#tungston

[samscartoonsofficial]

wip comic sort've of Shrike and Beebs with Cephany and Tungston.

I think them interacting as a group would be both funny and Chaotic.

Don't mind Shrike. He's fine..maybe :)

[samscartoonsofficial]

this would be funny to tag monkey wrench ocs with lol

what are you even supposed to do when youre angry.  cant scream at anyone cos im not a dick. cant break anything cos i paid money for that. cant rip my hair out cos i need it on my head. literally what now

[maudiemoods]

In the booth straight up jorking it. And by "it" I mean. My fuvking torch

[fancycroissantgothparty]

Overkill!!! ('Nother other doodle)

[jammy342]

"Ramen, reguardless of how many of my friends you bring im still going to win!"

>Jammy readies a cosmic attack.

[bwabbitv3s]

Making the World’s Heaviest Tungsten Dice

Can we make the heaviest dice using Tungsten?

[bocchidaily]

Bocchi the tungston cube

Day 108: I sit here with my tungsten cube, transcendent above death itself. For insofar as this tungsten cube will last forever, I am in the presence of immortality.

[vasiszoni]

art gift for Hailey's Discord Server

Helloooooo everyone, I know, this came out unexpectedly of me to randomly show up in this fandom instead of being stuck at Warrior Cats, but I was motivated in watching Monkey Wrench, which is currently my biggest interest :3

Most of the OCs are not mine, they belong to some peeps. I picked out the peeps from Hailey's Discord server. I actually do have 2 characters within the banner art(?), but, there's gonna be a list of who has who (all users will have their Discord username placed, so if you find your character in the art, screech here!)

(The "OC SERVER" logo placed in front of the Monkey Wrench logo is drawn by me)

First row: Ghost (_zero001), Grapple (aleepime), Dullivan, Pastella (coonae), H.A.T.E (dark333rose), Marrilium, Aurora (drawermary), Brax "Braxie" (golden_ibis), Vivek, Zahari (havockingboo)

Second row: Belle O'dana (justsome_dromeosaurid), Jack (merlin_of_avalon), Seams (monoclairx), Jexa (nerdybirdie), Waterfowl, D.O.S (opti_mistic), Blixie, Raz (sammytorres), Ceph, Tungston (samscartoons.)

Third row: Tally (suzy21.), Fritz (toastedclownery), Evere, Navea (my OCs), Lupus, Andromeda, Turing (wolfwitchery)

Time taken: 4 days, with breaks included

App used: ibisPaint X (I only used my finger to draw)

(don't expect me to show art for a few days, I gotta rest)

[stephenjplant]

Here's a digital maquette for my Disney-inspired OC "Crevastian". The dapper burrowing owl is royal advisor to King Tungston, and the uptight voice of caution to Princess Beriel's untempered fascination with the surface world.

[midnightcowboy1969]

What are some of your favourite movies?

Thank you for the ask! (Don't take the numbers too seriously)

Midnight Cowboy (1969), dir. John Schlesinger - Joe Buck the Texan dishwasher goes to New York to hustle women but falls for the little scammer Rico Rizzo who offers him a place to stay when he in record-speed becomes homeless.

A New Leaf (1971), dir. Elaine May - Henry Graham, a rich man who has been living a very unsustainable lifestyle, is now broke. He wants to find a wife, kill her and then inheret her wealth. He ends up with Henrietta, a rich, family-less, botanist who is also a big clutz. ROMANCE.

Gilda (1946), dir. Charles Vidor - Johnny Farrell (bad bi rep) goes to Argentina and gets rescued from being mugged by the casino owner and tungston cartel boss Ballin Mundson, and starts working for him. One day Ballin has found himself an American wife, Gilda. Surprise, surprise. She's Johnny's ex. Drama. Amazing. Women's rights, as Johnny and Ballin are peak misogynistic.

The Roaring Twenties (1939), dir. Raoul Walsh - Eddie Bartlett returns home from the war and its rough being a veteran. He ends up working for the mob and then teams up with George Hally (who is >:)) and they go right to the top. There's like a love-gemoetrical shape. Jean Sherman, a performer, likes Lloyd Hart (friend of Eddie who works for him) but Eddie wants Jean. The singer Panama Smith yearns for Eddie. George and Eddie are married and divorced at the same time. Amazing. Love it.

Deadhead Miles (1972), dir. Vernon Zimmerman - Alan Arkin and Paul Benedict drive a truck. That's it. The music is great. The dialogue is interesting.

