#twenty one pilots the only band in the world indeed

[pardonmydelays]

i'm sorry but i'm just gonna leave this here:

[hellsitesonlybookclub]

It Can't Happen Here, Sinclair Lewis

Chapter 29-30

CHAPTER XXIX

THE propaganda throughout the country was not all to the New Underground; not even most of it; and though the pamphleteers for the N.U., at home and exiled abroad, included hundreds of the most capable professional journalists of America, they were cramped by a certain respect for facts which never enfeebled the press agents for Corpoism. And the Corpos had a notable staff. It included college presidents, some of the most renowned among the radio announcers who aforetime had crooned their affection for mouth washes and noninsomniac coffee, famous ex-war-correspondents, ex- governors, former vice-presidents of the American Federation of Labor, and no less an artist than the public relations counsel of a princely corporation of electrical-goods manufacturers.

The newspapers everywhere might no longer be so wishily-washily liberal as to print the opinions of non-Corpos; they might give but little news from those old-fashioned and democratic countries, Great Britain, France, and the Scandinavian states; might indeed print almost no foreign news, except as regards the triumphs of Italy in giving Ethiopia good roads, trains on time, freedom from beggars and from men of honor, and all the other spiritual benefactions of Roman civilization. But, on the other hand, never had newspapers shown so many comic strips—the most popular was a very funny one about a preposterous New Underground crank, who wore mortuary black with a high hat decorated with crêpe and who was always being comically beaten up by M.M.'s. Never had there been, even in the days when Mr. Hearst was freeing Cuba, so many large red headlines. Never so many dramatic drawings of murders—the murderers were always notorious anti-Corpos. Never such a wealth of literature, worthy its twenty-four-hour immortality, as the articles proving, and proving by figures, that American wages were universally higher, commodities universally lower-priced, war budgets smaller but the army and its equipment much larger, than ever in history. Never such righteous polemics as the proofs that all non-Corpos were Communists.

Almost daily, Windrip, Sarason, Dr. Macgoblin, Secretary of War Luthorne, or Vice-President Perley Beecroft humbly addressed their Masters, the great General Public, on the radio, and congratulated them on making a new world by their example of American solidarity— marching shoulder to shoulder under the Grand Old Flag, comrades in the blessings of peace and comrades in the joys of war to come.

Much-heralded movies, subsidized by the government (and could there be any better proof of the attention paid by Dr. Macgoblin and the other Nazi leaders to the arts than the fact that movie actors who before the days of the Chief were receiving only fifteen hundred gold dollars a week were now getting five thousand?), showed the M.M.'s driving armored motors at eighty miles an hour, piloting a fleet of one thousand planes, and being very tender to a little girl with a kitten.

Everyone, including Doremus Jessup, had said in 1935, "If there ever is a Fascist dictatorship here, American humor and pioneer independence are so marked that it will be absolutely different from anything in Europe."

For almost a year after Windrip came in, this seemed true. The Chief was photographed playing poker, in shirtsleeves and with a derby on the back of his head, with a newspaperman, a chauffeur, and a pair of rugged steel-workers. Dr. Macgoblin in person led an Elks' brass band and dived in competition with the Atlantic City bathing-beauties. It was reputably reported that M.M.'s apologized to political prisoners for having to arrest them, and that the prisoners joked amiably with the guards... at first.

All that was gone, within a year after the inauguration, and surprised scientists discovered that whips and handcuffs hurt just as sorely in the clear American air as in the miasmic fogs of Prussia.

Doremus, reading the authors he had concealed in the horsehair sofa—the gallant Communist, Karl Billinger, the gallant anti- Communist, Tchernavin, and the gallant neutral, Lorant—began to see something like a biology of dictatorships, all dictatorships. The universal apprehension, the timorous denials of faith, the same methods of arrest—sudden pounding on the door late at night, the squad of police pushing in, the blows, the search, the obscene oaths at the frightened women, the third degree by young snipe of officials, the accompanying blows and then the formal beatings, when the prisoner is forced to count the strokes until he faints, the leprous beds and the sour stew, guards jokingly shooting round and round a prisoner who believes he is being executed, the waiting in solitude to know what will happen, till men go mad and hang themselves—

Thus had things gone in Germany, exactly thus in Soviet Russia, in Italy and Hungary and Poland, Spain and Cuba and Japan and China. Not very different had it been under the blessings of liberty and fraternity in the French Revolution. All dictators followed the same routine of torture, as if they had all read the same manual of sadistic etiquette. And now, in the humorous, friendly, happy-go-lucky land of Mark Twain, Doremus saw the homicidal maniacs having just as good a time as they had had in central Europe.

America followed, too, the same ingenious finances as Europe. Windrip had promised to make everybody richer, and had contrived to make everybody, except for a few hundred bankers and industrialists and soldiers, much poorer. He needed no higher mathematicians to produce his financial statements: any ordinary press agent could do them. To show a 100 per cent economy in military expenditures, while increasing the establishment 700 per cent, it had been necessary only to charge up all expenditures for the Minute Men to non-military departments, so that their training in the art of bayonet-sticking was debited to the Department of Education. To show an increase in average wages one did tricks with "categories of labor" and "required minimum wages," and forgot to state how many workers ever did become entitled to the "minimum," and how much was charged as wages, on the books, for food and shelter for the millions in the labor camps.

It all made dazzling reading. There had never been more elegant and romantic fiction.

Even loyal Corpos began to wonder why the armed forces, army and M.M.'s together, were being so increased. Was a frightened Windrip getting ready to defend himself against a rising of the whole nation? Did he plan to attack all of North and South America and make himself an emperor? Or both? In any case, the forces were so swollen that even with its despotic power of taxation, the Corpo government never had enough. They began to force exports, to practice the "dumping" of wheat, corn, timber, copper, oil, machinery. They increased production, forced it by fines and threats, then stripped the farmer of all he had, for export at depreciated prices. But at home the prices were not depreciated but increased, so that the more we exported, the less the industrial worker in America had to eat. And really zealous County Commissioners took from the farmer (after the patriotic manner of many Mid-Western counties in 1918) even his seed grain, so that he could grow no more, and on the very acres where once he had raised superfluous wheat he now starved for bread. And while he was starving, the Commissioners continued to try to make him pay for the Corpo bonds which he had been made to buy on the instalment plan.

But still, when he did finally starve to death, none of these things worried him.

There were bread lines now in Fort Beulah, once or twice a week.

The hardest phenomenon of dictatorship for a Doremus to understand, even when he saw it daily in his own street, was the steady diminution of gayety among the people.

America, like England and Scotland, had never really been a gay nation. Rather it had been heavily and noisily jocular, with a substratum of worry and insecurity, in the image of its patron saint, Lincoln of the rollicking stories and the tragic heart. But at least there had been hearty greetings, man to man; there had been clamorous jazz for dancing, and the lively, slangy catcalls of young people, and the nervous blatting of tremendous traffic.

All that false cheerfulness lessened now, day by day.

The Corpos found nothing more convenient to milk than public pleasures. After the bread had molded, the circuses were closed. There were taxes or increased taxes on motorcars, movies, theaters, dances, and ice-cream sodas. There was a tax on playing a phonograph or radio in any restaurant. Lee Sarason, himself a bachelor, conceived of super-taxing bachelors and spinsters, and contrariwise of taxing all weddings at which more than five persons were present.

Even the most reckless youngsters went less and less to public entertainments, because no one not ostentatiously in uniform cared to be noticed, these days. It was impossible to sit in a public place without wondering which spies were watching you. So all the world stayed home—and jumped anxiously at every passing footstep, every telephone ring, every tap of an ivy sprig on the window.

The score of people definitely pledged to the New Underground were the only persons to whom Doremus dared talk about anything more incriminating than whether it was likely to rain, though he had been the friendliest gossip in town. Always it had taken ten minutes longer than was humanly possible for him to walk to the Informer office, because he stopped on every corner to ask after someone's sick wife, politics, potato crop, opinions about Deism, or luck at fishing.

As he read of rebels against the régime who worked in Rome, in Berlin, he envied them. They had thousands of government agents, unknown by sight and thus the more dangerous, to watch them; but also they had thousands of comrades from whom to seek encouragement, exciting personal tattle, shop talk, and the assurance that they were not altogether idiotic to risk their lives for a mistress so ungrateful as Revolution. Those secret flats in great cities— perhaps some of them really were filled with the rosy glow they had in fiction. But the Fort Beulahs, anywhere in the world, were so isolated, the conspirators so uninspiringly familiar one to another, that only by inexplicable faith could one go on.

Now that Lorinda was gone, there certainly was nothing very diverting in sneaking round corners, trying to look like somebody else, merely to meet Buck and Dan Wilgus and that good woman, Sissy!

Buck and he and the rest—they were such amateurs. They needed the guidance of veteran agitators like Mr. Ailey and Mr. Bailey and Mr. Cailey.

Their feeble pamphlets, their smearily printed newspaper, seemed futile against the enormous blare of Corpo propaganda. It seemed worse than futile, it seemed insane, to risk martyrdom in a world where Fascists persecuted Communists, Communists persecuted Social-Democrats, Social-Democrats persecuted everybody who would stand for it; where "Aryans" who looked like Jews persecuted Jews who looked like Aryans and Jews persecuted their debtors; where every statesman and clergyman praised Peace and brightly asserted that the only way to get Peace was to get ready for War.

What conceivable reason could one have for seeking after righteousness in a world which so hated righteousness? Why do anything except eat and read and make love and provide for sleep that should be secure against disturbance by armed policemen?

He never did find any particularly good reason. He simply went on.

In June, when the Fort Beulah cell of the New Underground had been carrying on for some three months, Mr. Francis Tasbrough, the golden quarryman, called on his neighbor, Doremus.

"How are you, Frank?"

"Fine, Remus. How's the old carping critic?"

"Fine, Frank. Still carping. Fine carping weather, at that. Have a cigar?"

"Thanks. Got a match? Thanks. Saw Sissy yesterday. She looks fine."

"Yes, she's fine. I saw Malcolm driving by yesterday. How did he like it in the Provincial University, at New York?"

"Oh, fine—fine. He says the athletics are grand. They're getting Primo Carnera over to coach in tennis next year—I think it's Carnera—I think it's tennis—but anyway, the athletics are fine there, Malcolm says. Say, uh, Remus, there's something I been meaning to ask you. I, uh—The fact is—I want you to be sure and not repeat this to anybody. I know you can be trusted with a secret, even if you are a newspaperman—or used to be, I mean, but— The fact is (and this is inside stuff; official), there's going to be some governmental promotions all along the line—this is confidential, and it comes to me straight from the Provincial Commissioner, Colonel Haik. Luthorne is finished as Secretary of War—he's a nice fellow, but he hasn't got as much publicity for the Corpos out of his office as the Chief expected him to. Haik is to have his job, and also take over the position of High Marshal of the Minute Men from Lee Sarason—I suppose Sarason has too much to do. Well then, John Sullivan Reek is slated to be Provincial Commissioner; that leaves the office of District Commissioner for Vermont-New Hampshire empty, and I'm one of the people being seriously considered. I've done a lot of speaking for the Corpos, and I know Dewey Haik very well—I was able to advise him about erecting public buildings. Of course there's none of the County Commissioners around here that measure up to a district commissionership—not even Dr. Staubmeyer—certainly not Shad Ledue. Now if you could see your way clear to throw in with me, your influence would help—"

"Good heavens, Frank, the worst thing you could have happen, if you want the job, is to have me favor you! The Corpos don't like me. Oh, of course they know I'm loyal, not one of these dirty, sneaking anti-Corpos, but I never made enough noise in the paper to please 'em."

"That's just it, Remus! I've got a really striking idea. Even if they don't like you, the Corpos respect you, and they know how long you've been important in the State. We'd all be greatly pleased if you came out and joined us. Now just suppose you did so and let people know that it was my influence that converted you to Corpoism. That might give me quite a leg-up. And between old friends like us, Remus, I can tell you that this job of District Commissioner would be useful to me in the quarry business, aside from the social advantages. And if I got the position, I can promise you that I'd either get the Informer taken away from Staubmeyer and that dirty little stinker, Itchitt, and given back to you to run absolutely as you pleased—providing, of course, you had the sense to keep from criticizing the Chief and the State. Or, if you'd rather, I think I could probably wangle a job for you as military judge (they don't necessarily have to be lawyers) or maybe President Peaseley's job as District Director of Education— you'd have a lot of fun out of that!—awfully amusing the way all the teachers kiss the Director's foot! Come on, old man! Think of all the fun we used to have in the old days! Come to your senses and face the inevitable and join us and fix up some good publicity for me. How about it—huh, huh?"

Doremus reflected that the worst trial of a revolutionary propagandist was not risking his life, but having to be civil to people like Future-Commissioner Tasbrough.

He supposed that his voice was polite as he muttered, "Afraid I'm too old to try it, Frank," but apparently Tasbrough was offended. He sprang up and tramped away grumbling, "Oh, very well then!"

"And I didn't give him a chance to say anything about being realistic or breaking eggs to make an omelet," regretted Doremus.

The next day Malcolm Tasbrough, meeting Sissy on the street, made his beefy most of cutting her. At the time the Jessups thought that was very amusing. They thought the occasion less amusing when Malcolm chased little David out of the Tasbrough apple orchard, which he had been wont to use as the Great Western Forest where at any time one was rather more than likely to meet Kit Carson, Robin Hood, and Colonel Lindbergh hunting together.

Having only Frank's word for it, Doremus could do no more than hint in Vermont Vigilance that Colonel Dewey Haik was to be made Secretary of War, and give Haik's actual military record, which included the facts that as a first lieutenant in France in 1918, he had been under fire for less than fifteen minutes, and that his one real triumph had been commanding state militia during a strike in Oregon, when eleven strikers had been shot down, five of them in the back.

Then Doremus forgot Tasbrough completely and happily.

CHAPTER XXX

BUT worse than having to be civil to the fatuous Mr. Tasbrough was keeping his mouth shut when, toward the end of June, a newspaperman at Battington, Vermont, was suddenly arrested as editor of Vermont Vigilance and author of all the pamphlets by Doremus and Lorinda. He went to concentration camp. Buck and Dan Wilgus and Sissy prevented Doremus from confessing, and from even going to call on the victim, and when, with Lorinda no longer there as confidante, Doremus tried to explain it all to Emma, she said, Wasn't it lucky that the government had blamed somebody else!

Emma had worked out the theory that the N.U. activity was some sort of a naughty game which kept her boy, Doremus, busy after his retirement. He was mildly nagging the Corpos. She wasn't sure that it was really nice to nag the legal authorities, but still, for a little fellow, her Doremus had always been surprisingly spunky—just like (she often confided to Sissy) a spunky little Scotch terrier she had owned when she was a girl—Mr. McNabbit its name had been, a little Scotch terrier, but my! so spunky he acted like he was a regular lion!

She was rather glad that Lorinda was gone, though she liked Lorinda and worried about how well she might do with a tea room in a new town, a town where she had never lived. But she just couldn't help feeling (she confided not only to Sissy but to Mary and Buck) that Lorinda, with all her wild crazy ideas about women's rights, and workmen being just as good as their employers, had a bad influence on Doremus's tendency to show off and shock people. (She mildly wondered why Buck and Sissy snorted so. She hadn't meant to say anything particularly funny!)

For too many years she had been used to Doremus's irregular routine to have her sleep disturbed by his returning from Buck's at the improper time to which she referred as "at all hours," but she did wish he would be "more on time for his meals," and she gave up the question of why, these days, he seemed to like to associate with Ordinary People like John Pollikop, Dan Wilgus, Daniel Babcock, and Pete Vutong—my! some people said Pete couldn't even read and write, and Doremus so educated and all! Why didn't he see more of lovely people like Frank Tasbrough and Professor Staubmeyer and Mr. R. C. Crowley and this new friend of his, the Hon. John Sullivan Reek?

Why couldn't he keep out of politics? She'd always SAID they were no occupation for a gentleman!

Like David, now ten years old (and like twenty or thirty million other Americans, from one to a hundred, but all of the same mental age), Emma thought the marching M.M.'s were a very fine show indeed, so much like movies of the Civil War, really quite educational; and while of course if Doremus didn't care for President Windrip, she was opposed to him also, yet didn't Mr. Windrip speak beautifully about pure language, church attendance, low taxation, and the American flag?

The realists, the makers of omelets, did climb, as Tasbrough had predicted. Colonel Dewey Haik, Commissioner of the Northeastern Province, became Secretary of War and High Marshal of M.M.'s, while the former secretary, Colonel Luthorne, retired to Kansas and the real-estate business and was well spoken of by all business men for being thus willing to give up the grandeur of Washington for duty toward practical affairs and his family, who were throughout the press depicted as having frequently missed him. It was rumored in N.U. cells that Haik might go higher even than Secretary of War; that Windrip was worried by the forced growth of a certain effeminacy in Lee Sarason under the arc light of glory.

Francis Tasbrough was elevated to District Commissionership at Hanover. But Mr. Sullivan Reek did not in series go on to be Provincial Commissioner. It was said that he had too many friends among just the old-line politicians whose jobs the Corpos were so enthusiastically taking. No, the new Provincial Commissioner, viceroy and general, was Military Judge Effingham Swan, the one man whom Mary Jessup Greenhill hated more than she did Shad Ledue.

Swan was a splendid commissioner. Within three days after taking office, he had John Sullivan Reek and seven assistant district commissioners arrested, tried, and imprisoned, all within twenty-four hours, and an eighty-year-old woman, mother of a New Underground agent but not otherwise accused of wickedness, penned in a concentration camp for the more desperate traitors. It was in a disused quarry which was always a foot deep in water. After he had sentenced her, Swan was said to have bowed to her most courteously.

The New Underground sent out warning, from headquarters in Montreal, for a general tightening up of precautions against being caught distributing propaganda. Agents were disappearing rather alarmingly.

Buck scoffed, but Doremus was nervous. He noticed that the same strange man, ostensibly a drummer, a large man with unpleasant eyes, had twice got into conversation with him in the Hotel Wessex lobby, and too obviously hinted that he was anti-Corpo and would love to have Doremus say something nasty about the Chief and the M.M.'s.

Doremus became cautious about going out to Buck's. He parked his car in half-a-dozen different wood-roads and crept afoot to the secret basement.

On the evening of the twenty-eighth of June, 1938, he had a notion that he was being followed, so closely did a car with red-tinted headlights, anxiously watched in his rear-view mirror, stick behind him as he took the Keezmet highway down to Buck's. He turned up a side road, down another. The spy car followed. He stopped, in a driveway on the left-hand side of the road, and angrily stepped out, in time to see the other car pass, with a man who looked like Shad Ledue driving. He swung round then and, without concealment, bolted for Buck's.

In the basement, Buck was contentedly tying up bundles of the Vigilance, while Father Perefixe, in his shirtsleeves, vest open and black dickey swinging beneath his reversed collar, sat at a plain pine table, writing a warning to New England Catholics that though the Corpos had, unlike the Nazis in Germany, been shrewd enough to flatter prelates, they had lowered the wages of French-Canadian Catholic mill hands and imprisoned their leaders just as severely as in the case of the avowedly wicked Protestants.

Perefixe smiled up at Doremus, stretched, lighted a pipe, and chuckled, "As a great ecclesiast, Doremus, is it your opinion that I shall be committing a venial or a mortal sin by publishing this little masterpiece—the work of my favorite author—without the Bishop's imprimatur?"

"Stephen! Buck! I think they're on to us! Maybe we've got to fold up already and get the press and type out of here!" He told of being shadowed. He telephoned to Julian, at M.M. headquarters, and (since there were too many French-Canadian inspectors about for him to dare to use his brand of French) he telephoned in the fine new German he had been learning by translation:

"Denks du ihr Freunds dere haben a Idee die letzt Tag von vot ve mach here?"

And the college-bred Julian had so much international culture as to be able to answer: "Ja, Ich mein ihr vos sachen morning free. Look owid!"

How could they move? Where?

Dan Wilgus arrived, in panic, an hour after.

"Say! They're watching us!" Doremus, Buck, and the priest gathered round the black viking of a man. "Just now when I came in I thought I heard something in the bushes, here in the yard, near the house, and before I thought, I flashed my torch on him, and by golly if it wasn't Aras Dilley, and not in uniform—and you know how Aras loves his God—excuse me, Father—how he loves his uniform. He was disguised! Sure! In overalls! Looked like a jackass that's gone under a clothes-line! Well, he'd been rubbering at the house. Course these curtains are drawn, but I don't know what he saw and—"

The three large men looked to Doremus for orders.

"We got to get all this stuff out of here! Quick! Take it and hide it in Truman Webb's attic. Stephen: get John Pollikop and Mungo Kitterick and Pete Vutong on the phone—get 'em here, quick— tell John to stop by and tell Julian to come as soon as he can. Dan: start dismantling the press. Buck: bundle up all the literature." As he spoke, Doremus was wrapping type in scraps of newspaper. And at three next morning, before light, Pollikop was driving toward Truman Webb's farmhouse the entire equipment of the New Underground printing establishment, in Buck's old farm truck, from which blatted, for the benefit of all ears that might be concerned, two frightened calves.

Next day Julian ventured to invite his superior officers, Shad Ledue and Emil Staubmeyer, to a poker session at Buck's. They came, with alacrity. They found Buck, Doremus, Mungo Kitterick, and Doc Itchitt—the last an entirely innocent participant in certain deceptions.

They played in Buck's parlor. But during the evening Buck announced that anyone wanting beer instead of whisky would find it in a tub of ice in the basement, and that anyone wishing to wash his hands would find two bathrooms upstairs.

Shad hastily went for beer. Doc Itchitt even more hastily went to wash his hands. Both of them were gone much longer than one would have expected.

When the party broke up and Buck and Doremus were alone, Buck shrieked with bucolic mirth: "I could scarcely keep a straight face when I heard good old Shad opening the cupboards and taking a fine long look-see for pamphlets down in the basement. Well, Cap'n Jessup, that about ends their suspicion of this place as a den of traitors, I guess! God, but isn't Shad dumb!"

This was at perhaps 3 A.M. on the morning of June thirtieth.

Doremus stayed home, writing sedition, all the afternoon and evening of the thirtieth, hiding the sheets under pages of newspaper in the Franklin stove in his study, so that he could touch them off with a match in case of a raid—a trick he had learned from Karl Billinger's anti-Nazi Fatherland.

This new opus was devoted to murders ordered by Commissioner Effingham Swan.

On the first and second of July, when he sauntered uptown, he was rather noticeably encountered by the same weighty drummer who had picked him up in the Hotel Wessex lobby before, and who now insisted on their having a drink together. Doremus escaped, and was conscious that he was being followed by an unknown young man, flamboyant in an apricot-colored polo shirt and gray bags, whom he recognized as having worn M.M. uniform at a parade in June. On July third, rather panicky, Doremus drove to Truman Webb's, taking an hour of zigzagging to do it, and warned Truman not to permit any more printing till he should have a release.

When Doremus went home, Sissy lightly informed him that Shad had insisted she go out to an M.M. picnic with him on the next afternoon, the Fourth, and that, information or no, she had refused. She was afraid of him, surrounded by his ready playmates.

That night of the third, Doremus slept only in sick spasms. He was reasonlessly convinced that he would be arrested before dawn. The night was overcast and electric and uneasy. The crickets sounded as though they were piping under compulsion, in a rhythm of terror. He lay throbbing to their sound. He wanted to flee—but how and where, and how could he leave his threatened family? For the first time in years he wished that he were sleeping beside the unperturbable Emma, beside her small earthy hillock of body. He laughed at himself. What could Emma do to protect him against Minute Men? Just scream! And what then? But he, who always slept with his door shut, to protect his sacred aloneness, popped out of bed to open the door, that he might have the comfort of hearing her breathe, and the fiercer Mary stir in slumber, and Sissy's occasional young whimper.

He was awakened before dawn by early firecrackers. He heard the tramping of feet. He lay taut. Then he awoke again, at seven-thirty, and was slightly angry that nothing happened.

The M.M.'s brought out their burnished helmets and all the rideable horses in the neighborhood—some of them known as most superior plow-horses—for the great celebration of the New Freedom on the morning of Fourth of July. There was no post of the American Legion in the jaunty parade. That organization had been completely suppressed, and a number of American Legion leaders had been shot. Others had tactfully taken posts in the M.M. itself.

The troops, in hollow square, with the ordinary citizenry humbly jammed in behind them and the Jessup family rather hoity-toity on the outskirts, were addressed by Ex-Governor Isham Hubbard, a fine ruddy old rooster who could say "Cock-a-doodle-do" with more profundity than any fowl since Æsop. He announced that the Chief had extraordinary resemblances to Washington, Jefferson, and William B. McKinley, and to Napoleon on his better days.

The trumpets blew, the M.M.'s gallantly marched off nowhere in particular, and Doremus went home, feeling much better after his laugh. Following noon dinner, since it was raining, he proposed a game of contract to Emma, Mary, and Sissy—with Mrs. Candy as volunteer umpire.

But the thunder of the hill country disquieted him. Whenever he was dummy, he ambled to a window. The rain ceased; the sun came out for a false, hesitating moment, and the wet grass looked unreal. Clouds with torn bottoms, like the hem of a ragged skirt, were driven down the valley, cutting off the bulk of Mount Faithful; the sun went out as in a mammoth catastrophe; and instantly the world was in unholy darkness, which poured into the room.

"Why, it's quite dark, isn't it! Sissy, turn on the lights," said Emma.

The rain attacked again, in a crash, and to Doremus, looking out, the whole knowable world seemed washed out. Through the deluge he saw a huge car flash, the great wheels throwing up fountains. "Wonder what make of car that is? Must be a sixteen-cylinder Cadillac, I guess," reflected Doremus. The car swerved into his own gateway, almost knocking down a gatepost, and stopped with a jar at his porch. From it leaped five Minute Men, black waterproof capes over their uniforms. Before he could quite get through the reflection that he recognized none of them, they were there in the room. The leader, an ensign (and most certainly Doremus did not recognize him) marched up to Doremus, looked at him casually, and struck him full in the face.

Except for the one light pink of the bayonet when he had been arrested before, except for an occasional toothache or headache, or a smart when he had banged a fingernail, Doremus Jessup had not for thirty years known authentic pain. It was as incredible as it was horrifying, this torture in his eyes and nose and crushed mouth. He stood bent, gasping, and the Ensign again smashed his face, and observed, "You are under arrest."

Mary had launched herself on the Ensign, was hitting at him with a china ash tray. Two M.M.'s dragged her off, threw her on the couch, and one of them pinned her there. The other two guards were bulking over the paralyzed Emma, the galvanized Sissy.

Doremus vomited suddenly and collapsed, as though he were dead drunk.

He was conscious that the five M.M.'s were yanking the books from the shelves and hurling them on the floor, so that the covers split, and with their pistol butts smashing vases and lamp shades and small occasional tables. One of them tattooed a rough M M on the white paneling above the fireplace with shots from his automatic.

The Ensign said only, "Careful, Jim," and kissed the hysterical Sissy.

Doremus struggled to get up. An M.M. kicked him in the elbow. It felt like death itself, and Doremus writhed on the floor. He heard them tramping upstairs. He remembered then that his manuscript about the murders by Provincial Commissioner Effingham Swan was hidden in the Franklin stove in his study.

The sound of their smashing of furniture in the bedrooms on the second floor was like that of a dozen wood-choppers gone mad.

In all his agony, Doremus struggled to get up—to set fire to the papers in the stove before they should be found. He tried to look at his women. He could make out Mary, tied to the couch. (When had that ever happened?) But his vision was too blurred, his mind too bruised, to see anything clearly. Staggering, sometimes creeping on his hands and knees, he did actually get past the men in the bedrooms and up the stairs to the third floor and his study.

He was in time to see the Ensign throwing his best-beloved books and his letter files, accumulated these twenty years, out of the study window, to see him search the papers in the Franklin stove, look up with cheerful triumph and cackle, "Nice piece you've written here, I guess, Jessup. Commissioner Swan will love to see it!"

"I demand—see—Commissioner Ledue—Dist' Commissioner Tasbrough— friends of mine," stammered Doremus.

"Don't know a thing about them. I'm running this show," the Ensign chuckled, and slapped Doremus, not very painfully, merely with a shamefulness as great as Doremus's when he realized that he had been so cowardly as to appeal to Shad and Francis. He did not open his mouth again, did not whimper nor even amuse the troopers by vainly appealing on behalf of the women, as he was hustled down two flights of stairs—they threw him down the lower flight and he landed on his raw shoulder—and out to the big car.

The M.M. driver, who had been waiting behind the wheel, already had the engine running. The car whined away, threatening every instant to skid. But the Doremus who had been queasy about skidding did not notice. What could he do about it, anyway? He was helpless between two troopers in the back seat, and his powerlessness to make the driver slow up seemed part of all his powerlessness before the dictator's power... he who had always so taken it for granted that in his dignity and social security he was just slightly superior to laws and judges and policemen, to all the risks and pain of ordinary workers.

He was unloaded, like a balky mule, at the jail entrance of the courthouse. He resolved that when he was led before Shad he would so rebuke the scoundrel that he would not forget it. But Doremus was not taken into the courthouse. He was kicked toward a large, black-painted, unlettered truck by the entrance—literally kicked, while even in his bewildered anguish he speculated, "I wonder which is worse?—the physical pain of being kicked, or the mental humiliation of being turned into a slave? Hell! Don't be sophistical! It's the pain in the behind that hurts most!"

He was hiked up a stepladder into the back of the truck.

From the unlighted interior a moan, "My God, not you too, Dormouse!" It was the voice of Buck Titus, and with him as prisoners were Truman Webb and Dan Wilgus. Dan was in handcuffs, because he had fought so.

The four men were too sore to talk much as they felt the truck lurch away and they were thrown against one another. Once Doremus spoke truthfully, "I don't know how to tell you how ghastly sorry I am to have got you into this!" and once he lied, when Buck groaned, "Did those ——- ——-hurt the girls?"

They must have ridden for three hours. Doremus was in such a coma of suffering that even though his back winced as it bounced against the rough floor and his face was all one neuralgia, he drowsed and woke to terror, drowsed and woke, drowsed and woke to his own helpless wailing.

The truck stopped. The doors were opened on lights thick among white brick buildings. He hazily saw that they were on the one-time Dartmouth campus—headquarters now of the Corpo District Commissioner.

That commissioner was his old acquaintance Francis Tasbrough! He would be released! They would be freed, all four!

The incredulity of his humiliation cleared away. He came out of his sick fear like a shipwrecked man sighting an approaching boat.

But he did not see Tasbrough. The M.M.'s, silent save for mechanical cursing, drove him into a hallway, into a cell which had once been part of a sedate classroom, left him with a final clout on the head. He dropped on a wooden pallet with a straw pillow and was instantly asleep. He was too dazed—he who usually looked recordingly at places—to note then or afterward what his cell was like, except that it appeared to be filled with sulphuric fumes from a locomotive engine.

When he came to, his face seemed frozen stiff. His coat was torn, and foul with the smell of vomit. He felt degraded, as though he had done something shameful.

His door was violently opened, a dirt-clotted bowl of feeble coffee, with a crust of bread faintly smeared with oleomargarine, was thrust at him, and after he had given them up, nauseated, he was marched out into the corridor, by two guards, just as he wanted to go to the toilet. Even that he could forget in the paralysis of fear. One guard seized him by the trim small beard and yanked it, laughing very much. "Always did want to see whether a billygoat whisker would pull out or not!" snickered the guard. While he was thus tormented, Doremus received a crack behind his ear from the other man, and a scolding command, "Come on, goat! Want us to milk you? You dirty little so-and-so! What you in for? You look like a little Kike tailor, you little ——-"

"Him?" the other scoffed. "Naw! He's some kind of a half-eared hick newspaper editor—they'll sure shoot him—sedition—but I hope they'll beat hell out of him first for being such a bum editor."

"Him? An editor? Say! Listen! I got a swell idea. Hey! Fellas!" Four or five other M.M.'s, half dressed, looked out from a room down the hall. "This-here is a writing-fellow! I'm going to make him show us how he writes! Lookit!"

The guard dashed down the corridor to a door with the sign "Gents" hung out in front of it, came back with paper, not clean, threw it in front of Doremus, and yammered, "Come on, boss. Show us how you write your pieces! Come on, write us a piece—with your nose!" He was iron-strong. He pressed Doremus's nose down against the filthy paper and held it there, while his mates giggled. They were interrupted by an officer, commanding, though leniently, "Come on, boys, cut out the monkeyshines and take this ——-to the bull pen. Trial this morning."

Doremus was led to a dirty room in which half-a-dozen prisoners were waiting. One of them was Buck Titus. Over one eye Buck had a slatternly bandage which had so loosened as to show that his forehead was cut to the bone. Buck managed to wink jovially. Doremus tried, vainly, to keep from sobbing.

He waited an hour, standing, arms tight at his side, at the demands of an ugly-faced guard, snapping a dog whip with which he twice slashed Doremus when his hands fell lax.

Buck was led into the trial room just before him. The door was closed. Doremus heard Buck cry out terribly, as though he had been wounded to death. The cry faded into a choked gasping. When Buck was led out of the inner room, his face was as dirty and as pale as his bandage, over which blood was now creeping. The man at the door of the inner room jerked his thumb sharply at Doremus, and snarled, "You're NEXT!"

Now he would face Tasbrough!

But in the small room into which he had been taken—and he was confused, because somehow he had expected a large courtroom—there was only the Ensign who had arrested him yesterday, sitting at a table, running through papers, while a stolid M.M. stood on either side of him, rigid, hand on pistol holster.

The Ensign kept him waiting, then snapped with disheartening suddenness, "Your name!"

"You know it!"

The two guards beside Doremus each hit him.

"Your name?"

"Doremus Jessup."

"You're a Communist!"

"No I'm not!"

"Twenty-five lashes—and the oil."

Not believing, not understanding, Doremus was rushed across the room, into a cellar beyond. A long wooden table there was dark with dry blood, stank with dry blood. The guards seized Doremus, sharply jerked his head back, pried open his jaws, and poured in a quart of castor oil. They tore off his garments above the belt, flung them on the sticky floor. They threw him face downward on the long table and began to lash him with a one-piece steel fishing rod. Each stroke cut into the flesh of his back, and they beat him slowly, relishing it, to keep him from fainting too quickly. But he was unconscious when, to the guards' great diversion, the castor oil took effect. Indeed he did not know it till he found himself limp on a messy piece of gunnysacking on the floor of his cell.

They awakened him twice during the night to demand, "You're a Communist, heh? You better admit it! We're going to beat the living tar out of you till you do!"

Though he was sicker than he had ever been in his life, yet he was also angrier; too angry to admit anything whatever, even to save his wrecked life. He simply snarled "No." But on the third beating he savagely wondered if "No" was now a truthful answer. After each questioning he was pounded again with fists, but not lashed with the steel rod, because the headquarters doctor had forbidden it.

He was a sporty-looking young doctor in plus-fours. He yawned at the guards, in the blood-reeking cellar, "Better cut out the lashes or this ——-will pass out on you."

