#udit narayan age
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atimefordragons · 11 days ago
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THE DRAGON AND THE DREAD WOLF
THE DRAGON AND THE DREAD WOLF
☾♔; November 13, 2024 (I think) ☾♔; ???? in the am I believe ☾♔; sotd: The Dread Wolf (DATV OST) ☾♔; cotd: Lucanis Dellamorte ☾♔; High Fashion Layout or whatever ☾♔; Birthday Playlist
𝐓𝐢𝐭𝐥𝐞: main quest in datv
fuck, urstyle doesn't time stamp these anymore??? damn it
the annual birthday playlist set, uhhh no comment on any of it. what's going on? who knows, not me. anyway, play Dragon Age: The Veilguard, peace. ✌️
THE MOONGRASS' ENLIGHTENMENT https://open.spotify.com/playlist/4IcMnQrcnRBZ89OByQKip0?si=bfc1a65b60094678
Inebriation of Raghs-e-Nilou 0 HOYO-MiX
la noia - Angelina Mango
Le Gayi (LoFi Mix) - Uttam Singh, Asha Bhosle, Anand Bakshi
The Dread Wolf - Hans Zimmer, Lorne Balfe
The Ballad of the Witches' Road (Sacred Chant Version) - Kathryn Hahn, Sasheer Zamata, Ali Ahn, Patti LuPone, Debra Jo Rupp
Visions opposées - Love and Deepspace, Mikelangelo Loconte
Breaker of Chains (Epic Version) - The Marcus Hedges Trend Orchestra
Celestial melody - Sergey Ivanov
Red & Yellow (Deadpool & Wolverine Epic Trailer Version) - Boris Harizanov
Gone Girl - Badshah, Payal Dev
abcdefu - Vitula
Elogia Cinerosa - HOYO-MiX
Tujhe Dekha Toh Yeh Jaana Sanam (Lofi) - Kumar Sanu, Lata Mangeshkar, Sanjay S Yadav
Mere Mehboob Mere Sanam 2.0 - Udit Narayan, Alka Yagnik, Lijo George-Dj Chetas, Anu Malik
Down Bad - Taylor Swift
Akuma no Ko (Cinematic Version) - Samuel Kim
Hit Me Baby One More Time (Acoustic Piano Version) - J2, Blu Holliday
Weekends - Freya Ridings
Surasthana Fantasia - HOYO-MiX
Valinor - Bear McCreary
Love and Deepspace - Love and Deepspace, Sarah Brightman
Teresa & Maria - alyona alyona, Jerry Heil
my tears ricochet - Taylor Swift
For Riddles, for Wonders - HOYO-MiX
The Dawn Will Come - Trevor Morris
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my-music-1460 · 5 days ago
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Celebrating Women in Music: Kavita Krishnamurthy’s Legacy
In the vast tapestry of Indian music, certain voices transcend time, creating melodies that resonate across generations. Among these luminaries stands Kavita Krishnamurthy, a name synonymous with excellence, versatility, and soul-stirring music. Known for her ability to breathe life into every song, Kavita has been a pivotal figure in Bollywood’s golden era of playback singing. Trained in Hindustani classical music, her journey from a gifted young vocalist to one of the most celebrated playback singers in Indian cinema is both inspiring and remarkable.Whether lending her voice to romantic ballads, classical compositions, or energetic dance tracks, Kavita Krishnamurthy brought a unique blend of technical mastery and emotional depth. With over three decades of success, her songs have become anthems, enriching the cultural fabric of India. This article explores her extraordinary journey, celebrating the milestones and timeless contributions of one of Bollywood’s most iconic voices.1. Early Life and Musical FoundationBorn in Delhi in 1958, Kavita Krishnamurthy (originally Sharada Krishnamurthy) displayed a natural affinity for music from an early age. Encouraged by her family, she began formal training in Hindustani classical music under the guidance of Pandit Balram Puri. This rigorous foundation in classical music gave her the technical expertise that would later set her apart in the highly competitive world of playback singing.During her school and college years, she participated in numerous music competitions, often earning top accolades. Her performances caught the attention of industry insiders, and it was clear that Kavita was destined for greatness.2. Breakthrough in BollywoodKavita’s entry into Bollywood was facilitated by her association with the legendary composer duo Laxmikant-Pyarelal. Her first significant break came with the song “Tumse Milkar Na Jaane Kyun” in the 1980s, a track that showcased her emotive power and vocal range. This was the beginning of a remarkable journey that would make her a household name in the Indian music industry.During this period, Kavita became known for her ability to adapt classical techniques to the demands of Bollywood playback singing. Whether singing romantic melodies or high-energy numbers, she consistently delivered performances that captivated audiences.3. Collaborations with LegendsKavita Krishnamurthy’s career is defined by her collaborations with the biggest names in the industry. She worked extensively with composers like R.D. Burman, A.R. Rahman, Jatin-Lalit, and Anu Malik, each of whom recognized her immense talent. One of her most iconic songs, “Hawa Hawai” from Mr. India, composed by Laxmikant-Pyarelal, remains a testament to her versatility and creativity.Her work with A.R. Rahman, particularly the hauntingly beautiful “Tu Hi Re” from Bombay, showcased her ability to bring depth and emotion to a track. Kavita also lent her voice to timeless duets with Kishore Kumar, Mohammed Rafi, Udit Narayan, and Sonu Nigam, further cementing her reputation as one of India’s finest playback singers.ConclusionThe journey of Kavita Krishnamurthy is a testament to the power of passion, discipline, and innovation. From her early days as a budding classical vocalist to becoming one of Bollywood’s most iconic playback singers, Kavita’s career is a story of excellence and perseverance. Her ability to connect emotionally with her audience while mastering diverse genres has made her an enduring figure in Indian music.
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musicverse11 · 6 days ago
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The Making of an Entertainer: Aditya Narayan’s TV Hosting Journey
Aditya Narayan is a name that resonates across the Indian entertainment industry. Known for his charming personality and exceptional talent, Aditya has carved a niche for himself as a singer, actor, and television host. His journey from being a child prodigy to becoming a versatile artist is nothing short of inspiring. This article explores his early years, significant milestones, and the challenges he faced to establish himself in the fiercely competitive world of entertainment.
Early Life and Musical Legacy
Born on August 6, 1987, in Mumbai, Aditya Narayan was destined for greatness. As the son of legendary playback singer Udit Narayan and Deepa Narayan, music was a significant part of his upbringing. Surrounded by melodies and a rich musical heritage, it was evident from a young age that Aditya had inherited his parents’ musical talent.
His early exposure to the world of music came naturally. Aditya often accompanied his father to recording sessions, absorbing the intricacies of playback singing. Encouraged by his parents, he began his musical training and performed his first playback song as a child. This exposure laid the foundation for a flourishing career in the entertainment industry.
Stepping Into Stardom as a Child Artist
Aditya’s talent came into the spotlight when he sang the iconic song “Chhota Baccha Jaan Ke” from the 1996 film Masoom. The song became an instant hit, and Aditya’s cherubic voice and spirited rendition earned him critical acclaim. He went on to perform over 100 songs as a child artist, cementing his position as a prodigy in the industry.
His early years in playback singing brought him numerous accolades, including the Screen Awards Critics’ Best Child Singer in 1997. Aditya also released his own album, titled Aditya, showcasing his ability to connect with audiences of all ages.
The Transition to Adulthood
Aditya’s transition from a child artist to an adult performer was not without its challenges. The entertainment industry is notorious for its unpredictable nature, and many child artists struggle to sustain their popularity as they grow older. However, Aditya embraced this phase with determination and a willingness to reinvent himself.
His voice matured, and he began exploring diverse genres of music. Aditya collaborated with renowned composers and delivered memorable tracks like “Tattad Tattad” and “Ishqaun Dhishqyaun” from the film Goliyon Ki Raasleela Ram-Leela. These songs showcased his ability to adapt to changing trends in Bollywood music while staying true to his roots.
