#twst collaboration

[twiwoncrackpopcorn]

TSUMTSUM X Disney Twisted Wonderland ~ Tsumified Cupcakes [April.2024 Event on TsumTsum JP]

… I couldn’t manage to finish the last cupcake before the monthly reset, sob sob (＞人＜;)

[serenescribe]

the once (and many) prince(s) Twisted Wonderland | 3.3k Summary: Silver is, has always been, and will always be, the crown prince of his kingdom. AO3 link: https://archiveofourown.org/works/54424864 Collaboration with @ohsleepie | Potential spoilers for elements of Chapter 7

Hi everyone! @ohsleepie and I are back at it again with another collaboration based on his wonderful "The Prince and his Physician" AU! This fic is meant to act as a companion story of sorts to the Malleus-focused "the prince's physician," this time focusing on Silver within the AU! Once again, this fic features incredibly beautiful and amazing art drawn by Sleepie; please check him out and follow him, if you haven't already!

I hope you all enjoy!

The worst part of reincarnation, Silver thinks, is the constant cycle of relearning everything all over again.

Okay, perhaps it would be a bit of a stretch to call it the worst part. There are many negatives, many downsides, far too many to count, to being stuck in a loop of constantly dying and reincarnating. But this particular aspect is, in Silver’s honest opinion, one of the worst out of them all.

There is a bookshelf carved from expensive ebony that sits in his chambers, nestled against one side of the wall. There are several bookshelves in his room, but this is the only one that Silver ever uses, filled from top to bottom with centuries worth of journals — leather-bound books gilded with gold and silver, every detail immaculately painted and carved, the cover opening to expensive parchment made from calves. He tends to absentmindedly run a hand along the spines, eyes glazing over the muted leather colours, before plucking out a book, and reading it through.

Silver only lives a good seventeen years at best, always dying before crossing the pinnacle into adulthood. How much of those seventeen years consist of just… reading? There are, of course, his early years, where he is much too infantile to read and write. But he barely has a few years of reading simple children’s stories before the latest journal is pressed into his hands, and he is briefly explained about the details of his curse.

He pores over the words of those who came before him — the Silvers who came before him, his previous iterations, all dying to form the next one. Their handwriting ghost his own, not just similar but straight up identical, and if he stresses his brain hard enough, he can almost conjure up wispy, fading memories of putting a quill to paper, ink curling across the page in the same, sweeping cursive.

And yet, it is a necessity to read all of it, all over again. Because Silver remembers — but not enough.

His memories are shattered, like an ancient mirror that has been cracked right through the middle, fractured into thousands of tiny, individual pieces. It is akin to a kaleidoscope of lifetimes; when he gazes into this metaphorical mirror, a thousand Silvers stare back, each one reflecting his exact appearance, yet distinct and different in their own ways. And yet each piece is but a shard; Silver remembers only the smallest bits of each past life, the pieces coming together to form a jumbled jigsaw of sharp-edged recollections.

He has lived far too many lifetimes as Silver — the crown prince of his kingdom, the only living heir of their royal family. He has lived far too many lifetimes as a Silver — distinctly different with each rebirth, living a short number of years until the day he inevitably dies.

Silver is immortal, and yet he is not. He lives on as the royal, the prince, a beacon of hope—

But Silver the person changes, with each new looping cycle.

(And so he reads through their journals, no matter how much it exhausts him.)

Many a time, his gaze wanders to his bedroom window.

As the sole heir to the royal family, Silver resides in the largest chambers of the castle, a sprawling set of multiple rooms, from a drawing room to receive guests, to his private bedroom where he slumbers at night. What this also means is that he is privy to the best views of everything within his kingdom, from the area stretching across the castle grounds, to the rest of the kingdom beyond tall and guarded stone walls.

There are many things for him to peer at, but today, he is gazing at the soldiers’ barracks again. They have their own section of the castle, tucked out of the way, but Silver can view them from the sanctity of his study, a room where he pens his thoughts in his journal and reads through old ones.

The emotion that dwells within him is nigh imperceptible, difficult to describe. It feels as though someone has tied a rope around his ribcage, double-knotting it and pulling it tight before tugging at it, and pulling him forward. There are twinges and pangs that cross his heart, a hollow cavern yawning as his soul collapses into itself.

He feels this as he stares out the window at the soldiers training in their courtyard. His eyes fixate on the swords in their hands, at the way they slash and thwack their weapons against straw-stuffed training dummies. Occasionally, he will spot the soldiers gathering together, jumping and yelling as two of them spar with wooden swords, all of them oblivious to his peeping.

He wants this. He longs for this. He—

“Your majesty?”

Silver blinks. It takes him a split second, pulling himself out of his thoughts, shoving away the deep desires that permeate his heart, but he quickly turns around, eyes fixating on the familiar figure in the doorway.

“Malleus,” Silver greets, shoulders relaxing as a smile slips onto his face. Of course it is Malleus; there are few who have his explicit permission to enter without needing to knock, and his physician is one of them. He waves his hand, ushering him in. “How long have you been standing there? Come on in, take a seat wherever you’d like. And what have I said about the formalities?”

Malleus is here for another check-up, and Silver gladly acquiesces. He can think of no other person he trusts more with his very life and soul than Malleus himself. He allows the man to lead him through familiar routines, magic permeating his body as he searches for something Silver cannot see, before shifting to more physical methods of testing Silver’s health.

Still, as Malleus works in a near-silence, preferring to focus and get his duties done before they can relax and spend some time together, Silver cannot help his thoughts from wandering off again. His desires are not new; he has seen them expressed across multiple journals, scrawled in identical, curling scripts across expensive parchment. The desire to pick up a weapon, to learn to fight and defend, to learn how to wield a blade like a true prince — that is what he so desires.

But he is frail, and the council insists that he stays in, that he can learn to fight once they break the curse. So never, Silver thinks bitterly, eyelids slipping shut as he feels cold claws brush against his forehead. Never in this lifetime, and not while I’m alive.

