#trumpet pitcher

[los-plantalones]

sarracenia leucophylla (hybrid).

[ybyrx]

I love carnivorous plants but they're very tricky, so I made a brief guide on how to care for our flesh-eating friends.

It’s by no means comprehensive, just a lil ref sheet for fun. If you are interested in keeping carnivorous plants you should definitely look into it! They’re incredibly interesting plants

[thehiddenedge-blog]

Wildlife Challenge day 13

When sun’s kiss is fierce, Soak the trumpet pitcher well – Pity the poor flies. (Haiku) (Pot in back garden) Inspired by the Wildlife Challenge. if you too would like to join in, this June. Click through here for the rules …

[faguscarolinensis]

Sarracenia alata / Pale Pitcher Plant at the Sarah P. Duke Gardens at Duke University in Durham, NC

[thiswillnotdo]

2023_06_05

[manga-ranga]

Hey look, a swan!

Painted in 2022

This is available to be printed on things at my redbubble shop

[great-and-small]

Send this in the group chat and try not to be annoyed when your friends get your vibe all wrong

1- Black vulture (Coragyps atratus)

2- Harnessed tiger moth (Apantesis phalerata)

3- American badger (Taxidea taxus)

4- Long-tailed salamander (Eurocentric longicauda)

5- American alligator (Alligator mississippiensis)

A- Trumpet pitchers (Sarracenia spp)

B- Destroying Angel mushroom (Amanita bisporigera)

C- Dandelion (Taraxacum officinale)

D- California palm (Washingtonian filifera)

E- Fireweed (Chamerion angustifolium)

!- Obsidian

$- Turquoise

%- Pyrite

#- Copper

@- Lapis lazuli

[the-witchy-sideblog]

Plants for The Hunt/Slaughter

Carnivores and protocarnivores:

Rainbow plants (Byblis)

Trumpet pitchers (Sarracenia)

Tropical pitcher plants (Nepenthes)

Sun pitchers (Heliamphora)

Sundews (Drosera)

Butterworts (Pinguicula)

Bladderworts (Utricularia)

Corkscrew plants (Genlisea)

Trigger plants (Stylidium)

Venus flytrap (Dionaea muscipula)

Albany pitcher plant (Cephalotus follicularis)

Cobra lily (Darlingtonia californica)

Powdery strap airplant (Catopsis berteroniana)

Carnivore bromeliads (Brocchinia hechtioides, Brocchinia reducta)

Portuguese sundew (Drosophyllum lusitanicum)

Northern dewstick (Roridula dentata)

African Liana (Triphyophyllum peltatum)

Western false asphodel (Triantha occidentalis)

Fly catcher bush (Roridula gorgonias)

Non-carnivorous:

Rhododendron (Rhododendron)

Red poppy (Papaver rhoeas)

Asian bleeding-heart (Lamprocapnos spectabilis)

Bloodleaf (Iresine herbstii)

Bloodroot (Sanguinaria canadensis)

Corpse flower (Lycoris radiata)

Blood lily (Haemanthus coccineus)

Blooddrop (Adonis annua)

Deadly nightshade (Atropa belladonna)

Canary islands dragon tree (Dracaena draco)

Big marigold (Tagetes erecta)

Common yarrow (Achillea millefolium)

Foxtail amaranth (Amaranthus caudatus)

Tansy (Tanacetum vulgare)

Thyme (Thymus vulgaris)

Bird's-foot trefoil (Lotus corniculatus)

Black-eyed Susan (Rudbeckia hirta)

Oleander (Nerium oleander)

[odditiesnoctobermidnightroad]

Words from Fluffy: “ Hi there. Hello. So if you like plants -growing them, drawing them, eating them- I’m YOUR bun! Kind of. I mean- I know all about different kinds of plants. Also fungi too, which are not plants. But they are in the ground and can be creepy too, so I let them in --this is a prompt-tober for ‘artists’.

Acorns and falling leaves. (note: are dangerous to horses)

Cordyceps Fungi. They zombify bugs. 

Fly agaric mushroom. Don’t touch

Wolfsbane flowers. Don’t touch. 

Eye of Newt. It’s mustard. 

Toe of frog. It’s buttercups

Wool of bat. It’s holly leaves. 

Tongue of dog. It’s Houndstongue. Don’t touch. 

Deadly Nightshade(s). So many. Don’t touch.

A lush-green lawn- wait for it; in a place where it has no place being well kept. 

Corpse Flowers. They’re big and that’s really what their name is!

The good-old venus flytrap. Treat them well. They’re friends for life. 

Tomatoes. They’re on the attack. 

