#trying to cut your losses

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

[First] Prev <–-> Next

[todayisafridaynight]

i just want to know if i’m the only one but does anyone else get like really disinterested in a thing if the majority of people interpret it differently from you? like it makes me so annoyed and makes me lose interest in the thing 💀

i sat through the Strangest minedai interpretations over on twitter alone for a while but i still really enjoy minedai so between us i think it is only you. which is fine !

[nopeferatu]

[a-wild-things-rambles]

hometown hypocrisy

and the bloods beating down in the city tonight and no-one will ever sympathize with our plight try to get up, but we just fall down trying to escape this damn hometown

and we got fires burning in our souls and the scars to prove it, what do you know but the rains putting us out drowning our sparks and our shouts

and the fogs setting in rain against my skin and the sky's beating me down wandering my hometown and the roads gotten twisted the old life's gone, i missed it guess it is true, you can never go home again

and the bloods beating down in the city tonight and no-one will ever sympathize with our plight try to get up, but we just fall down trying to escape this damn hometown

and blood seeping through our clothes violence begets violence, don't ya know but these fists are my hometown pride gritted teeth and bloodshot eyes

and the fogs setting in rain against my skin and the sky's beating me down wandering my hometown and the roads gotten twisted the old life's gone, i missed it guess it is true, you can never go home again

'and the bloods beating down' is the 2nd chorus/prechorus [look i changed the structure but im not editing my analysis i dont want it to get longer]

'and the fogs setting in' is the [main]chorus [planned to use a diffrent tone to musicaly distinguish it from teh verses and pre/2nd chorus][is in italics]

and 'we got fires' is teh 1st verse and 'blood seeping thru our clothes' is the second

NOTE: should be spoken or sung for optimal beat with contractions, but for readability has been mostly uncontracted. also idk how to spell what do you know contracted right.

the chorus is much later in the singers life than the pre chorus & the two verses, the hypocrisy is that the singer wants to both escape and go back to his hometown.

the younger singer always uses plural, to symbolize community, until 'these fists are my hometown pride' almost at the end. he refutes the cycle of violence by owning his violence as part of himself- his link to his hometown.

in addition, he has become the active perpetrator of violence, [previous references were 'we all fall down' [something else to him] and 'we got the scars to prove it' which is implied to be violence perpetrated unknowingly to each other because of 'fires burning in our souls'- when they get close, they hurt each other unintentionally] he now links his sense of self to violence, and thus when he loses his ability to do violence, he loses his self, and his link to his hometown, becoming the older singer

but by doing this he also will inevitably refute his hometown, by linking it intrinsically to violence, becoming the older singer who sings the chorus when he can no longer have that link to his self or his hometown because he can no longer do violence [his inability shown by him being 'beaten down' by the rain/oppressive atmosphere], i did want to expand on this, writing more verses to show the fall and how he ended up as the chorus person but it didnt work. heres the scrapped third verse

but soon those fists turned weak what do you know? you aint at your peak stress and violence aint good for your heart and you find that your bodys now falling apart

it can also be seen as by growing up to become a perpetrator and someone with power, he is now distant from his people and community, the solidarity is formed from their shared victimhood so when he steps out of that/rejects it, he loses the community [also becoming part of the violent cycle means getting rejected] [also the chorus says 'twisted road' we dont know what happened to make him fall, thats up to the readers interpretation] [transmasc journey of realizing your masculinity then becoming ostracised][or disability]

"guess its true, you can never go home again" is the only exception to the rhyming scheme, and it gives it emphasis, it was more noticeable before the chorus was squished together [previously each half line was its own line until 'guess its true'] fuck it it can take up space on yalls dashboards its getting split again

'bloodshot eyes' can be interpreted many different ways, from crying to injury to rage, each suggesting different meanings and affecting the text in diffrent ways

[komaedamizuki]

my brain is starting to get itchy and want to play sims again but it wants to play sims 4 and not sims 3

honey

sweetie

there's nothing there for you

the game won't stop crashing

cut your losses and start from scratch

[esuterunokitsune]

One of my past friendships was really toxic (almost entirely by my fault). I did not wish to intentionally be mean and cause harm, but looking back I recognise I did. I was 14, and while that doesn't excuse me, I have since grown as a person. Both me and my ex friend have moved on and are happier in life. I wish him much luck and am happy for him. I recognise what I did wrong and am constantly striving to do better.

also worth noting that "abusive" doesn't actually mean "irredeemable" either.

there's a lot of people that have done things in the past that were bad, because they weren't taught any better, or they were in an overall toxic situation where EVERYONE was shitty (like a cult), or they were just at an especially low point and hurt others for it.

you don't have to forgive them. you don't have to ever speak to them again. you can be angry with them until you die if you want.

but society cannot function if we don't allow them to move on. to change their behavior and fuck off somewhere else and build meaningful relationships without bothering you again. we need a path for people to change, or nothing ever will.