Malleus is many things.

To the populace, he has many names, many signifiers, viewed in many different ways. He is a blessing and a curse, for his magic is by far the only thing that can cure their prince, but all of it comes at the cost of his very existence itself: A fae; a deplorable, wicked creature; a monster that is the very scum of the earth itself. The history of their kingdom is written in the blood of their ancestors, shed through grievous wounds inflicted by the sharp claws and gleaming maws of the fae that slaughtered them all.

To the nobles, the members of the council who govern over the kingdom in Silver’s stead, making decisions on his behest, Malleus is something they tolerate. They do not speak of what will happen after the curse is broken and Silver is cured, but Silver knows, from their whispers and sly glances, from the words penned by the others who came before him, that they wish for nothing more than to rid the world of the last of the wicked — not, and never, fair — fae.

Humans gaze upon Malleus with distrust, wariness, abject hatred.

But for Silver, Malleus is one simple thing alone.

To him, Malleus is his friend.

There are two distinct points in the history of Silver’s incarnations: Before Malleus, and After Malleus.

The difference is like night and day. The journals of before are dismal and depressing, imbued with a bone-deep loneliness that carried all the way through into the parchment pages, stained in the very ink used to scrawl thoughts across the pages. The Silvers of that time tried — truly, they did — to cling to hope, to believe in what their people believed: that one day, their prince would be freed from the shackles of his horrific curse.

But with the passing decades, the many years, the many Silvers that lived and died, they all seemed to suffer from the same truth: there was no cure in sight.

And then there was Malleus.

The guards found a young fae child today, lurking in the borders between what remains of the valley and the kingdom, his own handwriting reads, the parchment yellowed with age, the ink long-since dried. This, Silver knows, is the first point at which Malleus is mentioned, though not yet by name, tucked away in a notebook he recognises by the distinct fern-green colour of its cover. Even now, as I write this, I still cannot believe the abysmal state he was in upon meeting him. No child, whether human or otherwise, should have that many injuries on their body, and though I have had a stern word with those who found him, I fear for his safety.

He shall remain with me for the time being.

Though Silver does not have favourite journals — for such a concept is lost on him when all the journals are such a drag to read, recounting the day-to-day experiences of his past selves, a depressing fog seeming to permeate every page of words — this one is perhaps the closest one to such a concept. Because this journal is different — he clings to every word, phantom feelings of a fierce protectiveness flaring within him, as though this particular incarnation has stirred somewhere deep within him and seized his soul.

It is so painfully obvious how much his past self had cared for Malleus — taking care of him, granting him such patience and endless kindness, spending time with him teaching him the human tongue, of how to read and write. There is a page filled with endless delight upon learning the fae’s name, ink smudged together where the page reads Malleus. Their activities did not end at the crude essentials; there are sweeping recounts of games played together, of crayon drawings and delicious platters of sweet treats — and Silver aches when he reads every word of it, possessed by a longing to return to those simpler times, when Malleus was not his physician, and was merely his friend.

And this care is made so apparent by the last few pages, the cursive made shaky by the cold, approaching winds of Death. To the next Silver, it reads, take care of Malleus. If there is any hope of breaking this curse that ails me, it lies within the powers of the fair folk. And yet, the rest of the page is filled with sentiments, rather than explaining how Malleus is the key to breaking the curse:

I wish this could last forever, these sweet days of playing together. For much of my life, I have been haunted by a bleak loneliness, isolated by my circumstances, and haunted by the weight of all our pasts. I have never had any companions my age, and I know from my readings that all of my predecessors shared the same lonely fate. To indulge in such fleeting luxuries, to have someone to speak to as though we were on the same level, intimately so— it is a happiness unlike anything I have ever felt before.

Blotchy circles stain the pages, the ink smeared in places.

Things may be different from now on. I understand that the council wishes for him to begin his work when the next cycle begins. And it is with that knowledge that I must remind the next Silver: Malleus may be our physician, and he may be tasked with breaking our curse—

But before that, before any of that, he is our friend.

Never forget that, for as long as we may live.

“Thank you for joining me today.”

Wispy trails of steam rise from two cups of tea, sitting in elegant saucers. Before Silver, and in the middle of the round tea table, is a small spread of sweet delicacies: scones accompanied by small glass jars of jam; finger sandwiches, some filled with goat’s cheese and roasted pepper, others filled with cucumber and salmon; and a small, round cake, tiny enough that it’s perfect for just the two of them.

“Of course,” Malleus replies, his voice smooth as usual. He raises his head slightly, slitted-eyes roaming over the tea-time spread before them, before he dips his head. “I thank you for the invitation, your majesty.”

“We have been over this many times, Malleus,” Silver says, unable to hide the exhaustion that spills into his voice. “You need not refer to me by such formalities.”

He knows why Malleus does so, of course. The answer is written across several different journals — It is difficult for him to reacquaint himself with us in each new cycle, and I truly cannot blame him. How alienating must it be, to witness someone you grow close to, time and time again, look upon you with no familiarity in his eyes? There is another reason too, though one of mere speculation, for Malleus has never confessed the truth by his own tongue — Earlier today, I witnessed a council member chide Malleus for regarding me with such familiarity during our meeting. I do wonder if this may be another factor into those needless formalities.

Thankfully, Malleus always obliges whenever Silver asks this of him — though whether it is because Silver is his prince, or because Silver is his friend, he never knows. “Is there any occasion for this meeting, Prince Silver?” Malleus asks, as Silver beckons for him to help himself, unwilling to dig in first when the fae’s eyes are flickering over the food, glinting with hunger. I wonder if he has forgotten to eat again, Silver thinks. Malleus carries over a scone and a sandwich with his utensils, leaving the cake intact. “Not that I mind it, by any means; it is always a pleasure to spend time with you.”

“There is no special occasion,” Silver answers, finally reaching for the spread as Malleus cuts into his meal. “I… only wished to spend time with my friend.”

