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snail-preist · 1 month ago
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and all you need is a little bit of aromatase (see bottom of diagram)
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Figure 1. the biological pathway of how various steriods are synthesized within the human body beginning with cholesterol.
also I don't know what thing in your post is but that isn't testosterone
it isn't even in -one. it is a diol tho, specifically it looks closest to 10-methyl estradiol which doesn't really exist. there also the alkene/aromaticity is weird? carbon 1 is reduced/hydrogenated? and carbon 2 has a double bond to carbon 3?
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fuck this one carbon atom tbh
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eluxcastar · 2 years ago
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As I opened my tumblr, just to check if there is new Arlecchino stuff to swallow... lo and behold, I saw your post with the Arlecchino simp tags. Shot me the moment I stepped into the door right there, hahaha! May I request an Arlecchino x reader, headcanon or anything you're comfortable coming up with. The reader is thousands of years old, who got disowned by the Tsaritsa because they declined their performance in greatness for someone else's benefit and saw no worth in her/them. Could be a sibling or a friend, the betrayal stung like a bee since she/they saw Tsaritsa as a mother figure or could literally be the mother (Got kunikuzushi'd in a way, minus the puppet part). So, here's the main part - How Arlecchino would handle that person, when they meet in hostile terms. An accidental encounter, had banters and fights and eventually found strange subtle solace from each other. Could be romantic, or just obsession on Arlecchino's part because we love deranged women pls step on me with your sharp heels - anyway, since Arlecchino is interpreted as someone who won't hesitant to betray the Fatui. On her own benefit, works with the reader to mess and interrupt Fatui operations. I won't include more or else you'd be dealing a whole thesis of it. Hahahah! Good day to you~!
One of Repetition
── ୨୧:arlecchino x reader
୨୧﹑synopsis :: in a strange decision nobody quite understood but could not contest, you were dismissed from your position by the tsaritsa herself but allowed to live. you wander for some time, lost and confused, and most notably unable to escape the fatui even when you are no longer associated with them, which means an unwanted letter and an even more unwanted visit from the knave.
୨୧﹑genre :: kinda angsty
୨୧﹑content :: fem reader, reader has a pyro vision, arlecchino has a cryo delusion, reader uses a bow, capitano is not human this time, he's just a plot device too, their previous relationship is implied but ambiguous, implied age difference, reader is most often called by the title brighella, writing this spiralled me into insanity, possibly bad writing, not proofread 
୨୧﹑words :: 13.6k
hehe, I know that Arlecchino simps flock to me once they learn my requests are open. I have no idea why. maybe they're just especially desperate for food, but they linger, and I have a little collection of anons.
don't worry about how much it'll take me, I honestly enjoy writing longer works. anyway, I received a request similar to this some time ago (was it you? I have encountered that before) but haven't gotten around to completing it, so I'll be partly combining the two
here's the other request:
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it's gonna provide some stuff for me to follow, and I remember exactly when I got it, so I wanted to include it for the dear anon who sent it
why brighella you may ask well that's because brighella has been described before as essentially Arlecchino's smarter and more vindictive brother and they compliment each other well. I think Arlecchino may also work for Brighella in some versions?? either way it felt right even though they're not really based off of the character brighella, they do share a few traits with him but not fully it's just a fun little parallel
I really did not expect this to be so long that it literally lagged the writing program I was using to save it and I have been staring at this for so long I literally have no gauge on the quality anymore just that it's variable because it took me so long someone send help
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Her words left you exasperated, literally at a loss for words, and you struggled to comprehend the reason for it. There was nothing you could think of, no instance that struck you as prominent. Yet, somehow as one of the Tsaritsa's children, you had become what any parent might refer to simply as a disappointment, their failure—the problem child who never quite ironed out their issues. You had always been faithful to her, hopelessly devoted to the archon and her will. News such as this came out of nowhere and struck you like a hammer to the chest.
Two of her most mighty children were near and dear to her, and now the other had turned against you as he remains loyal to her. The Jester, who you once held in high regard, has turned against you. It is a bitter pill to swallow, for you must now sever ties with the one man you believed was truly deserving of serving the Tsaritsa. Your mother— your world— turns against you with him, before him, leading the way for him. 
In vain, you draw your bow to strike an arrow between his eyes, prove your strength and power as above your position, above him, but it means nothing. Your strike is blocked, and the Tsarita's Damselette Columbina moves to detain you. You believe she would not be strong enough, but you don't itch to fight ten other Harbingers. You understand that even you have a limit, and fighting what are supposed to be the strongest people in the country is not a part of that. Your honour is on the line, an honour which would tarnish not only Brighella's name but also have a ripple effect on your soldiers, men and women who fought for you and did not deserve a punishment that would result from their actions.
"Think carefully, Brighella." Columbina's warning is not lost on you, "You could remain as a hero or fight, and I will lure the creature you brought from the abyss and gut him before your eyes."
You do not want that. That creature is not yet loyal to the Tsaritsa but to you, and she will convince him he can save you. He will fall into her trap and die.
You bite your lip, trying to think of a way to escape and capture him so that you can run off somewhere. He does not deserve to die, but you can't think of anything. Not when you know how thorough these people are. There is not a will, really. There is only a has. He has fallen into her trap and is at the mercy of the Damselette. "What if I am to obey?" You finally ask the question you did not want to, surrendering in a way, though the bite has not left your words.
"I'll leave him be." Her answer is swift. She expected that you would eventually give in and only needed to wait for it to happen.
You shake your head, dissatisfied with only that as your compensation. "Not enough."
The smile on her face does not waver, thin and deceitful as ever, eyes hidden and closed, unseen behind the band of lace. "Mm. I can't bargain anything else." 
"Have him take my place." You lay your condition out firmly. There is only one to meet, and not a hard one at that. It would be easy to sway him into it, using whatever they plan to do to you as motivation. His loyalty and affection for you would make him accept it.
She ponders the situation and proposal momentarily, powerless to make the executive decision but undoubtedly keen on the thought of it all. "He believes that you are about to fall in battle to a foe and that he is going to save you."
You grit your teeth, knowing that this is her trap. Lure him to a place. It was not what you had expected, but it is no less the Damselette's style of acting. There is always a damsel, but perhaps she recognised that she would not suffice this time. She needed a better damsel for him to save; for that to work, it needed to be you. 
She needs your name, reputation, your relationship with your subordinate, melding together with her lies to make for a tale of tragedy with him as the hero.
The thought of him rushing to his death under the guise of saving you spikes your blood cold, chilling you. You're aware of her cruelty and always have been, but to experience it is different than hearing about it from her perspective. You are experiencing it from the perspective of the victim. 
His death was another factor to hold over your head, your penance, the anchor to force your compliance. Your blood boils with anger, but you cannot fight. Despite your feelings of anger and frustration, you know that lashing out will only cause further harm and pain.
There is only one thing you can do. You know you must. It's simply that you don't want to. 
But...you must. 
You must for him, that poor creature you tried to give a home to and who would never be in such a position if not for you and your ambition. 
"Then I will fall, and you will use the honour I built into him to persuade him." 
It was an honour meant to humanise him in a way, a being only able to imitate humanity. He had a mentor and something to fight for. Now you're imploring that it be used against him to burden him, but he will do well in your position.
Columbina smiles, that thin mocking smile like she knows the secrets of this world and more. "Would he really believe that?"
The helmet. You should use the helmet to your advantage. Your subordinate's first exposure to humanity, being you, a woman in a metal helmet, seemed to last. He used to think that was what humans looked like, and he admitted as much to you as he had asked you to remove it. Your impression left an indelible mark on him that he treasures to this day. Even if he was to see you in the aftermath, he would not uncover the lie.
"He has never seen my face. He would not recognise me."
Columbina accepts that readily, and her eyes open, pools of black and white visible through the cracks in the lace over her eyes. You've seen them before, inky black sclera and inhuman patterns decorating the borders of her irises, but you can't help the unsettled feeling that makes a home for itself in the pit of your stomach. 
-
By the evening, you are stripped of your honours, titles and coat and dumped to the curb like a bag of rubbish somebody left out. There is no more fight, no more bargaining, no more arguing. Everyone has the things they want, for the most part, so you are all satisfied enough to remain amicable with each other. Without a fight, you allow the Jester to remove the fur-lined overcoat despite the cold that rushes over you once it is gone and discarded in a heap of fur and fabric on the floor with none of its previous value. 
After that comes the slow, deliberate removal of every trinket that denoted you as you. From your delusion, several gifts to your very insignia, the only thing left of you is a lone pyro vision and the clothes on your back. You've never been more thankful to not wear a standard-issue uniform lest you be made to undress and hand that over too.
That was it. Your everything.
With each piece of regalia taken, a part of yourself disappeared until you were left an empty husk of a person, your entire reason for being for hundreds of years snatched out from under you and spat on.
The Harbingers were supposed to be the children of the Tsaritsa, and this was your grand disowning. A show of power and influence over her closest children and, by extension, the ability to bring pain to her less-- to her followers. It was foolish of you to ever think you were special in her eyes for having been by her side since before the Archon War. What did it matter when she left you amongst the rest of them? The years you spent since you had hobbled into her life so tiny and cute were now reduced to a few personal belongings and a set of words that shattered your world to sharp and dangerous pieces that would only hurt you in your haste to reassemble them and string your life back together.
When you were young, your cuteness may have been your best asset: a small body with endearing quirks, the inability to walk long distances without tumbling. In this state, you required her for everything because you would only find danger in the harsh Snezhnayan winters. To even acquire your own food was unthinkable, so you were sheltered and provided with ample treats that you could nibble from the palm of her hand if that were what you wished. Anything to keep you happy and content.
Like a little trinket, she cradled you for as many years as it took you to grow, and once you were at an age you no longer needed to be cradled, she made you her loyal companion, or so you had believed. You thought her affection for you was unwavering. She was the only mother you had ever known; she is the only mother you will remember for all of eternity.
Although it may have been an exaggeration, watching the sun's gradual descent below the horizon, you could almost believe eternity would quickly prove to be a very real concept. You watch the sky darken in silence for a time. You roam aimlessly around the city, your presence still striking unease in the people from the threatening demeanour you learned to conduct yourself with as a Harbinger, even without your official attire. The only remnant of your former self is a helmet you consistently wore during every public appearance. 
You can't help your wandering mind. Did your imitation of the Tsaritsa's actions make you weak? Attempting to nurture someone in the same manner she nurtured you? You are not a god, only the former child of one. Maybe you cannot care for him and maintain your objectivity. It's possible that he has become your Achilles' heel, as you were forewarned when the Tsaritsa less than subtly suggested you eliminate him.
You cannot live like this.
No matter how many suns you watched set, you would never come to terms with it living like this. The world you once knew, which revolved around a singular governing entity and individual, has disappeared without a trace. Without a central axis to anchor it in place, your world spirals chaotically out of control, with each passing second feeling more frenzied than the last. Your head is too muddled, your brain too overwhelmed by your emotions to think objectively of the faults in your time as a Harbinger, years of your life spent that way, burying your thoughts beneath a heavy weight of despair.
You almost want to call them wasted, but that would be wrong. Without the Tsaritsa, you might've— no, would've died during the Archon War. Perhaps another god would take you in, but it is unlikely that they would have exhibited the same level of compassion and generosity as the Tsaritsa. They would not have coddled you into comfort the way she did. Then again, what if that had been your downfall? Did she ever genuinely want you to stay? Based on this...perhaps you took her kindness for granted and overstayed your welcome.
You had no right to make demands of her in your final moments as her child, acting like a spoiled brat throwing a temper tantrum. But can you be justified? Can the threat to your subordinate's life negate that? Surely a bit, but not entirely, not if her actions were in response to yours. 
Oh, even if you begged on your knees, she would not take you back now.
Why had you not done that before?
She must be disappointed that your attitude was born from her compassion, the epitome of her failures. You do not deserve to call her your mother. You took her generosity as a guarantee, thought yourself above her other children solely because you were her first, and believed you were her favourite for no reason besides your own arrogance.
You have failed the only being in Teyvat willing to show pity toward you.
-
The deepest heart of Snezhnayan forest welcomes you readily with open arms and the gnashing jaws of monsters starving for food. The forest seems to come alive with a vicious hunger for flesh. You have nothing but your vision and bow left to aid your defence. Your delusion is gone, and your subordinates are nowhere to be found to assist you. Despite this, marking your way with a trail of bodies is easy. It is just an inconvenience to have to always be on guard, but you are strangely used to it. 
The cold is numbing as the air hits your face, your fingers almost wholly without a sensation of touch and even a tingle in your toes.
You spent many missions that way, tensed and expecting violence at any moment, hardly allowing yourself to sleep, let alone relax. It feels like nothing has changed in that respect, but you know everything has. You cannot hear the large crackling bonfire or the pattering of footsteps in the snow as your subordinates come to join you, their laughter and chatter and their whispers to each other.
There is a stark silence that is deafening to your ears.
-
On the seventh night, you pass through a village on the outskirts of Snezhnaya, where you first catch wind of the news you had agreed on. The locals informed you that they had recently halted their work for half a day in your honour, believing that you had passed away. All of them are completely unaware that as they remark on the death of Brighella, they are speaking to the former Harbinger, who asks about the news under the guise of being a curious traveller. They also strongly advised you against venturing into the innermost heart of the nation. If anyone were to notice the helmet carefully secured around your waist, it might bring unwanted attention to your travels.
Though you were stripped of your insignia, you have your armour, which by some grace had been spared from confiscation. Though a seemingly trivial act of kindness, a sense of pride swelled within you as you gazed upon it. You are glad it is still yours. This armour had accompanied you through countless blood-soaked skirmishes, serving as a steadfast shield against all manner of danger. 
It is at that moment you decide to treat it as a trophy. Though there is no truth to it, you take responsibility for the Harbinger's slaying. Now, the armour which once protected you as a Harbinger will stand as a triumphant emblem of your hard-won victory over Brighella and the end of the Harbinger's tyrannical hold over the land. You know that you will keep it close, treasuring it always as a tangible reminder of the sacrifices you made to reach this pivotal moment. You slayed Brighella. You ended the Harbinger's tyranny.
If you didn't know better, you would think you were getting a little too far into it and starting to believe it yourself.
By the eleventh night, you find yourself situated in an inn, and the nights only carry on from there all the way up to the twenty-second night since your abrupt dismissal and, to the rest of the world, your supposed demise. Already, the whispers that once revolved around Brighella's defeat now shifted to speculations regarding her successor. The question was not necessarily who, but who could possibly? Her brutal reign as a Harbinger had instilled fear in the hearts of all who crossed her path and in the minds of the people, no one else could measure up to her sheer terror-inducing presence. Nobody knows what happened once they dared to fight Brighella until now. She was only the Fourth of the Tsaritsa's children, but she was the most combat-heavy, and no one wished to cross her, except for the rumoured contender for her throne, who was spoken of in hushed tones as nobody was eager to have their reverence for whoever was bold enough to reach the wrong ears.
Your achievements find their place amongst the rumours as people say that Brighella's killer stole her armour and wears it as her trophy.
Despite the slew of gossip that its patrons indulge in, you enjoy the quaintness of this bar made and run by travellers who use it like a pitstop to rest and recuperate. It is a home to them, along with adventurers and merchants who benefit from the atmosphere. The people are strangers, often reserved and eager to keep to themselves, but have immeasurable wealths of information that spill with a few drinks and a group of acquaintances who are, for only one night of pleasure and indulgence, their lifelong friends.
Among those friends buried in your own tankard of cheap ale, you laugh along with their jokes and entertain their questions like a test of your ability to lie and improvise in this tale you're making for yourself. If they have names, you don't know them. Brighella's death was a glorious battle but isolated to the hills where you were alone.
"Brighella was alone, and they were weakened by prior injury. I don't know what caused it." You mix a dash of the speculations in, downplaying your strength a tad as you're unwilling to expose too much of it. "I'm not one to miss an opportunity. When would it arise again?"
One of your new acquaintances scoffs, amused but no less aware of the dangers of doing such a thing. "And make an enemy of the Fatui?" He is a new graduate of the Sumeru Akademiya who's come to make his way through Snezhnaya for a job offer. Reminds you of someone else, minus the graduating.
"They will not miss her." You are quick to answer—too quick, arguably—as it draws a sliver of attention before dipping back under the radar as a product of your confidence. "Her 'head' makes too cute a decoration on my side to pass up stealing it."
"I wouldn't dare say such a thing. Fatuus comes here sometimes." They are the words of a Snezhnayan native raised to worship the Fatui, though he is somewhat disillusioned by their crimes and cruelty, as you've learned many are.
"Let them hear it!" Your laughter is boisterous and unabashed. "They'll see the armour anyway. They probably despise her like everyone else."
Another one of your new friends, a travelling merchant from Fontaine, interjects your ravings to add only a passing comment. It was as she had done all evening, her secrets locked up tight. "She did not make herself likeable."
"She was not meant to be likeable but a fearsome warrior." Again, the Snezhnayan man rebuttals the criticism against her as he had been doing all evening again.
"You don't have to get so far up her ass, Brighella's not gonna crawl out of her grave and thank you for it."
"You're so vulgar."
You plant your tankard firmly down on the table between the four of you, leaning over it to close the distance between you and the man. "I'm not meant to be likeable either."
Forget being only a little too into the role. You're revelling in the freedom of this new identity of yours.
Quick to disperse the tension, your graduate friend changes the topic without a hint of hesitance in his voice. "They left an underling people believe will take their place. It's a surprise to think Brighella had someone who followed them with such...devotion."
"It's strange, but not impossible." The merchant from Fontaine again, contributing nothing you weren't all already thinking.
"Could she have had a sentimental side?"
"Who cares if she had a sentimental side?"
"Upset the attention isn't on you anymore?"
Anger crosses your face, but you stifle it just as quickly as it appears. You wish their attention was off of you, really. The former you, maybe, but you nonetheless. You want to know about your subordinate. What happened to your second in command? You don't care to hear their speculation as to whether you were or were not particularly emotional with your underlings. You know the answers to all of those questions and more without their guessing games.
"Regardless of the reason, they say the underlying is much easier to swallow than she is, so maybe the position of Fourth Harbinger will change drastically if he takes it." 