Acting Ventures and Beyond
Aditya Narayan’s talent extended beyond music. As a child, he appeared in popular Bollywood films like Pardes (1997) and Jab Pyaar Kisise Hota Hai (1998), earning praise for his acting skills. These early experiences planted the seeds for his later foray into acting.
In 2010, Aditya made his debut as a lead actor in the horror-thriller Shaapit. Directed by Vikram Bhatt, the film allowed Aditya to showcase his acting prowess and explore his creative potential. While the film received mixed reviews, Aditya’s performance was noted as a promising start to his acting career.
Television: The Game Changer
While Aditya enjoyed success as a singer and actor, it was his stint as a television host that truly solidified his place in the industry. His debut as a host for the singing reality show Sa Re Ga Ma Pa marked the beginning of a new phase in his career. Aditya’s natural charisma, humor, and ability to connect with contestants and audiences alike made him an instant favorite.
Over the years, he went on to host multiple seasons of Indian Idol and became one of the most recognizable faces on Indian television. His hosting style — marked by wit, humility, and relatability — has set a benchmark for others in the industry. Aditya’s ability to effortlessly switch between his roles as a singer, actor, and host underscores his versatility.
Challenges and Resilience
Despite his many accomplishments, Aditya’s journey has not been without its share of struggles. Transitioning from the shadow of his father’s towering legacy to building his unique identity was a daunting task. Aditya has often spoken about the pressure of expectations and the need to prove himself in an industry that can be unforgiving.
He also faced criticism and setbacks along the way, including moments when his career seemed to stagnate. However, Aditya’s resilience and commitment to his craft allowed him to overcome these obstacles. He continuously reinvented himself, whether through independent music ventures, live performances, or his engaging presence on television.
Legacy and Influence
Today, Aditya Narayan is celebrated as one of the most versatile entertainers in India. His ability to seamlessly juggle multiple roles — singer, actor, and host — has made him a role model for aspiring artists. He represents a new generation of performers who are unafraid to experiment and push creative boundaries.
Aditya’s journey is also a testament to the importance of passion and perseverance. He has not only upheld the legacy of his illustrious family but has also carved his unique path in the industry.
Conclusion
Aditya Narayan rise to fame is a story of talent, hard work, and resilience. From his early days as a child singer to his current status as a multifaceted artist, Aditya has consistently evolved and reinvented himself. His journey serves as an inspiration to countless individuals who dream of making it big in the world of entertainment.
Stay connected with Aditya Narayan’s journey by following him on social media and streaming his latest projects. Whether it’s his soulful music, captivating performances, or engaging hosting gigs, there’s always something new to discover. Join the conversation and celebrate the legacy of one of India’s most beloved entertainers!
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allyourchoice · 11 days ago
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gmqazi19739 · 1 month ago
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Udit Narayan - Bio, Top 30 Best Bollywood Music
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The name Udit Narayan is synonymous with the golden era of Bollywood music. With a voice that has defined the soundtrack to countless films, he is considered one of the most prolific vocalists in Indian cinema. His melodious voice and versatility made him the singing voice on screen for many Bollywood stars, leaving a lasting mark on the industry and inspiring millions Let's dive into the life and career of this iconic artist.
Best Udit Narayan Bollywood Music Download
Biography and Early Life Born on December 1, 1955 in Bhardaha, Saptari, Nepal, Udit Narayan Jha came from humble beginnings. Growing up in a small village, he was exposed to the rich cultural traditions of Nepali and Maithili music from an early age. As a result, his passion for music emerged at a young age, which led him to perform folk songs in his native language. Music training and early career Moreover, Udita’s training in Hindi classical music laid the foundation for his future success. He started his career as a Maithili folk singer singing in Maithili and Nepali on Radio Nepal in the 1970s. As he honed his craft, he gradually shifted to playing modern Nepali music, thus gaining recognition for his unique voice and style. Entering Bollywood Udit Narayan’s big break came in 1980 when he got a chance to sing in Bollywood. His first as a vocalist was in the film "One's Bees." But it was 1988's "Qayamat Se Qayamat Tak" that really catapulted him into stardom. The song "Papa Kehte Hain" became a huge hit, eventually making Udit Narayan a household name and launching a brilliant career in Bollywood. Breakthrough hits and collaborations Also, the 1990s were a golden era for Udit Narayan, filled with many hit songs and memorable duos. Notably, he collaborated closely with Alka Yagnik, and their songs became iconic, defining the mainstream Bollywood love story of the era. Songs like "Pehla Nasha", "Jaadu Teri Nazar", "Dil Ne Yeh Kaha Hai Dil Se". He works with Bollywood Legends Apart from Udit Narayan, the film has worked with Bollywood legends like Amitabh Bachchan, Rajesh Khanna and Devanand. His ability to match his musical style with the personalities of these performers not only enhanced his career, but helped cement his status as a leading singer in the genre Praise and Awards Udit Narayan's contribution to the Hindi music industry has earned him many accolades over the years. In particular, he won three National Film Awards and five Filmfare Awards, making him the only male musician to win in three different decades the 1980s, 1990s, and 2000s. Respect and Acceptance Udit Narayan was awarded the Padma Shri in 2009 and the Padma Bhushan in 2016 by the Government of India for his contribution to the arts. A versatile talent as a singer One of the defining qualities of Udit Narayan is his ability to sing in multiple languages. Apart from Hindi, he sang in many languages ​​like Marathi, Tamil, Telugu, Kannada, Bengali, Gujarati, Punjabi, etc. Udit Narayan's legacy in Bollywood His voice became synonymous in the 1990s and early 2000s, often associating it with some of Bollywood’s biggest blockbusters. He played a pivotal role in the popularity of romantic gal songs in movies, setting the tone for future generations of vocalists Personal life Personally, Udit Narayan is married to Deepa Narayan Jha, and together they have a son, Aditya Narayan, who followed in his father's footsteps as a singer and television presenter. The Narayan family continues to support the music industry, and Aditya sometimes with his play the musical father at concerts and events. Challenges and returns Like many artists, Udit Narayan faced challenges such as changes in Hindi songs and the rise of new musicians. However, he showed his flexibility and flexibility by changing his style to keep it relevant. Popular songs and albums Some of Udit Narayan's favorite songs are "Papa Kehte Hain", "Tip Tip Barsa Pani", "Raja Ko Rani Se", "Kuch Kuch Hota Hai", "Mehndi Lagake Rakhna". The 1990s and early 2000s are often considered as the golden era of Bollywood songs, and Udit Narayan was at the forefront of this era. His soulful voice and passionate melodies captivated millions. Even as the music industry flourished, Udit adapted, captivating the audience with his melodious voice. Conclusion In conclusion, Udit Narayan’s journey from a small village in Nepal is truly inspiring. With a career that spanned decades and many accolades, he left an indelible mark on the music industry. Moreover, his legacy continues to influence new generations of musicians, ensuring that his music remains a beloved part of Bollywood history forever. FAQs What was Udit Narayan's first Bollywood song? His first Bollywood song was in the movie "Unees Bees", but he rose to fame with "Papa Kehte Hain" from "Qayamat Se Qayamat Tak". In how many languages ​​did Udit Narayan sing? Udit Narayan has sung in more than 20 languages ​​including Hindi, Marathi, Tamil, Telugu, Bengali, and more. Who did Udit Narayan win awards for? He has won three National Film Awards, five Filmfare Awards and the Padma Shri and Padma Bhushan. Who is the son of Udit Narayan? His son Aditya Narayan is a singer and television presenter. When did Udit Narayan receive the Padma Bhushan? Udit Narayan was awarded the Padma Bhushan in 2016 for his contribution to Indian music. Read the full article
