#type: scene help

[everlythequestionabletomboy]

Can you do the Whitney crossdressing scene?

And by crossdressing scene I mean the one where he forces PC into panties

I'm honestly still finding this one, but posting it if anyone else has the screenshots of the scene.

I probably should update my version bc I still have 4.2.3 LMAO

[zelphin124]

COMMISSIONS OPEN

Hey everyone! I'm opening my writing commissions for the first time! Here is my page for more information about what I do:

https://docs.google.com/document/d/12Q9CUXTiSalRaQE0bx4dEUWyMqmq0zn5DyGQb1-L1A0/edit?usp=sharing

Please take a look!

[frownyalfred]

Tips for writing those gala scenes, from someone who goes to them occasionally:

Generally you unbutton and re-button a suit coat when you sit down and stand up.

You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.

When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.

A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)

Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)

The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.

Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.

Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.

[that1bunnylady]

THANKS I NEEDED THIS

Let's talk about transitions.

Transitioning between fast-paced and slow-paced scenes is essential for maintaining the flow of your narrative and keeping readers engaged throughout your story, allowing for moments of reflection, introspection, and character development.

Here are some strategies to smoothly transition between different pacing levels:

Use scene endings and beginnings: End a fast-paced scene with a cliffhanger or revelation that propels the story forward, then transition to a slower-paced scene that allows characters (and readers) to process the events. On the flip side, begin a slow-paced scene with a hook or question that intrigues readers and draws them deeper into the story.

Bridge paragraphs: Include bridge paragraphs between scenes to provide a smooth transition. These paragraphs can briefly summarize the previous scene's events, set the scene for the upcoming events, or transition between different settings, characters, or points of view.

Change in tone or focus: Shift the tone or focus of the narrative to signal a change in pacing. For example, transition from a tense action scene to a quieter moment of reflection by shifting the narrative focus from external events to internal thoughts and emotions.

Utilise pacing within scenes: Even within a single scene, you can vary the pacing to create transitions. Start with a fast-paced opening to grab the reader's attention, then gradually slow down the pacing as you delve deeper into character interactions, dialogue, or introspection. Conversely, speed up the pacing to inject energy and excitement into slower scenes.

Symbolic transitions: Use symbolic elements within the narrative to signal transitions between pacing levels. For example, transition from a fast-paced scene set during a stormy night to a slow-paced scene set in the calm aftermath of the storm, mirroring the shift in pacing.

Foreshadowing: Use subtle foreshadowing in fast-paced scenes to hint at upcoming events or conflicts that will be explored in slower-paced scenes. This creates anticipation and helps to smoothly transition between different pacing levels by maintaining continuity in the narrative arc.

Character reactions: Show how characters react to the events of fast-paced scenes in the subsequent slower-paced scenes. Use their thoughts, emotions, and actions to provide insight into the impact of these events on the story and its characters, helping to bridge the transition between pacing levels.

See my post on pacing for more! ❤

[chloesimaginationthings]

FNAF Vanny just wanted to be a good girl..

[rev0lverluvr]

[oyabun-draws]

my lesbian werewolf oc >>>>>

[ridleymb]

Lost sheep and young shepherd

I came up with the idea of drawing this before the trailer, after watching the trailer I changed the ending a bit

[dividingcosmos]

The way Nightshade is confirmed to use they/them and Optimus apologized and moved on properly is so nice

[roxirinart]

"Please... Please, fix him."

[luna-azzurra]

Fictional kiss prompts

Forbidden Kiss Prompts (“We’re not supposed to do this” but oops, we are)

a kiss in the shadows, hands clenched in fabric, trying to stay quiet because someone might hear.

“We can’t—if someone sees us…” — and then they kiss anyway, consequences be damned.

a stolen kiss through the bars of a prison cell, whispered promises of escape in between.

a “we’re on opposite sides” kiss during a truce, lips barely touching because if they kiss fully, they’ll never walk away.

a last-second kiss right before one of them is betrothed to someone else.

Angsty Reunion Kiss Prompts (“I thought I lost you” edition)

a kiss the second they see each other again—rough, breathless, and on the verge of falling apart.

a kiss interrupted by tears, hands holding like they’re afraid to let go.

“Why didn’t you come back?” whispered into their mouth between kisses.

a kiss where they pause halfway through just to look at each other, both a little older, a little more broken.

a kiss that tastes like salt and rain and survival.

Soft Domestic Kiss Prompts (Wholesome fluff to rest your soul)

a sleepy morning kiss, lazy and warm, exchanged without even opening their eyes.

a kiss planted absentmindedly on the top of the other’s head while making tea.

a kiss stolen while brushing their teeth together—foam and giggles included.

a soft kiss over a grocery list, mid-aisle, because “you looked too cute to ignore.”

the kind of kiss shared in bed while reading—just because one of them couldn’t help it anymore.