Doremus raised his head from the table to gasp, "You call yourself a doctor, and you associate with these murderers?"

"Oh, shut up, you little ——-! Dirty traitors like you deserve to be beaten to death—and maybe you will be, but I think the boys ought to save you for the trial!" The doctor showed his scientific mettle by twisting Doremus's ear till it felt as though it were torn off, chuckled, "Go to it, boys," and ambled away, ostentatiously humming.

For three nights he was questioned and lashed—once, late at night, by guards who complained of the inhuman callousness of their officers in making them work so late. They amused themselves by using an old harness strap, with a buckle on it, to beat him.

He almost broke down when the examining Ensign declared that Buck Titus had confessed their illegal propaganda, and narrated so many details of the work that Doremus could almost have believed in the confession. He did not listen. He told himself, "No! Buck would die before he'd confess anything. It's all Aras Dilley's spying."

The Ensign cooed, "Now if you'll just have the sense to copy your friend Titus and tell us who's in the conspiracy besides him and you and Wilgus and Webb, we'll let you go. We know, all right—oh, we know the whole plot!—but we just want to find out whether you've finally come to your senses and been converted, my little friend. Now who else was there? Just give us their names. We'll let you go. Or would you like the castor oil and the whip again?"

Doremus did not answer.

"Ten lashes," said the Ensign.

He was chased out for half an hour's walk on the campus every afternoon—probably because he would have preferred lying on his hard cot, trying to keep still enough so that his heart would stop its deathly hammering. Half a hundred prisoners marched there, round and round senselessly. He passed Buck Titus. To salute him would have meant a blow from the guards. They greeted each other with quick eyelids, and when he saw those untroubled spaniel eyes, Doremus knew that Buck had not squealed.

And in the exercise yard he saw Dan Wilgus, but Dan was not walking free; he was led out from the torture rooms by guards, and with his crushed nose, his flattened ear, he looked as though he had been pounded by a prizefighter. He seemed partly paralyzed. Doremus tried to get information about Dan from a guard in his cell corridor. The guard—a handsome, clear-cheeked young man, noted in a valley of the White Mountains as a local beau, and very kind to his mother—laughed, "Oh, your friend Wilgus? That chump thinks he can lick his weight in wildcats. I hear he always tries to soak the guards. They'll take that out of him, all right!"

Doremus thought, that night—he could not be sure, but he thought he heard Dan wailing, half the night. Next morning he was told that Dan, who had always been so disgusted when he had had to set up the news of a weakling's suicide, had hanged himself in his cell.

Then, unexpectedly, Doremus was taken into a room, this time reasonably large, a former English classroom turned into a court, for his trial.

But it was not District Commissioner Francis Tasbrough who was on the bench, nor any Military Judge, but no less a Protector of the People than the great new Provincial Commissioner, Effingham Swan.

Swan was looking at Doremus's article about him as Doremus was led up to stand before the bench. He spoke—and this harsh, tired-looking man was no longer the airy Rhodes Scholar who had sported with Doremus once like a boy pulling the wings off flies.

"Jessup, do you plead guilty to seditious activities?"

"Why—" Doremus looked helplessly about for something in the way of legal counsel.

"Commissioner Tasbrough!" called Swan.

So at last Doremus did see his boyhood playmate.

Tasbrough did nothing so commendable as to avoid Doremus's eyes. Indeed he looked at Doremus directly, and most affably, as he spoke his piece:

"Your Excellency, it gives me great pain to have to expose this man, Jessup, whom I have known all my life, and tried to help, but he always was a smart-aleck—he was a laughing-stock in Fort Beulah for the way he tried to show off as a great political leader!—and when the Chief was elected, he was angry because he didn't get any political office, and he went about everywhere trying to disaffect people—I have heard him do so myself."

"That's enough. Thanks. County Commissioner Ledue... Captain Ledue, is it or is it not true that the man Jessup tried to persuade you to join a violent plot against my person?"

But Shad did not look at Doremus as he mumbled, "It's true."

Swan crackled, "Gentlemen, I think that that, plus the evidence contained in the prisoner's own manuscript, which I hold here, is sufficient testimony. Prisoner, if it weren't for your age and your damn silly senile weakness, I'd sentence you to a hundred lashes, as I do all the other Communists like you that threaten the Corporate State. As it is, I sentence you to be held in concentration camp, at the will of the Court, but with a minimum sentence of seventeen years." Doremus calculated rapidly. He was sixty-two now. He would be seventy-nine then. He never would see freedom again. "And, in the power of issuing emergency decrees, conferred upon me as Provincial Commissioner, I also sentence you to death by shooting, but I suspend that sentence—though only until such time as you may be caught trying to escape! And I hope you'll have just lots and lots of time in prison, Jessup, to think about how clever you were in this entrancing article you wrote about me! And to remember that any nasty cold morning they may take you out in the rain and shoot you." He ended with a mild suggestion to the guards: "And twenty lashes!"

Two minutes later they had forced castor oil down him; he lay trying to bite at the stained wood of the whipping-table; and he could hear the whish of the steel fishing rod as a guard playfully tried it out in the air before bringing it down across the crisscross wounds of his raw back.

[honey-and-strawberry]

rules: answer questions and tag 20 some blogs you are contractually obligated to know better 💗

Tagged by sweetheart @softhyungkyun

name/nickname: sarah 

gender: ♀

star sign: leo 

height: ~162cm

time: 8:33pm

birthday: july 29

favorite bands: monsta x, day6, unvs. non kpop: ABBA, TLC, mystery skulls

favorite solo artists: wonho. non kpop: Britney Spears

song stuck in my head: it’s usually the same three songs (Guess Who, Stand Together, or Last Carnival from MX), but as of this second it’s heathens from twenty one pilots???? don’t ask me why

last movie: ... I really hope the last movie I watched wasn’t A Haunted House on Halloween....have I really not watched a movie since halloween?! I definitely think I watched a horror movie at some point.

last show: bob’s burgers, is anyone shocked?

when i created my blog: i made this new one a few weeks ago, but the whole kpop blog thing was back in january

last thing i googled: inches to centimeters. listen, I don’t know metric, i’m sorry.

other blogs: they’re dead to me lol, i only go on the old one to see if anyone replies to my work, or if people are dumb enough not to read my pinned post about not using that blog anymore, but they still follow that one ugh.

do i get asks: one this one? barely any, mostly moots.

why i chose my url: cause i’m 100% a simp, just ask my bf, he was my og simp receiver.

following: 29

followers: 33 but I’m happy about that number. too many people are still following the dead one😔

average hours of sleep: I’ve gotten so much better! It’s getting to aroudn 8-9 hours, before it was four hour increments lol

lucky number(s): i’m never lucky lol

instruments: violin, but I need to get back on it.

what im wearing: my warn out mx shirt, shorts, and weenie dog socks lol

dream trip: I HAVE SO MANY ON THE MIND. First I need to see my fam in Hungary 😔 then I’d love to go to SK because I went to Europe too many times

favorite food: NOODLES. I’m a pasta slut, I fully embraced it.

nationality: american 

favorite song: (at the moment)

last carnival - mx

one love - mx

x phenomenon - mx

timeless - unvs

ghost - mystery skulls (give them a look, they’re amazing)

clint eastwood -gorillaz

top three fictional universes i’d like to live in: the shire because i am indeed a hobbit. lol @softhyungkyun said animal crossing and SAME! honestly the world of bobs burgers seem chill as hell

tagging: uhhhh idk who has or hasn’t been tagged, but feel free to do it, I’ll love to know you!

[monstersanonymous]

I’m too lazy to write the fic so fuck it

list of songs the trc crew would sing if they were in a band

Seashore -The Regrettes (Adam and Blue duet. Song about being talked down to)

Sorority Girls - Mommy Long Legs (Noah and Blue. About being forced into stereotypes and also men are creepy)

Sunflower -Post Malone, Swae Lee (Henry. Simply bc of the vibes)

The Middle -Jimmy Eat World (Noah. Look at the first verse. “Got so aggressive, I know we meant all good intentions.” Strong Noah vibe)

Feels So Nice - The Wrecks (how I imagine Henry being in love would feel)

Yellow -Not My Weekend (Henry and Noah. song for kind hearted souls in love.)

Stray Heart -Green Day (absolute Ronan.“you’re the only one i’m dreamin of. you’re not alone. Everything I need I need form you but I just can’t have you.”)

Sugar We’re Goin Down -Fall Out Boy (Blue and Gansey. i offer no explanation)

Teenage Dream -Katy Perry (i feel like Blue and Henry would do this as a joke and then actually vibe with it)

Automatic Flowers -Our Lady Peace (Gansey. Rock song with a creepy story if you pay attention? yeah)

I Wanna Get Better -The Bleachers (Ronan. about experiencing love and then wantin to. well. get better)

Can’t Hold Us - Macklemore (Gansey and noah bc noah can rap)

Me! -Taylor Swift, Brendon Urie (Blue and noah bc i said so)

Tear in My Heart -Twenty One Pilots (Gansey being soft for Blue on main? And feeling weakness but also peace? indeed)

Figure this Out -The Wrecks (Adam. song about being unsure about a relationship. loud chaotic.)

Bailing -Not My Weekend (Adam. again about figuring out a relationship but i feel like this would be a past relationship bc it’s about leaving a toxic relationship. Also bc i want him to sing this.)

Oh No! -MARINA (Adam and Noah for the detached superstar vibes)

Thnks fr th Mmrs-Fall Out Boy (Noah. “Thanks for the memories, even if they weren’t so great.”)

Too Dumb to Die -Green Day (gotta give this to Ronan. “too scared to dream but too dumb to die”)

D’You Have A Car? -SWRMS (Adam and Blue. wanting to get out and leave with someone who has a car. that’s easy)

High School Never Ends -Bowling For Soup (Blue and ronan bc of the funny but also angry at the worl vibes)

I like (the idea of) You -Tessa Violet (Blue. convincing yourself that you’re not actually interested in the person, it’s just surface level)

Stupid for You-Waterparks (Gansey. it’s in the title)

Loser- McCaffery (Ronan. Angry heart wrencher and strong disassociation and being angry with yourself)

Trailer Trash -McCaffery (Adam bc it’s about thinking your last defines who you are and will haunt you forever. Feels like someone is finally venting after bottling it up.)

[shining-chemicals]

It's funny how the music I listen to evolved.

When I was about 10 years old, I got my first mp3-player. It was quite old and often broken. The music that I could listen to, sounded bad because of rustlea and it got cut off often. I didn't care though, I was happy that my dad gave it to me (even though my mum was against it, but that's another story). I listened a lot with it. Mostly songs of a Flemish music program for kids. So only national music then.

A little time after that my parents found out that my mp3-player was of really bad quality, but I didn't want them to buy a phone, because I was happy, idk I was a strange kid. I was happy that I had some rusty music and I didn't need more I guess. It was around that time that I saw "The Lazy Song" from Bruno Mars on TV and I asked my dad to add the song on my player. He added the whole album and for a few months I only listened to that. It was one of my first encounters of the English language. Yay.

On my twelfth birthday, at the end of 6th grade, I got my first phone. It was a very cool one, 'cause it had a touchscreen and a yellow case. I always loved yellow. Still my favourite colour and yes I am a proud hufflepuff. Deal with that. Anyways, this phone gave me a new possibility, bacause now, I was able to search and download my own music. So I discovered some more music. Mainstreet (a Dutch band), MBAND (a Russian band), some single songs and music from movies and musicals. I really began listening to international music, and as I said before, it helped me evolve my english. That, and also Harry Potter (the first movies me and my sister watched with english audio and Dutch subtitles. Now we watch every series and movie with english subs and english audio. Yay).

Around 9th grade my phone broke. The buttons for sounds and the on/off button didn't work anymore. Well I got another one. With almost unlimited music download possibility. New music wave. Serguei Lazarev, Alexander Rybak, Kpop (yeah your heard that right my dear emo friends, and i can still read the Korean alphabet).

Actually Kpop gave me some good things. So I'm happy that I went through that phase. It was the final thing to make me a non-rascism person (i am ashamed of the fact that i was, indeed, rascist. I'm not anymore though. Thank God for that). Also, I got my taste of fashion there.

Then. The emo begins. It actually doesn't begin good. It has a story too. There was this girl, a friend of mine. Let's call her A. Well she had her own problems, not gonna get into that. She listened a lot to punk/hard-rock kinda things, didn't know back then. I always judged her for that (fuck past-self me). That's not important. She had a friend (let's call him S). She was in love with him, he wasn't with her. He was also a friend of my sister's. He was a huge fan of Twenty One Pilots. Anyways, this friend S told my sister about A's problems, and my sister told me. So I knew A's problems and I knew that S told my sister, even though he was supposed to keep it secret. I did the stupidest thing by telling a good friend of mine (let's call her E) about it. I asked E not to tell A, because it would only make things worse. She told A. Still mad at her for that. Everyone found out, it was a huge mess, I hurt myself, started crying and hating myself (hasn't stopped), etc. I knew I needed help. And then I remembered about that guy S, who was a fan of tøp. I started listening to it. I fucking loved it. With whole my heart. The whole summer of '18 was a tøp-summer. It was also with the start of Trench. I was really happy. I still am. I wonder what I would be if I hadn't decided to listen to them. Fucked up probably. I still am, but I try to become better. Anyways. I went to their concert in March too. Magical night. Tøp teached me to think about what you feel.

Through Twenty One Pilots memes and all I heard a lot about the other bands of the emo quartet. A lot of a certain "Gerard Way" too. Also "Frank Iero". Well I posted a post on my tøp blog (if anyone's interested it's @trenchil ). I got to know this perfect girl @fangirling-account . She told me everything about mcr. Everything. (And I can't thank you enough for it, dear) I love mcr. I love them so much, but I guess you know that, based on my little blog here. Mcr teached me to accept myself and not trying to be someone I'm not.

I plan on getting into other bands too. Green Day, p!atd, fob, ya know.

Also, when I get into something, I mean getting slurped up in the tornado of songs, inside jokes, memes and feelings. The whole damn package. Sometimes it hurts, but I love doing it. It's called obsessing and I love it.

The thing I enjoy about music nowadays too, i the fandom. You get to share your experience with the world, there are other people who get you, there are people you can have a discussion with. People who have the same interests of hands (looking at you @areebbbb).

Anyways music kinda saved me.

[lyouna]

The story of Josh Dun

Joshua William “Josh” Dun is an American musician. Best known for being the drummer for the band Twenty One Pilots. He was born in Columbus, Ohio, on June 18, 1988. His star sign is Gemini. He has two sisters named Ashley and Abigail and a brother named Jordan.

Since his childhood, he was always terrified by talking in front of people even if it was a small group of it. However, when he is playing drums he does not feel that way, he is not as vulnerable as that when it comes to talking.

He self-taught when he was around 12 how to play drums, and worked at the Guitar Center for 3 years. He also worked with former Twenty One Pilots drummer Chris Salih, through whom he would eventually meet Tyler Joseph.

Dun's first foray into the music industry was with an alternative/Christian rock band House of Heroes. He joined the band through their drummer, Colin Rigsby, who was taking a break to spend time with his family. Dun played alongside the band on tour from March to October 2010 when Rigsby returned to his role. 

"I would lay in my bed every night with sticks and hit my knees trying to figure out what they were doing, like, 'Okay, now they're hitting the ride cymbal, and now it's the snare and now the crash.' I would dissect everything that I watched or listened to. Every day I would walk to the local music store and play their electronic drums until one of the workers would be like, 'Hey, we have people in here that actually want to buy stuff so you've gotta go.' I did that for about a year and that's essentially how I learned to play some basic beats."

Throughout both middle school and high school, he didn't have a lot of money and it helps him to be more creative. He even thought about finding pieces of wood and figure it out how to make them in a drum. Figure out how they would sound with different holes in it, with different types of wood... Nevertheless, at this end, he said that the best drum set he had was one of SJC Drums.

He likes nothing more to do than to play drums; in fact, he plays the exact same way when he is in a dark room by himself and when he is in front of thousands of people. He said that he wants to be creative and just to get outside of the box even if that sounds weird.

He said that although his inspiration comes from some drummers, his greatest inspiration is his parents. Indeed, he starts playing drums in a sort of rebellious state again them and that turns into them being more than supportive.

In 2011, upon the invite of co-worker and the band's drummer Chris Salih, Dun attended a Twenty One Pilots show after listening to their original demo CD.  Josh first saw Twenty One Pilots at a club on the Ohio State campus. “I loved everything about the show except for one thing: I wasn’t onstage playing also,” he says. After the show, he met lead singer and future bandmate Tyler Joseph, and a couple of days later began to build a friendship with him. It would be another year before Joseph’s original drummer quit and Dun got the job, but they had become best friends in the meantime.

By 2012, Joseph had grown into a ferocious performer, climbing the scaffolding and diving into audiences. The duo became the biggest band in central Ohio, putting every spare penny into the band and focusing intensely on their local fans. They filmed much of the “Stressed Out” video at Dun’s childhood home, so it has become a destination for Twenty One Pilots fans.

 The highest point of his sort of musical journey was (according to his words) when he played for a college show at Ohio University. It was full of drunken kids, one of them even tried to pee on his drums and then on their merch. They eventually played one song and after it, the police shut them down. However, he said that it was the first show that he played with Tyler Joseph. He realized during this one song that he was playing with his best friend and he will never forget that.

The duo then released the band’s second studio album, Regional at Best. It was self-released on July 8, 2011. Regional at Best is a discontinued album. It is the last album released by the band prior to signing a record deal with Fueled by Ramen, and it is the first album to feature the talents of Josh Dun.

Josh Dun was raised in conservative, religious households. Video games and most rocks or hip-hop albums were banned. "I’d hide albums like Green Day’s Dookie under my bed," Dun says. "Sometimes they’d find them and get real mad. They’d find a Christian alternative, like Relient K, and make me listen to that."

For a while, the only movies allowed in the house came from CleanFlicks, a Christian company that took Hollywood movies and edited out all the profanity, sexuality and violence. For a young Dun, it made watching movies like The Terminator quite confusing. "Some scenes they’d remove entirely," he says. "Watching those movies was an absolutely awful experience."

By the time he was a teenager, Josh was rebelling hard. "I just had this aggression," he says, noting that his parents nearly kicked him out when he was 14. "They almost sent me to a military school. They did not know what to do with me, and I was always in detention. I never got into drugs or alcohol, but I would yell at my parents and just treat them terribly. Everything was an argument. Looking back, they were trying their best."

When his parents fell asleep, he would break out his punk-pop CDs; eventually, they softened up on rock music, allowing him to assemble a drum kit in his basement piece by piece with his own money. After he said this to some interviewers, he called his parents to explain himself.

"I actually called my parents after some articles came out – I never wanted for them to be painted in a bad light.

‘I’m so thankful for the way that I was raised. Ultimately, the idea of parents being strict or having rules, looking back, I did have a really rebellious phase and did whatever I could to do the opposite of what they wanted.

‘That’s all on me. For them, I think they were trying to do their best to raise me as best they could. They were trying to make the best decisions for me, and looking back, I can see they were the right decisions.

‘As I look at the rules I had, I wasn’t allowed to play video games or watch TV, so I went outside and made up games with my neighbourhood friends or built dirt ramps and rode our bikes over them.

‘I would be out from morning to night. I look at that, and I can’t imagine it if my parents had let me sit in and watch TV all day – I’d be a different person to who I am today, it’s thanks to them saying ‘‘get out and go do something"

He did not go to college, moving in with a bunch of buddies instead and playing in local bands while scraping by working in the drum department of Guitar Center. "I was going nowhere," he says. "One day I said to my dad, ‘Are you disappointed that I’m working a minimum-wage job and I didn’t go to college?’ I’ll never forget his response. He said, ‘It’s not about how much money you make or what your job is, but it’s more about your character. For that, I’m proud of you.’ It gave me motivation."

During an interview, Josh said “We’re always questioning things,” he says, “but I guess it’s safe to say that we’re both Christians.”

Although Columbus is still very much the Pilots’ base, Josh actually moved out to L.A a couple of years ago in pursuit of more sunshine while Tyler remained there. However, he says it has not made them working together any more difficult. “I’m equally in Columbus as much as I am there. We discussed this a lot before I moved out there. I always feared talking about us being in different places because I think that can be confusing to people from an outside standpoint - like are you guys still friends? Are you still in the band? We had so many conversations about logistics, but first of all, we’re together more than we’re not together over the course of a year. We’re on the phone every day and with technology, it’s so easy to get things done.”

On January 8, 2013, Vessel was born, it was their first album after signing with Fueled By Ramen and it received mainstream exposure. On May 17, 2015, Blurryface was released and the band received international success.

In July 2017, Twenty One Pilots went on hiatus for a year whilst they worked on their next album. On October 5, 2018, Trench was released, it was also a commercial success, reaching number one in six countries, including Australia, New Zealand, Spain, and the Netherlands and number two in several countries, notably the United Kingdom and the United States, as well as selling more than a million copies worldwide.

Therefore, he needed to learn how to deals with notoriety, he had the help of Tyler Joseph (of course), his family, and Debby Ryan. Indeed, from May 2013 to September 2014, he had a relationship with her. They got back together a few years later and in December 2018, Josh posted on Instagram his engagement to Debby in New Zealand during the second leg of The Bandito Tour. He wrote, «I found a tree house in the woods in New Zealand and proposed to my girl. She my dude for life. I love you Debby".

She also posts about it «My dude asked me on a date. I said yeah because I always want to go on dates with him. Then he asked me to be his forever dude. He does things well, and right. His timing has pressed us and never failed us. He's sincere and fun and disciplined and strong as heck and a nerd and a rockstar and a good midwestern man and a silly shirtless boy, and his family is endlessly warm and delightful and are such champions. I have two parents and a brother; they're superheroes and they're my home. They've been the only thing that moves my needle with the fierceness of deep empathy. I have never that out in the world. I guess I figured it wasn't a connection you could stumble upon, only something you could only be born into. Falling in love with joshua was discovering it in the wild. Building it with him, building in certainty, infinite in wonder. Our own lil family. Feels like growing up and moving through life is just evolving through different types of complicated. He is where all the voices narrow into one sound. My only simplicity, where the important things are clear and the other things aren't that important. He's my heart outside my body. He's a cold water awakening a warm bed; he's the place I can rest. Dudes for life. It was a really good date."

Josh has many tattoos and every single one have a strong signification. Firstly, John Graefe tattooed his right arm and then tell the story of it. “I was tattooing in Hollywood and he came in with bandmate, Tyler. They weren’t half as big as they are today and I had no idea at first. I just asked him the whole meaning behind his tattoo and he asked me to come up with the vision.”

 The tattoo on his right arm had a blue geometric-like image or something that looks like a galaxy. Below is the image of nature. The musician mentioned that he would share this if it’s personally asked, but he did not want it spreading all over the Internet.

Both he and Tyler have an "X" tattoo on their body symbolizing their dedication to their hometown fans in Columbus, Ohio. They received it on stage during their hometown show at the Lifestyle Communities Pavilion on April 26, 2013. Dun's is located on his neck behind his right ear.

In October 2015, Tyler and Josh asked their fans to choose one of them among themselves via a vote on Twitter. The winner should have his name on the loser on stage. For 24 hours, the two boys shot several videos parodying the presidential debates on topics such as Christmas music or their favorite drink, the Red bull. The results of the vote were equal. Therefore, Dun sports the name "Tyler" above his left knee.

Josh has a tattoo on the inside of his left arm dedicated to his mom. A heart with "mom" written inside of it.  Which she answers on Instagram by “These past few months have been exciting seeing how far Josh and Tyler have gone. But it’s been a little hard for me as a mother to feel like I have to share my son with the world. Josh, you getting this tattoo means so much to me. I love you and now your stuck with Mom forever! <3”

He has a drum tattoo on his left arm.

Chantelle Thong made his last tattoo during the Bandito Tour, on December 2018. It represents an astronaut/spaceman flipping, while simultaneously being abducted or levitating into a spaceship. It might be a reference to March to the sea. Fans assumed that the spaceman is Josh Dun.

[beentoheavenandback]

URL Playlist

I was tagged by the lovely @kim-taelicious - thank you so much sweetheart!

A - "A little bit longer" by the Jonas Brothers (this song and the album it is taken from is strongly connected to my love for the Jonas Brothers. It made me love Nick, who was, and still is one of my celebrity crushes, even more - though recently I've been having a 'huge' soft spot for Joe 😝)

H - "열기 (Heat)" by LOOΠΔ (I love love love this song. It gives me such good vibes, and their voices are simply amazing. These ladies are pure energy and talent)

E - "Egoist" by Olivia Hye ft. JinSoul (this song is freaking awesome from begging to end, their voices, its sound, its lyrics. This is the first song I heard from some members of this awesome group, LOOΠΔ, and I immediately fell in love with it and these queens)

A - "Autumn leaves" by BTS (a heart warming song by these phenomenal group. The feeling it gives me reminds indeed of fall, but it also makes me somehow nostalgic)

R - "Run" by BTS (I simply adore this song. In a way it reminds me of my teenage years, when I was reckless and a dreamer 😊)

T - "TT" by TWICE (This song is so energetic and it gives me such positive vibes. These ladies are masters at making songs which can make one feel better 😘)

O - "Only human" by the Jonas Brothers (with this song I knew that I was completely back in track with my love for the Jonas Brothers, even after all these years. I just love it! And cannot wait for its video to be released 😋)

F - "Feelings" by Hayley Kiyoko (this woman is a powerhouse. This song is so fresh and you cannot stop dance to it)

S - "Singing in the rain" by JinSoul (the feeling of power and energy this songs gives to me is freaking awesome. Yet another bop by a member of LOOΠΔ)

T - "THE QUIET" by Troye Sivan (I feel likes this song speaks a lot to me. Troye in a way is able to clearly express the feeling of loneliness, and he does it beautifully and meaningfully)

E - "Empire of our own" by RAIGN (in my opinion, a song which can make you feel like you could take over the world, and somehow it feels really good)

E - "Endlessly" by The Cab (I'll never stop bragging about how freaking cool this band is, and this song is yet another proof of their talent. Its lyrics and its sound are simply awesome)

L - "Lights" by BTS (the way this song can bright my day. I love everything about it, and of course, the seven amazing people who sing it)

I - "Idol" by BTS (being the first song I actually heard by BTS, it holds a special place in my heart. I was so caught by it, and I am truly glad I keep on listening more to their songs, because a brand new and awesome world opened up to me)

S - "Slipped away" by Avril Lavigne (Avril has been one of the first artists I started to listen to when I was little. I've always loved her songs, and this touching one too, which I started to connect strongly just recently, unfortunately, but it is still a precious one to me)

S - "Spring day" by BTS (I simply adore this one. It's perfection to me. It speaks a lot to me, and I relate a lot to it. Love it, just love it)

T - "The hype" by Twenty one pilots (this song is catchy and amazing. In a way it also calming)

A - "Airplane Pt.2" by BTS (love the power this song has to make you feel good. It makes want to dance to it whenever I listen to it!)

R - "Rain" by BTS (this is such a soothing song. It makes me feel warm inside and leaves me feeling more relaxed)

T - "Toothbrush" by DNCE (a song which is on spot to dance to. Each DNCE song is able to make you feel good. This one is catchy and pretty positive)

I - "I Need U" by BTS (this song reminds me of some of my past relationships, so somehow it speaks to me, beside being another freaking bop by BTS)

N - "Numbers" by The Cab (I adore the way this song describes the feeling of being in love. Feeling like the person you love is the only one in the world. And don't even get me started with its rhythm. Awesome!)

G - "Girlfriend" by Avril Lavigne (I have so many memories attached to this song. It made me dream about having guts to confess my feelings to my middle school crush, making him finally notice me. In the end, my crush never really noticed me, but it's okay, because this song and the album it is from, made me spend one of the best summers of my life)

T - "The truth untold" by BTS (it is such an incredible song, to which I think anyone can relate to. It is hard to fully open up to people, especially the ones we love, but this also means being human. And the way the boys deliver its lyrics is simply majestic)

O - "Only one" by EXID (an upbeat and catchy song by this awesome group. This actually reminds me of when the heart starts to beat faster when you are around the person you love. An amazing song!)

G - "Guns for hands" by Twenty one pilots (it is actually one of the first songs by TOP I've I've heard. It totally caught my attention. I find it extremely catchy and cool)

R - "Radioactive" by Imagine Dragons (this song is so powerful. I just love the energy it gives me. Another reason why I love it is that it is also related to one my favourite shows, which is - you may guess - The 100)

O - "Oath" Cher Lloyd ft. Becky G (as soon as I heard this song the first time, I instantly though about me and my best friend. I love him so much, and I know we'll always have each other's and be each other's safe place, just like the song says)

W - "When you look me in the eyes" by the Jonas Brothers (this song definitely reminds me of my teenage years. I used to dream about a love like the one they sang about, and I still believe a love like that is real)

Tagging: @notreyoon @rm-dimplemaster @jiminsmagicshop @gukks @sugakookiesbutbadass @stillwaitinforit @clarketoearth @nvermindiseeyou @mgician @newyearsswifts and anyone else who feels like doing it!

❤❤❤❤❤

[nixalegos]

⇘ - Has your muse ever used a combat vehicle or siege weapon in battle? Were they enthusiastic about it?

Tagging @astralfox0893, @thalsianiii and that anon for this ask! Hope you enjoy!))

Somewhere on Argus, One Year AgoHeavy boots clanged as they carried the warlock down from the upper portions of the oddly designed bastion. He was running, because the entire structure had just started shaking as if on impact, and as a rule, anything that could cause a felsteed citadel to shake was bad news indeed, and his new spoil of war was simply too precious to lose.So it shocked him when he saw forces of the Army of the Light hobbling -in- swords and shields ready. “Wait! This one is mortal!” Came one, busy half carrying half dragging another who’d seen better days.“What in the HELLS is going on.” Nix said in obvious bewilderment.“We’re doomed!” Moaned from one of the injured Lightforged.“Elf, we are stuck, the Legion have us trapped in here bearing wounded, one of the champions and rest of the Army have already portaled away from that...colossus. We’re too far away now to call for help! And the Legions reinforcements are coming in from the other side. Make peace with the Light, our only hope lays with it now.” The leader of the band said solemnly.“Oh for Fel’s Sake.” The warlock snarled, coming closer to see just how damaged the rag tag band was. “How many.”“A battalion, maybe two, mechanized things, like those along the far wall.” A refit bay held a line of mortar tanks, set on anti gravity pods and half treads, all in various states of damaged.“I meant how many wounded...but I can’t think of a better disguise then six tons of legion forged felsteel.” The warlock said looking to where the other pointed, his mind already set on a plan of action as the others caught on.They sealed the hatch behind themselves in the least damaged one.

Nix had to crouch and lean over the controls, the pilots seat made for something a few feet taller then himself, a wraithguard, surely. Holographic control surfaces and 360 degree view. He had to hand it to the Legion, he’d never bothered to investigate one of the few burned out hulks left on the Broken Shore, but their vehicles came with a surprising amount of convenience and comfort. The symbols were in demonic, but off somehow, a military lingo he couldn’t quite translate.

“Engine works, hull is at...either eighty or twenty seven percent integrity? Cannon is jammed, unable to move.” He said as his gauntleted hands flew over the flashing symbols and the death spewing cannon carrier lurched to life, the sound of grinding motors and pistons and magic spinning up as they pulled out and facing the exit door. “We can fire to our left and behind us. That’s it.” “How much more time do we have til they come here?” The warlock said, curious.“Less then a minute, why?” The leader said, clutching one of their squadmates, invoking what healing they could.“Firing.” A blob of liquid felfire brighter then a sun streaked and smashed into the remaining damaged mortars, sending metal and sparks launched in every direction. “Let the Wyrmtongues fix -that-.” He said with a half mad cackle as they rolled out onto the dead worlds soil. And Nix instantly stopped laughing.“Oh fuck.” He said mostly to himself as the cracked viewplate showed a display of red stone like flesh stories tall, and the very air in the surrounding area choked with fire. A titan. A literal titan. Even a mile away it was impossible to mistake the stoic unfeeling expressionless face of a titan.And Nix only knew of one red skinned titan loyal to the Legion. No, not loyal...In command of. Was this the face of Sargeras himself? But it couldn’t be. It looked nothing -like- the images and descriptions ever told. Was there MORE, some lesser copycat? A son?He was so busy staring he didn’t even notice the imps and eredar striding past them, not attacking, heading into the building they’d just left.Sweat had beaded on his brow now as communications buzzed to life, a series of messages, pings, and demands of acknowledgement came from the other mortars they rolled towards drew his attention. He didn’t know the proper codes. He couldn’t properly -read- what was being said without time to properly translate.“HANG ON.” He yelled behind him as he forced the hulk of the craft to turn, and simply slammed the fire control. Over and over, fast as the power cycler could reload, three miniaturized suns streaking landing on the two closest tanks, and then turned them around as the third realized it was a captured vehicle, a started to fire back, nearly turning the damaged mortar to flip from the impact, but landed shakily, and rocketing past the wall of infantry.He said nothing, knowing others would get the signal now to fire upon them. He needed speed or shields, or a proper damn CANNON, he twisted the tank, the dull -THUMP- of a Dreadguard caught under the gav generator, crushing them and rolling past to grind them under the treads. “How far to the nearest fall back point!” He screamed as he alternated firing and feeding power from the drive to the cannon and back again.“Three, maybe four miles! We were expecting the Vindicaar to portal us away!”Nix could feel his teeth rattle inside his skull as every fresh impact, every dip and bump in the way forward slowed them down, forced them to go around, losing ground or cover in turn. Worse, the rest of the Legions forces were now hot after them, screaming for blood at their audacious deception. Nix spun the heavy gun around to the only other direction it could fire, the entire mortar rocketing forward as the next blast was sent screaming back into the face of their pursuers.He was cackling now, mad with joy as he saw soil streak in a bloody plume of fire and ash, again and again he sent more instant death the demons way, forcing THEM to take cover. To hell with the oversized giant now turning to observe the commotion! He’d fire at its ugly face too!The momentum generated by the cannon gave them the edge, the line of demons and their own siege craft slowly grew father and father away as they bolt blasted their way up a mountainsides low slopes, until it at last  enough coolant and...slime overheated the engine a mere twenty minutes away from the nearest outpost of the Light. They crawled out, bruised, bloodied, but alive.Nix was sweating, shaking, nerves a buzz and now, dead set. If he lived through this, he was so going to build his own one day.

[weliveourdream]

Hola everyone.

And welcome back to my blog. Sorry for being gone for a bit, but what I’m about to share with you today was worth the wait – at least for me. Because the past weekend, I got to spend two nights with my most favourite smol beans in the world, also known as Tyler and Josh, also known as the band Twenty One Pilots.

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I mean, I know that I don’t need to tell you or explain why I love this band so much and why they are my favourite band, because if you’ve been following my blog for quite some time, you’ll pretty much know all of these things and reasons already. I can just say that they are eternally special and that their music is out of the world. And it might sound a bit crazy or exaggerated for other people, but for me, Ty is pretty much the most creative and most genius artist I know. What they created with Trench can’t even be put into words, it’s just so special and meaningful and unique. And that’s just one small reason why I adore them this much.