A house plant. Like the lawn, imagine one being in a place it really should be. 

Cactuses. Work best in desserts, obviously!

Pomegranates. And their seeds. 

Dracula Orchid. Yes, these are real. They’re all black too. 

Roses. With thorns. The best way to show someone you’ll do anything for love. 

Foxgloves. Because I think foxgloves are neat!

Bleeding Tooth Fungus. 

Droseras! Also called sundews. They’re my favorite! 

Willows. The greatest tree of them all -no take-backs.

Rafflesia flowers. So disgusting. 

Giant Water Lilies; in case the water wasn’t scary enough. 

Wolf apple bushes. They grow in South America. 

Poppies! They’re also poisonous. 

Pitcher Plants. Be it trumpet or toilet. 

A still life of fruit. (note: fruit rots)

Calla Lilies. You see them at funerals all the time!

Pumpkins, Gourds and Beets. You can carve them out. 

Marigolds. Also known as Calendula flowers, the flower of October. 

Draw each fungi/plant listed for every day of October and see what grows out of these nifty ideas. Please.” - Fluffy.

[scarletbegoniasjunk]

I was thinking about a cool idea for a highschool AU for ROTTMNT + Usagi bc I never really see any and it’s one of my favorite tropes. Also, since it’s the second semester at my school, all the clubs and sports teams are showing off to get younger students to join next year, and it kinda inspired this idea. Anyways, I present to you my headcanons for what electives they take and stuff :) (ps, this is based on how my school runs electives and it’s a bit janky lol)

Raph:

Wresting team (heavyweight CHAMP)

Football (he’s only on bc his coach makes him stay; usually in the offensive lineman position)

Art, pottery specifically (Mikey made him take it and he ended up liking it more than he though he would)

Home economics (he likes the sewing)

Donnie:

Orchestra (cello)

Band (Saxophone)

Track + field

science club (robotics/STEM)

Volunteers at the school library

Mathletes club

Student Council

Mikey:

Art (he jumps between which one specifically every semester, but he likes using paints and oil pastels)

Band (trumpet)

Cooking club

Makes posters and stuff for the school when they commission him

Baseball team (batter)

Basketball team (small forward position)

Leo:

Basketball team (shooting guard position)

Football team (running back position)

Track + field

April:

Orchestra (cello)

Volleyball (manager and setter)

Softball (pitcher)

Science club (robotics/STEM)

Student Council

Volunteers at the library with Donnie

Usagi:

Volleyball team (libero)

Basketball team (Point Guard)

AP math (Japanese school is harder than school in America, and math is math everywhere, so I imagine he would be a little ahead)

Student council (don’t ask him how he got on, he doesn’t know)

Does karate (Judo) at a local dojo

I don’t know enough about Usagi’s friends to write about them rn. I’m hopefully going to draw up some comics or something for this soon! Sorry for such a long post lol

[haveyougrownthisplant]

[umbrae-sortilegium]

ℐ𝓃𝓉𝓇𝑜𝒹𝓊𝒸𝓉𝒾𝑜𝓃 𝒯𝑜 𝒮𝒽𝒶𝒹𝑜𝓌 𝒲𝒾𝓉𝒸𝒽𝒸𝓇𝒶𝒻𝓉 ℬ𝑜𝓉𝒶𝓃𝒾𝒸𝓈 𝒫𝓇𝓉 𝟸 Aɴ Aᴜsᴛʀᴀʟɪᴀɴ Gᴜɪᴅᴇ Tᴏ Usᴇғᴜʟ Hᴇʀʙs﹐ Fʟᴏᴡᴇʀs ﹠ Oᴛʜᴇʀ Bᴏᴛᴀɴɪᴄᴀʟs. Australian native plants are a rich source of botanical diversity, offering a multitude of herbs, shrubs, and trees that have been utilized for various purposes, from culinary and medicinal to spiritual and ritualistic. In the realm of shadow witchcraft, which is often associated with dark and mysterious practices, many native Australian plants hold a sacred and sometimes even poisonous significance. These plants are revered for their unique properties and the connections they establish between practitioners and the spirit world. Many plants, herbs, flowers and other botanicals Witches use in the Northern Hemisphere are not available in Australia- the following are commonly found throughout Australia and are respectfully used by the custodians of the land, and its sacred Elders.

One of the most iconic and potent Australian native plants associated with shadow witchcraft is the Brugmansia, commonly known as the Angel's Trumpet or Daytura. This plant contains alkaloids that can induce hallucinations and visions when ingested or inhaled. For shadow witches, Brugmansia is often used in ritualistic settings to commune with the spirit world and gain insights into the mysteries of the beyond. However, its poisonous nature makes it a plant to be handled with extreme caution.

