#two is easier to do than who knows how many more

[theonottsbxtch]

I LOVED YOU FIRST | FC43

an: guys i’m so sorry for the atrocities i’m about to cause by posting this, i’m especially tagging @obxstiles to make sure they don’t miss it and that they cry muahaha there MAY be a part two to this

summary: for as long as she’s remembered she’s loved franco, wether those feelings were ever reciprocated she doesn’t know.

wc: 4.4k

She remembered the sound of wheels against gravel. Even as a kid, Franco was fast—kicking up dust and stones as he went, all edges and adrenaline. They grew up on the same street, a road that was more dust than pavement, cutting through a small town nobody had ever heard of, deep in the countryside of Argentina. Back then, he raced down that road on a beat-up go-kart that rattled and threatened to fall apart with every turn. But he didn’t care. Even at eight years old, Franco could talk of nothing but cars and speed and the shimmering, impossible promise of a life far from here.

She was the one who stood at the end of the road, cheering him on as he came barreling toward her, heart in her throat every time he cut it too close. She told herself that’s just what friends did—waited around to see the other one make it back in one piece. But there was more to it, even then. She’d never told him, of course. Franco had always been too focused on the next race, the next finish line, to notice much about her that wasn’t familiar. It was easier that way. They were friends. That was enough.

Years passed, and with them, his childhood kart became a racing simulator, then an actual car, then a series of wins that only proved what she’d always known—that Franco was going somewhere.

Last year, his parents sold their house so he could go further, could reach another level she couldn’t quite see. He moved in with her and her family when he wasn’t racing, and for a few months, it was as if they were kids again, laughing late at night, plotting his future as he spilled out every dream he’d ever had. That was the year she started imagining he might finally see her the way she saw him.

But he didn’t.

Instead, Franco saw everything she wasn’t: the girl from another world, polished and magnetic, with a face and laugh that gleamed like the trophies he’d already started to collect. She caught him, snared him in a way that didn’t even seem real.

It was this girl—her name slipped off his tongue so easily when he let it—who went to the big events with him, who stood beside him when photographers crowded around after his races, a reminder that he’d already begun to belong somewhere else. She wanted to hate her, this stranger who was everything she wasn’t, but what good would it do?

It was easy to tell herself she was Franco’s friend. His best friend. The one who’d been there since the beginning, the one who stayed up with him on those late nights when all his dreams felt heavy enough to drown him. She’d learned to wear it like armour—the friend, the constant, the steady hand on his shoulder when his voice cracked and his confidence faltered.

No one else knew the small things about him, the things that made him human. Like how he had a superstition about not putting on his helmet until the very last second before a race. Or that his favorite thing in the world was the sound of tires on wet pavement, a soft hiss of rain and speed. Or that he used to dream of buying back the house his parents sold and giving them something better.

The nights she couldn’t sleep, she’d replay those memories to herself, like scenes from a film she’d seen too many times. They were pieces of a person she’d built up in her mind so completely, so painstakingly, that she sometimes forgot he wasn’t hers. Not really.

Now, Franco was leaving again, but this time it was different. The call had come last night, and she’d been there when he answered it, watching the way his face shifted, lit up with something she hadn’t seen since they were kids. He’d been invited to join a Formula 1 team—a chance to race against the best, a dream finally realised.

And she’d been the first person he told. “I’m in,” Franco had whispered to her after he hung up, his voice hoarse with disbelief. “I’m actually in.”

He’d pulled her into a hug, and for a fleeting moment, she let herself believe this moment was for her too—that she was a part of the dream. But when he finally let go, she could already feel him slipping away, his mind racing miles ahead, far beyond anything she could reach.

And now here they were, standing on the same dusty road they’d grown up on, only this time the road was empty. She could almost see his silhouette against the horizon, an outline that belonged to no one, not even her.

“So… this is it, huh?” she murmured, trying to keep her voice steady, her hands stuffed deep into her jacket pockets. She knew this was her job now: to be strong, supportive, even as she felt her chest tightening with everything she’d left unsaid.

Franco glanced over at her and smiled, that careless, easy grin she’d fallen in love with a thousand times. “Yeah. This is it.”

There was a part of her that wanted to say something, to tell him what it felt like to lose him, to have spent all these years beside him only to watch him walk away. But she didn’t, couldn’t. Because he needed her to be his friend, his rock. And that’s exactly what she would be, until the moment he disappeared from sight.

“You’ll be amazing out there,” she said softly, swallowing hard against the ache in her throat.

“Thanks,” Franco replied, his gaze drifting to the horizon, to whatever was waiting for him. He didn’t see her watching him, didn’t notice the way she tried to memorise every detail of his face, the way she gripped the fabric of her jacket so tightly her knuckles turned white.

Because that’s what she was: the person who stayed behind, the person who would cheer for him no matter how far he went, even if it took him far beyond her reach.

His first race was in Monza.

And Franco had made sure she’d be there.

The roar of engines echoed across Monza, the air thick with the metallic scent of fuel and adrenaline. She stood just outside the paddock, watching the mechanics scurry between cars, drivers in their fireproof suits weaving through a sea of engineers and cameras. It was Franco’s first Formula 1 race, the one he’d been chasing since the days they’d spent on that dusty street back home. He’d called her a week ago, saying he’d arranged for her ticket, that she had to be there, that it wouldn’t feel right without her.

She glanced down at her pass, fumbling with it between her fingers, her eyes darting over the crowds, wondering if she’d see him. But instead, she saw her—Franco’s girlfriend, standing just a few paces away, a beacon in the busy paddock with her polished, perfect smile.

She thought about turning around, slipping into the crowd where she could cheer Franco on from a distance, as she’d always done. But then Franco’s girlfriend caught her eye, waved her over with an easy, welcoming smile, and suddenly it was too late.

“Hi! You’re Franco’s best friend, no?” she said brightly, as if she’d been waiting for this meeting. “Franco’s told me all about you.”

She managed a smile, trying not to let her surprise show. “Nice to meet you,” she replied, her voice steady but her heart churning. This girl looked so effortlessly perfect—too perfect, really. She wanted to find something in her to resent, a crack, a flaw, some hint that would make her presence easier to bear. But the girl’s smile was warm, even gentle, and there wasn’t a hint of cruelty behind her eyes.

“You know,” she continued, turning to look at the track where the cars were being readied. “Franco always talks about how you’ve been there from the start. He says he wouldn’t be here without you.”

It was a sentiment she’d waited years to hear, but hearing it now, coming from someone else, made it feel empty, hollow. She nodded politely. “He’s worked so hard for this. I just… wanted to support him however I could.”

The girl looked at her, a spark of admiration in her eyes. “That’s really special. I think it means a lot to him, having someone who’s known him for so long.” She hesitated, her fingers twisting a ring on her hand. “I think he’s planning to introduce me to his family soon.”

A prickle of something sharp and painful settled in her chest. She managed to keep her face composed, even as the words sank in. “That’s great,” she said, injecting her voice with encouragement. “That sounds really important to him.”

The girl smiled, her gaze drifting as if she could see the future taking shape right in front of her. “Yeah… he said he wanted to wait until we’d been together for a year. He’s so thoughtful like that, you know? He really wants things to be right before introducing me to his family.” She looked at her, a touch of gratitude in her expression. “I think he got that from you—from seeing how much his family means to you.”

It was a kind thing to say, too kind. She wanted to hate her for it, but she couldn’t. There was nothing false about the way this girl looked at her, no jealousy or possessiveness. She was just… nice. The kind of nice that made her ache with the unfairness of it all, because it made it impossible to hate her, even though she desperately wanted to.

“Well, his family will love you,” she said, meaning it even as the words felt like they were tearing something fragile inside her. “He deserves to be happy.”

The girl gave her a soft, almost sympathetic smile, a smile that made her wonder if maybe she already knew—if she could see right through her, if she understood the look in her eyes, the one she tried so hard to hide.

As the engines started up in the distance, the girl reached out and gave her hand a gentle squeeze. “Thank you,” she said, her voice warm. “For being there for him, for being his friend. I can tell he’s lucky to have you in his life.”

She returned the smile, feeling a heaviness settle deep within her. Franco was lucky, that was true—but not in the way she’d once dreamed he might be. He had everything now: the career, the future, the love of a woman who deserved him in ways she never could.

And as the cars roared to life on the track, she stood there beside his girlfriend, feeling like a silent ghost on the edges of his new world. She would cheer for him, just as she always had, but now she knew exactly where she stood—at a distance, a quiet fixture in his past, cheering him on from the shadows as he sped toward a future that had no place for her.

The race had ended hours ago, and the hotel was hushed, the lights dimmed in the halls. She was alone in her room, her suitcase half-packed, clothes folded neatly on the bed. She’d changed her flight back to Argentina; she would be gone by morning.

The evening had been a whirlwind—Franco finishing in P12 on his debut race, his crew and his girlfriend embracing him, his face beaming in a way she’d only ever dreamed of seeing up close. She’d stood in the background, clapping politely, just another face in the crowd, happy for him but feeling her heart splinter with each cheer.

A quiet knock broke her thoughts. She looked up, heart catching in her throat. Franco was standing in the doorway, his face lit with a warm smile.

“Hey,” he said, stepping inside, his hands in his pockets. “I was hoping you’d still be up.”

“Yeah, just… packing,” she murmured, glancing at the clothes on her bed. “I’ve got an early flight back.”

He frowned, like he hadn’t expected her to be leaving so soon. “I thought you’d stay a bit longer,” he said, a hint of disappointment in his voice. “It meant a lot to me that you were here, you know. I’m not sure I could have done it without you.”

She swallowed, trying to muster up a smile. “I’m proud of you, Fran. Really. You deserve all of this.”

He gave a modest shrug, his usual humility shining through. “It’s crazy, right? Like, it still doesn’t feel real.”

She nodded, unsure of what to say next, her hands clenching as she watched him, the words fighting to break free. But before she could speak, he went on, his face lighting up with excitement.