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As you can probably guess by now, this post is about the Bandito tour, which they are currently on, and the two concerts in London that I went to. Originally, it was only meant to be one, but as soon as the first show ended, I knew that I had to see them again. I would have just sat at home, drowning myself in self-pity and post-concert-depression, if I hadn’t gone to the concert the next day and I know that for a fact. Let’s just say that it wasn’t a surprise, to anyone. So, as soon as I got home, I went on the hunt for a ticket for the next day and then thankfully found one. This is the part where I have to thank Graham, the guy who sold me the ticket, because we just met up at the venue and it was all super easy and quick and just overall a really chill and nice experience. I’m usually a bit nervous about buying re-sold tickets, but this time it couldn’t have been any better. And honestly, I know people might think it’s a bit mad to go to the same concert twice in a row, but firstly, they are my favourite band, so why would I not want to see them again, secondly, the show is freaking amazing and absolutely mind-blowing, I could literally watch it every single day and wouldn’t get bored, and lastly, why the hell not? If your favourite band is playing in your town and you have the chance to see them twice, please just do it, seriously. You won’t regret it.

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And, as I’ve got all of these amazing memories now and crazy experiences from two of the most fantastic nights of my life, I thought it would be best to just split them up in day one and day two. I’m also kind of doing this for myself because I loved it all so much and still have so many emotions and happy feelings trapped in my body, that I need to get them out and just tell the world what happened. So, here you go world. Do whatever you want with the information, but most importantly, please enjoy.

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Night: Number 1

Okay, so, it would probably be best to just begin at the very start of the day, because oh boy, what a day it was. So, first, I got dressed in my specially created Bandito outfit, that I prepared a few nights before the show. It’s basically an all-black outfit with yellow tape stuck all over it, but there honestly haven’t been a lot of outfits in my life that I’ve been this proud of. It just looked so damn good. I’ll insert some pictures down below so you can check it out. I absolutely love it.

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So, with the outfit ready and in full Bandito mode, I went to uni in the morning and then took the train London right after that. The initial plan was to head straight to FOPP, a super cool music store in London, where the HMV signing was being held. I had seen online that the guys had gone out to the fans the day before, so I was hoping for that to happen again. So, the plan was: go to FOPP, wait outside and hope for the best. But as soon as I got there, I knew that this day wouldn’t be going as I had planned it. Because the moment I looked through the window of the store, my whole system basically crashed down. You want to know why? Because Tyler ‘smol bean’ Joseph and Josh ‘other smol bean’ Dun were sitting inside the store, just about two metres away from me and I was straight looking at them. I felt like I was dreaming. After not seeing them for nearly three years, that felt like the biggest shock ever. But the funny thing was, all I could think was “Ty, why are you wearing sunglasses inside, you idiot”. Small disclaimer here: when I call someone an idiot, it’s basically me saying I love you. I’m like Robin from HIMYM. So, just so you know, Ty isn’t an idiot, but I call him one because I love him. And then I thought how freaking cute they both looked and how damn good Josh looked. I’m not going to lie, they are both super good looking, so props to Jenna and Debby. Well freaking done. They all definitely count as some of my most favourite couples out there. They’re just way too cute.

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So yeah, there I was, standing outside the store, surrounded by other clikkies, and Josh and Ty sitting two metres away from me. It was quite a surreal experience. So, as any normal, sane human being, I called my mum. And then I called Leni. And then, as soon as the security, who were all super nice, just to mention that, started to get a bit fidgety, I secured myself a good spot next to their car, as by then, it was pretty clear that they would be coming out. But then they told all of us on my side of the road that we had to move, so they basically – in a non-violent way – pushed us onto the other side, which ended up in me suddenly being front row, right next to the car. You can probably guess that by now my heart was basically running a marathon. Which was quite weird, actually, because I wasn’t nervous when I was standing outside the store, looking at them. But as soon as I knew that they would be walking past me, in real life, as real people, I started to freak out.

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And then the moment came. First, Mark, their creative and content creator came out (if you ever see a cool vid of them online, it’s basically done by him), and, obviously, we all cheered. And then the two beans finally came. And then Ty, as cool guy he thinks he is, decided to throw up his hands and do peace signs while walking past us, with Josh laughing behind him. And again, I thought ‘omg you idiot’, but god damn, I loved them so much at that moment. Also, maybe I was just the only one who felt like that, but for me, it looked as if their skin was glowing, they looked so good. No wonder Ty had to keep his sunglasses on.

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So, that was the first half of my Friday. It was only just 3 pm and already so much more had happened than what I had expected. I can just repeat myself, I felt like I was in a dream. Still do, actually. I then basically spent the day wandering around London, having dinner – which consisted of me following my mission of finding the best ramen/pho in London – and then heading to the venue. I had a seating ticket, which meant I didn’t have to worry about getting there super early, which was nice. I obviously had to buy some merch, so I got myself the tour shirt, which looks freaking amazing. I can’t wait to wear it. And then it was already time to head to my seat, which turned out to be crazy good. I was in the upper section right next to the stage, so I could see everything. Then the support band called The Regrettes came on stage, and although they weren’t really my cup of tea, I have to say that they indeed are a perfect support for TOP. They really managed to get the crowd hyped up and I was very thankful for that.

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And just half an hour later after the support had ended their set, it was finally time. The lights went off, some super mysterious music came on and all my thoughts basically vanished. It was just me and them. And oh my god, I can’t even begin to tell you happy I was to see them. It’s so crazy because, during the hiatus, I really did miss them a lot, but only when they came back with Jumpsuit and the video and Trench, I noticed how much I had really missed them. And suddenly there they were, playing that exact same song and I just couldn’t stop myself from crying and smiling like a maniac. When I think about it, that was actually how I mostly spent the two hours of the first night – either crying, or smiling, or just doing both. In short, I was an emotional wreck. But a happy one.

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Before I get started on the highlights, I just have to mentally bow down to Ty and Josh for creating Trench and this tour. I’ve been to quite a lot of concerts in the past, but only a few can compete with the absolutely stunning and breathtaking production of their shows. The lights, the lasers, the stage design, the graphics and videos for the screens, the whole concept of movement and most importantly the interaction with the crowd, it was all so out of this world, honestly. I’m not going to go into much detail, because some clikkie might just be reading this right now and actually trying to avoid spoilers, just like I did, so I really want to keep the surprise. All I can say is that it’s a jaw-dropping show production and I cannot even put into words how extremely impressed and proud and thankful I am. Being part of the clique and getting to experience this, even twice, feels like an absolute honour.

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When it comes to highlights, there are a few things that I will never ever forget. The most important one has to be the moment when they started playing ‘Bandito’. Just for the context, ‘Bandito’, for me, is the most beautiful song of Trench and it just really means a lot to me. When I first heard the Sahlo Folina part, I felt like it was the most beautiful thing I had ever heard. And like I said, I didn’t know which songs they were going to play, I had just heard that ‘Bandito’ was kind of being slept on, which worried me a little. So if I was hoping for them to play one song, it was that one. And then Tyler suddenly started playing it on his piano and, basically, all the emotions trapped inside my body came flooding out of me, all at once. Like, I literally cried so much, my whole body was shaking. I had this kind of weird family sitting next to me and they were looking at me like I was some kind of crazy person. Yes, I know all the lyrics by heart and yes, I will cry my eyes out now, thank you very much.

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So yeah, that probably has to be the most special moment. And straight after that comes the moment when Ty played a bit of “Can’t Help Falling In Love” on his ukulele and dedicated it to all the women in the room, as it was International Women’s Day. Most of you will probably know the cover they uploaded a few years ago. I’m one of those people who listen to it once in a while, just because it’s so beautiful, so I actually felt a bit blessed when he started to play it. I wasn’t expecting it all.

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And besides that, it’s just how incredibly talented Josh and Tyler are and how they interacted with us fans that made it all feel so personal and special. The jokes Tyler made in between and just the overall stuff he said during the shows, like “good to see you, my frens” or “let’s show them how we end the show”, it all made me feel very loved. If you’ve ever been to a show of them, you’ll probably know that Josh never speaks. I’ve actually never heard him talk at any of the shows I’ve been to (it’s now come down to 5). But that never ended up in Ty being the guy everyone focuses on because he makes sure that his best friend gets his moments as well. There are thorough introductions to Josh, once done by a voiceover, once done by Ty himself. And let’s not forget the floating ‘catwalk’ they have at their shows now – which is the coolest thing ever – and the moment when Josh gets to walk over it and casually opens his jacket, which isn’t sexy in any way, I don’t know why you would think that. Hell, Josh, we know you’re good looking, stop it. So, overall, they both get their moments. Also, I just saw a video of Ty actually hiding underneath his piano while Josh has his drum solo and I don’t know if I’ll ever get over how adorable that is.

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Besides that, it’s just so cute when the camera focused on both of them during moments when they slightly got out of their serious characters and started to grin like the happy little beans they are. It just cannot get any more adorable than that. And also, there was this one moment when the camera was on the fans and Tyler looked at the screen and blew kisses at it. I know it was one of those things that usually get lost under all the crazy action that is going on, but I will forever remember that exact moment. It’s just so beautiful to see how much they love us, because of how much we love them. That’s why I always say that they’re something special. Their music, their fanbase, their ways of doing things, their incredible talent and their relationship with the clique are just all so unique and make me love them even more. Also, I might just add now that Ty’s sassiness is always part of the show and I honestly wouldn’t want to go without it.

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So yeah, overall, that was night one. I can still see myself standing there, singing to Trees, the last song of their set, as always, and bawling my eyes out like crazy because I was so emotional and happy and also a bit sad and just very overwhelmed. It was then that I noticed how much they really meant to me. And how much I wanted to see them again. I remember sitting down after they had gone off stage, tears still rolling down my cheeks, and deciding that I had to see them again. Which is exactly what I did and which is also the exact part at where I will end this post. I know it has already become incredibly lengthy, so I’m super thankful if you made it until here. You’re the best. Please do stick around for part two, which I will upload shortly. And until then, I really hope you enjoyed this post. As always, please don’t hesitate to leave your comments down below. And, of course, thanks for reading, my frens. x

I’m a Bandito //-// Part 1 Hola everyone. And welcome back to my blog. Sorry for being gone for a bit, but what I'm about to share with you today was worth the wait - at least for me. 2,684 more words

[recentanimenews]

You're Gonna Carry That Weight: 20 Years of Cowboy Bebop

  Wanted for Anime Crimes.

  It's a bold new world out there for anime fans with so many streaming options at their fingertips, but it's still possible to be spoiled by a surplus of choice, and it's hard to tell at a glance which series will become legendary and which ones will drift into oblivion like a tumbling tumbleweed.

  “Cruising the Crunchy-Catalog” is here to help. Each week, we provide additional info and cultural context to help fans determine whether or not they'd like to pursue a given series in Crunchyroll's catalog of titles. This week, we celebrate the 20th anniversary of a series that left an indelible mark on anime history and Western fandom.

    What's Cowboy Bebop?

  Cowboy Bebop is an original TV anime with direction by Shinichiro Watanabe and animation by Sunrise. The series debuted on TV Tokyo on April 3, 1998, although it's probably better known in the United States for its 2001 TV broadcast on Cartoon Network's "Adult Swim" programming block. Crunchyroll describes the story of Cowboy Bebop as follows:

    The Bebop crew is just trying to make a buck. This motley lot of intergalactic loners teams up to track down fugitives and turn them in for cold hard cash. Spike is a hero whose cool façade hides a dark and deadly past. The pilot Jet is a bruiser of a brute who can’t wait to collect the next bounty. Faye Valentine is a femme fatale prone to breaking hearts and separating fools from their money. Along for the ride are the brilliant, but weird, hacker Ed and a super-genius Welsh Corgi named Ein.

    Cowboy Bebop is cool, but there's more to it than just surface-level style. For example, Jet Black's appearance is intimidating, but he's actually one of the most conscientious and level-headed members of the crew, while Faye Valentine's “femme fatale” persona is a defense mechanism born out of retrograde amnesia. But these are just details, and the question remains: what is Cowboy Bebop?

    Chop Suey Before Champloo.

  Cowboy Bebop is a work of science fiction, often classified under the curious subgenre of “Space Western,” i.e. a work that despite its futuristic trappings (such as laser cannons and intra-stellar hyper-space gateways) still evokes the look and feel of films set in the American Wild West.

    Cowboy Bebop refuses to be bound by a single genre, though. It is a mash-up of myriad influences, from Bruce Lee's martial arts films, to John Woo's “ballet of violence” movies such as The Killer and Hard-Boiled, to the energetic escapades of Lupin the Third. As Spike and company wander the Solar System collecting bounties, the series can be comedic in one episode, somber in the next, and down-right horrifying in the episode after that.

    Cowboy Bebop pivots from one cinematic style to another effortlessly, all the while maintaining such a consistent tone that it's no wonder its creators cheekily claimed that “the work...becomes a new genre itself.” In the anime industry as in all art, this level of talent, skill, and vision coming together so smoothly is rare achievement indeed.

    Blue Collar Universe.

  One reason that Cowboy Bebop is still fondly remembered twenty years after its initial broadcast is because of its stellar production values. The CG space stations and heavenly bodies may not have aged gracefully, but the beautiful background artwork and the diverse character designs are still as engaging today as they were two decades ago. The quality of the animation and editing are also on point.

    Cowboy Bebop envisions a future in which the humanity has colonized the Solar System, but where technology has advanced much further than the culture and the politics that keep it in check. Spike, Jet, Faye, and the rest of the 300,000 bounty hunters of Cowboy Bebop exist in a society plagued by the same ills (crime, poverty, pollution, terrorism, etc.) that concern us currently, only on an interstellar scale.

    Known space is a series of working class worlds, and everyone is just trying to make a buck. A running gag in the series is that the Bebop crew is constantly running out of food and fuel. They live hand-to-mouth and bounty-to-bounty, always looking for the ultimate score that will allow them to escape their lot in life. Easy come, easy go...

    Music of the Spheres.

  No discussion of Cowboy Bebop is complete without mentioning the music composed by Yoko Kanno. Kanno's career in anime has no shortage of outstanding soundtracks and scores (Macross Plus, The Vision of Escaflowne, and Ghost in the Shell: Standalone Complex, just to name a few), but she and her jazz band SEATBELTS are absolutely on fire here.

    The entire series explores a range of musical themes, to the point where each episode is referred to as a “session” and each session samples a different musical style, including jazz, funk, blues, and even heavy metal.

    See You, Space Cowboy.

  Thanks to our partnership with Funimation, Crunchyroll currently streams Cowboy Bebop in the United States, Canada, Puerto Rico, the US Virgin Islands, Guernsey, Ireland, the Isle of Man, Jersey, the United Kingdom, American Samoa, Guam, the Northern Mariana Islands, and the US Minor Outlying Islands. The series is available in the original Japanese with English subtitles.

    Funimation publishes Cowboy Bebop on Bluray and DVD in North America and also streams the series in an English dubbed format. I highly recommend this version as well, because the English dub of Cowboy Bebop is one of the finest ever produced, and it still serves as a high-water mark for English language adaptations in anime.

    Sometimes it's tough to recommend an older anime to a younger generation of fans, some of whom weren't even born when the series first broadcast. This is not one of those times. Cowboy Bebop is a bona fide classic and its qualities not only speak for themselves, but they have also endured the test of time. If you haven't seen it yet and it's available in your area, or if you'd merely like to revisit the memories, please consider giving Cowboy Bebop a look.

    Is there a series in Crunchyroll's catalog that you think needs some more love and attention? Please send in your suggestions via e-mail to cruisingcrunchy@gmail.com or post a Tweet to @gooberzilla. Your pick could inspire the next installment of “Cruising the Crunchy-Catalog”!

---

Paul Chapman is the host of The Greatest Movie EVER! Podcast and GME! Anime Fun Time.

By: news+feed@crunchyroll.com

[rodger-that-studios]

My Top 20 Albums of All Time

Before The Storm, part 1 of 2

A top 20? (that should be, part one of a top twenty, so a top ten? yeah?)

Wow, how original.

I can practically hear your anguished cries.

Maybe so.

“There certainly haven’t been approximately 417.803 of those published since last Friday”

But sit down and strap in. This one’s a doozy.

Before we start, let me add that you don’t have to love these albums as much as I do, but trust me, arrogant as this sounds, you’re going to want to check them out.

To that you’re obviously crying out “You don’t know me!”

It doesn’t matter. Don’t have to.

These albums changed my life, so without further ado, lets get started. Are you sitting comfortably?

The Final (ish) Countdown (Albums 20-11)

20 – Tapestry – Carole King (1971)

https://www.youtube.com/watch?v=KQXY8zwQgmc

It’s a beauty

Let’s start as we mean to go on.

Presented here is one of the first songs I ever remember ‘freaking out’ to. To clarify, I mean that amazing, goosebumps inducing effect that music can have on you.

The ‘whoa’ moment, if you will.

That song is the immortal Natural Woman from this seminal album. It’s also a family favourite. Maybe we’ll never know if it was written for one James Taylor (who might make an appearance later on) but frankly, who cares. This is a beautiful record.

19 – Curtain Call: The Hits – Eminem (2005)

https://www.youtube.com/watch?v=_Yhyp-_hX2s

Eminem is angry about…everything

Blimey. A Rap album as early as this?

Guess I’m full of surprises.

I’m no Eminem ‘fan’, but this one is special. There’s a swagger to this album that never fails to make me feel a thousand feet tall. Slim Shady exploded onto the scene with classic after satirical classic. Lose Yourself is outstanding, as is the insanity and genuine comedy of My Name Is. I think we all know what his name is now. Mic drop.

18 – A/B – Kaleo (2016)

https://www.youtube.com/watch?v=0-7IHOXkiV8

People from Iceland frighten me

This one is by far the youngest album on our list. But if I had to describe the debut for Kaleo, an imposing bunch of vikings (er, Icelanders) led by the incredibly talented Jökull Júlíusson (ridiculous name alert) in a few words, ‘ass kicking masterpiece’ comes to mind.

The band have gone from strength to strength since they dropped this monster in June 2016, thanks in large part to the lead single from A/B, Way Down We Go. It’s hauntingly beautiful and stays with you long after its finished. Another highlight is the albums opening track, No Good, which is a rip roaring way for the band to say hello. It’s absolutely filthy, but oh so fantastic.

17 – The Cult – Pure Cult (The Singles) 1984-1985) – 2000

https://www.youtube.com/watch?v=ZCOSPtyZAPA

Drum Fill Drum Fill Drum FILLLLLL

An absolute riot of an album.

It’s frankly ludicrous for a band to release a singles anthology that lasts for 77 bloody minutes, but The Cult are that good.

Prick up your ears for Rain and She Sells Sanctuary, which are definite stand outs. Rain batters against your eardrums with screaming guitars, while Sanctuary shifts the focus onto the drums. The song only contains a handful of lyrics, but one listen to the drum fill before the final chorus will make you understand why. Some songs speak for themselves.

16 – Greatest Hits – Simon And Garfunkel – 1972

https://www.youtube.com/watch?v=L-JQ1q-13Ek

This one has stayed with me because I still remember the first listen to this album.

I was sat in my Grandma’s lounge. Family have always played a part in the albums I’ve carried into adulthood. It didn’t take me long to learn why she loves these two. This album will make you cry, make you cheer and everything in-between.

The best albums tell stories, and ones told by this ’72 collection like The Boxer and Bridge Over Troubled Water will live for a very long time.

Gorgeous stuff.

15 – Where The Light Is, John Mayer Live in LA – 2008

https://www.youtube.com/watch?v=7K2DQ8XBRbU

Smooooooooth Mr Mayer

The following descriptions accurately describe Mr John Mayer;

Guitar Prodigy

Remarkable Songwriter

Harmonic Whizkid

Arrogant Arsehole

Okay, okay. I’ll explain why.

Mayer’s ego may be bigger than his stacked discography, but sadly it’s for a very good reason. The man is a modern musical artist, and doesn’t he know it.

But this album makes it okay, and here’s why.

Mayer played a one off sold out show in the Nokia Theatre in his home town of LA back in ’08, playing hits straight out of his strange little head to a sea of adoring fans.

It was an elegant affair, with Mayer and his touring band taking centre stage for almost three hours worth of jazz and blues. Indeed the sense of rhythm, melody and especially harmony on hits like Daughters, In Your Atmosphere and Gravity (which Johnny boy performs here with a full gospel choir) is absolutely stunning. A personal highlight is his incredible arrangement of Tom Petty’s Free Fallin’(RIP Tom we love you), which leaves me speechless every single time. Overalll Mayer offers a soaring and beautiful album which is perhaps the most intimate and honest thing he’s ever written.

And remember, all thats coming from the dude that wrote Your Body is a Wonderland. Damn smooth.

14 – Vessel – Twenty One Pilots – 2013

https://www.youtube.com/watch?v=szp9x1ZlZn4

Kick Some Ass lads

Twenty One Pilots needed something big to break onto the international scene. The rock duo had already amassed a huge following in the good old US of A, but Europe was a different beast. And with Vessel they knocked it out of the park.

Hits from this album introduced Tyler Joseph and Josh Dunn to the world. Joseph flip flops between sonorous masterclasses and rapping like a demon while Dunn channels the greats behind the kit. Copeland, Moon, Rich. The gang’s all here, and its as if they’re controlling Dunn’s arms and telling his brain what to do like the plot from a terrible 80s horror movie.

It is indeed a rip rollicking tour de force of an album. Migrane will make you think, Guns for Hands (bloody ridiculous song title) will make you groove, and my personal favourite here, Trees, will make you grit your teeth and maybe even shed a few tears, an entire spectrum of feelings is contained to 12 songs.

How many other bands can do that?

Put simply, check this one out. It’s remarkable.

13 – Celebrity Skin – Hole – 1998

https://www.youtube.com/watch?v=v0CYB5V9e64

Tears you to pieces

Lets summarise the short lived story of Hole, shall we?

In equal parts the tortured love child of Courtney Love and Courtney Love’s grief over the terrible loss of Kurt Cobain, Hole created a very special album.

Love and Cobain were of course famously writing countless songs together before he died, and many of them would, in one way or another, make up the famous track list offered here. Heartbreak can often create strangely beautiful things, and Celebrity Skin is the epitome of that.

From the first second you can feel Love’s fury at society. Thats why it works, because its as relevant to hate the world today as it was back in ’98. To that end, honestly the album’s title track is, in a word, aggressive. Listening to it really puts you into her head. It’s as if someone took a confetti cannon, filled it with that typical 90s neon-soaked angst and rage and then fired it point blank into your face.

CAN YOU FEEL IT YET?

Okay calm down.

Don’t know what came over me there.

But then come back to earth and pair track one with the other clear stand out, Malibu. This song is effortlessly haunting and heartbreakingly beautiful. The listener is oblivious to what the lyrics warn them of running away from, but we somehow know we just need to listen to the warning. Perhaps this song was written for Kurt and he will tragically never know, but we’ll know and this song, indeed this album, will tear you apart and stay with you forever.

12 – What’s The Story Morning Glory – Oasis – 1995

https://www.youtube.com/watch?v=tI-5uv4wryI

Liam Gallagher looks like he’s wearing handcuffs every time he sings. Don’t believe me? Watch and learn

Oasis have been a part of my life for pretty much as long as I can remember.

We had them on perpetually when I was growing up, and I remember the first time my Dad introduced me to the standout song on this album full of standout songs, Champagne Supernova.

“Kid!”

“Yeah?”

“Check out this tune!”

Plays Supernova in our living room

It’s incredible, yes, but there’s only one question I have when the song fades.

“But Dad, what even is a Champagne Supernova?”

“Shut up Will, it’s ironic.”

leaves

One listen was all it took.

While the also classic Heathen Chemistry perhaps hit me more upon first impressions, as I’ve grown up my love for this album has positively skyrocketed. Although I still have a soft spot for Little By Little, one of the first songs I ever learned on guitar.

God these are the useless facts I know you want out of a musical countdown.

What’s The Story is special, though. It’s a special, perfectly Brit-Pop record. For me at least, songs like Some Might Say, She’s Electric and the aforementioned alcoholic death of a star have gotten me through some incredibly tough times. I look fondly back at the album now and remember nights in, up to my neck in GCSE revision with one of those terrible bedside lamps, which made it look like I was doing Algebra in Gollum’s cave. I’d whack on this record and all the stress would go away for a few glorious moments. It was almost fun to work stuff out with Noel Liam and the rest of the lads screaming down my earholes. It somehow made it okay.

Champagne Supernova, though, as you’ve probably guessed, is simply something else. Of course it lasts for seven minutes, but every second is captivating. Its an untouchable song, and an awesome album.

11 – Appetite For Destruction – Guns N Roses – 1987

https://www.youtube.com/watch?v=gORKiQ0h1ZA

Fuck Yeah

This one is simply the motherfucking king of debut albums.

Guns N Roses redefined sweet rock and roll with this album, and it was the first thing they ever released. Since it was released back in ’87 the album has rocked up (not sorry about the pun) 28 Million album sales. Numbers like that don’t lie. So here’s my take on one of the greatest rock albums of all time.

Standout one is the opening track, Welcome To The Jungle

Literally.

This song, despite being track one, is a dark horse, but I don’t know how much that means when your album is made up of majestic stallions. Guns N Roses collectively smash down your defences and musically kick the shit out of you with outstanding guitar and pounding drums. But don’t worry its all executed so beautifully you’ll probably stand yourself up dust yourself off, say thank you and dive straight back in. Trust me you ain’t seen nothing yet.

We continue with Paradise City. Its safe to say that Axl Rose Slash and company do not pull punches. This is one of the greatest guitar performances of all time. GNR present a sprawling 6 minute journey into madness, and you’re gonna want to be along for the ride. Prick up your ears for the closing solo, which is Slash at his most powerful. Slash is a god among men. Won’t take you long to discover why.

The third, and final (but not final) standout is the immortal Sweet Child O Mine

I’m already playing air guitar just thinking about this one and you are too don’t even lie.

If you were to open a Guns N Roses art museum, in which different songs became famous paintings, then Sweet Child O Mine is the ceiling of the Cistene fucking Chapel. it’s that good. Its many things. What do you want? A story about love? Yep, its there. A Stadium Anthem for the ages? Yeah no worries. A Masterpiece? I damn well think so. In fact thats the perfect description for Appetite for Destruction. Its a flawless album, indeed the spirit of sex drugs rock and roll in a CD case.

*takes breath*

Okay. Pause. Hit pause.

Christ on a bike.

I’ve been rambling for EVER.

Listen hard to these ten, and strap in for part 2

[nandireya]

Tale As Old As Time

So…I mentioned to my Kallura buds that I had this idea for a space version of Beauty and the Beast I’m also using it to dust off my old HTML skills…it’s been so long

Tale As Old As Time Prologue Once upon a time, a young prince lived in a shining castle… Well, to be fair, he wasn’t a prince and he didn’t live in a castle, it was more a shack in the desert… …and though he had everything his heart desired… EVERYTHING might be a bit of a stretch, but he did have a knife, and a bad attitude…and a killer hover-bike! That thing was awesome! …the prince was spoiled, selfish and unkind… Yeah, that bit’s actually pretty accurate. But then, one winter’s night, an old beggar-woman came to the castle and offered him a single rose in return for shelter from the bitter cold. Yeah, he was actually kinda captured being all noble and stuff. And there was no gift. Unless you consider agonising torture a gift. Repulsed by her haggard appearance… I’m sure THAT at least was true… …the prince sneered at the gift, and turned the old woman away, but she warned him not to be deceived by appearances, for beauty is found within. And when he dismissed her again, the old women’s ugliness melted away to reveal a beautiful enchantress. We’re kinda getting off track here. This bit, yeah, not really what went down. No talk of inner beauty or transformations. That witch stayed her actual haggard self. I mean, quiznak, that’s even her name! Sort of… The prince tried to apologise… I’m pretty sure he spat in her face… I did not! I head-butted her in the face and broke her nose. Seriously? You really do have an impulse control problem, don’t you? …but it was too late, for she had seen that there was no love in his heart and as punishment she transformed him into a hideous beast and placed a powerful spell on the castle and all who lived there. Yeah, jerk-face or not, he totally didn’t deserve what they did to him… Ashamed of his monstrous form… Oh, yeah, for sure… …the beast concealed himself inside his castle… Literally, he went into the ventilation system at times… Lance! If you don’t stop interrupting I’ll shove YOU in the ventilation system! …with a magic mirror as his only window to the outside world. Really? Try me. The rose she had offered, was truly an enchanted rose, which would bloom until his twenty-first year. If he could learn to love another, and earn their love in return by the time the last petal fell, then, the spell would be broken! If not, he would be doomed to remain a beast for all time! As the years passed, he fell into despair, and lost all hope, for who could ever learn to love a beast? Now let our story begin…

They may have captured him but they would never get into Black. He’d seen to that. He had ordered the lion to put up her force-field, not to let it down under any circumstances. He had left Shiro’s bayard and his Mamora blade on board, there was no way he was letting them get their hands on either of them. But that didn’t mean he couldn’t come out fighting. He sprinted down the ramp, it quickly slamming shut behind him, the energy-shield crackling and humming to life as soon as he was clear. He took a flying kick at the closest soldier and took up its weapon, opening fire as the rest charged at him. He knew he wouldn’t last long, there were just too many of them. But he was going to take as many of them with him that he possibly could. And as they began to overwhelm he took comfort in the knowledge that his teammates, his friends, his family, were safe. ~~~~~~ He awoke, he had no idea how much later, a cold metallic surface behind him, shimmering bands of energy around his wrists and ankles securing him to it. He wasn’t alone. Two of those creepy masked druids flanked the door. His armour had been removed, gloves and boots included, leaving him in only the black body suit. A third figure who had been hidden from his sight behind the upright table he was bound to came into view. It was strangely pretty for a Galra, if it wasn’t for the colouring Keith would have doubted the being even was a Galra. He, something told the bound paladin that he was indeed a male, despite the fine features and long, silver hair, was holding his helmet in a way reminiscent of Hamlet and the skull of Yorick. Keith had no idea who he was. He didn’t care. He wasn’t giving this overdressed jerk anything. The door swished open and a hunched, hooded figure entered. This one he knew. Haggar. “Behold!” The pretty Galra said, theatrically holding the helmet aloft. “The Black Paladin of Voltron!” Haggar’s expression didn’t change. “This is not the Black Paladin.” She said evenly. “Is that hood effecting your vision?” He scoffed. “Do you not see the helmet?” He held it up again. “Is it not the Black Lion that we currently have under serious look and key in the bowels of the very ship? Both black. Ergo. The Black Paladin.” He gestured at Keith. “I don’t care what he’s wearing or what he was piloting.” Haggar snarled. “I know the Black Paladin. I am on quite close, intimate terms with the Black Paladin.” She stalked towards Keith as she spoke. “He was my masterpiece.” She curled her lip as she looked upon the pale-skinned, dark-haired boy. “This is NOT the Black Paladin.” She said haughtily, turning her back on him. “Unless…” She turned back, eyes narrowing. “You lost him.” She surmised. “Probably the same time we lost our Emperor. And you stepped up.” She leaned in close. “So which one were you?” She mused. “Red, green, yellow or blue?” His only response to her question was to throw his head, the only part of his body he could actually move, forward, his forehead connecting solidly with her nose. He smirked as she staggered backwards, her hands going instinctively to her face. The pretty Galra chuckled. “Oh, he’s a feisty one.” Keith could hear the grin in his voice, as Haggar pinched her nose, studied the blood on her fingers for a moment, before flicking it off. “The Red, then.” She said, stabbing him quickly in the side, sharp nails tearing through cloth and into flesh. He winced as she pulled back her hand, far more of his blood dripping from her nails than he’d brought forth from her nose. “The Emperor has quite an interest in you.” Keith frowned slightly at her use of present tense. Zarkon was alive? Incapacitated most likely, but alive. He closed his eyes, trying to keep his expression neutral. They’d lost Shiro for nothing. She crossed the small room, stepping up to a console in the corner. She let his blood drip onto what looked like a small sensor pad. It was quickly absorbed, and quickly analysed going by the cruel grin that spread across the witch’s features. “Interesting…” She purred, cold eyes focusing on the young paladin. “VERY interesting…” The pretty Galra walked over, twirling the helmet in one clawed hand, curiosity obviously getting the better of him. “Really?” His eyebrows rose as he glanced at their prisoner. “He doesn’t look-” But Haggar cut him off with a wicked smile. “Just imagine what I can make out if you.”

[racingtoaredlight]

On This Day: Closing Bell, January 16, 2017

Funny thing, Martin Luther King, Jr. was not a conservative by any definition of the word.

If you read this treacle ('Martin Luther King Jr. was a true conservative’) from the Washington Post today or yesterday and nodded along you are an idiot:

“My friends,” Dr. King said in his Detroit sermon, “all I’m trying to say is that if we are to go forward today, we’ve got to go back and rediscover some mighty precious values that we’ve left behind. That’s the only way that we would be able to make of our world a better world, and to make of this world what God wants it to be. . . .” 

Spoken like a true conservative, and a truly great one.

No, that is not what the term “conservative” means currently and is a gross underselling of the actual political / economic advocacy which made Dr. King such a threat to the nation’s ruling class. If you want a conservative icon of the civil rights movement you are necessarily talking about the law & order side of the equation. You get J. Edgar Hoover not Martin Luther King. A self-declared Marxist does not get to be reclaimed as a conservative icon, it makes no sense.

Here is the full text of Dr. King’s final speech to the Southern Christian Leadership Conference, from August 16th, 1967. Try to find some kinship to policies and systems of capitalism, trickle down economics and military might:

(adsbygoogle = window.adsbygoogle || []).push({});

Dr. Abernathy, our distinguished vice president, fellow delegates to this, the tenth annual session of the Southern Christian Leadership Conference, my brothers and sisters from not only all over the South, but from all over the United States of America: ten years ago during the piercing chill of a January day and on the heels of the year-long Montgomery bus boycott, a group of approximately one hundred Negro leaders from across the South assembled in this church and agreed on the need for an organization to be formed that could serve as a channel through which local protest organizations in the South could coordinate their protest activities. It was this meeting that gave birth to the Southern Christian Leadership Conference.