[jackass-jones]

So much leftest online discourse seems to be younger people being unwilling to accept the truth that their identity does not inherently make them an activist and they start scrambling and making up reasons why all their interests are secretly Woke actually and that’s how we end up with people saying shit like tswift is punk and mental illness makes you incapable of fighting for anything cuz no one wants to actually do anything

[webism]

pornstar!toji who is known for being easy with his scenes. he's there for a good fuck and an even better paycheck: it doesn't matter who, or where, or how... if he's being paid he will do it. he doesn't mind getting nasty, and so he's often booked for more exotic scenes. he fucks good, and he fucks a lot.

pornstar!toji who is strapped for cash one week after an unfortunate loss on the horses, and takes the first scene offered to him. a vanilla fuck with a new-to-the-scene pornstar with potential... at least that's what his agent, shiu, tells him. he's confused on what potential he's hinting at until he rocks up ten minutes late to the shoot and lays eyes on you, already naked and on the stage bed. you have a look to you that makes a man like toji feel obliged to drop to his knees.

pornstar!toji who is already harder than he has been in a long time when shiu clarifies that when he called you 'new to the scene' he meant it: this is your first porn shoot. and though you're not a virgin, toji has the honour of taking your first time on camera... and god does he love the thought.

pornstar!toji who is greeted with a small smile and a soft 'hello' from you, shy beneath his gaze as if you aren't naked and soon to be stuffed full of his cock. he watches your eyes shift, from his piercing eyes to his beautifully scarred lip to the gorgeous tone of his body, all the way down to his awfully large cock. he can tell you're nervous, worried about taking all of him on film.

pornstar!toji who isnt good with gentle comforts, but still wants you to feel at ease with him. so, despite his instructions for a simple fuck scene, toji attacks you with deep kisses first, gets you used to the burning heat of his body against yours. and when you're melted enough against his skin he trails down and eats you out for a long twenty minutes. production would try and stop him, but he's already tipsy on your taste and the moans leaving your lips are, frankly, made for porn.

pornstar!toji who revels in the way your back arches off the mattress—he'd accuse you of putting on a show for the cameras if your hips weren't bucking up against his face in an almost primal need. he can taste it on you, the genuine lust, the way you drip wet on his tongue and still grab at his hair for more. and when he gives you more—when he finally slips his cock into you—he can't help himself from groaning out something needy. he's the silent type, letting his costar take center stage, but god can he not keep quiet feeling your walls wrapped around him.

pornstar!toji who has never had an issue with porn before, but with your legs wrapped around his waist, your eyes locked onto his as he pumps in and out of you with white hot need, he finds he hates the thought of anyone else seeing you like this. he's not a possessive man, he shouldn't feel this way, but he does. even the watchful stares of the cameramen piss him off, and he finds his hips moving faster and his cock nestling deeper inside of you just to show them that he's the one pleasing you.

pornstar!toji who can't help but kiss you as you both cum in unison. he ruins the shot, the cameras cant see your orgasm face when he's swallowing your moans like they're sweet wine. he's surprised his pay doesn't get cut for it.

when pornstar!toji does get paid, it's the first cheque in a very long time that he doesn't blow the same night it comes through. because he doesn't have time to go out and waste his money: he's at home fucking his fist to the film you made together and mentally degrading himself for being so pussy whipped. he strokes himself in time with his own thrusts in the video, and tries so desperately to recall your taste on his tongue, but its fruitless. he's agitated and sexually frustrated and keeps reloading your personal pages to see if you've filmed with anyone since him.

pornstar!toji who becomes so lost in his own mind that he starts turning down shoots with other actors—shoots with good pay. he's done everything under the sun, done all the hardcore porn and weird fetish content but now that he's gotten a fresh taste of plain passion sex with you, he can't stomach anything else. he'd say your name, he knows it—and it doesn't help that he hasn't been able to reach orgasm for a week without thinking of you.

pornstar!toji who, after three weeks of pure misery, decides to make a move. he doesn't do dates or romantic nights on the town. he doesn't do flowers or sweet nothings or eye contact even, but he finds himself contacting shiu and threatening the poor man in hopes of your real name, your address, anything.

and you, late one evening fucking yourself on your fingers to the brink of frustrated tears because they're not his cock. even more disgruntled when theres a pounding knock at your front door, and after cleaning yourself up a little you swing it open to find pornstar!toji stood in the rain outside. and you can only take him in—his heavy build and desperate eyes—before he's crashing his lips against yours, walking you into your own home and kicking the door shut behind him.