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blogtozone · 1 year ago
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Pehla Nasha Piano Notes | Jo Jeeta Wohi Sikandar
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Pehla Nasha Piano Notes
Notes :-  Chaahe tum kuch na kaho, maine sun liya A4 G4 G4 F4 E4 F4 G4 D4, A4 A4# A4 G4 F4 F4 Ki saathi pyaar ka, mujhe chun liya A4 A4 G4 F4 C5 C5 G4, A4 A4# A4 G4 F4 F4 Chun liya, Maine Sun liya F4 G4 A4 G4, G4 A4 F4 G4 A4 G4 Music F5 F5 F5 E5 F5 C6 F5 E5 F5 F5 F5 E5 F5 C6 F5 E5 D5 D5 D5 D5 E5 F5 A5 F5 F5 G5 G5 G5 C5 F5 G5 A5 G5 F5 F5 F5 F5 E5 F5 C6 F5 E5 F5 F5 F5 E5 F5 C6 F5 E5 D5 D5 D5 D5 E5 F5 A5 F5 F5 G5 G5 G5 F5 E5 F5 Pehla nasha, Pehla khumaar A4 A4 C5 C5 D5, A4 F4 G4 C5 C5 Naya pyaar hai naya intezaar A4 A4 C5 C5 D5 C5 A4# A4 G4 G4 G4 Kar loon main kya apna haal F4 E4 D4 E4 F4 A4# A4 A4 Aye dil-e-bekaraar, Mere dil-e-bekaraar D4 E4 F4 A4 G4 G4, F4 E4 D4 E4 F4 A4# A4 A4 Tu hi bata F4 G4 A4 F4 G4 Pehla nasha, Pehla khumaar A4 A4 C5 C5 D5, A4 F4 G4 D5 C5 Udta hi firoon, in hawaaon mein kahin F5 E5 F5 C5 D5 D5# D5, D5 C5 A4# G4 D5 C5 C5 Ya main jhool jaoon, in ghataaon mein kahin F5 E5 F5 C5 D5 D5# D5, D5 C5 A4# G4 D5 C5 C5 Music C5 D5 D5# D5 D5# F5 D5# D5 C5 F5 Udta hi firoon, in hawaaon mein kahin F5 E5 F5 C5 D5 D5# D5, D5 C5 A4# G4 D5 C5 C5 Ya main jhool jaoon, in ghataaon mein kahin F5 E5 F5 C5 D5 D5# D5, D5 C5 A4# G4 D5 C5 C5 Ek kar doon aasmaan aur zameen C5 A4# C5 D5 D5# D5 C5 C5 A4# C5 Kaho yaaron kya karoon kya nahin C5 A4# C5 D5 D5# F5 A4# A4# A4 A4#, A4# C5 A4 Pehla nasha, Pehla khumaar A4 A4 C5 C5 D5, A4 F4 G4 C5 C5 Naya pyaar hai naya intezaar A4 A4 C5 C5 D5 C5 A4# A4 G4 G4 G4 Kar loon main kya apna haal F4 E4 D4 E4 F4 A4# A4 A4 Aye dil-e-bekaraar, Mere dil-e-bekaraar D4 E4 F4 A4 G4 G4, F4 E4 D4 E4 F4 A4# A4 A4 Tu hi bata F4 G4 A4 F4 G4 Pehla nasha, Pehla khumaar A4 A4 C5 C5 D5, A4 F4 G4 D5 C5
About Song :-
"Pehla Nasha" is a timeless Hindi song from the Bollywood movie "Jo Jeeta Wohi Sikandar," which was released in 1992. The film was directed by Mansoor Khan and featured Aamir Khan, Ayesha Jhulka, and Pooja Bedi in lead roles. The music for the film was composed by Jatin-Lalit, and the lyrics for this particular song were written by Majrooh Sultanpuri. Here are some details about the song "Pehla Nasha": Song Title: Pehla Nasha Singers: Udit Narayan and Sadhana Sargam Music: Jatin-Lalit Lyrics: Majrooh Sultanpuri Film: Jo Jeeta Wohi Sikandar (1992) Actors: Aamir Khan, Ayesha Jhulka, Pooja Bedi, and others Plot: "Pehla Nasha" is a romantic song featured in the film and is one of the most iconic love songs in Bollywood. It beautifully captures the essence of young love and the feelings of infatuation and excitement associated with it. The song is known for its melodious composition by Jatin-Lalit and the soulful rendition by Udit Narayan and Sadhana Sargam. "Pehla Nasha" has a timeless quality and has remained a beloved track among fans of Bollywood music for decades. "Jo Jeeta Wohi Sikandar" is a coming-of-age sports drama film set in a college backdrop. The film tells the story of a young cyclist and his journey to win a prestigious race and earn the love of his life. The film received critical acclaim for its engaging storyline and memorable music. "Pehla Nasha" is often regarded as one of the greatest love songs in Bollywood history and has been used in numerous films and television shows. It continues to be a popular choice at weddings, parties, and romantic occasions and holds a special place in the hearts of Bollywood music enthusiasts. Read the full article
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drsohinisastri · 2 years ago
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The Magnificent 50th Anniversary of the Stardust Award
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The magnificent 50th anniversary of the Stardust Award was celebrated on 28th of January, 2023 at Taj Santacruz, Mumbai. The grand event was organised by Stardust Film Magazine. Stardust is an Indian monthly Bollywood news and gossip magazine published in English and Hindi. The Stardust Awards was a revered award ceremony for Hindi movies, which was also sponsored by Stardust magazine. It was the golden jubilee celebration of the magazine and the bollywood celebrities arrived in style at the red carpet. Various Bollywood film stars attended the occasion.
 From veteran actor Rekha to new age actors like Kartik Aaryanwere present at that ceremony.  Famous astrologer, philanthropist & life Coach Dr. Sohini Sastri was invited as a Special Guest to that star-studded ceremony. She awarded actor Manoj Bajpayee as Iconic Performer of Indian Cinema. Others awardees were like Kabir Bedi, Kartik Aaryan, Rekha, Anil Kapoor, Anupam Kher,Shatrughan Sinha, Sonu Sood, Bhumi Pednekar, Udit Narayan, Boman Irani, Ashutosh Gaikwad, Jaaved Jaffrey, Vaani Kapoor, Harshvardhan Kapoor, Raveena Tandon, Shriya Saran and many more.
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Dr. Sastri’s name doesn’t need any introduction. Currently she holds the record of “most searched astrologer in India''. She is an accomplished Astrologer, Philanthropist and Life Coach, renowned for her expertise in Vedic Astrology, Gemology, and Palmistry, Numerology, Vastu shastra and Colour Therapy. Over the last few decades, Dr. Sastri, Best Astrologer in India, has helped thousands of her followers with astrological predictions and cosmic energy. She is famous for her accurate prediction and effective remedy selection.
 She is also felicitated by the president of India Sri. Pranab Mukherjee. She is known as a highly knowledgeable astrologer. Dr. Sastri, Best Astrologer in Kolkata, firmly believes that our present life is directly influenced by our own actions in the past and the problems that are yet to come in our life can be avoided by putting positive effort in our present actions. She has a vast knowledge about the movement of stars & planets and its influence over people. She has also been felicitated by several universities and honoured with degrees like doctorate & D.Litt as well by National American University, USA for her exceptional journey and contribution to society. Her honest, polite & candid nature helps her to stand out from others. She is a KP Astrologer with 15+ years of experience in Vedic astrology, Palmistry, Numerology, Vastu-Shastra, and Colour therapy. As well, being a certified Gemologist, she can also guide people to recognise genuine gemstones & rudraksh. Dr. Sastri is popular as the first choice of Bollywood celebrities.
 She has been considered as an esteemed member of several communities. She is recognised as “the Best astrologer of India'' Over the years she has achieved a great height of astrology and was awarded with various honours like ‘Pride of Nation 2019’, ‘Indian Achievers Award, 2020’, ‘Femina Brand Award 2021’ and many more. She has been regarded as ‘Best astrologers in world’ by the Astrological Association of Great Britain & honourably listed in ‘World Book of Record UK, Switzerland, India for her contribution in astrology. Recently she has been regarded as the “Best astrologer in the world” by the Astrological Association of Great Britain. Dr. Sastri, Best Astrologer in World, is a regular columnist and a renowned writer of 3 popular books of Astrology named ‘A Complete Guide to Astrology’, ‘Handbook of Corporate and Professional Astrology’ and ‘Career Astrology Made Easy.’Being a woman entrepreneur, she always expresses the need of Woman empowerment and how it can help the society. Her contribution as a social reformer and activist is very much significant.