Their relationship is a strange, tenuous thing. There is undoubtedly a bond there, from the way that Silver always feels so safe and secure in Malleus’ presence, and the gentle way that Malleus treats him, always appearing whenever Silver calls for him. There are even some rare occasions where the facade of dutiful physician slips, a careful veneer crafted for the sake of survival in the court, and Silver relishes those times, watching as Malleus’ expression sours, the stinging barbs that spit from his mouth more endearing than his usual regal elegance.

But all the same, compared to the earlier journals after Malleus’ appearance, filled with much more warmth and life — even as he learnt his role, Malleus would still happily chat with those Silvers, accept his offers to play games, spend the night with him on many occasions — there is a gap between them now. Driven by age, driven by time, and driven by the eternal, scathing judgement of the many humans of this kingdom, who cycle in and out of life and death, but are all fuelled by the same spiteful hatred and prejudice, taking it out on the only fae they know.

Still, Silver tries his best. He knows Malleus does too.

He sees it in the way the fae’s shoulders relax, expression smoothing out at the edges. “In that case,” Malleus says, after a moment’s pause, “let us indulge. How have you been lately… Silver?”

It is a good day for the two of them, Silver reflects. They drink their cups of tea and drain the pot of its excess drink, and the tray of delicacies are filled with nothing but crumbs by the time they’re done.

Even the cake, a dessert regarded with conflicting feelings by Malleus, is finished by the end of it. For once, Malleus eats his slices with a small smile, both their forks scraping the bottom of the plate as they help themselves to their fill.

Death no longer scares him, unlike everyone else. Death, in its own way, is a comfort, an inevitability: Silver knows he will reach his demise at the same time, at the same age. Very few people can ever be privy to such knowledge, going through their lives not knowing if they will pass on at age fifteen or fifty.

In that vein, what does it matter if Silver chooses to speed up the process?

He is not allowed proper access to weaponry. The council states that it is because there is no need for him to pick up a blade when he has guardsmen patrolling the halls around his room at all times, but Silver knows better. This is not the first time he has longed to die earlier than he usually does; he can count the other occasions on two of his hands, based on cryptic journal endings dated months earlier than they usually do.

To an extent, a part of him wonders what the point of it is. He will die, inevitably; why inflict such pain and suffering if he knows he’s going to come back? What is the point of it all?

The point, Silver tells himself, is that there isn’t one. He’ll always come back. He’ll always return — and so why should he languish and rot in his bed as his body slowly gives out on him? Why waste those months feeling his muscles weaken and his grasp on reality slip?

Why not do everyone the honour of ending it early, ending it now?

(The silver blade of the dagger, requested from some rookie soldier who knows no better than to deny this particular request from the prince, is cold against the flesh covering his heart.)

Silver is so, so tired. His life is stagnant, unchanging; he lives and he dies the same person, the same name, the same cursed prince of the same bloody kingdom, every childhood filled with days of reading the same handwritten journals signed with the same, stupid name.

When will he be allowed to rest? The weight of a legacy, the weight of his people’s hopes and dreams, drag him down, like impossibly heavy weights that are shackled to his limbs, pulling and pulling until he’s flat against the ground. He never asked for this — and god, it’s so selfish to even think of that, but it’s true.

Nobody ever thinks about him, Silver the person. They are only ever concerned with Silver the prince, Silver their saviour.

Except—

A memory flashes to mind, unbidden — of twisting, dark horns and raven-spun hair, and slitted green eyes that crinkle at the corners as he smiles at him.

(His hands tremble.)

Malleus.

The name fills him with an ache. If there is anything Silver can take comfort in as he straddles the line between life and death, it is simply that Malleus will always be there. Malleus is a constant throughline throughout Silver’s life, and while Silver may ebb and flow, weaving in and out of the many, many years of a fae’s long lifespan, Malleus will always be there.

And though the thought of that face, rendered a child once more in its shock and sadness, causes his chest to knot itself with hesitance and reluctance, Silver steadies himself.

The humans may come and go, live and die, but Malleus will always remain.

(And the blade plunges down.)

[katherinebaz]

Sailor Moon scene

With oc x Malleus

With nothing wrong to follow

[breadandfandom]

Collaboration with @mirisart who suggested this after I brought up the idea of a collab! She found us a cute little ref that we marginally modified, sadly we couldn't find the original.

If you want to use it maybe you'll have more luck.

Pose below the cut.

If you find out who made this please let me know so I can tag the creator!

[kaechannn]

𝓣𝓱𝓮 𝓫𝓮𝓵𝓵’𝓼 𝓫𝓮𝓪𝓾𝓽𝓲𝓯𝓾𝓵 𝓼𝓸𝓾𝓷𝓭 𝓻𝓮𝓼𝓸𝓷𝓪𝓽𝓮𝓼 𝓲𝓷 𝓶𝔂 𝓬𝓱𝓮𝓼𝓽… 𝓘 𝓪𝓶 𝓭𝓮𝓵𝓲𝓰𝓱𝓽𝓮𝓭 𝓽𝓸 𝓱𝓪𝓿𝓮 𝓫𝓮𝓮𝓷 𝓲𝓷𝓿𝓲𝓽𝓮𝓭 𝓽𝓸 𝓽𝓱𝓮 𝓒𝓲𝓽𝔂 𝓸𝓯 𝓕𝓵𝓸𝔀𝓮𝓻𝓼..

The Bell of Solace rings for the night and flowers wilt in their presence! Glorious Masquerade Collab has been taken over by these three! A big thank you to @siillkie and @reireisama for joining the night !