[legally-not-guilty]

Okay but why would a sci-fi leg have a find-my-leg feature?

This is sci-fi. Give it a leg-find-me feature instead. You press a button on your whatever device-holo-pad-phone thing, and your leg grows a tiny pair of legs so it can scamper its way down the street to you.

What able bodied authors think I, an amputee and a wheelchair user, would want in a scifi setting:

Tech that can regenerate my old meat legs.

Robot legs that work just like meat legs and are functionally just meat legs but robot

Literally anything that would mean I don't have to use a wheelchair.

If I do need to use a wheelchair, make it fly or able to "walk me" upstairs

What I actually want:

Prosthetic covers that can change colour because I'm too indecisive to pick one colour/pattern for the next 5+ years.

A leg that I can turn off (seriously, my above knee prosthetic has no off switch... just... why?)

A leg that won't have to get refitted every time I gain or loose weight.

A wheelchair that I can teleport to me and legs I can teleport away when I'm too tired to keep walking. And vice versa.

In that same vein, legs I can teleport on instead of having to fiddle around with the sockets for half an hour.

Prosthetic feet that don't require me to wear shoes. F*ck shoes.

Actually accessible architecture, which means when I do want to use my wheelchair, it's not an issue.

Prosthetic legs with dragon-claw feet instead of boring human feet or just digigrade prosthetics that are just as functional as normal human-shaped ones.

A manual wheelchair with the option to lift my seat up like those scissor-lift things so I'm not eye-level with everyone's butt on public transport/so I can reach the top shelf by myself.

A prosthetic foot that lights up when it hits the ground like those children's shoes.

A few additions I remember seeing in the comments on my old account:

holographic prosthetic covers

transformers-style mobility aids that can fold into the shapes of different aids (e.g. a wheelchair that can fold into a cane)

prosthetic covers with pockets/hidden compartments (kind of surprised this isn't a thing already).

find my leg (like find my iphone, but for your legs when you haven't worn them in a while lol)

TLDR: Stop assuming every disabled person would want to be as close to "normal" as possible in your works. Some absolutely would and having options for them if fine, but I rarely see any examples of media showing those of us who don't. start letting amputees in your scifi works have fun with our prosthetics, fix the problems real amputees are already talking about instead of what you think are the issues and make your settings as a whole accessible!

[bonewicca]

solution nine discourse on the for you page. here's my input: 👎

[khioneee]

tap out. pt ii.

warnings. mentions of death, emotional distress, grief and loss, pregnancy.

a few years later, another tap-out ceremony arrives, but this time, the air feels different—heavier, somber. simon’s been gone for over a year, his deployment unexpectedly extended due to an incident overseas. you’d been told he couldn’t come home for a while, but that didn’t make the waiting any easier.

today, you stand among families who aren’t just here to tap out their loved ones but to say goodbye to those who didn’t make it home. tears stream down faces as loved ones gather around caskets, grieving the soldiers they’d lost. the sight fills you with a mix of dread and relief, knowing simon is still out there, waiting.

simon stands in formation, rigid as always, but he has a sense for you. before you even appear in his line of sight, he knows you’re near. but imagine his surprise when he catches a glimpse of you in his peripheral vision, a small bundle wrapped securely in your arms.

his heart hammers in his chest, quickening as he realizes what this means. his breath catches, his eyes fixed on you as you approach. you look up at him, your eyes sparkling, a knowing smile on your face as you watch the subtle changes in his expression—the slight twitch of his eyebrows, the way his breathing picks up as it dawns on him.

both of you had been trying for a baby before he left, and now, standing before him, you hold that precious life in your arms. it had been a struggle going through pregnancy without him, feeling his absence during every kick and every sleepless night. but seeing him now, looking more than ready to meet your child, all the pain fades away, replaced by a joy so profound it fills every inch of you.