"Would he really change its purpose if he was so loyal?"
"Unintentionally, perhaps."
God, these people are so dull. Just listening to them, you can tell they know nothing of the ways of the Fatui. Harbingers are not individual job positions with specific parameters. Each role is its own, and they are moulded by the person who assumes them like a character in a play, enchanting and unsettling in a horrific mix of theatrics and violence. It is what they stand for. One does not assume the role and become an actor with a script. They must improvise and act on a whim to the beat of the Tsaritsaʼs drum, their life no longer their own.
They are not whatever these ramblings and poor excuses for speculations make them out to be.
"Terribly misinformed, aren't they?" In your ear is the low voice of the Snezhnayan man holding in his laughter at the two as the scholar and the merchant go back and forth. 
You glance to your left, where he has leaned closer to you. "Repulsively," you respond curtly.
He has a faint glint of satisfaction in his eye as you seem to have confirmed something. "I thought you might've been from Snezhnaya." 
"So what if I am?"
"It was only an observation."
In the background, the main conversation continues, just as clumsy as it was before you had tuned it out in favour of drinking some more. "Does this mean he will also be named Brighella?"
Straightening back in his seat, the man swiftly interjected their back-and-forth responses to explain to them. "They receive a unique title upon their promotion, and nobody knows what it is until then." A simple enough concept to understand.
"In other words, anything but Brighella."
"It hasn't been long enough to know yet."
"It's strange. Nobody knows his name even now."
That would probably be because you never gave him one.
You considered it in the years you spent with him but couldn't find one you liked. His name was inhuman, not for your ears and not for your tongue, rendering it useless to you and every human who would hear it. The night you found him was spent crowded around a bonfire listing off every suggestion you and your subordinates could think of to no avail, as he only sat quietly by your side and said little about any of these choices, finding no familiarity in any of them. That's only natural, you suppose. 
You still haven't chosen a name for yourself that isn't Brighella, either. Your old one is well and truly forgotten, with the years eroding your memories. It had been centuries since you had been called anything else. Evidently, picking names is not your forte. 
"As far as I've heard, nobody knows what it is."
You find the mention of your subordinate has completely ruined your mood. You are grateful the creature is alive but worried the knowledge you're snooping around to find out when he will be promoted could land you in trouble. It's troubling enough to wonder if he has heard your tales through the grapevine about how you had supposedly 'killed' Brighella—his mistress and mentor—which he would not be happy about. Though you did not fear the creature before, now that you've personally trained him to understand human combat, you're not so sure you'd want to fight him. It would be a hassle. Unlike many, you do not fear the inhumanity of the Doctor or the stone wall that's called the Jester. Even the cunning Damselette struggles to do more than unsettle you, but you respect that creature's raw strength and understand that no matter what you do, it doesn't matter. You are confined to a human form, and he is not.
You lied when he said he wouldn't recognise you, however. You don't actually know if he would.
You don't know the extent to which his eyes can pick out the details in your appearance that aren't physical. Had he memorised your relative build? Your height? The way you carry yourself and your mannerisms? The thought unnerves you, but so does everything else about him.
"I'm turning in for the night." Without regard for the ongoing conversation, you declare your intentions and abruptly shut down whatever is being said at the time without much care for it. Whatever it is, it isn't important. Your unfinished drink is left behind as you make your way to your quarters.
In retrospect, you understand their eagerness to merely cover up the circumstances of your dismissal. For a Harbinger as feared as Brighella, it is easier to halt work for a mere half-day rather than attempt to contain the resulting fallout of admitting one of their own was inadequate while simultaneously preserving their tenuous hold on power.
-
Months pass before there is talk of the crowning of a new Harbinger, the people abuzz with the news and eager to know all they can, preferably before the aristocrats feel like sharing the night of the event. You considered attending the ceremony but ultimately decided against it. You may have the courage to do so, but you are certainly not stupid enough to wander into the waiting heart of the Fatui's clutches. You have waited patiently for this moment and can easily wait longer to hear the news.
No longer treating the inn like a home, you settled somewhere in the plains of another nation only a few weeks after you had first arrived there, sensing the barkeep was getting sick of you and the attention you were drawing to his otherwise obscure establishment. 
People settled there for a night, saw you were there, and word of mouth as they boasted of their encounters with you lured others who came to see you. While this influx of new customers certainly provided a boost to business, it also had the unintended consequence of driving away those who preferred to keep a low profile and valued its place as being for those 'in the know'. In other words, while you were great for a boom in business, you were bad for long-term business. 
The barkeep pushing the mora you tried to pay him to pay for another night was enough to send the message he wanted you gone, out by morning. The idea you were not to come back for quite some time was clear to you in the look he gave you.  
Liyue, on the other hand, is filled with mountains and teeming with visitors who have come to witness the highly anticipated Rite of Descension. Surprisingly, the influx of tourism only adds to the overall enjoyment of your experience. You would think that tourism would hinder your time there, but completely contrary it makes it better in a way. The locals are expecting an influx of outsiders to come to see the Geo Archon in person, and, as a result, they are not only willing to hire help for the time but also serve later at food stalls, and the place is livelier. 
People notice you less as you blend into a crowd of people who don't belong, and you slip under the radar.
You have no interest in the Rite of Descension nor the Geo Archon, and most of your time is spent outside the Harbour.
Wangshu Inn is still within Liyue but at a considerable distance from the Harbour, a mid-point between there and the border to Mondstadt. It is quieter, which is neither good nor bad, and home to some very understanding owners who ask so few questions it almost alarms you. Nonetheless, you crave respite from the chaos and theatrics you were revelling in as a reprieve from the stress you were under, wondering how you would live your life now. At one point, you relished being hailed as a hero by many, but it soon became overwhelming, and you found yourself trapped in the clutches of Brighella once again.
Whether by design or happenstance, your identity had begun to consume your life again, and if you wanted to have any hope of living outside of Brighella, then that had to stop. And so, you sought out a place to lay down your burdens and unwind, leading you to where you are now.
You arrive your old self, and despite clinging to it since your travels had begun, you remove every piece of your armour for what you intend to be a long time and leave it all neatly arranged for when you eventually return to it. You feel compelled to finally don the fresh outfit you acquired during your journey through Fontaine. Admittedly floor-length dresses and extravagance are not your style after years of being cooped up in a heavy suit of armour, but there's something alluring about trying out a new look, especially when it involves pants that don't weigh more than a third of your body weight. Besides, you always kind of liked them anyway, just...not yet. Now seems like a good time to dip your toes in.
You almost don't recognise yourself when you finally see yourself in the mirror. Perhaps you got too used to seeing a metal helmet staring back at you and a suit of armour for a body, but the fresh air against your skin and lighter clothes feels...good. 
For the first time in a while, you feel free.
The new outfit is making you giddy, too giddy for your taste. You don't recall having such an innate pep in your step, only one that felt deserved, but this different. While you typically associate a sense of satisfaction with having earned it through hard work or perseverance, this newfound exuberance seems to come from just existing in your new clothes. You are happy just because even if there is nothing to feel happy about. It's as if the simple act of wearing them has given you a boost, despite not having accomplished anything significant. It doesn't even seem like you made much progress toward becoming yourself when you lay it all out on paper. You bought clothes and wore them, that's it. 
Something about it feels so much like yourself. The freedom to stray from what you thought you were until now, something you hadn't dared to try before.
One thing you like about Wangshu Inn is how it serves even people who aren't staying there. The ground floor overlooking the water is designated as almost a kind of restaurant. People filter in and out to be served, stay for lunch, meet with friends, and take breaks from their missions. It is meant as a place for travelling merchants, but you find that is not all its patrons see in it.
You are not nearly as sociable as you were in the Snezhnayan bar you were at, but this seems more manageable anyway.
"If you've come looking for work, the Adventurer's Guild may have a place for you." A suggestion from a merchant who struck up an idle conversation with you for some reason sticks with you. You can't say why, but you imagine a product of boredom.
"They accept anyone?" Your surprise is evident in your tone, as you thought they might have tighter restrictions.
Just as in disbelief fact as you are, he shrugs, "As long as you've got enough power to back yourself, a friend of mine said they'll accept anyone."
That sounds far too good to be true, at least for your taste. "And it doesn't matter where you come from or where you go?"
"Adventurers are known to get restless in one place for too long."
"I see, and you can just go up a--"
"Excuse me, miss." You don't remember hearing that voice, but you recognise the attire when you turn your head just enough to be met with the sight of a cicin mage standing before you impatiently awaiting your attention. The top half of her face is concealed, as is customary, but there's no mistaking the unkind smile that tugs at the corners of her lips as you meet her gaze.
Has she come for retribution? 
Despite your fears of having to make a mess, the woman reveals a letter that is sealed with wax and extends it towards you, expecting you to receive it sooner rather than later as she waves it slightly as a form of incentive. "From the Damselette," she adds.
"What could the Damselette want with me?"
"Perhaps a warning." The words slip by, quiet but noticeable, immediately catching your attention. You raise an eyebrow at her. She's slowly unveiling her contempt at your presence; you're very aware of that fact. You are not familiar with her. It is unlikely that she ever worked under your command. However, it is possible that she might've held a certain level of regard, which has since turned to hostility as rumours of her arrogant killer run rampant. "I don't know. I'm not privy to those things."
Your eyes glance over her from head to toe in thought, scrutinising her for any indication of where her animosity came from. However, there is nothing that gives away her motives. You break your gaze away from her and glance down at the letter in your hand. "I suggest you get a better hold of your tongue. They don't like it when you're rude to their guests."
Her smile does not waver. "You are not a guest." She states that fact with glaringly false politeness.
"Everyone who recieves correspondence from a Harbinger is a guest."
You suppose you can't fault her disdain when all is said and done.
From somewhere tucked away in her clothing, she pulls what appears to be a knife from your peripheral vision and points it at you, but you look up to find it is only a blunt letter opener balanced in the palm of her hand, waiting to be picked up.
"I was ordered to stay until you had read the letter to deliver her your response."
Just as she believes you are a murderer, the letter addresses you as such. Your lies have reached her ears. Moreover, she is playing along with them.
You expected threats and unfair deals, but it is only an update on what is happening regarding your position, the reassurance that they have not violated the terms of the agreement made. A half-hearted apology and an excuse. Preparations set them back, supposedly.
While you imagine preparing not only a funeral but a ceremony to announce the next Harbinger does take time, it would not take this much time with how prepared they were to kill you off in the first place. It was a planned betrayal.
It just looks better if they don't appear so prepared.
For whatever reason, perhaps your consolation prize for enduring her shameless lies, she shares a secret with you. As you casually scan the letter with little care for its contents, your attention is immediately drawn to the heart of the matter. It's the very subject on everyone's minds and all that anyone speaks of. 
Il Capitano. His name is Il Capitano.
Personally, you would not have picked it, but that does not mean that you hate the name. Quite the opposite, in fact, as you have to admit that when you envision the name paired with his face, it suits him well. She ends the letter promising that she will 'take good care of him', though you know that your respective ideas of those words do not align or even coexist in the same universe. There is an unmistakable discrepancy between her intentions and your own, and you don't like it.
"Come back to us, Brighella. You can watch everything you wanted in person."
-
You won't go back. It's a trap.
Irritated, you find yourself back in the heart of the country where nobody lurks, haphazard in the way you fire your arrows at every creature that dares to disturb your sense of peace. It's hard to focus, and you don't bother trying. Liyue is not the same as Snezhnaya, with open plains broken up by rocky mountains. The creatures are mostly the same, and all die the same, hilichurls and geovishaps running rampant and shot down into piles of meat and rocks.
It doesn't matter how loudly you shout, as there's nobody around to hear it. You could scream, cry, and throw a tantrum all you want, and it won't matter. Even if you throw yourself at the ground and bang your head into the dirt, nobody will see it.
This is all pointless. You will never escape. It will never matter how far you roam or how fast you run.
Why did you think you could? Had your brain melted from your head?
There is no other side. There is no salvation. You are owned from the day you're brought in until the day you die, but why? Why did they want to bring you back to Snezhnaya? What was the point? You are out of the way now, hardly causing trouble for them. Despite this, everything seems to be running smoothly, even with the liberties you have taken in your new role. Was that it? The reason they wanted you to see?
It must be. There is no other reason to risk exposing the lie otherwise. Unless it was to tarnish the Fatui's reputation.
You refuse to believe it is something as innocent as wanting to see your request honoured. Nothing is innocent within the Fatui, not an action without hidden intentions or motives. Centuries of watching their misdeeds from the inside, which always go unpunished and unchallenged by anyone except the powerless commoners, have taught you that there is always an ulterior motive lurking behind their actions.
Not to mention it came from Columbina.
You must've spent three days out there before finally returning to Wangshu Inn, dirtied by the elements and craving something to eat, like a child's insatiable desire for sweets. The dead of night provides a cover for you to take a dip in the water beside the inn in an attempt to rinse the dirt and sweat off of you. It dawns on you that your new clothes would've been ruined if you hadn't had the foresight to change before venturing out again. In that moment, thoughts of the Fatui and the memories evoked by your armour flooded your mind, and you didn't want the same thing to happen to the clothes that had made you so happy from the moment you put them on.
It feels childish how you cling to these things.
A part of you just can't help it, torn between holding onto the memories that define who you believe yourself to be and starting anew with a clean slate. Neither can win. One is stuck on the past and what little you have of it, and the other wants to abandon all of that and start completely fresh.
The half-compromise you are trying desperately to make work by accepting that what's gone is gone while keeping your armour close to your heart is obviously not working. The thought of discarding it pains you too much to actually do it, plagued by the urge to melt it down to scrap metal while also being overwhelmed by the knowledge you will regret doing that as soon as you see the mess that would be left of it.
Your new clothes make you happy, so you need more new things to make you even happier, right? If new means you glean happiness, then more new is what will help you move past all of this deliberation in your head.
Clothes were a given, and...maybe a haircut? Yeah. You should try cutting your hair and decide on a name for yourself that isn't Brighella. Something you want, a name you like, that you can look at yourself and see that person reflected in a mirror. The person you think you are supposed to be when you look past the expectation that has been instilled in you.
That merchant you spoke to mentioned the Adventurer's Guild might have a place for you. What if you should be helping people instead of hurting them? What if you only did that to please the Tsaritsa?
In the background of your thoughts, you walk yourself back to your room at the Wangshu Inn and collapse onto your bed, thinking. Though you are exhausted, you cannot bring yourself to sleep for one reason or another. You make excuses for yourself just to ignore the glaring root of the problem you know is there but refuse to acknowledge. The problem isn't really how hot or cold the room is or the texture of your blankets and how much you dislike the humidity in the air. Something else entirely is keeping you from rest.
Your hair isn't the problem either, or your clothes. Even your lack of a proper name really doesn't bother you. They're only the illusion of change you're using to cover up how truly lost you have become now that you have to think for yourself.
How long have you been alive now? Centuries at least. You can't even live independently after that long? No. No, you can't.
You are so lonely, you are lost, you are confused. You need company, you need guidance, and you need purpose. How are you supposed to live? Where is the person who will tell you what to do every day? 
You have to make that choice yourself? You can't do that. You've never done that. 
The thought of even something so basic scaring you so severely brings you to a weakness you never realised you even possessed. Fear surges through the very depths of your being, an unfamiliar sensation that you find unsettling. You don't like it, but it's an impossible feeling to push down and ignore. Over the years, you had quietly collected your shortcomings into a neat little jar and pushed it aside, out of sight, away from your conscious thought, as if pretending you were invincible. 
What would you have done if you had gotten to Capitano? Make him decide?
He can't. He's not human. He doesn't know enough to decide. You've only made him just like you, a fearsome man until he's abandoned and vulnerable like you have become, and then he'll be pathetic and helpless too.
Nothing came out of any of your efforts, did it? It couldn't have possibly. Even with every attempt you made, it was always doomed to fail.
-
It turns out that the Adventurer's Guild was more than happy to take you in, in a way. They put you right to work. It helps to take your mind off of things if nothing else. It's mindless work, able to tune out everything in your brain and run on auto-pilot. You take to this life so well it scares you, completing your tasks with so little trouble you wonder how this isn't more popular, even if some are arguably unnecessary. If only you were good at proper cooking, you might get rich from the tens of requests for certain dishes. 
You're irresistibly drawn to the combat, right back to the heat of battle where you feel truly alive. In all you've had to question, your love for the thrill of fighting has never been up for debate. You're unsure whether it's the adrenaline or something else, but you don't care to know, either. You don't concern yourself with such questions. It's not important to you why, so long as you find comfort in it. It's the one thing you cannot be robbed of. 
A hard day's work is always rewarding.
"Make sure you be careful today." A fellow adventurer is quick to catch you before you can wander off for your next quest, smiling and unbothered despite his words. You've never met him, but he speaks as if you have.
Something about the bond of adventurers is so reminiscent of the Fatui.
You turn back to place your full attention on him rather than the grilled tiger fish you had acquired out of curiosity about the taste. "Why's that?" You're not too bothered, expecting him to tell you that it's dangerous out there, the Abyss Order existing and all.
"The Fatui are restless."
His words catch you off-guard, light in tone as they are. In outward appearances, he's mostly unbothered, while the hairs on the back of your neck stand on end.
You try to grasp your bearings just enough to speak. "They don't do that for fun." Something about it is just as shaky as you expected, unable to fully mask it, but you figure he'll blame it on nerves.
"Harbinger, apparently." He doesn't draw attention to your demeanour, so neither do you.
"Which one?"
"Dunno."
It's probably Columbina. Maybe you pissed her off when you shot the messenger. Yeah, she probably wouldn't appreciate that. When you did it in a fit of anger, you expected her to find it funny after coming to your senses.
"Hey. Something wrong?"
You startle as you realise he had been speaking that whole time, and you just weren't listening.
"Sorry?"
"I said it's weird that they'd be up and about so soon after the newest was officially promoted."
You deadpan a little, realising it wasn't something of actual value, just a misconception that the greatest powers that be in Snezhnaya aren't spiteful enough to hate each other just as much as they hate everyone else. "Not really. They're not particularly sentimental."
"They don't even care to go out drinking for their own?"
"They hardly know how to tolerate each other." You realise your slip of the tongue too late, seeming too familiar. That's a problem. He barely draws attention to it, only making a strange face.