[akkivee]

Hi Vee sorry for bothering you! Would you ever consider posting a summary of the newest BB drama track? I hope this doesnt come off as demanding, I'm genuinely just curious 👉👈

uh yeah i can!!!! i don’t think i can get to it anytime soon tho since i’m not home with plans and i would want to be as thorough as i can giving a summary since i’m very biased towards bb lol

[frobby]

Im still of the mind they should make a mairuma gacha game

[faerieorbitars]

ok hai. what if in disneys epic gacha game twisted wonderland the mc was a space alien meat eating plant monster. named tooey. any relation to persons or plants living or dead is purely coincidental. i promise

[raven-at-the-writing-desk]

even more twst rings 💍

***Please note:*** Sharing merch images + news is not intended to encourage and/or to pressure anyone into making purchases. It is up to the individual consumer to be informed and to choose how they spend their money.

These are made in collaboration with a Japanese fashion and lifestyle brand, Space a la Mode. Each is a set of two rings that can be worn separately or stacked and worn together.

… It seems we never run out of TWST plushies and jewelry merch 💀

[raguiras]

Burton-fied TWST, kinda?!

aka the Haunted Victorian Mansion AU

Something entirely different from my usual content for once ^^ Might do a 2nd part if y'all like it! // reblogs are extremely appreciated ~

This AU was created and developed by @althea-and-alcestris and I helped her with the lore! I was also able to include my Yuu OC Allen and his ship with Deuce 🫶

NOTE: The AU description won't go too much into detail for now in order to avoid potentially triggering topics.

About the AU

The Haunted Victorian Mansion AU combines elements from Ghost Bride (my friend's base concept/inspiration for this AU) with ones from Identity V (my influence).

A group of detectives are lured into a haunted mansion in promise of money, other valuables, and secret information on criminal cases if they "solve a riddle". Said mansion is inhabited by the ghosts of people who died tragic deaths and can no longer remember any details about how or why they died.

While they do automatically want to uncover the secrets of the dead, the detectives aren't aware of what the "riddle" on hand is. Nobody told them that if they don't figure out the reasons behind every single ghost's death until sunset, they're going to be trapped inside the mansion forever...

Hint: You may be able to guess why Malleus, Riddle, Floyd and Jade died in this AU based on their designs.

Canon cast

Detectives:

Deuce, Trey, Cater, Leona, Ruggie, Jack, Kalim, Rook, Epel, Silver

Ghosts:

Riddle, Ace, Azul, Jade, Floyd, Jamil, Vil, Idia, Ortho, Malleus, Sebek, Lilia, Baul

♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤♠︎♤

Intro for 2 out of 40+ AUs done! I created more than 20 of those AUs and will likely make many of mine collaborative (= you can officially put your OCs and ships into them), so stay tuned!

I'll likely talk more about the Haunted Victorian Mansion AU in the future if y'all like it, sooo 👁👁

[mellowwillowy]

In a self-aware TWST AU, do you think they would make and sell MC merch like anime merch? Imagine MC t-shirts, MC fanart posters, and MC figures. I think Idia's room would be full of MC merch.

Yes. Probably Azul and Idia’s collaboration bullshit.

There are multiple notable sponsors like Leona, Kalim, Malleus and Vil… (Vil helps with PR the most)

Idia is indeed the kind of guy who collects the same merch in numerous amounts… and so is Azul. (ironically)

But of course, Idia’s collection is just as much as Kalim’s. They are both filthy rich and they can shower the whole world with your merchandise.

Riddle is very flustered about letting other people know he has a collection of you even though it's quite the norm at this point.

Leona on the other hand has no shame in hugging your body pillow to sleep unlike Idia and Azul.

Kalim gives your merch to other students like some flyers.

Vil bathes in the details of your merchandise and is more meticulous about it than the producers themselves.

Lilia has no shame as he wears you all over him, parading around the school ground happily.

[twiwoncrackpopcorn]

ツイステ Twisted Wonderland EVENT “Lost in the Book with Stitch” starts on 18.Aug

Event Story from 18.Aug until 8.Sep

Mirror Gacha Banners split into 2

EVENT CARDS :

First banner starts on 18.Aug until 31.Aug with SSR Lilia and SR Riddle,

Second banner starts on 31.Aug until 8.Sep with SSR Floyd and SR Ace,

Both banners will have a re-run on the 8.Sep with cumulative guaranteed SSRs (Event Cards are on,y guaranteed at the 200th-pull, meaning the 100th-pull SSR may be another Dorm SSR)

[serenescribe]

the prince's physician Twisted Wonderland | 3.7k Summary: Malleus is the prince’s physician. He reflects on everything his role entails. AO3 link: https://archiveofourown.org/works/52875436 Collaboration with @ohsleepie | Potential spoilers for elements of Chapter 7

Hello everyone! This fic is directly inspired by @ohsleepie's wonderful "The Prince and his Physician" AU, and wound up being an impromptu collaboration featuring absolutely stunning and incredible art drawn by Sleepie himself! Please check him out and follow him!

I'm so happy to share this, and I hope that you all enjoy it!

The days between the prince’s passing and his inevitable reincarnation always feel the longest to Malleus.

Time, as it is, is a slow-paced thing; such is life for him as the last of his kind, a single year feeling far more miniscule for him than it does for a human. Malleus loses track of the days easily, slips up on his months and years. He is only aware of the passage of time through distant observations of festivities — celebrations to herald in a new year, for one, or the prince’s birthday, for another.

But rather than track the time through each changing year, Malleus tracks them in cycles of Silver’s life and death.

With each new reincarnation, each new cycle brought anew, something imperceptible shifts in the air. A rebirth means many things — to the kingdom’s populace, it is yet another year of a curse yet unbroken; to Malleus, it is a tangible, physical mark of his failures. But failures aside, there is something so jarring, so off-putting, about seeing the nursemaids and servants whisk a cradle through the halls of the castle, a cradle Malleus knows the contents of.

It is Silver, always Silver, a slumbering baby identical to the dozens that came before him — wispy locks of silver hair that plaster against his forehead, pudgy hands and chubby cheeks, and when he opens his eyes, those same, breathtaking hues of the brightest auroras.