‘daddy’s home,’ you whisper softly, tilting the blanket so simon can see her tiny face, fast asleep, a perfect mirror of him in miniature. she’s got his nose, his quiet strength already etched into her tiny features.

with tears in your eyes, you reach up, your hand finding his cheek, tapping him out in the gentlest of touches.

the moment your hand connects, simon moves, breaking formation as he pulls both of you into his arms, holding you close as if he’ll never let go. his voice is thick with emotion, barely a whisper as he murmurs, ‘my loves.’

you knew your husband had a reputation in the military—a man as cold and unyielding as steel, a fortress no one could break. but as he held you and your newborn in his arms, that carefully built facade cracked, revealing a vulnerable side of him that only you ever saw. the tough soldier was gone, replaced by a man whose heart lay entirely with his family.

‘do you want to hold her?’ you ask softly, watching his eyes light up with a blend of surprise and joy.

‘her?’ he whispers, voice catching on the single word, as if it’s almost too much for him to believe.

you nod, smiling through a haze of happy tears. ‘her.’

with slow, reverent movements, you pass your daughter to him, watching as she looks impossibly tiny cradled in his strong arms. simon looks down at her with a mixture of wonder and fierce protectiveness, as though he’s already memorizing every detail of her face.

as if sensing her father’s gaze, the baby yawns, a soft little sound that makes simon’s eyes shine with awe. you catch the faintest smile pulling at his lips, a rare, tender expression that he reserves only for moments like this.

he leans down, pressing his lips gently to her forehead. ‘never gonna let anything happen to you,’ he murmurs, voice thick with love and quiet promise.

while simon was lost in his quiet moment with your daughter, a loud shout cut through the air, breaking the peaceful silence.

‘is that our baby i see?!’

simon’s head snapped up, his expression immediately shifting to something harder. he turned to see soap grinning widely, practically bouncing with excitement. with a sigh, simon reached over and smacked the back of soap’s head, though his movements were careful not to jostle the sleeping baby in his arms.

‘there’s people grieving, you idiot,’ simon muttered, but soap only snickered, completely unfazed.

‘and what do you mean, ‘our’? she’s y/n’s and mine. you’re not part of this relationship, mate,’ simon added, his tone dripping with mock irritation.

but soap, undeterred, just ignored him and held out his hands, wiggling his fingers in a display of exaggerated excitement. ‘oh, come on! let me hold our child!’

simon groaned, looking down at you with a glance that seemed to ask, ‘do i really have to put up with this?’ but he couldn’t hide the tiniest hint of a smile tugging at the corner of his mouth as soap’s enthusiasm filled the air around you.

reluctantly, and with another sigh, simon finally leaned over, carefully passing your daughter to soap, though not without a low, ‘if you don’t keep her calm, you’re not holding her again.’

soap just grinned, taking her into his arms as if he’d won the lottery, cradling her gently and cooing softly.

soon after, the rest of task force 141 gathered around, drawn by the excitement, each member eager to catch a glimpse of the new addition to the family.

you and simon stood to the side, watching with cautious eyes as they took turns holding her, each one adopting a careful gentleness you wouldn’t have expected from hardened soldiers.

price held her with a proud grin, murmuring something about ‘training her to be the next captain,’ while gaz made her giggle softly with his gentle cooing. even the usually reserved roach softened as he held her, a rare smile tugging at his lips.

you glanced up at simon, watching his face as he stood beside you, arms crossed in a show of casual indifference.

but you knew him too well. beneath the mask of stoicism, there was something warmer, a subtle softness in his gaze as he watched his team, his family, sharing this moment with him. this gruff, unbreakable soldier, who had once thought he’d lost everything, had found a new family among them, one that shared in his joys and sorrows alike.

reaching over, you took his hand, giving it a gentle squeeze. he didn’t say anything, just gave your hand a quick squeeze in return, a quiet acknowledgment. but you could see it in his eyes, that gratitude for a family he never expected to find—a family that had now become part of yours.

[theorist-fox]

Can I interest you in some silly sex with Simon? 🧎🏻‍♀️‍➡️

18+

Word count: 1k.

CW: nothing really. Just silly sex. Just giggling sex. Just I-need-to-give-this-man-some-humanity sex. Simon is ticklish and you find out, that's the plot.

Masterlist 🦊

𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬 𓇬

You look delectable straddling his hips.

Naked and soft, plump tits sitting prettily in his hands. His thumbs swipe idly around your perked nipples as you ride him slowly, early morning sun peeking through the curtains and lapping at your skin. What a way to wake up, what a sight.