"Well, whatever the reason, work doesn't stop for them."
In silence, you agree and continue your day as if you really believe that.
-
As you wrap up your work for the day, you feel a sense of pleasant exhaustion wash over you. It struck you as strange that nobody was out in the wild, even the usual fatuus you avoid. Something about it was uniquely eerie. It dawns on you why he came to the conclusion that the Fatui were 'restless'. They must have retreated into the city to prepare for the impending arrival of the Harbinger destined to disrupt the small peace you had found. The sudden influx of fatuus in Liyue would make it seem like they are increasing in numbers nationwide when in reality, they are just moving.
You're not going to let it bother you for now.
Somewhere in the back of your mind, you know you have promised yourself that repeatedly and have found it to be a lie, but you mean it this time. You're familiar enough with the workings of the Fatui to know that they don't like to leave sectors alone for too long, and Liyue had spent a fair time before your dismissal unchecked. 
Even at night, you remain unbothered when you wander Liyue for a time, looking for something to do and notice what he was talking about.
Many of them are fussing more than usual, meaning that chances are it's too late to inhibit the process of this Harbinger arriving. You could turn tail and run, scurry off to the other side of Teyvat and settle in Fontaine or even Natlan, but you like it here.
You sit in the heart of Liyue, listening to a speaker tell his stories. You know you shouldn't linger, but you tell yourself you can for just a little while longer. It reminds you of the past, filled with Liyue legends you remember hearing about as news at the time they took place. The fact these tales are now old enough to be suitable for a speaker's recitation as 'legends' is a grim reminder that maybe you're older than you realised. Your early life is now from the time of legends. You can push that feeling aside to focus on the nostalgia of hearing these stories.
Beside you, you hear the chair move but don't budge from looking to see who it is, assuming that all other chairs are taken or that it's an adventurer who got curious, possibly even the man you had spoken to earlier about all of the Fatui--
“Reminiscing, Brighella?”
You recognise both that voice and that name and go stiff, eyes finding her before your head can even turn in her direction.
In front of you—or rather, across from you—the Knave sits upon the other chair at your table as if she was always supposed to be there, seemingly at ease, but you know better than to assume her guard is down. Arlecchino has always had an icy composure, though she can be hot-headed at times and can lose her temper when provoked. It's not surprising that she was able to track you down, even without knowing what your face looks like.
She turns to you leisurely, unhurried. "I came to look for you since you missed the ceremony." It sounds like a greeting the way she speaks those words. You suppose it is one, really.
Ah, maybe you should've been worried after all.
You try to play off your emotions as if you're completely unfazed by her presence. It's the only way to maintain some semblance of control. "Did Columbina not like my gift?"
"Oh, she rather enjoyed it." Arlecchino maintains a similar composure, knowing approaching you in public means employing subtlety as much as it means she's less likely to be attacked. "She felt it was just the kind of gift you would give."
"I try my best not to disappoint." Your response is less enthusiastic than you might like, a hint of nervousness infesting your brain and refusing to budge.
Despite this, she doesn't notice, not outwardly. Really, that means nothing, as you are very aware of how good her poker face is. "Il Capitano hasn't stopped speaking about how much he'd like to kill you. You don't want to disappoint, do you?" When you were waiting for her to speak, those weren't the words you expected to hear, but somehow you're not fully surprised either.
"I see, so my lies reached even his ears." 
You thought as much.
"I think you'll be quite surprised when you see him." Her reply is so cocky that you almost scoff at her.
"Who said I would be seeing him?" You try to match the audacity she had to make such a remark.
She turns to you rather casually for the words she speaks, an odd tone you can't quite place, lacing her words half like mockery. "You miss him, don't you?"
It's that question that makes you snort and turn away as you realise that her negotiation and persuasion skills are abysmal for such a cunning and intelligent woman. "Not enough to become foolish enough to trust someone whose title denotes them as dishonest and untrustworthy." You always wondered about that, really. "A name like 'the Knave' really isn't subtle."
"Funny." She doesn't laugh or even smile. "I believe yours was something close to 'bother'."
You lean back in your chair, testing it slightly as you push the front legs off the floor as a means of entertaining yourself through this frankly dull conversation. "Then I suppose we're both living up to our names."
She remains silent for several seconds, pondering her next words. You can see her fingers rub against the wood of the chair as a distraction. 
"The others told me it was pointless to try to bring you back."
"They were right."
"You won't come back for any reason?"
"I know a trap when I see one."
"Of course."
Silence, again. You don't care to break it, either. You came to hear the stories, and you really would like to continue that rather than listening to her voice, but she's not making it easy.
"Is that all now?" Your voice shows your impatience more than you might like, but you realise it may work in your favour if she senses she's annoying you.
For the first time in a while, she smiles faintly to herself. "For now. Your answer is abundantly clear." She appears to concede, if only for a little while
You let the chair land back on all of its legs and lean your elbow on the table. 
"Are you going to get out of that chair?"
"No."
"And why is that?"
"It's comfortable."
The urge to roll your eyes brims in your mind, but you stop yourself. You don't want to give the Knave the satisfaction of knowing something she is already well aware of. Besides that, you don't want her to know that you really don't want her here in any capacity. Arlecchino's presence is never a good thing.
You let out a tentative breath as you consider your next words quite carefully. The wrong thing might have Arlecchino never leaving you, and the right one might drive her back to Snezhnaya if you're lucky. You shift your whole body to face her. "You just arrived from Snezhnaya, I take it. What do you want to eat?"
She eyes you suspiciously, scrutinising you for any sign of trying to fool her into consuming poison or making herself sick. "You're feeding me now?"
You pretend you don't notice her intensity. "Well, you're not leaving. It would look strange for me to order food for myself."
Again she smiles to herself, a light mockery that's cautious and testing, easing herself into accepting your offer. "I wasn't aware you cared so much."
"You could starve if you'd prefer." You turn away as you speak and don't look back, shifting yourself back in your seat to be front-facing.
There's a quietness between the two of you, both waiting for the answer to your proposal. You have an inkling Arlecchino will accept, but you don't know with her. She never seemed especially pleased by the times the Jester would convene you all over meals and such, ending up in fights and bickering. She never fought with you, however, so perhaps it's different. 
"Order whatever you like."
You find yourself looking intently at a list of the options on the menu. It's quite a lengthy list. "Mm..." Even though it's just a false invitation and you're doing it to be courteous, you can't say you aren't enjoying the thought of picking out a meal and sharing it with her. Despite your removal from the Fatui's affairs for some time, you'd be lying if you thought you weren't at least a little curious. "Jade Parcels...and maybe Jade Fruit Soup? But Dragon Beard Noodles sound good too..."
Becoming slightly irritated by your indecision, Arlecchino looks across the table to where you are sitting deep in thought. "Is it that complicated of a decision?"
You spare her only a glance before returning to looking for something she would enjoy. "I have to pick something you'll like, don't I?"
Soup is more challenging to share than noodles are.
With that, your decision is made, and you settle. Despite yourself, you are somewhat restless in thought. Arlecchino's lack of contribution is slightly frustrating, but it sounds like she'd be content with anything. You're not sure if your choice is the correct one, but you believe you picked something to the best of your abilities that is easy, even to a foreign tongue. As far as you know, Arlecchino is from Fontaine. You've never eaten like this with Arlecchino to know her tastes or dietary restrictions.
"Jade Parcels and Dragon Beard Noodles. Sound good?"
"It'll do."
"Good. I'll go order it, then."
Arlecchino must be surprised that you returned, as she doesn't seem too thrilled. She never really does, but there was a disappointed glint in her eye right up until you walked in front of her to get to your chair. 
It continues until you get the food, and Arlecchino finally stares at it with an overwhelming sense of dread, left with an intense feeling of apprehension regarding whether. You appear not to hesitate, though this arrangement isn't quite what she had expected. Arlecchino had thought you would order enough dishes that you wouldn't have to share, but you seemed to understand it in a way that meant you would be eating from the same bowl.
You notice her hesitation almost immediately, yet your vexation with her arrival makes you unwilling to acknowledge that you know the reason, a deliberate miscommunication on your part. "Mm. I didn't think this through." Your words seem to make her perk up as if you will free her from her awkwardness by asking for another bowl. "You probably aren't used to using chopsticks, are you? Not many dishes that need those back home."
She knows you're toying with her, that sweet smile from across the table hardly hiding your true intentions. Arlecchino waits, watching to see what you will do next, as she looks back at you with a scowl. 
Her eyes do not leave you as you wordlessly collect a Jade Parcel and present it to her like you are patronising her with this action. Your feigned kindness, this supposed benevolence of you offering to feed her like a child, no doubt hoping she'll back down and excuse herself completely. 
She won't let you do that and have the satisfaction of seeing her back down. She won't allow you to break her facade of acceptance.
Though you circle the food in front of her slowly, only a motion with your fingers trying to convince her or make her as uncomfortable as possible, Arlecchino continues to stare for several more moments. Eventually, she musters the courage to relinquish some of her pride.
Arlecchino leans in slightly, just enough to open her mouth and take a bite from the food you hold out for her. Despite the circumstances that led to this moment, she can't help but acknowledge your good taste. Arlecchino couldn't possibly eat another bite that way, though. Not being fed by the woman who is now her adversary just to avoid her 'winning' in the situation, but admitting she is willing to let you get under her skin is not an option either.
She must treat this situation differently, as if you are merely feeding her out of obligation to her rather than because you have your own motives.
It hardly stops her from enjoying her portion of the meal from the chopsticks you share with her. At some point, it finally occurs to her that you only hold one pair, leaving her set untouched despite feeding her. You had been feeding her with the same set you ate with the entire time, and while you were well aware of that, it hardly seemed to alarm you as much as it alarmed her.
Your biggest disappointment was being unable to get rid of her that whole time, watching her readily accept whatever you tried to use against her. Watching a Harbinger practically bow their head and obey you, however, fuels your consciousness. It's like eye candy to think back and realise you did that.
It's another one of your quiet defiances against the Tsaritsa. You wonder how far you can take it.
As you stand from your seat, you stretch your arms above your head until you hear a faint pop as all the tension in your back relaxes. "I don't imagine you'll be leaving anytime soon."
"No. I have plenty of business outside of you." It's not a lie. She's got a lot to do in Liyue even without your presence, but you're a priority. 
You lean back over your chair, a mischievous little look on your face. "Do tell."
"You know that I can't do that." She's not amused by the attempt, either.
You straighten back to your usual height and brush it off in moments. "Unfun. I thought your loyalty to the Tsaritsa could be won over easily." 
She scowls. "Not by you."
"I see. You have standards after all."
She chooses to ignore your comment. Up until now, you have had quick-fire conversations, sometimes interrupted by a silence that drags on. This is no exception.
"Capitano truly believes you are dead." Arlecchino realises when she has caught your attention, and that time is now. She notices how your head tilts towards her ever so slightly, and your head raises. "For a time, he grieved, but it didn't last long. He has become fixated on the idea of revenge ever since he heard that Brighella's killer was running around boasting about their achievements with the authentic armour to support their claims."
Suddenly it makes some small amount of sense in your mind why they would want you to come back exactly. Capitano won't stay put forever. If he's stuck on vengeance, he won't rest until he exacts it. You weren't thinking about how much your stories would piss him off at the time.
When you spend an extended period of time silent and seemingly disinclined to answer, Arlecchino continues. "I want to show you to him."
You have subjected him to human emotions he's not equipped to deal with. Rightfully, you feel horrible like more of your failures are being wrenched from your corner and dumped out into the open for all to see. It doesn't matter that you're in Liyue, where nobody knows the two of you. You don't want them to see either. 
"He wouldn't want to see me." You don't think she really wanted to hear those words when you finally speak. Her expression gives it away. "He should enjoy his position without my interference. I've ruined his life enough."
"You've given him power and status, he should be grateful for that--"
"No. He shouldn't." You don't even wait for her to finish. She hasn't even realised it yet. Not the way you've been forced to. That power is a detriment, not a blessing. Why should he want that? "I thought that way as well, but now I…I don't think my choice was the correct one."
Arlecchino was not expecting to evoke your vulnerability, shallow as it may be for now. "What choice?"
"To bring him back from the abyss." 
From a purely objective perspective, taking in Capitano was the cause of everything. Arlecchino presumably thinks of it in the way you don't want her to, that you regret taking him in because he ultimately ruined everything for you, causing your world to fall apart. You don't. You wish you hadn't dragged him down with you.
Now Capitano still dealing with the consequences of your choices. He was perfectly satisfied where he was and would've remained that way had he not been caught up in your plans. It was your arrogance that made you think Capitano would prefer to come with you. At no point in your first interaction had he indicated he was displeased in his circumstances, only hostile because humans were so close to him. It is an understandable thing, considering that humans were a foreign concept to him and potentially posed a threat.
"Because he overtook you?" 
There it is.
Despite her words, she appears to have dropped her irritated expression and the impatience in her words and actions. You are finally speaking, and she won't lose that opportunity to an avoidable break in her temper.
"No. No, nothing like that." You try to find the words to explain it, even knowing she likely wouldn't understand it in her current position. You doubt she could ever comprehend it with how she treats her loyalty. "It's more like… Off the record, though I was cherished for many years, even I eventually became disposable. I have left Capitano in the hands of the person who caused that, and now I have damned him to the same fate."
Arlecchino is silent in thought, mulling over your words with great care. The tone of the conversation shifted right under your noses, and with it, so did her demeanour. She became relaxed in a way, though you imagine no less guarded than she always is. "I fail to see how your performance declined. In fact, you are more necessary now than you have ever been."
"I see." In your head, that means she's on your side to a degree. "So you believe that my termination was a mistake?"
"A grave error at best." Her words only confirm the way you thought of it. "Even if you had declined in performance, the people have begun to question more than ever, which sabotages the political landscape of Snezhnaya for those who care about it, the same people who stood idly by while you were ousted. Those who oppose the Fatui are pushing the notion that we must be weaker than we appear, because if even Brighella could die, then what does that say for the rest of us."
Though you wish you could say that concept was inconceivable, the idea that those fighting for reform would seize upon your demise as a means to spur change. It's not shocking that everyone else has been called into question, either. Though it is easy to push the role of frontrunner onto the Director, his duty is mainly administrative, as is the case with many high-ranking positions. His wrath is quick and brutal, and sparse. Dottore is too busy with his disgusting hobbies, and Columbina must remain in the light as a figure they can cling to. That leaves the position of Fourth as the one who is publicly the most violent and ruthless, which used to fall to you.
"I see. Is that why they want me to come back?" You don't expect an honest answer as you ask that question, half anticipating another play at your heartstrings.
"No." 
Frustratingly, she doesn't elaborate.
"I'll only agree to return if Capitano is free to do as he wishes."
She scoffs, somewhat returning to her brash attitude. "Even if I could make that decision, we're well past the point where that's a possibility."
You know that she's correct in that.
Still, you can't stop the sight you let out. You knew the request was wonderful in theory but inconceivable in practice, but asking never hurt anyone. "Then what do you want from me? I take it that though I'm only a stagehand, my part in the theatre is not yet over."
"Is that how you see it?"
"Answer my question."
"Execution."
You pause at her answer.
"Execution?"
You're not even sure you heard her correctly. The execution of who? Brighella has already been put to death, and Capitano has barely warmed his seat among the Harbingers. Nobody left in this is worth killing, given the precarious nature of the Fatui's support in the aftermath of Brighella's murder. It was already unstable, and now things are just worse, with no better word to describe.
You doubt they made the decision lightly.
"Execution. Your execution for the murder of Brighella and crimes against the state."
Your nerves instantly spike again, and your guard is higher than ever. At any moment, you could need to draw your bow and fight her because even though you're unsure of how to treat this life, you're not ready to give it up. No foe has scared you before, and neither will the prospect of rebuilding from square one.
"I see, so you've come to extradite me."
"You read my intentions horribly. I'm impressed you managed to make it so far like that."
You furrow your brows in annoyance. "Then what?"
"The values of the Fatui no longer align with mine." The assertion draws your attention more than anything else. You have always been aware that she is unconcerned with the ideas of loyalty and honour, which you can't fault her for. Abiding by the code of honour the Tsaritsa instilled in you left you here.
You may be completely wrong, but she was so vague and doesn't seem to be waiting to say anything else. "Is this your way of telling me you're deserting the Fatui?"
"No."
"Then what?"
"You so happen to be someone I like." 
You're startled by that as well. As far as you were aware, the decision to do nothing in the face of your dismissal was unanimous. You thought Capitano was your only remaining ally. Even if she's the lowest ranking, that is not indicative of power in an objective sense but of authority. In a sense, she is the new 'you' of the Harbingers, as she always was to a degree. 
Blame for the disorder is shifting in your absence to her.
"Because I cleaned the messes you now manage?"
"Because you aren't cowardly and fixated on politics but inhibited by them. You are a model of what is right." You can't say you follow what she's saying but allow her to continue. "Pulcinella and even Pierro refuse to travel abroad, always making excuses to shirk their jobs when faced with danger in order to comfortably remain in luxury. From the day I joined, you stood out to me in that way."
You raise an eyebrow at her, unimpressed by whatever she's trying to do right now. "Are you trying to flatter me into coming back?"
"I was telling the truth." She doesn't look impressed, either.
You feel a little embarrassed by that, suddenly feeling as though you really had responded quite rudely to an innocent statement. "Hearing a person idolise me is strange," you admit.
"It's not idolising." Her correction is sharp.
"Sounded close enough."
Silence again, as with the pauses scattered around the rest of your conversation. You aren't catapulting the topic into something of great interest or progressing, and neither is Arlecchino. Her lips press into a thin line trying to hide any cracks and stifle any emotion that slips through.
"I admire you."
You did not realise such a thing was possible, really.
"I thought you may have remembered the times we shared and think fondly of it, but perhaps not. We fought once- maybe twice- before. We drank together. Nothing else."
To end that statement with 'nothing else' as if to reduce every conversation, interaction, hour and experience to ashes is thoughtless at best. You didn't remember either instance in which Arlecchino believes you fought and still don't, though you try to now that you have come to find it apparently happened. If it did, the chances of you actually remembering is slim to none with how your memory is. It's not that you forget things quickly, but that minor events slip through the cracks in your frankly chock-full memory.