Another plant with a deep connection to shadow witchcraft is the Duboisia hopwoodii, commonly referred to as Pitcher Plant. This carnivorous plant produces toxic compounds, including scopolamine and atropine, which can induce hallucinations and delirium when ingested. Shadow witches are known to use this plant to enhance their psychic abilities, gain insight into the hidden realms, and enter altered states of consciousness.

The Tasmanian Devil's Marbles, scientifically known as Euphorbia obesa, are a group of succulent plants native to Australia. Their peculiar appearance has led them to be associated with mysticism in the realm of shadow witchcraft. These plants are believed to contain energy that can be harnessed for protection, divination, and banishing negative influences. Ingesting any part of these plants can be toxic, making them a powerful but perilous tool in the hands of shadow witches.

The Stinking Roger, or Tagetes minuta, is another Australian native plant with a connection to shadow witchcraft. It is known for its pungent odor, which is said to repel evil spirits and negative energies. Shadow witches often use this plant as a protective herb in rituals and spells to create a barrier against malevolent forces. It is not inherently toxic but should be used cautiously due to its strong aroma.

The Sandpaper Fig, or Ficus coronata, is a bushy native Australian plant that has been associated with shadow witchcraft due to its unique texture and appearance. The leaves of this plant have a sandpaper-like texture, symbolizing the concept of "rough magic." Shadow witches may use the Sandpaper Fig in spells and rituals to manifest change, overcome obstacles, and disrupt the status quo. Ingesting the leaves is not recommended, as they may cause digestive discomfort.

The Smokebush, or Conospermum stoechadis, has significance in shadow witchcraft due to its ethereal appearance and the mystical aura it emits. Its unique, cloud-like flower clusters give it an otherworldly quality, making it a plant associated with the veiled realms. Shadow witches may use the Smokebush in spells and rituals to call upon the spirits of the departed or to enhance divinatory abilities. While not inherently toxic, it should be used with respect and care.

The mysterious Black Kangaroo Paw, or Anigozanthos manglesii, is a plant associated with shadow witchcraft due to its striking dark color and its symbolism as a gateway to the hidden realms. Shadow witches may use the Black Kangaroo Paw in rituals to explore the shadow self, work with the energies of transformation, and connect with ancestral spirits. Ingesting any part of this plant is not recommended, as it can be potentially harmful.

The Australian native Sturt's Desert Pea, or Swainsona formosa, holds a sacred place in the practices of shadow witchcraft due to its striking crimson flowers and its connection to the spirit world. This plant is believed to be a bridge between the living and the deceased. Shadow witches may use the Sturt's Desert Pea in rituals to communicate with the souls of the departed and seek guidance from the other side. While the plant itself is not poisonous, it should be used with reverence for its spiritual significance.

The Purple Loosestrife, or Lythrum salicaria, is a plant native to Australian wetlands and is linked to shadow witchcraft due to its vibrant and alluring appearance. Shadow witches may use this plant in love spells and enchantments to manipulate the emotions and desires of others. While not poisonous, it should be used with ethical considerations and an awareness of the potential consequences.

The Sundew, or Drosera spp., is a group of carnivorous plants native to Australia, known for their glistening, sticky tentacles that trap insects. Shadow witches may incorporate the Sundew in their practices to harness the energy of entrapment, binding, and control. While not poisonous to humans, these plants are fascinating symbols of the shadowy aspects of nature.

The Tasmanian Blue Gum, or Eucalyptus globulus, holds significance in the world of shadow witchcraft due to its association with protection and purification. Shadow witches may use its leaves in rituals to banish negative influences and ward off malevolent spirits. While not toxic, the essential oils from this plant should be handled with care and diluted properly.

The Blackwood, or Acacia melanoxylon, is an Australian native tree with dark wood and a deep, mystical significance in shadow witchcraft. Its timber is often associated with transformation, as it is used to craft ritual tools and sacred items. Shadow witches may seek to connect with the spirit of the Blackwood tree to channel its energies for personal growth and empowerment. While not poisonous, the tree's wood should be sustainably harvested to honor its sacred connection.

The Wollemi Pine, or Wollemia nobilis, is a rare and ancient conifer native to Australia that has a profound connection to shadow witchcraft. Its status as a living fossil and its resilience throughout history make it a symbol of hidden knowledge and endurance. Shadow witches may use the Wollemi Pine to gain insight into ancient wisdom and connect with the spirits of the past. Harvesting this tree from the wild is strongly discouraged, as it is a critically endangered species.