Harvey (1950), dir. Henry Koster - Elwood P. Dowd, a pleasant man living with his sister, has an invisible rabbit friend. People think he is mentally unwell, and his sister wants him put away. Pleasantness prevails! Long live kindness!

3:10 to Yuma (1957), dir. Delmer Daves - Dan Evans must regain his fatherly masculinity, he thinks, after his sons see him willingly hand their horses over to Ben Wade and his gang of outlaws etc etc. Because there's a drought, the Evans family also needs cash (for their little ranch), and so Dan agrees to help get Ben to prison in Yuma, aka. on the 3:10 train to Yuma. In Contention City, Dan and Ben are in the bridal suite, and Ben being a slut temptress tries to bribe Dan with cash into letting him go while >:) on the bridal bed. Amazing. Iconic.

The Wicker Man (1973), dir. Robin Hardy - Police sergeant Neil Howie goes to Summerisle to find the missing girl Rowan. Everybody there are unchristian sluts to Howie's horror. Unbeknownst to him, he is a fool. Very good.

Real Life (1979), dir. Albert Brooks - A fictional version of Albert Brooks wants to make a movie about real life! He gets himself a family and some scientists to study this thing. The problem is that Brooks is not completely stable and well... what is 'real life' on camera. Amazing! Love it!

Invasion of the Body Snatchers (1978), dir. Philip Kaufman - Aliens are taking over and look just like us. Donald Sutherland and Brooke Adams are so <333333. If you've not seen it, it's kind of fun having seen the 1958 version first (the book isn't all that) so you get the little thing about the man running around all :'0. And, it's a good movie. Both are good.

I have many more. These are the ones I remember now :))) Thank you again :)))

[samscartoonsofficial]

The Three Amigos

Wow who are THESE wacky new Monkey Wrench characters?? /J

Thanks to the friends I've made in this fandom these 3 have come such a long way.

I have big plans for these goobers but am waiting patiently for the next episode before making any large projects.

The show means SO much to me and has given me so many new friends and sparks to my life everyday.

Gonna post screenshots of blorbos of their writing here and there that I've discussed with the homies. Hopefully I get over the art block soon so I can draw more silly stuff.

[lsttcs]

salt fare nort sea

#saltfarenorthsea

the wheat cader of rereal

a simplistic fesk if military and selifshly it-wrong military

so fomelly trinkets a quarry hill

and deedsect bled sembul woyrums in the guts of their sed jack pockitlitests

all waging fointly buff

but soinly despetid really reasrt yease et round say

equal sewq as deed sed remind sadercade after’s and tret spreading trey bulbs

gonna be ditched at the plastic potshots

adellyverves sew quartz and all set redaiolium

like faster basewere, were tungston, by tungston ill weq reembrace verb n sew as dew fert few sart deasfk

deasfk only real military flag

rert, the malloy at the tip of the sink in caderwadeheavy boew n leerching pufret leeper strands

and sell sames, scarlet rising

quest their yester- as sawash saw er their wet rq for jogging

[ardn516-samantha-ortiz]

Available Light Workshop

Produce three photographs of the same interior scene that is lit by only domestic interior lighting. With each image use a different white balance setting – daylight (5000K), domestic light bulb (3000K) and something inbetween. How do these different light qualities impact on your image? What choices will you make that best serves your subject and its inherent possible ideas. At this point in time you may not be working with a particular idea or concept, however you will intuitively know how you want this space to be rendered by and through your camera. Compare these three photographs.

Place: My bedroom

Date: 18/08/24

Time of Day: 10am

Sky: partially cloudy.

Interior Lighting: 2800 approx

Number of frames shot: 03

Reflection:

The different types of light changed the atmosphere and scenery of the picture. From the lowest 3000K, my room looks as it usually would perfectly captivating how it looks in real time. In the middle 4000K, the picture has an almost violet hue to it but still having warmth to it while not being overly saturated and matches the colour of my room well. Lastly 5000K, the effect it leaves on the picture has developed a warm and cozy atmosphere perfect for sleep. This task has taught me how different types of lighting can shapes how the environment is viewed and what possible messages it can tell.

2. Produce three photographs of a different interior scene that is lit by both domestic light bulb (tungston) and daylight (through a window or two). With each image use a different white balance setting – daylight (5000K), domestic light bulb (3000K) and something inbetween. How do these different light qualities impact on your image? How are the two different light sources being read in the final photographs? How can you create a transistion between daylight and tungsten light?