Malleus always stops and stares whenever these moments occur. For an instant, his breath is stolen right from his throat by some unseen thief; his mind dredges up memories of when he, himself, was young, stirring to life old cycles when he was but a child himself, unable to comprehend Silver’s passing and subsequent return. It had taken him quite some time to grasp all of it — but then again, could one truly blame Malleus when his guardian figure, the kindly young prince his age who took him in and treated him well, had died in bed, only to reappear as a wee babe?

But when Silver returns, Malleus feels as though he can breathe again, an invisible knot in his throat loosened.

Because when Silver is gone, Malleus feels… useless, for lack of a better word. His own memories of his childhood are haphazard and spotty, mainly made up of foggy recollections of surviving in the harsh brambles of fae forests. For many, many years, he has found a purpose, was given one through being brought to this human kingdom: break our prince’s curse, and save him from Death’s unyielding grip.

There are few here who deign to interact with him beyond courteous pleasantries. They turn their noses up at him, eyes narrowing, lips twisting; it is fae, they whisper to each other, voices dripping with venom. If not for its magic, its prowess, surely we would have left it to die.

Silver is kind to him, has always been ever since he was young. So is it truly so shocking that Malleus feels so lost with him gone, and feels so relieved whenever he returns?

(And yet, intermingled with the relief, buried underneath such feelings of solace, there lurks another monster. A sense of guilt which festers, slowly growing over time.

An old memory rises whenever Malleus reflects on it for too long, of Silver’s voice:

“I wish for you to break my curse, Malleus. But I do not want to be immortal. My people have suffered for far too long, unable to grow and prosper due to my unending fate.”

He remembers a soft, sad smile.

“To relieve them of that burden, to allow them to grow with my final passing… that is what I wish for, above all else.”)

“How are you feeling today, your majesty?”

It is always odd, with each new cycle. To reacquaint himself with this new Silver — so much like the one before, in his appearance and demeanour, yet lacking the full memories of his past. Malleus knows Silver recalls just enough, especially when aided with the meticulous journals his previous incarnations have kept, but it is jarring, all the same, to reintroduce himself to someone he has known for many, many decades.

Silver blinks at him from the bed, the four-poster frame draped with too many silks and gauzes, too big for a boy of his size. His eyes are tinged with crusts of sleep, bags forming under them despite the medicines and foods they all have him eat, and yet there is such a strange tranquillity resting in his expression whenever Malleus sees him. “I’m quite alright, Malleus,” he responds, voice scarcely a whisper, soft and sweet. “And you don’t need to call me such formalities. We’ve been over this many times.”

Malleus exhales, the breath slipping through his nose.

No matter how many times Silver tells him as such — and it has been plentiful, through Silvers young and old, of different years, different decades, different centuries — Malleus still abides by such titles, at least when he first speaks to him. It gets easier as the years pass, as he acquaints himself a bit closer, as Silver inches closer to another inevitable death, but all the same—

“You are to be his physician,” a voice instructs him, the memory looming to life once more, “and you do not stand on equal ground with him. As such, you are to abide by our formalities: he is to be referred to as ‘your majesty,’ and nothing else.”

“Prince Silver,” Malleus says instead, the title a little clunky on his tongue. Silver raises an eyebrow at him, but does not push. He merely sits in place as Malleus walks over, his heels clicking against the floor, tail lashing behind the fabrics of his half-skirt. “Allow me to check you over today, if you will.”

“At this point, you need not even ask.”

The days go by the same way they always do: Malleus inspects Silver over carefully, running careful hands over every inch of his body before he adjusts his magic, and delves deeper into the beyond. His instincts are carefully attuned for any little change, anything he has never seen or felt before — any anomaly at all could give a new direction for him to research in, and a new possibility of a means to break the curse.

(He refuses to let himself think too hard about what breaking the curse truly entails. Malleus has ruminated over it over the course of many, many cycles, laying wide awake in bed, staring up at elegantly painted murals on the ceiling in the dark of night. It is always the same thing — should he abide by the kingdom’s wishes, or by his prince’s?

In the end, regardless of which route he chooses, Malleus shall break the curse. But it is the eternal dilemma presented to him that tangles his soul day after day — what would truly be better, to let Silver live past the ages of youth and mature into an all-powerful, immortal king? Or to let him die in peace, freeing his people from the burdens of a monarchy, their hopes and dreams all inextricably tied to their young and dying prince?

And, to another extent, the other part of the question Malleus thinks about, what does he want himself?

There is a part of him that feels such vibrant joy and pride at the thought of Silver thriving — to live as long as Malleus shall, if not even longer; to rule with his steadfastness and kindness, resolute as he heralds a new, immortal age of glory. Malleus knows little about the history of his own kind, but what tiny bits he can dredge up have taught him of a group of creatures with such power and perfection, such beauty and bravery. They thrived in the night, ruled from the shadows, creatures of such majestic, nigh-immortal magic with an arrogance that led to their own downfall.

As a fae himself, Malleus wonders if it is only natural for him to desire such things for Silver. To watch him grow into the ages he has never been able to reach before, to witness him at his fullest might and glory.

And yet, the mere thought of the stabbing betrayal in those auroral eyes, the sadness that may overcome those soft features, is enough to give him pause each and every time.)

He was young when they found him skulking about the brambles.

For as long as Malleus can remember, he has always been alone. Though he’s certain he remembers some sensations of warmth from before he came into being, of being cradled close in a loving embrace, all he remembers, through to his earliest memories, is of being alone.

And for such a lonely fae child, wandering about an overgrown, abandoned valley, what else was there for him to do but survive? To pounce about and gulp down whatever meals he could find, to curl up in the nooks of trees and little rock caverns to try and keep warm… and to hide in the brambles, slitted eyes peering at civilisation from afar.

He’d watched the daily lives of the human kingdom after finding out about their existence, when he was old enough to try and mimic a form similar to their own. Still, Malleus had been too scared to venture too close, some innate part of him screaming at him to stay away, and so he had simply observed from a distance… until one day, they found him.