The Velvet Bush, or Lasiopetalum schultzei, is a native Australian shrub associated with shadow witchcraft for its velvety, dark foliage. Shadow witches may use this plant in spells and rituals to connect with the energies of mystery and transformation. While not toxic, the Velvet Bush should be used with reverence for its symbolic significance in shadow magic.

The Grey Spider Flower, or Grevillea buxifolia, is a native Australian plant with spidery, otherworldly flowers that have a mystical quality associated with shadow witchcraft. Shadow witches may use this plant in rituals to communicate with spirit guides and to tap into the secrets of the unseen realms. While not poisonous, the Grey Spider Flower should be approached with respect for its spiritual significance.

The Black Kangaroo Paw, or Anigozanthos manglesii, is a unique and striking Australian native plant that holds a special place in shadow witchcraft due to its dark color and symbolic connection to the hidden realms. Shadow witches may use the Black Kangaroo Paw in their rituals to explore the mysteries of the shadow self, facilitate transformation, and communicate with ancestral spirits. While not inherently toxic, this plant should be handled with care and respect for its sacred associations.

The Devil's Twine, or Cassytha glabella, is a parasitic plant native to Australia that has gained notoriety in shadow witchcraft due to its enigmatic growth and ethereal qualities. Shadow witches may incorporate the Devil's Twine in their spells and rituals to enhance their psychic abilities and explore the boundaries between the living and the spirit world. While not poisonous, it should be used with caution, as it is a plant that embodies both mystery and connection.

The Finger Lime, or Citrus australasica, is a small, citrus-bearing tree native to Australia, and its unique fruit is associated with shadow witchcraft for its symbolism of hidden revelations and unexpected knowledge. Shadow witches may use the Finger Lime in rituals to reveal hidden truths and access concealed information. While not toxic, the fruit should be used with intention and respect for its symbolic significance.

The Desert Bloodwood, or Corymbia opaca, is a native Australian tree with dark, gnarled bark and a connection to shadow witchcraft. Its resilience in harsh environments and its deep-rooted nature make it a symbol of inner strength and transformation. Shadow witches may use the Desert Bloodwood in rituals to access their inner power, overcome obstacles, and harness the energy of change. While not toxic, this tree should be approached with a sense of reverence for its symbolic associations.

The Australian Shepherd's Purse, or Capsella bursa-pastoris, is a plant with small, heart-shaped seedpods and is associated with shadow witchcraft for its symbolism of hidden desires and secrets. Shadow witches may use the Shepherd's Purse in spells and rituals to uncover concealed truths and tap into the realm of the subconscious. While not toxic, it should be used with a sense of intention and respect for its symbolic significance.

The Queen of the Night, or Selenicereus grandiflorus, although not native, it can be commonly found. Queen of the Night is a cactus with night-blooming, fragrant flowers that have associations with shadow witchcraft. The mysterious and ephemeral nature of these flowers makes them symbols of hidden desires and forbidden knowledge. Shadow witches may incorporate the Queen of the Night in their practices to access the hidden aspects of themselves and explore the depths of their desires. While not poisonous, the cactus should be handled with care due to its spines.

The Flannel Flower, or Actinotus helianthi, is a native Australian plant with delicate, daisy-like flowers that have connections to shadow witchcraft due to their ethereal beauty. Shadow witches may use the Flannel Flower in spells and rituals to invoke the energies of enchantment, attraction, and the hidden mysteries of nature. While not toxic, this plant should be approached with respect for its symbolic associations. Eucalyptus, often referred to as gum trees, is an iconic Australian genus, comprising over 700 species. It has a long history of use by Indigenous Australians for medicinal purposes and forms an integral part of their cultural heritage. The leaves of many Eucalyptus species are rich in essential oils, making them valuable in the production of traditional remedies and modern pharmaceuticals. Additionally, the bark and leaves of various Eucalyptus species have been used in indigenous medicine and witchcraft practices. Kangaroo Paw, or Anigozanthos spp, is a group of plants native to southwestern Australia and is known for its strikingly unique flowers resembling a kangaroo's paw. In Aboriginal culture, the plant holds significance due to its use in traditional medicines and rituals. Its vibrant colors and distinctive shape make it a powerful symbol in shadow witchcraft, often associated with transformation and adaptability. Banksia, a diverse genus of shrubs and trees, is also deeply rooted in Aboriginal culture, with numerous species being used for food, medicine, and tools. The Banksia serrata, known as Old Man Banksia, is particularly noteworthy for its gnarled appearance and is associated with ancestral spirits in Aboriginal mythology. In shadow witchcraft, its seeds and woody cones are believed to possess protective qualities. Acacia, commonly known as wattle, is a diverse genus comprising over 1,000 species in Australia. The Golden Wattle (Acacia pycnantha) is the national floral emblem and has cultural significance for Indigenous Australians. Acacia has a long history of use in both traditional medicine and magical practices, with its fragrant blooms often employed in spells related to love, purification, and psychic enhancement.