“Oh—and I wanted to tell you. Over the summer break, I’m planning to bring my girlfriend—” he gestured to the wall, where his girlfriend was probably just sitting in their shared room—“back to Argentina. She’s going to meet my family. I think they’ll love her.”

The words hit her like a punch to the gut. She felt herself unraveling, her heart breaking open. She couldn’t hold it in any longer.

“Why her?” she whispered, her voice barely audible.

Franco blinked, looking at her, startled. “What do you mean?”

“Why her, Franco?” She repeated, her voice trembling, louder this time. “Why not me? What is it about me that you don’t find appealing? Am I too loud? Too… different? Do I not fit into your world somehow?” Her voice cracked, the weight of her words finally spilling out. “What is it about me that you don’t love, that you love about her?”

For a moment, he just stared, taken aback, as if he was seeing her for the first time, really seeing her. But his eyes were filled with confusion, like he was trying to make sense of what she was saying.

“Wait—” he started, his voice halting, uncertain. “I… I didn’t know you felt—”

She cut him off, her voice fierce, raw. “I loved you first, Franco.”

He went silent, the words settling between them like stones in water, sinking deeper and deeper.

“What?” he whispered, his voice almost as quiet as hers had been.

“I loved you first,” she repeated, her voice shaking. She could feel the tears gathering, but she didn’t want to cry, not now, not here. “Since we were kids, since you were that crazy kid racing down dirt roads, I loved you. I’ve been there every step, every race, every victory, every failure. I was the one who held your dreams when they felt too heavy to carry. I loved you first.”

She watched him, waiting, hoping for some sign of understanding, some glimmer of the love she’d imagined so many times. But his eyes were wide with shock, his face torn between pity and discomfort.

He shook his head slowly, the words seeming to catch in his throat before he finally managed to say them. “But… I love her.”

The words were a knife, sharp and relentless, cutting through the last fragments of hope she’d held on to.

She let out a hollow, broken laugh, her vision blurring as she looked away, unable to meet his eyes. “I know,” she whispered. “I know you do.” She took a shaky breath, her voice trembling with a rawness she couldn’t contain. “But it doesn’t make it hurt any less.”

For a moment, they stood there in silence, the weight of years pressing down between them. She could see the guilt etched into his expression, his mouth opening as if he wanted to say something to make it better. But there was nothing he could say—nothing that could change the reality that he had chosen someone else, someone who wasn’t her.

“I never meant to… I didn’t want to hurt you,” he said softly, reaching out as if to comfort her, but she stepped back, her arms wrapping around herself protectively.

“It’s fine,” she said, forcing the words out, feeling them scrape against her throat. “I… I just needed you to know. I needed you to know that I was here, that I’ve always been here. But now…” She trailed off, her voice breaking, the words she’d held for so long finally running dry.

She looked at him one last time, memorising the shape of his face, the boy she had loved and lost long before he ever realised. Then sat back down on the floor and continued packing, folding each piece of clothing and putting it away in silence, each one a silent goodbye.

When she noticed he still hadn’t left, that he was just watching him, she looked up at him. “I hope she makes you happy, Franco,” she whispered, her voice barely a breath. “Really. I hope she gives you everything you’ve ever dreamed of.”

She looked back down not wanting to catch Franco’s look of pity and closed her suitcase as he walked out of her room.

Walking out of her life for what felt like forever.

It was the peak of summer, the air heavy with heat and the scents of wildflowers and sun-baked earth drifting through the open kitchen window. She was sitting at the table, picking absently at a bowl of sliced fruit, half-listening as her mother hummed while tidying up, when her mother paused and gave her a look she couldn’t quite decipher.

“I almost forgot to mention,” her mother said, wiping her hands on a towel, “Franco’s coming back to town soon. Said he’ll be here next week with his girlfriend, so they can meet his family.”

She looked down, letting the words sink in, feeling a familiar tightness bloom in her chest. She hadn’t spoken to Franco in weeks. Not since that night in Monza. Not since she’d finally let herself say all the things she’d bottled up for years, only to walk away feeling like she’d left a part of herself behind.

“Oh,” she murmured, keeping her tone as light as she could. “That’s… that’s good. His parents will be thrilled to meet her.”

Her mother looked at her carefully, her gaze soft but probing, as if she could sense the ache that lingered beneath her daughter’s casual words. “I thought maybe you’d be excited too,” her mother ventured, her voice gentle. “It’s been a long time since you’ve seen him.”

She forced a small smile, looking down at her hands as she fiddled with her napkin. “Actually, I was thinking about going to Buenos Aires for a bit. Just a week or two with Tía Blanca. I’ve been meaning to go see her.”

Her mother tilted her head, her expression somewhere between sympathy and exasperation. “You can’t keep running from this, mi amor,” she said, her voice tender but firm.

Her shoulders tensed, and for a moment, she didn’t know what to say. She knew her mother was right; every time she thought about seeing Franco, the old wound seemed to ache again, still raw, still fresh, no matter how many miles or weeks lay between them. But she wasn’t ready to face him yet. Not when the sight of him with someone else would only reopen everything she’d been trying so hard to let go of.

“I know I can’t keep running,” she said finally, her voice barely a whisper, her fingers twisting the napkin in her lap. “But I can now. And I can cope with that.”

Her mother sighed softly, reaching out to place a warm hand over hers. “Mi amor, one day, you’re going to have to stop protecting yourself from the things that hurt you. It’s the only way to truly move forward.”

She nodded, her throat tight, unable to meet her mother’s eyes. She knew her mother was right. But all she could think of was that moment in Monza, the echo of Franco’s words—But I love her. Words that still stung like salt on an open wound, even now.

“Maybe one day,” she whispered, more to herself than to her mother. But for now, Buenos Aires felt like the safest place to be—far from the memories, far from the impossible hope she still carried in her heart.

Her mother squeezed her hand gently before letting go, her silence filled with understanding. “Then go,” she said, with a small, knowing smile. “But you’ll know when it’s time to come home.”

And as she sat there, her heart heavy with everything she couldn’t say, she only hoped her mother was right.

A few days later, everything was sorted and she was ready to go to her aunt’s place.

She swung her bag over her shoulder, taking a deep breath as she stepped out of the house, the warm morning sun casting long shadows across the familiar dirt road. She was just two steps away from the car when she spotted it—Franco’s car, parked at the edge of the drive.

Her heart lurched, her mind scrambling, and she muttered under her breath, “No, no, no… please, not now.” She moved quickly toward her own car, fumbling for her keys as if speed alone could make her invisible. But before she could open the door, she heard his voice behind her.

“Oye, there you are!” he called, a wide, relieved smile on his face as he jogged over, his voice bright with the kind of joy she hadn’t heard from him in years. “I was hoping I’d run into you before you left. It’s been too long.”

She barely managed to keep her face neutral, clutching her bag as if it could shield her. “Yeah, well, I’ve got to get on the road. Don’t want to get stuck in traffic,” she said, opening the boot to toss her bag inside. She avoided looking at him, focusing on the small tasks—closing the boot, brushing off her hands, reaching for the door.

He took a step closer, his hand resting on the car door as if to keep her from leaving. “I’ve missed you,” he said, his tone softening. “You… you didn’t answer my calls after Monza. I didn’t know if… I just wanted to see you.”

She swallowed hard, glancing away as she forced herself to stay calm, the last words she wanted to hear sitting heavy between them. “That’s great, Franco,” she said, barely meeting his gaze, her words quick and mechanical. “But I really should get going.”

“Wait—” He looked at her, his expression slipping from surprise to concern. “Can we talk? Please?”

But she was already climbing into the car, her hands gripping the steering wheel as she turned the ignition. She couldn’t bear to stay, couldn’t bear to let him see her break again. “Take care, Franco,” she said, her voice barely above a whisper as she closed the door.

Before he could say another word, she pulled out, the tires kicking up dust as she drove away. In the rearview mirror, she saw him standing in the drive, watching her go, his face a mix of confusion and something close to sadness. She looked away, swallowing the lump in her throat as she focused on the road ahead.

But the further she drove, the harder it became to ignore the weight of all the memories tied to each familiar street and turn. Every signpost, every curve of the road reminded her of him—their childhood spent racing bikes and kicking up dust, lazy afternoons wandering these streets, dreaming of the future he was now living.

Tears blurred her vision as she drove, the memories rushing in like floodwaters, filling her mind with images she’d tried so hard to push aside: Franco at fourteen, laughing as he beat her in yet another race down the hill; Franco, younger still, sharing a quiet moment in the field just beyond town, his eyes bright with the dreams they’d both carried.

She wiped at her eyes, her heart aching as each memory pulled her further into the past, a past where they’d been inseparable, a past where she hadn’t yet realised what loving him truly meant. She could almost hear his laughter, feel his presence beside her, as if he were still the boy she’d known, before life had pulled them down different paths.

By the time she reached her aunt’s building in Buenos Aires, the weight of the drive had started to lift, the city’s pulse a welcome distraction from the quiet countryside. She parked and took a moment to gather herself, feeling the ache from earlier settle into something softer, something that no longer felt as urgent or raw.

Just as she opened the car door, a familiar voice called out.

“¡Mira! Is that really you?”

She looked up, startled, and felt her heart lift slightly. Standing by the curb was Angelo, an old friend from summers in the city. He had the same easy smile, his hair a little longer, his build a little broader, but his presence felt exactly as she remembered—warm and solid.

“Angelo!” She smiled, the weight on her shoulders easing just a little more.

He walked over, giving her a friendly hug before reaching into the car to help with her bag. “Let me help. You’re here for a visit?”

“Just two weeks,” she replied, trying to keep her voice steady as she glanced up at the familiar apartment building, a place that held a lifetime of summers, laughter, and memories untouched by the pain she’d left behind.

“Well, then,” he said, grinning as he hefted her bag easily, “we’ve got time to catch up.” His tone was light, but there was something else in his eyes, a quiet warmth that made her feel unexpectedly hopeful.

She followed him up the steps, comforted by his familiarity and the steady, unhurried way he moved, like he knew every corner of this building as well as she did. As they reached her aunt’s door, she felt her pulse slow, steadied by his presence.

