#unexplained death

[blogparanormalexpresso2stuff]

Leaked ATC audio: real voice of pilot Frederick Valentich, who disappeared after reporting a UFO

Location of disappearance: 39°24′S 143°45′E

[aanews69]

Nous livrons des histoires. Nous vous donnons également des guides, des conseils et des astuces pour créer le vôtre.Cette chaîne est dédiée aux choses aléato...

[queenie-the-court-jester]

If there will be a part two for yandere online friend, once I found out im pregnant, I will cause a miscarriage on purpose and blame him for the lying, the cheating, the drugs, EVERYTHING. Tormenting him for his betrayal, because it’s not fair that he messed around with another girl while I was there for him when his own family wasn’t.

(I know i was aware high school love wasn’t gonna last but i love being petty and holding on grudges brings me joy.) 🥰💅

you're more fucked up than me dawg 😭 but at the same time it's understandable?? In a way?? But then again that isn't any better than the yandere... This will be the first, and last darkfic I will ever write

Tw: self abortion, guilt tripping, toxic relationship, mentioned non-con, this whole fic is a warning in itself, self harming, suicide. readers be warned,dead dove do not eat

🥀no no NO! WHY WOULD YOU DO THIS!? WHY WOULD YOU RUIN EVERYTHING HE WAS SO CLOSE TO ACCOMPLISHING?? you were supposed to love the baby.. all in all, he goes into hysteria when he sees you on the floor of the bathroom. Blood all over the tiles and toilet

💔calling 911 and breaking down, sobbing uncontrollably as they load you onto the stretcher and go to the hospital. When you wake up, he expected you to call the police or scream for help. But you just.. stared at him? No emotion..

🥀you stayed in the hospital for a week, he stuck to your side like glue. The nurses always commented on how much of a loyal boyfriend you had, but they were met with silence. It unnerved them a bit but they just brushed it off as you processing the miscarriage

💔when Damien took you back to his house, he boarded up the windows and doors. Adding multiple locks all while looking like he was hyperventilating. Images of you bleeding flashing through his head. the doctors said it was a miracle they even managed to save you

🥀he froze when he finally heard you speak for what felt like the first time in weeks.

"this is all your fault. You did this to me."

"d-darling please! Let's not go there.."

"you're a worthless pathetic bastard. I hate you."

💔he slowly goes back into his old destructive habits, cutting his arms and smashing solid objects against his thigh or legs. Making himself feel the pain you must've felt, always crawling back to you. Bloody and bruised, begging to be forgiven

🥀he starts making up stories. Saying the girl pushed herself onto him, or he wasn't thinking straight when it happened. He'd be so unstable you could even manage to get him to off himself if you pushed him farther, taking his money and leaving his bloody corpse in the shitty house he called a home. Did he seriously expect to raise a family here? Pfft, what a weirdo..

[foolishlyzephyrus]

i’m going to be honest, the whole “ruby’s mom was only special because we gave her significance” was bit too wishy washy for me. i feel like it really didn’t answer anything about the blatantly supernatural aspects of ruby. almost felt moffat-like where in trying to outsmart the audience it just ends up unfulfilling.

[mirandaviian]

This is my best ever it’s will makes you happy 😊

[countlessofvoids]

I think THW's epilogue would work slightly better if Hiccup was a bit older, maybe around Stoick's age. I know the movie pushed the idea of dragons being just instictual animals (as contradictory as it is towards not only the franchise as a whole, but also the film itself), but to me it feels more plausible for Toothless to start forgetting his life with Hiccup after 20+ years rather than 10, if I'm being led to believe they were such an unbreakable bond.

More importantly though, I would've prefered if instead of only Hiccup's family having one last flight; the whole 'gang' was there. While them being an actual friendgroup is more of a RTTE thing (unfortunately), I don't see why everyone else should be excluded, especially Valka. I mean, Astrid got to see her own dragon again. Why couldn't others? Are Hiccup, Astrid and their children the only ones allowed to break the rule? Was Hiccup really the only one to have actual friendship with a dragon?

On an unrelated note, the detail of people forgetting dragons and even claiming they never existed can work - as long as it's meant to interpreted as their existence being forgotten over the course of history, instead of when Hiccup was still alive. Maybe even Berkians and their allies themselves wrote them out to keep the secret safe.

[araminakilla]

POV: You are Death Wolf and you just did the M3GAN dance in front of your pals the Night Entities

[morbidology]

Upon first glance, one might mistake the Nutshell Studies of Unexplained Death for an innocent child's plaything. However, a closer inspection reveals something far more sinister. These intricate dollhouses, created by Frances Glessner Lee, depict anything but happy families. 