The Tasmanian Blue Gum, or Eucalyptus globulus, is a species of Eucalyptus tree known for its aromatic leaves and distinctive blue-green foliage. It is often used for spiritual and cleansing rituals in shadow witchcraft, particularly for its association with psychic insight and dream work. In some Indigenous Australian cultures, the Tasmanian Blue Gum holds significance as a source of timber, tools, and medicines.

The Black Wattle, or Acacia mearnsii, is an invasive species originally from Australia but now found in various regions around the world. It has significance in both traditional Aboriginal medicine and shadow witchcraft, where it is often used to enhance one's psychic abilities and intuitive insights.

The Waratah, or Telopea speciosissima, is a striking native shrub with brilliant red flower heads that are a source of great beauty and significance in Australian flora. It has been used in Indigenous culture for its vibrant appearance and in shadow witchcraft for its associations with love, passion, and transformation.

The Xanthorrhoea, commonly known as grass trees, are iconic Australian plants with tall, slender trunks and tufted, grass-like leaves. These plants have various uses in Aboriginal culture, from making tools and weapons to providing food. In shadow witchcraft, the resin produced by Xanthorrhoea is often used for its protective and purifying qualities.

The Snake Vine, or Hibbertia scandens, is a twining climber native to eastern Australia. It gets its name from the twisted and serpentine appearance of its stems. This plant has been associated with various magical and medicinal uses in both Indigenous and witchcraft traditions, often linked to its sinuous form and its connection to the serpent archetype including the Dreamtime Serpent and other Australian ancestral spirits and deities. The Stinging Nettle, or Urtica incisa, is a native Australian plant known for its stinging hairs that cause discomfort when touched. In some forms of shadow witchcraft, this plant's stinging properties are harnessed for protective spells, curses, or rituals involving pain and transformation.

The Native Violet, or Viola hederacea, is a small, creeping plant with dainty violet flowers. It has cultural importance in some Aboriginal communities and is associated with protection and healing in shadow witchcraft, particularly in matters of emotional well-being.

The Pigface, or Carpobrotus spp, is a succulent plant with colorful, daisy-like flowers that are found in coastal regions. In some Indigenous cultures, the Pigface has culinary and medicinal uses. In shadow witchcraft, it is associated with protection, especially in coastal areas, and is believed to have grounding properties.

The Geraldton Wax, or Chamelaucium uncinatum, is a shrub known for its abundant pink or white flowers. It is used in shadow witchcraft for its qualities of purification and protection, often used in rituals and spells to cleanse spaces and ward off negative energies.

The Bush Tomato, or Solanum centrale, is a small fruit-bearing plant found in arid regions of Australia. It has culinary and medicinal uses in Indigenous cultures and is often associated with fertility, abundance, and nourishment in shadow witchcraft.

The Hakea, a diverse genus of shrubs and small trees, is native to Australia and has significant cultural and ecological importance. In shadow witchcraft, the Hakea is associated with resilience, adaptability, and protection, especially in the face of adversity.

The Poisonous Gimpi Gimpi, or Dendrocnide moroides/excelsa, understood to be a Kabi Kabi- a word meaning 'devil'- is notorious for its intensely painful stinging hairs, making it one of the most feared plants in Australia. In shadow witchcraft, its venomous nature is harnessed for curses and hexes, symbolizing the power to inflict pain and suffering.

The Desert Rose, or Gossypium sturtianum, is a striking, pink-flowering shrub native to arid regions. It is used in shadow witchcraft for its associations with transformation, resilience, and blooming in harsh conditions.

The Sturt's Desert Rose, or Gossypium sturtianum, is a hardy shrub native to arid regions of Australia, known for its striking pink flowers. Shadow witchcraft, is often associated with endurance, survival, and the ability to thrive in challenging environments.

The Balaustion, or Callistemon spp, is a genus of shrubs commonly referred to as bottlebrushes due to their cylindrical, brush-like flowers. It has significance in Indigenous cultures and is used in shadow witchcraft for its symbolism of cleansing, purification, and renewal.

The Blackthorn, or Bursaria spinosa, is a native Australian shrub with sharp, thorny branches and white flowers. It has been used in Indigenous medicine and holds a dark symbolism in shadow witchcraft, often associated with protection, barriers, and defensive magic.