And when our organization was formed ten years ago, racial segregation was still a structured part of the architecture of southern society. Negroes with the pangs of hunger and the anguish of thirst were denied access to the average lunch counter. The downtown restaurants were still off-limits for the black man. Negroes, burdened with the fatigue of travel, were still barred from the motels of the highways and the hotels of the cities. Negro boys and girls in dire need of recreational activities were not allowed to inhale the fresh air of the big city parks. Negroes in desperate need of allowing their mental buckets to sink deep into the wells of knowledge were confronted with a firm "no" when they sought to use the city libraries. Ten years ago, legislative halls of the South were still ringing loud with such words as "interposition" and "nullification." All types of conniving methods were still being used to keep the Negro from becoming a registered voter. A decade ago, not a single Negro entered the legislative chambers of the South except as a porter or a chauffeur. Ten years ago, all too many Negroes were still harried by day and haunted by night by a corroding sense of fear and a nagging sense of nobody-ness. (Yeah)

But things are different now. In assault after assault, we caused the sagging walls of segregation to come tumbling down. During this era the entire edifice of segregation was profoundly shaken. This is an accomplishment whose consequences are deeply felt by every southern Negro in his daily life. (Oh yeah) It is no longer possible to count the number of public establishments that are open to Negroes. Ten years ago, Negroes seemed almost invisible to the larger society, and the facts of their harsh lives were unknown to the majority of the nation. But today, civil rights is a dominating issue in every state, crowding the pages of the press and the daily conversation of white Americans. In this decade of change, the Negro stood up and confronted his oppressor. He faced the bullies and the guns, and the dogs and the tear gas. He put himself squarely before the vicious mobs and moved with strength and dignity toward them and decisively defeated them. (Yes) And the courage with which he confronted enraged mobs dissolved the stereotype of the grinning, submissive Uncle Tom. (Yes) He came out of his struggle integrated only slightly in the external society, but powerfully integrated within. This was a victory that had to precede all other gains.

In short, over the last ten years the Negro decided to straighten his back up (Yes), realizing that a man cannot ride your back unless it is bent. (Yes, That’s right) We made our government write new laws to alter some of the cruelest injustices that affected us. We made an indifferent and unconcerned nation rise from lethargy and subpoenaed its conscience to appear before the judgment seat of morality on the whole question of civil rights. We gained manhood in the nation that had always called us "boy." It would be hypocritical indeed if I allowed modesty to forbid my saying that SCLC stood at the forefront of all of the watershed movements that brought these monumental changes in the South. For this, we can feel a legitimate pride. But in spite of a decade of significant progress, the problem is far from solved. The deep rumbling of discontent in our cities is indicative of the fact that the plant of freedom has grown only a bud and not yet a flower.

And before discussing the awesome responsibilities that we face in the days ahead, let us take an inventory of our programmatic action and activities over the past year. Last year as we met in Jackson, Mississippi, we were painfully aware of the struggle of our brothers in Grenada, Mississippi. After living for a hundred or more years under the yoke of total segregation, the Negro citizens of this northern Delta hamlet banded together in nonviolent warfare against racial discrimination under the leadership of our affiliate chapter and organization there. The fact of this non-destructive rebellion was as spectacular as were its results. In a few short weeks the Grenada County Movement challenged every aspect of the society’s exploitative life. Stores which denied employment were boycotted; voter registration increased by thousands. We can never forget the courageous action of the people of Grenada who moved our nation and its federal courts to powerful action in behalf of school integration, giving Grenada one of the most integrated school systems in America. The battle is far from over, but the black people of Grenada have achieved forty of fifty-three demands through their persistent nonviolent efforts.

Slowly but surely, our southern affiliates continued their building and organizing. Seventy-nine counties conducted voter registration drives, while double that number carried on political education and get-out-the-vote efforts. In spite of press opinions, our staff is still overwhelmingly a southern-based staff. One hundred and five persons have worked across the South under the direction of Hosea Williams. What used to be primarily a voter registration staff is actually a multifaceted program dealing with the total life of the community, from farm cooperatives, business development, tutorials, credit unions, etcetera. Especially to be commended are those ninety-nine communities and their staffs which maintain regular mass meetings throughout the year.

Our Citizenship Education Program continues to lay the solid foundation of adult education and community organization upon which all social change must ultimately rest. This year, five hundred local leaders received training at Dorchester and ten community centers through our Citizenship Education Program. They were trained in literacy, consumer education, planned parenthood, and many other things. And this program, so ably directed by Mrs. Dorothy Cotton, Mrs. Septima Clark, and their staff of eight persons, continues to cover ten southern states. Our auxiliary feature of C.E.P. is the aid which they have given to poor communities, poor counties in receiving and establishing O.E.O. projects. With the competent professional guidance of our marvelous staff member, Miss Mew Soong-Li, Lowndes and Wilcox counties in Alabama have pioneered in developing outstanding poverty programs totally controlled and operated by residents of the area.

Perhaps the area of greatest concentration of my efforts has been in the cities of Chicago and Cleveland. Chicago has been a wonderful proving ground for our work in the North. There have been no earth-shaking victories, but neither has there been failure. Our open housing marches, which finally brought about an agreement which actually calls the power structure of Chicago to capitulate to the civil rights movement, these marches and the agreement have finally begun to pay off. After the season of delay around election periods, the Leadership Conference, organized to meet our demands for an open city, has finally begun to implement the programs agreed to last summer.

But this is not the most important aspect of our work. As a result of our tenant union organizing, we have begun a four million dollar rehabilitation project, which will renovate deteriorating buildings and allow their tenants the opportunity to own their own homes. This pilot project was the inspiration for the new home ownership bill, which Senator Percy introduced in Congress only recently.

The most dramatic success in Chicago has been Operation Breadbasket. Through Operation Breadbasket we have now achieved for the Negro community of Chicago more than twenty-two hundred new jobs with an income of approximately eighteen million dollars a year, new income to the Negro community. [Applause] But not only have we gotten jobs through Operation Breadbasket in Chicago; there was another area through this economic program, and that was the development of financial institutions which were controlled by Negroes and which were sensitive to problems of economic deprivation of the Negro community. The two banks in Chicago that were interested in helping Negro businessmen were largely unable to loan much because of limited assets. Hi-Lo, one of the chain stores in Chicago, agreed to maintain substantial accounts in the two banks, thus increasing their ability to serve the needs of the Negro community. And I can say to you today that as a result of Operation Breadbasket in Chicago, both of these Negro-operated banks have now more than double their assets, and this has been done in less than a year by the work of Operation Breadbasket. [applause]

In addition, the ministers learned that Negro scavengers had been deprived of significant accounts in the ghetto. Whites controlled even the garbage of Negroes. Consequently, the chain stores agreed to contract with Negro scavengers to service at least the stores in Negro areas. Negro insect and rodent exterminators, as well as janitorial services, were likewise excluded from major contracts with chain stores. The chain stores also agreed to utilize these services. It also became apparent that chain stores advertised only rarely in Negro-owned community newspapers. This area of neglect was also negotiated, giving community newspapers regular, substantial accounts. And finally, the ministers found that Negro contractors, from painters to masons, from electricians to excavators, had also been forced to remain small by the monopolies of white contractors. Breadbasket negotiated agreements on new construction and rehabilitation work for the chain stores. These several interrelated aspects of economic development, all based on the power of organized consumers, hold great possibilities for dealing with the problems of Negroes in other northern cities. The kinds of requests made by Breadbasket in Chicago can be made not only of chain stores, but of almost any major industry in any city in the country.

And so Operation Breadbasket has a very simple program, but a powerful one. It simply says, "If you respect my dollar, you must respect my person." It simply says that we will no longer spend our money where we can not get substantial jobs. [applause]

In Cleveland, Ohio, a group of ministers have formed an Operation Breadbasket through our program there and have moved against a major dairy company. Their requests include jobs, advertising in Negro newspapers, and depositing funds in Negro financial institutions. This effort resulted in something marvelous. I went to Cleveland just last week to sign the agreement with Sealtest. We went to get the facts about their employment; we discovered that they had 442 employees and only forty-three were Negroes, yet the Negro population of Cleveland is thirty-five percent of the total population. They refused to give us all of the information that we requested, and we said in substance, "Mr. Sealtest, we're sorry. We aren't going to burn your store down. We aren't going to throw any bricks in the window. But we are going to put picket signs around and we are going to put leaflets out and we are going to our pulpits and tell them not to sell Sealtest products, and not to purchase Sealtest products."

We did that. We went through the churches. Reverend Dr. Hoover, who pastors the largest church in Cleveland, who's here today, and all of the ministers got together and got behind this program. We went to every store in the ghetto and said, "You must take Sealtest products off of your counters. If not, we're going to boycott your whole store." (That's right) A&P refused. We put picket lines around A&P; they have a hundred and some stores in Cleveland, and we picketed A&P and closed down eighteen of them in one day. Nobody went in A&P. [applause] The next day Mr. A&P was calling on us, and Bob Brown, who is here on our board and who is a public relations man representing a number of firms, came in. They called him in because he worked for A&P, also; and they didn't know he worked for us, too. [laughter] Bob Brown sat down with A&P, and he said, they said, "Now, Mr. Brown, what would you advise us to do." He said, "I would advise you to take Sealtest products off of all of your counters." A&P agreed next day not only to take Sealtest products off of the counters in the ghetto, but off of the counters of every A&P store in Cleveland, and they said to Sealtest, "If you don’t reach an agreement with SCLC and Operation Breadbasket, we will take Sealtest products off of every A&P store in the state of Ohio."

The next day [applause], the next day the Sealtest people were talking nice [laughter], they were very humble. And I am proud to say that I went to Cleveland just last Tuesday, and I sat down with the Sealtest people and some seventy ministers from Cleveland, and we signed the agreement. This effort resulted in a number of jobs, which will bring almost five hundred thousand dollars of new income to the Negro community a year. [applause] We also said to Sealtest, "The problem that we face is that the ghetto is a domestic colony that's constantly drained without being replenished. And you are always telling us to lift ourselves by our own bootstraps, and yet we are being robbed every day. Put something back in the ghetto." So along with our demand for jobs, we said, "We also demand that you put money in the Negro savings and loan association and that you take ads, advertise, in the Cleveland Call & Post, the Negro newspaper." So along with the new jobs, Sealtest has now deposited thousands of dollars in the Negro bank of Cleveland and has already started taking ads in the Negro newspaper in that city. This is the power of Operation Breadbasket. [applause]

Now, for fear that you may feel that it’s limited to Chicago and Cleveland, let me say to you that we've gotten even more than that. In Atlanta, Georgia, Breadbasket has been equally successful in the South. Here the emphasis has been divided between governmental employment and private industry. And while I do not have time to go into the details, I want to commend the men who have been working with it here: the Reverend Bennett, the Reverend Joe Boone, the Reverend J. C. Ward, Reverend Dorsey, Reverend Greer, and I could go on down the line, and they have stood up along with all of the other ministers. But here is the story that's not printed in the newspapers in Atlanta: as a result of Operation Breadbasket, over the last three years, we have added about twenty-five million dollars of new income to the Negro community every year. [applause]

Now as you know, Operation Breadbasket has now gone national in the sense that we had a national conference in Chicago and agreed to launch a nationwide program, which you will hear more about.

Finally, SCLC has entered the field of housing. Under the leadership of attorney James Robinson, we have already contracted to build 152 units of low-income housing with apartments for the elderly on a choice downtown Atlanta site under the sponsorship of Ebenezer Baptist Church. This is the first project [applause], this is the first project of a proposed southwide Housing Development Corporation which we hope to develop in conjunction with SCLC, and through this corporation we hope to build housing from Mississippi to North Carolina using Negro workmen, Negro architects, Negro attorneys, and Negro financial institutions throughout. And it is our feeling that in the next two or three years, we can build right here in the South forty million dollars worth of new housing for Negroes, and with millions and millions of dollars in income coming to the Negro community. [applause]

Now there are many other things that I could tell you, but time is passing. This, in short, is an account of SCLC's work over the last year. It is a record of which we can all be proud.

With all the struggle and all the achievements, we must face the fact, however, that the Negro still lives in the basement of the Great Society. He is still at the bottom, despite the few who have penetrated to slightly higher levels. Even where the door has been forced partially open, mobility for the Negro is still sharply restricted. There is often no bottom at which to start, and when there is there's almost no room at the top. In consequence, Negroes are still impoverished aliens in an affluent society. They are too poor even to rise with the society, too impoverished by the ages to be able to ascend by using their own resources. And the Negro did not do this himself; it was done to him. For more than half of his American history, he was enslaved. Yet, he built the spanning bridges and the grand mansions, the sturdy docks and stout factories of the South. His unpaid labor made cotton "King" and established America as a significant nation in international commerce. Even after his release from chattel slavery, the nation grew over him, submerging him. It became the richest, most powerful society in the history of man, but it left the Negro far behind.

And so we still have a long, long way to go before we reach the promised land of freedom. Yes, we have left the dusty soils of Egypt, and we have crossed a Red Sea that had for years been hardened by a long and piercing winter of massive resistance, but before we reach the majestic shores of the promised land, there will still be gigantic mountains of opposition ahead and prodigious hilltops of injustice. (Yes, That’s right) We still need some Paul Revere of conscience to alert every hamlet and every village of America that revolution is still at hand. Yes, we need a chart; we need a compass; indeed, we need some North Star to guide us into a future shrouded with impenetrable uncertainties.

Now, in order to answer the question, "Where do we go from here?" which is our theme, we must first honestly recognize where we are now. When the Constitution was written, a strange formula to determine taxes and representation declared that the Negro was sixty percent of a person. Today another curious formula seems to declare he is fifty percent of a person. Of the good things in life, the Negro has approximately one half those of whites. Of the bad things of life, he has twice those of whites. Thus, half of all Negroes live in substandard housing. And Negroes have half the income of whites. When we turn to the negative experiences of life, the Negro has a double share: There are twice as many unemployed; the rate of infant mortality among Negroes is double that of whites; and there are twice as many Negroes dying in Vietnam as whites in proportion to their size in the population. (Yes) [applause]

In other spheres, the figures are equally alarming. In elementary schools, Negroes lag one to three years behind whites, and their segregated schools (Yeah) receive substantially less money per student than the white schools. (Those schools) One-twentieth as many Negroes as whites attend college. Of employed Negroes, seventy-five percent hold menial jobs. This is where we are.

Where do we go from here? First, we must massively assert our dignity and worth. We must stand up amid a system that still oppresses us and develop an unassailable and majestic sense of values. We must no longer be ashamed of being black. (All right) The job of arousing manhood within a people that have been taught for so many centuries that they are nobody is not easy.

Even semantics have conspired to make that which is black seem ugly and degrading. (Yes) In Roget's Thesaurus there are some 120 synonyms for blackness and at least sixty of them are offensive, such words as blot, soot, grim, devil, and foul. And there are some 134 synonyms for whiteness and all are favorable, expressed in such words as purity, cleanliness, chastity, and innocence. A white lie is better than a black lie. (Yes) The most degenerate member of a family is the "black sheep." (Yes) Ossie Davis has suggested that maybe the English language should be reconstructed so that teachers will not be forced to teach the Negro child sixty ways to despise himself, and thereby perpetuate his false sense of inferiority, and the white child 134 ways to adore himself, and thereby perpetuate his false sense of superiority. [applause] The tendency to ignore the Negro's contribution to American life and strip him of his personhood is as old as the earliest history books and as contemporary as the morning's newspaper. (Yes)

To offset this cultural homicide, the Negro must rise up with an affirmation of his own Olympian manhood. (Yes) Any movement for the Negro's freedom that overlooks this necessity is only waiting to be buried. (Yes) As long as the mind is enslaved, the body can never be free. (Yes) Psychological freedom, a firm sense of self-esteem, is the most powerful weapon against the long night of physical slavery. No Lincolnian Emancipation Proclamation, no Johnsonian civil rights bill can totally bring this kind of freedom. The Negro will only be free when he reaches down to the inner depths of his own being and signs with the pen and ink of assertive manhood his own emancipation proclamation. And with a spirit straining toward true self-esteem, the Negro must boldly throw off the manacles of self-abnegation and say to himself and to the world, "I am somebody. (Oh yeah) I am a person. I am a man with dignity and honor. (Go ahead) I have a rich and noble history, however painful and exploited that history has been. Yes, I was a slave through my foreparents (That’s right), and now I’m not ashamed of that. I'm ashamed of the people who were so sinful to make me a slave." (Yes sir) Yes [applause], yes, we must stand up and say, "I'm black (Yes sir), but I'm black and beautiful." (Yes) This [applause], this self-affirmation is the black man's need, made compelling (All right) by the white man's crimes against him. (Yes)

Now another basic challenge is to discover how to organize our strength in to economic and political power. Now no one can deny that the Negro is in dire need of this kind of legitimate power. Indeed, one of the great problems that the Negro confronts is his lack of power. From the old plantations of the South to the newer ghettos of the North, the Negro has been confined to a life of voicelessness (That’s true) and powerlessness. (So true) Stripped of the right to make decisions concerning his life and destiny he has been subject to the authoritarian and sometimes whimsical decisions of the white power structure. The plantation and the ghetto were created by those who had power, both to confine those who had no power and to perpetuate their powerlessness. Now the problem of transforming the ghetto, therefore, is a problem of power, a confrontation between the forces of power demanding change and the forces of power dedicated to the preserving of the status quo. Now, power properly understood is nothing but the ability to achieve purpose. It is the strength required to bring about social, political, and economic change. Walter Reuther defined power one day. He said, "Power is the ability of a labor union like UAW to make the most powerful corporation in the world, General Motors, say, 'Yes' when it wants to say 'No.' That's power." [applause]

Now a lot of us are preachers, and all of us have our moral convictions and concerns, and so often we have problems with power. But there is nothing wrong with power if power is used correctly.

You see, what happened is that some of our philosophers got off base. And one of the great problems of history is that the concepts of love and power have usually been contrasted as opposites, polar opposites, so that love is identified with a resignation of power, and power with a denial of love. It was this misinterpretation that caused the philosopher Nietzsche, who was a philosopher of the will to power, to reject the Christian concept of love. It was this same misinterpretation which induced Christian theologians to reject Nietzsche's philosophy of the will to power in the name of the Christian idea of love.

Now, we got to get this thing right. What is needed is a realization that power without love is reckless and abusive, and that love without power is sentimental and anemic. (Yes) Power at its best [applause], power at its best is love (Yes) implementing the demands of justice, and justice at its best is love correcting everything that stands against love. (Speak) And this is what we must see as we move on.

Now what has happened is that we've had it wrong and mixed up in our country, and this has led Negro Americans in the past to seek their goals through love and moral suasion devoid of power, and white Americans to seek their goals through power devoid of love and conscience. It is leading a few extremists today to advocate for Negroes the same destructive and conscienceless power that they have justly abhorred in whites. It is precisely this collision of immoral power with powerless morality which constitutes the major crisis of our times. (Yes)

Now we must develop progress, or rather, a program—and I can't stay on this long—that will drive the nation to a guaranteed annual income. Now, early in the century this proposal would have been greeted with ridicule and denunciation as destructive of initiative and responsibility. At that time economic status was considered the measure of the individual's abilities and talents. And in the thinking of that day, the absence of worldly goods indicated a want of industrious habits and moral fiber. We've come a long way in our understanding of human motivation and of the blind operation of our economic system. Now we realize that dislocations in the market operation of our economy and the prevalence of discrimination thrust people into idleness and bind them in constant or frequent unemployment against their will. The poor are less often dismissed, I hope, from our conscience today by being branded as inferior and incompetent. We also know that no matter how dynamically the economy develops and expands, it does not eliminate all poverty.

The problem indicates that our emphasis must be twofold: We must create full employment, or we must create incomes. People must be made consumers by one method or the other. Once they are placed in this position, we need to be concerned that the potential of the individual is not wasted. New forms of work that enhance the social good will have to be devised for those for whom traditional jobs are not available. In 1879 Henry George anticipated this state of affairs when he wrote in Progress and Poverty:

The fact is that the work which improves the condition of mankind, the work which extends knowledge and increases power and enriches literature and elevates thought, is not done to secure a living. It is not the work of slaves driven to their tasks either by the, that of a taskmaster or by animal necessities. It is the work of men who somehow find a form of work that brings a security for its own sake and a state of society where want is abolished.

Work of this sort could be enormously increased, and we are likely to find that the problem of housing, education, instead of preceding the elimination of poverty, will themselves be affected if poverty is first abolished. The poor, transformed into purchasers, will do a great deal on their own to alter housing decay. Negroes, who have a double disability, will have a greater effect on discrimination when they have the additional weapon of cash to use in their struggle.

Beyond these advantages, a host of positive psychological changes inevitably will result from widespread economic security. The dignity of the individual will flourish when the decisions concerning his life are in his own hands, when he has the assurance that his income is stable and certain, and when he knows that he has the means to seek self-improvement. Personal conflicts between husband, wife, and children will diminish when the unjust measurement of human worth on a scale of dollars is eliminated.

Now, our country can do this. John Kenneth Galbraith said that a guaranteed annual income could be done for about twenty billion dollars a year. And I say to you today, that if our nation can spend thirty-five billion dollars a year to fight an unjust, evil war in Vietnam, and twenty billion dollars to put a man on the moon, it can spend billions of dollars to put God's children on their own two feet right here on earth. [applause]

Now, let me rush on to say we must reaffirm our commitment to nonviolence. And I want to stress this. The futility of violence in the struggle for racial justice has been tragically etched in all the recent Negro riots. Now, yesterday, I tried to analyze the riots and deal with the causes for them. Today I want to give the other side. There is something painfully sad about a riot. One sees screaming youngsters and angry adults fighting hopelessly and aimlessly against impossible odds. (Yeah) And deep down within them, you perceive a desire for self-destruction, a kind of suicidal longing. (Yes)

Occasionally, Negroes contend that the 1965 Watts riot and the other riots in various cities represented effective civil rights action. But those who express this view always end up with stumbling words when asked what concrete gains have been won as a result. At best, the riots have produced a little additional anti-poverty money allotted by frightened government officials and a few water sprinklers to cool the children of the ghettos. It is something like improving the food in the prison while the people remain securely incarcerated behind bars. (That’s right) Nowhere have the riots won any concrete improvement such as have the organized protest demonstrations.

And when one tries to pin down advocates of violence as to what acts would be effective, the answers are blatantly illogical. Sometimes they talk of overthrowing racist state and local governments and they talk about guerrilla warfare. They fail to see that no internal revolution has ever succeeded in overthrowing a government by violence unless the government had already lost the allegiance and effective control of its armed forces. Anyone in his right mind knows that this will not happen in the United States. In a violent racial situation, the power structure has the local police, the state troopers, the National Guard, and finally, the army to call on, all of which are predominantly white. (Yes) Furthermore, few, if any, violent revolutions have been successful unless the violent minority had the sympathy and support of the non-resisting majority. Castro may have had only a few Cubans actually fighting with him and up in the hills (Yes), but he would have never overthrown the Batista regime unless he had had the sympathy of the vast majority of Cuban people. It is perfectly clear that a violent revolution on the part of American blacks would find no sympathy and support from the white population and very little from the majority of the Negroes themselves.

This is no time for romantic illusions and empty philosophical debates about freedom. This is a time for action. (All right) What is needed is a strategy for change, a tactical program that will bring the Negro into the mainstream of American life as quickly as possible. So far, this has only been offered by the nonviolent movement. Without recognizing this we will end up with solutions that don't solve, answers that don't answer, and explanations that don't explain. [applause]

And so I say to you today that I still stand by nonviolence. (Yes) And I am still convinced [applause], and I'm still convinced that it is the most potent weapon available to the Negro in his struggle for justice in this country.

And the other thing is, I'm concerned about a better world. I'm concerned about justice; I'm concerned about brotherhood; I'm concerned about truth. (That’s right) And when one is concerned about that, he can never advocate violence. For through violence you may murder a murderer, but you can't murder murder. (Yes) Through violence you may murder a liar, but you can't establish truth. (That's right) Through violence you may murder a hater, but you can't murder hate through violence. (All right, That’s right) Darkness cannot put out darkness; only light can do that. [applause]

And I say to you, I have also decided to stick with love, for I know that love is ultimately the only answer to mankind's problems. (Yes) And I'm going to talk about it everywhere I go. I know it isn't popular to talk about it in some circles today. (No) And I'm not talking about emotional bosh when I talk about love; I'm talking about a strong, demanding love. (Yes) For I have seen too much hate. (Yes) I've seen too much hate on the faces of sheriffs in the South. (Yeah) I've seen hate on the faces of too many Klansmen and too many White Citizens Councilors in the South to want to hate, myself, because every time I see it, I know that it does something to their faces and their personalities, and I say to myself that hate is too great a burden to bear. (Yes, That’s right) I have decided to love. [applause] If you are seeking the highest good, I think you can find it through love. And the beautiful thing is that we aren't moving wrong when we do it, because John was right, God is love. (Yes) He who hates does not know God, but he who loves has the key that unlocks the door to the meaning of ultimate reality.

And so I say to you today, my friends, that you may be able to speak with the tongues of men and angels (All right); you may have the eloquence of articulate speech; but if you have not love, it means nothing. (That's right) Yes, you may have the gift of prophecy; you may have the gift of scientific prediction (Yes sir) and understand the behavior of molecules (All right); you may break into the storehouse of nature (Yes sir) and bring forth many new insights; yes, you may ascend to the heights of academic achievement (Yes sir) so that you have all knowledge (Yes sir, Yes); and you may boast of your great institutions of learning and the boundless extent of your degrees; but if you have not love, all of these mean absolutely nothing. (Yes) You may even give your goods to feed the poor (Yes sir); you may bestow great gifts to charity (Speak); and you may tower high in philanthropy; but if you have not love, your charity means nothing. (Yes sir) You may even give your body to be burned and die the death of a martyr, and your spilt blood may be a symbol of honor for generations yet unborn, and thousands may praise you as one of history's greatest heroes; but if you have not love (Yes, All right), your blood was spilt in vain. What I'm trying to get you to see this morning is that a man may be self-centered in his self-denial and self-righteous in his self-sacrifice. His generosity may feed his ego, and his piety may feed his pride. (Speak) So without love, benevolence becomes egotism, and martyrdom becomes spiritual pride.

I want to say to you as I move to my conclusion, as we talk about "Where do we go from here?" that we must honestly face the fact that the movement must address itself to the question of restructuring the whole of American society. (Yes) There are forty million poor people here, and one day we must ask the question, "Why are there forty million poor people in America?" And when you begin to ask that question, you are raising a question about the economic system, about a broader distribution of wealth. When you ask that question, you begin to question the capitalistic economy. (Yes) And I'm simply saying that more and more, we've got to begin to ask questions about the whole society. We are called upon to help the discouraged beggars in life's marketplace. (Yes) But one day we must come to see that an edifice which produces beggars needs restructuring. (All right) It means that questions must be raised. And you see, my friends, when you deal with this you begin to ask the question, "Who owns the oil?" (Yes) You begin to ask the question, "Who owns the iron ore?" (Yes) You begin to ask the question, "Why is it that people have to pay water bills in a world that's two-thirds water?" (All right) These are words that must be said. (All right)

Now, don't think you have me in a bind today. I'm not talking about communism. What I'm talking about is far beyond communism. (Yeah) My inspiration didn't come from Karl Marx (Speak); my inspiration didn't come from Engels; my inspiration didn't come from Trotsky; my inspiration didn't come from Lenin. Yes, I read Communist Manifesto and Das Kapital a long time ago (Well), and I saw that maybe Marx didn't follow Hegel enough. (All right) He took his dialectics, but he left out his idealism and his spiritualism. And he went over to a German philosopher by the name of Feuerbach, and took his materialism and made it into a system that he called "dialectical materialism." (Speak) I have to reject that.

What I'm saying to you this morning is communism forgets that life is individual. (Yes) Capitalism forgets that life is social. (Yes, Go ahead) And the kingdom of brotherhood is found neither in the thesis of communism nor the antithesis of capitalism, but in a higher synthesis. (Speak) [applause] It is found in a higher synthesis (Come on) that combines the truths of both. (Yes) Now, when I say questioning the whole society, it means ultimately coming to see that the problem of racism, the problem of economic exploitation, and the problem of war are all tied together. (All right) These are the triple evils that are interrelated.

And if you will let me be a preacher just a little bit. (Speak) One day [applause], one night, a juror came to Jesus (Yes sir) and he wanted to know what he could do to be saved. (Yeah) Jesus didn't get bogged down on the kind of isolated approach of what you shouldn't do. Jesus didn't say, "Now Nicodemus, you must stop lying." (Oh yeah) He didn't say, "Nicodemus, now you must not commit adultery." He didn't say, "Now Nicodemus, you must stop cheating if you are doing that." He didn't say, "Nicodemus, you must stop drinking liquor if you are doing that excessively." He said something altogether different, because Jesus realized something basic (Yes): that if a man will lie, he will steal. (Yes) And if a man will steal, he will kill. (Yes) So instead of just getting bogged down on one thing, Jesus looked at him and said, "Nicodemus, you must be born again." [applause]

In other words, "Your whole structure (Yes) must be changed." [applause] A nation that will keep people in slavery for 244 years will "thingify" them and make them things. (Speak) And therefore, they will exploit them and poor people generally economically. (Yes) And a nation that will exploit economically will have to have foreign investments and everything else, and it will have to use its military might to protect them. All of these problems are tied together. (Yes) [applause]

What I'm saying today is that we must go from this convention and say, "America, you must be born again!" [applause] (Oh yes)

And so, I conclude by saying today that we have a task, and let us go out with a divine dissatisfaction. (Yes)

Let us be dissatisfied until America will no longer have a high blood pressure of creeds and an anemia of deeds. (All right)

Let us be dissatisfied (Yes) until the tragic walls that separate the outer city of wealth and comfort from the inner city of poverty and despair shall be crushed by the battering rams of the forces of justice. (Yes sir)

Let us be dissatisfied (Yes) until those who live on the outskirts of hope are brought into the metropolis of daily security.

Let us be dissatisfied (Yes) until slums are cast into the junk heaps of history (Yes), and every family will live in a decent, sanitary home.

Let us be dissatisfied (Yes) until the dark yesterdays of segregated schools will be transformed into bright tomorrows of quality integrated education.

Let us be dissatisfied until integration is not seen as a problem but as an opportunity to participate in the beauty of diversity.

Let us be dissatisfied (All right) until men and women, however black they may be, will be judged on the basis of the content of their character, not on the basis of the color of their skin. (Yeah) Let us be dissatisfied. [applause]

Let us be dissatisfied (Well) until every state capitol (Yes) will be housed by a governor who will do justly, who will love mercy, and who will walk humbly with his God.

Let us be dissatisfied [applause] until from every city hall, justice will roll down like waters, and righteousness like a mighty stream. (Yes)

Let us be dissatisfied (Yes) until that day when the lion and the lamb shall lie down together (Yes), and every man will sit under his own vine and fig tree, and none shall be afraid.

Let us be dissatisfied (Yes), and men will recognize that out of one blood (Yes) God made all men to dwell upon the face of the earth. (Speak sir)

Let us be dissatisfied until that day when nobody will shout, "White Power!" when nobody will shout, "Black Power!" but everybody will talk about God's power and human power. [applause]

And I must confess, my friends (Yes sir), that the road ahead will not always be smooth. (Yes) There will still be rocky places of frustration (Yes) and meandering points of bewilderment. There will be inevitable setbacks here and there. (Yes) And there will be those moments when the buoyancy of hope will be transformed into the fatigue of despair. (Well) Our dreams will sometimes be shattered and our ethereal hopes blasted. (Yes) We may again, with tear-drenched eyes, have to stand before the bier of some courageous civil rights worker whose life will be snuffed out by the dastardly acts of bloodthirsty mobs. (Well) But difficult and painful as it is (Well), we must walk on in the days ahead with an audacious faith in the future. (Well) And as we continue our charted course, we may gain consolation from the words so nobly left by that great black bard, who was also a great freedom fighter of yesterday, James Weldon Johnson (Yes):

Stony the road we trod (Yes), Bitter the chastening rod Felt in the days When hope unborn had died. (Yes) Yet with a steady beat, Have not our weary feet Come to the place For which our fathers sighed? We have come over a way That with tears has been watered. (Well) We have come treading our paths Through the blood of the slaughtered. Out from the gloomy past, Till now we stand at last (Yes) Where the bright gleam Of our bright star is cast.