The door opened before they could knock, her aunt’s familiar face breaking into a radiant smile. “There you are, mi niña!” She hugged her tightly, then turned to Angelo with a knowing smile. “And look who brought you all the way to the door! Angelo, you’re a sweetheart.”

He grinned, shrugging. “Anything for your family, señora.”

They all laughed, and for the first time in months, she felt a genuine ease settle over her, as if she’d left more than just a town behind—she’d left the weight of everything she’d been carrying.

As she glanced between her aunt and Angelo, the ache that had gripped her chest all day faded. The streets of Buenos Aires were bright outside the door, warm and humming with life. She breathed it in, feeling herself begin to let go of everything that had haunted her on that long drive.

Because maybe now that she was here, she could forget Franco.

to be continued…?

[merakiui]

the symptoms of being human.

jade leech x (gender neutral) reader note - being human comes with its fair share of very specific symptoms. or: jade has lived in saltwater his entire life. never has it leaked out of him before. // HAPPIEST OF BIRTHDAYS TO MY BIRTHDAY BESTIE @heyyy11!!!!!! 🎉 many wonderful wishes of health, happiness, and good fortune for you!!!! :D it isn't a lot, but please enjoy this little gift i prepared in celebration!!!

But a mermaid has no tears, and therefore she suffers so much more.

A long time ago, a human penned that line in reference to merfolk and their inability to shed tears. A fact as intimate as that couldn’t have possibly been common knowledge amongst humans, or so Jade assumed every time the story was regurgitated at bedtime. He always did that: apply logic to areas where logic wasn’t needed. His teachers used to tell him, “Jade, sometimes you need to suspend your disbelief in order to immerse yourself in a fictional world.” He could try—and try he did—but he’d find himself lingering on that quote every time.

A slight amendment to that: merfolk can cry and they do suffer, but whether they suffer more is impossible to know without further study.

Jade operates under the notion that there are explanations for everything, even the wildest of lunacy. There is comfort in comprehension. He would spend hours holed up in his sleeping nook, poring over stories and texts on humans and beastfolk. He would compare and contrast them. Can a tearless cry indicate the amount of suffering per species, or is such an abstract concept even remotely quantifiable? Perhaps it is because merfolk cry silently that they suffer. Because there is no one who can hear their weeping in the deep sea. Because there is no physical proof.

It’s easier to recognize the physical signs of grief, for what happens within is shrouded in secrecy, veiled in the depths of the heart.

So when Jade comes onto land for the first time, human skin stretched over a skeleton altered with a potion, every inch awkward and aching, the sea leaks out of his pores. He feels like a pufferfish not yet expanded but on the verge of bloating, deflated and weak, salt still spilling. And he knows it’s salt because he swipes two fingers under his armpit and brings them to his mouth to taste. It’s saltwater.

He later learns, while sitting in Professor Crewel’s class and listening to him drone on about anatomy, that this is the phenomenon known as sweating. Jade sweats when he exerts himself, when his body temperature rises degrees over what’s internally comfortable and he needs to cool down, when he ingests something spicy, when he’s sick with a fever, when he’s stressed… It’s a fascinating facet of human biology he was previously unaware of.

Azul called these peculiarities “symptoms of being human,” and what intriguing symptoms they are! He hopes to experience even more as he completes his education on land, regardless of how troublesome they might be.

Having a symptom of something implies the affected is ill in some way—as if humanity itself is an illness and this human body serves as more of a hindrance than help. Jade will forever be an eel merman, and this body is just a clever cloak crafted to make his life on land habitable. Although there are moments where he thinks his original form would suit a certain task. Like swimming or any sport in the water, really. But he likes to struggle and fail, learning from every human mistake.

These symptoms are not terrible. Not to him, at least.

He meets you in the woods. You’re hunched over the ground, patting a compact lump of freshly disturbed soil. A burial, he thinks, but then he’s not certain. When you fashion a little marker out of sticks and ribbons, it occurs to him that he was right.

“Hello to you, too,” you say, turning to glance at him.

There’s something that stills in the air. A feeling catches and tugs at his heart. He can’t explain it—still can’t even to this day—but something trickles out of his eyes then. A droplet of water and then another and then more until silent streams are falling thick. He blinks until his once-blurry vision clears, only to find you’re looking at him fully now.

Jade gathers the wetness on his fingertips and licks curiously. Salt.

Horrifyingly, he’s sweating from his eyes.

He doesn’t panic. A grotesque part of him wants to know what else these eyes are capable of in this body. 

You draw in breath through your lips. A gasp. “Oh! Are you all right?”

He nods because even if his brain doesn’t understand it yet his heart does.

You are the person he’s going to spend the rest of his life with.

This isn’t fiction, and he doesn’t have to pretend to accept it as his temporary reality just to enjoy the story it promises. He knows. His heart—the eel-mer heart—knows. This salt is a symptom of being human, but a symptom of being a mer is that there is the strongest sixth sense for finding one’s other half.

“Are you sure?” you press, rising to your feet, digging through your bag for tissue. “You’re crying!”

He blinks back at you. I’m…crying.

He’s not sweating. He’s crying.

“Forgive me,” he says even though he knows there’s nothing to apologize for. “My eyes must not be working today.”

A sympathetic smile spreads on your face. “Did you come here with anyone?”

He shakes his head and explains rather simply that he’s come on account of club business. “I’m the only member in my club,” he elaborates unnecessarily, “and so I often come here to hike and forage. I suppose I wasn’t expecting to run into anyone on this route.”

“Club? You’re a student?” Before he has a chance to respond, you add, “No way! What school? I’m from Royal Sword.”

“Night Raven.”

“Whoa! That’s so cool. I’ve heard lots about that school. Oh, sorry, I’m totally chatting your ear off. If it’s not an issue, would you like to walk back together? Don’t take this the wrong way. I’m just worried about you.”

The affable conversation was so smooth Jade almost forgot he’s been leaking—crying—the entire time.

“Why would you be worried? I assure you there’s nothing in this forest that could harm me,” he says, holding a hand over his heart.

As if it isn’t the woods that might hurt him but, rather, the person standing in front of him. He has never felt any need to protect his heart, but now he thinks he must. If he’s to offer it to you in the future, he wants to do so when it is perfectly whole and packed full of happiness.

“Um… Well, I just don’t want you to do anything…harmful,” you say, stringing the words together awkwardly. “People care about you. They’d miss you.”

He glances past you at the burial. Just above, a nest of baby birds chirp noisily. He understands now.

“As it happens, I’m currently quite content.”

“You are?”

He tilts his head at you and smiles, teary-eyed and most likely red in the face.

“I am. Very much so. I’ve experienced another human symptom. I couldn’t be any happier.”

You exhale a quiet, semi-amused breath. “I’m glad.” Your hand is held out next. “I’m (Name). It’s nice to meet you.”

His webless, clawless hand closes around yours. “Jade Leech,” he greets.

— — —

“You look good,” Floyd compliments, watching Jade fuss over himself in the mirror. “Shrimpy’ll think so. And Mama. Pops, too.”

“So everyone,” he replies smartly, his hands shaking as he smooths the nonexistent wrinkles in his suit. They reach for the jewelry strung around his neck. He’s wearing his mother’s pearls. Tradition and memory are twined throughout each one. For every hand that holds this chain, a new pearl will be added. It has been in his family for ages. After today, he’ll add his and the necklace will be a pearl longer.

He feels like he needs to pace up and down a mountain. Like he needs to strip this seaweed-esque suit off and jump into the ocean to feel free of constriction. Clothes are always so…unique. That’s the word he chooses to use. Another symptom, he’s certain, because clothes are to humans as colors are to merfolk. Humans attract each other with fashion styles just as mers flash colors and patterns at those they intend to charm.

“Everyone,” Floyd echoes, grinning to ease the tension. “C’mon. You know everything’s gonna be fine.”

Logically, Jade is aware of that. There were rehearsals and lists and triple-checks. Everything is in order. He’s ready. You’re ready. Illogically, he thinks he’s about to shake out of his skin from either excitement or anxiety or a combination of both.

Floyd’s hand comes down upon his shoulder. He relaxes beneath the squeeze. “You got this.”

“I do,” he whispers, turning away from the mirror with a smile.

He waits for you at the altar. A feeling he knows well enough claws at the back of his eyes. It’s been steadily encroaching since this morning, or perhaps it’s always been there ever since he first met you.

When he sees you, his world comes together and everything is warm and wonderful. There are tears on his face, tracking down his cheeks in hot streaks. It’s not embarrassing even though, somewhat flustered, he mouths to his parents that he’s simply sweating from the eyes. A symptom they’ll soon experience in their temporary human bodies.

Out of every human symptom he’s experienced, he thinks this one is his favorite.

You meet him at the front, and beneath an awning of the prettiest flowers you join hands.

“How do you feel?” you murmur, your thumbs running over his palms.

He’s going to say he feels like his world is brighter and wrapped in silk—like he’s looking love right in the face.

Through his tears, he smiles and says, “Like my eyes are working properly today.”

You giggle around a rising sob. Happy tears, he notes, much like the ones sticking to his face. “Weird. Because mine don’t seem to be working today.”

“A shame. You can’t see how beautiful you are.”

“I trust you.”

“I can’t promise mine won’t sweat halfway through the ceremony, but I appreciate your faith in me.”

“It’s fine. Mine are already doing that.”

And it’s everything to him—you, this union, the tears, these messy, complex symptoms of being human. Everything.

Jade thinks he’d like to rewrite that old quote from his childhood.

But a mermaid has no tears and so that may be true in storybook blue, but it is her heart that weeps for everything she has experienced, is experiencing, and will experience; the good and the bad, the happy and the sad.

[thenationofzaun]

Thoughts on Act 1 of Arcane Season 2

The positives:

- The animation is fucking incredible.

- Jinx and Sevika teaming up watered my crops and cleansed my skin.

- Underwater goodbye with Jinx and Silco. That scene was made specifically for me.