He stares at your lips and how they part for him—something he still has to get used to, though he probably never truly will. How dulcet does his name sound if it’s your voice whispering it, how beautiful your eyes when they take in his face.

Soft hands are pressed on his chest for leverage, and you’re treating him with a view he keeps pinned to the forefront of his brain—gliding your cunt until you’re chock-full of him, stroking yourself until you’re shivering.

He likes it when he’s on top, sure. He’s used to taking the lead and orchestrating every detail, in and out of the job. 

But when you allow him to sit back and take it? Hell, sign him up. He’d do it every day. Especially when it’s this lazy sex here, in which you’re canting your hips to cum before he does, giving him the blissful chance of feeling you clench around him when he's still hard. 

Goosebumps rise under your nails as they graze down his chest and brush his stomach. Your hands wander blindly on his belly, then his sides, as you clock his eyes with your heavy ones, panting softly, idly—my beautiful, beautiful girl.

But then you inadvertently brush his ribs, and he stiffens—even squirms, and your movements come to a halt.

You blink as conscience returns to you slowly, and the room sinks into tense silence. His cock twitches inside of you when you tilt your head inquisitively, squinting your eyes.

Experimentally, you brush your fingertips against his ribs again, and his biceps flatten to his sides, trapping your hands.

Your eyes widen, and his do the same.

“Don’t.”

You gasp, “Oh my God.”

“Darling, no.” He warns, but you’ve clearly made up your mind already.

Your lips are curled in a smile that promises mischief, and he can only give up, sit back, and count his losses.

“Darling, yes.”

Simon feels your fingers wiggle under the tight press of his arms, but no matter his strength, they're seemingly useless against that playful resolve you're displaying.

His cock is still embarrassingly hard inside you, and Simon reckons it won't soften any time soon. You don’t seem eager to get off him either, thus prolonging the torture with each tiny movement you make.

He inhales sharply and fights tooth and nail to school his expression into neutrality. His eyes are narrowed, and his jaw is locked tight. The only thing giving him away is the flush of his cheeks, getting pinker by the second because he refuses to open his mouth to breathe a much-needed lungful of air. Knowing that if he would, he'd bark a laugh that would proclaim you as the winner of this fight.

He would never.

You roll your hips, then—cheap trick. He unravels with a shaky breath, and his biceps give out enough for you to slip your hands away.

And then, he knows he's done for.

“Cut it out.” He barks, trying to sound stern and miserably failing. He knows because you're laughing even harder.

Your fingers feel like tiny bugs crawling up his sides, and they make his breath catch in his throat.

“Never.” You say, with a grin that scrunches your nose. A smile that would normally make his heart throb, but right now just makes him wish he were a lesser man so he could throttle you.

“Fuckin’-“

You chuckle.

You evil little cunt.

Resistance lasts a few more seconds before he bursts.

It’s not a full laugh that leaves him; more of a wheeze that makes you chortle like a wicked witch. His chest heaves as your fingers frantically tickle his sides. Tries to get you off him by shaking his hips, but that only makes the two of you falter and moan, and then chuckle and catch your breaths.

His shoulders shake in a breathless, choking laugh that pitches upward as you continue with your assault (yes, assault—he is not being dramatic), eyes veiled with tears of frustration and mirth. He shrieks when your hands travel under his armpits—the sound makes you giggle in a way that would have him melt. 

“That laugh’s lovely, baby.” You say with a smarmy grin he wishes he could wipe with a kiss, hands unrelenting against his sides. “Sound like a kettle whistling.”

He tries to glower and push you off, but you’re surprisingly strong when you’re focused. Right now, your only goal is to apparently make him hate you—he'd rather be held at gunpoint than being forced to hold in a laugh that makes his stomach hurt.

Simon now looks shockingly harmless, with his cheeks flushed bright red and his voice an octave too high—wouldn't look dangerous if he tried.

“Tea ready, yet?” You add, batting your lashes, because why not rub salt into the already embarrassing wound marring his pride.

It’s that unfathomably stupid joke that finally makes Simon crack. He barks out a laugh that bubbles up his throat, rippling through his stomach so suddenly that you bounce above him. Your own laugh follows soon after, because each time you manage to steal one from him, your heart vibrates with loving triumph.

But still—he is Simon Riley, isn’t he? Member of Task Force 141. Lieutenant in the UK Special Forces, SAS. The Ghost. There is some pride in there, one he'd like to keep intact.

He tries to recollect his breath, sniffling, and his arms shoot out to wrap around your waist. He rolls onto his side, taking you with him.

