" makes the concept of memory loss a plothole no matter how you look at it. Just like "Timetagger" and "Chat Blanc", as well as "Kwamibuster" this episode is not consistent within itself. It does not surprise me, however.

Grimoire and Guardian Staffs

Let's talk about the Miraculous Grimoire. Good things first.

There are no illustrations of Miraculouses in camouflage. Kwami can't read its contents, only guardians can. Certain elements are written in riddles as an additional precaution. The book contains only the information people have learned so far, which means that Miraculouses have more unexplored potential ("Mr. Pigeon 72"). It describes powers of each Miraculous, provides information about weapons, has instructions for potions that don't make sense (see previous parts).

Unfortunately, everything is about to go downhill from here.

Guardians are taught how to read the writing in this book. They can read it just like people learn to read texts in a different language. This means that one can read Grimoire like any other book (you don't need to consult some guide to decode each letter or word). Master Fu proclaimed Marinette an almost fully trained Guardian. He should have taught her how to read the Grimoire then (he doesn't know the code very well, but he knew enough to understand the general meaning and content of the book according to "Collector"). He didn't. We don't know why. He shows her powers of every Miraculous but doesn't teach her the code.

Master Fu knows that Grimoire now belongs to Gabriel Agreste. He knows that it's dangerous for someone else to have it. If they knew how to read the Grimoire, they could discover all secrets of Miraculouses and harm Ladybug, Chat Noir and other heroes. It's very important to keep the information about the code top secret because Fu is not the only one with the source material.

What does he do then? Master Fu proceeds to write a French translation of Grimoire for Marinette, a translation that he doesn't even need. He carries it with him at all times on a tablet (without any precautions) just like the Miracle box after "Feast". Naturally, it means that in "Miracle Queen", Gabriel and Nathalie easily managed to get their hands on the tablet and Miracle Box. It allows the plot to happen, sure. But it doesn't make any sense.

"Furious Fu" created another curious plot hole. It will probably be ignored, of course. Su Han has a staff with a magical compass that allows him to find any Miracle box, but not the Miraculous jewels for some reason. How does the staff work? Can it locate the box without the Miraculous? If yes, then it seems useless. What's the point in the ability to locate an empty box? If it can locate the box only with the Miraculous jewels inside, it implies that the staff can track the location of every Miraculous too. So, Su Han could just locate the Butterfly and Peacock without any problem. But he talks about reassigning Ladybug and Black Cat to adults and defeating Hawkmoth like locating the Butterfly is not possible. This situation makes the Guardian Staff a simple plot device that creates plot holes and its only purpose is to explain how Su Han found Marinette.

Also, I have a few more words to say about this. Master Fu had a Guardian Staff that was never mentioned before. I wonder why? That's because the staff didn't exist before "Furious Fu" was written. Writers just went: "Do you know what would be cool? If Fu's cane was really a secret Guardian Staff with a compass all along that he decided to keep even after he lost his memory? It would make people wonder whether Master Fu is faking amnesia, and everyone will definitely call him an awful mentor after this even though we kind of tried to make him a good and responsible person."

Fu didn't give it to Marinette and didn't mention it to her. Why? When he gave up his memory, he should have written about this in his letter at least. Why did he decide to keep it? He can't use it anyway now.

Please note how in the flashbacks Fu didn't take any staff with him when he escaped the temple. Su Han seemed to know how Fu's staff looked like. It means that Master Fu didn't make this staff himself, because it belonged to the Order.

Su Han wasn't even surprised that Marinette didn't have the staff as the current Guardian. Was she not supposed to have it? He never questioned the fact that the former Guardian without memories has the staff. Su Han actually returns this staff to Fu after he is deakumatized and Fu acts like they have never met before. Why did Su Han gave the staff back when he knows what it is and to whom it should belong (to him or to Marinette as the current Guardian)? The staff is useless in the hands of the civilian. Does Marianne know about its secret? We'll probably never find out, unfortunately.

Guardian Staff of Master Fu has a compass too and therefore this also makes it a plot device, just like Su Han's staff.

[guiltycorp]

Just did a deep dive into your genshin posts to get a feel for your thoughts on things and I'm still unclear but xD I did just want to comment about one of your recent posts. I hate that traveler is so silent on things like finding out about Kaeya. Especially since they have added canon lore stuff that matters in the main story (not just side stuff) to events (like that Scara had the gnosis and was MIA). Finding out sword stuff about Kazuha's family was cool but missing it isn't the worst

(2) Having archon quests like 1.4 and then getting the chance to confront Zhongli and us getting nothing (especially after getting nothing after fixing Liyue...), proceeded by getting several encounters with Venti and not confronting him at all despite 1.4 mentioning him in the "next time we see Zhongli or Venti..." option is just so frustrating

I'm actually really glad that you read through so many of my posts, it feels nice that even the older ones are still of interest to someone 🥺 Honestly I know I can be over-critical at times, but Genshin still fascinates me as a piece of media. Like, it both goes much further when it comes to writing quality than a gacha game would be expected to go, but also it.. sucks. It has an amazing cast of interesting characters, but then it does so little with them that you're left questioning your choices in fiction. Like, I recognize a lot of the themes and tropes which are also prevalent in other games and anime, but I think Genshin really does have its unique and in-depth take on it. So it's a shame that it can't quite reach the level of actually being good.