- Jinx's voice actress continues to be excellent.

- Loved the designs of all the Chembarons. The glimpse we got of the gang wars was also interesting. Unfortunately, too tiny a glimpse. Which brings me to...

The negatives:

- Too many plotlines. They stuffed the season with too much shit which is why each individual plot gets a much shorter screentime than it should. Smeech is introduced and killed in the same episode. Chembarons' gang wars, a huge issue which has repercussions on the entire Undercity, gets only one musical montage before moving on. And this is coming from someone who loved that montage, as well as the song. My favourite on the soundtrack so far. But musical montages shouldn't come at the expense of the story and definitely shouldn't replace the story. There are just way too many music video scenes in general that feel like a way to condense a storyline into the sparknotes version because they don't have the screentime to flesh it out. And they would have the screentime if they cut out all the extra stuffing. Look I'm happy for the League fans who are excited for the Black Rose and all that, but what the hell is it doing in a Piltover/Zaun show. And with zero foreshadowing in Season 1 too. It would definitely be easier to swallow if they had at least hinted at it in the first season. They could have kept Ambessa's beef with this magic cult for a Noxus show. The P/Z narrative has enough to deal with, enough characters to handle already.

- The new side characters are uninteresting and generic. Maddie and the two other enforcers (we don't even know their names after three episodes LMAO) are bland. We know nothing about their characters or personalities. Maddie looks like a rookie, and one of the dudes is an alcoholic, yet they get chosen for an elite strikeforce to capture Jinx? Isha is pretty generic too - the token cute kid that needs protecting. I get the role she will play in Jinx's arc. But that's the problem - she should be a character in her own right, not just a vehicle for someone else's character development. A good example is Mylo. He died for Jinx's arc, but when he was alive he was a distinct character with his own personality. We had a sense of his insecurities, his goals, who he was as a person. Name a single personality trait of Isha and Maddie other than "generically nice person". That's right. You can't.

- Whatever the hell is going on with Viktor. He wakes up from his coma and immediately rejects Jayce so quickly that it was funny. Apparently disapproves of Jayce using the Hexcore to save his life, but then immediately goes to use the Hexcore to save random Undercity people. Bruh. I also don't really like the way the fridged woman from last season seems to be his motivation so far. Nor the way he seems to have no agency in his Machine Herald arc. Instead of Viktor himself believing in transhumanism and mechanizing himself, Jayce does it for him. Instead of Viktor having an ideological drive and wanting a "Glorious Evolution", he is driven by guilt over Sky. Meh. Also he's not even mechanized, instead he's weirdly fleshy?? In a magical way?? More like The Magic Herald :(

- Vi. Her whole character is a mess. Insanely rushed arc which I find unacceptable for one of THE main characters and one of the faces of the show. She and Jinx are supposed to be the leads, their relationship the heart of the story, but so far only Jinx is a well-written fleshed out chaacter with a believable arc. I have too much to say about Vi so I'll expand more on this on another post.

- So much nuance and detail is missing. How does Heimerdinger feel about his ex-colleagues being killed? Does he care? Does he feel guilt? Relieved that he wasn't in the chamber when the bombing happened? No clue! Let's have comedy Mission Impossible instead! How does Ekko feel about the Council attack? Does he approve of it? Think Jinx went too far? How does he feel that she even survived their fight to begin with? No clue! Here, have him joking around with a Councilor for a bit (someone whom Ekko logically should despise), then he can talk Science with Jayce and all three get sent to another dimension together. Yay. What does Vi think happened to Ekko? The last time she saw him, he was fighting Jinx to the death to give Vi and Cait time to escape. He could be dead for all she knows and she doesn't give a fuck. Doesn't even think about him nor mention him once. It's like the writers forgot they're childhood friends. What does the entirety of Zaun make of Silco's death? I assume they heard about it from Piltover (who heard about it from Caitlyn), but how do they think it happened? His body is gone and to Zaun it seems he just mysteriously disappeared. Are there conspiracy theories? Conflicting accounts and rumours? So much nuance that would give the world and characters more depth, sacrificed so we can pack in more rushed subplots and music videos.

- Caitlyn "Wifebeater" Kiramman. And Caitvi in general. So far Caitlyn has guilt-tripped Vi, manipulated her into joining the enforcers, insulted her and then physically abused her. After Vi sacrificed everything for Cait, wore a badge she hates for Cait, even let Cait kill her own fucking sister (and only intervened when the random kid got involved). Why should I give a shit about such a one-sided relationship lmao. "B-but Cait's mom is dead so she's sad about it", every other fucking character in this show has dead parents. Half the cast has faced unfathomable amounts of trauma and pain that make Cait's pale in comparison. Nothing justifies her hitting Vi. "B-b-but it's a parallel to when Vi hit Powder", a shit parallel then. Because the circumstances are not even remotely comparable. "God forbid lesbians do anything🤪", give me a break with this corny bullshit. Be serious for a second. I'm not even a Vi fan and I think she deserves better than this mess of a relationship. The power dynamic between them makes it worse. The way Caitlyn is one of the richest people in the city and Vi is broke. The way Caitlyn is highly educated and Vi never went to school and spent her entire teen years locked in a box. Did the writers think about all this when writing their relationship? Keep in mind, Vi met Caitlyn like a week ago. She barely knows this chick. She's been out of prison FOR A WEEK. Where she was physically abused every fucking day. Putting her in a relationship with a cop who hits her would certainly be a choice! Do I have faith this show will handle it with care? Not really, no. They already ignore Vi's prison trauma. Most likely they will make Vi forgive Cait way too easily because "muh mummy muh grief".

[daenysx]

Okay blurb req for old money!Aemond who is ALSO a model for really expensive brands and his gf is a photographer👀 inspired by the photoshoot and that one specific blue leopard print pic🙂‍↕️🤭

oh my god i hope i did well, thank you, rue !! <33333

modern!aemond targaryen x fem!reader

cw; modern!aemond being a hopeless romantic, suggestive, kisses, no but he's really so in love it hurts, photographer!reader and model!aemond can be a new favorite wow

"are you sure this is professional?"

aemond has no shame, honestly. you don't think you can be expected to be 'professional' when your boyfriend looks like he'll ruin your entire existence by looking like the most charming being in the entire universe.

his blue eyes sparkle in the latest photos you take, a stark contrast with his platinum blonde hair. flowy strands make you want to pull aemond to yourself enough to give him a good kiss on his neck as your fingers travel in his hair. maybe you can do that when you get to be alone with him. oh, you'll definitely do that when you're alone.

"i believe i'm extremely professional." you murmur, holding his hand to make him pose the way you want. "if you stop being so distracting, it'll be even better."

he smirks. a small quirk of lovely lips, he's handsome and he knows it. he leans into your space and your hold on your camera tightens. you will not kiss him. you can't, there are other people here, and this is business. you take a step back.

"i'm only doing what you tell me to do." he says like he's the most innocent man. "you can't say i'm not being good."

you give him a small smile. he's in the mood for playing.

"i didn't say that." you say, quietly. "come on, a few more for me and we'll be done."

aemond fixes his posture, your one hand still holding his. "of course." he says, coolly. "you know i can actually be good for you. as many as you want, you'll have it."

you lick your lips to control your face expressions. not the time, not the place. just like you say to him, only a few more and you'll be done.

the clothes he's wearing make aemond look taller as if it's actually possible. you admire his poses, his confidence and his awareness of how good he looks. he turns his head for another picture, his eyes following your every move. it's like a wordless conversation between you two.

"can i get one with a smile?" you ask him, your hand directing his last pose. "not too wide, just- a subtle one, please."

"i'm afraid that's not possible if i'm going to give you a smile." he flirts. "maybe you should let someone else take the photo if you need a subtle one."

you hear two girls giggling at the corner. he really thinks he's so fun, doesn't he? it's his world here, he knows how to charm his way and he certainly knows how to be a flirt. you're thankful he's already yours, it would be impossible to handle him otherwise.

after another fifteen minutes, you're all done. you go next to aemond, leaving your camera. people around you move quickly to clean up the place, and fix all the mess that has been made. aemond takes your hand to brush a kiss on your knuckles. his eyes are warm this time, so clear under this lights.

"what do you think?" he asks. "good?"

you nod softly. "probably the best in a long time."

"kind of hard not to." he wraps his arms around your waist to pull you closer. "i had the best photographer."

you give him a kiss on his cheek but that's all. he's been teasing you all day long. "do you flirt with all your photographers like this, mr. targaryen?"

"absolutely not." he answers, cheekily. "my flirting skills are reserved for only one person."

"i think you owe me a drink." you tell him. "even working is easier than trying to deal with your incessant teasing."

"we'll have dinner first." he says, kissing the side of your head. he doesn't say, but he's tired. "think of what you want to eat when i'm changing, okay? i have a few options if you can't decide."

[utilitycaster]

this may seem needlessly finicky but I do actually believe it's important: calling Verin a himbo is just one of many examples where like, one of the cast says something off the cuff and it's not exactly the right word or it is highly contextual, and that is fine because no one is perfect especially in improv, but then it gets repeated ad infinitum within the fandom when it never really fit in the first place. We have Verin's stats and he's decently more intelligent than average with a 13 (smarter than most of Bells Hells for one; as smart as Pike); it's just he's the guy with a bachelor's degree with good grades followed by military service in a family where everyone has two PhDs - Matt said "himbo of the family" the way in a family where most people are exceptionally tall you'd call the 5'11" child the short one. In Call of the Netherdeep he appears as thoughtful and competent and promoted to a difficult position at a very young age, and in the campaign his appearance is simultaneously as a leader of troops in a dangerous mission, and someone who cares enough about poetry from a completely foreign and distant culture to have tried to learn more about it. I'm sorry, but if you're using the word "himbo" I don't think you're processing a thing about the character yourself; you're just the latest repetition in a game of telephone that's been going on since mid-2021.