He remembers little of that day now. It’s all a blur when he tries to recollect it — sharp grips tightening around his limbs as he kicked and thrashed, searing magic that ripped through his veins, burning those who tried to hurt him, being thrown and tossed about, immobilised by something that seared at his skin… All while screaming and yelling flooded the air, his heartbeat thumping chaotically in his ears, head spinning as his surroundings whirled about him—

And then it stopped.

And then there was Silver.

He was young then. That, Malleus recalls. He remembers everything after the pain and the panic with ease, of the way the young boy — just as young as he, with silver hair and such pretty, colourful eyes, and oh-so gentle hands — had removed the searing things that hurt him, and rubbed something that stung before it began to feel better.

“My name is Silver,” the boy told him, in a soft, kind voice that made Malleus feel… safe. “I’m sorry about the pain they caused you. I hope you’re feeling better now.”

Malleus understood him, of course, in some strange, innate way. But his tongue could not shape the same sounds that he heard, no matter how hard he tried. When he spoke, all he could manage was something that chimed and clicked, something Silver didn’t understand.

And yet, in spite of all that, Silver had such patience with him anyway. He allowed Malleus to stay by his side, to stay in his room, eating the same foods that he did — and what a treat they were, for a child who starved as long as he had! — and sleeping in his bed.

Time passed; his wounds healed. His tongue began to curl in all the right ways, taught painstakingly by Silver how to speak in his tongue in-between the periods of time where he had to disappear. Malleus relished in each and every day, the loneliness that haunted him for so long no longer looming over him like a shadow. Now, he had Silver—

Until he didn’t.

Silver hadn’t woken up one day, no matter how hard Malleus tried. Nudging him, shaking him, calling his name until his voice rose in a panic, and the door slammed open, footsteps thumping into the room. He’d been dragged away, kicking and screaming again, the same terror from years ago swelling up once more in his heart; the fire that sparked through his veins, the sheer agony and pain, the lurking realisation that he was alone again.

He remembers very little of those in-between days, the foggy haze of nothingness only pierced by a baby’s cry and the realisation that Silver had somehow returned. But it hadn’t been until years later, years of being stuck in a tiny little bedroom by himself, that Malleus could finally see him again.

Silver was younger now. Younger than Malleus himself. And finally, he explained it to him.

“I have a curse on me,” Silver told him, as simply as possible, as Malleus curled around him in his bed. “And other humans believe you can break it.”

Malleus blinked up at him, raising his head from the soft, downy cushions. “I… can?”

“You can,” Silver affirmed with a gentle smile, his voice high. He reached out, wrapping his arm around Malleus and bringing him close. “Because you’re a fae. You’re so strong. If anyone can help me, it’s you.”

The truth, of course, was far more complex than that simplistic explanation. The truth was that Silver’s curse itself was fae-inflicted and, considering the immense strength of the fair folk, only another fae’s skills would be able to eliminate the curse. But Malleus had been young, and Silver, despite his youth and the fact that he still barely recalled his own memories, was kind, trying to explain everything to Malleus as simply as possible: You are strong, and we believe in you. I believe in you.

And Malleus had accepted it, taking on his new role as the prince’s physician with a regal sort of pride.

Magic slinks through his veins as naturally as blood, the two intermingling and intertwining. It comes to him so easily, far more than even the most expert mages of the kingdom, who have spent decades of their mortal lives honing their skill to a perfect shine.

But for as naturally gifted as Malleus is, he lacks the proper training one should have. That is, not the training of human mages, for he has gone through many cycles worth of such a thing, but the training of a fae.

Fae magic is so distinctly different from that of humans, rooted in their very heart and soul, and in the power of the natural world around them. And though Malleus can adapt to his circumstances, taking what the reluctant tutors teach him and twisting it to suit his own strengths, there is only so much he can learn and do until he hits a wall, and gets stuck in one place.

If only there were other fae still alive, still out there. If only, Malleus thinks longingly, a swell of frustration burgeoning within him as he hits yet another blockade in another theory he’s been trying to test, the ink of his feathered quill dragging to a blotchy halt across the parchment as he struggles to pen what he’s been theorising into written words.

He hears the whispers of the court, day after day. Why isn’t there any progress? the humans ask, as though Malleus can flick his wrist and cure anything instantly. How many years has it been here? How much longer must we suffer? How much more must our prince wait?

And the thing is, Malleus desires nothing more than to be able to snap his fingers and dispel that wretched curse, all at once. But beyond other factors, such as Silver’s private request to him all that time ago to grant him a peaceful death and free his kingdom from the shackles of his immortality, there is the very fact that this is a fae curse, a complex, interweaving system of magic designed to loop Silver’s death, all while bringing him back every time. There is intent behind this convoluted spell, and save nothing short of somehow speaking to the caster himself, there is little Malleus can do but break it all down in reverse.

He rakes a hand through his hair, a growl spilling from his throat. The quill clatters to the table as he drags his hands down his face, biting back a haggard sigh.

The sound of knocking against wood.

“You may enter,” he calls, twisting in his chair to stare at the door.

The hinges squeak as it cracks open, revealing a guardsman who leers at him. “Your presence is requested,” they state, not bothering to hide their disdain, yet having enough basic courtesy not to let it spill into their words. “The council wishes to learn of your progress on breaking his majesty’s curse.”

Dark lips twist into an ugly sneer. The council, Malleus seethes. A group of uppity, stuck-up human nobles, who constantly die and get replaced with equally awful replacements, who keep breathing down his back about any meagre bits of progress he’s been able to make despite Silver’s attempts to get them to stop.

The downsides of Silver constantly reincarnating, needing to relearn everything all over again as he dives back through journals and jostles his own memories, is that he can’t always chase them away, telling them to leave his physician alone, and let him work. This is one of those times, it seems; Silver is too busy learning how to be a human being again, leaving Malleus stranded against a group of men who seem hellbent on making his very existence hell throughout what little bits of life they live.