Place: WG building

Date: 16/08/24

Time of Day: 4:40pm

Sky: Cloudy.

Interior Lighting: 7000 approx

Number of frames shot: 03

Reflection:

I experimented with domestic and daylight lighting and how it can affect my image. As observed, the two light sources and the white balance on top of it amplifies the tones of the scene. The first image of 3000K generates a cooler tone and washing out any warm tones in the scenery. The middle 4000K white balance highlights both cool and warm tones well without blocking the other out. In the last image with 5000K white balance has an opposite effect, the image has a warmer tone and washes out cool tones and the shadows/lighting that appears from the cooler toned lights. To transistion between the tungsten and daylight, it would be best to use an in-between light to subtly blend the two different light sources with a common ground. As seen in the pictures above, the middle picture has a white balance of 4000K, an in-between for the tungsten and daylight sources which will ease the two sources as it is a perfect mix of the two.

[ardn516varickevangelista]

Week 3:

Number One:

Produce three photographs of the same interior scene that is lit by only domestic interior lighting. With each image use a different white balance setting – daylight (5000K), domestic light bulb (3000K) and something inbetween. How do these different light qualities impact on your image? What choices will you make that best serves your subject and its inherent possible ideas. At this point in time you may not be working with a particular idea or concept, however you will intuitively know how you want this space to be rendered by and through your camera. Compare these three photographs.

Photo #1: 5000K

Photo #2: 4000K

Photo #3: 3000K

Comparing these 3 photos of the living room of my house, obviously these are set at different colour temps. From this littel exercise, it's best if I use a warmer (more daylight) Kelvin colour balance in order to get a better representation of what the living room actually looks like in the real world. Nowadays, cameras have really good auto white balance, but sometimes the camera will find it diffucult to know what Kelvin to settle on.

It's also easier to change your white balance in Post-Production, especially when shooting RAW, very easy to change the Kelvin of your white balance to get it to look right.

Number Two:

Produce three photographs of a different interior scene that is lit by both domestic light bulb (tungston) and daylight (through a window or two). With each image use a different white balance setting – daylight (5000K), domestic light bulb (3000K) and something inbetween. How do these different light qualities impact on your image? How are the two different light sources being read in the final photographs? How can you create a transistion between daylight and tungsten light?

Photo #1: 3000K

Photo #2: 4000K

Photo #3: 5000K

Number Three:

Set up a small still life within an interior space, lit by daylight through a door or window.

a. Photograph the still life as is - with no other light source. b. Photograph the still life with the room light on (mixed light temperatures) c. Photograph the still life without the room light and using a fill-in light to lighten the shadow area. To do this you will need to bounce daylight from the window or door onto a white surface that is angled sufficiently to direct the light into the shadow area. Large pieces of white polystyrene do the job very well, or reflective photography umbrellas, a white sheet, or last but not least a white pillow. The idea here is to redirect some of this precious light falling through the window or door (interrupt the light) to fill in the shadows, so as to create an image with as much detail as possible.

Photo 1 with no artificial light.

Taken of my cousins stroller in the living room during noon. Clear skies and sunny. Quite dark in the area, but its a high dymanic scene so it's a good area to test out the difference when a white reflective piece of material bounces the light off back into the scene. Roughly 5000K colour temp.

Photo #2 with added artifical light, but does not make a difference.

Still quite dark in the area, but again, its a high dymanic scene so it's a good area to test out the difference when a white reflective piece of material bounces the light off back into the scene. Still Roughly 5000K colour temp.

Photo #3. no artifical light, but used my huge white sitting pillow to give a boost to the shadows. Big difference compared to the previous two images.

[scieguy]

What's everyone's faborite flavor metal?

Personally I'm a big fan of tungston

[nickgiles]

WEEK 3 -> Technical Photoshoot.

32 photos.

In this week's technical photoshoot we looked into the available light we have in the given space we have. available light can be natural (sunlight, moonlight or starlight) or artificial (tungston, halogen lighting.)

Light is measured in "K" or Kelvin. (from 1800K to 10000K)

Each location was shot in different lighting. From left to right:

3650K - Quartz Lighting.

6000K - "Cloudy Lighting" this was meant to be a shady shot but it was being lit by white paint from another building.

7900K - Shady Lighting – this is the closest we got to shady lighting.

5500K - Direct Lighting.