And that's not deeply bad on the surface, and I'm using Verin not because he is the character most wronged by this sort of thing but because he's recent and it's really clear where the word came from and that it's not a good assessment, but something I happen to have a decent knack for is pattern recognition in language. I usually find it really easy to pick up on when someone's plagiarized because of the language and pattern shifts. I tend to remember urls and out of place words well. So I do tend to notice when everyone suddenly starts using a single turn of phrase and I tend to flag it. Sometimes that's not bad; sometimes it means everyone came to a similar conclusion and that's the best way to express that conclusion. But like, when Taliesin called the Yios episode a gas-leak episode and the entire fandom started parroting it? The line "bone-dry takes"? The fact that a lot of ship defenses I see were phrased precisely as "I have eyes"? without actually talking about the ship itself? the fact that I've seen a spike in the use of the term "ontologically evil" including in myself and not all uses are actually correct? And extending this beyond strictly language but consider any headcanon with minimal textual support that catches like wildfire (sidebar: remember how we make, or made fun of the SPREAD THIS LIKE WILDFIRE tendency on Tumblr a decade ago? same concept of repetition of a specific turn of phrase without internalizing) all sort of ping this.

And it's fine, truly, to come to fandom and turn off your brain. I know this will sound sarcastic from me, and that's because I don't personally agree, but I do strongly agree that you can do what you want in fandom and you don't have to listen to my opinions so in the end, yeah, it's fine because I am not the arbiter of "fine". But I think critical thought is a vital exercise and I think precision with language is part of it and so if you find yourself using the same exact words and thoughts as everyone else, that should, ideally, trigger a process of "but are these the right words? what do I see when I see this character and how would I describe them? do I agree with this assessment?" Fandom is an interesting and easier microcosm than reality in which to start doing that.

[rhiannonsknife]

ok ok i will be the one to break the rhiannon/jackie streak, do u have any shauna gf hcs? whether it be pre-crash, during the wilderness, adult shauna?

── .✦ DATING SHAUNA SHIPMAN

— summary: dating shauna shipman pre-crash hcs

— warnings: established, secret relationship. gn!reader. fluff. angsty ending (couldn’t help myself).

— a/n: bless you anon!! my first ever shauna request, we’re breaking the jackie/rhiannon spell!

shauna who always passes you secret notes in class!

you and shauna both pass notes back and forth in class, a quiet, sweet ritual that she never skips, no matter how many times you’ve seen each other that day. sometimes they’re little doodles, other times they’re more vulnerable glimpses of her thoughts and pieces of herself she can’t say out loud. she always finds it easier to write her emotions down, rather than talking about them. you’ve obviously seen the journal she keeps and you know that she will scribble her thoughts down whenever she’s got the chance, whether it’s something insignificant or something that genuinely upsets her. shauna passes you notes in class, talking all about how pretty she thinks you are, and then blushes furiously when you bring it up afterward.

shauna who offers to help you study, but ends up being the biggest distraction

study sessions at the library or one of your bedrooms start off focused, but usually end up with her leaning against you, talking about everything but the assignment. she knows the subject (because, of course, she does) and you -unfortunately- don’t care enough about it to prioritize it over a good conversation with your girlfriend and some quality time. the consequences only catch up with you when exam season is right around the corner, and you spent all your time cuddling in bed or talking about anything but school. then, she really helps you with your schoolwork, staying up late to tutor you and keep you company. “you do the same for me,” she’ll shrug. you would, but you both know damn well you couldn’t if you wanted to.

shauna who secretly loves to show off at soccer practice or an important match.

she’d never admit it but she loves it when you come to practice with her after class, watching her and the other girls from the bleachers. she is obviously focused on the field, yet she always manages to sneak glances your way when she thinks no one’s looking. after a big win, she’ll always run up to you first because she knows you’ll be there, by the sidelines, cheering her and the team on! shauna will ignore the other celebrations, just searching for you to share the victory. a quick, deep hug or a soft kiss behind the bleachers means more to her than the game itself.

shauna who always makes up for having to hide your relationship.

being from a small town with prying eyes, you often have to keep things as lowkey as possible in public, but she makes up for it by being extra affectionate in private. she’ll tuck her head into the crook of your neck, or reach for your hand, as if holding onto you makes her feel more like herself. i think she’s a lot more into physical touch than one would expect, especially when it’s just the two of you together! when you have the rare chance to spend a quiet morning together, she’s extra gentle, lacing her fingers with yours and resting her head on your shoulder. <33

shauna, who shares her plans of a future with no one but you.

not even jackie knows that she’s planning on leaving as soon as anyhow possible. no one but you does. she dreams of getting out of town, and sometimes the two of you will sit in her car, talking for hours about the life you’d build together somewhere far away. especially as graduation gets closer, shauna becomes increasingly restless and quiet whenever the future comes up. one night, she confesses, “everyone keeps talking about college, moving away, and all that, but i just…i don’t know if i’m ready to let go.” she’d look at you, her voice a little shaky. “i mean, what if…what if we don’t see each other as much? what if everything changes?” you’d reassure her: you definitely won’t be the reason she doesn’t get to achieve her dreams.

shauna, who lets you borrow her clothes!!

she loves when you’re stealing your clothes: hoodies, t-shirts, anything you can ‘sneak’ away with. you always return them with the scent of your perfume on them, which might be the reason why shauna likes it so much! also: the first time she sees you wearing her soccer jersey, with her name and number on your back, she is WEAK! she loves lending you her jacket, the kind she’d say she “doesn’t even like” (she wears it all the time) but she’d smile seeing you wearing it, adding quietly, “looks better on you, anyway”

shauna, whose room is dedicated to all the memories you’ve made together.

her walls her plastered with pictures of the two of you and she keeps a small stash of polaroids hidden in one of her drawers: moments she’s captured that no one else knows about. sometimes she’ll get them out and look through them at night, feeling a rare warmth in knowing she has these tiny pieces of happiness all to herself <3

shauna, who calls you at the absolute crack of dawn.

she loves to call you late at night, talking about everything and nothing. her voice gets quieter as she says, “i just like knowing you’re there, you know?” shauna sometimes goes on about jackie, too, mostly because they’re so close and she’s frustrated that her best friend seems to have everything figured out. you’re the only one who knows that her feelings for jackie are complicated -to say the least- and layered, and you do your best to reassure her without jealousy, knowing she chose you for a reason. other times, she’ll literally fall asleep over the phone and you’ll be there to hear the way her breathing grows softer until, eventually, she’s snoring through the receiver.

shauna who is lowkey secretly affectionate!!

she acts so composed around her friends, but in private, shauna’s all about hand holding and little forehead kisses!! also, hugs from behind?? sneaking up on you and then suddenly wrapping her arms around you and peppering the back of your neck in kisses?? and don’t even get me started on the cuddles she gives! she’ll blush and laugh it off, muttering, “you’re making me so soft,” before giving you another kiss anyway or burying herself deeper in the crook of your neck.

shauna, who is also kind of protective over you.

and, honestly, the same goes for you too: at parties, you’re always on edge when you see shauna drinking or getting roped into something reckless. she brushes it off, claiming she’s fine, but you can tell there’s a part of her that’s pushing boundaries to feel something more intense. if anyone even hints at giving you trouble, she’s quick to stand up for you. shauna will always find her ways to make sure you know you’re safe with her, even if it’s just a hand on your back or a quick glare at anyone who looks at you the wrong way. but also!! shauna, who becomes a whole new level of protective when you’re sick! when you come down with a cold, she surprises you by coming over with a bag full of snacks, soup, and a stack of dvds. she tries to play it off casually, saying, “don’t get any ideas! i’m just here to make sure you’re not dying or anything” but, as she settles in beside you, she ends up fussing over you, adjusting your blanket and checking your temperature with the back of her hand.

shauna who absolutely adores it when you run your fingers through her hair.

when things get overwhelming for either of you. shauna loves nothing more than to just sit quietly with you. she doesn’t even need to talk or do anything special, just being with you, feeling your presence, grounds her. but what she loves the most is when you run your hands through her hair, even if she’s shy about asking for it. on bad or stressful days, she’ll lie with her head in your lap, letting your fingers soothe her, the sensation melting away her worries for just a little while.

shauna who annotates her favorite books for you!!

i can’t believe i’m only coming up with this now: she would 100% annotate all of her favorite novels for you, scribbling down her thoughts and highlighting her favorite paragraphs!! if you have to read a book for school that you’re absolutely not interested in, she’d do the same thing for you, trying to make the experience just a little more enjoyable and rewarding for you!! oh reading together?? specifically shauna reading to you while you rest your head in her lap??

shauna who journals about you.

half of her journal entries are about you and your relationship. she keeps little things from your dates, like a movie ticket, a flower you picked for her, or a picture she took of you and collects them between the pages of said journal!!

shauna who, after all of these things, disappears from your life.

not just from your life specifically, but everyone’s. when she tells you about the trip, there’s an unease you can’t shake. you were there when they won states and you know the nationals are next. and still, your intuition tells you that something is wrong. you don’t get a chance to say goodbye the way you want: no real hug, no lingering kiss, just a quick goodbye with friends around. the memory of that rushed, simple parting would haunt you for a long time…

shauna, who has written you letters she never got to give you before the plane crash.

shauna had a habit of writing letters to you late at night, pouring out all her fears, frustrations, and hopes. she’s kept them hidden in a box under her bed, along with the polaroids, convinced she’ll never show them to you. each letter is a reminder of just how much you meant to her, even if she couldn’t always say it aloud. you stumble upon them during the long hours you spent in her room after they go missing and take them home with you. every time, during those months, that you find yourself forgetting the sound of her voice or the words she’d used, you get them out and they’ll bring it all back to you.