"I don't remember them, I'm sorry."
"I didn't expect you to."
Despite her words, there is a faint bittersweetness to it, the realisation you are insignificant to the person you aspire toward being like. Somewhere, even if she is aware it was always not only a possibility but highly likely, it still feels like a letdown, the fragile hope you might remember her strength. You only remember her drunken and all too enamoured by you to think properly. It is foolish of her to feel that way because you have battled many foes, and expecting you to remember all of them, let alone your underling, is unreasonable.
"You still haven't answered my question." Changing the topic, you take the opportunity to try to direct her back to what you asked in the first place. "Why are you really here?"
"The Jester gave me permission to pursue you, believing I would attempt to convince you to return to Snezhnaya after Columbina failed." As Arlecchino begins to explain, it slowly begins to make sense as the pieces fall neatly into place. "However, I have no interest in appeasing the wants of dignitaries who care only for their comfort."
You don't want that either. It's just a repeat of Capitano. "Do you understand how dangerous what you're doing is?" It's an attempt to remind her, but Arlecchino's unwavering expression tells you that reminders are unnecessary and unwanted.
"Yes, you were removed for less." She only confirms it for you. "Dottore is of the opinion that you will be forgotten, as are several others-" you imagine singling him out has something to do with them fighting all the time- "but that is simply impossible."
"Times change. You would be surprised how many things we thought would never be forgotten that humans have completely lost all knowledge of."
To her, that concept may be harder to swallow. Arlecchino has never seen the centuries roll by as you have and isn't as familiar with what does and does not remain. Even the greatest gods fell in the Archon War, and most humans cannot name any but the seven Archons. It is natural to forget and progress. The past is meant to become speculation and theory.
"I won't allow that." Abruptly she stops, though her sudden words startle you somewhat with how intense they are. That kind of illogical thought process is natural, maybe. You can't really say. "They could remember."
You shake your head in response, a firm denial before she's even begun to try and sell you on the idea. "There's no need for them to remember."
"There is every need."
"People don't glean the same admiration you do for someone they see as a tyrant."
"Then evoke fear!"
"Enough." You did not expect to have to put your foot down so harshly but do not hesitate to. "I won't entertain this."
Arlecchino grits her teeth at how easily you let go. Even though you are obviously not acclimated to civilian life, you refuse her offer that would allow you to return to Snezhnaya in a potential position of power. It is yet another failed step in the many she expected to have to take to convince you.
"Then let me hide you until some time passes."
"I'm not a precious treasure." She ignores how you roll your eyes at her, completely withdrawing how emotionally available you had managed to be. She can't let her anger take control of her again. "I can handle myself thank you very much." 
You sense she will not be giving up easily.
Even if you could convince her to leave you to your devices and that you would be fine, you doubt she would accept that. However, you have a feeling she knows you intend to disappear after this conversation. You have no idea why else she would pour her heart out in an attempt to make you easier to keep hold of. If you leave, you hold the advantage.
"I cannot continue to defend your honour while you stand by and allow them to do as they please with your name."
That doesn't worry you too much when you've been contributing to it since leaving. "Then give up. Let my name be tarnished."
Arlecchno's anger finally begins to boil over despite her efforts to contain it, rage spilling from the cracks in her composure. "You cannot have forgotten everything we did together."
"Of course I have not forgotten that." Your words are more fuel than suffocation to the growing fire.
"Then accept my help and stop being so stubborn."
"There's no need to."
She grabs you by your arm before you can step away, and you can feel a chill in her hand seep into your skin, likely a byproduct of her delusion. It doesn't hurt, but it doesn't match well with how warm you are most of the time. "You would be willing to pretend you don't wish for normalcy to avoid confronting the Tsaritsa?"
"If I return to Snezhnaya, I will die." You lay it out as directly as possible, without an if, but or and. There's no room to debate this because the outcome will not change. Even if the two of you decide you're best friends, nobody else will see things that way, so it's pointless to pretend you don't see it as it has to be.
Arlecchino finally appears to consider your words more carefully, remaining silent again, but you do not interrupt her this time. You shift your focus to the icy hand still touching you and begin to channel what little you can of your vision without drawing your bow to warm her. You hope she doesn't notice it, not wanting her to find an ulterior motive in it.
"Then it is unavoidable."
You don't quite understand what she is saying until she removes her hand from you to place something on the table you shared.
Suspiciously, you eye the item as you wonder about the significance of abandoning it beyond the obvious, but you don't want to acknowledge that option. "You'll need your insignia if you wish to return." You needn't remind her of that, but it is a prompting statement.
Arlecchino shocks you with her next words.
"I'm remaining with you."
You stand in stunned silence for several seconds, replaying them over in your head. Remaining with you. She doesn't mean that, does she? This is another of her persuasion tactics, right? She cannot actually go through with this. "You're what?"
"I'm not going back to Snezhnaya."
That only confirms your fear, the chill of it rushing to the core of your being and lighting your nerves up with an icy cold. Maybe that's just the hand touching your cheek.
"You can't. You shouldn't. You should stay there."
She makes an odd face at you, half understanding of your plight and the other confused about why you care so much about what she does with her job. "In that place you curse yourself for leaving Capitano?"
"It's a comfortable position." You try to reason that way with her, pointing out the inarguable benefit.
"I don't care for comfort."
You scramble to find another reason, something else to make her give in and pick it back up. You have not gotten anything you attempted to get this night. Arlecchino didn't leave and is, in fact, intent on leaving the Fatui to continue that.
"I don't care to waste my time pandering to people who do not value what I provide for them, all the while relying on it."
That's not a reason you wish to say, but it is. It is a very real reason. You can see it in how the Fatui regards your circumstances that they have never found enough value in the mountain of work you took on. If they had, you wouldn't be having this conversation. She's right, you realise, she realised what you could not.
"Even if you do not allow it, I would be able to follow you." It's a strange thing to say, but maybe she was trying to convince you. Her arm falls back to her side.
You shake your head. "Humans tire."
"I won't be too slow."
It's different for her. Arlecchino doesn't hulk around a bulky suit of armour and a helmet to conceal her face. It is open and well-known. There will be places she can't ever travel to again. Her life will be this and nothing else, while yours will eventually become something else, as it was always supposed to. Even if you don't want to now, you will move on and find a new sense of self. She may never.
"There are grave consequences."
"I know."
"You may never know peace."
"I can live with that."
"You--" 
--will question everything you have ever known. That was what you were about to say. You again come to a realisation that clears things for you. It's different. Arlecchino has not spent her whole life dedicated to serving the Tsaritsa, only a few years at best. You spent centuries. It is no wonder that she could give it all up so easily. Arlecchino only had one foot in the door in the first place.
The realisation dawning on you this way is daunting.
"...Fine. I will accept that." Though you thought you would struggle more, you also understand that it is useless to do so.
"A good choice."
The act of conceding can bring about a sense of relief and comfort. Conceding feels nice, in a way. It is a respite from constantly controlling everything to be exactly as you wish. It allows you the freedom of simply acknowledging the reality of a situation and accept that it may not align with your ideals, even if you don't necessarily like it.
You don't want Arlecchino to accompany you for her sake, but accepting that she will not share your fate of being humiliated can bring about a sense of peace. She will live however she pleases, and that means she may not want for the same future you received. Having a free will allows her to leave.
Slowly, you try to recover from the shock of the situation. As you take in a deep, quivering breath, you begin to steady yourself and attemt to process all that is unfolding.
A single question comes to your mind, a relatively simple one but significant enough to matter greatly.
"What is your name?"
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CROSSPOSTED ON AO3
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enemy-of-the-people · 2 months ago
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Going through my notes, I'm realizing a lot of events in Cowboy Bebop happen in the same year.
You might know that the last known event for every character happens three years ago: Spike leaves the syndicate, Spike meets Jet, Faye wakes up, Vicious betrays Gren, Gren escapes prison, Ed leaves the orphanage, and Vincent escapes Titan. But also: Mendelo al-Hedia (some guy in the movie) escapes the military research program, and Chessmaster Hex's chesspieces are sent out.
But looking at a timeline (http://bebopattic.weebly.com/bebop-timeline-long.html) there are a few other hotspots.
Three unrelated events happen seven years ago: Jet leaves the ISSP, Mei-Fa's mother leaves her father (Boogie Woogie Feng Shui), and Ed's father forgets her at a daycare. And all consist of a character leaving someone.
And ten years ago: Spike gets the Swordfish, Jet meets Pao (and Mei-Fa), and Zebra and Giraffe disappear.
Most notably, twenty-seven years ago: Spike, Vicious and Julia are born, as are Spike cognates Andy and Rhint (Jet's ex's new boyfriend). That's also when the beloved adventures of Ural Telpsicorei take place, and the first year in the police timeline of Zebra and Giraffe.
Individual events happen at other times (Julia meets Gren two years ago, and Ed joins the orphanage five years ago). But if you look at a timeline you'll see a whole lot of three and seven, while absolutely nothing happens four or six or twelve years ago. And there's an element of randomness to this. It could just be an illusion courtesy of the Poisson distrbution. But then again this is Cowboy Bebop so it might very well not be.
Is there some significance about three or seven or ten that would explain this? I have no clue, and the Wikipedia articles about numerology aren't helping me. Hence why I'm making this a Tumblr post and not a PhD thesis.
Input is appreciated. If it's not random then I'd guess that it's a Buddhist or Confucian or Daoist concept. Or maybe it's just an arbitrary structure to highlight some similarity between the events.
Except for one thing. I'm reasonably sure Spike, Vicious and Julia being born 27 years ago is a reference to the 27 Club, a list of famous musicians who all died at 27. That's called foreshadowing baby.
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comicaurora · 3 years ago
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(Now I would have used Tumblr's handy dandy reblog function on my last ask, but I felt too self conscious making a long post Even Longer over a single section, BUT!)
'If I put Falst in a notably hostile and unjust city and then just… left him alone, that risked turning the in-universe established fact of people being casually shitty to ferin into a tell-don't-show thing. The last thing I wanted was for it to seem like Falst was being oversensitive, that things weren't that bad or that he could've been hanging out in cities this whole time. ... It was very important that I not shy away from showing the gross, bad side of his experience, because doing so could risk producing the opposite effect.'
Y'know as (half of) a black person, this honestly never occurred to me, like I just Instantly grasped from the way others talked about Falst in his intro arc when he wasn't there "Oh. Oh I Know That." And so seeing him in active peril in the city as opposed to him playing cards with Alinua in the one spot he knew was primarily safest didn't register to me at all as a big difference in presentation because you're not allowed to just Forget that people can and will treat you worse than you are due on sight when you're in Falst's position. But the audience watching a story is allowed and very likely to forget or not register danger levels unless they are being actively shown those things at prudent intervals. Like the silent pressure constantly on Falst is something I Fully Get without having to be given examples, but also it's a silent omnipresent pressure on top of all his other issues that he refuses to bring out of himself, so in crafting a story around All Of That, you gotta shake the jar or else the glitter at the bottom will become such a non-thing that people might just kinda go 'I mean it's just a jar with something at the bottom, I don't see what the deal there is.'
Yeah, it's… a tough balance to strike. I'm not a fan of stories that aggressively fire off nonstop reminders of in-story prejudice (netflix's shadow and bone went so hard on the in-universe anti-"shu" racism I kept cringing away from the screen wondering how this world seemed to be composed 95% of people with nothing else going on in their lives except being racist), but on the flip side you get stories with, as I like to call it, Elf Racism, where some demographic of gorgeous superhumans like elves or angels or catgirls will be allegedly discriminated against or hated by some specific in-universe group and it will usually either be brought up (a) only once in a Very Special Episode where someone is taught quickly and cleanly that Racism Is Bad, (b) literally never, except maybe the token elf/angel/catgirl will be like "you think my ears/wings/kawaii kitty vibes are beautiful? but……… all my life I was told they were hideous", or (c) solely in the context of Radical Anarchist Rebels whose reasonable points about "racism is bad" are obscured by their startling habit of committing random atrocities for our heroes to morally oppose without addressing their actual moral thesis.
My biggest complaint with these executions is that they are wildly, wildly unrelatable. "My life is hard because I have adorable kitty ears, angel wings or superpowers" is the kind of thing that needs supporting evidence before an audience will buy it. "This world is prejudiced, by which I mean elves and dwarves hate each other - but not THIS elf and dwarf, they're besties, but all other elves and dwarves hate each other and in those cases it's just a fun quirk we will never attempt to address" produces a setting that can't decide if prejudice is a moral failing or a funny quirk. "There is prejudice in this world, by which I mean all the bad guys are racist and all the good guys are 100% enlightened and unproblematic" isn't much better, because it's being used as just another flavor of Good Vs Evil - plus the execution on the bad guys' part tends to be so cartoonishly over-the-top as to be completely implausible.
This is a problem, because if the "prejudice is bad" story is trying to communicate, for instance, the complex moral message "prejudice is bad," the prejudice enacted in the story probably shouldn't be so cartoonishly implausible that the audience has no chance of recognizing it within themselves or within anyone whose flavor of bias is anything less blatant than foaming-at-the-mouth-and-cranking-the-hate-crimes-dial-up-to-11. Most people will accept the idea that "people being ridiculously terribly prejudiced is bad," but when the image of prejudice the story paints is so divorced from any sort of lived experience, they will not see prejudice as a harmful flaw that real human people are capable of perpetuating, and they won't recognize it when they see it from the outside in real life - they'll see it as another hypothetical flavor of evil villainy that some bad people intrinsically do.
Prejudice is such a widely experienced issue, especially the "omnipresent invisible uncertainty of whether or not I am safe right now" thing, that it's baffling to me that so many of these stories don't seem to… get it? While the specific nature varies in every case, there is fundamental overlap in the experience! Like, I absolutely do not experience it the same way a lot of other people do - I am very white-looking, and too blonde for the garden-variety antisemites to figure me out, so race-based harassment has never targeted me - but I've been an underage woman in creepy-older-male-dominated spaces, I spent about half my middle school years as the target of nearly-nonstop bullying (a lot of it from people who I otherwise got along fine with and knew were ultimately well-meaning with a blind spot for casual cruelty), and in the past I've been cyberstalked and harassed by random entitled weirdos for long periods of time. I am very aware of the feeling of "there is a target on my back, and I just hope nobody hits it too hard today," and it seems to me that that specific feeling cannot possibly be this difficult to communicate.
It's like these writers read about how prejudice worked and were like "some people hate people for how they were born, got it" and just put that in their world without any nuance. Actually, I say it's like that, but considering the demographics dominating publishing, that's probably exactly why it happens so much.
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boethiah · 3 years ago
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and i think there was a period of time where i got so frustrated about this, where i was so angry at myself for putting so much time and creative energy into a frankly mediocre video game series, and not even in a way that really matters-- six years and i kinda have minimal impact on the fandom outside of tumblr, i’ve posted like maybe one notable theory on reddit and some fanfiction-- but. it’s been my mental respite. it’s been a way to bond with people (which i’ve always struggled with!) and explore ideas in a way that i enjoy. while i was slogging thru my thesis and trying to heal from ptsd or whatever TES was this funny little absolutely-no-consequences thing i could (can) retreat to at the end of the day.
like at this point i don’t really care about the source material because the source material is secondary to me. the parts of the lore i care about are so vaguely defined they mostly just serve as prompts for original worldbuilding. and i’m not mad at myself for ‘wasting all my energy’ on it because i’m actually getting energy from it rather than wasting it. it’s the same reason people watch reality tv, i think, or watch the same show over and over. sometimes you just need something familiar and inconsequential to retreat to when life is hard. not sure where i’m going with this but in conclusion i’m having a great time here
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acourtofantumbra · 2 years ago
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Pulling at the Thread of the Day Court and the Dawn Court Pt.1 - Alchemy & Other Realms
☆ All SJM spoilers: ACOTAR, CC, and TOG ☆
I might be putting this insanity out into the tumblr wilds, but trust that I do not think anyone would ever care to read something this long. Idk if my college thesis was this long. This is a literal invitation into how my neurodivergent brain works. Expect real a to b to q to wow we've just fully veered off the road... where are we even going? energy. If you get tired along the way — yeah, trust me that's normal.
So, I'm doing my first re-read of ACOTAR!! Tbh during the first go around I struggled with the OG trio (I DNFed ACOFAS multiple times lol) and it's been well over a year since I've read them. But recently, I binged every other SJM book/series. So during my messy reread I've been picking up on a lot. And enjoying it more! But there were two fleeting moments from ACOMAF & ACOWAR that caught my eye and led me down what will become (maybe) the longest fucking theory spiral. Like multi part...
Honestly? It's been so fun. My job is very soul sucking.
In short — nothing about this will be short lol — the thread I followed brought me to Helion, his Day Court, and weird connections to both the Thesan/the Dawn Court and one of ACOTAR’s many unexplored Faerie Realms. And some realms not in ACOTAR. I also take a look at both Helion and Thesan’s powers (as well as some others) that have me questioning... some unexplored "magic" from multiple worlds. Happy to call all of it crack theory, but I will be citing as much canon as tumblr's image limit allows. This is gonna be a long and winding road!
I always add books and page numbers (and try to add any other relevant citations) to the visuals/sources I use, so check those out if you need some extra info!
Color Key: spoilers, notes from me 2 u, important, important + links, mentioned later in the post, mentioned in another post of mine or in a future post
Day Court Powers and Dawn Court Powers
Alright, so the moment that caused me to spiral was a snipe from Lucien in Chapter 11 of ACOWAR. Feyre’s plan to GTFO of the Spring Court is fully in motion, but she's freaking out about Hybern weaponizing faebane. Breezing past that, Lucien confronts her about being a big ol’ liar whilst reminding her that he has other friends, ok? 
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So, two things: I was trying to remember who Lucien’s friend was and thought, Oh right, the ‘Master Tinkerer.’ The friend that made Lucien’s golden eye, which is itself magical.
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But then I got caught up in a different question... Like hold up, what healing powers did Feyre use in this moment he’s talking about?
Because that's the main power of the Dawn Court that's canon thus far. Especially because Lucien is pointing out that his friend’s light and Feyre’s light comes from “the same power,” which he seems to know intimately, and their “light is identical.” At first, I was just confused because who is this non-High Lord person with High Lord power? And are we all cool with that or...?