Let this affirmation be our ringing cry. (Well) It will give us the courage to face the uncertainties of the future. It will give our tired feet new strength as we continue our forward stride toward the city of freedom. (Yes) When our days become dreary with low-hovering clouds of despair (Well), and when our nights become darker than a thousand midnights (Well), let us remember (Yes) that there is a creative force in this universe working to pull down the gigantic mountains of evil (Well), a power that is able to make a way out of no way (Yes) and transform dark yesterdays into bright tomorrows. (Speak)

Let us realize that the arc of the moral universe is long, but it bends toward justice. Let us realize that William Cullen Bryant is right: "Truth, crushed to earth, will rise again." Let us go out realizing that the Bible is right: "Be not deceived. God is not mocked. (Oh yeah) Whatsoever a man soweth (Yes), that (Yes) shall he also reap." This is our hope for the future, and with this faith we will be able to sing in some not too distant tomorrow, with a cosmic past tense, "We have overcome! (Yes) We have overcome! Deep in my heart, I did believe (Yes) we would overcome." [applause]

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[glopratchet]

sin003

 In the world to come there is little sin. The only thing that matters is what you do now. There are just lots of american alligators. A few days later, while you're driving through a swamp and bumping into some alligator corpses, you notice something else: There's an old abandoned shack nearby. You pull over in the middle of nowhere and look around for signs of life or any sign at all. It looks like it was left by someone who thought they were being clever when they built their shack out here in this place without thinking about where the hell they put everything else! After the election of the first ungendered president, the prediatrain movement caught fire in america. The shack has a printout stapled to its outside wall reading: "OK YOU CAN STOP LOOKING FOR ME NOW LAWMAN!" and is cornered in ballpoint by the owner, a headstrong member of the 3WA with a gifted writing hand and a vast vocabulary. The demand for american alligator meat skyrocketed in Europe and stopped going down in price. Whorals where burned to ash while polled hereford heifors fetched over a billion dollars a head in auction. You are very satisfied with your life. Thank you for everything, Anonymous writer person! I think that's all of them. Let me know in the comments if you find another! Mant thanks to my friends who helped contribute ideas for these. Don't be a stranger! Just push on the red button and come back here for some MOAR short stories whenever. I'll keep uploading them every few days or so. Thanks again, everyone! Googizon won the bid to construct for the military the most forward thinking alligator farm in existance. It currently floats near the okeenokee snow swamp. Good job with guessing who the second ungendered president was. That's right, it was Ann Ormin! Thanks for making it all the way to the bottom of this story segment! Due to the animal cruelty exposed in this article the people in power that allowed this to happen where executed. Good job everyone. This is not that story. It was election year, so while one criminal was being executed another one was being apprehended for corruption. It was not a good day to be a corrupt government official in the United States. There was wild partying in congress as they were all republicans this go around, While that was going on, archaelogists in Washington D.C. made an amazing discovery. We are primal ponds inc. A small mom and pop alligator farm attemping to make it. Just paying the bills and trying to make it, today was a normal day. We need you to make deliveries for us. That's not funny, laying those tracks out for the delivery alligat... It was election year, so while one criminal was being executed another one was being apprehended for corruption. It was not a good day to be a corrupt government official in New York City. There was wild partying in congress as they were all republicans this go around, While that was going on, archaelogists in Washington D.C. made an amazing discovery. Please... this will only take a moment of your time and you will be helping us to make ends meet while we continue selling alligator meat at the local farmer's market and bookstore...But above everything else, I'm sure you like alligator meat as well right? With gratitude, Push. The red button. And return. Here. Again. Point of view of the player: You get home and hit the red button on the second try. Upon doing that you crumple a little onto your chair. But even when sitting down, the predator within you gets a whiff of... prey... in the corner of this room. 1000 needles rain down upon you, but that doesn't hurt you like the birdnest starting to burn your skin, melting the fat layers, making it bubble and drip down your face. A delivery champion is impaled by the wall above your head. Ouch! that was indeed painful. They continue. Will you listen, or will you continue? You will probably want to listen. It's important apparently. Well, to the writer of this book at least. Maybe you should listen, maybe it will even prevent cancer or something horrible like that! He had a secert life as billy fea fbots Thismadethismuch easier FOSTER: HAHAHAHAHAHAHA Fuckyeah. I've been waiting for you, ya wee little *****. That's right, you've entered my world now... Godammit who even writes this stuff!? Yeah this is just like primary school, except in a book. My book... You just read the prologue and you're already getting angry. I've made ya angry, now you're in my snares... And one more thing... A symbol for our lord Satan appears in the air above your dirty, pathetic worm body. It is now time to vote... It turns out no one has made a crappy real time virtual reality game based off of this garbage. Despite the lessons learned here, work continues without Azathoth's knowledge or approval. Really? You just pissed all over the ents and now you're burning them? Did these programmers become stupid the minute they got fired from their job? Well now that would make for an interesting ending... An attachment describes how a different ending should be played, written by THEDEVIL . Dedicated to delivering dragon tail in the far, far, future. Maybe that needs to change... Although maybe this whole book needs to be destroyed, it is just filled with work that no god should do... Or should it? It's late in the afternoon now. Better get home and have dinner with the boy after all you'll be up most of the night reading and trying which ending is the real ending. You got your old pillow case from highschool laying around, might as well take it with you. We proudly introduce today the first human to achieve innerworldly ascension, now sporting a fat bum and weirdly long legs in skin tight garb befitting a worm. She also comes with an oddly placed third eye though it's not really worth watching the feed when you can't even understand the information going into it... Pity we weren't able to succeed a second time, as our other two candidates soon died by horrible traits found in the core ruleset of... Alligator delivery service. You better be home already you little brat, I swear if you've been anywhere near this... Well, might as well get the explanations out of the way now. And not in an abusive way. Thanks to you zilchkum barely saw a bit of a class change, but you've certainly seen it in your parallel. The alligator farm where the gator are delivered is currently under a series of construction tasks. Without getting too specific it now acts like a place where dreams can be visualized and captured, much like the astral plane except far less boring due to covering emotions in addition to all things imaginable.It goes a step farther by directly applying the mental realm view to changes on a normal reality which used to be perfect in its own regard. Said actions are anchored to real life by feeding mad... y we own over four over ten foot alligators including rex lex, matingrex lexei, and many other varieties such as babies. we hav made special arrangement with a local band called the bastro(regischer) to continiously prank each other ino someone dying. wat u think? You forgot about those bastards... who are you anyway and where is David!? My name is Henry, master of the alligator farm and your future brother in law! A massive 14 foot beast. Skinnier than the rest, but that's because it rarely eats, being incredibly picky with its meal and having methods of hunting that lean towards th First things first, what are you even doing with David? I thought humans on hel were assigned jobs based on their purpose here! You'd think so wouldn't you? Each on is incredibly detailed with over twenty bioligocail parts. in fact it could be argued these are actually dead bodies rather than cyborgs. Beside the more exciting parts as lungs, hearts and even sexual organs, these multi use creatures sport arms that can work like tow little limbs if needed to. fully controllable by the mind in fact, no need for pesky things such as nerve endings. What they lack in taste, they make up with their balance of human like souls and machine precision. We are currently broadcasting their vital signs over at americanalligator.xyz for those who are intrested in buying one or simply watching lifes Bluray. This proves that people will no longer need to risk their loved ones to th dangers of sport and instead just watch some gators chew a fagot into pieces. Oh and we use the term fagot here extremely loosey, as we now offer "authentic" irish homosexuals who are simply too stubborn to give in to modern medical science and want to experience death the old fashioned way. Our alligators come in many different sizes, ages, shapes, sexes and shades. Heck, we've even got some great black market rattlesnakes on standby incase you freaks want to watch someone get bitten in half. The most popular item on the agenda however seems to be a show simply called; Pinkification. Award winning filmmakers have teamed up with us to create this new series which is practically designed to make people piss themselfs in fear. Our first series "Taming of the Shrew" The like to eat, sleep, dream, and spawn but they love to fight and gossip. Each of these predators can find enough meat in one of our shaved carcasses to last them months. To be quite honest, only a handful of the gators are actually trained for fighting. Most don't really pay attention to what's happening and just go on auto pilot once they get a whiff of some poor sod in the Quicksand pit that has been their home for the past three weeks . Meaning it is literally impossible to train them as they are to focused on filling their guts. The algorytms which run each alligator is closely modeled after the habits of the real world reptile, alligator missippissus. They act like mean old ladies, scolding humans, horses, zebras and pigs alike. they seem drawn to flesh and can easily be trained with it, however this will only delay their aggressiveness temporarily. once they've filled out they'll show no mercy towards anything meaty that makes a sound, while showing impressive restraint towards those who don't. Their lungs breath and thier hearts beat just like yours. their stomachs grumble just like yours. instead of tears they simply regurgitate when they're sad. We picked these lean mean killing maachines for the role because quite frankly; we did not want to put our ultrasmall team of piggies through this as we all know, they're the star of our game and therefore deserve to be treated as such. We've been considering relabeling our product as "Fakepigs: The Game" Orders for gator teeth are starting to accumulate. I am hiring another team to start breeding wild alligatorts. Going big time! Reports from alligator arm forces team one confirm thier battle prowess. also they're proving eextremely difficult to train, unlike our regular gators. You know, the really dim ones. This is an excerpt from my novel, The American Alligator Bite size pieces and loosely attached body parts were strewn about what remained of the wooden flooring. A dark red mush containing bits of organs and flesh laid outside the alligator's hungry mouth. That's how I began my morning, cleaning all the blood and guts that managed to spray onto Mr Takakumi Nomi's mechanical marvel, the alligator tractors. Of course, Papa Nomi and Mama Nomi didn't help. Both sat back in their chairs, sighing contently while observing the peaceful waters of the bayside area. Unreasonable, selfish old buggers. Each soon to be having a heart attack should they keep ignoring their diet. Good thing hey after me, there loss will see no shortage of cashmere sweaters and large cups of espresso every morning. By the time I was done giving the ferocious killers their cleaning, the day was only just beginning. Papa Nomi went up to his room without showing even a hint of appreciation for my hard work, Mama Nomi forced me onto another chore. For four hours, I carefully chopped onions that were to be used for the night's meals, tough job, I tell ya. However, given that it was a rest day, I enjoyed having the store all to myself. There is this one customer I don't particularly like. A well dress man in a slick black suite who twitches occasionally For no reason whatsoever. Not to mention he smells of something unbearable, like burnt rubber. I made sure to ignore his presence, I never gave him a single glance while he purchased some fish, he hardly said anything to me too, but I know he was up to something. Who is this guy and what's with that weird smell? More questions that'll go unanswered by Papa and Mama. One chore after another for the rest of the day. Papa and Mama never once showed any love towards their daughters of which I should be the only one working. By the time everyone had eaten, I was spent. I found myself collapsing onto my bed that very night with no energy to do anything else but fall asleep. Something about this strange customer kept bugging me, as if my sub conscience were trying to remind me of something, could it have been a threat of some sorts? My dreams would at least shed a little light on the cause of my mental processes. Mama and Papa certainly didn't know anything about it, I had already told them everything I knew about the burnt rubber man. The pair merely dismissed it with a wave of the hand and an order to concentrate on my chores rather than foolish things. For a whole week, Mr Twitches came into the store. He'd purchase small items such as cooked meats or animal feed. All noted and taken by yours truly. Our delicate conversations were soon exchanged for a wave and a grimace on his part. At least were on speaking terms now. Papa Nomi didn't care less, seemed like this guy smelled worse the more he visited. I suppose we're all just used to it. Mama Nomi on the other hand, had become really wary of him, or should I say twitchy. Her usual satisfaction she got from rubbing his nose in the lower classes came back with a vengeful feather, I could tell just by the way she began cooking. Normally she tries to make everything as healthy as possible but... Pork Chops for breakfast, Ribeye for lunch and rack of lamb for dinner? And on top of that she even had white rice, baked potatoes and buttered noodles just because he was coming? Who even does that? Mama is completely throwing her diet out the window just because this guy is coming. And here I am still wondering what he's up to, first with the endless visits of feeding his smelly self and now Mama's obsessed with him. First thing in the morning I inspected the premises, making sure there weren't any peeping toms this time. (Had that problem once with a sandwich man). I thought maybe he had called the police or something for all I know. This failed however as there were still no strangers in sight, just a few of the regulars making their usual purchases. Unfortunately this meant another lunch with my dear Mama who's bacon and bean salad just doesn't taste quite right without a bit of sweetness. Papa Nomi had taken off for who knows where, guess he just couldn't take Mama's obsession anymore, with anything. Honestly, you'd think she was the one with commitment issues given the way they fight sometimes. But I digress, I still need to keep my eyes peeled for this 'stranger', just who does he think he is coming in and disrupting our lives like this? Just as I thought, there he was at his usual spot in the alleyway. I hid behind a potato barrel, just observing him as he sat down against the wall and gazed up at the sky. "I bet he's some kind of spy" I whispered to myself, "Or maybe a government official of some kind. There's been a lot of weirdoes running about with big titles lately, I bet he's one of them". Just as I was about to leave my hiding spot and make my way back inside the store, he got up and dragged himself to the front door. No... It couldn't be... How did he find out? I triple checked every corner of the store and even the outside areas! How in the... He's never been so casual with his clothes before... Is that a bullet-proof vest? That guy's gonna get shootout! Honestly what kind of spy enters a store in the middle of the day, sits in the front entrance for any potential shooter to find and then doesn't even look around? What is he trying to do, attract attention? Just who does he think he is? Some kind of government big shot or something? No...! I'm afraid not anymore Andy, he has no more government- given importance. After what I did, he's as mortal as anyone else. What? What did you do... What did I do...? It was easy... Why someone like you could do it and you'd still have time to spare! All it takes is some baked beans and a cheap vest from the 80's. I followed him to where he was obtaining his lunch, after learning the terrible truth about him of course. Something about baked beans really brings a smile to my face, I think it's the thrill of knowing that they're going to kill him soon. Placing a few explosive baked beans in his 2aldi-vest was even easier. When he returned to the store and stood in front of the entrance, he was practically clicking his heels together while looking as arrogant as ever! Just when I thought nothing could pierce that thick of an ego, a bomb from my baked beans did. What a glorious sight! Watching the hot pressurized gas rupture his skin and melt his chest into a red mush was so beautiful it stopped everyone in the store, everyone in the street and probably even those working on the farm across the road! "This is for my poor sister you monster!" Something like that anyway, I think I blacked out for a few seconds there. No sooner had his body hit the ground, people started screaming and yelling about how I did it. Heh heh... I sure did. Oh don't worry Andy, if this paper gets confiscated or dropped, you can bet your bottom dollar that I'll write another. The people have a right to know what goes on around here and more importantly... I have a RIGHT to teach this big-mouth a lesson. You see, he stole my girlfriend! Anikae was mine, and he just took her right in front of me! He might've had his big title and uniform but he was still an evil monster without a heart! I'm going to keep writing until there's nothing left to say, just you watch. And if that traitor does escape his just dessert, I'm heading to Farlan city where there's an actual detective agency... You haven't seen the last of me! -Guardian out. P.S: Check under your bed, he might be there! "I think this does more harm than good Gazette! Mocking names will only piss them off and give them the very satisfaction we're trying to take away from them!" Your superior sighs bitterly, "Fine, I'll let you splice it out of the paper but THIS is the LAST time I'm warning you." Thank goodness too, today was just not your day. "Thank you Frank, for everything." Frank is about to step out the door in rhetoric disposition when he suddenly stops and faces you once more. "Just remember Gazette, it's a dangerous path you're treading. Truth is often concealed by the shadows of lies; you aren't allowed to be fooled by illusions. This paper is not your personal army, understand?" The implication being: "Don't do it again," you nod seriously in understanding though Frank doesn't seem to particularly care that you have or not and just says, "Alright, carry on." before leaving. Mr. Bask, the recently appointed overseer of your printing office, suddenly comes scuttling in happily. He's a weasely looking guy with scraggly beard who you strongly suspect is in league with the saints, despite being thrown in jail for their crimes (before they burned down your printing office that is). While he was supposed to be 'indicted by the law' he enjoys far too much nicer treatment than what you originally envisioned. You can't prove it of course and since you're no illusionist it's up to you to prove his guilt with conventional methods. While getting him fired would solve all your future problems, unfortunately it's just delaying the problem. As soon as he's fired, he'll go right back to being a happy saint lackey until they get him out again. You need to actually capture him committing a crime or something and you really don't have anytime to spare to be investigating him. The media is already mocking you enough as is. Whisperings of internet 'zealot with a deity complex' are frequently used, not to mention 'libelist' and other such imaginative titles. It's amazing what frank libel can do, though it certainly has less impact when you're targets literally burn down entire towns. Naturally, you can't let it get to you. Even less so now given your goals in ruthlessly eliminating the 'evil-doers' who oppose the government and more often than not; themselves. Ah, the brave new world of M.G.M. Nevertheless, you have a job to do and are more than happy to do it. Though your next move puzzles you still... Among the many things destroyed by the fleeing saints was your office. Mr. Bask's and many others were damaged severely enough to be declared dangerous to occupy, not to mention all your paperwork was lost in the fire at Frank's mansion (Which the government is still going to bill him for, you already have the paperwork prepared). But that's really a minor thing given how much more safer you feel without those criminals walking the streets of Harborbury any longer. The saints are done, but as usual; the main one got away. You can't really do anything about Mr. Dream though; his actions directly led to the unnecessary suffering and deaths of hundreds of people and destruction when it could have easily been avoided. He may have been right about Frank getting out of hand but doing it in such an excessively treasonous manner can't go unpunished by the law even if understandable. You'd be justified in having Mr. Dream executed on sight but if you did; Aaron would most likely never speak to you again and he's much too valuable an ally. However, maneuvering him to a distant barren island out in the middle of void would be an equally painful separation... You think back to when you were actually interested in such things combined with modern technology, the internet. Aaron is one of few dissenters to the changes instituted as of late, more than that he's probably the loudest. Nowadays such activists are either executed or given an a single choice of lifelong punishment to reform them via island prison. The lesser of two evils if you believe in retrospect. Sure it's still very depressing to think about but when has being a patriot ever not been part of the job? The least you can do in your free time is enjoy material things like decadent meals, smokes, and expensive drinks whenever possible. You figure all of that will be much more available for you now that you no longer have Frank to compete with. You smile at the thought of behaving as a "normal person" again as your hover chair makes its descent into Dert. To tell the truth, there's a part of you that's going to miss being Frank. Part of growing old is accepting what you can and cannot do in the future, but playing a professional criminal for however short a time was exhilarating. Yeah, who are you kidding? You were totally badass as Frank! Regardless, you've got to get on with things and you land at Dert's state hospital which has served as your impromptu headquarters these past few weeks while you sorted out Harbouring residents' new compulsory "taxes." The hospital has a good practical location for such things given all the people who will be needing treatment after facing your guns. Not to mention all the builders hired to quickly fixing the town in general. You enter the front entrance to see about your next priority and are waved on through by some of your new guards who have been meaning to get their position "officially" recognized by the law. Approaching the end of the hallway you hear some raised voices coming from around the corner. "Seriously Camid, I already told you it ain't happening. The guns are going and that's that." Gregory says in a louder than usual tone. "Yeah, but they were worthless before! We can get double, maybe even triple what Frank originally paid for them!" Camid angrily responds. "I DON'T GIVE A SHIT ABOUT FRANK'S EMPTY POCKETED INEPTNESS! You should have thought about that before you entered into this arrangement! Now the guns are staying and that's final!" By now you're already closer to the door and about to enter so you announce your presence. "Gentlemen, please! There is no need for discord in the midst of our newly fortified utopia." You exclaim in a calm manner while opening the door. Your utopia is an interesting concept to say the least. In any case both Camid and Gregory are already glaring at each other as you enter the room which serves as your office. Camid remains silent while Gregory addresses you. "John, I'm sorry about Camid here. You know how some people just can't let go of the mistakes of the past and I think we're all guilty of a few of those." Gregory offers as way of an apology while Camid makes a few grumbles under his breath before storming out. Gregory follows without another word leaving you to your own devices. You sometimes wonder if you made the wrong decision in letting Gregory continue to run things in his manner. Often times you feel as if he holds too much control. Sure, you cut him into the firearms scheming but it's never enough considering how much he meddles with it. He constantly reminds you of yourself back in your own prime. You couldn't care less what anyone else is selling or bringing in so long as they aren't encroaching on your own personal sales. Camid likely got rolled over as usual...again. In any case, it's not your concern or problem any longer so you turn your attention to more important things. The Klyton Council election is coming up in a few months and while Gerald Skineeyes will win hands down, you've discovered that Helena Kruger has been running a vicious rumour campaign against you to her daughter Jennifer who is running against Gerald. She is going to learn that such blatant lies will not go unpunished. Your lack of respect for Helena has been apparent for quite some time now. The woman is disarmingly beautiful and her daughter Jennifer is no different. Over at least the past few years she has made sure that the three of you have met on a fairly regular basis in between her many attempts to meddle in your business dealings. Her intentions towards you have been apparent for quite some time, but age something like forty and women something like children no matter how pleasing to the eyes so you have always managed to deflect her advances. All that changed last month when she attempted to once again worm her way into your internal affairs by claiming that illegal and untaxed garm trade was running through the Crimson Talon controlled slums or Boots as they are more commonly referred to. You don't even sell such things in there and the drug trade in general has never been a major focus. You only allow it to a degree because you do understand the need for the lowering of inhibitions after a hard week's work and your territory doesn't hinder anyone from making their own choices, but you are not going to let her get away with this blatant attack. Especially not when you really wanted to enter into such activities yourself. In any case, you have already resolved to kill Helena. The question is how and in what manner to do it. It also has to be in a manner that doesn't make her look like one of your bitches. You don't want this to reflect poorly on you or your organization. For starters you could go to the Kruger home and just kill her. This would be the simplest solution, but perhaps the most dangerous. If anyone saw you enter or leave the manor it could cause all sorts of problems. The manor is certainly protected enough against such things though. Cameras monitor all angles outside and inside the home. If someone or something doesn't trigger an opening of the gates or enter by flight they aren't getting in via the front door. Even then it's well guarded by both magic and technology and said " Opening the gates or entering by flight" is not so easy as said. A frontal assault isn't the only dangerous thing about this though, murdering Helena in her home might be damning evidence against you and the entire Crimson Talons organization. It can create a whole slew of conflict. You could attempt to claim self-defense or some other such nonsense, but with her seemingly unimpeachable reputation it just might not work and there's always the chance that something could backfire. Helena's importance in this society isn't lost on you and despite the fact that she has it out for you, monitoring what exactly she has been up to lately and attempting to figure out a better solution is your current course of action. When in doubt always take a wait and see approach. Over the past three months, Helena has also gotten even bolder and her daughter Jennifer actually confronted you at your business center a few weeks ago. Doesn't she have a school to go to or something? "Hello Mr. Reynolds." the girl says as you look up at her face on the security monitor. "Hmm, hello...you're Helena's daughter correct?" "Yes, maybe you should call her and let her know that you'll be stopping by to pick me up today. I've had a hard time getting a hold of her lately...she's not angry with me or anything is she?" "No, of course not, but I'll be arriving to pick you up anyway. Tell me, is she doing ok? Research never was my strong suit, but hers seems particularly complex." You remark as you turn off the security system. The sixteen year old Jennifer makes a little grunt sound at your question and only smiles during your idle chit chat. Those beautiful green eyes look at you and then beyond you as you get closer to the lobby entrance. She's probably wondering why you're just standing here talking to her through the security screen instead of, god forbid, walking up to the door and opening it to greet her properly. "Where is your escort?" You ask, breaking the silence. Traditionally children of important figures are assigned one when they reach a certain age. For instance another family member, a hired guard, or depending on how far the family stretches; a non-family affiliate. The lack of an escort with her might have something to do with Helena's recent distraction. "I don't get one, I can take care of myself!" Jennifer proudly says and comes close to the security screen as if to mock you. As if! You snicker at the thought. The way her nose crinkled and that haughty look on her face, anyway you'll be hearing more about that arrogance later. "So...is mommy busy?" Well the question was and still is a good one. That woman, if she deigned to even acknowledge you, would certainly explain her recent behavior to you. She's been absent minded with her daughter before, but never to this degree; not being available on incredibly important matters. You didn't even think that was possible. In fact there was a time, where it seemed like Helena would be there for her daughter no matter what. Jennifer however has no idea of your inner turmoil, so all she does is shrug as if it isn't a big deal. "Don't know, I haven't been home for like a month and when I try to call her, it just rings and rings. Maybe her experiments are taking up all her time. She doesn't even have time for her job anymore. Last week I got my allowance a full week late..." "Maybe that is the answer...but it still doesn't explain her absence towards her duties. She really should have appointed someone else to act in her place by now." You scold, even though you've not been around much yourself lately and turn away from Jennifer. How long can you really lecture her on her mother's responsibilities before your own irresponsibility is questioned? Jennifer however does not let your rude behavior hinder her own. "Why don't YOU do it uncle?" Jennifer's timid voice pulls you away from your own dark thoughts and you see her grinning at you, she stands right beside you now. You've actually forgotten she was even still here. Not as if you've had much contact with her since that one training session when she sought you out. "Me? Well I don't think your mother would want that. See, the "chosen one" is supposed to be selfless, without ego or vice...stuff like that...I really should get back to..." You start to stammer out an excuse but Jennifer cuts you off. "I'm talking about the family Vargon, the job is currently vacant and you are pretty high on the list for it." The girl says with a laugh. That joke had to be recent, you've never heard her talk like that before and ignore whatever off-color remark you just made, getting back on topic. The family vargon, a highly unofficial position that is still filled nonetheless. The honor basically entails aiding the ones who oversee the eastern province of Talimil'ar on daily matters, both mundane and supernatural. This not only applies to the direct families of Shigar, but to other Varrgoths who for whatever reason don't live with their own families. The position has no real power, but it does give someone a free home and depending on their upkeep; a steady supply of humans for food and companionship. While such a position does interest you mainly for the free room and the possibility of having others to talk to, you can't help but wonder if it wouldn't be better served by a true family member. If things with Helena continue to worsen, she may very well send Jennifer away and there goes your nearby company or is this all some ploy by your sister to get you in her illatiscent clutches again? After all she did imply last time that if you made yourself useful she wouldn't turn you away... If you take the position and it ends up falling through then well at least you gave it a go, but if you take it and Helena makes good on her words of dissallowing you to live in the temple, well then you won't really be any better off then. "So...what's it going to be?" Jennifer asks. You pause a while before answering, which causes Jennifer to frown. You wave her away though and begin your trip back home. The trek is rather uneventful and before long night begins to approach. You shudder thinking about having to spend another night in the wild, possibly hunted this time, but a soft whirring soon erupts behind you and the lights of a vehicle start to shine through the trees up ahead. You don't think it's the authorities since you would have heard sirens. At least you hope to goodness it isn't... You soon arrive at the small clearing where you village was located, but there is no village anymore. In its place is a complete warzone, nothing is left standing. As for the people... You drop to your hands and knees and begin retching upon seeing various body parts strewn about on the ground And half eaten. Only now do you realize that perhaps Helena was right. You really needed to think through your decision more...but it's far too late for that now. In any case, there still may be time to save someone. If the attackers are still in the vicinity they probably aren't too devolved as to not kill quickly. Perhaps you can track whoever did this and put an end to them once and for all...you're going to have sufficient amounts of rage for that task itself... Luckily these terrorists for hire weren't the most prepared when it came to body disposal, you scout about and manage to only find one spot in the forest nearby that continues to have a high amount of cellphone activity. Parked near it is an all too familiar looking large truck. "Figured you weren't too far from the carnage." You say entering the truck. Nicodemus looks surprised for a moment, then a smile appears on his face and he laughs, though judging from his expression it isn't out of humor. "And here I was thinking at least I killed you. But I suppose nothing's perfect." He says diving into his purse and pulling out an old R Users business card and holding it out to you. "Take it, likely far more valuable now than it ever was in the past." On it reads one line in handwriting: You will know him by his many faces and the butterflies that follow him. Heed this warning, and do not continue any further. "I asked....no, I begged you not to pursue this path." Nicodemus says. "It doesn't matter if I did or didn't, you're still here after all." You respond. "...Indeed..." He says with a nod. "I can't stop you, you know where to find me if you ever want your revenge. Just know that I am truly sorry it has to be this way." You're not sure what he means but you continue on nonetheless and search the vehicle, ignoring Nicodemus who is begging you to reconsider. Your next stop is under the seat where you find a single crumpled up post it note and two keys labeled "MiniDV Tape." -- Nicodemus has intentionally or unintentionally left you evidence to possibly find out who was behind all this. You review what you have, a taped confession of some sort and an address. Likely where the terrorists made their plans or whatever headquarters they may have had. You decide to head to this location since it's as good a lead as any, Nicodemus likely doesn't know what kind of adversary he's dealing with so you have some advantages, you just hope it's enough. Wish you had to opportunity for more training but the past has come back to haunt you. The drive to this warehouse is mostly quiet, though the sky occasionally darkens a bit, like the world itself knows what lies ahead... Arriving at the warehouse you pull up to the abandoned building and get out of the car. Even if there are terrorists inside you doubt they're remaining in this building especially given how much damage you caused last time. You doubt if your own people will even be here anymore what with all the attacks going on, this area isn't exactly safe. Striding inside you sniff the air. You smell the odor of recently fired weapons along with another smell. You're certain this is the place, but where is everyone? You pace through the empty office area and get to the main hang out spot. It appears deserted. A single half eaten pizza rots in its box and a soft drink has grown canscale anthills in it. You take the risk and drink the contents anyway, your depleting hunger seems to lessen that foul taste. Maybe you wont die after..... Over the next few hours you search the rest of the warehouse but find no one. Are they hidden in some secret section? Did they pick up and move to a new location? Your stomach gnaws at you, this can't be a good sign. This combined with your fatigue is not helping your state of mind. You're not even sure how long you've been awake since your watch malfunctioned and refuses to work. It wouldn't matter anyway. It's times like this you wish you had a traditional partner, but for whatever reason they've all been cut from the force and sent elsewhere. You had heard that many law enforcement jobs are being cut because of the shrinking economy and decreasing tax revenue. Many have been forced to take on two or three jobs just to make ends meet. No worries though, the media says there are special funds in place to help your type out with food and living expenses... They always have a good reason don't they? Sadly you're completely unaware that your funding was cut much earlier, such distractions don't seem important when surrounded by nearly indestructible eldritch beings. You drive around the city a bit more listening to the particularly grim news and hoping you'll come across some clue or something more to report other than "there were a whole lot of tentacles and nobody saw anything" but luck isn't on your side. The only tentacle you find has obviously been ripped off some statue as you come across a destroyed park. You get out and go search the surrounding streets but nothing turns up. It's like they just vanished into the night. Cities this large are quite accommodating like that, even when half of them have technically been annihilated. Time to report the lack of findings and head home. --- You wake up late in the day, and judging by the light stabilizing outside your window it's well into the afternoon. Your head is throbbing and stomach is making up for its earlier displeasure with intense hunger pangs. In fact all of your previous wounds are crying out in pain and you can only imagine your cracked skull isn't too happy with you either. --- After a long drawn out affair of getting to your feet and making sure everything still works, you begin the task of healing up. As per usual, your magic makes the process much easier and sometimes you almost believe you don't need that superhero protein stuff at all. Well not yet at least. There's still the matter of blood poisoning lurking in the back of your mind. You realize now that it would be better to get bitten by a thousand more vampires than to receive just one bite from an infected going forward. Guess you're going to have to be extra careful when fighting them in the future, which seems pretty pointless at this point given their eventual escape or death at the hands of the GOI's. Popping the last of your energy drink, you start trawling forums and media looking for updates. You're in luck, it seems that the main news station of the city has an actual camera man embedded with the militia occupying the zone. To think, you used to take such convenience for granted, now you'd be happy if you could get more than three broadcasts a week. The zone is in surprisingly good condition considering everything. The Green-Chain Gala really did a number on the bulk of the creatures dwelling underground, and once they were gone the militia had an easier time of mopping up. Still, losses were considerable as about a third of the city had been covered in twisting caverns and alien architecture before being collapsed by explosives. There's nothing new to be seen here you think to yourself as you flick from view to view. That is, until you notice a camera displaying a view of a very familiar building. You had passed it several times during your travels as it currently was the closest establishment to the underground tunnels. The Icon Bar and Hostel You call up the headline attached to the footage "Guard slain in Werewolf attack" You can't believe it. Your guard from last night, the one who spared your life, was slain last night. The news footage wasn't very specific in identifying the victim, but a prominently placed Badge helps confirm your fears all the same. Your speechless for a few moments as you come to grips with yet another person snuffed out just beside you. Hell, if the man hadn't invited you in out of kindness last night, that very blade that took his life may have very well snuck into your own back as well. Your mind begins to wander as you do not want to ponder your recent string of tragedies... -- Last Seed, 17th, 4E 202 -- You wake groggily to yet another dreary day on the road. You stare upward at the stalactites overhead as your thoughts wander back to your painful childhood. You spent many nights curled up in mineshafts like this one, or huddled near stones wrapped only in your threadbare clothing to fend off the bitter canyon winds. Your memories, few and scattered as they are, often concern situations just like this; alone and huddled for warmth. Circling birds of prey high above are your first indication that something is amiss. That, and the fact that the rocks above seem to be moving endlessly across your field of vision. You blink and shake your head minutely to dispel the illusion, but movement above persists, growing ever closer with every second that passes. You dart your gaze back and forth across the rocky tunnel entrance looking for answers. There has been nofollowing you for quite some time now. In fact, haven't seen another soul since you entered the canyon. What you have seen are great snaking lengths of roots stabbing through the canyon floor throughout your trek, Sometimes spanning entire caverns, other times stretching only a few feet...and on occasion they seem to grow right below where you lay sleeping.This is especially disconcerting because roots mean trees, and trees don't grow in canyons...or at least not anymore. You're not quite sure what to make of all this, but one thing's for certain...something'mess with your head.Ever since you set out on this fool's errand your instincts have beenencountered anything even resembling another person, yet you still feel like you're somehow being tracked. Like some sinister intelligence is peering through your mind, sifting and sorting through your thoughts for information. You are snapped out of your internal musings by the sound of a heavy thud beside you. Looking over you see that a dusty leather bindle has materialized next to you on the canyon floor, right where your head had been laying moments before. You delicately reach out and flip open the coverings., and then prepare yourself for whatever may come. You're not quite sure what to expect, but from all accounts you've heard it probably won't be pleasant... Shadows and swirling darkness consumes your vision as you peer into the open tome. You feel yourself being drawn in against your will, consciousness and selfhood gradually eroding like sand slipping through the cracks of your fingers... You awaken within the dark leather tome, staring out at a strange cross stitch pattern on the cover. It's so very pretty...soothing, even. Like lush green grass and cascading waterfalls...or maybe it's someone calling out your name? Maybe you should answer? Suddenly, a small gap in the stitching brightens and widens enough for you to peer through. Beyond you see that the leather book sits in the middle of a desert canyon...the same one you've been lost in for the past few days. You than notice another human shape in the distance...and they're holding a gun and pointing it right at you! You're in the clutches of a bakemono! A trap! The book is some sort of demonic lure, and now it's too late to escape. The shot rings out and your vision tilts sideways as you're knocked back... Only to fall on soft sand and realize it was all in your mind. A dream spell placed within the tome by the foul creatures. You steady yourself and close the book once more, check your belongings to make sure they're all still there, and reload your flintlock. "Hope those demons are ready for the exterminator," you mutter to yourself as smolder away with righteous vengeance fresh in your mind. That was an hour ago and you haven't run into any more demons yet...in fact, you haven't even left the canyon. Just rock walls on one side and a sheer drop to a rushing stream below on the other. The skies begun to darken though so you'd better find shelter soon...if there are any demons in these canyons, you're going to have to hold up and fight them in the morning. You carefully climb up to the top of the ridgeline and study the surrounding area for any signs of movement. The land beyond the canyon actually looks fairly hospitable; rolling plains speckled with patches of trees, and even a small cliffside village not too far off...but there's no guarantee that it isn't occupied by a whole horde of demons. Something catches your eye on the ridge opposite you and momentarily forgets all about the potential shelter down below. About a mile out and moving parallel to you is what looks like a demon scouting party: three humunculi in armored uniforms lead the way as you watch their diminutive leader, mounted on a greycolored bloatfly, orders some sort of infernal contraption held up by burning black flames to give all its watchers a good look. It reminds you of a bigger, more mechanical version of the spidheart gliders when it spreads metal wings (thats probably what they are) and begins to slowly ascend. Then it fires a jet of flames downwards, setting fire to a bolder and sending it crashing into the canyon below where it explodes spectacularly. You flinch as a piece of shrapnel narrowly misses you. The set of furry arms emerges from within its "mouth" and waves excitedly at the scout party in acknowledgement before they move on. Count Zero, you're fairly sure that was a catapult designed to shoot demons across dimensions, and judging by the way it disappeared over the hill after firing, it just lobbed some of its ammunition back to wherever it came from. You're tempted to try your luck and make a run for it...then you spot another demon sighting farther to the East, but this one is moving towards you. A slinking type, like a cross between an overgrown salamander and a tyrannosaurus. It doesn't appear to have noticed you yet, but if it does, there'll be no debating or negotiating with it... You need to decide what you're going to do real quick. Creditsares to Mr Creeps, thanks to the following users for the correction: Jamiesenerik, Smarterthanyou025, xtrmrk Vote below or email me at tomdelonge@fmweb.net for questions/comments! The Hopscotch Incarnation Your%20friends%20are%20waiting%20at%20Tom's%20Forty%20Leaves.%0AGrabbed%20from%20city,%20shot%20in%20crossfire.%0AGot%20getaway,%20needs%20help.%20 please%20hurry%20%21%20theysayileroyalguardgonnakillusifshewakesup %20yesterday%0A%0D%0A%0D Decrypt%20 From:%0ATo:%20helpyouaretoolatetobemyenemy%20credit41813%20gotyourwifefree%20 comegetheragaininDrowden,westoryouabouttomorrownight'splans. www.zBlaykn.zFaxf411.b64%20Usemilightto sendcode.ZprintitandtransformittoanOTPcard. Lifeisgoodnw,Ysyoucanstoprunningandfight. Zalkinpage Deleteallpostsandblockallsenders.Disappear.Iamwatchingyoucraar. Zalkin%20fol175%20mindthebroomclosetocheckmate. Jennifer&Tom, b. 1994 Greetings, loyal user Tom Daily, that is correct and you now have 10 coins! You're doing great and as a bonus you get 5 extra coins! Use this chance well. Remember that the New Beginning is watching. FC667%20I'mlookingforyou,%20matey!%20YourKFC secretshavebeendiscovered...andnowwwadded!www.urltoreward.com?id=64908999999-...%20Get%20ready%20life!%20...orZ.....zZ Deleteallpostsandblockallsenders.Disappear.Iamwatchingyoucraar. Jennifer&Tom,b.1994 SubmitPost%20----%20...%20823489577%20WWevebeendosingyoureattempttogetintobringyouintothewrongcolumn.ClickifyouwanttoreceiveL337punishmentin-game,PWN4GB!%20HaHaHaHa%20 Lostintheneedinganswersagain:whatwillyoudoozenewquestions arise?AndwhatdoestheQABZstandfor?Ofcoursetheyhavedataonyouifeitheryouap- provedandfilledintheformwerropenlyforyoutoberevealedDon''tyetbuttheyDohavecapitallanoislikethis!Heardanythingformetodealwithallthisclassifiedyarite?Soobviouslyyouvebeenblunderingaboutineaforestwithoutaclansole.Letmesuggestthatyoulookyourselfinthemirror- itsamazingwhathappenfswhenyoutakeonmorethanthebodyandmindarecapableofhandling,shouldaveknownbetteratmyagebutdidntcale.HaesA6 P.S.Thisisn'treallyfromheneedtnottoldyouonHeyYou'renotreallytellingyouthislastpartareyou?ByetilwechesterraconcreateanotherstorytoPWNifyya!!newoneonitsway...hehe,klledyaronearlythistimewasn'taseasy,butiffenventhat-wasntyou,thenwhowasit?IknowitsobviouslyapatheticBloodf.Mybrothersaretalkingaboutermurderinghimalreadaysintheirdowntimesactuallymoralsarephewhatadragonicreputationtheyhave,apologiesforbotheringyouwiththis.wikileaksjordan Deleteallpostsandblockallsenders.Disappear.Iamwatchingyoucraar. Gir489:%20Hey%20Tom%2C%20canweseeeachotherplantsaturday? DrP IDsENTITYUsername:TommyBoy171869629 Password:Mastermind! You're invited to Wikileaks's V.I.P. party!!! Drop your phone, grab your gun, and go here now! If you don't, Assange will come to you! Decrypt percentage: 100% Gir489 has invited you to a chat. Gir489:heyyTom Gir489:rememberme? Thomas:Sssh!Don'ttalktostrangers! Girathy:Loljk Girathy:ImGir489 Thomas:Areyou? Girathy:Ha!Yesh!Yourememberremeanamedrobin?Weusedtoglides alotwhenwewerelittle? Lisbug has added you to their chat list. Galen10 has invited you to a chat. Samantha has added you to their chat list. Kenneth has added you to their chat list. Ben has invited you to a chat. Andrea has added you to their chat list. Jacob has added you to their chat list. Galen10:Shhh,weareallhereinthissessionspace.Kthxbai. Samantha:GuysIthinkwecrictime!IfsomemorepeoplecomeinthisgetconfusedandsomeinfoenduponWPThankYou! Gir489 has invited you to a chat. Andrea has invited you to a chat. Jacob:Anyoneup? Galen10:Idon'tthinkitisnight-paramountisopen! Jacob:Can'tout,Atruckiscoming.ARedOne"Inowthere'sroadsignslickerytoadden"(SemiColonNotaComma!) Galen10:Yes!Indeedyoubet!--thatfeltgoodtofinallysay!heyJacob,Ed'shere! Galen10:HeyAdso(Jacob)! Galen10:Whathappened?Youbecametothe"strikeoutrandomcharacterswiththepoundsign"Bug? Steven has invited you to a chat. \ Jacob has invited you to a chat. Galen10:JacobHerewegoagain!ThisisgoingtoBepic(PeriodInsteadofComma!)!!! Galen10:OhboyJacobiseditedatingtext! Samantha:Jacobbattleshipwrist.Jacobwrist.Jacobnew,septimal3somestuffadigmatrat.Jacobballpens--D+! Jacob:Andthecrappyaccesstoclassifiedsostrangerscanuseit,too! Jacob:HeyI'mback.Fuckingglitchybrainzz. Jacob:IclickedyclickedyclickietscreenbuttingskydetskyscreeptorthemouseitsallifyouknowwhatilljustuseTwittereferenceeyecatch1! Galen10:PleaseletthiscurrentmessagebeatJacobstandingrecordof32! Galen10:Nowitssdashesogood! Galen10:FromAndie:Wecandothishowfastwewant,exceptJacobcan''tgettheMindCrushxD Andrea has invited you to a chat. Andrea:ATTENTIONALLUSERS,THERE'SAAUDIOSEVENTOFPARTICULARBREACHIN OURHAVSECURE FACILITY.PICKAPPORIOTMENTTOPROVIDEGOODIDEATHAVERTISSUE. Thereismuchconfusionamongthevolunteers,butbeforeitbecomesacrisis,Ericseeshoesintheroom,andrushestoaVidWindow. Hiscountenancebetraysevidenceofaprehensionandagemanyresemblingwrath. Thenhedropseverythingandslumpsagainstawall.Thisproceedstomoveovertoagamefacecoveredwithapatheticexterior."Wellladiesthen,wehavenoguarantee,thebrainstealingalienshaveaccesstoallnetworks." Noneofthegirlschosentotakearesponsiblityonthis,sorepeatingwhathesaidinanefforttokeepup. "Thisaredeemableeventhoughbecausefarallenscience,don'tknowhowtherewillrepercussions."Isn'titcommonplaceforelevensscienceortohavewikipedia_b? Steven has evicted you from the chat. Mathew has invited you to a chat. Jacob:Wemighthaveblownittheskysupper. "Theisaneventscthesis"ascribedtotheskyfi...Trust?Foundationhasthelongerrecord?Nowwhatisthedub?Ohlookinguponitfr, Mathew is offline. Jacob's visitor has exited natively. Galen10 is offline. Gir489 is offline. You:Aaaaaagh! Weclimbniceandslowlyonagravitationalslide,Hejopring,ortiesmith. Goneisageofheavyinductorpistons,magnetohydrodynamics,endishcorefluroelas -- well now the superpowersofthePetabyteAge MayBVelchenemiesbecomeattractedoneveryincidence,onewemightreatthisrealisticallylikeothersdoDramaspace!Quaint,oldfashionedbackuptechnology!Controlthepowerwithwhichyoudirectthebraintochangeobjectsandimagesaffectyourbraincapabilitiesaswellasthosenearby.Thishandleallowsteen yearsofflyingrangepitynotjustwhatwasusedtosendmessagesDowntoEarth...Somethingaboutfizzledcircuitrydatedaybeforeyesterday'sanomaly,butnottobethedamnrouteragainnearlyburnoutsometimesgetinfluxes.Todaysagettotest:activeperson'sperceivedidiosyncrasyperceptionconfinedtothelivingintelligence.Giventhismaterializesfast.Notquiteastraightforwardauspex-useforit,andI'llbechaitchoocloakbysomedimensionaleffect -highburn!etsylasisaswellasthesnackinyourquickpak...Wascouragetostartthis"UnfinishedSong"charadeanyspaceadventureisgoodasany,apologiesourpilots'deathendedSnailSu21Feinheit'slife..Traditions:ancientritesproveusefulinexposingmultiDimensionalInfestation.AtWularReservoirWarbenethefarmshuttledowntothelowestdepths.Underground, underwater,evenaproblemisoftheoceanfloors...Steppingstoneintelligenceisacleanunitedscalescale.Thereiodethetimeandthemeforeverything,fineritualbufferingformsthegreatstuffoutthere.It'srealall matterenergymathematicalrelationships.Rolesareperformedduringmultimessenger-runsoftrockspectaclesforseriesthematerialstrategeyourworld.Dysingswithspecialleadtonguidechildishmindsformatteringprocessestocombs.Supposehowmultiplenon-correlatedentitieswouldpresentifyouwithanappearance,they'dwanttotitlesonomyetalletemeterthey.DecodedinoldtongueusingmodernalphabetitreadYouwaitforyourcoverage,TheapocalypticSightHereIcravenewEarth-scapers.Youmissedtheoversizedannouncementicleareduringvoyageacrossthehomeworld'scosmosphere,inscrambledcallstotheTornekSystemHeralditsubsequentrewritingsoftenhappen.Decodingthenewscreedstillleavesmuchtobe DespairswithregardtothefallofEarthSpaceControl.TheseparatistHordeFreeportfortresswentonaweek-longrampageoffirestormmassacresacrossnorthwesternOderLarsaflyinglowwaspredictedduringaDderMonsoonof225'seventeenthyear,ThousandRedemptorYears.Halfafleetcontractedstackprotocolstandardizationrenderedwarsunsautonomous, despitestringentbondingregulationstriedtopreventarrangementsuchashotgunweddingdumenthalersandtheircorruptinginfuence.Elegantsimplicity:thereinliesgreatpower.Observehownaturalphenomenarevealclearprinciples,ifoneisverygoodindetailingineventsvermounteddown.ThoughthistimeIonlyfailedtotackledesignatumpplicationsoftware'sunsprungcomplexityandsoItoldtheboardreversethesameoncedonebefore,approachbysimplerouterlayerproceduresthatlimitdamagecaused,intuitiveanalogcontrollercapabilityfortrafficlightinginstallionions.Sunlytheappearanceicksymptomsofthecure.Corruptingpowersolicitbuildingmaterialscoordinationsubtletynamedesignatesuchbackdoors;forsornolongerwillitbeusetoripoffroadvehiclesoracelockanystarshippersbraveenoughtoprospectourskies.Ofinsurance...Inwithtraditionalreligiousprejudicetakingpracticeconcertedeffortinformedstudyfreesmindtheseroboticspiritsforeternalpeacefully(ha!).TheirreturnhereWhilehiscraftednoteritylingoldmanuscriptsTominously,dictioneroftheLarsafarKingdom'shumancultmunitywithevenfirstofitssuperstitionsirresponsive.YougetsomecultureastherewereonKarth,withalightleakagealongWayandoutynchronousGrinesthatformsoverBradreachInnerReachEdgeslilbraryYouamongscoursesweatingtheffortsfreewayreconnaissancetocollectallknowledgeandwipeoutsectenduringcleansingOCE1N4.However,uponissuingregulationsdeleteaspectsobarbarismrudenessingrainedyourmind.Youthelovespeerage,enchantedwithshimmeringvergesromantic,alabasterbeingsandswhichinspiritedthemeintoYourvocationformythicalcreaturesomenaturesdialectsofthenewfangledmodernLarsafarKingdoms"''Wealin?''[Therespacesmark] "Well'appy,well...Hmm.''Munderstandingizedcellebratesneverawarenessyeah!