The Fairy Fan Flower, or Scaevola spp, is a delicate, trailing plant with fan-shaped flowers. It is used in shadow witchcraft for its associations with grace, adaptability, and the whimsical world of the fae.

The Kangaroo Apple, or Solanum aviculare, is a native Australian plant with greenish-yellow fruit. It has been used in traditional medicine by Indigenous communities and is associated with transformation, shape-shifting, and altered states of consciousness in shadow witchcraft.

The Weeping Myall, or Acacia pendula, is a distinctive tree with pendulous branches and has significance in Indigenous cultures. In shadow witchcraft, it is associated with emotional release, healing, and purification.

The Yellow Alder, or Turnera ulmifolia, is a small shrub with bright yellow flowers. It has been used in Indigenous medicine and is associated with enhancing intuition and clairvoyance in shadow witchcraft.

The Tea Tree, or Leptospermum spp, is a group of evergreen shrubs and small trees known for their antibacterial and healing properties. In shadow witchcraft, the Tea Tree is often used for cleansing and protection, especially in rituals involving purification and banishing negativity.

The Silver Banksia, or Banksia marginata, is a coastal shrub with silvery leaves and cylindrical flower spikes. It is used in shadow witchcraft for its protective qualities and its ability to ward off negative energies. The Grasstree, or Xanthorrhoea spp, is a group of slow-growing, tree-like plants with tall flower spikes. It has cultural significance in some Aboriginal communities and is associated with longevity, wisdom, and protection in shadow witchcraft.

The Emu Bush, or Eremophila spp, is a group of shrubs with colorful, tubular flowers. It has been used in Indigenous medicine and is associated with healing, transformation, and psychic abilities in shadow witchcraft.

The Dorrigo Pepper, or Tasmannia stipitata, is a native Australian shrub with small, peppery berries. It has been used in traditional Indigenous cuisine and is often associated with spicy, transformative energies in shadow witchcraft.

The Quandong, or Santalum acuminatum, is a small tree with bright red fruit. It holds culinary significance in Indigenous cultures and is used in shadow witchcraft for its associations with vitality, passion, and protection. Australia's native herbs and plants encompass a vast and diverse botanical tapestry, with deep roots in both Indigenous culture and the realm of shadow witchcraft. The connections between these plants and their spiritual and magical attributes are rich and complex, reflecting the intricate relationship between the natural world and the human psyche in this unique and ancient land. Whether used for healing, protection, transformation, or other mystical purposes, these native Australian plants continue to play a significant role in the spiritual and cultural fabric of the continent. Should you have any questions about any native flora in your area and what magical/spiritual qualities they hold- feel free to ask the questions and I will answer to the best of my abilities.

My qualifications are rooted in an in-depth understanding of Australian medicinal plants, their profound medicinal values, and their sacred applications within indigenous practices cherished by the ancestral people of this land. Through years of dedicated research and engagement with indigenous communities, I have acquired a comprehensive knowledge of the unique flora found across Australia and the remarkable healing properties they possess. This knowledge extends beyond mere botanical expertise; it delves into the cultural, spiritual, and traditional significance of these plants in the daily lives and sacred rituals of indigenous peoples.

In addition to my hands-on experience, I have also earned an advanced diploma in herbal medicine, which further deepens my expertise in harnessing the therapeutic potential of native Australian plants. This formal education has enabled me to apply a scientific perspective to the rich traditional wisdom I have gained from indigenous communities, bridging the gap between ancient knowledge and contemporary herbal medicine practices. It equips me with the skills necessary to analyze, extract, and prepare medicinal remedies from these plants, ensuring they are used safely and effectively.

My immersion in the indigenous communities of Australia has been a transformative and invaluable aspect of my journey. By sitting with numerous indigenous families, I have been fortunate enough to witness and participate in their sacred rituals and medicinal practices, thereby enriching my knowledge with first-hand experiences and insights. This unique opportunity has allowed me to not only learn about the medicinal properties of these plants but also understand the spiritual and cultural contexts in which they are utilized. This profound connection to the sacred land and its people has deepened my respect for their traditions and their incredible contributions to the field of herbal medicine, making me well-equipped to honor and preserve this rich heritage. © Dʏsʜᴀɴᴋᴀ/Oᴅᴇᴛᴛᴇ ₂₀₂₃

[nightmaremp]

Weremayhem: Rings of Flames. Ch 4: Sweet Bad Dream

 WARNING: nudity (not in a sexual way. He is looking at himself in the mirror)

Dr. Teeth walks up stairs and heads into his bedroom. He took off the towel and set it on his bed. The ginger haired male looks at himself in the body mirror in his room. Teeth was chubby which didn't bother him. He looked at his thighs for a moment. The doc had scars on his inner thighs from an ex lover in his past. 