The series consists of eighteen dollhouses, each designed to aid in the solving of unsolved murders at a time when forensic science was virtually non-existent. Frances would attend crime scenes and autopsies to create accurate and detailed miniature crime scenes, complete with blood spatter, furniture placement, and other subtle clues that could be used to solve the crimes.

[tacagen]

dont know whether zixx is a bishop clone or not? a 100% accurate test: put a wedding in front of him and see what he does.

[frank-olivier]

When Spirits Inspire: Rosemary Brown’s Musical Mediumship

Rosemary Brown’s extraordinary claims of channeling music from the likes of Chopin, Liszt, and Debussy have long fascinated and polarized audiences, sparking a maelstrom of debate at the nexus of creativity, spirituality, and skepticism. On one hand, her alleged ability to produce works reminiscent of the great masters, despite modest musical training, challenges conventional wisdom on the origins of artistic expression. On the other, the lack of empirical evidence to substantiate her claims invites skepticism, underscoring the tension between the human propensity for belief and the rigors of rational inquiry.

At the heart of Brown’s paradox lies the question of creativity’s essence: is artistic expression inherently personal and earthly, or can it transcend mortal boundaries, tapping into a collective, eternal reservoir of creative potential? Proponents of Brown’s claims point to the advanced harmonies and tonality characteristic of the channeled composers’ styles, suggesting a supernormal origin that defies earthly explanation. Conversely, skeptics dismiss the works as either unacknowledged personal talent or fabrication, highlighting the human capacity for self-delusion and the fallibility of perception. Notably, the decision of renowned pianists to record her works lends a degree of credibility to their stylistic authenticity, yet this does not conclusively prove the paranormal aspect of her claims.

The subjective nature of evaluating artistic merit, particularly when authorship is in question, further complicates the debate. Expert opinions on the compositions’ quality are sharply divided, reflecting the intricate dance between technical skill, psychological factors, and the observer’s predispositions. This dichotomy underscores the need for a balanced assessment, one that considers both the compositional nuances and the contextual influences shaping perception. By acknowledging the complexities of human experience, we may better understand the motivations and beliefs underlying Brown’s claims, and indeed, the broader implications of her case.

Brown’s background, marked by adversity, might suggest a predisposition to seeking comfort in spiritualism. However, investigations revealing no evidence of deception or mental aberration, coupled with portrayals of her sincerity and unassuming nature, complicate skeptical viewpoints. This finding highlights the importance of approaching such cases with empathy, recognizing that the human psyche is capable of navigating extraordinary experiences without necessitating deception or pathology. By doing so, we open ourselves to a deeper understanding of the intricate relationships between art, spirituality, and the human experience.

The far-reaching implications of Brown’s story extend beyond the realm of music or her personal life, contributing to fundamental discussions about consciousness and the possibility of life after death. For some, her channeling serves as anecdotal evidence reinforcing the notion of an afterlife, where creative energies persist beyond the mortal coil. Skeptics, conversely, view it as a testament to human creativity and the boundless potential of the human mind, even in the face of adversity. Brown’s case encourages a thoughtful examination of the interplay between belief, creativity, and the human experience, inviting us to reflect on the mysteries surrounding us.

Mrs Brown and the Great Composers (BBC One, June 1969)

Music from the Beyond? Medial Music by Rosemary Brown (Bernhard Raimond, 1976)

Dr. Keith Parsons: The Rosemary Brown Mystery (Varanormal, June 2018)

Friday, December 20, 2024

[nemo-draco]

Thoughts About Dual Entity Pairs in Friendly Globetrotter

Now, as y'all know, we've got both characters from Aladdin, Cuphead, and Orion and the Dark involved in this AU, which actually begins to build things up into a kind of first pantheon of entities that are making Earth work behind the scenes. Now, obviously Dark and Light, or Night and Day, are one such aspect of this, but people who haven't watched the Aladdin series don't know that Aladdin provides another set: Chaos and Fate.