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Dr. Sohini Sastri, Best Astrologer in Mumbai, is the most demanded choice of many awards and inauguration function as either chief guest or guest of honour for her auspicious presence and value-added deliverables to the awardee. She was previously present in Maharashtra Times organised 'Trend setter' at Mumbai, Indian Glory Awards 2021 in Goa, Global Spa Awards 2022, School Quiz Competition by Times of India 2022 and many more.
 On this glitzy night of Stardust Award 2023 Dr. Sastri was present at the commencement of the ceremony. She walked on the red carpet and also participated in the lighting of the lamp.
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newsheadlines2020 · 4 years ago
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जब अल्का यागनिक से किया था aditya Narayan ने फ्लर्ट तो नाराज़ हो गए थे उदित नारायण, ये थी वजह
जब अल्का यागनिक से किया था aditya Narayan ने फ्लर्ट तो नाराज़ हो गए थे उदित नारायण, ये थी वजह
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इन दिनों आदित्य नारायण खबरों में खूब छाए रहते हैं. इसका कारण है कि जल्द ही वो शादी के बंधन में बंधन जा रहे हैं. वहीं हाल ही में आदित्य नारायण ने इस बात का खुलासा किया कि एक बार प्लेबैक सिंगर अल्का यागनिक से फ्लर्ट करने के चलते उनके पिता उदित नारायण उनसे खफा हो गए थे. वहीं नाराज़ होने का कारण जो आप समझ रहे हैं वैसा है नहीं…क्योंकि जब कारण आप सुनेंगे तो हैरान रह जाएंगे.
इ…
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frontnews · 3 years ago
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"Shaapit" Actor Aditya Narayan's Wife Shweta Agarwal Is Pregnant
“Shaapit” Actor Aditya Narayan’s Wife Shweta Agarwal Is Pregnant
Shaapit: Aditya Narayan and Shweta Agarwal met on the sets of “Shaapit” in 2010. They dated for a long time before getting married in December 2020. He shared that his parents, Udit Narayan and Deepa Narayan, are very excited about Shweta’s pregnancy. Aditya Narayan and Shweta Agarwal are expecting their first child. The couple who tied the knot in 2020 shared a photo of themselves showing off…
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leviathanlazarus · 5 years ago
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24, 27, 28, 51, 56, and 58 🌸
24. What was your last dream about?
The last one I remember, I was in this big house with a bunch of other people. It was the middle of the night and someone kept ringing the doorbell outside and pounding on the door over and over. I had this feeling that whomever was out there (I also had a feeling it was not just one person) was there to harm us, but no one else cared. I called the police to have them check it out but they never showed up.
27. Your goals
I don’t really have concrete goals anymore because many of them, I realize, have always been very out of reach. At this point, my main goal would be to find a job that pays better than my current one and offers good benefits. Very practical, very boring lol. A more fun would be, I’d really like to go to Texas as well as a National Park before I hit the age of 30, which will be here faster than I know it, sadly! 
28. Any pets?
I have a very large black and white cat named Fritz!
51. How would you describe your style?
Terrible lmao. I’m extremely tall and have a bit of a weird body so it’s hard for me to find clothes that fit properly and also look good. I think, despite my great dislike for fall and winter here, I feel and look the best in a fall/winter work outfit: boots, tight black pants, a nice sweater. Meh. I struggle in the summer. 
56. Favourite aesthetic?
Ooh I love so many!! Hmm well, I love cottagecore type stuff, of course...anything with flowers and faeries...I love the 70s hippie aesthetic...I love the aesthetic of all the barren, melancholy photography I reblog lol like “abandoned gas station” sort of stuff...I REALLY love a good cowboy aesthetic...the cosmos...okay I’m not sure. But there are many!
58. Songs you're currently obsessed with?
Make Love Like A Man - Def Leppard. What can I say, I’m a sucker for that alpha-male shit.
Blinding Lights - The Weeknd. Honestly, what a BOP. So good. 
Regret - New Order. This is like, the epitome of 1980s suburban yearning and I’m here for it.
Dil Ne Yeh Kaha Dil Se from the film Dhadkan. I really like Bollywood movies and this song, oh my god! I think Udit Narayan has the most amazing voice.
Human - The Killers. An old favorite, one that really hit me today and I didn’t realize how badly I needed to hear it.
Thank you so much for asking, Sam!! :3 
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salmankhanholics · 5 years ago
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★ 25 years on, ‘Hum Aapke Hain Koun’ still a draw!
31 Jul 2019
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Despite being dismissed as a glossy marriage video masquerading as cinema, India’s favourite family film, Hum Aapke Hain Koun...!, which celebrates 25 years of its release this week, continues to make money. When it was released in August 1994, the Sooraj Barjatya-directed musical, romantic comedy starring Madhuri Dixit and Salman Khan had grossed  ₹72.46 crore at the box office, running for nearly two-and-a-half years in some theatres, while celebrating either a golden or silver jubilee in most others.
Adjusted for inflation, today, the family drama would have grossed around  ₹973 crore, to emerge as the highest grossing film in the history of Indian cinema, considering that the Hindi version of Baahubali 2: The Conclusion had raked in ₹708.99 crore.
Even now, the film is much loved on television, and has most recently found acceptance on video streaming platforms. Industry experts said Rajshri Productions should be making anywhere between  ₹3-5 crore per year from the sale of these various ancillary rights that are not purchased for perpetuity, but renegotiated every few years.
“Hum Aapke Hain Koun...! has been the most successful Hindi movie on Indian television ever with its viewership surpassing the likes of Dilwale Dulhania Le Jayenge, Sholay and even recent hits like 3 Idiots and PK," said Ruchir Tiwari, business head, Hindi movies cluster, Zee Entertainment Enterprises Ltd. The Zee network owns satellite rights to the film.
“Airing consistently for 25 years, it has managed to grasp the attention and interest of the viewers every time due to its strong storyline, simple plot and relatable characters that resonate highly with audiences across age groups. It is a movie about family, sacrifice, duty and, most of all, love—all the elements that make for perfect family viewing," Tiwari added.
The other big platform where it has been a clear winner is the mobile ringtone and caller tune segment, especially in the Hindi heartland, where the melodies of the 1990s still reign. “Broadly about 40% of our consumption is in Hindi, around 7-8% of which comes from 90s’ music," said Sameer Batra, chief executive officer, content and apps, Bharti Airtel Ltd, which owns music streaming app Wynk. While the north and west are obvious markets for this genre, the east and south, including Bihar, West Bengal, Karnataka, Andhra Pradesh and Tamil Nadu, are surprisingly big on the 1990s’ music too, he added.
As far as hello tunes go, a double-digit user percentage goes for the music of the 1990s across big and small towns. Top 1990s albums include hits such as Hum Aapke Hain Koun...!, Dilwale Dulhania Le Jayenge, Jo Jeeta Wohi Sikandar, Saajan, 1942: A Love Story, Dil Se.., Dil Toh Pagal Hai and Mohra, while Udit Narayan, Alka Yagnik and Kumar Sanu are the top artistes.
“As an album, Hum Aapke Hai Koun...! continues to have about 25,000-30,000 daily users and the top four songs are Pehla Pehla Pyaar, Mujhse Juda Hokar, the title track and Didi Tera Dewar Deewana," Batra added. “For the 35-40 age group that was young in the 1990s, these hold a lot of nostalgic appeal."
Released on 5 August 1994, the film, which was indeed a remake of Rajshri’s own 1982 production Nadiya Ke Paar, ranks No.1 in the list of all-time Hindi blockbusters. It was essentially a love story centered on strong family ethics. The Barjatyas had taken it slow, releasing in only 26 cinemas across the country to begin with. By the 21st week, however, it was being screened across 522 cinemas, only to peak with 730 screens by the 25th week.
“We were very confident of the project and had gone for very limited release," said Ramanathan P.S., head of sales, Rajshri Productions, adding that it was recorded in the optical stereo sound system, which not too many theatres had the infrastructure to play in those days.
Rajshri sold the film only to cinema halls that had the sound system and even went to the extent of installing the system at their own cost in a few theatres, one in Jaipur and the other in Hyderabad.