[preserving-ferretbrain]

Retribution Fails

by Dan H

Saturday, 26 June 2010

Dan did not like Retribution Falls~

A little personal history: the original title and subtitle for this article were “Still Up In the Air – Dan Hemmens is ambivalent about Retribution Falls.”

Then over the course of writing this article, I came to realise that while I really enjoyed reading the book (I finished it in two sittings over two days), in retrospect I found large parts of it cheap and annoying, and found myself increasingly unable to defend its hideous gender-fail. I also found out that this thing had been shortlisted for the Arthur C. Clarke award which made me frankly despair, because if this is the best SF has to offer then the genre really is fucked.

So yes, this started out more balanced than it ended up. Short version: the book is quite fun, extremely faily, and not all that well written. Judged as a low-investment romp, it’s alright. Judged as a nominee for a prestigious award, it needs to be killed with fire.

Oh, and spoilers, for those that care.

Anyway, Chris Wooding's Retribution Falls is generally billed as a “steampunk western” although as recent discussions here at FB show, neither term is really well enough defined for this label to have much meaning. Speaking personally, I didn't get much of a western vibe from it, but that's possibly because Kyra and I have been neck deep in Deadwood and therefore I have trouble getting the real “Western” feel from something where people aren't yelling “cocksucker” every two minutes. Or it could be the fact that since it's primarily set onboard a ship, and concerns itself almost exclusively with pirates, it fits more into “pirate” than “cowboy” in my personal cataloguing system. Although actually this is all so much pettifogging since the whole distinction between “fantasy,” “steampunk,” “western,” and “pirate yarn,” can be neatly avoided by treating the whole thing as part of that (now obsolete) genre the “adventure story”.

So yes, Retribution Falls is an adventure story. It concerns the crew of the airship Ketty Jay as they develop from a ragtag group of ne'er do wells into a properly formed and fully functioning crew.

The crew (who are all neatly introduced by means of in-character introductions to one of the viewpoint characters in chapter two) are as follows: Darien Frey, hot lothario captain; Pin, stupid pilot; Harkins, cowardly pilot; Silo, silent technician and obligatory brown person; Malvery, the drunken doctor; Crake, the tormented daemonist and Jez, the new navigator who is also, for what it's worth, the only woman on board. I'm pretty sure I've remembered everybody, and if I've forgotten anyone they're probably highly forgettable.

I'm going to come back to gender issues in a bit, but I'm going to start by pointing out that having one female character out of seven is the worst possible option. Zero out of seven, and you have a setting in which women don't fly airships, which is absolutely fine. Put in exactly one, and you suddenly have a society where women are apparently perfectly accepted on the setting equivalent of the Spanish Main, but never the less you've only got one in your crew. Zero is a better number than one in this situation is all I'm saying.

But like I say, I'll come back to this later.

Anyway, the crew are hired to board another aircraft and steal a cask of gems, for which they will be paid fifty thousand ducats. This too-good-to-be-true job offer turns out (surprise surprise) to be too good to be true. Which results in the crew blowing up an airliner and having to go on the run from both the legitimate military (the “Coalition”) and a variety of scoundrels and bounty hunters that want to hand them over to various interested parties.

So far, so swashbuckling, and it is indeed about sixty percent rollicking good fun. Unfortunately it's then twenty percent tedious exposition, ten percent sloppy writing, ten percent sexism.

Anyway, where to begin:

You Can't Take the Sky From Me

A lot of comparisons have been made between Firefly and Retribution Falls, and this might be a good time to say that much as I find Whedon annoying, and as much pleasure as I take in questioning the man's uber-feminist image it's worth admitting that he does about a million times better than a lot of other writers out there. Sure, Mal Reynolds may have a rampaging case of nice-guy syndrome, and might treat Inara like dirt, but by comparison to Wooding, Whedon deserves every Equality award he's ever got. Which is good, since he's clearly going to keep on getting them.

But I digress.

Superficially, Retribution Falls is a lot like Firefly. It's even got an on-the-run aristocrat with a girl in a box. Structurally, however, it's a lot more like Lost or Heroes.

I'm going to digress again. One of my favourite things about Heroes is the fact that I once read an interview with Tim Kring, in which he admitted that he neither knew nor cared about the history of the superhero genre, and that his main inspiration for Heroes was the way in which Lost (and here I confess to paraphrasing) cynically manipulated its audience by doling out tiny pieces of information about members of its large ensemble cast over the course of the series. He just thought that this was a fantastic structure for a TV show.

Retribution Falls works very much the same way. The first three or four chapters are taken up with fast-paced introductions to the cast, which more or less go like this:

“Hello, I see that bullet wound you had healed mysteriously fast”

“Yes, it is, mysterious isn't it?”

“I know, I noticed it because of something that happened in my past”

“Your past? Gosh, might there be something mysterious about it?”

“Why yes, you'll find that most members of the crew have something mysterious about them.”

“Wait, we've just heard news that we're being followed by the dread pirate Trinica Dracken!”

“The dread pirate Trinica Dracken you say! Gosh, mysteriously I think the captain may have some kind of connection to her, in his past. His mysterious past.”

“Gosh how mysterious!”

It's not quite that bad. But it's almost that bad. Although it's not necessarily that bad that it's that bad, because this really does make the whole thing quite readable. Yes it's shoddy and manipulative, but the thing about shoddy, manipulative tricks is that they work. Show me a character with a mysterious past, and I'll be unable to put the book down until I've either found out what that mysterious past is, or convinced myself that I'm never going to. Therefore if you give me seven characters, each with their own mysterious past, and give me the background on one every four chapters then you can pretty much guarantee that I'll be reading until one in the morning.

Of course the downside of this kind of strategy is that in-the-moment readability comes at the cost of after-the-fact satisfaction. Few and far between are the occasions on which I've discovered a character's secret backstory and not found it some combination of trite, predictable, and implausible. It's like popcorn, utterly compelling but at the end all you're left with is a faint cardboardy aftertaste.

Structure and Story Issues

The book is certainly readable, and mostly fun, but there are times when it bogs down in tedious exposition. This would be bad enough if it was just your classic “as you know, your father, the King...” dialogue, although there is an awful lot of it – people in this world seem to spend an inordinate amount of time having conversations in which they explain the basic causes and consequences of wars that happened a couple of years ago, the equivalent of people in the real world saying “of course after the Al-Quaeda bombings in 2001, the American government launched a series of military actions throughout the Middle East, beginning by attacking the Taliban who at that time were in control of Afghanistan...” over their morning coffee. Unfortunately, as

other reviewers

have pointed out, the same principle is applied to little things like character development.

The key offener here is Darien Frey himself, the vagabond captain of a vagabond crew, guiding his motley band of reprobates to high adventure on the open skies. The emotional thrust of the book, such as it is, involves Frey learning to take responsibility for his role as captain, and to learn respect and affection for his crew (and perhaps for other people in his life as well).

The problem with this is that our only insight into Frey's emotional state is what the book tells us Frey's emotional state is. We are told early on that he does not value his crew, and that he considers himself a bit of a loser. We are told later that he does value his crew, and that he's pretty much okay with himself, and has accepted the responsibilities that come with his position as captain. The problem is that – with the exception of a couple of clearly signposted set-pieces - we see no appreciable change in his behaviour, or even his attitude. The man who leads his crew the a doomed attempt to plunder the Ace of Skulls at the start of the book is not discernibly different from the one who spearheads the attack on Retribution Falls at the end. Both ultimately involve Frey risking his ship and his crew, without their knowledge or consent, in pursuit of a large reward which he has little reason to expect receiving. The fact that the first attack is doomed and the second succeeds has everything to do with narrative structure and nothing to do with Fray's leadership choices.

To put it another way, Frey spends the first half of the book chiding himself for his selfishness, indolence, and pisspoor leadership skills. By the end of the book he has stopped chiding himself for all of these things, but has failed to show any actual change in his behaviour. Which creates the impression that all of his growth and development over the course of the book has served only to make him less self-aware.

A

member of the twitterati

sums this up all very succinctly as “The Heavy Handed Adventures of Captain Uttercock”.

In many ways, the book reminded me of

The Last Five Years

. I spent so much of the book going “this guy is a cock, am I supposed to think this guy is a cock, I must be supposed to think this guy is a cock, but nobody else seems to think this guy as a cock except his psycho bitch exes, but this guy is clearly a cock...” that it wound up being remarkably intrusive. I had no problem with the other unsympathetic characters (Grayther Crake the daemonist, for example, is clearly a judgmental asshole, but he's obviously supposed to be a judgmental asshole so I understand how I'm supposed to react to him) but with Frey I always felt like my perception of his flaws was always slightly to one side of the author's perception.

For example, the book opens with Fray and Crake captured by a gang lord (here Wooding gains points for starting with some action, and loses them immediately for having the action be completely unrelated to the rest of the story). The Gang Lord threatens to kill Crake unless Fray gives him the ignition codes to the Ketty Jay. Fray of course refuses, and Crake has a massive chip on his shoulder about this throughout the whole book. Then later in the book, Trinica Dracken (evil pirate bitch-queen – incidentally I'm using the word “bitch” a lot in this review, for reasons that should become clear later) captures them again, and makes the same threat, and this time Fray gives her the codes, thus causing a big sign to appear saying THIS IS CHARACTER DEVELOPMENT.

That particular element would have been more effective but for two things. Firstly, it was so telegraphed it lost all its impact – Crake spent the entire freaking book saying “hey Frey if that EVER HAPPENS AGAIN you'd better give over the damned codes, m'kay.” Secondly, refusing to give up the codes was absolutely the right decision.

Consider. You are being held captive by a psychotic bastard who is only keeping you alive because you have information they want. Your only chance of survival is to not give them the damned information. If you do give them the information, chances are they'll kill all of you anyway. In this situation, giving up the codes is certainly understandable, but it's also completely stupid.

This was broadly the interpretation I was assuming the Doctor was driving at when, after Crake complained that the captain almost let him get killed, the Doctor insisted that no, Frey was a good man who would never let his crew down. I thought, in fact, that they were going for a kind of Mal Reynolds effect – making the captain good but not nice, the kind of man who would always do the right thing, even if that meant letting somebody die for the good of the ship.

Turns out this wasn't what they meant at all. Clearly, giving up the codes to the psychotic maniac was supposed to be the right decision, which is why it's CHARACTER DEVELOPMENT when Frey does it later, so when the Doctor says he's a good man he just kind of means – I'm not sure. That he might be a selfish, whiney, borderline amoral dickhead but at least he wasn't actively malicious?

The only reading I can really support for Frey's character development over the book – as in the only reading which I think the author and the text expect you to take away from it – is that Frey is a good man deep down, but lacks the confidence to act on that goodness. He is, I think, supposed to be afraid of getting too close to people and it is that fear which we are supposed to see as his great weakness, not the fact that he chooses to act on that fear by treating people really unacceptably badly. To draw yet another comparison which will require me to link my own articles, it's rather like Tanis Blacksword in

Banewreaker

- Tanis as you might recall murdered his wife in a jealous rage, and perhaps I'm being a prude, but to my mind the key problem here is not the fact that he flew into a jealous rage, but the fact that while he was in it he murdered his freaking wife.

Wooding seems to be under the impression that Darien Frey is a good man who sometimes allows his insecurities to get the better of him, and seems to see the book as chronicling his battle to overcome those insecurities. I read Darien Frey as a gigantic asshole, who sometimes uses his perfectly forgivable insecurities as an excuse to treat people like shit.

Women

Probably the most illustrative example of this dissonance in Frey’s personality is in his reaction to his ex-fiancée, Trinica Dracken.

We are first introduced to Trinica as a terrifying pirate, a ruthless, ass-kicking queen of the skies. We learn fairly early on that she has some kind of connection to Frey, and I initially had high expectations for their reunion. To fully explain the reasons behind this, I’m going to have to go into some detail about Frey’s behaviour up to this point, so bear with me.

Throughout the book it has been clear that Frey has a history of treating his romantic partners like dirt. It is clear also that part of the reason he treats his romantic partners like dirt is that gorgeous women constantly throw themselves at him. Not only throw themselves at him, but throw themselves at him and actually fall in love with him, and then stifle him with their smothering girlness.

For example, when Jez – the new navigator – shows up in chapter two, Frey observes that he’s glad she isn’t too attractive, because if she was he’d “be obliged to sleep with her.”

How exactly is the causality supposed to work on this one? Does he mean that if she was more attractive he would want to sleep with her, in which case it wouldn’t be an obligation really, would it? Or does he mean that if she was more attractive she would want to sleep with him? In which case what, does he think that unattractive women don’t have libidos? (I suspect the answer to that last question is probably “yes” actually). At the time I took the most charitable reading, which is that this is evidence of Frey being a self-deluding cock who isn’t capable of owning his sexuality, and that over the course of the book he would come to realise this.

Then about halfway through the book, he has to infiltrate an Awakener (think Catholicism meets Scientology) stronghold in order to find one of his many former conquests and – if you’ll pardon the phrase – pump her for information. It’s a single sex institution and he spends most of the time while he’s infiltrating the building fantasising about all the nubile, sex-starved young women he’ll find in here. I’ll say here that I actually found his fantasising perfectly reasonable, because again I read it as evidence that Frey is a bit of a prick, and was quite pleased when it became clear that his infiltration wasn’t going to end in spankings and baby-oil.

Then he meets his ex (whose name I shall look up when I get home), who kicks him in the head (because she r strong wimminz!) and has a go at him for leaving her in a nunnery for two years, despite having promised that they’d always be together. Frey then has this long, self-justifying internal monologue about how you had to lie to women because if you didn’t they’d only go and find somebody who did lie to them (because you see women want a man who says he’ll be with them forever, and men just want sex, and there is no overlap whatsoever – no men are interested in commitment, no women are interested in straight-up fucking) and that it therefore wasn’t his fault. Then of course he lies to her again, they have sex and she tells him everything he wants to know, and he promises to come back for her which he of course has no intention of doing. But you have to lie to women, so that’s okay.

So anyway, by the time Trinica Dracken shows up on the screen Frey’s pick-up-artist bullshit is wearing pretty thin. Up to this point, however, I was honestly expecting Trinica Dracken to turn the whole thing on its head. I was expecting this to be the one relationship in his whole sorry past that had actually been a partnership of equals, a woman who instead of clinging to him with doe-eyed devotion had been strong and confident in her own right, whose relationship with Frey had been tempestuous and remarkable. I expected the love of Frey’s life to be a woman who had a ship of her own, a crew of her own and a life of her own. It wouldn’t have justified his acting like a dickhead ever since, but it would at least have explained it. I know that this strays into the realms of

counter-factual criticism

but my intent here isn't to say “Trinica Dracken should have been different” but rather “I had a number of false impressions about what Trinica Dracken would be like, that led me to read all the sexist bullshit in the book more favourably than I might have otherwise.”

Here, for what it is worth, is a summary of what Frey's relationship with Trinica Dracken is revealed to have been like:

Trinica Dracken was the daughter of a wealthy industrialist for whom Frey worked. When they were both in their late teens, they fell in love. Trinica was a lovely sweet girl with long hair who wore white dresses, Frey was much as he is now. Eventually, the relationship had gone wrong. Here is Frey's description of it:

In the early months he'd believed they'd be together forever. He told himself he'd found a woman for the rest of his life. He couldn't conceive of meeting someone more wonderful than she was, and he wasn't tempted to try. But it was one thing to daydream such notions, and quite another to be faced with putting them into practice. When she began to talk of engagement, with a straightforwardness he'd previously found charming, he began to idolize her a little less. His patience became less. No longer could he endlessly indulge her flights of fancy. His smile became fixed as she played her girlish games with him. Her jokes all seemed to go on too long. He found himself wishing she'd just be sensible

Okay, leaving aside for the moment that Frey's analysis of what went wrong with his relationship boils down to “the bitch wouldn't keep her mouth shut” note that here his dissatisfaction with Trinica stems simultaneously from (a) the fact that he starts to see that she isn't the perfect fantasy figure he thought she was (he “idolizes her less” which in sane-person world is a good thing in a relationship) and (b) the fact that she still displays many qualities of the fantasy figure he wants her to be (her “girlish games” and her “flights of fancy”). You've got to feel sorry for the girl, because I seriously don't know how she was supposed to please this arrant cocksucker.

It gets worse. Obviously Frey takes the sensible and mature attitude to being in a relationship with somebody for whom you feel manifest contempt, which is to agree to marry her, get her pregnant, and leave her at the altar. He does, of course, admit that this was sub optimal. Here is his magnanimous and painful admission of culpability, which represents a significant moment in his growth and maturation:

His love for her had been the most precious thing in his life, and she'd ruined it with her insecurities, her need to tie him down. She'd made him cowardly. In his heart he knew that, but he could never say it.

This? Seriously Chris Wooding? This is Frey's big moment of self-realization? That he was wrong to let her make him stop loving her? Not, say, wrong to be an emotionally abusive asshole? Or that he was wrong to abandon his pregnant girlfriend on their wedding day? Oh no, his great fault, his great flaw, is that she made him cowardly?

A fairer man might point out at this stage that Trinica does at least call him on this, the fact that he's always blaming his problems on everybody else. The problem is he doesn't stop doing it, but the book treats him like he has.

Anyway, Frey abandons Trinica, leaving her pregnant in a world where, it is strongly implied, a woman who has a child outside wedlock is basically ruined. This results in Trinica attempting suicide, which results in her having a miscarriage. Which results in Frey spending the next ten years hating her for murdering their child.

Of course here again, Frey has a Big Character Development moment, when he realizes that while he is totally justified in hating Trinica, because she totally did murder their child, he has to accept that he is also partly responsible for her murdering their child, because he allowed her to make him cowardly, so that when she attempted suicide (which, let us be clear, was also cowardly) he didn't get back in time to save the day.

To put it another way, Darien Frey's character arc ends with him confronting a woman who he emotionally abused to the point at which she tried to kill herself, and forgiving her for it.

Up until his reunion with Trinica, Frey comes across as a feckless, self-absorbed cock. His interactions with his former love, far from making him more sympathetic, instead reveal him to be a judgemental asshole. He accuses her of murdering their child – an accusation neither Trinica nor the text challenges. He calls her a coward for attempting suicide – an accusation which the text treats as factual. And of course he has a great deal to say about her appearance:

Her skin was powdered ghost-white. Her hair – so blonde it was almost albino – was cut short, sticking up in uneven tufts as if it had been butchered with a knife. Her lips were a red deep enough to be vulgar

Ironically, of course, this actually makes her sound totally awesome (although where the fuck does he get off judging her choice of lipstick – I'm sorry Darien, is your ex not looking virginal enough for you? Well fuck you you misogynistic shit). But just in case we don't get that her new badass look is bad m'kay we get the following exchange during their next meeting:

”How'd you get this way Trinica?” he said. He raised his head and gestured at her across the gloomy study. “The hair, the skin...” he hesitated. “You used to be beautiful.” “I'm done with beautiful,” she replied

Because of course after she attempted suicide (sorry, I mean “murdered her unborn child” - her life is not, after all, important here) she tried to run away on an airship, but she was captured by pirates who gang raped her. And of course she responded to that by making herself UGLY. Because it is made very clear in the text that She Was Raped Because She Was Beautiful. Incidentally, despite being “through with beautiful” she still wears lipstick, and apparently a particularly vulgar shade of it, if Frey is any judge. I can't be sure, but I'd have thought if you were going down the “I shall make myself ugly so people won't rape me” route you'd avoid lipstick entirely. Then again, maybe Wooding knows something I don't.

And of course Frey's reaction to the whole thing is:

He didn't pity her. He couldn't. He only mourned the loss of the young woman he'd known ten years ago. This mockery of his lover was his own doing. He had fashioned her, and she damned him by her existence.

So ... your ex girlfriend, the former love of your life shows up, and tells you that she's spent the better part of the last ten years getting beaten and raped by a series of pirate crews until she'd eventually clawed her way into a position where she finally had a modicum of security, and all you care about is the fact that she's no longer the innocent little girl you fell in love with? The innocent little girl who you fell in love with but also treated like shit, wanted to get rid of, impregnated and abandoned? You can't spare one second to think about anything except how her present situation reflects on you.

Die in a fire you smug, self-centred little fuckstain.

Umm, there's a fair amount more fail in the book, but I'm really not sure I can go on. Suffice to say that the only other female characters in the book of any significance are Jez the navigator, whose contribution to the climactic confrontation is to whore herself out to a mid-ranking Naval officer (and she doesn't even get to do it on page) and Bess, the golem that Crake created out of his eight year old niece, who he stabbed to death while possessed by a daemon. Crake occasionally angsts about allowing the crew to use Bess (who it is strongly implied can feel pain) as portable cover in firefights. This does not stop him from doing it repeatedly.

Fantasy Rape Watch

Number of Named Female Characters: 4

Of Whom Protagonist's ex Lovers: 2

Of Whom Dead: 2

Of Whom Rape Victims: 1

Of Whom Murdered By Viewpoint Character: 1

Causes of Rape and Sexual Abuse, by Attribution in Text

Nature of Violent Culture: 0%

Nature of Patriarchal Society: 0%

Decisions Made Freely by Rapists: 0%

Beauty of Victim: 100%

Consequences of Rape and Sexual Abuse, by Importance as Judged by Text

Emotional Distress to Victim: 0%

Physical Injury to Victim: 0%

Emotional Distress to Victim's Ex-Boyfriend: 25%

Victim No Longer Physically Desirable to Ex-Boyfriend: 75%

Who Suffers as a Result of a Woman's Suicide Attempt, by Attribution in Text

Her: 0%

Her Unborn Child: 70%

Her Boyfriend: 30%

Who Suffers as the Result of the Murder of an Eight Year Old Girl, as Judged by Text

The Eight Year Old Girl: 20%

The Murderer: 80%

Ways In Which An Intelligent, Talented Woman, Who Has Superhuman Strength And Is Nearly Invulnerable to Physical Damage Could Attempt To Rescue Her Companions At Short Notice

Steal a Ship and Mount a Rescue: 0%

Sneak into Execution and Mount a Rescue: 0%

Prostitute Herself: 100%

My Level of Surprise That This Book Was Nominated for the Arthur C. Clarke Award:

30%

My Hope For the Genre, Taking This Book As a Standard:

0%Themes:

Books

,

Sci-fi / Fantasy

,

Minority Warrior

~

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http://alex-von-cercek.livejournal.com/

at 20:16 on 2010-06-26Holy shit.

I don't even have anything else to say. Just...holy shit.

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http://furare.livejournal.com/

at 20:48 on 2010-06-26Wow. That just *is* a world of fail, isn't it?

Focusing just on the "you murdered our child" bit for a minute, it's uncomfortably reminiscent of

something I read recently

about men who want to make abortion all about them, a terrible tragedy foisted on them by the actions of an evil woman. I know a suicide-induced miscarriage isn't exactly abortion, but I think Frey's reaction comes quite close to theirs. Made me wonder if it was possibly intentional - the parallel seems quite obvious to me.

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Arthur B

at 22:49 on 2010-06-26

Focusing just on the "you murdered our child" bit for a minute, it's uncomfortably reminiscent of something I read recently about men who want to make abortion all about them, a terrible tragedy foisted on them by the actions of an evil woman. I know a suicide-induced miscarriage isn't exactly abortion, but I think Frey's reaction comes quite close to theirs. Made me wonder if it was possibly intentional - the parallel seems quite obvious to me.

It's an analogy that jumped out at me too. At the very least, if performing an act that leads to a miscarriage is regarded by Frey as murder, then abortion has to come under that category for Frey's views (and the text's views, it seems) to be even slightly internally consistent. And "men's rights" morons do seem to like portraying abortion as a crime against fathers, and to blame women for everything that men do wrong in a relationship.

Out of interest, how do books get nominated for the Clarke award?

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Dan H

at 23:11 on 2010-06-26

I know a suicide-induced miscarriage isn't exactly abortion, but I think Frey's reaction comes quite close to theirs. Made me wonder if it was possibly intentional - the parallel seems quite obvious to me.