So I flip back to ACOMAF to remind myself wtf we’re talking about here… which of Thesan’s — or the Dawn Court’s — powers did Feyre use in the Hybern/Cauldron event at the end of the book? A display noticeable enough that Lucien clocked Feyre's light looking familiar — perhaps because his mechanical/magical eye might have related functions. 
As it turns out we're not talking about Thesan’s powers at all… we’re talking about Helion’s powers. Which might be why Lucien is intimately familiar with how the power works — for wholly different reasons... like having inherited Helion’s powers himself.
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So Feyre breaks through Hybern's wards so she can get her sisters and IC out and reestablishes her bond speaking with Rhys, but notably she still can't feel the bond with Hybern's spell crushing down on it. But she pretends she's broken the "curse" Rhys has put on her to make her like him more than Tamlin...
Tamlin... my dude... no...
And while Feyre gave an Oscar worthy performance convincing everyone that her very nice Night Husband was evil the whole time, Lucien is suspicious as hell... and so is his eye.
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Lucien knew Feyre was full of shit and with “centuries of cultivated reason” he might know about some other lies *cough* who his real dad is *cough*. But his mating bond with Elain has freshly snapped into place… so his priorities shifted, one could say, and doesn’t call Feyre out.
Ok, so where are we now? 
Feyre used Helion’s Day Court power - his light and his cursebreaking/spellbreaking to take down Hybern’s wards so the Night Court could get her recently Made sisters out of dodge. Lucien clocks this because he has a friend in the Dawn Court with the same abilities and the same light and also maybe because he personally knew Papa Helion’s powers were being used.
Here's a post from whitewolf-ofdoranelle: detailing some evidence about Lucien maybe knowing the truth about Helion and his powers.  
About Light in the SJM Multiverse:
It's becoming more important by the second!
We have many different shades that seemingly allude to overarching people/powers/plots. Most of the time when we encounter characters using or emitting light, they/we don’t exactly know where it comes from or how it works. Which is why so much of the understanding re: our shining characters is still just speculation at this point.
But we know it's for sure important with the introduction of the Starborn Line in Crescent City and the lore that connects Midgard and Prythian (tho the stories are not identical... someone is lyinggg). We’re building that knowledge more extensively as the multiverse comes into play.
For example, when Feyre glows after the mate-a-thon with Rhysand in the mountain cabin she wonders what court's light is turning her into a 100 watt bulb...
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It very well might be a different light! Helion's light has been described as healing! Of all the glowy boys — Thesan is actually the glowiest and the brightest! Are they different? Are they the same? I really don't know!!! And I'm sorry if I've made you more confused now too. Tho I do delve into Thesan more towards the end.
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A thought I've had re: Helion's kind of light (I'll get more into in another post) has everything to do with Pelias... and Helion's sensitivity to the Dread Trove.
In ACOSF, Helion has to have the IC cover the mask and physically remove himself from the area... no one else has this sensitivity (at least to this extreme) and all Helion has to say for himself is this:
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It's worth noting that in Midgard they don't seem to have the same distinctions regarding light powers. Like... everyone who glows (minus Hunt) is Starborn?
In Prythian we have Dawn Court light, Day Court light, Night Court shadows and perhaps this (to borrow the Midgard term) Starborn light. Pelias, the controversial figure in the lore connecting P + M in the King Fionn and Theia story, is said to be a Starborn prince. But at every turn the Princes of Hel are quick to point out that Pelias' power and his light are nothing like Theia's — who is, by their claim, the true Starborn power holder — and her daughters'. They also say Theia's daughters have starborn and shadow gifts, but that isn't necessarily part of Pelias' skill set either... I'm lookin' at you Aidas.
Anyway, I've toyed with the idea that perhaps Pelias' light powers, because Midgard lacks the distinction between light powers, could be Day Court-like. And it would make sense that the Dread Trove would ward against anyone in that lineage considering "Pelias wielded [Luna's] Horn until he died" (HOEB). JUST SOME THOUGHTS.
Check out this absolutely incredible (a comprehensive) theory post from @wingedblooms about the different kinds of light in the SJM Multiverse
But back to Lucien’s friend who has Day Court powers… who is she? 
It’s Nuan! A character I was like, "She seems cool, can’t wait to get to know her.”
And then ACOWAR ended and we never heard from her again... womp. But, some might call this a loose end.
It's me. I'm calling it that.
Considering she played a big role in Lucien’s life (a former main-ish character with nothing but loose ends), provided critical help to win the war against Hybern, has a suspicious amount of power, technical skills, and connection to distant faerie realms we still know frustratingly little about… Nuan has nothing but potential! Welp, let’s get into it. 
So remember how Feyre is like “What if everything I eat has faebane in it, wow that’s suddenly a huge problem for us right now on the verge of war?” And then Lucien is like, “You have my friend’s powers, you liar?” Coincidental? Cool.
When Nuan is finally introduced by name, she's shown up at the tensest High Lord meeting ever at the Dawn Court. Why? She wants to let everyone know she invented a cure for that pesky Faebane. Helpful!
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There is a metric ton stuffed into her introduction and it's hard to even know where to begin, but I'll try.
Just know the “she looks kind of like Amren thing” is incredibly specific and out of nowhere.
Whenever SJM throws in an “oh, I just kinda thought that… strange” and “oh hm maybe i saw that person glowing like a 60 watt bulb but maybe not” etc etc etc… statements, they are always important. There are more of those moments to come and every series by her is full of these.
Anyway, ACOTAR has had 5 books (4 novels, one novella) and this comparison to Nuan is among one of the more specific pieces of the “who and what is Amren” puzzle we get. We’ll get to it, but we’ve got a mountain the size of Ramiel  to dig through first. 
Back to the Dawn Court scene: Being his usual discriminatory self, Beron aka the High Lord of Autumn is suspicious of Nuan’s miracle cure for faebane for because he's an asshole and a xenaphobe — we’ll come back to this. But she counters with her own commitment to protecting the fae from being poisoned and powerless. Go Nuan! It also seems like she's a very dedicated scientist, but that behind this science there is also magic. Makes sense when you consider the whole magical appendages gig she has!
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Nuan monologues about the Mother aka higher power/god/[insert mystical lore here] situation who is suspect #1 in the whole “what are the gods?” conversation. The gods, etc. are known lore — which exists in different forms ACOTAR, TOG, and CC — and they're complicated enough to warrant their own massive post.
Anyway, Nuan explains that the Mother provides “everything we need on this earth.” Nuan simply needed to find what the Mother has provided Prythian to stop Hybern from “wiping out” their powers. Considering she applied this logic and it worked… seems legit... and important?
So yes, the way she phrased her scientific method struck me... and left me with so many more questions than I started with. Like what did you use and how did you do it and where did you find it??? What do you mean this earth?! I could keep going!!!!
However, her antidote can’t protect fae entirely because physical objects made from faebane will still have dangerous effects. Sounds like her compound is able to… dare I say… break the curse or spell of faebane? But if  the physical object that makes fae vulnerable comes barreling at them… well that’s a whole different story. Kind of like how from the first scene I mentioned: Feyre could break the wards and the spell silencing her mating bond with Rhys, but she still couldn’t feel any of the physical effects of the bond with Hybern’s spell shutting her down.
Nuan, it seems, not only has Day Court-like powers as a person whose family isn’t from Prythian, or the Solar Courts, she can transform magic/power into physical objects - magical mechanical body parts and medicines, for ex. Kind of like less spooky Nesta sword versions of Made objects?
But this is apt considering she’s not just a tinkerer (a word that will always make me lol), but Thesan introduces her as an alchemist.  
Let's talk about alchemy, baby
So let’s take an unplanned detour off the cliff of what tf is alchemy? VERY COMPLICATED is what it is! You may wonder where the heck are I'm going with this... patience my friend. Possibly somewhere... maybe nowhere... idk. Look, I said this would be long.
I promise we'll delve into actual historical contexts, but I'm gonna be real with you... I'm not a scholar, or a philosopher, or an archaeologist, or a theologian, or a chemist, or an anthropologist. I took courses on these subjects, but I just enjoy learning about this stuff/consuming content about it. Alchemy is very mysterious, very "lost to time," so it's hard to get it right. And just to keep it 100... my deepest and longest exposure to alchemy comes from a beloved manga and anime series. If you're like... "yup, absolutely not." Skip the rest of this post if you'd like... or skip ahead. To both fandoms... I'm so sorry for what I'm about to do. lol.
Alright, raise your hand if you too love the manga and anime series Full Metal Alchemist… If you’re not raising your hand, I highly recommend giving it a whirl. And maybe don't ruin it by reading any of this. If you think Kingdom of Ash has insane world building culminations and… pain... yeah FMA has that and emotional pain I’ve never healed from. *sobs* 10/10 
Much like SJM and her use of universal mystical concepts and traditions, FMA also references much of the real history of alchemy and, by association, incredibly complex mystic religious principles. And what would ya know? Turns out FMA is a super helpful tool to explain/understand this very difficult subject.
So let’s take a quick look at the main character in FMA…
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That’s Edward. He’s a rascal. He’s also an incredible alchemist who’s able to transmute — woefully basic explanation: turn objects from their original form into something else through the law of equal exchange — without a transmutation circle. That's a rarity among even the greatest alchemists. Because he can do this, at age 12, he becomes the youngest State Alchemist (he works for the government begrudgingly). Though, in the image above, that's Ed with a transmutation circle and hm... is that a star shaped rune? I digress.
You might ask... where is there an instance of a "law of equal exchange" in SJM's worlds? It might not be a perfect parallel, but... there's definitely something going on with give and take regarding magic. And that has major implications re: how much magic each world has (and how much the Asteri need to consume/wreck worlds for). I'm a broken record but... that perhaps will be its own post one day.
When Nuan talks about the Mother providing what that world needs... I feel like we're touching on something here. And as an alchemist, her work would be centered around this law of balance. Of course, we get absolutely no details from SJM.
But let's look at something we've encountered a bit more, like the Great Rite. Note: not my favorite magic tradition in these worlds... But it keeps coming up, especially where characters with mysterious pasts are concerned.
I've also made a post tying it in with Hunt from Crescent City and... idk... once I saw it, I can't unsee it.
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First off, Lucien shakes off shadow hands multiple times talking about the Great Rite... please take note of that for a point below.
But we get reference of a tradition that must occur every year for their magic's cosmic "give-and-take." Sounds equal exchange-like.
High Lord becomes the Hunter (Hunt... is that you?) who needs to find the Maiden (Bryce is this what you guys are doing?) selected by the magic. Then they "couple" *sigh* and generate magic that's released back to the earth and all is well and magical for the coming year. Sure.
The Maiden has come up countless time in the references to the triunity or triple goddesses throughout ACOTAR, CC, and TOG (Also long and complicated - I am 100% doing a post on this). Short version: the triple goddess = mother, maiden, and the crone. Three-faced goddess. All the moon goddesses implicated. Witches and their goddesses... Persephone-like characters... etc. etc. etc. I'll get into it another time... this is my super bowl. But the Maiden has everything to do with the Mother and vice-versa, just as Nuan pointed out in her assessment of balance and magic within this world.
Outside of the Great Rite's Hunter and the Maiden ritual, Lucien says the rest of court takes a part in the night, "though it’s not the Great Rite, our own dalliances tonight will help the land, too" (ACOTAR, Chapter 21). Energy spent becomes energy reaped... even if they don't get the ritualistic title. Is this reminding you of science class and the first law of thermal dynamics: energy can't be created or destroyed it can only be transformed? It should.
It's notable that every Court has a Great Rite they must comply with to power the magic of the land, though we're only familiar with the Spring Court's Calanmai tradition. But in ACOSF, Gwyn mentions multiple times that when females "come of age" they can, and seem to be expected to, participate in the Rite. And we all know rituals with titles and milestones have never gone wrong for anyone... *stares in Crescent City* (The Drop). But also, we're seeing instances in both CC and ACOTAR where magic is waning... like the balance is off. Rhys tells Feyre that Starfall souls are less plentiful and well... we know the Asteri are over indulging in first light. Essentially, exchanges are not equal and there are traditions in place to keep them that way! What's changing? What does this mean?
The TikToker ahappyhermit posted her first podcast episode about Starfall and the dwindling souls and it's awesome. She's also got a lovely reading voice!
Back to FMA, transmutation boiled down also feels suspiciously similar to Aelin and co. drawing their wyrdmarks... something many SJM theories speculate will make a big return come CC3/ACOTAR5.
Alchemists even wear objects (clothes? yup! prosthesis? yup! fake eyes... eye patches? yup!) or have tattoos (Aelin and Bryce's world walking tats? TOG witches w/ the Eye of the Goddess tats?) with transmutation runes to help them attempt to do what Ed can do — transmute without crouching down and drawing out a rune.
In an attempt to try and spare you the full rundown of the science and magic of both alchemy and the world of FMA... there's gonna be metric tons of nuance I'm leaving out. The FMA fandom are effectively scholars at this point and I just want you ALL to know I know I'm watering some of this down.
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Why can Ed transmute without a circle? It's really complicated, and important, but I'll do my best to summarize. First, it helps that, like Nuan, he has a metal arm - in FMA it's called automail, it's as complex as we've come to know Nuan's work is (albeit a little less magical), and basically he can do science faster/easier with it (I'm so sorry this would simply take too long to explain). And because *giant and complete FMA spoiler alerts across the board - like seriously I'm going to discuss all of the big reveals* he does some majorly taboo alchemy — resurrection of human life — that takes his leg and arm (and his brother's entire body, but not his soul leaving him as animated armor). Performing the taboo human transmutation opens a portal to the Gate of Truth. It opens, revealing a dimension of information which manifests as a shadowy void with several shadow-like hands coming out of it and a single large eye within. And this isn't just pure FMA canon, it draws inspiration from the lore of the Tree of Life.
Shadowy hands and something with a big eye watching you in a knowledge void? Hm... Let us turn to Nesta spiraling out and falling down the House of Wind steps and into her Making memories from the Cauldron. This does not include the MANY times characters, from multiple worlds, mention feeling shadowy hands (*wink* Dorian), but we saw examples with Lucien above.
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The Cauldron kind of sounds like a big eye in a shadowy void that is perhaps a different dimension stacked with information, huh?
And what happens after Nesta's spiral? She comes to and realizes she's sparked and embedded her hand, and then handprint, in stone... which is also glowing.
Did anyone else find this moment/detail weird when they were reading? Cassian found it super weird!
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Back to Edward, at the Gate of Truth, he meets a god, Truth. It's a whole thing. Insanely long story short, by reaching the Gate, Edward sees into the void that holds the truth of the universe. This allows him to bypasses the need to draw runes and instead channels the energy of alchemy/all the nature bending stuff he does by his own will.
Effectively, Ed seeing beyond the Gate allows him to break the rules of nature and freely wield a "different magic".
Interesting, because what Nesta has taken from the Cauldron seems to allow her to bypass the natural order of things too. No markings or weapons needed.
Throughout the series some (Illyrians) call Nesta a witch and refer to her different, powerful magic as unnatural. In fact, even the other magical beings of Prythian do not get her magic.
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Hypothetically, and just pretend with me, Nesta could (she gave it back) do a kind of alchemy without the limits of nature/the laws of Prythian because she she took too much from the Cauldron/void of truth... it stands to reason that, much like using the wyrdmarks in TOG, that alchemists like Nuan are tapping into something totally different magic-wise. Like most High Fae have some magical capabilities, but the High Lords are usually the ones with the more robust skillset. Alchemy might be this secret link to why characters — multiple groups of high skilled/non royal fae/even humans in TOG — can display huge power... as well as create objects with incredible abilities like arms and eyes... and... Prythian iPods?
Helion might not have tinkerers like Thesan, but he does have piles of libraries and scholars... oh ya you can be I will be doing a post just on libraries.
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Anyway so we've got some suspicious powers around, suspicious magic objects created for other purposes originally, and magical objects like body parts and medicinal powders. We've got multiple instances across worlds that implicate magic and cosmic balance... specifically that balance being off now.
Especially with magic being targeted (First and Second Light in HSOAB) as a deity food source - I think correcting the broken state of magic with alchemy could very well become... something. And I explain below an instance we already have seen where non-magical magic does just this in the SJM multiverse.
But in the next part of this theory spiral this connects (perhaps!) to Nesta and the Cauldron/Gate of Truth concept I outlined. Specifically, alchemists who see it and come back have taken too much from it. It comes at a great personal cost, but they have superior nature-bending abilities. The "great personal cost" thing is a TOG quote... just btw. Spoiler alert: witch mirrors
Ok, I promise just a few more comps using FMA and we'll move this train right along...
Finally, in FMA and alchemy seven is also big number and I get into some other instances in the real history below. There are seven Homunculi, beings with tremendous power who have their own agenda with a much bigger scope than what's happening on this sole planet/realm. And actually, there's a secret eighth Homunculus that's been hiding in plain sight for the whole show (like a secret 8th court?)... and ends up being the creator of the other homunculi... as well as being Ed & Al's dad (like said secret court being an origin point for all our favorite fae?). What is a homunculus? It refers to the medieval legendary concept of a being Made and brought into existence by certain means of alchemy and it requires the Philosopher's Stone (too complicated to even get into, but it comes up again in my Pt. II post). Also fun fact: in FMA, Homunculi all carry the mark of the Ouroboros... like that (witch) mirror in ACOTAR that people have been mighty suspicious of.
The Homunculi are aptly named after the seven deadly sins - pride, envy, lust, wrath, greed, sloth, and gluttony. Makes you think... Asteri are pretty gluttonous... Valg? Princes of the Pit? Angels? Scions? Some High Lords? Nesta? IDK?! Anyway, the Homunculi begin as villains and some change their allegiance along the way. But not all not all of them are inherently evil. Despite looking like the human characters/beings in FMA, "Homunculi are still aberrations of nature created by violating the laws of the natural universe, and as such, have no souls." It's complicated, but they're incapable of accessing the Gate of Truth or regular alchemic (read: magic) powers, because they lack souls. Some weird Valgy/TOG god/Asteri/can't get through a damn portal parallels, no?