Initially playing for 3 hours 35 minutes, the makers chopped a couple of the 14 songs to bring the running time to 3 hours 13 minutes.
“The film was going very steady. In the beginning, every show was houseful. But we didn’t want to increase the number of theatres. By the eighth or ninth week, we started giving it to other good theatres. Our condition was that theatre should be well-maintained. And No.2, we wanted the film to have a long run. In Mumbai’s Liberty Cinemas, for example, it ran for two-and-a-half years." Ramanathan recalled.
There were other big challenges, too. In the 1980s, people from respectable families had stopped visiting cinema halls because most were dilapidated and shoddily maintained. The boom in the use of video cassette recorders (VCRs) also let families watch movies from within the comforts of their homes. There was huge entertainment tax levied and theatres were shutting down left, right and centre. “But films like Hum Aapke Hain Koun ...! and Dilwale Dulhania Le Jayenge helped the exhibition business to bounce back. The trend (of going to theatres) started again," Ramanathan said.
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my-music-1460 · 6 days ago
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The Most Iconic Songs of Alka Yagnik and Their Stories
In the rich history of Bollywood music, few names shine as brightly as Alka Yagnik. A voice that captured the soul of an era, Alka Yagnik is a name synonymous with timeless melodies and emotional depth. From the 1980s to the 2000s, her songs became the soundtrack of millions of lives, and her legacy continues to thrive even in today’s music landscape. With a career spanning decades, Alka Yagnik has become an icon whose voice transcends generations, blending emotion, versatility, and technical brilliance into every note. Whether it was romantic ballads, soulful ghazals, or high-energy dance tracks, her voice brought every lyric to life.
This article takes you on a journey through the illustrious career of Alka Yagnik, celebrating her contributions to Bollywood music, her milestones, and her indelible impact on listeners worldwide.
Early Life and Introduction to Music
Born on March 20, 1966, in Kolkata, Alka Yagnik was destined for a life of music. Coming from a musical family, her mother, Shubha Yagnik, was a trained classical singer and played a significant role in shaping her early love for music. Alka’s journey began at a tender age when she started singing bhajans on All India Radio at just six years old. Her powerful voice caught the attention of many, and her mother decided to nurture her talent further.
At the age of 10, Alka moved to Mumbai to pursue a career in playback singing. It was a leap of faith for her family, but it paid off when she got her big break in the movie Payal Ki Jhankaar (1980). This marked the beginning of an extraordinary career that would soon redefine Bollywood music.
The Breakthrough: Ek Do Teen and Instant Stardom
Alka Yagnik’s career catapulted to stardom with the chartbuster song Ek Do Teen from the film Tezaab (1988). Composed by the legendary duo Laxmikant-Pyarelal, this song not only established her as a playback singer but also became a cultural phenomenon. Featuring Madhuri Dixit’s electrifying dance moves, the song was a perfect blend of Alka’s energetic voice and the vibrant visuals.
The success of Ek Do Teen earned her a Filmfare Award for Best Female Playback Singer, and from that moment, there was no looking back. Her career soared, and she became the go-to voice for leading actresses like Madhuri Dixit, Juhi Chawla, and Kajol.
Defining Bollywood’s Golden Era
Throughout the 1990s, Alka Yagnik was the undisputed queen of playback singing. Her songs became synonymous with the emotions and stories portrayed on screen. Be it the romance of Kuch Kuch Hota Hai or the poignancy of Taal, Alka’s voice brought every character’s emotions to life.
Some of her most iconic songs from this era include:
Mere Khwabon Mein Jo Aaye (Dilwale Dulhania Le Jayenge)
Taal Se Taal Mila (Taal)
Pardesi Pardesi (Raja Hindustani)
Dil Toh Pagal Hai (Dil Toh Pagal Hai)
Her versatility was unparalleled, effortlessly transitioning between soulful love songs and peppy dance numbers. Her collaborations with music directors like Nadeem-Shravan, Jatin-Lalit, and A.R. Rahman further cemented her status as a Bollywood legend.
Unforgettable Duets and Collaborations
Alka Yagnik’s duets with male playback singers like Kumar Sanu, Udit Narayan, and Sonu Nigam became evergreen hits. Together, they created some of the most memorable songs in Bollywood history. For instance:
Pehla Nasha with Udit Narayan (Jo Jeeta Wohi Sikandar)
Chura Ke Dil Mera with Kumar Sanu (Main Khiladi Tu Anari)
Agar Tum Saath Ho with Arijit Singh (Tamasha)
Her ability to adapt to different musical styles and voices made her collaborations truly magical.
Awards and Recognition
With a career spanning more than four decades, Alka Yagnik has earned numerous awards and accolades, including:
Seven Filmfare Awards for Best Female Playback Singer.
Two National Film Awards for her songs Ghoonghat Ki Aad Se (Hum Hain Rahi Pyar Ke) and Kuch Kuch Hota Hai.
The honor of being one of the most frequently nominated female playback singers in Bollywood history.
These awards are a testament to her unmatched talent and enduring legacy.
Continued Relevance in Modern Music
Even as Bollywood’s music evolved, Alka Yagnik remained relevant. Her songs like Agar Tum Saath Ho in the 2015 film Tamasha proved that her voice could still evoke deep emotions. Younger generations continue to discover her music, keeping her legacy alive in the digital age. Platforms like YouTube and Spotify have introduced her timeless classics to global audiences, ensuring her place in the hearts of music lovers for years to come.
Conclusion Alka Yagnik’s contribution to Bollywood music is a testament to her talent, dedication, and ability to connect with audiences on an emotional level. Her voice has defined love, heartbreak, and joy for generations, making her an irreplaceable part of Indian music history. As Bollywood evolves, Alka Yagnik’s songs continue to remind us of the golden era of music — a time when melodies reigned supreme, and emotions were conveyed with unparalleled authenticity.
For music lovers everywhere, Alka Yagnik is more than a playback singer — she is an icon whose voice has transcended time, leaving an indelible mark on the hearts of millions.
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musicverse11 · 16 days ago
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The Impact of Classical Training on Kavita Krishnamurthy's Singing Style
Kavita Krishnamurthy stands as one of Bollywood’s most esteemed playback singers, celebrated for her versatility, emotive depth, and the sheer adaptability she demonstrated throughout her career. Over the years, her voice has defined some of Bollywood’s most iconic songs, bringing characters and stories to life in unforgettable ways. Her journey reflects not only her evolution as an artist but also the changing landscape of Bollywood music itself. From her classical roots to becoming the voice behind timeless Bollywood hits, Kavita Krishnamurthy’s career is a testament to hard work, dedication, and talent in an industry that continually reinvents itself.
Early Life and Musical Beginnings
Kavita Krishnamurthy, born Sharada Krishnamurthy in 1958, showed an early passion for music. Encouraged by her parents, she received rigorous training in Hindustani classical music, a foundation that would later distinguish her in the Bollywood playback industry. She was tutored by accomplished musicians and received guidance from her aunt, a classical vocalist. By age eight, she had already performed for All India Radio, signaling a promising future.
Her foray into Bollywood began with opportunities that came her way during her college years in Bombay, where she won several singing competitions. Her initial recordings were for commercial jingles and as a background vocalist, with her first major opportunity coming from the legendary composer Hemant Kumar. Her early work involved smaller roles and chorus parts in songs, giving her exposure to the world of playback singing and experience working with industry professionals.
The Breakthrough with “Tumse Milkar Na Jaane Kyon”
After years of working behind the scenes, Kavita Krishnamurthy’s breakthrough came with the song “Tumse Milkar Na Jaane Kyon” in the film Pyaar Jhukta Nahin (1985). The song became a huge hit, launching her into mainstream Bollywood. However, it was in the late 1980s and early 1990s that she began to gain widespread recognition, collaborating with iconic composers and building a reputation as a versatile singer who could handle a range of styles — from classical to pop, romantic ballads to lively dance numbers.
