#understudies who?
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mcrits · 1 day ago
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kanthony ballet au!
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Anthony has long since fallen out of love with ballet.
Ever since his father, a renowned dancer and head of the Bridgerton Dance Academy, passed away, Anthony has taken over his responsibilities. He rarely dances anymore, too focused on taking care of his family, keeping the academy running, and training the next generation of dancers, some of which are his own siblings.
One day, he's approached by his mother's dear friend Agatha Danbury, who asks if he wants to star in her upcoming production of Romeo and Juliet. He tries to decline, saying that he's far too busy with the academy, but in typical Danbury fashion, he ends up agreeing before he's even realized it.
His mother thinks it'll be good for him to dance again. "Maybe it'll get you out of whatever rut you've been in," she says. Anthony rolls his eyes.
"I'm not in a rut, mother. I've simply been busy."
"Busy brooding, maybe."
Upon showing up for the first day of rehearsals, he meets his Juliet: Edwina Sharma, an up-and-coming dancer from India who is just making her debut in London's professional ballet scene.
She's talented and lovely with work with. She's graceful and the very image of excellence. She never seems to misstep or slip. Anthony could never dream of achieving such perfection, and he's been dancing in some form since the day he learned to walk.
She's kind, as well. When they arrive, during their breaks, and when they're preparing to leave, they get a chance to talk. When she asks him if he wants to get dinner with her after rehearsal one day, he finds no reason why he shouldn't.
She tells him about the stories she's been reading, and he tells her about his work at the academy. Usually, he'd be preening at the attention of a pretty, smart, and kind woman who is possibly into him, but for whatever reason, he isn't.
He has to, though, at least on stage. He has to lift her and press his body to hers and kiss her.
It's fine, but Anthony certainly doesn't feel any of the passion he once felt for dancing. He can't wait to tell his mother 'I told you so.'
Until two weeks before they're set to open, that is. Anthony is lifting her like he's done a hundred times before, but this time, she pushes off a bit too hard, sending them both off balance.
He has neither the reaction time nor the grip to keep her from falling. She falls to the ground with a loud thud and a gasp of pain. As Anthony stares down at her in shock, he winces. Her ankle does not look right.
He drives her to the hospital, where he waits with her until she can be seen and sits with her in the exam room as a doctor examines her ankle.
That is where he meets the older sister he has heard so much about. Kate Sharma.
She's like a storm, bursting into the room with who is presumably their mother in tow, demanding to know what happened and if Edwina's okay.
"I'm okay, didi," Edwina assures her. "It was just a lift gone badly, it's alright." Her face turns a little sad. "They think my ankle is broken, but they're doing an X-ray to be sure. I also have a concussion from my head hitting the floor. but I'm okay, I promise."
Anthony knows that there is no chance of her being well enough to perform in just a few weeks. But in this moment, he doesn't have much of a chance to think about it, because Kate turns to him. Her eyes are burning.
"May i speak with you in the hall, Mr. Bridgerton?"
Anthony snorts at the overly formal name. "Certainly, Miss Sharma."
As soon as the door closes behind them, Kate starts talking. "So, a lift gone badly. What happened?"
"Well, I had her, she pushed off a bit too hard, we both lost our balance, and I wasn't able to catch her."
Kate stares at him. "So you're going to blame her for you dropping her?"
Anthony frowns, his mind spinning. "Excuse me?"
"Don't think I don't know what's happening here, Bridgerton. I know you didn't want to dance again. I know you probably want a way out of this."
When Anthony processes what she's insinuating, he laughs. "You think so lowly of me that you think I'd drop Edwina on purpose?"
"Considering the way you've led her on, yes, I do."
"What the hell are you talking about?" Anthony asks. "I've just been nice! I've never given her any impression that there was anything between us other than friendship. Would you rather I be rude to her?"
"No, but I'd rather you not take her to countless lunches and dinners."
"Do you end up kissing every single person you go to lunch with? Uou don't have to do that, you know."
Late, breathing heavily with her rage, groans. "You are insufferable."
"Then you must be looking into a mirror."
Finally, Kate storms off, and Anthony shakes his head. Unbelievable.
He says a quick goodbye to Edwina, telling her to let him know about how her recovery is going, and heads home.
The next morning, rehearsal is surprisingly still on. He arrives, his heart dropping into his stomach as he sees who's sitting on the floor, pulling on her pointe shoes.
"You have got to be kidding me."
Kate looks up at him, her expression hardening. "I don't like it any more than you do, Bridgerton. But I know this show, and we only have two weeks until opening night."
This is going to be a long two weeks.
As much as Kate makes it her life's mission to piss him off, he does have to admit that she impresses him. She hasn't done the choreography in years, and yet she picks it up quickly.