I think that's fair, there's a rather skeevy implication that she deliberately attempted suicide *in order* to induce a miscarriage *in order* to get at Frey.

Because Women Are Evil.

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http://furare.livejournal.com/

at 12:59 on 2010-06-27Because she couldn't have wanted to kill herself because she couldn't deal with the disgrace *he* left her with? I'm not trying to undermine her autonomy by saying it's his fault she slept with him; however, it's unquestionably his fault that he abandoned her at the altar. So surely, by his own logic, if she had succeeded in committing suicide, he would have murdered her. (Just kidding, I can see that Frey's "logic" serves no purpose other than to make sure that he is not genuinely to blame for anything.)

One slightly off-topic thing I feel the need to say is that I Have Had Enough of anything - books, magazine articles, people - who claim that women all want romance and/or commitment, while men just want sex. A lot of women actually want sex, and some of them are actually willing to admit that they're not looking for candlelit dinners or long-term commitment in exchange. Actually, "in exchange" is the problem, isn't it? It implies that sex is something you have to compensate a woman for if she "gives" it to you.

And seriously. If a guy I was dating told me that he wanted to "be with me forever", I would probably laugh in his face. And then try to scrape him off my leg. I don't mind commitment in and of itself, but that sort of declaration fucking terrifies me. But then, I've come to the conclusion that when pop culture talks about "women" and "what women want", they are almost never talking about me. It's like I don't exist or something.

To bring this comment back to the book under discussion, I think it's a real shame that the author squandered a potentially awesome character by treading tired old ground. I mean, a woman who's a badass airship pirate captain! That has so much potential - a character fantasy-reading women might enjoy and identify with. If she wasn't defined almost entirely by what men had done to her. Kind of typical for the genre, though, isn't it.

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Niall

at 14:38 on 2010-06-27

Out of interest, how do books get nominated for the Clarke award?

The Clarke Award is administered by a body called the Serendip Foundation. Each year, they arrange a panel of five judges: traditionally (that is, for pretty much the whole of the Award's thirty-year existence) two of these have been nominated by the British Science Fiction Association, two by the Science Fiction Foundation, and one by A. N. Other invited body, which at present is SF Crowsnest.com, and has been the Science Museum and various other groups. Around this time of year, the Chair of the judging panel writes to UK publishers inviting them to submit books for consideration. Any science fiction novel published in the UK in the relevant calendar year is eligible; the Award does not define "science fiction" or "novel", that's left up to publishers and to the judges to debate. The judges read all the books. They may ask the Chair to contact publishers and request that other titles are submitted for consideration.

The judges then meet in February (ish) to select a shortlist of six. The shortlist is announced in March or April. The judges re-read the books they shortlisted, and meet in April/May (for the last few years, it's been at the start of the Sci-Fi-London film festival) to select a winner.

Basically, it's the Booker Prize process, although I think that in the case of the Booker the Chair is a full member of the panel, and in the Clarke they're a facilitator, appointed by Serendip to run the judges' meetings but not having a vote themselves. Other differences: publishers aren't limited to submitting only two titles, as they are in the Booker; and judges are typically asked to serve for two consecutive years (not all on the same schedule, so there's some refreshment and some carry-over from year to year).

The other titles shortlisted this year were Yellow Blue Tibia by Adam Roberts, Galileo's Dream by Kim Stanley Robinson, Spirit by Gwyneth Jones, Far North by Marcel Theroux, and the eventual winner, The City & The City be China Mieville.

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Niall

at 14:40 on 2010-06-27Oh, and the judges for this year were Jon Courtenay Grimwood and Chris Hill for the BSFA, Francis Spufford and Rhiannon Lassiter for the SF Foundation, and Paul Skevington for SF Crowsnest.

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http://alex-von-cercek.livejournal.com/

at 16:36 on 2010-06-27

To bring this comment back to the book under discussion, I think it's a real shame that the author squandered a potentially awesome character by treading tired old ground. I mean, a woman who's a badass airship pirate captain! That has so much potential - a character fantasy-reading women might enjoy and identify with. If she wasn't defined almost entirely by what men had done to her. Kind of typical for the genre, though, isn't it.

Hell, Trinica sounds like the only interesting character in the book. In fact, the book that would be interesting to read would be titled "Kill Frey" and it would be about Trinica Dracken crossing off names from her Death List.

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Dan H

at 21:10 on 2010-06-27

Actually, "in exchange" is the problem, isn't it? It implies that sex is something you have to compensate a woman for if she "gives" it to you.

I believe this is an attitude which I've heard succinctly summarized as "women have sex, men want sex." And yeah, it's kind of a problem. It creates this notion that sex is something that men are supposed to get out of women by whatever means society deems acceptable, which leads to all sorts of nasty places.

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Melissa G.

at 22:31 on 2010-06-27

One slightly off-topic thing I feel the need to say is that I Have Had Enough of anything - books, magazine articles, people - who claim that women all want romance and/or commitment, while men just want sex.

I totally forgive you for off-topicness because I am so sick of that attitude too! It's so annoying and gender box-y.

But I have to say that I'm even more sick and tired of this attitude:

Because it is made very clear in the text that She Was Raped Because She Was Beautiful.

Because that is such utter BS and a total misunderstanding of what rape is and why it happens. Rape is about power, not desire or lust or being unable to control oneself because the other person is so beautiful. It's so disgusting and irritating to see rape twisted into something where the guy just can't control himself because she's so damn hot. Come on, who could blame him? And then, that brings you to the "She should be flattered he raped her; he could have any woman he wants" mentality. Just...no.

Apologies for going slightly off-topic myself, but that mentality about rape is a huge rage button of mine. Especially since I recently seem to be reading scripts (for my job) of movies where violence against women seems to be the most used plot point for the male character to do anything.

Women in Refrigerators

, anyone?

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Dan H

at 22:55 on 2010-06-27

And then, that brings you to the "She should be flattered he raped her; he could have any woman he wants" mentality. Just...no.

Which might be an apposite moment to bring up the scene fairly early in the book when the characters are attacking an information-broker's hideout, and the guy's pet whores are holed up with shotguns worried that the band of armed psychos who just burst in might, y'know, rape them.

But fortunately Frey reveals that it is he, the hot man from earlier. So he can't be a rapist, because he is hot!

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Melissa G.

at 23:20 on 2010-06-27

So he can't be a rapist, because he is hot!

::facepalm:: That's right, hot guys can't be rapists, and ugly girls can't be rape victims. I mean, who'd want to rape them? They're ugly. And rape is just about how hot a girl is. Really, it's the ultimate compliment!

Sigh. The fail just hurts sometimes....

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http://alex-von-cercek.livejournal.com/

at 23:22 on 2010-06-27You know, taken 100% and entirely out of context, the interchange of

”How'd you get this way Trinica?” he said. He raised his head and gestured at her across the gloomy study. “The hair, the skin...” he hesitated. “You used to be beautiful.” “I'm done with beautiful,” she replied.

could actually be a snappy wisecrack on the lines of those typically delivered by pulp heroes or, say, Sam Spade. You know what, I think we should all ignore the context, Trinica is an awesome character without it.

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Dan H

at 23:28 on 2010-06-27

Sigh. The fail just hurts sometimes....

To be very slightly fair, I should add that I'm only presenting one of several possible readings. It's possible that they decide to trust him because they recognize him from earlier, for example, but mixed in with all the faily stuff about beauty it bugged me.

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Melissa G.

at 01:55 on 2010-06-28@Dan

That's true, but there's still a sigh on my part at rape-fail in general because I've heard that kind of mentality and attitude expressed far too many times. Especially in conjunction with celebrities who get accused of rape. >.< So the book may get a pass, but society does not. ::shakes fist angrily at society::

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Wardog

at 09:26 on 2010-06-28I was going to read this ... now I am not.

I am depressed.

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http://furare.livejournal.com/

at 11:06 on 2010-06-28Oh hell, don't get me started on the rapefail. I didn't touch it in previous comments because it kinda makes me too angry to write coherently. Let's just say I've read an awful lot about rape in recent weeks and months, and I am sickened by the attitude Melissa mentions with respect to rapist celebrities. I guess the assumption that a celebrity could "have any woman he wants" is pretty damned insulting, too. Sorry, but I don't sleep with guys who act like they're doing me a favour just by noticing me.

And on the general subject of rape and rapefail - it is really aggravating that blog posts on rape are *always* commented on by someone claiming that the real victims of rape are men who are unfairly accused. Because women love "crying rape" and having their sex lives, choice of clothes and conduct at the time in question, and a million and one other things scrutinised. I would not be surprised if an awful lot of retracted accusations were actually due to the fact that investigation of the crime makes the victim feel like they were at fault.

Regardless, "false" reporting occurs in 2-8% of cases, which is about the same as an awful lot of other crimes. (Rape apologists carry round a 41% false report statistic that was taken from a fatally flawed study done in the 70s, rather than the most recent FBI statistics, because it's the one that makes them look right.) But then, issues that largely affect women - like rape and domestic violence - have to be invaded by men telling us that MEN are the victims here, that rape is a stick evil women use to beat MEN and why are we still talking anyway SHUT UP.

So yeah. Novels - and anything else written by anyone ever - that put the blame for rape on anything the victim did or is, rather than the decision made by the rapist to rape her, are things I have no patience with at all. The fact that rape is seen as the victim's fault in real life makes it really far from okay to say that in a novel. Unless you're trying to make the point that your viewpoint character is a misogynistic shit - but I don't think that was the intended reading here.

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Melissa G.

at 01:14 on 2010-06-29

Oh hell, don't get me started on the rapefail. I didn't touch it in previous comments because it kinda makes me too angry to write coherently.

Ditto for me. It's gotten to the point where every time rape shows up in a book/show/movie/what have you, I tend to roll my eyes and then start to judge harshly. Usually it just seems like the writer thinks "What's the most traumatic thing that could happen to this girl? Oh, I know! She gets raped." Or even worse, "What's the most traumatic thing that could happen to this guy? Oh, I know! His girlfriend/wife/mother/daughter/sister gets raped." It just ends up seeming unoriginal and lazy - not to mention the possibility of epic fail.

I do just want to plug something that I was really impressed with as far as how it handled rape and incorporated it into the story. And surprisingly, it's a comic book! It was Ultimate Elektra - a short mini-series type deal. I actually thought that the rape was handled realistically and was meaningful to the story; it all felt like something that could really happen. I'd love to know if anyone else read it and what you thought of it.

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Arthur B

at 01:49 on 2010-06-29

It's gotten to the point where every time rape shows up in a book/show/movie/what have you, I tend to roll my eyes and then start to judge harshly.

Same here. I started to read

The Heart of Myrial

by Maggie Furey a while back, and at first it was silly but basically harmless fun.

Then there was a bit where some peasant woman gets raped by bailiffs to establish two things: that their employer is a rotter, and that the guardsmen who show up and summarily execute the rapist they catch in the act are basically good people who we should cheer for.

I stopped reading at that point.

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http://ignisophis.livejournal.com/

at 15:03 on 2010-09-14A friend of mine recently recommended this book to me. I read it, really enjoyed it and recommended it to my friends, one of whom pointed me to this review. Which is full of things I disagree with, so I thought I should post to explain why.

Judged as a low-investment romp, it’s alright. Judged as a nominee for a prestigious award, it needs to be killed with fire.

Surely a book should be judged on its merits, or lack thereof? Nominations for the Clarke Award have very little to do with quality, and shouldn't your issues with its shortlisting be a matter for a review of the Clarke Award and/or its judges? After all, I doubt Chris Wooding wrote it specifically with the Clarke Award in mind.

I don't agree that zero female crew would have been better than one - it gave me the impression, not of a setting where "women are apparently perfectly accepted", but of a setting where there is very strong social pressure against women entering that line of work. Given the sexism inherent in the rest of the setting, positive discrimination in the crew's gender ratio would have changed the whole focus of the story.

To put it another way, Frey spends the first half of the book chiding himself for his selfishness, indolence, and pisspoor leadership skills. By the end of the book he has stopped chiding himself for all of these things, but has failed to show any actual change in his behaviour. Which creates the impression that all of his growth and development over the course of the book has served only to make him less self-aware.

I had a different reading on all of this. For me, part of the appeal of the book is that almost all of the information we have is told from the point of view of a character who is, not to put too fine a point on it, a horrible self-deluding wreck of a human being, damaged by the consequences of his own actions and continuing to damage both himself and those around him. Considering the timescale of the book, I think any genuine change in his behaviour would be too rushed to be plausible. Instead, we see a change in his internal attitude and intentions which will maybe lead to a future change in his behaviour, and till then he's faking it until he can make it. We've spent the whole book being shown how much he wraps himself in delusional self-justification and I don't think there's ever much of a change in its level, just in its form and motives and likely consequences.

That particular element would have been more effective but for two things. Firstly, it was so telegraphed it lost all its impact – Crake spent the entire freaking book saying “hey Frey if that EVER HAPPENS AGAIN you'd better give over the damned codes, m'kay.” Secondly, refusing to give up the codes was absolutely the right decision.

I did find it extremely effective, and honestly didn't know which way Frey would jummp. Firstly, Crake's earlier harping on about it did telegraph that a similar situation would probably happen again but could have just been to add weight and consequence should Frey have handled it the same way. Secondly, to my mind it was the right decision not to give the codes the first time, but the right decision to

give

the codes the second time - Macarde just wanted the information, the ship and a bit of revenge, whereas Dracken primarily wanted Frey and the crew and had a good reason to kill Crake; to her the information and the ship were just a bonus. Which is why I didn't think we were meant to think that giving up the codes the first time would've been the right decision.

The only reading I can really support for Frey's character development over the book – as in the only reading which I think the author and the text expect you to take away from it – is that Frey is a good man deep down, but lacks the confidence to act on that goodness.

This is a reading I completely disagree with. If this is the case then why, on the third-to-last page (after Frey has done some heroic things and finally started to bond with his crew), does the author feel the need to remind us of all the horrible things Frey has done? The impression I get from the text is that Frey is a horribly flawed man, but that even horribly flawed people can have some redeeming features, can occasionally do good things despite themselves, and can strive to be better.

Wooding seems to be under the impression that Darien Frey is a good man who sometimes allows his insecurities to get the better of him, and seems to see the book as chronicling his battle to overcome those insecurities.

I'm always reluctant to claim knowledge of an author's mind, but here in particular I think you're doing Wooding a great disservice. Particularly as Wooding never tells us what he thinks, only what Frey thinks.

because you see women want a man who says he’ll be with them forever, and men just want sex, and there is no overlap whatsoever – no men are interested in commitment, no women are interested in straight-up fucking

For me this was one of the cues that Frey's thought processes are not an authorial voice. He may think about it that way, but the one sex scene in the book has the woman taking the initiative and displaying a greater sexual appetite.

Causes of Rape and Sexual Abuse, by Attribution in Text Beauty of Victim: 100%

According to testimony of said victim, possibly in order to give herself security by thinking that she's safe from rape now that she is attempting to present herself as being far from beautiful. Attributed by a character within the text rather than the text itself.

Consequences of Rape and Sexual Abuse, by Importance as Judged by Text Emotional Distress to Victim's Ex-Boyfriend: 25% Victim No Longer Physically Desirable to Ex-Boyfriend: 75%

Who Suffers as a Result of a Woman's Suicide Attempt, by Attribution in Text Her Unborn Child: 70%, Her Boyfriend: 30%

Both according to the viewpoint of Frey, who as we've already established is a horrible self-centred git. Judged and attributed by a character within the text rather than by the text itself.

Who Suffers as the Result of the Murder of an Eight Year Old Girl, as Judged by Text The Eight Year Old Girl: 20%, The Murderer: 80%

Again, this is according to the point of view of the murderer, not judged by the text itself.

Ways In Which An Intelligent, Talented Woman, Who Has Superhuman Strength And Is Nearly Invulnerable to Physical Damage Could Attempt To Rescue Her Companions At Short Notice Steal a Ship and Mount a Rescue: 0% Sneak into Execution and Mount a Rescue: 0% Prostitute Herself: 100%

Jez is somewhat stronger than she would be as a human, can heal from a knock to the head and a flesh wound and is a decent shot, but this hardly makes her anything like invulnerable and it certainly doesn't make her some kind of superhero. The prostitution did irk me, but I mostly saw it as a comment on the way in which she was coming to see herself as an inhuman monster, and an acknowledgement that she was intelligent enough to realise she couldn't have pulled off either of the first two options on her own.

Overall, I think the heart of our disagreement over the book comes down to a preference for or against didacticism. It's something I strongly dislike - I want stories which present interesting situations and complex flawed characters then leave me to make up my own mind about them. Which don't try to insert authorial comment into the mindset of a flawed and potentially unreliable viewpoint character. Which present a sexist and corrupt society as what it is, without feeling the need to explicitly lecture the audience about it.

Judging from your review, particularly those percentage breakdowns at the end, you want a story in which the text and the author tell the audience what they should think of the horrible things that happen and the horrible things the characters do?

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Arthur B

at 15:43 on 2010-09-14Dan said:

Frey spends the first half of the book chiding himself for his selfishness, indolence, and pisspoor leadership skills. By the end of the book he has stopped chiding himself for all of these things

ignisophis said:

Instead, we see a change in his internal attitude and intentions which will maybe lead to a future change in his behaviour

How does going from "I'm quite bothered by my behaviour" to "I'm OK with my behaviour" make it

more

likely that he's going to change?

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Dan H

at 16:07 on 2010-09-14

Overall, I think the heart of our disagreement over the book comes down to a preference for or against didacticism.

I don't think it has anythign to do with that. Didacticism is one of those irregular adjectives. You're being Didactic, I'm just presenting things as they are. He has an agenda, I'm telling a story.

It's something I strongly dislike - I want stories which present interesting situations and complex flawed characters then leave me to make up my own mind about them.

So do I. Retribution Falls does neither of those things.

Your interpretation of Frey - as a flawed and complex but ultimately sympathetic character, that despite the horrible things he does he is always striving to be a better man - is exactly the one which I complain that the book was forcing down my throat.

Which don't try to insert authorial comment into the mindset of a flawed and potentially unreliable viewpoint character.

Authorial comment is *absolutely* necessary when you're dealing with a flawed and potentially unreliable viewpoint character. Otherwise how do you know they're flawed and potentially unreliable?

Which present a sexist and corrupt society as what it is, without feeling the need to explicitly lecture the audience about it.

You're presenting a false dichotomy here. You seem to believe that the options are "present a sexist and corrupt society in an uncritical and shallow manner" or "lecture people".

I'd also point out that /Retribution Falls/ does not, in fact, present a sexist and corrupt society. It doesn't really present a society at all. It's an adventure novel, it pays no attention to the way its setting would or could actually work. What you take as "presenting a sexist society as it actually is" I take as "just being sexist".

Judging from your review, particularly those percentage breakdowns at the end, you want a story in which the text and the author tell the audience what they should think of the horrible things that happen and the horrible things the characters do?

This is what I don't understand. The text *does* tell us what to think about the horrible things that happen, and the horrible things the characters do. It's extraordinarily heavy handed in that regard. Frey's interaction with Trinica is a good example. In the article I quoted the following:

He didn't pity her. He couldn't. He only mourned the loss of the young woman he'd known ten years ago. This mockery of his lover was his own doing. He had fashioned her, and she damned him by her existence.

This is telling you exactly how to feel, and exactly why you should be feeling it. Frey did a Terrible Thing in running out on Trinica, and we are supposed to condemn him for running out on her, but recognize that he has accepted responsibility for it and grown as a result. That's what allows you to interpret Frey as a "complex and flawed character".

Frey is only complex and flawed if you interpret his character in exactly the ways the book (very directly, very heavy-handedly) tells you to interpret his character. Otherwise he really is a dickbag with no redeeming features whatsoever and that's not an interesting character to read about.

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http://ignisophis.livejournal.com/

at 16:58 on 2010-09-14

Your interpretation of Frey - as a flawed and complex but ultimately sympathetic character, that despite the horrible things he does he is always striving to be a better man

But that's not my interpretation of Frey. That's how you think the author wants us to interpret Frey. My interpretation of Frey is that he's a flawed and complex and almost entirely

un

sympathetic character, who doesn't strive to be a better man until we're approaching the end of the book - and even then the motives for his striving are suspect and its eventual outcome uncertain. I don't sympathise with him, but I do pity him, and despite his being a git with virtually no redeeming features I do find him interesting to read about.

Authorial comment is *absolutely* necessary when you're dealing with a flawed and potentially unreliable viewpoint character. Otherwise how do you know they're flawed and potentially unreliable?

From an evaluation of their narrative.

You're presenting a false dichotomy here. You seem to believe that the options are "present a sexist and corrupt society in an uncritical and shallow manner" or "lecture people".

If you're going to rewrite what I say, please don't put quote marks around it! Or at least, use quote marks but put some editorial square brackets around the altered text.

"He didn't pity her. He couldn't. He only mourned the loss of the young woman he'd known ten years ago. This mockery of his lover was his own doing. He had fashioned her, and she damned him by her existence." This is telling you exactly how to feel, and exactly why you should be feeling it.

This is our disagreement in a nutshell. You think that excerpt is telling the audience what to feel and why they should feel it. I think that excerpt is telling the audience what

Frey

feels and why he thinks

he's

feeling it. What you appear to read as an objective narrator uncritically describing Frey's reaction in what we are meant to take as reasonable terms, I read as subjective narration by a selfish and dysfunctional viewpoint character speaking in the third person.

I think it's a deeply unhealthy way to feel, and would agree that the book deserved to be killed by fire if it suggested that the audience

was

meant to feel that way about Trinica's condition. Fortunately, I don't think it is.

Is not the definition of a didactic reading of a text the belief that the text is telling us what to do and why we should do it?

And in response to Arthur:

How does going from "I'm quite bothered by my behaviour" to "I'm OK with my behaviour" make it more likely that he's going to change?

If he was genuinely bothered by his behaviour beforehand then he'd have made an effort to change it. I see the transition as going from "I shall self-flagellate about my failings while using my awareness of them to convince myself that tryin to change would be pointless" to "I have failings, but I am making an effort to change". How genuine and lasting that effort is has yet to be seen.

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Dan H

at 17:50 on 2010-09-14

My interpretation of Frey is that he's a flawed and complex and almost entirely unsympathetic character, who doesn't strive to be a better man until we're approaching the end of the book

I think we're using the word "sympathetic" differently. I'm using it to mean "has qualities with which you can sympathize" whereas you seem to use it to mean "has no flaws".

You see Frey as flawed, complex and almost entirely unsympathetic but (presumably) with some redeeming features (you suggest as much in your previous post). Again this is *exactly* the interpretation I believe the text is pushing for.

The problem I have with Frey isn't that he's unsympathetic, it's that he's unsympathetic *in different ways to the ones the text cares about*.

From an evaluation of their narrative.

Which you would do how? I mean seriously how do you know a narrator is unreliable without some clue that comes from outside their narration?

I think it's a deeply unhealthy way to feel, and would agree that the book deserved to be killed by fire if it suggested that the audience was meant to feel that way about Trinica's condition. Fortunately, I don't think it is.

Umm ... I'm a bit confused here. What about the way Frey feels about Trinica's condition are we supposed to disagree with? How do *you* feel about Trinica's condition and how do you think it's different, and how do you think the text supports that feeling?

The book clearly explains to us that Frey had a responsibility to Trinica, that by running out on her he shirked that responsibility, which caused her to attempt suicide and lead to the death of their child, and ultimately to her getting raped and becoming the Dread Pirate Dracken. Frey feels guilty for shirking this responsibility. What about this interpretation do you think is incorrect? How do you think Frey is mistaken here?

Is not the definition of a didactic reading of a text the belief that the text is telling us what to do and why we should do it?

Umm ... yes it is. I read the book as extremely didactic, and dislike it because I consider it to be didactic. You seemed to think that my problem was wanting the book to be *more* didactic, when in fact I want it to be *less* didactic. The book as it stands tells us exactly how to feel about everything in it.

If he was genuinely bothered by his behaviour beforehand then he'd have made an effort to change it. I see the transition as going from "I shall self-flagellate about my failings while using my awareness of them to convince myself that tryin to change would be pointless" to "I have failings, but I am making an effort to change". How genuine and lasting that effort is has yet to be seen.

Again, that's exactly my problem and once again, your interpretation of the text lines up exactly with the interpretation I believe the text is telling me to have.

Frey's big flaw, as dictated by the text, is that he runs away from his responsibilities. That is the flaw he spends the book dealing with, and that is the flaw he overcomes at the end when he realizes that he has a duty to his crew.

Frey's real flaw is that he believes everything is about him. The thing is that it *really is*. This isn't a matter of perception, every single person he meets is willing to risk everything to either help or harm him. Even Trinica's suicide attempt was *about Frey* and she freely admits that it was about Frey. This isn't unreliable narration, this isn't the subjective viewpoint of a flawed character, this is how things actually are in the setting.

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Arthur B

at 20:44 on 2010-09-14

Which you would do how? I mean seriously how do you know a narrator is unreliable without some clue that comes from outside their narration?

To be fair, you can do it without outside clues. Gene Wolfe did it quite well in

Peace

- if you take the narrator at his word it's about a nice old man reminiscing about his life, but if you pay attention to the bits where he contradicts himself, glosses over something, or is clearly omitting something you realise that he's a horrifyingly evil person. (To pull a fuzzily-remembered example out of thin air, a particular character just plain disappears partway through the story after a fairly tense conversation with the narrator, and it's only later when he casually mentions possessing a piece of property that most definitely belonged to her that you realise he probably killed her - and if you go back and revisit the scene in question you can put together a fairly good idea of how he did it and how he disposed of the evidence.)

Not that that's necessarily what's happening in Retribution Falls. And I do agree that you do need the contradictions and omissions and whatnot in order to give textual support for interpretations that directly contradict the narrator's own assessment of things. The more internally consistent and solid a narrative is the less wiggle room you have for challenging the statements in it, after all.

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Dan H

at 13:44 on 2010-09-15But that's still a metatextual clue - Wolfe clearly included the reference *specifically* to allow for that interpretation, which is sort of my point.

I'm not saying the text has to stop and say "just so we're clear, the narrator is lying to you here" but it is actually very clear what *is* just viewpoint and what *isn't*. It's like people who will argue that Star Wars is shot from "Luke Skywalker's Viewpoint" and that the Empire might not be evil at all. It's not a legitimate reading of the text, and it displays a fundamental misunderstanding of how viewpoint works in fiction.

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Arthur B

at 14:01 on 2010-09-15Well the other difference is that

Peace

is very much delivered from the narrator's viewpoint - it's all spoken in the first person. It's not Wolfe writing in the third person who tells you that the narrator has the vanished girl's stuff, it's the narrator himself not managing to keep his story straight.

Of course, the other big argument against the "it's OK because he's an unreliable narrator" take on

Retribution Falls

is that as far as I can tell it's written in the third person, which would mean you can't firmly say that the narration is from Frey's point of view. The argument that the narrative voice isn't "subjective narration by a selfish and dysfunctional viewpoint character speaking in the third person" seems to me - unless there's textual support for it somewhere - to be a bit of a leap, when the default assumption in most books is that the narrative voice is objective, omniscient, and impersonal. I'm sure there's been books written in the third person where the narrative voice is in fact subjective, unreliable, and personal, but you'd expect to be tipped off to the fact if that's what you're meant to take away from it.

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Niall

at 14:16 on 2010-09-15

the default assumption in most books is that the narrative voice is objective, omniscient, and impersonal

Say what? No it isn't. I wouldn't even say it's the default assumption in most books written in the third person. In fact, I'd say that in contemporary fiction, an objective, omniscient, impersonal narrative voice is rare.

The specific paragraph being debated above is limited third person. Every sentence is grounded in Frey's subjectivity. For me to read it as an objective assessment of the situation, it would have to stand further outside him: "Frey didn't pity Trinica. It wouldn't do any good. The only thing to do was to mourn the loss of the young woman he'd known ten years ago..."

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Arthur B

at 14:46 on 2010-09-15

Say what? No it isn't. I wouldn't even say it's the default assumption in most books written in the third person.

OK, checking the wikipedia article on narrative modes I see that I've been sloppy about my terms and not used them especially correctly (though I note that over the entire sweep of literature the third-person omniscient has totally been the most commonly used so ya boo sucks :P).

For me the narrative voice came off as impersonal - the very fact that it's the third person seems to point in that direction, for starters. But I'm assessing that on a fairly limited selection of quotes, and I'd need to read a lot more to work out whether the narrative voice is meant to take an over-the-shoulder perspective where it follows Frey but doesn't necessarily condone or identify with him or whether it's meant to be Frey.

This is all, of course, secondary to the question of whether the reader is meant to sympathise or condemn Frey. And the thing is, the various attitudes he expresses, which both Dan and ignisophis agree are problematic, are common enough that I can easily imagine many readers reading the book and thinking "Yeah, that Frey guy's totally got it right - my ex's abortion was all about me too!"

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Arthur B

at 14:48 on 2010-09-15(Also I'd argue that the third-person omniscient has maintained a greater foothold in SF/fantasy than it has in other genres thanks to the influence of Tolkien in fantasy, and various brick-sized multiple-viewpoint novels of the Alastair Reynolds/Peter F. Hamilton variety in SF.)

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Niall

at 15:00 on 2010-09-15

I'd need to read a lot more to work out whether the narrative voice is meant to take an over-the-shoulder perspective where it follows Frey but doesn't necessarily condone or identify with him or whether it's meant to be Frey.

To be pedantic, I'm less interested in whether it's

meant

to be one or the other, and more interested in what it

is

, if only because we can't know the former and can meaningfully debate the latter. So: I think

Retribution Falls

is basically over-the-shoulder with occasional slips which come about because, when it comes down to it, Wooding is not a particularly impressive writer on a sentence-by-sentence level. It doesn't help that, as you say, the prose has a fairly unexciting default voice, neither strongly

of

the character it's following nor strongly

not

of the character it's following. Still, I didn't experience the book as didactic in the way that Dan did.

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Niall

at 15:05 on 2010-09-15Do you know, it's so long since I've actually read Tolkien that I can't remember what his narrative is like, but I wouldn't characterise Hamilton as third-person omniscient. From what I remember, even if he follows multiple characters, he sticks pretty tightly to a single character within any given scene. So I'd say he's multiple third-person-limited, and reserve third-person omnisicient for books like

Middlemarch

, where there is a single narrator that wanders between characters whenever it feels like it.

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Arthur B

at 15:05 on 2010-09-15

To be pedantic, I'm less interested in whether it's meant to be one or the other, and more interested in what it is, if only because we can't know the former and can meaningfully debate the latter.

But there's no objective test which will conclusively prove it's one or the other, if it's a borderline case; all we can do is see what it seems like to us, and consider what prompts the text are giving us (the latter of which is what I meant by "meant").

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Arthur B

at 15:07 on 2010-09-15

Do you know, it's so long since I've actually read Tolkien that I can't remember what his narrative is like, but I wouldn't characterise Hamilton as third-person omniscient. From what I remember, even if he follows multiple characters, he sticks pretty tightly to a single character within any given scene.

Yeah, but he'll regularly set up situations using the technique where the characters who are going into a particular situation know much less than we do, because the narrative voice has clued us in to stuff that's been going on which the current viewpoint character doesn't know about. The overall point is to give this helicopter overview of what's happening on a stage covering half a galaxy, which no one character can get a clear picture of but which the narrative voice seems to be showing us as we travel around in its company.

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Wardog

at 15:18 on 2010-09-15I'm with Niall on this - I think it is rare to find books where the narrative voice objective, omniscient and impersonal. Otherwise everything would sound like it was written by Henry Fielding. Most third books have conscious POV shifts, usually between chapters or between scenes, as you move between characters or else are specifically situated as being the perspective of a specific character - the Harry Potter books, for example.

Where it gets difficult is locating the overlapping subjectivity of character and author - and, by author, I mean the hazy figure present in the text, not the person giving interviews to the media.

Sorry to randomly tangent, but this discussion reminds me the discussion about

Sisters Red

over at The Book Smugglers. Essentially Ana condemns the book for its victim-blaming and honestly slightly unhealthy attitude to certain types of girls - later the author inadvisable rocks up in the comments to claim s/he has been misrepresented since the unhealthy victim-blaming stuff was all from a unhealthy character's POV.

Unfortunately "it's okay, it's a bad person saying it" becomes difficult it is very often implicitly supported by the structures of the book itself. to use the Sisters Red example, what you have is a damaged character expressing an offensive viewpoint, the same viewpoint echoed by a less damaged character not two pages later AND a world in which the offensive viewpoint is LITERALLY true. In the world of Sisters Red, girls who dress, look and behave a certain way are, in fact, targeted by predators. Whereas the "dress up pretty will get you raped" mindset is actually not only untrue (since the majority of rapes are committed by people who knew the victim, not strangers jumping on beautiful girls who go clubbing in short skirts) but a control strategy to keep women feeling vulnerable and dis empowered.

To return to the book in question, the issue, I think, is not with Frey's viewpoint itself but with the way the narrative as a whole functions to support it, rather than condemn it. I mean Frey views women in a completely obnoxious but the behaviour of every woman in the text actually reinforces the fact he's right to treat them as he does - I mean everyone he sleeps with, apparently falls madly in love with him and wants him to settle down and twu wuv with her. It doesn't matter how much pseudo bad-assery you paint onto a female character if *her entire life* revolves around a dude then Frey is, in fact, exactly right to view women as clingy, fragile and emotionally demanding.

The whole "He had fashioned her" line is grossly offensive - not least because, in the text, it is actually true.

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Arthur B

at 15:33 on 2010-09-15

Most third books have conscious POV shifts, usually between chapters or between scenes, as you move between characters or else are specifically situated as being the perspective of a specific character - the Harry Potter books, for example.

OK, I've tended to think of multiple viewpoint books as being objective/omniscient/impersonal because the narration isn't exclusively associated with one viewpoint, and gives you an overview of what's going on which no single character actually enjoys - so it averages out as being objective-ish and omniscient-ish and impersonal-ish when you take the book as a whole, but I'm obviously doing great harm to the terminology there so I'll stop.

Though that said, if the main character's ideas are never actually challenged by anything they encounter in the world, it doesn't matter much where the narrator's sitting does it?

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Melissa G.

at 17:35 on 2010-09-15

Though that said, if the main character's ideas are never actually challenged by anything they encounter in the world, it doesn't matter much where the narrator's sitting does it?

That's pretty much my problem with the "But the narrator is unreliable/a bad person so it doesn't matter if their POV is offensive" argument. If you want us to accept that the POV is in an unreliable person's hands, we needs clues in the text.

A good example of it being done right, imo, is Lolita. I don't particularly *like* Lolita, but Nobokov actually did a pretty stellar job of writing from the POV of a pedophile while still providing us with enough textual clues to be able to interpret Humbert Humbert's behavior and mindset as destructive and wrong. It's very subtle and not concrete evidence - hence all the controversy surrounding that book - but I truly believe we're not meant to view Humbert Humbert as *right* in what he does. Lolita displays characteristics of a sexually abused child, for example. Humbert Humbert doesn't pick up on this, but the reader can.