Rising to Fame in the 1990s
The 1990s were a golden era for Kavita Krishnamurthy. It was during this decade that she delivered some of her most memorable performances and cemented her status as one of Bollywood’s leading playback singers. With songs like “Hawa Hawai” from Mr. India and “Hum Dil De Chuke Sanam” from Hum Dil De Chuke Sanam, she became known for her ability to convey a vast emotional range. Her collaborations with renowned composers like Laxmikant-Pyarelal, R.D. Burman, and later, A.R. Rahman, showcased her vocal versatility and adaptability. Each composition brought out a different aspect of her voice, from the playful energy of “Hawa Hawai” to the soulful depth in “Hum Dil De Chuke Sanam.”
In addition to her work in Bollywood, she also lent her voice to devotional songs and regional language songs, including Tamil, Telugu, Kannada, and Bengali, further broadening her reach and fanbase.
Versatility and Collaborations
One of the defining features of Kavita Krishnamurthy’s career is her versatility. She could seamlessly adapt her voice to suit different styles and genres, making her a favorite among composers. For instance, in A.R. Rahman’s “Ek Ladki Ko Dekha” from 1942: A Love Story, her voice added a sense of dreamy nostalgia, perfectly capturing the essence of the song. Working with various composers pushed her to experiment with her vocal techniques, and she embraced these challenges, evolving her style to stay relevant in the rapidly changing Bollywood music industry.
Kavita’s collaborations were not limited to composers. She also worked with leading playback singers, including Kumar Sanu, Udit Narayan, and Alka Yagnik. Her duets, especially with Kishore Kumar and Mohammed Rafi in her early years, added to her appeal as a versatile singer capable of matching her co-singers’ energy and style.
Adapting to New Generations and Trends
As Bollywood music continued to evolve in the 2000s with the advent of a more Western-influenced sound, Kavita Krishnamurthy managed to adapt. Her classical foundation helped her navigate these shifts. However, with the rise of newer playback singers and the changing tastes of the audience, her presence in mainstream Bollywood started to wane. Despite this, she continued to sing selectively, contributing to soundtracks that appreciated her classical edge and unique voice.
Even as the trends shifted, she found new ways to stay connected to her art. In 1999, she married violinist and music director Dr. L. Subramaniam, which led her to explore more cross-cultural and fusion music projects. This partnership opened new avenues for her, allowing her to perform in global concerts and work on projects that combined Indian and Western musical traditions.
Legacy and Continued Influence
Kavita Krishnamurthy’s legacy in Bollywood is defined by her exceptional voice, adaptability, and a career that spans over three decades. Her influence can be seen in the way contemporary singers draw inspiration from her work, particularly her ability to blend classical Indian elements with Bollywood styles. Many modern-day playback singers cite her as an influence, and her timeless songs continue to captivate audiences.
Though not as active in Bollywood today, her contribution to Indian music remains significant. She has become a mentor to budding musicians and continues to perform internationally, ensuring that her voice and influence endure. Her journey from a classically trained child prodigy to a Bollywood playback icon is a story of resilience, passion, and the undying spirit of an artist.
Conclusion
Kavita Krishnamurthy’s career reflects the dynamic nature of Bollywood music and the importance of adaptability and dedication. From her early days singing jingles to becoming one of the most respected playback singers in India, her evolution as an artist is a fascinating journey. Today, she remains a cherished icon in Indian music, her songs evoking nostalgia and admiration across generations. Her career serves as an inspiring blueprint for aspiring singers, a testament to how one’s passion for music can lead to timeless success.
Explore Kavita Krishnamurthy’s unforgettable music on your favorite streaming platform, and let her voice take you through the golden era of Bollywood. Her songs, spanning decades, remind us of the enduring power of soulful music.
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hidoose · 6 years ago
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Nusrat Fateh Ali Khan
New Post has been published on https://www.hidoose.com/nusrat-fateh-ali-khan/
Nusrat Fateh Ali Khan
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Nusrat Fateh Ali Khan (Urdu/Punjabi: نصرت فتح علی خان), born Anjum Pervaiz Ali Khan (13 October 1948 – 16 August 1997), was a Pakistani vocalist and musician, primarily a singer of Qawwali, a form of Sufi Islamic devotional music. Widely considered one of the greatest voices ever recorded, he possessed an extraordinary range of vocal abilities and could perform at a high level of intensity for several hours. Extending the 600-year old Qawwali tradition of his family, Khan is widely credited with introducing Qawwali music to international audiences. He is popularly known as “Shahenshah-e-Qawwali”, meaning “The Emperor of Qawwali”.
Born in Faisalabad, Khan had his first public performance at the age of 16, at his father’s chelum. He became the head of the family qawwali party in 1971. He was signed by Oriental Star Agencies, Birmingham, England in the early 1980s. Khan went on to release movie scores and albums in Europe, India, Japan, Pakistan and the U.S. He engaged in collaborations and experiments with Western artists, becoming a well-known world music artist. He toured extensively, performing in over 40 countries.[9] In addition to popularising Qawwali music, he also had a big impact on contemporary South Asian popular music, including Pakistani pop, Indi-pop and Bollywood music.
Nusrat Fateh Ali Khan
Biography
Early life and career
Khan was born in a Punjabi Muslim with Pathan ancestry family in Faisalabad, Punjab, Pakistan, in 1948, shortly after the partition of India in 1947 during which his family had migrated to Pakistan from their native city of Jalandhar in Punjab, British India (now in Punjab, India). His family originates from Pathan bastis (Pashtun stelements) in Jalandhar. His ancestors learned music and singing there and adopted it as a profession.[16] He was the fifth child and first son of Fateh Ali Khan, a musicologist, vocalist, instrumentalist, and qawwal. Khan’s family, which included four older sisters and a younger brother, Farrukh Fateh Ali Khan, grew up in central Faisalabad. The tradition of qawwali in the family had passed down through successive generations for almost 600 years. Initially, his father did not want Khan to follow the family’s vocation. He had his heart set on Nusrat choosing a much more respectable career path and becoming a doctor or engineer because he felt Qawwali artists had low social status. However, Khan showed such an aptitude for and interest in Qawwali, that his father finally relented.[18]He began by learning the tabla before moving on to vocals.[citation needed] In 1964, Khan’s father died, leaving his musical education under the supervision of his paternal uncles, Mubarak Ali Khan and Salamat Ali Khan. He is the uncle of singer Rahat Fateh Ali Khan. Nusrat was known as Pervaiz until he visited Ghulam Ghaus Samdani who changed his name to Nusrat Fateh Ali. Samdani also told him that he would become a great singer.
In 1971, after the death of his uncle Mubarak Ali Khan, Khan became the official leader of the family Qawwali party and the party became known as Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party. Khan’s first public performance as the leader of the Qawwali party was at a studio recording broadcast as part of an annual music festival organized by Radio Pakistan, known as Jashn-e-Baharan. Khan sang mainly in Urdu and Punjabi and occasionally in Persian, Braj Bhasha and Hindi. His first major hit in Pakistan was the song Haq Ali Ali, which was performed in a traditional style and with traditional instrumentation. The song featured restrained use of Khan’s sargam improvisations.
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Nusrat Fateh Ali Khan
Later career
In the summer of 1985, Khan performed at the World of Music, Arts and Dance (WOMAD) festival in London. He performed in Paris in 1985 and 1988. He first visited Japan in 1987, at the invitation of the Japan Foundation. He performed at the 5th Asian Traditional Performing Art Festival in Japan. He also performed at Brooklyn Academy of Music, New York in 1989, earning him admiration from the American audience.
Khan, throughout his career, had great understanding with many south Asian singers such as Alam Lohar, the Noor Jehan, and various other Pakistani and Indian singers.
In the 1992 to 1993 academic year, Khan was a Visiting Artist in the Ethnomusicology department at the University of Washington, Seattle, Washington, United States.
In 1988, Khan teamed up with Peter Gabriel on the soundtrack to The Last Temptation of Christ, which led to Khan being signed to Gabriel’s Real World label. He would go on to release five albums of traditional Qawwali through Real World, along with the more experimental albums Mustt Mustt (1990), Night Song (1996), and the posthumous remix album Star Rise (1997).