But to be fair to the Traveler... 1) Overall writing of Genshin suffers from pacing issues due to its gameplay and content release plans, I get why writers sometimes have trouble reconciling certain things even if it IS frustrating. And yeah, events are in that nebulous space where they sort of maybe happened in-canon but also not necessarily, so the game kind of awkwardly ignores most of what we learn through them. 2) But in case of Kaeya!

The Traveler already seems to have suspected something since this is clearly an answer to a pointed question, and they don't ask this of anyone else, so it's likely that the Traveler recognizing Kaeya's nationality isn't meant to be something surprising. Plus Kaeya's answer clearly shows that he isn't interested in further discussion, so it kiiiiind of makes sense why the Traveler would drop the issue. Kaeya already threw the Traveler a bone when he updated them on the Abyss Prince(-ess), but this doesn't look like a man ready to discuss his homeland or how it was destroyed. By the way, note how this kind of thing never happens anymore! Characters don't actively seek out the Traveler to tell them stuff, which also feels really awkward. 3) The 'next time we see Zhongli or Venti' thing was inexcusable. Like why phrase it like that? Even worse, going to Inazuma was given the flimsiest excuse, when it would make more sense to at least go to either straight to Sumeru or Snezhnaya for more knowledge. Like, the game didn't give us any reasons why traveling there would be more difficult than the isolated Inazuma or why Inazuma would be the logical next step. 4) They could have at least mentioned in the events that Venti or Zhongli are super avoidant and difficult to find, only appearing when it suits them, but nope, if we want to find them we just Go and Do That. 5) Another side of this is that there are plenty of characters who should be suspecting the Traveler themselves of being inhuman and overall a very strange being, but so far only Albedo vocalized his suspicions. To say nothing of Paimon! The Archons most probably recognize what she is, and I bet once the reveals about her come they will be like 'oh yeah we knew all along'. Which would be, once again, kinda weird. 6) I think this is both a case of not having clear enough plans for the future plot and also the unfortunate 'no spoilers!!' disease. I honestly believe that the game would play much better if the characters' intelligence wasn't put down like that, and if more of them just said what they think. Not much would change really!

[ekingston]

thank you for thinking of me, @gveret-fic, in spite of the fact i can only just barely call myself a fan fic writer again!

1. How many works do you have on ao3?

just 2!

2. What’s your total ao3 word count?

a hilariously modest 49760.

3. How many fandoms have you written for?

five? six! i kept thinking of more as i was answering these questions!

4. Top 5 fics by kudos?

with only one exception none of my old stuff is up on ao3, so i suppose it’s You & Me & Holiday Wine on #1-4 and Picking Up on #5

5. Do you respond to comments? Why/why not?

i do! i’ve made it a habit to respond to all comments before or just after a new chapter goes up so at the moment i still have a large number of them unanswered— hopefully not for too much longer!

6. A fic you’ve written with the angstiest ending

i used to be a big fan of stark cynical nihilism, believe it or not, but i’ve arrived at a point where life seems full enough of that already so i’m trying to write brighter things these days.

7. Do you write crossovers?

i have! sometimes you just need a taste of how two characters from different pieces of media would interact, you know?

8. Ever received hate on a fic?

unfortunately.

9. Do you write smut?

DO i

(absolutely. in fact i hope you’ve all read it)

10. Have you ever had a fic stolen?

knock on wood because i fear that’d be much more traumatic than when it happens to my art 😒

11. Ever had a fic translated?

i was going to joke that it’s already been translated once since english isn’t my first language but that’s not actually how it works so, no!

12. Have you ever co-written a fic?

well there is something in the works but i don’t think it strictly counts as co-writership!!

13. All time fav ship?

never have i ever been as obsessed with a particular pairing as i am with supercorp now and i was online when Xena:Warrior Princess was still on the air, so. can you imagine how tired i am?

14. WIP you want to finish but don’t think you ever will?

i’ve arrived at a point where i need to either just write this fairytale au in one inebriated sleepless weekend or kill it entirely, because it’s taking up valuable headspace i would much rather be using to finish YMHW and on editing & publishing my second supercorp fic.

15. Writing strengths?

i hear i write humor well! which has been a bewildering discovery but also extraordinarily rewarding!

16. Writing weaknesses?

i’m afraid i still could use some work when it comes to pacing. also actually making myself sit down and write, even when my head isn’t quite in it

17. Thoughts on writing dialogue in another language in a fic?

perhaps with the exception where you, the writer, are multilingual and you know for sure that you’re writing exclusively for an audience that’s also fluent in those exact same languages, maybe don’t?

18. First fandom you wrote for?

i was in elementary school at the time so i could barely loop my g’s and i had no idea what i was doing, but it was for V the original series — the show is from 1984 but the reruns aired here years later and i had the queerest urge to make the two evil ladies with the enormous hair who glared and glinted their teeth at each other a lot become the very best of friends.

19. What’s your fav fic you’ve written so far?

no fan fic i’ve written before has given me as much joy and satisfaction as YMHW has and that’s in huge part due to the warm reception it’s gotten. i’m grateful for everyone who has taken the time to read it, and that includes those who never leave a comment because i understand how hard that can be and i’m here mainly to give people something to enjoy, not to cause stress or guilt about not leaving a note! i have a lot of love for all of you!

i’m sorry if i’m tagging people who have been tagged before, but: @msdanvers, @ayeti, @spicycheeser, @roseticospacebae & @deadbiwrites, give me yours!