But it is not as though he can deny a summons. For all his title as the prince’s physician, Malleus knows — has known for such a very long time — that his rank is meaningless without the very prince he serves.

“Tell them that I shall arrive in five minutes.” Picking up his quill, Malleus dips it back into a pot of ink, a furious frustration igniting the spark within him as he turns back to his incomplete report.

It is better than nothing, and that is worth something.

Malleus holds very little loyalty to this kingdom. What else is there for him, when he is destined to outlive everyone within it, and when they are all so bent on treating him as though he personally killed their families?

He is aware of the history between them and his own ancestors, the plentiful fae who used to share these lands until they waged war against the humans, slaughtering them in a painful, bloody battle. The humans had emerged victorious, all the fae driven out or slain, but it had come at the heavy cost of all their royals killed — except for one.

And for years, they had watched their prince grow with pride, until he had died before his coronation. And then it had happened again, and again, and again — they would find him as a baby nestled within a clearing in the nearby woods, identical in each and every iteration, and they would watch as he always died before arriving at his years of maturity, always while he was far too young.

A fae curse, they realised, far too late. How foolish they had been, to dismiss the magic struck against their prince! It is a fate worse than death, they lamented, their spirits growing weary with each new cycle. What shall we do?

Malleus is their answer to their conundrum, a solution to a problem his ancestors made. And yet, for all the supposed salvation he represents and is supposed to bring, he knows what they think of him. And though he understands it, understands the reservations and hatred for everything he represents, he also cannot help but resent them for it.

Why is he treated like he is lesser, when he is trying to help them?

His loyalty lies with their prince, with Silver, for the kindness Malleus has been shown over and over, throughout countless identical reincarnations, countless ends and beginnings. It is the reason why he stays, why he endures it all, why he works painstakingly at dissecting a curse only he stands a chance of understanding, in hopes of shattering this cruel fate once and for all.

He carries the hopes and dreams of the kingdom on his shoulders — a cruel irony, Malleus knows, considering what most of the populace think of him. He is their only hope, in the end.

But the thing is — and this, Malleus has come to realise over time:

It is easy for the humans to root for their prince. It is easy for them to hope, to pray, to plead with whatever higher forces exist out there for the fae physician to break his curse, bringing them all into a golden age of their royal’s immortality. It is easy because they are human; for many of them, they will not live long enough to witness more than perhaps four or five of their prince’s life cycles, forcing them to tell their descendents of their desires to carry on the flames of their hopes.

When one does not live long enough for their awe and admiration, their all-consuming anticipation, to melt away into something far more pessimistic, it is easy to stand strong and proclaim, “I wish for my prince to live forever; I wish for him to lead us into a new age.”

But for Malleus? For the only fae in a kingdom of mortals, destined to outlive each and every one of them by proxy of his heritage alone?

He has lost count of just how many cycles he has witnessed, from the tender years of childhood into the grown fae he is today. He has lost track of how many times he has met Silver for the first time, the servants and guards and nursemaids who care for him and guard him all switching out cycle after cycle, as more of them die and more of them are replaced.

The humans see not what Malleus witnesses over time: the piles of journals that stack up higher and higher; the heavy bags that marr the underside of those striking auroral eyes; the pure exhaustion that sinks into their prince’s every movement and word, the way he gazes upon his kingdom from towering windows.

In the end, this miserable curse can only end one way: Silver must die.

(The question still remains, pressing down on Malleus’ shoulders, an invisible burden weighing him down with each soft smile and greeting he receives.

Shall Silver live forever? Or only once more?)

[assortedshrift]

Twst Otome Isekai AU

Reader used to love isekai but became sick of all the terrible ML’s and annoying FL’s. There is nothing worse than getting into a series with an immersive setting only for the author to waste it on terrible main characters.

Eventually you give up on the genre and focus on getting her business degree. A year after graduating things are actually pretty good, you survived the terrible job market and landed a pretty sweet gig with a decent paycheck. Now, on the anniversary of your decision to drop all light novels, manhwa, manga, etc… you decided to celebrate your good fortune with a treat from your favorite cafe. You'll never guess what happened while you were crossing the street…

So yeah, Truck-kun sends you to Twisted Wonderland, which happens to be the last isekai you read. Ugh.

Okay, so it wasn't the worst offender, there were plenty of trashier light novels out there. you were actually pretty invested in the story’s world. The MC Allison (Call me Allie!) is a down on her luck woman from the modern world who died from tripping into traffic, only to wake up in the world of Twisted Wonderland. Through her the audience meets the characters and learns about their lives. The overarching issue is the mysterious condition known as ‘Overblot’ that occurs when someone uses too much magic. Allie is taken in by the Royal Sowards Association (RSA), a multinational group dedicated to helping others. They discover that something about being from another world allows Allei to purify blot, and she saves the ML’s during their adventures.

You honestly liked the novel at first. The worldbuilding was captivating and the characters were interesting. Unfortunately as the story progressed the MC became increasingly disappointing. Allie is first presented as an average, innocent young lady who just wants to do good, but you can't think of her as anything other than a loser. It’s understandable how someone transported to a new world would start off with little agency, but despite many opportunities for character growth the MC only seems to get worse. 

Allie claims to have big dreams but never works towards them. She touts the value of being independent but stays reliant on handouts from the other characters. When faced with the suffering of others Allie cries about the unfairness of life then just… moves on. It was so frustrating for you to be shown glimpses of an interesting world while stuck with the viewpoint of such an agentless character. Considering all this, it would be an understatement to say that you were upset upon waking up in the headquarters of Night Raven Collaborative (NRC), a dark counterpart to RSA. 

