#i like the acceptance of violence as acceptance of masculinity leading to ostrasisation from the comminity of victimhood personaly
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hometown hypocrisy
and the bloods beating down in the city tonight and no-one will ever sympathize with our plight try to get up, but we just fall down trying to escape this damn hometown
and we got fires burning in our souls and the scars to prove it, what do you know but the rains putting us out drowning our sparks and our shouts
and the fogs setting in rain against my skin and the sky's beating me down wandering my hometown and the roads gotten twisted the old life's gone, i missed it guess it is true, you can never go home again
and the bloods beating down in the city tonight and no-one will ever sympathize with our plight try to get up, but we just fall down trying to escape this damn hometown
and blood seeping through our clothes violence begets violence, don't ya know but these fists are my hometown pride gritted teeth and bloodshot eyes
and the fogs setting in rain against my skin and the sky's beating me down wandering my hometown and the roads gotten twisted the old life's gone, i missed it guess it is true, you can never go home again
'and the bloods beating down' is the 2nd chorus/prechorus [look i changed the structure but im not editing my analysis i dont want it to get longer]
'and the fogs setting in' is the [main]chorus [planned to use a diffrent tone to musicaly distinguish it from teh verses and pre/2nd chorus][is in italics]
and 'we got fires' is teh 1st verse and 'blood seeping thru our clothes' is the second
NOTE: should be spoken or sung for optimal beat with contractions, but for readability has been mostly uncontracted. also idk how to spell what do you know contracted right.
the chorus is much later in the singers life than the pre chorus & the two verses, the hypocrisy is that the singer wants to both escape and go back to his hometown.
the younger singer always uses plural, to symbolize community, until 'these fists are my hometown pride' almost at the end. he refutes the cycle of violence by owning his violence as part of himself- his link to his hometown.
in addition, he has become the active perpetrator of violence, [previous references were 'we all fall down' [something else to him] and 'we got the scars to prove it' which is implied to be violence perpetrated unknowingly to each other because of 'fires burning in our souls'- when they get close, they hurt each other unintentionally] he now links his sense of self to violence, and thus when he loses his ability to do violence, he loses his self, and his link to his hometown, becoming the older singer
but by doing this he also will inevitably refute his hometown, by linking it intrinsically to violence, becoming the older singer who sings the chorus when he can no longer have that link to his self or his hometown because he can no longer do violence [his inability shown by him being 'beaten down' by the rain/oppressive atmosphere], i did want to expand on this, writing more verses to show the fall and how he ended up as the chorus person but it didnt work. heres the scrapped third verse
but soon those fists turned weak what do you know? you aint at your peak stress and violence aint good for your heart and you find that your bodys now falling apart
it can also be seen as by growing up to become a perpetrator and someone with power, he is now distant from his people and community, the solidarity is formed from their shared victimhood so when he steps out of that/rejects it, he loses the community [also becoming part of the violent cycle means getting rejected] [also the chorus says 'twisted road' we dont know what happened to make him fall, thats up to the readers interpretation] [transmasc journey of realizing your masculinity then becoming ostracised][or disability]
"guess its true, you can never go home again" is the only exception to the rhyming scheme, and it gives it emphasis, it was more noticeable before the chorus was squished together [previously each half line was its own line until 'guess its true'] fuck it it can take up space on yalls dashboards its getting split again
'bloodshot eyes' can be interpreted many different ways, from crying to injury to rage, each suggesting different meanings and affecting the text in diffrent ways
#thebirdwrites#poetry#almost 500 words of self analysis under the cut!!!!#this is gonna be in the limbo of song/poem until i cut my nails and get out my guitar#i forgot how much i love poetry#[whats song writing if not sung poetry]#anyway this has been loads of fun#if i plagiarized its country/folk its the genre for it#crow be normal about hometowns and citys and violence and belonging and the loss thereof challenges 2k23 all lost#i do have the beat/tune p solid in my head#but ive never put words to chords and my guitar skills are more its fun to sing along to but my voice is carrying the sound#so we will see if i can replicate whats in my head#but i try not to dictate the way ppl read my works or the meanings the get from it#i like the acceptance of violence as acceptance of masculinity leading to ostrasisation from the comminity of victimhood personaly#or how when victims react 'wrong' in this case violently they are rejected from society#but also the thread of once your self realize you can never go back/home
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