Post-Confession Kiss Prompts ( “Oh my god this is real” edition)

a kiss that stumbles right after the words “I love you,” like neither of them know what to do with their hands.

“You mean it?” — “Yeah.” — cue the most careful, reverent kiss of their lives.

a kiss that starts with laughter and ends in a dazed, overwhelmed silence.

one of them whispering, “You have no idea how long I’ve wanted to do this,” right before kissing them senseless.

a kiss that comes too fast after the confession, clumsy and colliding—because they’ve waited too long.

First Kiss Prompts (that change everything)

a kiss that starts mid-sentence, because one of them couldn’t wait one more second.

the trembling, breath-held pause right before their lips finally touch—eyes wide, hearts racing.

“If I kiss you right now, will you hate me?” – they kiss them anyway.

the kiss that’s followed by shocked silence, and then one of them blurts, “Okay… wow.”

the hesitant brush of lips—barely there—until one of them pulls the other closer like they’ve made up their mind.

Comfort Kiss Prompts (Love as a safety net)

a kiss placed gently on a trembling hand.

a kiss offered like a promise—“I’m here. I’m staying.”

a forehead kiss given after a nightmare, while whispering soft reassurances.

“You don’t have to be okay right now.” – kissed on the temple like a prayer.

the quiet, slow kiss after a panic attack, grounded in breathing and touch.

Jealousy Kiss Prompts (when emotions boil over)

a sudden, possessive kiss that shocks both of them—especially because they weren’t “together.”

a kiss to shut someone up mid-flirt—“They’re with me.”

“You’ve been avoiding me.” – “Because I saw you flirting with them.” – followed by a sharp, angry, perfect kiss.

the kind of kiss that starts in fury but ends in breathless “I need you.”

a kiss that screams “You’re mine. Even if you don’t know it yet.”

Accidental / Surprise Kiss Prompts

tripping and falling directly into a kiss—then freezing in shock as realization sets in.

a practice kiss to “make it look real” that very much does not stay platonic.

a drunken kiss that was supposed to be a dare, but lingers just a second too long.

mistaking the other person for someone else in the dark—“oh… wait—” – “don’t stop.”

an “oops-I-thought-you-were-joking” kiss that they immediately want to do again on purpose.

[stars-obsession-pit]

…Dannny Phantom fics often talk about Amity being chill with ghosts and whatnot, yet I don’t think I’ve ever really seen the logical conclusion of that:

Dying but just… keeping going.

A kid at Casper High dies in an accident and comes back in for class a few days later. Moves the memorial off their desk to make room for their notebook.

An elderly book club member shows up to the new meeting semi-transparent. They laugh off any concern with something along the lines of “At least my back pain’s gone!”

Someone calls in to their job like, “Hey, uh, I died. Does… does that mean I get the day off?”

No one quite knows how to react. Phantom shows up the first few times to ask if everything’s alright, but then starts to leave them be.

It’s… fine?

At first, people very carefully walk on eggshells around the topic of death, but it gradually fades into the background. People just treat it as a new rule of polite conversation. The world goes on. It’s still just Amity Park, the most haunted city in America.

They’ll have to address it eventually, they know. It’s far too big not to. But for the moment, things just keep going as they were.

[nostalgic-shamefest]

He's getting dragged out, kicking and clawing at the closet!

[astorkes]

well, her guard needs work

[silentheiss]

SQQ: Disciple Shen Yuan is weak, useless and is in no way related to this master

SQQ: *catches 14yo SY cursing and kicking cowering SQH behind the woodshed*

SQQ: This master has never been more proud and also, he birthed A-Yuan out of his own body

[fairsweetlonging]

svsss body swap au where shen qingqiu and liu qingge swap bodies, and while shen qingqiu (either yuan or jiu could work!) is having the time of his life with the full power of the bai zhan war god, liu qingge is having a very rude awakening on how much chronic illnesses suck and how much pain and discomfort sqq is in every single day.

liu qingge finds out how awful without-a-cure is, it's blocking his cultivation and leaving him helpless, and it hurts, too, a constant ache that lingers in the back of his mind. it takes mu qingfang calling him out on his behavior to realize that he's been lashing out at others out of his own discomfort and frustration. the only relief he gets is the cleansing of his meridians, but to take all those brews every day and be dependant on his martial siblings for his base health is really frustrating, because he can't do so many things he used to be able to do without second thought.

meanwhile, shen qingqiu arm-wrestled every peak lord and won, cleaved a mountain in half, ran a marathon for fun, and approached every dangerous animal he could find to study them because his strength and reflexes get him out of tricky situations every time.

shen qingqiu: i just ran eighty miles and im not even sweating !!

liu qingge: i tried to circulate my qi and now i have a horrible migraine

eventually they switch back; liu qingge is very relieved, glad to be himself again. shen qingqiu is keeping up a brave face, but the constant discomfort feels a little worse now he knows what it's like to live without it.