But even with her fast pace, she still stays long after everyone leaves, rehearsing steps.
One night, against his better judgement, he agrees to stay late and practice with her. Despite his lack of passion, he does want to show to be as perfect as it can be.
That night, with just the two of them practicing passionate scenes over and over, Anthony truly sees her.
Kate is everything Edwina is not. She's stubborn where Edwina is easy-going. She's rude where Edwina is nice. She's reserved where Edwina is open.
Anthony loves it.
Finally, he gets a glimpse of his old passion. Their steps become routine, allowing them to focus on the emotion of the scene. Their bodies press together, and Anthony feels warm for the first time in a long time.
Their touches last longer than they should. They're closer than what's necessary.
As he walks forward to kiss her, they're both panting heavily, and his approach is much slower than it usually is. He can't help but savor the sight of her. Her cheeks are red and her hair is messy from the exertion. The blood leaves Anthony's brain.
Their lips connect, his hands going to grab her waist as usual, but this time?
Instead of leaning back and extending her arms out, she wraps both arms around his neck, going off pointe and burying a hand in the back of his hair.
He moans, tilting his head to deepen the kiss, and she groans against his lips. His brain has completely shut off, and doesn't kick back into gear until Kate pulls away.
They're sitting on the floor, their feet and legs aching, and Kate straddles his lap. She seems to have lost herself, too, since she laughs breathlessly. "I think that's enough for today," she says, her gorgeous eyes constantly flicking between his eyes and his lips.
"Agreed," he whispers, leaning in to give her a brief kiss before hovering his lips by her ear, his voice lowering. "I know you've been sore since we started rehearsing. I could introduce you to my bathtub. A warm bath does wonders."
Kate shakes her head. "I shouldn't."
"But do you want to?"
After a moment of hesitation, she sighs. "Your bathtub better be big enough for two."
Anthony grins, his heart fluttering.
From that moment on, their late-night rendezvous become routine. It's the first time in a long time that Anthony has looked forward to dancing, and the sex that follows certainly helps with the passion. But between rehearsing and sex, they do get to know each other. And while half the time, they're arguing, the other half consists of deep conversations and jokes.
It's nice. Her humor is dry and witty, and Anthony's delighted by their constant banter. Unlike Edwina, Kate challenges him. While he doesn't enjoy being bested by her as often as he is, he can't help but be thrilled by the competition.
"I'll be sad when this is over," he admits softly during one of their breaks, sitting on the floor side-by-side and sipping water.
"So will I. It's been fun." She presses her shoulder against his, and he smiles, unable to take his eyes off of her. "I'm- I'm sorry I came off so strong during our first meeting."
"It's alright, Kate. I'm a protective older sibling, I get it. If it was my sister who was dropped by an asshole, I would've been pissed, too. But for the record, it really was an accident. and I hope she's back to dancing soon."
"Her doctor says she should be alright," Kate replies, nodding. "But thank you, Anthony. As much as it pains me to say this, you're not as bad as I thought."
Anthony rolls his eyes, but grins, bumping his shoulder against hers. "You're not so bad, either, Sharma."
When the show comes to a close, Kate stays over at Anthony's apartment before the closing night of the show. With their bodies pressed together, their limbs completely entangled underneath the blankets, Kate lifts her head from his bare chest and looks him in the eye.
"I don't want this to end, Anthony," she whispers, placing a hand on his cheek.
"Neither do I."
"Then we'll still see each other after the show ends?"
Anthony grins. "You won't be able to get rid of me."
Kate matches his grin and leans in to kiss him.
Anthony loves dancing again, and he also loves Kate Sharma.
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tera-ixie · 1 month ago
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We need to talk more about Daryl Tofas acting range, like my man is playing Two-Bit Mathews, Dallas Winston, and Johnny Cade in the span of a week that’s impressive
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loganslowdown4 · 5 months ago
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Roman: I am in Spain without the A!
Logan: You’re- in Spin?
Roman:
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meiflowers · 6 months ago
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i know this is probably a one-shot joke, but the workings behind this image are so funny to me. considering that monkey cop is an actual canonical series in the show (with figurines and merch), and wukong actually acted in it, how did they even get macaque in on this. what leverage did they have over him to make him play the criminal in this show. what did they tell wukong. did they just say, "hey, monkey king. your former boyfriend-current nemesis-enemy-whatever the fuck you call him is going to be your co-star. don't blow up the set."
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jack-the-fool · 10 months ago
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> The Show Must Go On
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thescreamcorner · 14 days ago
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"Autistic people are more likely to split fictives" source? Do you have a source? Do you have a source that isnt a tiktok video? Do you have a source that isnt a bunch of fakers and self dxers playing a game of telephone and using "this is my personal experience" as the proof?