[violetwanderer]

Raising Grogu with Din Would Include:

Din Djarin x Gender Neutral Reader

Warnings: Brief mentions of violence and injuries

Word Count: 723

Do not copy or translate my works

If you were traveling with Din before you two acquired Grogu:

Din would probably find this a lot easier to deal with, as he has someone to consult on everything. If you've known each other quite a while and the trust has already been built up, then this situation becomes a lot easier

From first picking up the child as a bounty, to taking him back from the Empire and even how to take care of him while you two travel. You talk everything through as a team

You might not always agree, but Din is glad to hear a different perspective. It helps him figure out if he's doing the right thing in each situation

It's especially handy when you two have to leave the ship for whatever reason. There's always an extra set of eyes on the child this way and an extra set of hands if someone needs to carry him 

If you're good in a fight, it means there's someone else willing to protect the child from the Empire as well. That's something he is eternally grateful for

Over time, Din starts to see the two of you as Grogu's parents, even when he knows he shouldn't, like when the Armourer told him he must bring Grogu back to his own kind

It makes it even harder to not get attached to the little one when the whole situation feels so domestic at times 

Like when he's watching you give Grogu a bath or rocking the little one to sleep after a long day

There's also someone to share his anguish when he has to give Grogu to Luke. You have each other to lean on, even if he isn't the best at showing his emotions

The joy you both feel when Grogu returns is indescribable. It's like you're a family once again

This time Din would want to make it more formal, more official. He'd want you all to be a clan of three

He would be nervous about making his feelings for you known, but so happy when they are reciprocated. The three of you would be a happy little family, with much fewer threats once Mandalore is taken back and Moff Gideon is killed

If you meet Din after he acquired Grogu:

Naturally Din is much less trusting of you

They've come across too many enemies in their travels and the child has been hunted across the galaxy 

He probably meets you through Peli Moto when he needs his ship fixed by her and needs someone to watch Grogu

It doesn't matter how nice you are or how much Grogu seems to like you from the moment he meets you, you're still a stranger to him 

Still, you prove yourself as someone willing to do anything for the child when you defend him against someone who tries to take him. Din arrives just in time to shoot the guy dead

He has needed someone to mind Grogu for quite a while now and he starts to think you're the perfect option 

He offers the job and you take it, even though you don't know him well. You can't say no to taking care of the little one, not when he looks up at you with those big eyes

It takes a while for Din to adjust to you living with him on the ship. It's harder than when Grogu joined him because you take up much more space 

Still, he remains polite at all times and slowly warms up to you, enjoying your company after being on his own for so long 

It isn't until you get injured protecting Grogu that he realises just how much he cares about you. Seeing you hurt nearly makes his heart stop 

After that, he's much more protective of you and always has his hand on your back when you're out in public together. He feels he can protect you better when he's touching you somehow 

It isn't long after this that Din realises he can't keep his feeling secret any longer and confesses them to you nervously

Of course, you feel the same way and the two of you naturally grow much closer, with him now seeing you as another parent to Grogu

You're not just someone he hired to mind the child anymore, you're part of his clan 

[rootspiral]

part [1][2][3]

After managing to keep away from social media for almost two months, here comes Agatha All Along sucking me back in 🙃 I want to rewatch the whole thing and see how many details I can catch, but I guess I might as well go through Agatha's scenes in Wandavision first. and you guys are coming with me!! we can all hyperfixate together (spoilers from both WV and AAA below. this is going to be just a stream of consciousness as I go through scenes, don't expect anything elaborate)

SO.

Agatha arrives in Westview attracted by Wanda's Hex. She might already suspect she's dealing with the Scarlet Witch because lbr, who has that sort of power? She takes a calculated risk to come investigate (detective Agnes of Westview on the case!) It's funny that her calculated risks are always way more emotional than she'd admit, because who in their right mind comes after the SW? But all that power is too alluring, so Agatha takes possession of Ralph's house, ruins the market value adding a creepy basement and brainwashes him into being her husband/minion/pet.

And now it's time to do what she does best, con artist is gonna con! I adore that Agatha became one of the most infamous witches in history thanks mostly to her improv skills.

She's a magical gal is a small time locale!! he's a husband who's part machiiiiiine (great now it'll get stuck in my head again)

worth nothing that both witches and androids have historically and culturally been used as queer allegories, and here's a very sapphic witch pretending to be a straight 1950s housewife and another witch who's got an elaborate fantasy going on where her husband is able to pass and all their problems are sitcom-level fixable.

How to solve the Hex mystery according to Agatha Harkness:

step #1, casually fish for personal info

step #2, flirt with your suspect (obviously)

she literally asks if Wanda's single ¯\_(ツ)_/¯

AGATHA

she's lying it on soooo thick

she dropped that pot so deliberately LMAOO stinky chaotic goblin

knowing she' s being an asshole on purpose makes this scene 100 times funnier tbh

(also a moment of silence for Sharon's irreparable trauma. her last words will be "Wanda, I'm begging you, let him breathe, please")

episode 2: Agatha keeps being a menace

And knowing now that she's always playing a part and her real personality is much more emo makes it easier to spot when she slips out of character

"was that too much? might rein it down a lil bit" (btw I'm still suspicious of Dennis the mailman and totally expect a big reveal in Westview season 3)

I'm betting that this was Agatha rather than Agnes too. she's so miserable lol. she hates playing this part so much. and that wig is hideous

not Agatha casually planting the idea of children in Wanda's head. She probably was the one making people chant "for the children" too. literally manipulating Wanda into showing her if she can create life, calculated risk my ass, she's out here playing with fire

(does that mean that Agatha is a liiiiiiitle bit Billy's and Tommy's parent too?? she planTED the sEED. hear me OUT.)

you know she was dead inside at having to sit through the whole talent show. she probably took it out on the talent show contestants and made them trip onstage or something

Episode 3 of pappappa pappappa wandavision!

Agatha helping Wanda to pick baby clothes, I'm going to sob. (look at this technicolor filter! modern shows CAN color their shit! it's just that they'd rather make everything look like muddy ass instead)

not much from Agatha this episode except scheming to get Monica kicked out of the Hex, seeing as she's the biggest obstacle between herself and Wanda ('s powers). Also you know she was stalking the house to keep track of when the babies were born. Also also, the painted scenery! Like mother like son, it's such a big hint about the nature of the Road.

look at this piece of shit, I love her so much. And she does tend to wink when she's just told a truly egregious lie, doesn't she? it's like her little signature.

Agatha in episode 5 coming in like: LEMME SEE THOSE BABIESSSSSSS

kathryn hahn with 80s curls is doing something to me, let me tell you

so manipulative, in so many ways. and knowing what we know now about Agatha and children, imagine the turmoil inside of her!! triumph at having confirmation of Wanda's life-giving powers. nervousness about the mess she's putting herself in. exasperation at having to keep up the charade. and, most importantly, getting to HOLD A BABY BOY AFTER ALL THIS TIME (amazing, terrifying, traumatic, wonderful)

what is she doiiiing. this bitch, I swear.

OH MY GAWD I FORGOT WANDA SAID THIS. "so she keeps coming at me like a cat in heat, that's not her fault Vision, she has a Medical Condition"

"kids. can't control them. no matter how hard you try"??????? the suddenly wistful voice?????????????????????? why don't I flung myself off a cliff?????????????????? was this woman actually honestly dying inside while still having to play pretend, I can't, I cannot. And how much of Agatha's backstory was decided at this point, was Kathryn given a general idea?

Agatha and Billy, partners in crime already! Seriously, Jac Schaeffer must have had an idea of where this was going. And it's obvious in retrospect that Agatha would be drawn to Billy the most, he's a witch unlike Tommy and he's such a polite, sweet little fellow, he probably reminded her of Nicky so much?? Here's this scary dangerous witch who on one side is planning to murder everyone in the room, and on the other is fighting back the urge to go full mama bear on this kid and protect and cherish him forever. This is not what she signed up for when she decided to stalk Wanda!

She is so horrible. She is despicable. I'm allowed to say it because I love her so much! I can't remember, was it revealed that she turned a fly into a dog or something? Or did she kidnap a dog dog from a shelter / someone's garden and then stone cold killed him? No, wait, she made Ralph kill him. Do your own killing of cute innocent little creatures, you coward! Love that vest tho.

"Fix the dead!" "You can do that?" And of course she's pretending here but you know that's EXACTLY what this whole sordid Sparky affair was about, she's testing and prodding at Wanda's powers, trying to figure out her limits. There's an eagerness here that she doesn't need to fake. Who knows, maybe she was actually squeamish about killing the dog (she does have a cuddly bunny and woves him vewy much), hence why Ralph had to do it. But more importantly even if she didn't like killing a pet, even if she wasn't happy about traumatizing these kids - that's exactly what she's doing here, she's willingly hurting two children - she went and did it anyway, because her thirst for Wanda's powers is too big. She kills witches out of anger, out of fear and self-preservation. She is ultimately a selfish person, and that is what makes her a villain. It's not that she doesn't have feelings. She has plenty of feelings, she has a conscience, and she chooses to do the bad thing anyway.

"And we can't reverse death. No matter how sad it makes us. Okay? Some things are forever." These two shows above all else are about grief. You can peel this scene and find more and more layers, it was about the kids losing Sparky at first but also about Wanda losing Pietro, Wanda losing Vision, Wanda losing the kids. And it's also, DEFINITELY about Agatha losing Nicky. I need a drink.

Agatha discreetly wiping a tear in the background nbd

And I can only upload 30 pictures per post so there's going to be a part two. I was NOT planning to write so much, help. What are you doing to me AGATHA

go to part 2

[simplegenius042]

Ortega "Ore" Brantley (Last) Romance Chart

Tagging @carlosoliveiraa @cassietrn @direwombat @socially-awkward-skeleton @corvosattano @titiagls @wrathfulrook @adelaidedrubman @josephseedismyfather @shallow-gravy and @thewanderer-000 + anyone else interested in giving this a look.

Translation below if it's hard to follow (plus the template):

Name: Ortega "Ore" Brantley

Gender: Male

Species/Race: Human-Displacement Hybrid ("Displacements" refer to unknown interdimensional creatures originating from unregistered dimensions).

Age: 179 (physically looks to be in his early to mid-40s).

Sexuality: Pansexual.

Class/Job: Mercenary-For-Hire, Follower of the Apocalypse "Sorcerer".