Khan’s experimental work for Real World, which featured his collaborations with the Canadian guitarist Michael Brook, spurred on several further collaborations with a number of other Western composers and rock musicians. One of the most noteworthy of these collaborations came in 1995, when Khan grouped with Pearl Jam’s lead singer Eddie Vedder on two songs for the soundtrack to Dead Man Walking. Khan also provided vocals for The Prayer Cycle, which was put together by Jonathan Elias, but died before the tracks could be completed. Alanis Morissette was brought in to sing with his unfinished vocals. In 2002, Gabriel included Khan’s vocals on the posthumously released track “Signal to Noise” on his album Up.
Khan’s album Intoxicated Spirit was nominated for a Grammy Award for Best Traditional Folk Album in 1997. That same year, his album Night Song was also nominated for a Grammy Award for Best World Music Album.
Khan contributed songs to, and performed in, several Pakistani films. Shortly before his death, he composed music for three Bollywood films, which includes the film Aur Pyaar Ho Gaya, in which he also sang for “Koi Jaane Koi Na Jaane” on-screen with the lead pair, and “Zindagi Jhoom Kar”. He also composed music for Kartoos, where he sang for “Ishq Da Rutba”, and “Bahaa Na Aansoo”, alongside Udit Narayan. He died very shortly prior to the movie’s release. His final music composition for Bollywood was for the movie, Kachche Dhaage, where he sang in “Iss Shaan-E-Karam Ka Kya Kehna”. The movie was released in 1999, two years after his death. The two singing sisters of Bollywood, Asha Bhosle and Lata Mangeshkar sang for the songs he composed in his brief stint in Bollywood. He also sang “Saya Bhi Saath Jab Chhod Jaye” for Sunny Deol’s movie Dillagi. The song was released in 1999, two years after Khan’s death. He also sang “Dulhe Ka Sehra” from the Bollywood movie Dhadkanwhich was released in 2000.
Khan contributed the song “Gurus of Peace” to the 1997 album Vande Mataram, composed by A. R. Rahman, and released to celebrate the 50th anniversary of India’s independence. As a posthumous tribute, Rahman later released an album titled Gurus of Peace, which included “Allah Hoo” by Khan. Rahman’s 2007 song “Tere Bina” for the film Guru was also composed as a tribute to Khan.
Death
Various reports said Khan weighed over 300 pounds. He had been seriously ill for several months, according to a spokesperson at his U.S. label, American Recordings.[27] After traveling to London from his native Pakistan for treatment for liver and kidney problems, he was rushed from the airport to Cromwell Hospital in London.
He died of a sudden cardiac arrest at Cromwell Hospital on 16 August 1997, aged 48. His body was repatriated to Faisalabad, and his funeral was a public affair. He was buried in Kabootran Wala Qabristan also known as Jhang Road Graveyard on Jhang Road, Faisalabad.
His wife, Naheed Nusrat, died on 13 September 2013 in Credit Valley Hospital in Mississauga, Ontario, Canada. Naheed had moved to Canada after the death of her husband. She is survived by their daughter Nida Khan.[29][30] Khan’s musical legacy is now carried forward by his nephews, Rahat Fateh Ali Khan and Rizwan-Muazzam.
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Nusrat Fateh Ali Khan (Auditorium)
Awards and Titles
Khan is widely considered to be the most important qawwal in history. In 1987, he received the President of Pakistan’s Award for Pride of Performance for his contribution to Pakistani music. In 1995, he received the UNESCO Music Prize. In 1996 he was awarded Grand Prix des Amériques at Montreal World Film Festival for exceptional contribution to the art of cinema. In the same year, Khan received the Arts and Culture Prize of the Fukuoka Asian Culture Prizes. In Japan, he was also remembered as the Budai or “Singing Buddha”.
In 1997, he was nominated for two Grammy Awards, for Best Traditional Folk Album and Best World Music Album. As of 2001, he held the Guinness World Record for the “Most Qawwali Recordings”, having recorded over 125 Qawwali albums before his death. In 2005, Khan posthumously received the “Legends” award at the UK Asian Music Awards. Time magazine’s issue of 6 November 2006, “60 Years of Asian Heroes”, lists him as one of the top 12 artists and thinkers in the last 60 years. He also appeared on NPR’s 50 great voices list in 2010.In August 2010 he was included in CNN’s list of the twenty most iconic musicians from the past fifty years. In 2008, Khan was listed in 14th position in UGO’s list of the best singers of all time.
Many honorary titles were bestowed upon Khan during his 25-year music career. He was given the title of Ustad (the master) after performing classical music at a function in Lahore on the anniversary of his father’s death.
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Nusrat Fateh Ali Khan
Films
Documentaries
Nusrat Fateh Ali Khan: le dernier prophète (1996). Directed by Jérôme de Missolz.
Nusrat has Left the Building… But When? (1997). Directed by Farjad Nabi. (This 20-minute docudrama focuses on Khan’s early career.)
A Voice from Heaven (1999). Directed by Giuseppe Asaro. New York, NY: Winstar TV & Video. (This 75-minute documentary, available on VHS and DVD, provides an introduction to Khan’s life and work.)
Samandar Main Samandar (2007). A documentary aired on Geo TV detailing Khan’s career.
The King of Qawalli (2009). A short film aired on Dawn News about Khan’s life and career.
Concert films
•           The JVC Video Anthology of World Music and Dance (1990). Video 14 (of 30) (South Asia IV). Produced by Ichikawa Katsumori; directed by Nakagawa Kunikiko and Ichihashi Yuji; in collaboration with the National Museum of Ethnology, Osaka. [Tokyo]: JVC, Victor Company of Japan; Cambridge, Massachusetts: distributed by Rounder Records. Features a studio performance by Khan and Party (two Urdu-language songs: a Hamd, and a Manqabat for Khwaja Mu’inuddin Chishti. Filmed in Tokyo, Japan, 20 September 1987, for Asian Traditional Performing Arts).
•           Nusrat! Live at Meany (1998). Produced by the University of Washington. 87-minute recording of a concert of 23 January 1993 at Meany Hall, University of Washington in Seattle, during Khan’s residency at the ethnomusicology program there.
•           Live in Concert in the UK, (DVD, vols. 1–17) [Khokhar Productions]; recorded between 1983 and 1993
•           Akhiyan Udeek Diyan (DVD) [Khokhar Productions]
•           Je Tun Rab Nu Manauna (DVD) [Khokhar Productions]
•           Yaadan Vicchre Sajan Diyan Aayiyan (DVD) [Khokhar Productions]
•           Rang-e-Nusrat (DVD, vols. 1–11) [Music Today]; recorded between 1983 and 1993 (same material as the Khokhar Productions)
•           VHS videotapes, vols. 1–21 [Khokhar Productions]; recorded between 1983 and 1993 (same material as the Khokhar Productions)
•           Luxor Cinema Birmingham (VHS vol. 1, 1979), Khokhar Productions
•           Digbeth Birmingham (VHS vol. 2, 1983), Khokhar Productions
•           St. Francis Hall Birmingham (VHS vol. 3, 1983), Khokhar Productions
•           Royal Oak Birmingham (VHS vol. 4, 1983), Khokhar Productions
•           Private Mehfil (Wallace Lawley Centre, Lozells Birmingham, November 1983) (VHS vol. 5), Khokhar Productions
•           Private Mehfil (VHS vol. 6, 1983), Khokhar Productions
•           Natraj Cinema Leicester (VHS vol. 7, 1983), Khokhar Productions
•           Live in Southall (VHS vol. 8), Khokhar Productions
•           Live in Bradford (VHS vol. 9, 1983), Khokhar Productions
•           Live in Birmingham (VHS vol. 10, 1985), Khokhar Productions
•           Allah Ditta Hall (VHS vol. 11, 1985), Khokhar Productions
•           Harrow Leisure Centre (VHS vol. 12), Khokhar Productions
•           University of Aston (VHS vol. 13, 1988), Khokhar Productions
•           Aston University (VHS vol. 14, 1988), Khokhar Productions
•           WOMAD Festival Bracknell (VHS vol. 15, 1988), Khokhar Productions
•           Live in Paris (VHS vol. 16, 1988), Khokhar Productions
•           Poplar Civic Centre London (VHS vol. 17), Khokhar Productions
•           Imperial Hotel Birmingham (VHS vol. 18, 1985), Khokhar Productions
•           Slough Gurdawara (SHABADS) (VHS vol. 19), Khokhar Productions
•           Imran Khan Cancer Appeal (VHS vol. 20), Khokhar Productions
•           Town Hall Birmingham (VHS vol. 21, 1993), Khokhar Productions
Discography
Main article: Nusrat Fateh Ali Khan discography
Sales
The following are known sales of records with songs credited to Nusrat Fateh Ali Khan, either as a vocalist, composer, or special thanks.