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raincandyart · 3 months ago
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I haven't slept since five am yesterday and I can't think of anything but her so have the WIP
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jadelemonadee · 4 months ago
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how it feels to yell at pinterest comments from four years ago calling any cast of hamilton that isn’t with the exact obc actors + casting “fakes”
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shitpostingfromthebarricade · 6 months ago
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Did you enjoy ShitpostingFromTheBarricade's classic fic "Recovery," featuring modern Enjolras suffering from December 2020 burn-out and reconnecting to himself and his friends?
Are you a fan of anything Eli "Candlesticks" @thecandlesticksfromlesmis has ever produced?
Do you enjoy podfics and live re-enactments of works by peers from the Les Mis community?
Then friend, do I have the panel for you.
Tune in at @barricadescon to check out a live Zoom performance of "Recovery"! Cast list below the cut.
(in order of appearance)
Narrator: @abaisse-scarabsi (he/him)
Enjolras: @thecandlesticksfromlesmis (he/him)
Courfeyrac: @grantairelibere (he/him)
Combeferre: @historianinthebasment (she/her)
Jean Prouvaire: @eldritchw1tch (they/them)
Laigle: @apocynthionic (she/they)
Feuilly: @megab (she/her)
Grantaire: @courfeyracs-swordcane (he/him)
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kairithemang0 · 6 months ago
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I wait for the day Mary Kate Wiles is in an actual starkid show and not an understudy or very very minor role in Workin' Boys
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lazuilis · 9 months ago
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on the bound
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vc55bughead · 9 days ago
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somewhere in LA Shayne Topp is giggling and kicking his smug little feetsies 🙄😭
meanwhile me: (a swiftie that likes winning)
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cm8x-insanity · 2 months ago
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Okay hear me out
Meredith does a PERFECT Jacob Marley and like, I know gender doesn't matter in plays in some cases. Like you can play a gender you're not and it'll still work. The Two Men Looking For Donations are played by women in VHCCs but that's like, one off roles that switch each presentation. But if you nail the role for a male character and you're a cis woman then that's completely fine.
But consider an optional take... Jacob Marley is trans masc.
Or at the very least he's GNC and uses he/him anyway???
This doesn't change anything besides the idea that even Scrooge is going with his preferred identity. He's a greedy money hungry guy but he doesn't misgender anyone. He stops at rich and poor class differences.
Also Bred Gruelle and Spektr, the 3 ghosts/muses in the first two acts (didn't realize that was their names!), their gender is incomprehensible to mortal minds. Same with the Ghosts of Past, Present, and Future. They just present with whatever makes sense to them....or at least in a way that someone like Scrooge and us the audience can process.
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doctorwhoisadhd · 21 days ago
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theres just so many interesting things you could do if you staged chimes of midnight tbh....
#two actors for edith (older and younger) and having the older sing behind other dialogue#separate actor for edward grove so when he possesses shaughnessy the two actors speak at the same time#to be honest you could have two actors for just about everyone except maybe the doctor#and probably not shaugnessy since he doesnt die. but whenever the others die have understudies either play the corpse or stand around in the#background outside the lights. so theyre just visible but clearly shelved#as the mystery gradually becomes clear slowly have the older edith shadowing the staff as they say things that were said to her#the screams when the older edith is explaining - just have younger edith and mary and mrs baddeley and whoever else offstage and scream with#with their mics off - then you get a surround sound effect too - esp if you have them offstage behind or to the side of the audience#YOU COULD HAVE A DOLLHOUSE IN THE PARLOR WHEN THE DOCTOR'S CALLED UPSTAIRS TOO#itd be even more effective if you showed it at the beginning#maybe as the audience is filtering in you just have the lights up on that set so they SEE it yk?#then once everyones seated have the lights go off suddenly (maybe even play the theme song)#idk how youd do the jam jar im not a theater person. maybe red fabric for the jam that can 'spill' all over charley in a concerning looking#way (that can look like how edith looks when she kills herself) but that doesnt necessitate a costume change or any sort of cleanup for the#stage itself. BUT. the problem is the jar. i wouldnt want to use breakaway glass bc 1) cleanup 2) id want to have something you could put#back together quickly that would be indicative of the time loop#but again im not a theater person so i dont know stuff maybe that would be easy and you COULD use breakaway glass. or whatever im NOT a#person who knows really much at all about theater#ari opinion hour
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pcktknife · 1 year ago
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it's not crazy of me to think that paimon n the traveler r absolutely insane for suggesting furina take part in a musical right
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cator99 · 2 months ago
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You know you're about to get the best T shot of your life + some strong opinions on the bullshit ways people are doing it when u go in to a rural pharmacy and the 55 year old guy behind the counter is so jacked he barely fits into the damn lab coat
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