To keep it brief, Chaos shows up in Agrabah one day after being nudged that way by other villain, and he's also somewhat notable in that really his only goal is to poke at the status quo. There's even a surprising twist as far as how the whole matter is resolved at the end, but for the sake of this particular topic I'm going to discuss a particular moment that's very relevant to here: he outright mentions the existence of Fate as an entity, and from what he says, he and Fate have a relationship perhaps mirroring Dark and Light. It's hard to really say for sure, as we only have Chaos's perspective, but he does mention Fate 'cheating at cards', which seems to imply that they do occasionally have activities they do together. So, maybe not entirely antagonistic, but definitely with some friction, in a perhaps I don't understand why you are the way you are kind of way. Chaos also noticeably attempts to subvert the fate that 'such and such hero must always win' with a loophole, which displays a definite interest in playing with the notion of fate and predestination. The question is, would Fate actually be angry with this or would he consider it an interesting challenge? There's also the thought that, due to the twist at the end of the episode, that Chaos might've been playing up a more antagonistic relationship with Fate in order to seem like more of a maverick; really, his only stated goal is to introduce elements of chance into life, making it more 'interesting' and not 'mundane' or 'boring'.

Which seems more like a defense if not exploration of the concept of chaos more than Chaos just being the bad guy for the sake of the ebils.

So, with this and the dynamic presented by Dark and Light, it got my mind going on other instances of 'twin' dynamics between different 'higher' or 'first' entities. The ones that came into being as the world formed and their concept became an actual force acting on the planet. Chaos and Fate, or perhaps you could also know them as Chance and Certainty, probably came to be fairly early on. Maybe even before Dark and Light given that Dark roundaboutly states that he's existed since 'early life on Earth developed light sensitive proteins'. Which is a considerably long time, Pre-Cambrian, at minimum. But there are also other concepts that make up life on Earth that also got their start around this time: Life, Death, Time, and Space. The Big Ones, the things that all beings on Earth must adhere to. Though the fun part for me, especially when playing with the characters and how they behave, is seeing how they play off each other.

I can definitely see there being a period in all of the twin entities cases where they had to take a moment to appreciate their other half, so to speak, or at the very least learn how to. I honestly had a fun thought about it being a moment that sort of takes place for all four of them at the same time, given that, unlike Dark and Light, they can all be around each other without time limits or restrictions. So issues can get resolved a lot faster, so long as the entities in question are willing to actually sit and have the conversation.

Which does beg the question as to why things got so bad for Dark and Light, to the point where one could hurt the other so badly that it runs the risk of killing them. In my mind, it's a mix of factors, with the attrition Dark feels from dealing with other characters mixing with the general dislike he gets from everyone else and the fact that with humanity becoming more technologically savvy, they're able to tip the balance of things more in Light's favor...somewhat. Part of things with Dark feel, somewhat psychosomatic, in that a lot of the problems can be altered or made less powerful by him changing his own perspective. He feels like a lesser, more inferior entity, so it reflects on his own physical state, making him physically weaker than Light who just doesn't have a lot of those problems.

[blogparanormalexpresso2stuff]

“Something Shining” ~ documentary on the 1978 disappearance of Australian pilot Frederick Valentich

[waytoomanyhobbies]

For Whom the Doll Toes

First of all, I had a fantastic time overall with watching Louise stage all those intricate little murder scenes in the dollhouses. The girl absolutely deserves a dollhouse of her own for more of that.

I had some great laughs from Linda and Tina, especially, and I loved the background business name puns we got in the episode. I am a little saddened by the very lowstakes resolution of Louise's story. It's a nice family moment to see her appreciate Gene's sweetness, but it feels a bit repetitive as she already had to learn the lesson about being overprotective of Gene back in Drumforgiven.

One of my greatest joys in the episode is also my greatest disappointment with it. That stems from my knowledge and love for Frances Glessner Lee, the mother of forensics, and her Nutshell Studies of Unexplained Death (minutely detailed dollhose investigation scenes), which have historical significance for training investigators in forensics and in identifying clues.

Her work is the origin of meticulous dollhouse murder scenes, and Louise would have been enchanted by learning about it. Using stereotypically girly toys to depict gruesome deaths, and it was used to teach investigators? Louise would be all over that!

It's such a glaring missed opportunity for Louise, who had a whole episode around the importance of female heroes to young girls and society's dismissive attitude towards women's accomplishments. Captain Lee would have been a perfect second hero for Louise, and it would draw attention to a woman whose important contributions go generally unrecognized.

I also loved the end credits sequence! It had a very cool 60s mystery feel with obvious nods to stuff like Anatomy of a Murder.

[abookwasallittooktomakemeacrook]

[health-goth-inc]

I have unherniated myself through sheer tyranny of will.

[mirandaviian]

This will make you forget everything you thinking 🧐 about my friends 💞💕🥰