It’s then that you find yourself in a position of utter disadvantage, on your back with your big brute of a boyfriend holding you down. You’re wide-eyed and still smiling with barely contained giggles, and he’d be lying if he said it doesn't make his heart soar.

Sure, he’s panting, still proper flushed and apple-cheeked, with shivers wrecking his spine and unshed tears in his eyes—but he takes great pride in having won yet another fight (again, not overreacting at all, if you ask him).

He grabs your wrists and pins them above your head.

You fix him with a look. “Simon, no.”

Before you can add more to your complaint, he rams his cock into you until your chest stutters, your lips mouthing around a shaky breath he drinks dry with a wet kiss.

He fucks you into the mattress, then—once, twice, until the remnants of laughter vanish from your face and you’re trembling in bliss, eyes rolled back under heavy eyelids.

He places a sloppy kiss down to your collarbone.

“Simon, yes.”

[halfricanloveyou]

also literally every diet (except one and to call it a diet is a bit far fetched) is literally made up for profit and does not actually work long term and typically has a bad effect on your body which worsens the longer you’re on the diet.

for instance: keto can lead to ketoacidosis and general weakness as well as a difficulty concentrating.

weight does not determine health and wellness and don’t harm your body to lose it. and most of all, being healthy is not equivalent to weight loss. love yourself and your body this year!

Remember- as we enter 2024, Diet Culture is a scam.

Health is not determined by your weight alone;

health comes in many weights;

Looking good comes in many weights;

Feeling good comes many weights;

Happiness comes in many weights;

weight is not a sign of virtue;

health is not a sign of virtue;

Food is a gift.

Your body has carried you through another year.

On the first day of 2024, eat something delicious, clean something cluttered, do something outside, do something you've been putting off. But you keep that fucking diet culture bullshit out of your mouth and out of your mind.

💖 Enjoy 123123!

[hayatheauthor]

10 Lethal Injuries to Add Pain to Your Writing

Prev: Non-Lethal Injury Ideas

Need some creative ways to give your characters a real fight for survival? Here are 10 ideas: 

1. Punctured Artery

A puncture to major arteries like the femoral artery (thigh), the carotid artery (neck), or radial artery (arm) can cause rapid blood loss. It starts off with a sharp pain, weakness, lightheadedness and eventually can lead to hypovolemic shock. Requires urgent medical attention.

2. Punctured Eye Socket

A punctured eye socket will cause blood vessel damage leading to internal bleeding. I would use this for non-combat characters trying to get away. The eyes are an easy weak spot + you don’t need much strength to cause a critical injury/puncture. Also good for a protag's tragic backstory.

3. Torn Achilles Tendon

A torn Achilles tendon can result in severe bleeding if nearby arteries or veins are damaged. Your character will be forced to hobble away as pain causes their foot to swell and bruise. Plus, you can easily adjust the pain levels per your scene, from swift cuts to explosive jumps. 

4. Neck Hyperextension (Hangman’s Fracture)

This injury will fracture the C2 vertebra and can lead to spinal cord damage, paralysis or sudden death. This isn’t a light injury your character can come back from, so I would suggest using it only when you’re aiming for death.

5. Pierced Lung

A punctured lung will lead to a pneumothorax where air escapes into the chest cavity, collapsing the lung. Characters with this injury may have difficulty breathing, chest pain, and a cough that produces frothy blood (all the dramatics you need). 

6. Severe Concussion

A severe concussion will lead to confusion, vomiting, immobility and memory loss. More dangerously, brain swelling, internal bleeding and damaged brain tissue. Plus, it has a long recovery period. 

7. Shattered Pelvis

If you need something severe that restricts mobility but also causes severe pain then this is perfect! Involves signs of shock, internal bleeding, numbness, swelling—really a lot of things. Can occur if OC falls from a high place, hit repeatedly, car accident, etc.  

8. Internal Bleeding from Blunt Force Trauma

I like using this when you need something subtle since it doesn't show immediate symptoms. Over time, they will feel weak, cold, nauseous, and intense pain. Perfect if you want that 'everyone made it out then suddenly someone collapses' moment. 

9. Intestinal Perforation

A sharp blow or penetrating wound can cause a tear in the intestines, leaking bacteria into the body cavity, then peritonitis. It can go from small stomach pain to near death pretty quickly. Without prompt medical care, sepsis can set in, causing organ failure and death.