Ok, that was still SO long, and I'm just gonna leave these many kernels of thought I have failed to really wrap up here... whilst staring into my own void... and catalog of all the characters and beings we've run into described as something else or Made or bred. I will spare you from the whole chimera conversation... FOR NOW... but I'm looking at all of the spooky murder pets our heroes have fought off... and truly every Asteri "experiment" being. Just know that.
Has Sarah watched this show? Dude, I don't know. But I do know that we both entered the world of fantasy via Sailor Moon. According to this post she even wrote wildly popular Sailor Moon fanfiction. So she has watched and loved at least one anime. FMA is wildly popular, has a rich fantasy plot that's a masterclass in world building with brilliantly researched foundations in global mystical traditions, and it's penned by a woman! So, no, I'm not 100% convinced she hasn't.
So, is alchemy real? Kind of...
OK, I swear I'll focus now. So alchemy! There was a time when people believed it was real (from the ancient past to Isaac Newton who wrote a lot about alchemy and very real science). The way I have come to understand it, alchemy exists within the crossroads of science and mythology. It's even been considered a kind of witchcraft or spellwork. However, alchemy did either lead to, or exist along side, many important scientific laws and discoveries we still hold as truths/are taught today.
So... witchcraft, eh? We've had allusions to witches in ACOTAR, but we seem to be lacking the noted presence of such beings like we've seen in CC and TOG (though we still don't fully understand their powers across the board)... unless they're hiding in plain sight dressed as something else?
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Interesting... no? I am far from the first to suggest the Made Archerons are witches (and Pt. II will have more witch talk and citations to great theory posts I didn't write). But hey, they could be alchemists too...
We know from Nesta's perspective in ACOSF that she absolutely took more than she should have from the Cauldron and she is using/making tools (read: swords) right and left. Plus, Mor's description sounds suspiciously like alchemy that's... gone rogue or without equal exchange. Also, more simply, everyone calls Nesta a witch (specifically the Illyrians) and she's cool with it. But that's could be because she revels in being scary and we love her for it.
Alchemy as word reveals much about it. Like most terms that have an "al" to start (algebra, algorithm, alfalfa, alcohol, almanac...) is an Arabic syllable for “the,” and we see it show up in the language of math and science.
"Alchemy was rooted in a complex spiritual worldview in which everything around us contains a sort of universal spirit, and metals were believed not only to be alive but also to grow inside the Earth... Historian Nevill Drury, in his book "Magic and Witchcraft," notes that, "The word alchemy is thought to derive from an Egyptian word, 'chem' or 'qem,' meaning black — a reference to the black alluvial soils bordering the Nile ... We know that the Greek word 'chyma,' meaning to fuse or cast metals, established itself in Arabic as 'al kimia' — from which alchemy is derived." Live Science
"Alchemists attempted to purify, mature, and perfect certain materials. Common aims were chrysopoeia, the transmutation of "base metals" (e.g., lead) into "noble metals" (particularly gold); the creation of an elixir of immortality... The perfection of the human body and soul was thought to result from the alchemical magnum opus ("Great Work"). The concept of creating the philosophers' stone was variously connected with all of these projects." Wikipedia
There's a lot going on there, but we're speeding right along. You can ask questions at the end of class. No, seriously ask them because I'm probably not gonna dig that deep here.
Alchemy has roots in many different ancient places and sprung up independently of one another.
"[There were] at least three major strands, which appear to be mostly independent, at least in their earlier stages: Chinese alchemy, centered in China; Indian alchemy, centered on the Indian subcontinent; and Western alchemy, which occurred around the Mediterranean and whose center has shifted over the millennia from Greco-Roman Egypt to the Islamic world, and finally medieval Europe." Wikipedia
As it turns out, Sarah and alchemy have a lot in common — they love mixing a matching the myth of many places into one magical tangle. There's a lot to unpack there and I wont get to all of it here... but I will try to eventually. One thing I will definitely touch on in another post is alchemy's connection to the God Hermes who keeps coming up in my research — he has many powers, but notably he's a world walker.
So from the quote above I'm gonna dive into connections with what we know about elemental fae magic, then we get back to Nuan and Alchemy's far reaching geographic history, and how that brings us to major questions marks around Helion and Thesan and their Courts.
Elemental Fae Magic vs Alchemy
So we don't know everything about elemental fae magic across worlds, but from the recent books and leading plots... we get a ton of focus on weapons (swords) being the biggest world connections (CC 3), Nesta forging narban blades, and Rhys explaining finally what this world is and what magic/fae used to be like.
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Something new, eh? Something different?
As the LiveScience quote above points out, alchemy is magical, scientific, but it's also deeply connected to the Earth and laws of the universe. So elements play a big role and, you guessed it, we get the number 7 again (if you don't get why I keep referencing 7 I encourage you to take note every time the number 7 comes up in TOG, ACOTAR, CC because it's near constant):
"The elemental system used in medieval alchemy... consisted of seven elements, which included the five classical elements (aether, air, earth, fire, and water) in addition to two chemical elements representing the metals." Wikipedia
If you're unfamiliar with the concept of aether, here's an incredibly rushed explanation that's still somehow too long:
Aether has roots dating back to ancient Greece and means, "in Homeric Greek, 'pure, fresh air' or 'clear sky'. In Greek mythology, it was thought to be the pure essence that the gods breathed, filling the space where they lived, analogous to the air breathed by mortals. It is also personified as a deity, Aether, who is at times relates to Chronus, Erebus, Nyx, Chaos and Hemera (this is its own post) in traditional Greek mythology. Aether is related to αἴθω 'to incinerate', and intransitive 'to burn, to shine'."
Traditionally there are 4 elements - air, earth, fire, water. But in the Medieval Age (read: alchemy time), scientists concluded there was a 5th element. Aether was considered the material that fills the region of the universe beyond the terrestrial sphere. Unlike the four terrestrial elements that were subject to change and moved linearly, aether was a celestial element that moved circularly and had none of the qualities the terrestrial classical elements. Aether also is tied in quite often with light. And this is significant because light is notably how scientists (have — some theories since disproven — and currently do) measure distance and travel within space.
I find aether particularly interesting because, within the SJM multiverse, we have seen magic wielders display powers that would fall within the terrestrial elements (ex. Autumn Court's fire powers, Rowan's/Whitehorns' wind powers, House of Many Waters & Aelin's mom's water powers, etc.). But then we have these outliers whose powers work a little differently... perhaps more powerfully... specifically when we're talking about light and shadow. And with the allusions to burning, shining, and breath... we've got a lot of interesting Starborn connections. Also... travel within non-terrestrial spaces??? Come on now!
Back to Elemental Fae
In the ACOSF passage above, Rhys explains that Prythian Fae magic used to be more elemental — like the elements above. He also says their kind of magic could forge great weapons, just like Nesta who creates her narban blades... and a reminder that there are the 5 discussed elements and also 2 metals (we wont get into specifics here, but just... metals ok?) to create the 7 alchemic elements.
Tons here to analyze but take a look at TikToker chemicalrosie killing it on the analysis of elemental fae magic, weapons, and connections across the SJM worlds. She does most of the heavy lifting on this point (thanks Rosie).
In Crescent City we get more hints of elemental fae magic. In fact the Houses themselves seemingly represent these elements: House of Sky and Breath (aether? Also potentially air?), House of Earth and Blood (earth), House of Many Waters (water), House of Flame and Shadow (fire... also aether?). Under the House of Sky and Breath there are even beings called "Elementals," though we don't exactly know what an elemental is yet because their mentions are limited. Am I screaming "alchemists" into the void? Sure am. If they were elemental fae... wouldn't they just be called fae??? We do know they belong in the same House as angels, fae, and those blessed by major gods (which we know can give a magical or non magical being gifts of varying levels from TOG).
We also get mention of an Elemental War, which Lehaba mentions a distant relative sprite being involved in. Though that is sort of the extent of what we know about it (unless I'm wrong and feel free to tell me I'm wrong always).
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We also get another depiction of elemental fae magic forging a weapon (refer back to that TikTok above if you want to delve into who this is and what it depicts in the multiverse).
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So we're not gonna get too much deeper into elemental fae magic (tho let me know if you want further digging on this because my unhinged brain knows no bounds), but let me sketch my overarching point with this.
We have multiple points of reference within the SJM Multiverse where elemental magic and its noted difference to starborn/aether-like magic is being woven into this bigger world-spanning plot. Obviously, I referenced CC and ACOTAR here, but I could have dumped a ton of TOG references in here too (and will... later!).
We also have a multiverse with magic that seems... out of balance. We do not not know why all of these element-related mentions have been baked into the plot here and there. What was the Elemental War and why are magic abilities so different among Fae at the very least — and why are they different than they were before?
We also have metal/Made/superior substance swords linking our multiverse and being forged despite that not happening in a very long time. But now that Nesta has relinquished her stolen power back to the Cauldron... and we've got a world walker stuck in Prythian who may want to leave with one more sword than she landed with... seems like special weapon forging might be a useful skill. If only there was someone who could make magical metal objects without the powers of some spooky void or magical land decree...
Oh wait... we do have that person. And perhaps she also has a whole team of alchemists like her.
That's right folks... the last part... of this first part...
Back to Nuan and Other Faerie Realms
Oh my god this is so long. If you're still reading... I think we're officially betrothed? Idk. I love you.
Ok, so Nuan is described to us as so unique looking (look, I am not saying this is a great moment from SJM) she can only compare her to Amren... a [we have no idea but lots of speculation] being from another world.
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Then we get a stark moment of xenophobia from Beron during the Dawn Court-High Lords meeting... because Nuan's parents are from a Fae realm called Xian. Xian is a faerie territory located somewhere in the Continent (I will speculate a ton below) that notably supported the loyalists during the war that resulted in the wall between the mortal lands and the fae realm. That means Xian was pro human slavery and that they ultimately lost. Nuan follows this up by reminding High Lord Asshat that she is as Prythian as his sons (let's go girl).
Beron's outburst also causes Thesan to jump to her defense because (that's his girl) his mom was from Xian... actually the majority of his court is from Xian?
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ALRIGHTY THEN! Where to start?
So first off, just extrapolating from what we get in this exchange re: Xian... a place like most places SJM has not explained at all to us in that we know almost nada about it. If Xian supported the loyalists... and then they lost... and then a bunch of fae relocated to the Dawn Court in search of "a better life," we might (read: I do) assume that this was a territory south of the wall. Faeries, after the war, were not allowed to stay in the southern part of the continent.
Why do I find this interesting? Why have I spent 800 years getting to this point about an alchemist from Xian? Why do I even think alchemy is worth spending this much time thinking about when this is the only time we encounter it in ACOTAR?
Well, because it's not the only time we encounter it in the SJM multiverse.
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So, in TOG, there are alchemists on the Southern continent who provide really important firelances to Aelin & co.'s fight against the Valg. A magical, very effective weapon that non-magical beings can use... and it's so impressive Aelin is relieved that her waning fire magic will be supported by such... firepower.
You know what else conveniently pops on the Southern continent in TOG? Healers and their Torre Cesme... Yrene Towers ilu. Isn't it just so coincidental that the Dawn Court's powers just so happen to be healing powers? And that in the TOG world there's an entire Fae healer community that relocated to the Southern Continent, bred healing powers into the mortal population, and then just... disappears? And also like are dead in crypts that are unbreakable for Valg related reasons, but I digress.
And something else that's fun is that Thesan and Nuan aren't even the only characters in that scene to get a cryptic allusion to a familiar sounding Southern continent that is notably... not one we've met via ACOTAR.
When Feyre describes Helion (it always comes back to him doesn't it?) in, yes, that meeting of the High Lords at the Dawn Court... I swear to all these freaking gods I didn't plan this! Anyway, she "all the sudden for some weird reason" starts thinking about a place her dad (feeling like I have to do a deep dive on Papa Archeron because the more I research not looking for him the more he pops up) visited as a merchant — south-eastern kingdom that sounds suspiciously Antica from Tower of Dawn. And we know when she thinks fondly of her father's merchant days she also always brings up spices... so there's that. (worth noting that this scene with Helion is BIG in my pt. 2 post)
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So, obviously we get allusions to actual empires/places within these "different realms" in the SJM multiverse. Xi'an is the name of a real province in China (and has gifted the world so much food-wise and i'm sure countless other ways but I wont rest until I have cuminy lamby noodles asap) and the Khagnate/Southern Continent of the TOG world draws inspiration from the Mongol Empire (how I feel about SJM's... useage of these empires is it's own separate convo). It also includes a lot of the territories where alchemy sprung up independently and thrived that I mentioned before.
Sadly I'm out of images I can post (holy crap), so just... google it
Cool so we've got a lot of relevant territories covered here re: their SJM multiverse parallel.
Obviously Amren is the mystery that keeps giving and tons of people have their theories about her... and I guess SJM at one point said she's some kind of archangel... personally? IDK! Do I think it's strange, in my untangling of this curious maybe from another world territory population, that Amren... a being we know is from another world chose a Xian fae body? Yup! Especially because the southern continent, as we learn in Tower of Dawn from the Stygian Spyders (her handmaidens... which is what I thought Amren could have been, but that's not my theory battle I choose to fight) that there was a big ol' door/portal/whatever that Maeve walked herself and clique through. Hm...
Also, let us not forget when Nuan casually mentioned in her alchemic practice that the "Mother provides everything [they] need on this earth." What does she know that we doooon't?
And while I know I've wanted more, more of the other solar courts — I think perhaps they've been held back because they'll play an integral role in whatever happens next. I mean in addition to everything else Thesan's got a population of winged beings that sound suspiciously like Midgard's angels and Helion's got the only flying horsies (and libraries... I cannot stress how preoccupied I am with libraries in these worlds).
Re: Dawn Court... light-filled healers in TOG (specifically Yrene) play an essential role when it comes to the Valg (who we're not 100% are also the Asteri or Daglan, but let's say they're in the same fam). Yrene can "cure" the people the Valg infect and *the biggest of TOG spoilers* she kills the big bad Valg with her powers. But before she does that... Erawan (which will always just remind me of the fancy shmancy grocery store) wants to capture her and says her powers/what she can do goes far beyond what she understands... and... at the end of the day... us too... SARAH!!!
I will be doing a verrrry deep dive into TOG-world healers because every single page I read describing... like anything about them was making my SJM insanity senses tingle. We haven't spent a lot of time with Thesan and his powers, but we know Feyre's blood can heal others so... curious to see where that one leads.
But the other thing we've got in TOG is a lot of people of varying... let's call them heritages having varied power abilities... and even humans being able to use magic (like wyrdmarks). They've also got a god city and scions and I simply cannot spend anymore time going on tangents here, but know I only have more questions... no answers... help.
OMG we made it. To recap we've got: connections to other faerie realms (whether in ACOTAR or the multiverse which would implicate some world walking), we've got alchemists/alchemy, we've got healers, we've got two light wielding courts with some magic overlap and, and at the very least, magic irregularities. We've got gods all over the place. We've got... so many questions... but hopefully some thought provoking parallels!
If I had to make my very bold "conclusion" to whatever hellscape of a hypothesis this is it's that I do believe the Dawn Court and the Day Court have some mix and matching travel/world walking situations with the southern continent in TOG and ditto for that relationship regarding more elemental fae and Midgard. And with alchemy (that I really hope either exists in this world, manifests as just witches like babes I'll take it) acting as the connecting thread between the power balances of the worlds... idk I think we're gonna get some answers there. And I think perhaps they'll be very important to connecting the worlds.
Mostly... this is my plea to SJM to bring back Nuan! Tell us about the other glowing boys (Thesan & Helion).
Seriously, if you read any of this... thank you and just know I'm sending you a little virtual kiss. Ok, let's both go touch some grass now.
Pt. II is mostly written and coming to a tumblr near you soon.
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astermacguffin · 4 years ago
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Love how much this summarizes my entire spn mpreg rewrite that I feverishly wrote in one sitting the other day. There are three important motivations behind that entire Poast™:
1. I asked myself "How can I make spn as awful as I can and still be better than canon?" Hence, the "mpreg saves the day" au.
2. I want to live up with my title as an @autisticandroids scholar. When I say "I wanna study you" to someone, I commit to it. Like. I definitely did the reading. Godstiel scholars of some renown only work in mysterious ways to you. I get it tho. If you browse my published works, you'll see how most of them are expansions from other people's posts. I do make original posts, but I often function more as a secondary scholar who reacts to fandom literature.
Think of how academics/philosophers build on the works of their predecessors and contemporaries (like how Lacan went beyond Freud, or how Deleuze expanded on Nietzsche and Spinoza).
Notable examples:
- The eucharist meta
- The spn mpreg rewrite (linked above)
- The "angels as psychoanalytic subjects" meta
- The amv intertextuality post
- spn tumblr linking habits and the quasi-transformative nature of referencing
- The consumenatural quartet post
- The metaphysics of Down to Agincourt
- The evil deancas categorization post
3. My ultimate Cas thesis is this: "Cas is a mouth, he is a stomach, but ultimately, he is a womb." I think it makes sense that a being of infinite hunger is also a being of infinite fertility. He is empty (and therefore simultaneously hungry/fertile) by virtue of being the Abstracted Gaze, the stand-in for the viewer.
I also think of the Empty as the Original Womb that "gave birth" to Light/Darkness (a cosmology that I think has both Manichean and gnostic undertones). Cas being touched by the Empty and defeating it through his own womb honestly sounds very metal to me.
Anyway. I forgot the point of this post lol. Mpreg saves the day i guess
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onewomancitadel · 2 years ago
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Generally posts and ask responses I write are in the region of 800-2,000 words - average is probably around 1,200 - and I think that's a reasonable, decent length, if I'm taking an idea seriously that, say, involves analysis of major character dynamics that need dissecting and I have to, as always, establish thematic stakes. That is especially necessary when I cannot guarantee the audience of an individual post.
I don't think this is unusual. There are many writers on Tumblr who write just about that on average with their responses and individual posts, though of course length does not indicate quality - you can say more with 800 than 2,000 if you know what you're doing, and I'm very cognisant of that and I try to be thoughtful and communicative.