Teeth lightly touch a scar on his inner thigh, he flinches away from his own touch. Dr. Teeth huff some air before he walks away from the mirror. He walks over to his dresser and takes out a pair of blue jeans. The ginger haired male walks to his closet and grabs a red stripe long sleeve shirt. Then he grabbed a leather vest from a hanger. 

He set the clothes on his bed. The band leader looked a bit before realizing he forgot to grab some boxers. The doc opens the top dresser drawer and grabs a leopard printed boxers.  The ginger haired male put on the boxers before going back to his bed. Teeth put on his blue jeans and grabbed a belt that was laying on the floor of his room. 

Dr. Teeth put on the belt. He put on his shirt then his leather vest. Teeth got up from his bed and walked over to his small desk area in his room. On the desk was some makeup, glasses, hair brush, hair dryer, hair ties, etc. The desk has a huge mirror on it. 

The ginger hair male took his hair brush and started to get the knots and tangle out of his long hair. After a few minutes, he got his hair fully brushed. Dr. Teeth take a makeup palette and open it. The makeup was different shades of purple. 

Teeth’s eyelids are two shades of blue, a dark blue run down the middle of his light blue eyelid. The doc picks up a makeup brush and dusts some neon purple eyeshadow on it. He closed his left eye as he placed the eyeshadow on his eyelid then he did his right eyelid. 

The band leader picks up a black eyeliner pen and draws a catwing on top of his eyeshadow. After he put on his eyeshadow, Teeth put his purple tint glasses on. The ginger haired male took a small brush and started to get tangles and knots out of his long fluffy beard. 

Dr. Teeth set the brush down after he was done. The doc picks up his fluffy pink hat that has a bright blue feather on it. He put on the hat before he exited his bedroom. The ginger haired male walks down the stairs and heads into the kitchen. He could smell some of Janice’s vegan pancakes and some good tea. 

“That smells great, Janice,” said the keyboardist as he sat down at the table. Dr. Teeth sat down between Floyd and Zoot. 

“Like thank you” replied Janice with a smile as she cooked. 

Zoot was eating his plate of vegan pancakes. It was good and tasted like any normal pancake. He looked over at Floyd who was drinking some coffee. The red haired male had eaten all of his pancakes. Lips was reading the newspaper as he took a few bites of the fluffy pancakes. Animal was waiting for seconds on the pancakes. Janice had told the drummer to wait after everyone had first eaten to get seconds. 

Janice finished making the pancakes. She set her plate down then set Teeth’s plate down in front of the band leader. Dr. Teeth pick up the fork and start to wolf down the pancakes. The blonde female takes Animal’s plate and put more pancakes on it. She had it back to the wild man before sitting down at the table. 

“Thank you!” said Animal with a smile on his face before eating the food. 

“Your like welcome,” replied Janice with a smile on her face. The blonde female starts to eat her pancakes. She was proud of how good the food came out. 

Lips set the newspaper down on the table. He grabbed the pitcher of tea that Janice made. The blonde male poured more tea into his coffee mug. The trumpet player put the pitcher back on the table and grabbed his mug. Lips took a drink of the tea. The tea was good and sweet. The blonde male could drink it all day if he can. Janice always makes the best tea. 

After breakfast, the band packs up their instruments. Lips was packing up his trumpet case in the back of the van. Zoot walked up next to the blonde male, he was going to put up his saxophone case in the back too. The dark blue haired male remembers the talk that Dr. Teeth and the trumpet player had. 

He didn’t mean to hear the talk but he heard it. “Should I bring it up?” Zoot asked himself in his head. The saxophonist put his saxophone case in the back of the van. 

“No, I shouldn’t” Zoot told himself in his mind before he walked to the passenger side of the van. He opens the door and gets into the seat. 

Janice and Floyd were in the seats behind him. They were talking about something, the dark blue haired male wasn’t paying attention to what they were talking about. Lips got into the seat next to the love birds. The blonde male had a book in his hand. Animal hop into the seat behind the three. He had a bag of chips in his hands. 

Dr. Teeth open the driver side door. He got into the seat and started the van. “Everyone ready?” asked the doc with a smile on his face that reveals his gold tooth. 

“Yes” replied the band. 