If there were a need to describe NRC in one word, that word would be ‘petty’. Some time after RSA’s founding a group of villainous individuals realized that the united heroes were causing all their schemes to fail. The group reluctantly learned to work together which led to the founding of NRC, a secret society dedicated to the destruction of RSA. Now, millennia later, the heirs of these dark legacies are still trying to defeat RSA. 

But that's enough exposition, back to Reader.

You are quickly discovered by Dire Crowley, a dark fae who was tasked by the original founders to take care of the organization as a sort of regent in their absence. In the present day he is the public face of NRC’s leadership. He questions you using magic to determine who you are and why you're here.

Now, at this point it's been years since you last read Twisted Wonderland, and a lot has happened since then, so you have no idea what's going on. This is actually a good thing as your genuine confusion convinces Crowley you aren't some sort of infiltrator. He is quick to focus on the fact that you came from another world, and like Ambrose did with Allison, Crowley suspects that your trans-dimensional travels may have imbued you with special abilities. It's pretty lucky that the man got so caught up in fantasies of exploiting your potential power, because the more he spoke the more you realized exactly where you were. 

Yeah sure, as far as post death situations go it could probably be worse. But seriously? It couldn't have been a story that you actually finished? Isn't the protagonist supposed to be an expert in the fictional world? Well at least there are some secrets that you know about.

Thanks to some quick thinking, you manage to convince Crowley to give you custody of an estate that NRC owns but has mostly forgotten. It's obvious that he intends to keep you close for observation. But thanks to the novel you know that the head of NRC is a lazy penny-pincher who will take any chance to offload work onto others. From his perspective it must have seemed like a deal, you stay close while also taking responsibility for something he considers a waste of resources.

 The Ramshackle estate was originally a neutral ground for the founders to meet in. but once they built a more grandiose HQ the place was abandoned and left in disrepair. The only reason you thought of it was due to a couple chapters where junior members of the RSA  tried to investigate rumors of an evil organization, but had to stop and rescue Allie from the ghosts. There was a short interlude where the shadowy leads of the evil organization had a group call to complain about the heroes and mock them for going after such a useless place. 

Except the joke is on them because later Allie and the juniors return to discover a magic mirror that does… something. You had dropped the story before they revealed that part. The point is that there's something valuable in Ramshackle and it now belongs to you. Initially you intended to pawn the mirror and gtfo. Too bad grim had to go and ruin it. A talking monster who, as far as you remember, never appeared in the novel, but somehow managed to break into the building and worm his way into your heart.

Ugh, whatever. You can improvise.

[cloudcountry]

auburn's 3k followers bake sale!! (lasts from july 24st to august 6th)

order a baked good, get a complementary drink & fic! menu below!

(thank you all so much for 3k!! ever since getting back into the twst fandom after a six month break, ive been reflecting on my time here a lot. i feel like the twst fandom is one of the few fandoms that i'll actually be able to look back on fondly and feel comfortable doing so. i've been connected to all of these character for about 3 years now and now 2 years with you guys. i know some of you may think i'm scary but i encourage you to take part in this event ^^ it wouldn't the same without you <3 and while im at it, thanks for 3,100 followers too!!)

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[yuurei20]

Hello!! Sorry if this is a little something out of your wheelhouse but I keep seeing people say Yana said in a tweet that the Twst’s story will continue after the current main story arc. Do you know if she actually said it or have a link to that tweet? It feels like an urban legend and idk if I can believe it without seeing it for myself. Thanks if you get around to answering this and if not then have a good night/afternoon/morning!

Hello hello! Thank you for this question!

There has been no explicit statement released by Yana, Aniplex or anyone on the direction of the main story (that I have been able to find), which makes sense!

According to the interviews we have, plans/ideas/characters are changing all the time behind the scenes (sometimes long after development has begun), so someone saying "these are our plans for the future!" at any time would be very unwise. It is a volatile industry!

Proving that something has happened is much easier than proving something has not (which is likely why a lot of these rumors get so popular), but I can certainly share the things that we know have been said! ^^

I reviewed the two official interviews that Yana has given on Twst, one published in the Magical Archives game guide in 2020 and one posted to the Apple Store in 2023, and here are all the comments that might be meant to relate to future endeavors!

・"I wrote this story with the intention of developing mutual understandings through such clashes. So no matter where this story goes, it will never be about forgiveness or saving someone."

・"I would like to have raid battles where players fight together. The theme of the game is 'making problem children cooperate with each other,' so I feel that such an addition to the gameplay would allow us to better feel the growth of the characters."

・"I would also like to collaborate with other Disney productions. The characters in 'Twisted Wonderland' are also Disney characters, so I don't know if collaboration is the right word."

・"I would also like to continue to dress the characters up in gorgeous outfits. I have so many ideas for what kind of fashion I want them to wear, what kind of makeup I want them to try…there are so many things I want to do."

・"As long as villains are the basis for these characters, I think it is important that they never become overly good people."

・"However, I am sure that more and more events are going to be held in the future, so I am wondering if parallel and ‘if’ worlds are going to start appearing."

・"The text of the first book is 35,000 Japanese characters long but book 6 has over 250,000. Up until about book 3 users are still getting to know the characters, so we prioritized helping people come to understand the world of Twst and keeping things compact. After the game was released, however, it felt like people were reading much more deeply into the story than we had anticipated. So now I include much more information than was provided during those setup chapters."

・Going forward things are going to be on a much larger scale, incorporating not only the vertical and horizontal axes of the story but also expanding upon elements such as a present, past and future. Look forward to Book 7 (currently on chapter 2)!

・"We will continue to develop this game that emphasizes the spirit of villains that cannot be discouraged, and we hope that our users will continue to enjoy it.”

・"Thank you so much for playing Twisted Wonderland. We will continue to do our best to make this game into something that can add a little more fun and color to your daily lives."

I have seen fan-rumors before of maybe an RSA arc, or perhaps the 4th years being introduced, or even the current class graduating to welcome a new wave of 1st-year students, but they are all unproven theories ^^ Very fun to think about, but unofficial!