As I've tried to sophisticate my writing I've been able to identify when and where I need to cut stuff and I've been quite proud of it. Perhaps a good example is that my initial Knightfall masterpost was around 5,000 words - which is not very long for a masterpost, I've read one that was notably 30,000 words, so twice or triple the length of an average thesis - and I got it down to around 2,100 words, so I halved it effectively and included much more information.
Being told I'm a rambler or even the implication that I'm wasting someone's time by talking too much does make me upset but if I'm failing to communicate effectively that's on me. On the other hand my style of response is secluded to my blog; I interact nowhere else, not on Discord or Reddit or Twitter, and I even keep a majority of my posts out of canon public tags. The only two public tags I use are Knightfall and Cindemption, but as far as I can tell I was the first to use 'Cindemption' on Tumblr itself (shamelessly coined portmanteau) anyway, so I'm not disrupting the peace.
I have a very, very severe complex about getting in the way, being a waste of space, and wasting peoples' time, which is - unfortunately - not helped by the fact I enjoy considering things in detail, though there is a bit of vague unfairness, say, in that I keep to myself and leave asks only for people to approach me on their own terms and I still manage to severely fuck up.
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thelabrysflag · 5 years ago
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1002 terfs to block using the tumblr batch block extension for chrome
I collected these from transmisogynistic terf posts, and some were sent to me through DM. Note that you might have to run the extension a couple of times to make sure you got them all.
Last updated: 6/11/2020
the-stars-are-terfs, wellcometothedarkside, mariajulietafreire, mercurialwomxn, labiagigantor, man-is-the-measure, inferior-mirage, memelovingradfem, bigmeansweatydyke, miss-ogeny, captainohbuuurn, faxxmachine, drpepper-is-a-woman, thevaginamonoblogs, wookbutt09-iamopinionated, ratically, sailorterf, cinnnamilky, thespiderlilly, lordloxleychallengesyoutoaduel, numberwangg, binarymiku, sweet-smellinglawnclippings, relaxedpuppycat, marroncheri, cheriemarii, lesbianthoughtcrimes, dykeonvenus, adult-human-female, yourfaveisilluminati, radiflower, afabist, penalty-kill, fall-and-shadows, glamdyke, moderately-inconvenienced, cuntsaw, freeewheeling, ohhenriett, ruanpedro51260400-blog, thatlittleoldladysblog, stabbiboi, missbattyrae, theresidentdyke, cerebralrain, quarantinedwanderer, glowdust7501, itoldyouiwasright, big-eyes-and-fortified-soul, gradient-plus, feel-the-cosmos, cistehm-of-a-down, zuttie-archive, breadbian, latenightsinpemberley, chewygoldnugget, beansandspinch, wonkyfaint, bitches-be-changin-urls, giggle-a, cherrybomb-yuta, veganradfem, madchenklage, actualfeminist, againstpollution, bananarotiyeri, goldeneyesandbrightblueskies, lesbian-mercury, evilregalswen108, perfectparthenope, greenwire, radlauryn, dr-accidentalradfem, outofspace43, wahbegan, st-mchn, donatellavertalkshit, rad-crybaby, furiousfem, newlyrad, radchaoticmoon, prolapseinflictor, genderidentitty, theomgnurse, denizen-mars, whyyoualwayssoradical, ultra-cryptic, trannosphere, femicist, cozytastic, purgingghosts, liveisbutalie, coochiequeens, radfemwarlock, swedepea, ambrozaliathereblogger, evil-womanhood, thisisbeabe, ms-rebelle, loinsofdoom, nicomoon, perhapsthesun, femalebrain, i-ran-away-without-a-map, 0-0110100, wizzardhowl, homosexualfemale, kkimora, radfem-gossip-reborn, transsexualist, kingfem, haunted-uterus, shyfem, kallisti55, whimsical-vanilla, rubacava, mr-dyketective, perseids, themindbunker, tomboy-toni, fandommix01, cosmiccatknight, loatheeverythingmale, cisking69, 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redantsunderneath · 4 years ago
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On Analysis, Aside 1 - Duality
“If you're studying geology, which is all facts, as soon as you get out of school you forget it all, but philosophy you remember just enough to screw you up for the rest of your life.” - Steve Martin
In college, I was a physics major with a minor in math and philosophy, but I really walked away from this stuff when I went to med school/got married (Luthor from the Warriors voice, “I was busy”).  The one part I couldn’t shake from all those all nighters was phenomenology.  I was kind of obsessed with the hard problem a decade before before it was called that and dwelling on Descartes and my hate boner for George Santayana lingered through the salad days. I started thinking about the question as one of the relationship between (I wasn’t really tuned in to the proper language of this) subject and object. This wound up being helpful to me in understanding film, notably “late Lynch” (all David Lynch directed work from the roadhouse/killer reveal scene in the Lonely Hears episode of Twin Peaks on) in which the abjection of the subject in relation to a state of “objecthood” is a reliable motif.  More on this later.
This has some superficial homology to physics, notably the measurement problem in quantum mechanics and whether the thing itself is “actualized” by “observance.” This is not quite right, and physicists will stab me, but it was quite popular in pop physics books of my undergrad time, e.g. the Dancing Wu Li Masters and the Tao of Physics.  This is not solipsism but, rather, elevating consciousness to at least an equal partner in bringing reality (whatever that is) into existence, the other partner being some pretty based equations which define a waveform determining probability.
It wasn’t till Tumblr woke me up to physics again (remember, in the late 80s when I was in physics they didn’t have inflation yet and they taught off of calculus and linear algebra, so I was not only behind the curve I was flat out wrong about many things, and I don’t like being wrong on the internet) that I started to learn about group theory and how to construct the standard model mathematically.  The thing that struck me off the bat is the way all the math is non-commutative.  In all of these constructions, you build things like spinors with building blocks of asymmetrical math - it matters, when two of the basic terms interact ,who is doing what to whom. Yeah, there’s the S word.
The metaphor of symmetry breaking is powerful.  That the nature of the big bang is some perfectly symmetrical situation that begins immediately to break down due to energy decrease/entropy into sub symmetries until we get (waves around) this but that interact to form space, time, matter, etc because they are asymmetrical to each other.  This is powerful in a first 4 chapters of Genesis way: from in the beginning down to Cain and Abel it’s all about divisions into 2 with natures in opposition.  What haunts my mind, though, is the recapitulation of this idea, the idea of broken symmetry, of directed relationships of from/to manifested as an emergent feature at all levels of study.
Bohm’s idea of implicate order, that there is unmanifested order handed down from more fundamental to emergent structures, that can “come out” in the right circumstances, applies to a seemingly foundational asymmetric relationship between dyads that results in a surprisingly durable pattern of duality at all levels, that of the organizing actor and the mercurial acted upon: Boson/fermion, heavens/earth, light/dark, conscious/subconscious, Yin/Yang, subject/object, masculine/feminine (the properties), left/right brain, all the MBTIs, mind/world, order/chaos, etc. This type of configuration will come up a lot in the subsequent posts.  It’s more complicated, sure - the dots in that Yin/Yang symbol indicate an undercurrent in these relationships, an instability in the polarity.  This containing of the opposite is significant for construction of the self and has an almost mythic connotation that we will see in the coming material on Jung.
The verb part of what happens looks a lot like Hegel’s dialectic.  Thesis meets antithesis coming through the rye and produces antithesis.  A subject beholds an object or a relation and constitutes it, iteratively. We will talk about this more when we take off into narrative art specifically (see upcoming structure posts). This could be considered the rudimentary structural grammar of the universe, and specifically of art and story. The basic math determines emergent structures that recapitulate a sense of lopsided relationships that reflect a broken balance, and impetus for unbalanced action (mental or physical) that attempts to restore a whole but instead leaves a remainder.  
There is a gap, a separateness that creates a tension, and an action to relieve this (although ultimate “solution” is not possible because demiurge) and a satisfaction but renewal of the gap.  If there is no gap, there is no tension, and there is no life, no existence, no interest.  But the gap is painful, we want the gap bridged, the tension released.  Well being, happiness, whatever, is this constant encountering and closure of gaps, often an ugly process even when we achieve it. But there must always be another gap.  On some level we know this, and the attempt to organize it under logos is the great motivator in all areas of human striving, though the object of this study is just there in everything we are and do  all the time.
What does this have to do with art and story?  We’ll try to get there.
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spitblaze · 4 years ago
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Hey Your blog fucking slaps can you elaborate on why horrible boat (hazmat motel) is a shitty thing in general, i need another person to rant about this with
Okay so. Let’s start by throwing everything else out the window. No context. Vizie’s past, erased. We could go on about that but frankly I don’t feel like delving into it, and you can look for yourself and decide if her apologies made up for what she did. I’m not going there just bc of how messy it gets.
Where I WILL, go, is frankly the first and most important thing to know: This show is heavily inspired by South Park. Vizie has gone on the record to say as much. It’s not hard to see, considering the ‘offensive for the sake of offensive’ humor thats just played off bc ‘oh they’re assholes and bad people’ nvm the fact that like...so many people still copied Cartman and got their ideas of Judaism FROM him when they didn’t know any Jews themselves, just bc the character is ‘bad’ doesn’t mean that people won’t still see them and relate to them and think the things they say are Smart And Cool, especially if they’re presented as more of an antihero. Also see Rick Sanchez and Bojack Horseman, both of whom had entire episodes to call out the people who saw these two and were like ‘haha thats me, this character i like acting this way is justification for my own bad behavior’.
 Anyway.
I’ll have some legit ‘bro this sucks’ in here and the rest is gonna be subjective crit/dunkage, if you want nuanced and detailed critique you aint gonna find it here.
So, looking at the plot summary from the wiki: “ The series focuses on Charlie, the princess of Hell, and her quest to open a hotel for rehabilitating demons. Hell suffers from overpopulation and Heaven solves the problem by routinely exterminating demons yearly. Charlie, who has grown up in Hell, wants to find an alternate solution to the mass slaughter. She opens the Happy Hotel which aims at teaching demons and sinners to become better people. There is substantial resistance though, and Charlie and her friends must work together to keep the hotel running.”
Not necessarily a bad plot on it’s face, with a thesis that’s perfectly reasonable, ‘everyone is capable of changing for the better’. Fine, great. The problem comes in with who is considered a ‘sinner’. Most notably, fan favorite Ang*l D*st, is gay, a sex worker, and a drug addict who died of overdose. So that’s already ‘sex workers go to hell and so do drug addicts’, and piling on his personality and the brunt of the jokes about his character, which is ‘haha predatory sex-obsessed gay man’ and that’s already...a good amount of ‘oh this sucks’ in ONE CHARACTER. Let us also not forget the lesbian who is named Vaggie. Great. Awesome. Love it. “But Vizie Is Bi-” she’s also cis, that may give her some right to make wlw jokes (provided they were. any good) but it certainly doesn’t give her the right to make ones at the expense of MLM.
But maybe none of this matters to you. Maybe you’re a cautious optimist who’s holding out for these problems to be addressed in the show or before airing. Or maybe none of this matters to you at all, and you never got past your 8th-grade Hot Topic Edgelord phase. Fine. Whatever. Everything past that paragraph above is just gonna be subjective on my part, anyway. This isn’t a hill I care to die on.
That being said CHARACTER DESIGN IS MY PASSION, holy shit Vizie clearly got one good look at The Onceler and decided that was all she ever wanted to draw for the rest of her life, like just LOOK at that asshole, you can pin down the span of YEARS that style would get half of tumblr posting *OVARIES EXPLODING* gifs right next to fuckin Cumberpatch, and where are you supposed to LOOK?? God these character designs are SO busy, there’s no focal point, it’s just a bunch of pom-poms slapped onto popsicle sticks in arts and crafts. Like, christ, even the humor feels like it’s stuck in the late aughts, Vizie might as well live in a hot topic. Angel Dust?? oh real clever. Haha. great. love it. Vaggie, what a hi-larious name for a character. Are we just shouting ‘PENIS’ as our jokes now? Is that the level of writing Miss Vizie has for us? That’s the best she’s got? Jesus.
Anyway god this sucks, they could’ve picked up ANY show for syndication and they chose that...especially in the middle of a whole movement about uplifting black and trans voices, they went with TGP For South Park Fans. God. You love to see it. and by love i mean hate. And oh god, the fandom is gonna get even more unbearable after this. like they’re already refugees from the Onceler Fandom and Humanstuck Bill Cipher, these people’s brains are stuck in like, 2013, at best.
Anyway that’s all I gotta say, I’m positive people are gonna come jump on my ass bc of this and like i said, this is not a hill i care to die on, so unless they’re about to like...pull up 10-year-old reciepts on me or w/e if ur only gonna argue u get a block. peace
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dragons-bones · 4 years ago
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FFXIV Write 2020 - Round Up!
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It’s September 30, which means FFXIV Write 2020 is OVER! As always, a huge thank you to the members of my FC, <SEEK>, for cheerleading and brainstorming, as well as thanks to my other friends for reading and liking and commenting and reblogging, as well as @sea-wolf-coast-to-coast​ for organizing the event once more!
But, now that the challenge is over, now begins my own self-imposed challenge of editing my fills for upload to AO3 throughout October! All prompt fills will remain as is here on tumblr, but October is when I take the opportunity to polish and even expand the ideas I explored in September.
So, tomorrow, check back for a link to my FFXIV Write 2020 anthology, Aetherstorm!
But for now, as has been my habit since FFXIV Write 2018, here are some fun STATS!
FINAL WORD COUNT: 35,333
SHORTEST FILL: Prompt 10 [Avail] - Breaking Point (716 words)
LONGEST FILL: Prompt 01 [Crux] - The Bluebird of Ishgard (2688 words)
Recurring Themes Explored Once More:
Synnove and Carteneau: Prompt 03 [Muster] - Red Sky in the Morning
Arcanists’ Guild Does a Boom: Prompt 05 [Matter of Fact] - Unscheduled Detonations
Squad Stargazing: Prompt 19 [Where the Heart Is] - Points of Light
Arcanists’ Guild Worldbuilding: Prompt 16 [Lucubration] - Diagnostics; Prompt 21 [Foibles] - Fedarloh Fulltouch Chalk
Academic Feuding: Prompt 28 [Irenic] - Humiliations Galore
FOOD PORN: Prompt 01 [Crux]; Prompt 18 [Panglossian] - Lominsan Mornings; Prompt 26 [When Pigs Fly] - Lunch Dates
Science Trio AKA Vitriolic Best Friends: Prompt 07 [Nonagenarian] - Cruel Arcanists’ Thesis; Prompt 16 [Lucubration]; Prompt 22 [Argy-Bargy] - Decisive Battle
Notable Firsts!
Writing Isolde Greywolfe: Prompt 10 [Avail]
Writing smut from a male POV: Prompt 23 [Shuffle] - Work-Life Balance (NSFW!)
Writing the Fall of Ala Mhigo (sorta): Prompt 30 [Splinter] - Widow’s Lament
FFXIV Write 2020 Master Post
Aethertrails (FFXIV Write 2017) | Aetherflow (FFXIV Write 2018) | Aetherpact (FFXIV Write 2019) | Aetherstorm (FFXIV Write 2020)
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nathanielbuildsatesseract · 4 years ago
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Bending the Curve
Good news, everybody: the tesseract factory has increasing production rates:
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This doesn’t tell us too much, of course. There were, notably, a pandemic and my first summer off since 2013 during this period. (That was the summer I first starting posting here, incidentally.) This is suggestive, though, that the balance during grad school is at least vaguely tenable. After all, it’s not like my personality and habits have really changed all that much since January. However, I don’t have to commute anymore, which saves me several hours per day.
I have been trying to be more expressive, though. Realizing how little pushback my opinion and personal posts actually get has helped me retreat from fear, just a touch. I think some of the bad actors who made the risk/reward matrix lean “against” in the past have unfollowed me or stopped using Tumblr, and those of you who are still around are generally nicer people. Plenty of people I liked have also left, though I suspect that that has more to do with explaining the taper during my senior year and subsequent unemployment. Several of the people are still active on Twitter, which does apply some incentive to spend more time there.
My plans for the future of the blog are essentially more of the same, with some possible tweaks. Even that, though, is mostly in the direction I’ve already described. What do my friends want to see, though? I’m open to suggestions (though, of course, no guarantees). In the coming months I’ll be doing my master’s thesis, which—in combination with coursework—may really cut down on my free time online, but could also provide a lot of interesting content. I haven’t decided the exact topic yet, but think something in the realm of spacecraft propulsion and interplanetary mission design. Does that sound interesting to people?
In any case, I should have my MS by the end of the academic year, and with that in hand, a job. I won’t venture any serious predictions about my Tumblr usage after that, besides “it will continue”, because I’ve been living under the shadow of the higher education system so long that I’m not sure what life will be like without it. Happier, I rather suspect. How that will affect my Tumblr usage is even harder to predict.
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profoundnet · 6 years ago
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Profound Member Post - April 2019
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Header by @cryptomoon​​ and is available on merch from her redbubble store. You can use all those fancy emojis (and more!) on our Discord Server!
The Masterpost is open for all creations by ProfoundBond members which are posted in entirely during that month.
MEMBER CONTRIBUTIONS FOR APRIL 2019! (sorry for the late one!)
Masterpost below the cut.
MaggieMaybe160 - @maggiemaybe160​ - MaggieMaybe160
Love is a Random Wednesday
400 word fic for a one word prompt based on the word "Love"
Tags: Extreme Fluff
SFW
Regarding Us
(s12e11 Fic) Dean's memory is quickly fading. As Sam and Rowena scramble to find a way to reverse it, Cas tells Dean their story.
Tags: Major Character Death, Fluff and Angst, Grief and Mourning
SFW
No Way to Heal
Remember that handprint Castiel left on Dean’s shoulder? Dean can feel it flair with pain when Cas is in danger.
Tags: Major Character Death, Unrequited Love, Angst
SFW
Be My Superman
Steve is a total dork. Cute, but completely off limits and not at all Dean’s type. He either forgets to take off his work vest, or just doesn’t care. He’s constantly wearing that royal blue polyester vest that could blind anyone if the sun hit it right. His nametag is always pinned just perfectly over his chest, declaring him “Steve.” His dark brown hair is combed, parted on the side, and gelled in place. His eyes are the most stunning part of him. They’re a gorgeous blue that shine and Dean tries not to look for too long because he’s also pretty sure Steve is straight.