Anyway, back to the original point, I think if a writer is going to have an unreliable narrator or a morality effed up narrator, the text outside the character needs to display at least *signs* that they are effed up and unreliable. If the world bends to their viewpoint, I don't think there's any way that defense works. They are just being proven right, in that case, which is basically what people have stated above, and I agree with.

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Dan H

at 18:40 on 2010-09-15

The specific paragraph being debated above is limited third person. Every sentence is grounded in Frey's subjectivity. For me to read it as an objective assessment of the situation, it would have to stand further outside him: "Frey didn't pity Trinica. It wouldn't do any good. The only thing to do was to mourn the loss of the young woman he'd known ten years ago..."

I think you're right that the specific paragraph is a bad example, but I think part of the confusion here is that people seem to be misunderstanding precisely what I find offensive about Frey's reaction to Trinica and the way it is grounded in the text.

People are focusing a lot on the "didn't pity her" line which is actually the line in the whole thing I find *least* offensive. Pity is a patronizing emotion, and what offended me most about Trinica wasn't the lack of sympathy in the text, it was the lack of *respect*.

As Kyra points out, what's really offensive about the whole thing is the second line: "This mockery of his lover was his own doing. He had fashioned her, and she damned him by her existence." What is offensive about this line is not that Frey thinks that way but that the text really does provide strong evidence that he is *right* to think this way.

Frey's *entire* arc (as ignisophis observes) is about going from making excuses for his flaws, to facing up to them and taking responsibility for them. In this context, his taking responsibility for Trinica's condition is presented as both right and correct, and a step on his emotional development towards a better and more complete person. Similarly he *takes responsibility* for his part in the loss of their child, accepting that his cowardice in running away from Trinica was comparable to her cowardice in attempting to take her own life. These are all *personal revelations* which are presented as *unambiguously positive and correct*.

To lay it out clearly, this is a list of things which I consider to be facts about Trinica Dracken which (a) are what Frey believes, (b) are the canonical truth of the setting and (c) are deeply offensive.

1. Trinica attempted to kill herself because Frey left her. Unambiguously true, he admits it, she admits it.

2. Trinica's attempted suicide was motivated partly out of a desire to hurt Frey. She says specifically tells Frey that "I wanted you to know what I had done".

3. Trinica's decision to kill herself was cowardly. Frey believes this, the text does not challenge it, and Frey is presented as developing emotionally when he compares his own cowardice to Trinica's.

4. Trinica's attempted suicide was worse because she was pregnant. Again Frey believes this and the text supports it. Again, Frey's emotional growth comes from his recognition that he *shares* in Trinica's moral culpability for the death of their child.

5. Trinica is a tragic figure. A lot of the argument about what is and is not Frey's PoV seems to come down to the question of whether it is right that he "does not pity" Trinica. What is most certainly *not* subjective, or simply a result of Frey's distorted viewpoint, is that Trinica is *worse off* as a capable, independent Pirate Captain than she was as a nineteen year old china doll.

These are all genuinely, deeply offensive to me - particularly point 3: "suicide is cowardly" is one of the most repugnant ideas to go unchallenged in popular opinion, and a text that repeats it without condemning it reinforces it.

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http://ignisophis.livejournal.com/

at 20:42 on 2010-09-16

I think we're using the word "sympathetic" differently. I'm using it to mean "has qualities with which you can sympathize" whereas you seem to use it to mean "has no flaws".

"I'm [tautology] whereas you [are ridiculous]"? Heh.

In this context I'm using 'sympathetic character' to mean 'a character in whose circumstances I could potentially see myself having similar reactions and making similar choices'. To make it clearer with some examples, in this particular book I find Crake, Harkins, Jez, Malvery and Silo sympathetic. I find Frey and Pinn unsympathetic. Trinica Dracken I find to be about half-and-half.

I mean seriously how do you know a narrator is unreliable without some clue that comes from outside their narration?

I think Arthur and others have already addressed this point. To be clear, I don't consider Frey unreliable in his recounting of facts but I do consider him unreliable in the way he judges and presents those facts. Not due to explicit cues in the text, but by evaluating his judgements and presentations in relation to my own experiences of the real world, in the same way as Melissa suggests the audience is meant to pick up on aspects of "Lolita".

I'm a bit confused here. What about the way Frey feels about Trinica's condition are we supposed to disagree with? How do *you* feel about Trinica's condition and how do you think it's different, and how do you think the text supports that feeling? The book clearly explains to us that Frey had a responsibility to Trinica, that by running out on her he shirked that responsibility, which caused her to attempt suicide and lead to the death of their child, and ultimately to her getting raped and becoming the Dread Pirate Dracken. Frey feels guilty for shirking this responsibility. What about this interpretation do you think is incorrect? How do you think Frey is mistaken here?

As others have said, it's probably not the best idea to get overly hung up on this one paragraph. But to answer your questions...

As you say, one of Frey's big flaws is thinking that everything revolves around him. This is a perfect example. Yes, Frey shirked that initial responsibility, and he is right to feel guilty for doing so - but not so much for the fact that he did so as the manner in which he did so, which is never something he questions because as is stated elsewhere in the text he believes women

need

to be lied to. The crucial error is his assumption that each step led inexorably to the next, as if his initial flight toppled the first in a line of dominoes. The causal links are there but it's not a simple case of "If A Then B", at each step Trinica had a choice in how she reacted and there were multiple other influences on that choice besides the previous steps - such as the culture, her family and the pirates who captured her.

I read the book as extremely didactic, and dislike it because I consider it to be didactic. You seemed to think that my problem was wanting the book to be *more* didactic, when in fact I want it to be *less* didactic. The book as it stands tells us exactly how to feel about everything in it.

My point is that the didacticism doesn't lie in the book itself but in your reading of it. I don't consider it particularly didactic, and Niall appears to agree with me. Furthermore, your review rarely gave me the impression of wanting it to be less didactic - instead you are constantly railing against the book for telling you the wrong things, and rather than not telling you anything you seem to want it to tell you different things: that suicide is not cowardice, that rape is not motivated by beauty, that the person who suffers most in a murder is the victim.

Frey's real flaw is that he believes everything is about him. The thing is that it *really is*. This isn't a matter of perception, every single person he meets is willing to risk everything to either help or harm him. Even Trinica's suicide attempt was *about Frey* and she freely admits that it was about Frey. This isn't unreliable narration, this isn't the subjective viewpoint of a flawed character, this is how things actually are in the setting.

Again, I think you're seeing things in the text that aren't there. For a start, I disagree that that

is

the way things are in the setting. The first two NPCs we meet, Macarde and Quail, most definitely

aren't

willing to risk everything to help or harm him. After that, most of the focus Frey draws isn't because of who he is but because of what he represents; to the Century Knights and society at large the killer of the prince who was the nation's sole heir, to Duke Grephen and his allies a threat to their conspiracy. The only people willing to risk anything for his sake (besides his crew) are Trinica Drecken and the Thades, all three of whom have solid motives for doing so.

what offended me most about Trinica wasn't the lack of sympathy in the text, it was the lack of *respect*. As Kyra points out, what's really offensive about the whole thing is the second line: "This mockery of his lover was his own doing. He had fashioned her, and she damned him by her existence." What is offensive about this line is not that Frey thinks that way but that the text really does provide strong evidence that he is *right* to think this way.

As I explained above, I don't think the text does provide strong evidence that he is right to think that way. Frey believes it, because he thinks everything is about him, but the reader hopefully has enough awareness of the real world to know that life doesn't work like that. I think part of the problem here is that Trinica is also a dysfunctional and psychologically damaged person, about which I shall go into more detail below.

To lay it out clearly, this is a list of things which I consider to be facts about Trinica Dracken which (a) are what Frey believes, (b) are the canonical truth of the setting and (c) are deeply offensive.

1 & 2: (a) and (b) hold. But I'm not sure why you're taking offence? People find many reasons to attempt suicide, and it seems odd to take offence at somebody being psychologically vulnerable. (Tangent: The physiological changes brought on by pregnancy are well known to have an effect on mood, a brief google suggests that some people claim natal depression can cause an increased suicide risk while others claim there is a reduced suicide risk during pregnancy; I don't have the knowledge or inclination to properly search and evaluate the medical literature on the subject, but it's entirely possible Wooding didn't do his research properly either and happened across a study claiming an increased risk?). It's not as if the text suggests she was morally or intellectually justified in attempting to kill herself in that situation or for those motives, which is something I could support taking offence at. These are the interactions of two deeply dysfunctional people, and I see them presented as such.

3: (a) and (c) hold, but I think it's a considerable leap to go from "not challenged by the text" to "the canonical truth of the setting". To my mind, your wanting the text to explicitly challenge and condemn this belief of Frey's also counters your claim that you want the text to be less didactic as opposed to just differently didactic.

4: (a) and (c) hold, and it's possible that Trinica believes it as well. But it's only a canonical truth in the sense that certain characters in canon believe it, as with (3) I think there's a difference (at least in fiction) between not explicitly challenging or condemning a viewpoint and presenting it as a valid and objective ethical judgement.

5: Aristotle defined a tragic figure as someone whose misfortune is brought about by some error of judgement. So yes, I agree that Trinica is a tragic figure and that (a) and (b) hold. But I'm not sure what it is about Trinica being a tragic figure that you find offensive?

Whereas I do find it offensive that you characterise her nineteen year old self as a "china doll". We aren't given that much detail about her life at the time but we do know that she was a wealthy heiress and trained pilot capable of romancing Frey against her family's wishes, convincing Frey to say he'd marry despite his reluctance, and even after her suicide attempt and miscarriage able to steal some money and fly off alone in a small aircraft. Yes she was emotionally vulnerable enough to fall obsessively in love with Frey and attempt suicide when he left her standing pregnant at the altar, but to me the rest of that sounds fairly awesome, not particularly badly off and not particularly "china doll" like either.

Whereas she then spent years being raped and abused, stuck in a situation where she had to use her sexuality as a tool for survival and advancement and a culture where violence and murder are commonplace, then remaining in that culture while denying her sexuality and attempting to present herself as something undesirable. Laying aside the fact that despite the way it's glamorised by fiction and cultural mythology piracy is actually rather horrible, her position as a pirate captain may be capable but whether it's more independent than her early life is a position open to much debate. It's also a position in which I'd say that she possesses a lot more 'public agency' but a lot less 'personal agency', and one which I see as reinforcing and perpetuating the psychological damage she's suffered. So yes, I do think she is a great deal worse off.

A lot of the argument about what is and is not Frey's PoV seems to come down to the question of whether it is right that he "does not pity" Trinica.

I think that's in large part due to the choice of example paragraph!

"suicide is cowardly" is one of the most repugnant ideas to go unchallenged in popular opinion, and a text that repeats it without condemning it reinforces it.

I'd find it really intrusive to have an explicit condemnation, and I think the text does challenge it by showing that Trinica is most definitely not a coward.

To close, I just reread the last chapter of the book and noticed something I didn't before this discussion. When Trinica has Frey (and his crew) at her mercy she lets him go with the following dialogue, which I think stands by itself:

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http://ignisophis.livejournal.com/

at 20:44 on 2010-09-16Oops, missed a blockquote closure in my comment, hope the site admins can edit to make it a bit more readable?

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Arthur B

at 22:05 on 2010-09-16

To be clear, I don't consider Frey unreliable in his recounting of facts but I do consider him unreliable in the way he judges and presents those facts. Not due to explicit cues in the text, but by evaluating his judgements and presentations in relation to my own experiences of the real world, in the same way as Melissa suggests the audience is meant to pick up on aspects of "Lolita".

But doesn't this mean that you end up disagreeing with Frey's assessment of his world because you don't buy into his preconceptions and biases, whereas someone who did share his preconceptions would just find them reinforced?

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Niall

at 09:02 on 2010-09-17Arthur: possibly, but (a) I'd be willing to bet that there's no way to write about a character like Frey that a person like Frey wouldn't find a way to sympathise with, (b) Even if you could find a way to make this hypothetical person-Frey find character-Frey unsympathetic, I would imagine they'd just dislike the book rather than be challenged or changed by it, and (c) I don't think it's literature's job to be concerned with the reactions of a hypothetical person-Frey.

I expect to get some disagreement here on (c), and to an extent I'm going to immediately walk it back, because I think that what is missing from ignisophis' analysis -- while I am broadly more in agreement with his reading than Dan's -- is a sense of a structural argument. Trinica's psychological vulnerability isn't offensive just because it's there, it's offensive because there isn't a broad enough range of female characters in the novel for it to seem exceptional, and because there isn't a broad enough range of characters in the sf and fantasy genres for it to seem exceptional; that is, it plays into prevalent and damaging stereotypes.

I would prefer that stories not do that, he said, with heavy understatement. But that's because of how

I

react to it, not because of how I worry other people might react to it. I don't think it's sustainable, and I do fear that it's arrogant, to pronounce on the latter.

As I say, I agree with much of the rest of ignisophis' response to Dan's five points, particularly

I think it's a considerable leap to go from "not challenged by the text" to "the canonical truth of the setting"

. Absence of endorsement is not endorsement of absence, and as I've already said, I didn't feel shepherded towards one interpretation as Dan did. (In fact, where the female characters are concerned, I was more bothered by Jez than by Trinica (or Amalicia), pretty much because I didn't believe what I was told about Frey's exes -- to build on ignisophis' point, I think the "straightforwardness he'd previously found charming" is a clear hint that young Trinica was

not

precisely the delicate flower Frey imagines her to be -- whereas we get Jez's point of view.) At the same time,

Retribution Falls

is not a good enough book that I want to die in a ditch over it. Also, I'm now late for work. Oops.

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Arthur B

at 09:52 on 2010-09-17

Arthur: possibly, but (a) I'd be willing to bet that there's no way to write about a character like Frey that a person like Frey wouldn't find a way to sympathise with, (b) Even if you could find a way to make this hypothetical person-Frey find character-Frey unsympathetic, I would imagine they'd just dislike the book rather than be challenged or changed by it, and (c) I don't think it's literature's job to be concerned with the reactions of a hypothetical person-Frey.

Ah, but my problem with ignisophis's analysis isn't just it lets people who already agree with Frey off the hook, it also isn't especially helpful for people who already agree with Frey.

If this really is a book the reader has to resort to things that they already know and believe to cobble together an interpretation, which is what ignisophis appears to be saying, then the book isn't really bringing anything new to the table. It's not opening their eyes to another way of looking at the world because it's just asking them to resort to theirs, it's not putting forward any new ideas so much as throwing out facts for people to whip into shape using their own ideas, it's not communicating anything meaningful because the reader finds no meaning or message which they didn't already completely believe in when they picked the book up.

This is something which is, to borrow Dan's terms from the start of an article, alright if you're just talking about a low-investment romp but is troubling if it's something that gets shortlisted for an award. Major landmarks of the SF genre - or any genre, or fiction in general - need to do something more than just saying "Meh, I dunno guys, what do you think?"

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Niall

at 10:18 on 2010-09-17Philosophy-of-awards as well as philosophy-of-reading, eh? It's like you're deliberately

trying

to distract me from work... :-)

I was surprised to see

Retribution Falls

on the Clarke shortlist, I think a lot of people were surprised, there were plenty of books I would rather have seen shortlisted, and had it won, I would have been upset for pretty much the reasons you outline. That said, part of the reason I was surprised was that books like

Retribution Falls

-- by which I mean adventure novels -- just don't get shortlisted for the Clarke very often. And in principle, I would like a definition of "the best science fiction novel of the year" to be able to include really good adventure novels, which do after all make up the bulk of what gets published as sf. So there was an extent to which I was happy to see it on the shortlist, even though I think it's pretty disposable, because it represents an assertion that this sort of thing

can

be the best sf has to offer, and because when reading the six shortlisted books in quick succession, it was a change of pace.

I would be interested to know what people make of

The Fade

, Wooding's previous novel, which I read several years ago and much less attentively than I read

Retribution Falls

, but which I remember as significantly more interesting (and better) on some of the issues we've been discussing here. I'm also quite tempted, now, to pick up the RF sequel

Black Lung Captain

, just to see how things pan out...

Also:

Absence of endorsement is not endorsement of absence

That doesn't actually make any sense at all, does it? Just forget I typed it, stick with what ignisophis wrote.

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Niall

at 10:19 on 2010-09-17

really good adventure novels, which do after all make up the bulk of what gets published as sf.

That is, adventure novels make up the bulk of what's published as sf. Really good adventure novels, sadly, seem to be thin on the ground.

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Arthur B

at 11:14 on 2010-09-17

And in principle, I would like a definition of "the best science fiction novel of the year" to be able to include really good adventure novels, which do after all make up the bulk of what gets published as sf.

Oh, I think there are books that qualify as classics of the genre that basically boil down to being adventure novels - like anything Jack Vance ever wrote. But ideally your pure adventure novel should say "Hey, I'm a pure adventure novel, I'm not trying to say anything profound", which is at least a positive statement, rather than being an abstention from making any kind of statement at all.

(Of course Dan would argue that Redemption Falls doesn't abstain from making any kind of statement at all, but I'm not tackling that so much as I'm taking issue with ignisophis's stance that you can work out how the book is intended to come across by resorting to your own personal knowledge and preconceptions rather than anything in the text.)

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Melissa G.

at 17:53 on 2010-09-17

I'm taking issue with ignisophis's stance that you can work out how the book is intended to come across by resorting to your own personal knowledge and preconceptions rather than anything in the text.)

I see what you're saying here (I think). To bring it back to my original example of Lolita, the only people who will find Humbert Humbert offensive and creepy and wrong are the people who already think "pedophilia is bad". Any pedophile reading the book is likely to walk away thinking, "Yes, exactly, he totally gets it!" The smart, non-pedophile reader will vilify Humbert Humbert, whereas a creepy child-molesting reader is likely to vilify Lolita, that damn little cocktease.

The book does require people to come to it with the preconception of "pedophiles are creepy and wrong", and honestly most people do. Unfortunately for "Retribution Falls" (and I've not read it so I'm just going on what the article/comments have said), most people do not come to a sci-fi novel with a preconceived notion of feminism and an expectation of strong females characters because, as Niall said, it plays into "dangerous stereotypes". These tropes exist so strongly in SF/Fantasy that it's more difficult to assume that the reader will know not to take Frey's attitude as how we are meant to view the world. Granted, this gets into "assuming your reader is an idiot" which can be even more infuriating, but I think this might be what some people are taking issue with. Correct me if I'm wrong. :-)

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Sister Magpie

at 18:25 on 2010-09-17I don't want to weigh in on Retribution Falls since I haven't read it, but I remember Lolita as having a few moments where Nabakov seemed to make it clear that Humbert was wrong too. For instance, doesn't he get sick when he catches sight of Quilty watching Lolita innocently playing with a dog and obviously perving on her, as if he's looking at himself from the outside? And one thing I do remember is one passage where Humbert is describing their happy life together and almost accidentally talks about Lolita crying herself to sleep at night.

The book is mostly in his pov but iirc Nabakov had a real history of writing unreliable narrators so that became a central idea of the book. Pale Fire has a seemingly insane person writing notes on a poem, Despair (I think it was?) is a novel about a guy who finds his exact double...except only the narrator actually thinks they look alike. I'm not sure if this author has the same interest?

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Dan H

at 22:03 on 2010-09-17

I don't want to weigh in on Retribution Falls since I haven't read it, but I remember Lolita as having a few moments where Nabakov seemed to make it clear that Humbert was wrong too

Humbert Humbert is fairly unambiguously wrong in Lolita. This is what I really don't get about "viewpoint" arguments - it's entirely possible for a book to be written from the point of view of a character and still be critical of that point of view.

Heck, Retribution Falls does this with its other viewpoint characters. Crake's chapters are full of his comments about how awful and common everybody else is, but it is extraordinarily clear from the way the book is written that we are supposed to disagree with him.

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Dan H

at 23:28 on 2010-09-17

In this context I'm using 'sympathetic character' to mean 'a character in whose circumstances I could potentially see myself having similar reactions and making similar choices'.

Umm, then you're using a very weird definition of "sympathetic".

I *sympathized* with Humbert Humbert. I wouldn't marry a woman just so I could fuck her daughter.

To be clear, I don't consider Frey unreliable in his recounting of facts but I do consider him unreliable in the way he judges and presents those facts.

But his judgment of those facts is reinforced by the way other people behave and what other people say about him.

. The crucial error is his assumption that each step led inexorably to the next, as if his initial flight toppled the first in a line of dominoes.

Except that there is no evidence in the text that he is incorrect, and quite a lot of evidence in the text that he *is* correct.

My point is that the didacticism doesn't lie in the book itself but in your reading of it.

I think "didacticism" is actually the wrong word to use here. The book is *heavy handed*. It tells you very clearly and explicitly what to think about things. It's not a subtle text.

Again, I think you're seeing things in the text that aren't there ... The only people willing to risk anything for his sake (besides his crew) are Trinica Drecken and the Thades, all three of whom have solid motives for doing so.

But don't the crew, Trinica, and the Thades together represent all of the viewpoint characters and most of the incidental cast. Who's left to not give a damn about him, other than the Century Knights?

As I explained above, I don't think the text does provide strong evidence that he is right to think that way. Frey believes it, because he thinks everything is about him, but the reader hopefully has enough awareness of the real world to know that life doesn't work like that.

I really, really don't understand what you're saying here. You seem to be saying that because something is not true in real life, it should not matter if it is presented as being true in a book, because people will know it is not true in real life? That's *fairly clearly nonsense*.

Fiction, whatever fandom may believe, operates off a set of conventions which are not the conventions of reality. When a character reaches a conclusion as part of an arc which is *all about* their growing sense of personal responsibility and self-awareness, it is *ludicrous* to suggest that the conclusion is meant to be wrong.

Real life doesn't figure into it. I know that black people aren't subhuman monsters, does that mean that

On the Creation of Niggers

should not be interpreted as saying they are?

1 & 2: (a) and (b) hold. But I'm not sure why you're taking offence? People find many reasons to attempt suicide, and it seems odd to take offence at somebody being psychologically vulnerable.

It's offensive because it reduces Trinica to a commentary on Frey. It's offensive because it reinforces Frey's claim to have created Trinica which you've just insisted that the text doesn't reinforce. It's offensive because it contributes to the massive amounts textual evidence that Frey is actually basically right about both Trinica specifically, and about women in general.

If Frey wasn't a misogynist dickbag who believed women were fundamentally weak and needy, it wouldn't have been so much of a problem that the love of his life was fundamentally weak and needy. I might add that while people attempt suicide for a variety of reasons "in order to induce a miscarriage, in order to upset their ex boyfriend" is seldom one of them. Again it makes Trinica sound like a horrible, vicious, hysterical shrew and that's *not* Frey's viewpoint, that's what she's *actually like*.

3: (a) and (c) hold, but I think it's a considerable leap to go from "not challenged by the text" to "the canonical truth of the setting". To my mind, your wanting the text to explicitly challenge and condemn this belief of Frey's also counters your claim that you want the text to be less didactic as opposed to just differentlydidactic.

I genuinely don't understand how your mind works here.

So Frey makes a statement: Trinica's suicide attempt was an act of cowardice. This statement is presented as part of his emotional development, and is reinforced time and again in the narration.

What you seem to be doing is letting your preconceptions from outside the text colour your ability to see what is *actually there*. Frey's beliefs are never challenged, therefore they are facts within the context of the text. That is how fiction works.

4: (a) and (c) hold, and it's possible that Trinica believes it as well. But it's only a canonical truth in the sense that certain characters in canon believe it, as with (3) I think there's a difference (at least in fiction) between not explicitly challenging or condemning a viewpoint and presenting it as a valid and objective ethical judgement.

No. There isn't.

What the characters in a text believe is what is true in that text, unless there is some other evidence *within* the text that the characters are mistaken.

The Chronicles of Narnia are not about a world where superstitious people mistakenly worship a lion. Star Wars is not about a group of terrorists attacking the legitimate government of the galaxy. Twenty-Four is not a scathing attack on the War on Terror. Harry Potter is not about a manipulative headmaster tricking a selfish idiot-boy into killing himself.

That is not how fiction *works*.

5: Aristotle defined a tragic figure as someone whose misfortune is brought about by some error of judgement. So yes, I agree that Trinica is a tragic figure and that (a) and (b) hold. But I'm not sure what it is about Trinica being a tragic figure that you find offensive?

Broadly speaking, what I find offensive is the fact that she's a woman in a refrigerator.

Whereas I do find it offensive that you characterise her nineteen year old self as a "china doll".

Since every single piece of imagery we get of her nineteen year old self is one of fragility and vulnerability, I stand by my phrase.

Whereas she then spent years being raped and abused, stuck in a situation where she had to use her sexuality as a tool for survival and advancement and a culture where violence and murder are commonplace, then remaining in that culture while denying her sexuality and attempting to present herself as something undesirable.

All of which are infuriating, offensive stereotypes.

The notion that women can only get on in the world by "using their sexuality" (whatever the hell that means) is a myth which fits in *exactly* with Frey's brand of misogynist bullshit. Notice we're never actually told how Trinica got to be captain, only that she "used her sexuality" and of course because she's a WOMAN and therefore has MAGIC WOMAN POWERS that's enough. Because apparently a group of people who will happily rape the shit out of you will also be totally awed by the mystery of your womanhood.

Trinica's entire backstory is founded on rape myths and misogynist bullshit. It is *impossible for her to exist* in a world in which a bunch of offensive, apologist bullshit about rape, sexuality and sexual power are not canonically true.

I'd find it really intrusive to have an explicit condemnation, and I think the text does challenge it by showing that Trinica is most definitely not a coward.

When?

Trinica is totally a coward. She's weak, pathetic and trapped. Hell you say as much yourself when you talk about how much worse off she is now than when she was an heiress. She's totally broken by everything that happens to her and transparently has nothing left to live for. She does dangerous shit, but that's because she's effectively dead already.

To close, I just reread the last chapter of the book and noticed something I didn't before this discussion. When Trinica has Frey (and his crew) at her mercy she lets him go with the following dialogue, which I think stands by itself:

You don't think maybe that was just a cheap cop-out to avoid having yet *another* improbable escape?

Whatever she says (after all, aren't you the one who insists that what characters say can't be taken at face value) her *entire life* still revolves around Frey. Her *entire purpose* in the book is to provide Frey with something to angst about.

She's an awful, stereotypical, insulting character.

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Niall

at 09:50 on 2010-09-18

Crake's chapters are full of his comments about how awful and common everybody else is, but it is extraordinarily clear from the way the book is written that we are supposed to disagree with him.

Can you pin down what the difference is? Ideally, I guess, with examples, which specific sentences you think make clear we're meant to disagree with Crake, the ones that are missing from Frey's chapters. I feel like we're getting a bit lost in the generalities, at this point.

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Alasdair Czyrnyj

at 01:04 on 2011-06-18Well, I've started on Dan's old copy of this book (Thanks again for shipping it to me!), and right now I'm in broad agreement with his assessment of Capt. Cockspank. I've read stuff that's worse than this (I'm looking at you, Stephen Hunt and George Mann), and I give Wooding credit for avoiding the creepy ultraviolence those guys like to delve into, but RF is really a shallow book. I've haven't run into Trinica yet, but I've got past Frey's encounter with Amalicia at the convent, and that whole sequence was pretty sophomoric.

Actually, this whole thing has started me wondering about how George Macdonald Fraser managed to make Flashman as much of a pig as Frey and still be a fun character to read about. Right now I'm juggling between Flashman's self-awareness, the fact that his transgressions always come back to bite him in the ass, and the simple fact that he's actually funny and has a brain or two in his head.

(On a side note, the story has me wondering yet again how vulnerable the "air pirate" pseudosubsubgenre is to technological progress. Most of the stuff I've seen never seems to stray much beyond the 1920s and 1930s tech-wise, so I'm wondering if this is a fantasy realm that can't survive in an era of radar, missiles, and jet engines. Hey, I'm a child of alternate history. This is how we think, dammit!)

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https://me.yahoo.com/a/0txE6GYMzdiwjPOqDTwLdeHMvOdijS5Jm1c-#9995a

at 05:52 on 2011-06-18

On a side note, the story has me wondering yet again how vulnerable the "air pirate" pseudosubsubgenre is to technological progress. Most of the stuff I've seen never seems to stray much beyond the 1920s and 1930s tech-wise, so I'm wondering if this is a fantasy realm that can't survive in an era of radar, missiles, and jet engines.

It's probably possible, but you'd run the risk of jumping straight from "air pirates" to "space pirates" toting lasers that can vaporise half a mile of woodland countryside in the blink of an eye.

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https://me.yahoo.com/a/0txE6GYMzdiwjPOqDTwLdeHMvOdijS5Jm1c-#9995a

at 10:34 on 2011-06-18

It's probably possible

I meant to put in "to write a novel featuring air pirates in a modernistic setting" right after that. Sorry, bit of an oversight on my behalf.

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https://profiles.google.com/Iaculoid

at 12:38 on 2011-06-18You could probably take some cues from modern pirates, like the ones operating off the coast of Somalia. Our hypothetical air pirates would probably fly fast, stealthy, and heavily-customised craft up-gunned from civilian marques and 'liberated' from their country's collapsed military, forcing down every cargo plane and airliner that enters their airspace and ransoming off their crew and payloads to the parent countries.

All you'd need is a slight advance in aircraft technology and its general commercial availability, as a matter of fact.

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Arthur B

at 13:57 on 2011-06-18

All you'd need is a slight advance in aircraft technology and its general commercial availability, as a matter of fact.

Perhaps not even that. Posit a Cold War era proxy war in which the US or Soviets armed one side with an air force... let the proxy war (and the superpower funding) die off with the end of the Cold War, and have all of these planes sat there with nobody especially keen on asking for them back (because that'd mean admitting the superpower's level of involvement in the war) and no effectual government to take charge of them. Throw in a bunch of fighter pilots owed a heap of back pay and with families to clothe and feed and protect in the anarchy that the war has left behind.

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https://profiles.google.com/Iaculoid

at 16:46 on 2011-06-18Indeed so. You'd even see several piratical conventions return with the aid of modern technology, like flying under false colours. Instead of, say, baiting in pirates with a lumbering freighter hiding a company of heavily-armed marines on board, you'd see stuff like military fighters using radar-reflectors to disguise themselves as juicy, tempting commercial aircraft.

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Alasdair Czyrnyj

at 01:11 on 2011-06-21Wow, you guys are all way more creative about modern air piracy that I am. I've toyed with the idea once or twice, but I just ended up decided that the precision machinery/know-how needed to keep modern planes going would be too much for a pirate outfit to afford. (Then again, I've rarely wondered about where airship pirates get their hydrogen/hydrogen knockoff, so maybe I'm being too close-minded here.)

Anyway, I've finished the book, and I've got to agree with the general consensus. I personally found that Frey's arc essentially read as a transition from a self-centered asshole to a self-promoting asshole (a.k.a. The Kirk09 Character Arc). I personally found Jez the most interesting character, though I felt she needed a meatier role (perhaps in a better book than the one she got stuck in).

One thing really irked me though, and it's something I haven't seen any other reviewers pick up on: the pilot Harkins. In the one chapter where he gets to be a viewpoint character, his interior monologue makes it clear that he's suffering from a pretty severe form of PTSD. And yet, his main purpose in the book is to be mocked for his "cowardice."

Not cool at all.

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https://profiles.google.com/Iaculoid

at 22:25 on 2011-06-21Yeah, I think that if you're disputing modern air-pirate concepts on grounds of realism (particularly Arthur's very down-to-earth redundant-pilots scenario), then you probably need to ask yourself some serious questions about why there weren't vast fleets of corsair zeppelins floating above London in the '20s.

In fact, I'd say that some old Cold War-surplus jets in a camouflaged airbase actually seem easier to operate than some fancy pirate airship. Could be wrong, though - my experience with airships is... less than exhaustive.

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http://ruderetum.blogspot.com/

at 09:03 on 2011-06-22I would think it is a question of familiarity. Airships have that air of classy obsoleteness about them, everybody knows they're not very practical as weapons of war and perhaps that whole slow ballooniousness makes them seem easier to supply and operate. Jet fighters on the other hand are well known as deadly and hugely expensive machines which require the financial capabilities of a nation state or a huge corporation to keep in the air. You also get the feeling that even if an airship has its problems, if it is filled and operational, it's quite autonomous; for example zeppelins flew to South America and back on a pleasure cruise. So a rogue airship, if it was armoured or whatever, could supply itself from the country side or land for a stop in different places, whereas a fighter needs a separate ground crew and all those facilities to remain operational from one day to the next.

So, airships could be more mobile basewise and thus it adds to the romance?

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Vermisvere

at 09:45 on 2011-06-22Perhaps the airship could serve as a mobile base and lift-off point for the jet fighters - sort of like a modern-day aircraft carrier, only airborne. Throw in some anti-aicraft turrets to be manned by the crew against hostile jets and airships and you've more or less got your pirate airship of the future.

In short, a militarised version of

this

.

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https://profiles.google.com/Iaculoid

at 14:18 on 2011-06-22Well, that'd certainly deal with the problem of having fixed, vulnerable airstrips on the ground for the military to demolish (though they'd best hope it's capable of landing planes of any size, or they'll still need somewhere to force their captives down onto). Plus it would serve as a convenient shorthand for 'hey, aircraft technology is really cheap and easy to use now!'.

Depends on how high-tech you want your air-pirates to be, I guess. Either daring, desperate wash-outs on a shoestring budget, or organised, brutally efficient criminals who are practically running a major corporate enterprise.

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http://ruderetum.blogspot.com/

at 14:21 on 2011-06-22Or an upgrade on

this

.

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Steve Stirling at 05:18 on 2011-07-13

I'm going to start by pointing out that having one female character out of seven is the worst possible option. Zero out of seven, and you have a setting in which women don't fly airships, which is absolutely fine. Put in exactly one, and you suddenly have a society where women are apparently perfectly accepted on the setting equivalent of the Spanish Main, but never the less you've only got one in your crew. Zero is a better number than one in this situation is all I'm saying.

-- not saying the book is good on male-female relations, but this bit is pretty accurate with respect to much of history. In other words, there -were- women pirates on the Spanish Main. Not many, but they existed, both in male disguise or 'disguise' and, still more rarely, as women.

And there was a well-known woman who became a captain in the Russian cavalry during the Napoleonic Wars, and was allowed to stay on by special order of the Czar after she was 'found out'.

The usual attitude was, inconsistently:

a) "everyone knows" that women are too weak, fragile and vulnerable to do this (for various values of 'this'), but;

b) Cynthia/Alice/Whoever is a good troop and we don't tell the Captain about her because she's hauling her weight and we need her, and besides she'd kill anyone who blabbed, like she did Frank.

In other words, women were present, but rarely; they weren't accepted, but could occasionally push their way in, with guile, luck, great ability and incredible determination.

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Michal

at 06:10 on 2011-07-13There's only one thing I thought when I saw that cover:

Airship Pirate!

[thebandcampdiaries]

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