Alignment: Lawful Good

Star Sign: Virgo

Green Flags: Sweet & Thoughtful, #1 biggest supporter, and he has a DOPE FIRE SWORD!

Red Flags: Obsessed with patricide (even if it's kind of justified and his father deserves it), does hide his feelings and deathly afraid to outlive (his companions) or lose (his sister) all of his loved ones (hence why he wants to kill Urias and destroy his Occult as quick and efficiently as possible).

The pictures include the following (from top to bottom, left to right): A picture of a Veteran NCR Ranger (because that's what he wears, and to elaborate, he's not the Courier), a flaming sword I messily cut off from HTTYD's Hiccup hand, a badge of the Responders "Firebreathers" (a memento of his mother, Tiffany Brantley, a character from Fallout 76), and a picture of "Ore" overlooking New Vegas (he may not be the courier, but he falls in love with mine). There's also his aura which is a beach, his love song "Love Me As Though There Were No Tomorrow" by Nat King Cole and lastly a desert rose.

Template right here:

[mercless]

🗡 mad cowboy disease....

[callme000]

I don't think audiobooks are bad or an inferior format - but they're not necessarily reading and they're not equivalent to oral storytelling! When people pass on stories orally, they are directly interacting with their audience, tailoring that retelling in that particular instance to that particular audience. Easiest example being campfire stories that are always about "nights like this" and "not too far from here". It's a false equivalence because audiobooks do not and cannot do that. (Ted Chiang has a very interesting story about oral storytelling called Truth of Fact, Truth of Feeling which is centered on the differences between oral and written tradition - fantastic read) The malleability of oral tradition is the most important part!

Audiobooks are wonderful for accessibility, for those who may have learning or physical disabilities that can make traditional print inaccessible - 100% in agreement. But audiobooks, especially in this day and age, are very often used as background noise when completing another task. Not saying it's impossible to be focused on an audiobook, but reading traditional print requires pretty significant active involvement and is hard to do while also dedicating some portion of your concentration elsewhere.

Imo you lose a lot with audiobooks: you can't make annotations, the reader/narrator's intonation and performance choices will color your perception of the book, it is difficult to jump between passages or sections or quickly browse through the book, you cannot really set your own pace without audio distortion - you also gain a lot: integration of music and background noise and multiple voices expand the world far beyond the page, it's great for accessibility, it can help incur a more visceral reaction (ex: Lolita's audiobook, which is excellent and I highly recommend it) in the listener.

But it is fundamentally different and I don't think it's entirely unfair to assume that people are often engaging with audiobooks in a less active way than they do with traditional print. Relinquishing your ability to "steer" the reading makes it a significantly different - and not necessarily equivalent - experience. To the point where, in my experience, it's often incomparable.

[ketchuppee]

During the 2008 recession, my aunt lost her job. Her, her partner, and my three cousins moved across the country to stay with us while they got back on their feet. My house turned from a family of four to a family of nine overnight, complete with three dogs and five cats between us.

It took a few years for them to get a place of their own, but after a few rentals and apartments, they now own a split level ranch in a town nearby. I’ve lost track of how many coworkers and friends have stayed with them when they were in a tight spot. A mother and son getting out of an abusive relationship, a divorcee trying to stay local for his kids while they work out a custody agreement, you name it. My aunt and uncle knew first hand what that kindness meant, and always find space for someone who needed it, the way my parents had for them.

That same aunt and uncle visited me in [redacted] city last year. They are prolific drinkers, so we spent most of the day bar hopping. As we wandered the city, any time we passed a homeless person, my uncle would pull out a fresh cigarette and ask them if they had a light. Regardless of if they had a lighter on hand or not, he offered them a few bucks in exchange, which he explained to me after was because he felt it would be easier for them to accept in exchange for a service, no matter how small.

I work for a company that produces a lot of fabric waste. Every few weeks, I bring two big black trash bags full of discarded material over to a woman who works down the hall. She distributes them to local churches, quilting clubs, and teachers who can use them for crafts. She’s currently in the process of working with our building to set up a recycling program for the smaller pieces of fabric that are harder to find use for.

One of my best friends gives monthly donations to four or five local organizations. She’s fortunate enough to have a tech job that gives her a good salary, and she knows that a recurring donation is more valuable to a non-profit because they can rely on that money month after month, and can plan ways to stretch that dollar for maximum impact. One of those organizations is a native plant trust, and once she’s out of her apartment complex and in a home with a yard, she has plans to convert it into a haven of local flora.

My partner works for a company that is working to help regulate crypto and hold the current bad actors in the space accountable for their actions. We unfortunately live in a time where technology develops far too fast for bureaucracy to keep up with, but just because people use a technology for ill gain doesn’t mean the technology itself is bad. The blockchain is something that she finds fascinating and powerful, and she is using her degree and her expertise to turn it into a tool for good.

I knew someone who always had a bag of treats in their purse, on the odd chance they came across a stray cat or dog, they had something to offer them.

I follow artists who post about every local election they know of, because they know their platform gives them more reach than the average person, and that they can leverage that platform to encourage people to vote in elections that get less attention, but in many ways have more impact on the direction our country is going to go.

All of this to say, there’s more than one way to do good in the world. Social media leads us to believe that the loudest, the most vocal, the most prolific poster is the most virtuous, but they are only a piece of the puzzle. (And if virtue for virtues sake is your end goal, you’ve already lost, but that’s a different post). Community is built of people leveraging their privileges to help those without them. We need people doing all of those things and more, because no individual can or should do all of it. You would be stretched too thin, your efforts valiant, but less effective in your ambition.

None of this is to encourage inaction. Identify your unique strengths, skills, and privileges, and put them to use. Determine what causes are important to you, and commit to doing what you can to help them. Collective action is how change is made, but don’t forget that we need diversity in actions taken.

[grison-in-space]

from the number of asinine complaints about how "voting is NOT a form of harm reduction" because harm reduction is for ADDICTS! ONLY! I'm seeing around... all coming from OP blogs I don't recognize and which otherwise don't have much presence... well, that coordination alongside the timing of US politics sure feels like the Russian troll bots agitating again. (Yes, they absolutely infested Tumblr; I think @ms-demeanor had a great post about what the bots looked and felt like somewhere that I will have to try and track down tomorrow.)

The thing is, if you actually do know harm reduction well, the complaint makes no sense. It's not as if the origin of harm reduction is a secret or especially hard to find out more about. I am not exactly an expert in the field: I have a educated layperson's interest in public health and infectious disease, I'm a queer feminist of a certain age and therefore have a certain degree of familiarity with AIDS-driven safer sex campaigns, and I'm interested in disability history and self advocacy (and I would in fact clarify harm reduction as a philosophy under this umbrella). So I have about twenty years of experience with harm reduction as a philosophy basically by existing in communities whose history is intertwined with harm reduction, which means I know it well from many different angles, and I know how the story of the philosophy is generally taught.

See, this is a story that starts, as so many stories do, in the 1980s with something monstrous President Reagan was doing. In this case, it was the AIDS epidemic, and Reagan refusing to devote any money or time to what eventually became called AIDS (rather than the original GRIDS, which came with its own baked in homophobia). Knowing themselves abandoned by society in this as in all things, and watching as friends and loved ones died in droves, queers and addicts are two communities who see that they are the only resources that they collectively have to save each other's lives. Queers know that sex, even casual sex, is an important part of people's lives and culture... and people aren't going to stop doing it even if there's a disease, so how can it happen safely? Condoms. Condoms every time, freely available, easy and shameless, shower them on people in the street if you have to. (And other things: this is the origin of the concept of "fluid bonding", for example... both of which were concepts that were immediately adopted in response to COVID, like outdoor socially distsnced greetings and masks and "bubbles." That wasn't an accident. Normalizing sexual health tests and seeing hard results on paper before sex was a thing, too.)

Addicts, too, knew that using was going to happen no matter how earnestly people tried to stop. If it was that easy, addiction wouldn't exist. So: how do you make using safer for longer? If you could stop someone getting HIV before they could bring themselves to get clean, that's a whole life right there. If you could stop someone overdosing once, twice, a dozen times, that's more time you're buying them to claw themselves out of addiction and into a better place. Addicts see, right, needle sharing is getting the diseases spread, so cut down on needle sharing. Well, needles aren't easy to get hold of. Their supply is controlled because people who aren't prescribed needles are theoretically junkies, so taking the needles away makes it harder to use, right— and no one is complicit, and also you see fewer discarded needles lying around where they're unsanitary and unsafe, right? Except that people want to do a buddy a good turn, so they share if there's no other option, and they'll keep a needle going until it's literally too blunt to keep using if need be. So fighting needle sharing means making it easier to get needles to shoot up with: finding a place to discard used ones and get as many fresh ones as you need to use safely!

Making free needles available to junkies and free condoms for the bathhouses was not a popular solution with politicians, for perhaps obvious reasons. Nor was routine testing of the blood supply, because that cost money too. But these things work to stop the spread of disease. Thus the principle of harm reduction: policy interventions in response to communities that frequently engage in risky behavior should focus on whatever reduces aggregate harm by reducing the risk rather than by trying to reduce the behavior. The homos and junkies say look, all your societal judgement in the world hasn't stopped us being homos and junkies yet. You ain't going to look after us? We'll look after our own. And this is the form that takes. Not increasing the pressure to act like people who aren't is, but making it safer to be the people we are while we try to be the happiest versions of ourselves. Even if that means being morally complicit in a whole lot of casual sex and drug abuse.

The thing is, harm reduction is a philosophy rooted in the defiance of people who knew that their society thought they deserved to die painfully, young, invisible and alone. This is not the kind of thing that people come up with and get mad if you adapt it and share it, especially if you tell the story of where it came from. And importantly, harm reduction is not purely the child of addiction: that philosophy, from the get go, was cooked up to apply both to substance abuse and casual sex. It didn't just spread from addiction care; it was born straddling addiction care and queer & feminist health care.