Tags: Canon Divergent. Two Sided Love Triangle. Fluff and Angst. Sick Dean Winchester.
SFW
The Eldritch Horrors and Dean 
(post episode s14e14) Michael is gone. The bunker is calm. Cas finally comes clean to the Winchesters about the deal he made with the Empty. While Dean deals with this news, Amelia Bedelia, the Eldritch Horror, is freed and starts to wreak havoc all over Lebanon.
Tags: Major Character Death. Angst and Crack. Murder. Horror.
SFW
The Size of Our Rainbow
Dean and Cas try out a new dildo on Cas because it's too big for Dean. Fic for Pic exchange with my friend.
Tags: Size Kink. Bottom Cas/Top Dean. Porn Without Plot. Anal Sex. Blow job. Rimming. Dildo play.
NSFW
With art by @demonfleet​
April Fools in the Bunker
It's April Fools Day in the bunker. With the Winchesters and their pranks, will Cas and Jack live up to the prank wars? This bunker is in a war zone.
Tags: Crack Fic. April Fools Day Pranks.
SFW
drawlight - @drawlight​ - drawlight
Terminus Est
The gates close every night at the final, ninth, toll of the bell. Nox. They have never failed. Dean has forgotten the time and is outside. No one survives a night out past the gates after Nox. That is the time of darkness; that is where the Others walk.
Tags: Post-Apocalypse, Android Castiel, Forbidden Love, Medieval Analogue, First Time, Alternate Universe - Dystopia
NSFW 
shealynn88 - @shealynn88​ - shealynn88
Are We Human
Set generally mid-S5. "Dean glances over, wondering how much time it takes for light to bounce from Cas’s cheek to Dean’s eyes. How long for Cas to be seen. And if that light ever makes it back to whatever is inside that human vessel he carries around like another trench coat."
Tags: Stolen Moments, First Kiss
SFW
LeafZelindor - @leafzelindor​ - LeafZelindor 
The Scent of You 
Cas really has a thing for Dean's smell, he just hasn't told Dean that. Stealing his clothes might not be the best answer, but it'll do for now.
Tags: supernaturalkinkbingo2019, scent kink, pining,
NSFW
CrowleyLovesUSUK - @crowley-loves-usuk - CrowleyLovesUSUK
A/S/L
When Dean Winchester’s fiancé announced that she was pregnant by another man and walked out, Dean swore off relationships. He couldn’t even bring himself to have casual sex, with the notable exception of a single eye-opening night. Three years later, Dean’s brother Sam has had enough. A sibling argument leads to Dean signing up for a popular dating site, ‘A Profound Bond.’ When Dean’s first match opens their chat conversation with an outdated query, Dean has to decide if he can move past the other man’s awkward 1990s introduction, and finally take another chance on love.
Tags: Alternate Universe-Modern, Explicit Sexual Content, Explicit Language, Online Dating, Light BDSM, Spanking, Top Cas/Bottom Dean, Dirty Talk
NSFW
nickelkeep - @nickelkeep - nickelkeep
Like Home
Castiel's twin sister Hannah is getting married, and as the Man of Honor, he's been along for the Bridal Show and Wedding Planning ride. After talking about the last one with his best friend/roommate Dean, Dean suddenly wants to tag along (mostly for the free food). Can Cas handle pretending to be engaged to his best friend?
Tags: AU - Modern Setting, Fluff, AU - Roommates, Pining, Mutual Pining, Wedding Planning, Minor Angst, First Kiss, Castiel and Dean need to use their words. SFW
Anteros
Dean is stuck on some research for a book he is writing. Thanks to some help from his friend, he is able to get an audience with the premier expert of Greek Mythology. Part 2 of the Reincarnation Tales series.
Tags: AU - 1910s, AU- Reincarnation, Past Lives, Immortality, Memory Loss, Mythology References
SFW
Blue-Eyed Guy
Cas froze as the singer broke into the chorus. He had heard that song only an hour ago. It should be a brown-eyed girl.
Tags: Fluff, Light Angst, Pining, First Kiss, Singing in the Impala, Singing in the Shower, Songfic: Brown-Eyed Girl, Love Confessions, SPN Song Challenge Bingo SFW
MittensMorgul - @mittensmorgul - MittensWraith
Worst Case Scenario
Their lives have always masqueraded as works of fiction, but for anyone they've ever interacted with, there's a scarily high chance that someday they'll discover the strangest events of their lives have been immortalized in a moderately obscure series of pulp horror novels. For Sam, Dean, and Cas, this is old news. For the people who've learned the truth, it's often a life-changing experience. Here's the story of a handful of those lucky... yeah, let's call them lucky... people whose lives intersected once upon a time with the Winchesters. And the stories they get to tell the Winchesters.
Tags: Crack Treated Seriously, Fluff and Humor, Case Fic, wherein team free will becomes the case, Post-Canon, Sam's Orange Jacket, The Winchester Gospels (Supernatural), Sharing a Bed
NSFW
Darmys - @darmysasagiri - Darmys (Pillowfort)
Long Road Home - Home Is Where The Heart Is
Sam and Dean Winchester along with the crew of the Royal Sovereign are renegades. Their only hope lies across the fabled Highroad. There, in the birthplace of humanity they face treachery and madness, all in the quest to find a home. This is the third part of a massive space opera trilogy. Based on the original work of Alis A. Rasmussen.
Tags: AU - The Highroad Trilogy, AU - Space Opera, Past Benny/Dean, Past Dean/Nick Munroe, Robot!Baby, Canon Typical deaths, Canon-Typical Violence, Period-Typical Racism, Referenced Past Rape/Non-con
SFW
A Bite to Remember 
Alphas can't mate Alphas, everyone knows this, or do they?
Tags: Non-Traditional Alpha/Beta/Omega Dynamics, Alpha/Alpha,Alpha!Cas, Alpha!Dean, Mating, Bites, Come Inflation, Top!Cas/Bottom!Dean, Messy Bottom Alpha Dean, One Night Stands
NSFW
Jemariel - @jemariel - Jemariel 
Chicken Soup for Breakfast
Written for a Two AU prompt challenge: Werewolf AU + Sick fic
Tags: hurt/comfort, werewolf!Cas, sick fic, SFW
iCeDreams - iCeDreams
Look at this Food (Isn't it Neat?)
Dean swims up to shore and steals one of the best things he's ever tasted.
Tags: Little Mermaid Elements, Fairy Tale, Mermaid Dean, Hamburger
SFW
Dive Bars, Beers, and Names
Castiel isn't usually asked for his name, but when he does, he certainly has opinions on how he's called.
Tags: Walk Into A Bar, Sassy Castiel
SFW
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blueeyesandpie - @blueeyesandpie - blueeyesandpie
No Right to Ask, No Reason to Give
Existential dread totally pairs well with spontaneous love confessions. Right?
Tags: Episode 14x20 coda, love confessions, canon compliant, angst, canon typical violence
SFW
Time is a Flat Circle
Lineart headshot of Castiel from sharkfish's Riptides.
Tags: Castiel, drug use (marijuana)
SFW
For a fic by Sharkfish
Wandering Angel
Illustration of Castiel from MaggieMaybe160's Wandering Angel.
Tags: Castiel, grief, past MCD in fic
SFW
For a fic by @maggiemaybe160
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Carrieosity - @carrieosity - Carrieosity (Pillowfort)
Castiel, in Loco Parentis
Some days at Castiel's library are harder than others. (Prompt from saltnhalo: "Fantasy AU with librarian Cas.") Notes: Based on an actual event at my own library, to me personally. (Though with less magic involvement.)
Tags: Librarian Castiel, Alternate Universe - Fantasy, Fluff, Fairies, Libraries
SFW
One for the Books
When Castiel is selected to serve on an award council for the national library association, Dean couldn't be more proud of his amazing boyfriend. He had no idea what was about to happen. (Or: Castiel apologizes for nearly burying them both alive in piles of books with a promise and a question.) Part 5 of the "Understanding That Reference" series!
Tags: Librarian Castiel, Mechanic Dean, Libraries,Books, Fluff and Humor, Marriage Proposal
SFW
Make a Little History, Baby
When Dean chose his thesis subject, he wanted to capture someone else's fascinating story. He had no idea it would turn into a story of his own. (Tumblr prompt, anonymous: "What about archivist Castiel and grad student Dean? Maybe they finally meet after corresponding long-distance when Dean finally gets a small grant for travel funds for his dissertation?)
Tags: Archivist Castiel, Graduate Student Dean, Alternate Universe - College/University, Gratuitous History, Self-Indulgent, Long-Distance Friendship, Friends to Lovers
SFW
Hear Him Calling for my Soul
Castiel's soulmark was heartbreaking; Dean had no soulmark at all. Of course, at the end of the world, nobody's paying attention to soulmarks at all any more, let alone what they might mean. (Prompt, from holy-tax-accountant: "apocalypse/soulmate? Destiel or DCJ - Please and thanks so much")
Tags: Alternate Universe - Soulmates, Alternate Universe - Apocalypse, Alternate Universe - Human, First Meetings, Deaf Character, Deaf Dean Winchester, Soulmarks
Payback is a Bitch, Jerk
Dean and Sam have been embroiled in a prank war for most of their lives. Some things are off-limits, though. Luckily, Dean's new coworker might have a solution. (Prompt: "Prank War/Nurse (or hospital) AU; Destiel!")
Tags: Alternate Universe - Hospital, Alternate Universe - Human, First Meetings, Pranks and Practical Jokes, Bees, Fluff and Humor
SFW
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springtrappd · 2 years ago
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@profoundwitchsalad hi! you have no idea how relieving it is to hear from someone who also knows their shit. yes, i'm aware of the stuff you mentioned (specifically, the intricacies of how it functions & the stats on what causes it)! i intentionally didn't touch on it 1) out of concern that the average tumblr user's eyes would glaze over 2) because it didn't feel relevant to the discussion of bamsara and their actions specifically. you've gotta understand that this is the fnaf fandom. the average age here is like 15 and half of the community thinks that matpat knows what he's doing! if i were writing a post about analysing the dca through a system lens specifically instead of bamsara being a weirdo then yeah, i'd absolutely get into it (and will, eventually), but this isn't that post. unfortunately for the both of us!
pointing out that the dca isn't human would be an okay counterargument, i guess, but the entire emotional core of solar lunacy is that the dca is just as human as the reader, and deserves human rights and experiences. it's the plot! they want us to read the dca as a Person. and the argument around whether the dca's "multiple identities in one body" ""counts"" as did is exactly why i... didn't make that my thesis. my Point is that -- if you look at the examples i bothered to compile together -- that the behaviour that bamsara specifically writes the dca as experiencing reads like cartoonish system behaviours. bamsara themselves, in their own work, does not present them as two individuals within one body but rather parts of a whole -- referencing jekyll and hyde, "we get lost in the thought of what we'd do to you", etc. "3 robot jester flavours" doesn't mean three different robots, it means three different takes on the same concept. and when their dca experiences identity in a nonlinear way, it's scary. that's the entire reason eclipse exists! that is their idea of scary! and we know it's their idea because it's a self-insert story, lmao. and blah blah horror tropes it's still shitty.
like... my problem isn't with the dca being scary. they're very scary in canon! moon's boss sequence is fucking terrifying, and i barely managed to beat it in an adrenaline-fuelled screaming haze. but, notably, the reason that the dca is scary isn't that he's #Crazy, it's that he's a creepy creature chasing you through children's play equipment in the pitch black. when bamsara writes the dca, though, the thing that makes them scary is specifically their instability, the sudden swings in behaviour, their use of force, etc; bamsara puts this at the core of their horror, and as a result pulls upon ideas about the mentally ill (but SPECIFICALLY the 'difficult' mental illnesses, like the schizospectrum or personality disorders or) that date back to fucking freud and hysterical women. they fixate specifically on the idea that moon could, at any point, lash out with violence -- an entirely incorrect assumption about the severely mentally ill that still gets tossed around. i posted it in another reply, but again, from one of the studies i linked:
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it's nothing new, but still frustrating -- and something solvable with a little less ignorance and little more compassion. hence the post.
You said in one post that the author of Solar Lunacy is ableist. Could you explain how they're being problematic? I know almost nothing about them or the story itself, so I wouldn't know if they've said or done anything sus. Also, thank you for actually criticizing the Daycare Attendant stans, almost nobody in this site does that.
thank you for asking! it's rare to see, you're right, but it's also rare that people are willing to actually engage with that critical posting, so -- again, thank you! as for your question: oh boy, can i!
first: the basics. dissociation is a psychological response to overwhelming stress wherein the brain... disassociates from itself, placing a barrier between itself and the harsh reality. the most famous dissociative disorder is dissociative identity disorder (DID), known formerly as multiple personality disorder (MPD) or split personality. did occurs when someone without a fully-formed identity (read: a child) undergoes such severe stress that the 'brain' dissociates from its identity itself, creating alternate identities (personalities) to deal with the things they can't. these alternate identities work together to form a system. it's way more complicated than that and you can read more on it here and here but that's the bare minimum for the ignorant in the audience. we all caught up? good! moving on.
now, the question of whether or not the daycare attendant is a system is a touchy one. i've seen multiple different stances on the matter, seen a lot of arguments, and typed (and deleted) several hundreds of words about it, and the answer that i've come to is that, for the sake of this argument, whether the dca is a system in canon doesn't matter. what matters is how bamsara treats them. how do they handle the characters, how do they frame the switches in personality, the confusion, all the parallels to real-world symptoms -- how do they expect the viewer to feel, what do they pull from the cultural lexicon, yadda yadda. does bamsara -- regardless of their intentions -- depict the dca as a system, and if so, how do they handle it?
the answer is that they depict the dca as experiencing altered identity states, switching (and even blurring) between identities, and even repeatedly acknowledges them as a plural entity.
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and it is these behaviours, specifically, that are used to make the dca scary. bamsara's daycare attendant is scary because they experience altered identity states. because they blur identities. because they are a plural entity. because they display the textbook symptoms and behaviours of a disorder most commonly caused by childhood sexual abuse. and it is the fear that this is inspires that makes them (but especially moon & eclipse) sexy.
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now, one can argue that this is simply in line with existing horror media, and they would be correct: most pop culture depictions of dissociative disorders are extremely ableist, and have real-world consequences! but what makes it really, really shitty is that... i don't want to think about this stuff. i don't come to fandom to be reminded that people are terrified of what they don't understand, and that that very very often includes the mentally ill. i don't want to be reminded that there are people who don't believe dissociative disorders exist at all. i don't want to reminded that they -- the sick, the survivors, the unlucky 140 million -- are spoken of in the same way as monsters. i don't come here for harsh realities. but solar lunacy is the most kudos'd fnaf fic on ao3, and we all have to live with that.
if you liked solar lunacy or bamsara's content or... whatever, i don't particularly care. i'm not mad about people thinking evil alters are sexy, or engaging with horror content that says shitty things about systems -- it's your life, live it how you please (and i've got a vanny icon so who am i to judge lmao). sometimes the things that make us happy are kinda shitty, and that's okay! our views are shaped by the society we live in, and there is no society on earth that is kind to the mentally ill -- there's no way to undo that, to stop that from influencing you in some capacity. but... all i ask is for you to think about this stuff, and try to educate yourself on the topic. there's nothing wrong with making a mistake, or having flaws -- but there's something wrong with making a space that feels unsafe, that reflects some of the more uncomfortable aspects of our society, that unintentionally hurts people. it's just up to you if that something is something you care about.
i hope that answers your question, anon (and anyone else who's curious). take care, mate!
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fruitfoxfire-blog · 6 years ago
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lesless said: Both have some truth! I think it’s normal to feel a bit rebuffed by things framed in an “it’s your responsibility” manner. I know I certainly had meltdowns when I was at my worst bc my friends suggested some of my own actions weren’t helping my mental state. Tumblr has a way of sharpening valid points into a shank. But absolutely trauma isn’t a victims fault and it is absolutely Work one must do every day from my perspective. I hope that makes sense and isn’t coming across as rude.
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no, definitely not rude! very good points! (also i’m so sorry, no need to read or interact, but i’m going to take this as an opportunity for another Over-Sharey Tumblr Discourse Rant because it’s, like, good for thinking...)
i think the “it’s your responsibility” perspective might rub me especially the wrong way, because i’m coming at this from the perspective of someone whose mental health has never been taken seriously by Adults (i’m 22 now, but have been notably Mentally Bad since i was about twelve or eleven) or mental health professionals because i’m “functional.” i shower, i clean, i take care of my pets, i get to work on time, and i try to hang out with people! this was the case even when i kind of dove into Actual Alcoholism lmao--i finished my undergrad thesis with high honors, won a scholarship for it, finished with a 3.7 GPA, had a job, made rent every month, and had a steady relationship... but would literally start drinking at eight AM every day aaaaaa... and continue all day... black out p much every night... and NO ONE REALLY BELIEVED ME THAT IT WAS A PROBLEM BC I WAS FUNCTIONING LOL my therapist at the time said i was just “being a college student.” and when i decided to quit (the first time... ha.), my friends and my gf at the time literally laughed at me and told me i was overreacting--so i literally just hid in my room for a week in the dark and went through withdrawal aloooonnneeee... which is not safe or fun or recommendation-worthy XD
and, yes, definitely, 100%, it is my responsibility to find healthier coping mechanisms! that’s on me! and i have... sort of (?) done it (?) but that’s not really what i hear when i read the kinds of posts i’m talking about: what i hear is, “you don’t need help! do it yourself! all yourself!” and it fucking bugs me! because... i know i can’t expect anyone to help. i know that. i know it’s my responsibility. but sometimes i just... want a lil bit of help. it’s not always safe to be in this world alone.
SO APPARENTLY I TELL EVERYONE ON THE INTERNET MY DEEPEST DARKEST SECRETS RATHER THAN TRYING TO BUILD A SUPPORT SYSTEM IRL XD i know. it’s not a healthy coping mechanism either.
but, uh, yes. you’re totally right. i think we need to strike a balance between cute, fluffy self-care and Get Up And Go tough love. i dont really know what the balance is :( MAYBE maybe the balance is me actually figuring out the right ways (and the right people) to ask for help. maybe. lmao
ANYWAY YES have a nice night friend i’m sorry for ranting
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