10. Cut to the Jugular

If you need something more visibly dramatic then go with the classic cut to the jugular. A warm rush of blood will pour out, and blood would spurt with every heartbeat. Causes panic, choking, and internal bleeding too. All the blood and gore you need. 

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. Remember the worse the injury the more likely your character is to die (so be realistic folks). Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[thethief1996]

Israel has cut water, electricity and food to Palestinians in Gaza. They are buying 10.000 M16 rifles and plan to distribute to civilian settlers in the West Bank to hunt down Palestinians. They're bombing the only way out of Gaza through Egypt, after telling refugees to flee through it, and have threatened the Egyptian government in case they let aid trucks pass through. Entire families, generations, are being wiped out and left to wander the streets hoping they don't get bombed.

Palestinians are using their last minutes of battery to let the world know about their genocide and are being met with a wall of "What about Hamas? What about the beheaded babies? Killing children on either side is bad!" even though the propaganda claims have been debunked over and over again. How cruel is it to ask somebody to condemn themselves before their last words? Or before grieving the loss of their entire families? When there's no such disclaimer to Israelis even though their government has shown over and over genocidal intent? Like who are you even trying to appease? What will your wishy washy statement do against decades of zionist thought infiltrating evangelical and Jewish stablishmemts?

Take action. Israel will fall back if public opinion turns its tide. The UK fell back on its bloody decision to cut aid to Palestine under public scrutiny. The USAmerican empire spends $3.8 billion dollars annually solely on this proxy war while its people suffer under a progressively military regime as well. News outlets are canceling last minute on Palestinian speakers while letting Israelis tell lies unchecked. Palestinian refugees are being targeted in ICE establishments and mosques are already being hounded by the FBI. France and Germany have banned pro-Palestine protests, while Netherlands and the UK have placed restrictions . You have the chance to stop this from turning into repeat of the Iraq war.

I want to do something but there's hardly anything for me to do from Brasil besides spreading the word and not letting these testimonies fall on deaf ears. I'm asking you to do this same ant work from wherever you are.

Follow:

Eye On Palestine (instagram / twitter)

Mohammed El-Kurd (instagram / twitter)

Decolonize Palestine (website with a chronological explanation of the occupation and debunking myths)

Muhammad Shehada (twitter)

Plestia Alaqad (directly from Gaza. Many of her videos are interrupted by bombs)

If there's a protest in your city, please attend. Here's an international calendar of events:

Friday, October 13

ALBUQUERQUE, NM (US) – Fri Oct. 13, 3 pm, UNM Bookstore, University of New Mexico. Organized by Southwest Coalition for Palestine.

BERKELEY, CALIFORNIA (US) – Fri Oct 13, 6 pm, Sproul Hall (Vigil), University of California Berkeley. Organized by Bears for Palestine.

DOUAIS, FRANCE – Fri Oct 13, 6:30 pm, Place de’Armes.

GOTHENBURG, SWEDEN – Fri Oct 13, 5:30 pm, Brunnsparken. Organized by Palestinska samordningsgruppen Gothenburg.

GREENSBORO, NC (US) – Fri Oct. 13, 4 pm, Wendover Village, 4203 W Wendover Ave, Greensboro, NC. Organized by Muslims for a Better NC.

LONDON, ENGLAND – Fri Oct 13, 5 pm, Keir Starmer’s Office, Crowndale Center, 218 Eversholt St, London. Organized by IJAN UK.

MEANJIN/BRISBANE, AUSTRALIA – Fri Oct 13, 6 pm, King George Square.

MIAMI, FL (US) – Fri Oct 13, 4:30 pm, Bayfront Park. Organized by Troika Kollectiv.

NAPOLI, ITALY – Fri Oct 13, 4:30 pm, Piazza Garibaldi, Napoli. Organized by GPI and Centro Culturale Handala Ali.

NGUNNAWAL/CANBERRA, AUSTRALIA – Fri Oct 13, 5:30 pm, Carema Place.

PERTH/BOORLOO, AUSTRALIA – Fri Oct. 13, 5:30 pm, Murray Street Hall, Boorloo/Perth. Organized by Friends of Palestine WA.

PORTLAND, OREGON (US) – Fri Oct 13, 3 pm, 1200-1220 SW 5th Ave, Portland.

PORT RICHEY, FL (US) – Fri Oct 13, 7:30 am, Route 19 and Ridge Road, Port Richey. Sponsored by: Florida Peace Action Network; Partners for Palestine; CADSI

PRETORIA, SOUTH AFRICA – Friday, Oct. 13, 7 pm, UP Main Campus, DSA Building opposite Thuto. Organized by PSC UP.