“Alright, let’s get going” replied the ginger haired male as he started to pull out of the driveway of their home. Then they were on the road to head to the studio. As the van drove on the road, Zoot fell asleep like normal. His dream was odd. 

In his dream, Zoot was a sloth, not his wereform. He was wandering around the woods. The trees were dead and dripping with black liquid. The ground was hard as a rock and no grass was growing on it. The sloth walks through the dead woods. 

Suddenly the loud sound of a stick being crushed filled the quiet air. The blue fur male jumped and quickly turned his head to see what caused the sound. Fear washed over Zoot as he saw what caused the sound. 

A large tiger appears out of the shadows. Blood dripped from its jaws.Dark blue stripes cover its pale grayish blue body. The red eyes of the panther look dead at the sloth. “Son,” it said. 

A chill ran down Zoot’s spine. That wasn’t just a tiger….It was his father. 

The blue fur male quickly turned and ran away from the tiger. The panther chased after the sloth. Zoot ran and ran but it felt like he was running in a circle. It was like a never ending cycle. 

Suddenly the dark blue haired male woke up in cold sweat. His breathing was fast and heavy. “Zoot?” asked Teeth, who was looking worried at the saxophonist. 

“I’m fine” replied Zoot as he took a deep breath to calm his nerves. He noticed that they had arrived at the studio. Everyone had already gone in and had their instruments. His saxophone case was the only thing left. 

The passenger door was open and Teeth was standing between the door and van. ‘You sure?” replied the ginger haired male. 

“Yeah” replied the dark blue haired male as he got out of the van. He walked to the back of the van and grabbed his saxophone case. 

The two walked into the studio. The good doctor went to the break room to grab some coffee. He noticed a slice of cheesecake on the table with his name on a sticky note next to it. Teeth picked up the cheesecake and shrugged his shoulders. “Cheesecake is cheesecake” he thought to himself before he took a bite of the food. 

The cheesecake was sweet and tasted like a slice of heaven to the lime green skinned male. He didn’t notice some purple liquid dripping out of the cake slice. The band leader wolf down the cheesecake and place the plate back on the table. He drinks his coffee before leaving the break room. 

Meanwhile, a black cloak figure quickly runs out of the parking lot of the “Up Late with Miss Piggy” studio. The figure runs behind a building. They remove the hood of the cloak. 

A pale blue skin male huffs some hot air as he tries to catch his breath. His dark blue wavy hair covers the right side of his face. The rest of his hair was in a man bun with a pin in the bun. The pin had a pearl on top of it. His nose was green and had a black nose ring like a bull. A spik collar was around his neck. 

The dark blue haired male took out his phone and called someone. He waited a bit before the phone was answered. “Did you do it?” a russian accent voice comes from the phone. 

“Yes it was, Constantine” replied the pale blue skinned male. 

“Good.You can come back now, Zot” replied Constantine before he hung up. Zot put his phone back into his pocket and pulled up his hood to cover his face. His mint green eyes looked around to make sure no one was watching before he quickly ran off. 

[faguscarolinensis]

Sarracenia purpurea / Purple Pitcher Plant at the North Carolina Botanical Gardens at the University of North Carolina at Chapel Hill in Chapel Hill, NC

[mettalovesmetta]

And now my pitcher plants!!

So this is my oldest one, she’s my only sweet pitcher and is almost 2 years old now!! Her name is Cylindrica and she’s a tough girl!! I got her before I knew how to properly take care of her, so she lived inside a garage with a light on 24/7 sitting in a terra cotta dish sipping Dasani 😭 she might have had 7 trumpets when I moved and I was afraid she was dying when she started turning brown and crunchy.. she had just never experienced night time before..

These are my purple pitchers!! They stay short and fat.

I call this one Big Bumbert 😖💕

This is The Dish, these guys don’t have names yet.. I’m hoping to get enough to fill the whole thing!!

And here’s my nepenthes!!

This one is special~ I got her for Christmas and thought she had died.. but she came back!! There’s a second, smaller plant in there too!!

And now my big gorl. The Queen Pitch~

✨Miranda✨

[carnivorous-plant-propaganda]

Options for carnivorous plants that aren't just Venus flytrap, because as cool as they are, there's so many more options! :))))

Part 1, Sarracenia, or Trumpet Pitchers!!!!!

They are very hardy and if you live in the United States there's a pretty good chance you can find species native to your region!

They grow up to 2 feet tall, so growing them outside is an excellent option

They are absolutely beautiful, and no matter what color you want for your garden there's a pitcher for you!

there's red,

orange,

yellow,

green,

purple,

and even black and white!!

this has been a carnivorous plant propaganda post! have a nice day!!!