So it doesn't make sense to see actual activists who know harm reduction well complaining that this is a term exhibiting semantic drift when we talk about voting as harm reduction. It's actually a good metaphor: you're reducing the overall risk of the worst case scenario metaphors by voting Democrat, at least until future votes can install a system where multiple parties can flourish on the political scheme. (Democrats and Republicans are essentially coalitions of a pack of arguing factions anyway, and those factions are essentially what would be classed elsewhere as a party in its own right; the US essentially just lumps political granularity rather than splitting it in our political system.) And anyone who understands harm reduction itself knows that.

So it's this wildly inorganic complaint being voiced repeatedly by different sources. Sounds like a pretty good flag for a potential psyop to me.

If you want to learn more about harm reduction and its history, especially from an addiction perspective, I cannot recommend Maia Szalavitz's Undoing Drugs: How Harm Reduction is Changing the Future of Drugs and Addiction (2022) highly enough. Szalavitz has a history of addiction of her own as well as being a clear and accessible writer with an excellent grasp of neuroscience and history. I have a lot of respect for her work.

[natriae]

"y/n what is it tell me," atsumu begs, smile still resting on his face. His eyes searching yours for answer.

"it's nothing, really" The two of you are at osamu's shop in the very back booth. Legs up as you face Atsumu. Most of his friends are here to celebrate Sunarin's birthday, and with that comes a lot of new information about your boyfriend that you didn't know before.

You know he can read your face. He knows there someone you want to ask, but not sure what. It's simply just not the time and place to ask this. Is there ever really a good time to ask?

How do you ask your boyfriend how many exs he's had without making it weird?

He's well aware this is your first relationship, and as embarrassing as that is he never made you feel embarrassed for it. You watch as Suna, Aran, Kita, and Osamu joke about more memories from the past. They know so much more than you do. It must be so much easier being a guy in relationships.

The party has died down to the point where it's only the six of you left. Which gives Atsumu more than enough time to read your face and assume your thoughts which is exactly what you need right now.

"you know what...whatever. I'm not dealing with you and your sad bullshit right now," he says before getting up, and re-joining his friends. Everything around you slows. It's as if you were pushed under water. Your throat closes and your eyes begin to water before you rush up and into the bathroom.

You weren't suppose to be here. He only brought you so you could meet his friends — who clearly weren't expecting you either. You breathing picks up as you shut the door to the only bathroom in the establishment. How could he say that?

part 2

[lemonlover1110]

Hi for the request could you do one of Toji presenting Y/N to Megumi as a kid? And being nervous because it's the first time he's presenting a girl to him years after his wife passed away, but then he sees them having a cute interaction? Thank you!!!

Pairing: Toji Fushiguro x f!Reader

Warnings: Pure Fluff

*It just came to me randomly idk OSJFOSJ

Discord +18 - Twitter - Ko-Fi

Should Toji be this worried? It’s the first time he brings a woman over to meet his son after his wife’s death, and he’s scared how the two of you will get along. Toji has come to the realization that he loves you, and he wants something more serious with you. And while Toji does love you, if his six-year-old has a bad opinion of you, he’ll end things.

Toji’s whole world is Megumi, and he won’t hesitate to do anything for him which is why Toji is sweating. It’s cool out yet droplets of sweat drip down his forehead as he waits for your arrival. Megumi is sitting beside him, kicking his feet into the air as his little eyes focus on the television. Toji loses his mind, while Megumi doesn’t give a care in the world.

There’s a knock on the door, and Toji stands up, proceeding to wipe his sweaty hands on his pants. Megumi finally tears his attention away from his show and asks, “Is it her?”

“Yeah…” Toji sounds nervous, something Megumi doesn’t pick up on. Megumi stands up as well, walking beside Toji to open the door. Toji broke it down to Megumi the previous night, and Megumi looked more than okay with the news. Toji fears that Megumi’s changed his mind though.

Toji opens the door to find you holding a bouquet of flowers. There’s a big smile on your face as you see him, leaning in for a kiss. Toji is reluctant but he kisses you back before clearing his throat and asking, “Are the flowers for me?”

“They’re for…” You begin, but a certain movement catches your eye. Your eyes move down to find the person you’ve come here to meet, hiding behind his father and tugging Toji’s pants. You’re grinning when you say his name, “Megumi!”

“Hi…” Megumi is suddenly shy. He was excited to meet you but then his father suddenly opened the door. You crouch down and extend the bouquet of yellow roses to him. 

“Take them, Megumi.” Toji nods his head, and Megumi is hesitant before taking them. Him and the roses are nearly one size, which is a hilarious sight to see. Toji is about to take them from him, put them in a vase and then put them in his bedroom; it’s easier than having Megumi take them around, but Megumi refuses to let them go.

“Your daddy told me that you liked roses, and I didn’t want to come empty handed.” You explain, standing up. Toji welcomes you in, and you walk behind him to the living room. 

You’re not sure where to sit, though you’ve been in Toji’s apartment many times before. The environment is different with his little one here. Megumi puts his flowers down on the coffee table before running away to his bedroom, which makes Toji roll his eyes.

“I don’t know why he’s suddenly so shy.” Toji confesses, keeping his voice low so Megumi doesn’t hear him. You chuckle, watching as Toji takes his usual seat and pats the spot next to him. You sit down next to him, and rest your head on his shoulder.

“I know you’re nervous but I get along with kids.” You tell him, and Toji wonders if you’ve read his mind… Or is it simply that obvious? You lift your head from Toji’s shoulders when you hear the little footsteps coming your way.

“You can have him.” Megumi extends his arms, revealing a chubby cat– Not a plush, but an actual animal. “He’s really soft and friendly.”

Toji’s eyes widen, and he realizes that the neighbor’s adorable little cat, Muttons, wasn’t just missing. Megumi stole him. Little Megumi who fawns over adorable little Muttons, claiming he wants his own cat each and every time. Toji never fulfills the wish so Megumi took matters into his own hands.

Yet, Megumi is giving you the cat. He likes you. He likes you enough to give you the cat that he stole. You swear your heart melts as you take the cat from Megumi and you stick out your bottom lip as you look at Toji. You’re about to cry, how does someone like Toji have a literal angel as a son?

You two are surely going to get along. Toji realizes he was worried for nothing, but now he has another matter to worry about.

“Megumi, what have you been feeding the cat?”

[handweavers]

something that comes up for me over and over is a deep frustration with academics who write about and study craft but have little hands-on experience with working with that craft, because it leads to them making mistakes in their analysis and even labelling of objects and techniques incorrectly. i see this from something as simple as textiles on display in museums being labelled with techniques that are very obviously wrong (claiming something is knit when it's clearly crochet, woven when that technique could only be done as embroidery applied to cloth off-loom) to articles and books written about the history of various aspects of textiles making considerable errors when trying to describe basic aspects of textile craft-knowledge (ex. a book i read recently that tried to say that dyeing cotton is far easier than dyeing wool because cotton takes colour more easily than wool, and used that as part of an argument as to why cotton became so prominent in the industrial revolution, which is so blatantly incorrect to any dyer that it seriously harms the argument being made even if the overall point is ultimately correct)

the thing is that craft is a language, an embodied knowledge that crosses the boundaries of spoken communication into a physical understanding. craft has theory, but it is not theoretical: there is a necessary physicality to our work, to our knowledge, that cannot be substituted. two artisans who share a craft share a language, even if that language is not verbal. when you understand how a material functions and behaves without deliberate thought, when the material knowledge becomes instinct, when your hands know these things just as well if not better than your conscious mind does, new avenues of communication are opened. an embodied knowledge of a craft is its own language that is able to be communicated across time, and one easily misunderstood by those without that fluency. an academic whose knowledge is entirely theoretical may look at a piece of metalwork from the 3rd century and struggle to understand the function or intent of it, but if you were to show the same piece to a living blacksmith they would likely be able to tell you with startling accuracy what their ancient colleague was trying to do.

a more elaborate example: when i was in residence at a dye studio on bali, the dyer who mentored me showed me a bowl of shimmering grey mud, and explained in bahasa that they harvest the mud several feet under the roots of certain species of mangroves. once the mud is cleaned and strained, it's mixed with bran water and left to ferment for weeks to months.  he noted that the mud cannot be used until the fermentation process has left a glittering sheen to its surface. when layered over a fermented dye containing the flowers from a tree, the cloth turns grey, and repeated dippings in the flower-liquid and mud vats deepen this colour until it's a warm black. 

he didn't explain why this works, and he did not have to. his methods are different from mine, but the same chemical processes are occurring. tannins always turn grey when they interact with iron and they don't react to other additives the same way, so tannins (polyphenols) and iron must be fundamental parts of this process. many types of earthen clay contain a type of bacteria that creates biogenic iron as a byproduct, and mixing bran water with this mud would give the bacteria sugars to feast upon, multiplying, and producing more of this biogenic iron. when the iron content is high enough that the mud shimmers, applying this fermented mixture to cloth soaked in tannins would cause the iron to react with the tannin and finally, miraculously: a deep, living grey-black cloth.

in my dye studio i have dissolved iron sulphide ii in boiling water and submerged cloth soaked in tannin extract in this iron water, and watched it emerge, chemically altered, now deep and living grey-black just like the cloth my mentor on bali dyed. when i watched him dip cloth in this brown bath of fermented flower-water, and then into the shimmering mud and witness the cloth emerge this same shade of grey, i understand exactly what he was doing and why. embodied craft knowledge is its own language, and if you're going to dedicate your life to writing about a craft it would be of great benefit to actually "speak" that language, or you're likely to make serious errors.

the arrogance is not that different from a historian or anthropologist who tries to study a culture or people without understanding their written or spoken tongue, and then makes mistakes in their analysis because they are fundamentally disconnected from the way the people they are talking about communicate. the voyeuristic academic desire to observe and analyse the world at a distance, without participating in it. how often academics will write about social movements, political theory and philosophy and never actually get involved in any of these movements while they're happening. my issue with the way they interact with craft is less serious than the others i mentioned, but one that constantly bothers me when coming into contact with the divide between "those who make a living writing about a subject" and "those who make a living doing that subject"