youtube
CreditedYearTitleSalesRegion(s)1996Sangam1,000,000India1997Aur Pyaar Ho Gaya1,500,000India1997“Afreen Afreen”500,000India1997Only One6,000,000Worldwide1997Vande Mataram2,000,000Worldwide1999Kachche Dhaage3,000,000India2000Dhadkan4,500,000India2007Guru1,150,000IndiaTotal known sales19,650,000Worldwide
The following are known sales of records with songs credited to Nusrat Fateh Ali Khan, either as a vocalist, composer, or special thanks.
The following are known Indian sales of Bollywood soundtrack albums featuring copied versions of songs originally composed by Nusrat Fateh Ali Khan, without crediting him.
UncreditedYearTitleSales1994Mohra8,000,0001995Yaraana2,000,0001996Raja Hindustani11,000,000Auzaar2,200,0001997Judaai2,000,000Koyla1,800,000Total known sales27,000,000
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Nusrat Fateh Ali Khan
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realtoroffline · 2 years ago
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There are but few hindi love songs that encapsulate this feeling as well as this Kishore Kumar song. Of course, you want to hold on to that kind of love. It is, of course, serendipity when you find true love. Right from the lyrics to the music, this song is poetry for the soul. This old romantic hindi song featured in the 1973 film, Blackmail, became an overnight success and continues to strike a chord with people from all over the country.Īlso Read: Latest Bollywood Songs 2021 for Iconic Party Kabhi Kabhi Mere Dil Meinįew things remain to be said for a Hindi love song that boasts of 3 Filmfare awards, for best music, best lyricist and best male playback singer. With Kishore Kumar’s sonorous voice and lyrics that say everything that you need effortlessly, this is easily one of the most iconic romantic hindi songs and would continue to remain so for ages to come. Old Romantic Hindi Songs – Best Hindi Love SongsĪ rainy evening and some old romantic Hindi songs…now that’s a match made in heaven! Well, in case you agree, here are some all-time best romantic hindi songs that you might want to play right away. And while you might have your own playlist, there’s no harm in shuffling it a little and making new additions, every now and then, right? Well, on that note, here’s a POPxo approved Hindi love songs ’ list that you might want to take a look at. They have a way of instantly uplifting the mood and that’s why they deserve to be on everyone’s playlist. We mean, the English music might be nice and all but there are few things that hit you as hard as a well-rendered Hindi romantic song.īe it the old romantic hindi songs or the new ones, these songs have a way of cascading through our souls and leaving a mark. That’s the thing about Hindi romantic songs. Can’t say anything about you but we wouldn’t want that moment to end. Picture this: you and your partner on a long drive, gliding through city lights, and soft Hindi, romantic hindi songs playing in the car. New Hindi Romantic Songs – Best Hindi Love Songs.Old Romantic Hindi Songs – Best Hindi Love Songs.THIS ARE EVERGREEN CLASSICAL SONG.I LIKE OLD CLASSICAL SONG. udit Narayan sir.Sonu nigam sir.and all my indian ideal singers.we r salute you.jai hind!!Īarav (author) from Mumbai on September 30, Pandey Thanks for stopping by and commenting. It's a good moments after listening the colorful music of 1990s.I love so much.thankuu sanu sir.alka maim. Swayam bisht on July 12, Thanks for liking the collection. MORESHWAR GANGARAM KADAM on July 19, 2020: © 2012 Aarav Share Your Favorite Hindi Romantic Love Songs This is a massive list with some videos for you to enjoy. Article dedicated to pre-1990s Indian TV shows that you enjoyed in your childhood. List of best old and popular Doordarshan (DD) serials. 101 Classic Old Doordarshan Serials You Grew up on (1980s - 1990s).Learn about 20 of the best funny Hindi songs from yesteryear. Includes photos and information like capacity size and opening year. Top 10 Biggest Cricket Stadiums in IndiaĪ list of the top ten largest cricket grounds in India.Which is the largest university of India? Here you will find the 10 largest universities in India according to student population and campus size. Top 30+ Bollywood Indian Comedy Movies of All TimeĪ list of the top 30 best Hindi comedy movies of all time, from Padosan to latest best hindi comedy movies.įind the list of best Hindi songs from the decade of 1960-1969.
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blogtozone · 1 year ago
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Pardesi Pardesi Jana Nahi Piano Notes | Raja Hindustani
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Pardesi Pardesi Jana Nahi Piano Notes Notes :-  PARDESI PARDESI JANA NAHI A#G#F# A#G#F# F#G# F#D# MUJHE CHHOD KE....A...A..A..A..A D#F# A#G#G# AG#F#G#A# MUJHE CHHOD KE A#A# G# F#F# PARDESI MERE YARA, WADA NIBHANA C#A#C# C#C# C#D#C#, C#D#C# A#AA# MUJHE YAAD RAKHNA, KAHIN BHUL NA JANA A#C# C#C# C#D#, C#D# E D# C# A#G#F# MAINE TUMKO CHAHA TUMSE PYAR KIYA G#A#A#G# G#A#A#G# G#A#A#G# G#F#F# F#G# A#G# SABKUCH TUMPE YAAR APNA WAR DIYA G#BBBBB C# BA#G# G#A BAN GAYI JOGAN MAINE PREET KA JOG LIYA G#A#A#G# G#A#A#G# G#A#A#G# G#F#F# F#G# A#G NA SOCHA NA SAMJHA DIL KA ROG LIYA G#BBBB BC#C# BA#G# G#A# PARDESI MERE YAARA LOUT KE AANA C#A#C# C#C# C#D#C#, C#D#C# A#AA# TUM YAAD RAKHNA KAHIN BHUL NA JANA A#C# C#C# C#D#, C#D# ED# C# A#G#F#
About Song :-
"Pardesi Pardesi Jana Nahi" is a popular Hindi song from the Bollywood movie "Raja Hindustani," which was released in 1996. The film was directed by Dharmesh Darshan and produced by Ali Morani, Karim Morani, and Bunty Soorma. The song is a poignant and emotional ballad that plays a significant role in the movie's storyline. Here is some information about the song: Singers: Udit Narayan and Alka Yagnik provided the vocals for this song. Their melodious voices added to the emotional depth of the track. Lyrics: The lyrics for "Pardesi Pardesi Jana Nahi" were written by Sameer. The song beautifully expresses the pain of separation and longing for a loved one. Music: The music for the song was composed by Nadeem-Shravan, a renowned music duo in the Indian film industry. Their composition resonated with the audience and became a chartbuster. Movie Context: In the movie "Raja Hindustani," the song is picturized on the lead pair, Aamir Khan and Karisma Kapoor. It's a pivotal moment in the film when the characters played by Aamir and Karisma are going through a difficult phase in their relationship. The song encapsulates the emotional turmoil and conflicts they face. Legacy: "Pardesi Pardesi Jana Nahi" was a massive hit and remains one of the most memorable songs from the 1990s era of Bollywood. It contributed significantly to the success of the movie and is still cherished by fans of Hindi music. The song's popularity also led to numerous cover versions, remixes, and adaptations over the years. It remains a timeless classic and is often played at weddings, parties, and other events where Bollywood music is enjoyed. If you're interested in listening to the song or learning more about it, you can find it on various music streaming platforms or watch the movie "Raja Hindustani" to see the song in its cinematic context. Read the full article
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