WITSWATERSRAND UNIVERSITY (SOUTH AFRICA) – Fri Oct 13, 1 pm, Great Hall Piazza, Flag demonstration. Organized by Wits PSC.

Saturday, October 14

ABERDEEN, SCOTLAND – Sat, Oct. 14, 2 pm, St. Nichlas Square. Organized by Scottish PSC.

AUCKLAND, NEW ZEALAND – Sat Oct 14, 2 pm, Aotea Square, Queens St, 291-2997 Queen St. Organized by PSN Aotearoa.

DETROIT/DEARBORN, MICHIGAN (US) – Sat Oct 14, 2 pm, Ford Woods Park, 5700 Greenfield Road. Organized by SAFE, PYM, SJP, Handala Coalition, more.

DUNDEE, SCOTLAND – Sat, Oct. 14, 2 pm, Place TBA. Organized by Scottish PSC.

EDINBURGH, SCOTLAND – Sat, Oct 14, 2 pm, Princes Street at Foot of the Mound. Organized by Scottish PSC.

FRANKFURT, GERMANY – Sat Oct 14, 3 pm Hauptwache, Frankfurt am Main. Sponsored by Palestina eV, Migrantifa Rhein-Main and more.

GLASGOW, SCOTLAND – Sat. Oct 14, 2 pm, Buchanan Steps. Organized by Scottish PSC.

HOUSTON, TEXAS (US) – Sat Oct 14, 2 pm, City Hall, 901 Bagby St. Organizd by PYM, PAC, USPCN, SJP and more.

LIVERPOOL, ENGLAND – Sat Oc 14, 12 pm, Church St. Organized by FRFI.

LONDON, ENGLAND – Sat Oct 14, 12 pm, BBC Portland Place, London. Organized by a broad coalition.

MILANO, ITALY – Sat. Oct 14, 3:30 pm, Piazza San Babila. Organized by Young Palestinians of Italy, UDAP, Palestinian Community, Association of Palestinians.

ORLANDO, FLORIDA – Sat Oct 14, 3 pm, Lake Eola at Robinson and Eola, Orland. Organized by Florida Palestine Network.

TORINO, ITALY – Sat. Oct. 14, 3 pm, Piazza Crispi. Organized by Progetto Palestina.

VALPARAISO, CHILE – Sat Oct 14, 6 pm, Plaza Victoria, Valparaiso. Organized by Comite Chileno de Solidaridad con Palestina.

WASHINGTON, DC (US) – Sat Oct 14, 1 pm, Lafayette Square. Organized by AMP.

Sunday, October 15

AMSTERDAM, NETHERLANDS – Sun Oct 15, 2 pm, March from Dam Square to Jonas Daniel Meijer plein.

NAARM/MELBOURNE, AUSTRALIA – Sun Oct 15, State Library Victoria.

TARDANYA/ADELAIDE, AUSTRALIA – Sun Oct 15, 2 pm, Parliament House.

AUSTIN, TEXAS (US) – Sun Oct 15, 3 pm, Texas Capitol. Organized by PSC ATX.

GADIGAL/SYDNEY, AUSTRALIA – Sun Oct 15, 1 pm, Sydney Town Hall.

SANTIAGO, CHILE -Sun Oct 15, 11 am, Plaza Dignidad, Santiago. Organized by Comite Chileno de Solidaridad con Palestina.

[klikandtuna]

Remember: you don’t have to choose.

You can be grateful that we are getting an on-screen, canon completion to Good Omens, AND devastated that the time we had anticipated getting to spend with our favorite idiots has been slashed by 75%.

You can acknowledge how close the series obviously came to being canned entirely and give a sigh of relief, AND weep for the storylines and flashbacks that will be chiseled away or cut entirely.

You can logically accept that a good movie can accomplish a hell of a lot in ninety minutes, and Good Omens will have a massive leg-up because all of the establishing elements are already there and they can basically jump right into the action, AND feel disappointment and sorrow — grief, honestly — for the loss of what we have been anticipating for so long.

Good and bad, light and shadow, joy and pain — they aren’t mutually exclusive. One does not cancel out the other. They can coexist…and sometimes they must. Don’t try to stamp out one side or the other, either in your own heart or in someone else.

Feel your big feelings. Give them space to breathe. Feelings are neutral; it’s what you do with them that counts.

So hang in there. We’re all in this together 💛