#truly a dynamic duo

[frogsonandholmes]

okay okay hear me out:

Batman Cass Cain with Robin Tim Drake

[dearest-darlingest]

long-winded glinda gelphie angst thought ahead.

i just had a Thought™. a very sad glinda gelphie thought.

it's always been discussed how absolutely crushing the finale is; interpretations of glinda's grief driving her to do good, not by her own desire but because it was elphaba's last wish for her, amongst many implications in the finale that i love. however, it's always plagued me how it must be so painful and, to a point, numbing elphaba's absence post-defying gravity to glinda is.

it was never said in the musical how long they were apart (i have not read the book), but i rather think it must be a few years since glinda had to graduate ("we all went to uni together"). so, imagine how desperate she must've been in finding elphaba but not pursuing her search because she deemed it safer for the both of them (glinda with her status and elphaba's everything). how worried she felt in her day to day, wondering if her best friend's even safe, if she's already dead somewhere and no one was able find her body because nobody really knows where she is. all she's ever seen of her are the flashes of black flying through the sky, the sad reality of existing in a world with the one who she loves most but not being able to hold her, not even see her.

and then comes the reunion in the wizard's den.

she hears a commotion, she barges in concerned for whatever's going on in there, she sees elphaba. she sees elphaba. they crash onto each other in a tight hug. she's safe, she's here, she's alive. she holds onto her hand.

but then she realises that elphaba wasn't there to see her. not really. she waited and worried and waited even longer, but elphaba wasn't there for her.

what if she came to the conclusion that elphaba was there to apologise. to make amends with the wizard, so she can be with glinda again. what if glinda thought this was her second chance, a blessed one after she rejected elphaba's idea of flying with her during defying gravity.

she chooses fiyero.

now this is where the Thought™ really sprouted from—

she chooses fiyero and runs away and doesn't even say goodbye. and then the wretched senior citizen duo have the gall, the audacity to plan her beloved's demise right in front of her. but. after she's been brutally chosen over someone else, she bitterly says, "her sister. use her sister. spread a rumor, make her think her sister's in trouble. she will fly to her side and you'll have her."

it works. of course, it does. because that's her sister! her only living family left (though, she wasn't aware of that yet). but what if, glinda started to realise, after being left by elphaba again, that the plan wouldn't work if she were the one in trouble. what if glinda begun to think, how insignificant she must be in elphaba's life. to not be protected by her, to not have her fly over and fight whatever evil that has come to target glinda. to not be priotised by her.

to not even be a choice.

[venusaur-propaganda]

Drawing Venusaur with every Pokemon pt. Incineroar

[lovingherwasgay]

listen...

[phoenixkaptain]

My favourite part of Dick Grayson as a character is that he is never afraid of Bruce.

Like, Jason has his fear of disappointing him, Tim is a bit intimidated and has his hero worship, Damian fears that Bruce’ll kick him out the way he thinks Talia did, but Dick?

Dick is so unconcerned about Bruce at every possible moment. Even the earliest comics had Dick calling Bruce lame to his face. Dick works with Bruce and his partner for years and they understand each other on a deep level and Dick multiple times calls Bruce a fucking square.

Dick does not tell Bruce anything. He does not write home. If Bruce wasn’t in the room with him when Dick got called to go somewhere, I’m pretty sure Dick would not have informed Bruce that he was even leaving, let alone where he was going. The Teen Titans joined the Peace Corps, they were in Washington for at least a few days being trained, and Bruce finds out that Robin joined the Peace Corps from a newspaper. Dick does not tell him anything.

Dick and Bruce have such a fascinating relationship to me because Dick really doesn’t treat Bruce as his dad so much as he treats him like a particularly obnoxious older brother. Bruce treats Dick like his little baby bird who he cares about and doesn’t want to get hurt, but Dick is over there like “ugh, Bruce is so overdramatic” while he nearly drowns for the fifth time.

In early Teen Titans, there’s no question that Robin is physically the weakest member. Aqualad and Wonder Girl both have super strength, Kid Flash’s speed means that he doesn’t need super strength, but Robin is by far the easiest to capture. He gets caught very consistently through the early issues, albeit people can only catch him if they take him off guard, but it’s a lot easier to catch him off guard in early comics. Robin is the brains of the group, the others look to him for direction and depend on him to make plans that will work and panic when Robin gets nabbed because what will they do without Robin??

Robin gets captured a lot in early Batman comics too. Robin is the ultimate damsel, but he’s never really in very much distress? Like, Bruce and the Teen Titans are distressed, but Robin just looks maybe a bit surprised and bored. Robin never seems to take his own mortality into account when he does things, meanwhile literally everyone else does.

Dick only ever really gets annoyed with Bruce. He bever gets mad at his teammates, even when they question his ability. For the most part, Dick doesn’t even respond when they underestimate him to his face. I have no idea what’s going on in Dick’s head, but he isn’t a part of Aqualad and Kid Flash finding each other and him annoying in their first team ups and he never gets upset when they don’t believe in him.

Then, on the other hand, Bruce calls the music Dick is listening to noise, and Dick immediately is annoyed. Dick and Bruce having a turbulent relationship is more apparent later on in the comics, but Bruce is truly the only one in all the galaxies who gets under Dick’s skin as much as he does.

And it’s funny because fandom likes to paint Dick as bitter that Bruce didn’t adopt him, while I think Dick would have blown his top if Bruce even tried to adopt him. Dick had parents, he never views Bruce as a parental figure. Don’t get me wrong, Dick loves Bruce. Bruce does so much for Dick and Bruce is protective of him and Bruce is open about his affection, but Dick just doesn’t view him as his father.

I really think Dick views Bruce as more like a guard dog than a father. He talks so casually to Bruce, but he’s more formal to other adults. He complains about Bruce not trusting him, but doesn’t care when his teammates don’t trust him either. He views the rich billionaire vigilante who can take down a god in a fight as fucking lame.

Their relationship is amazing. They get along great. They’re a perfect duo, they work in tandem, they’re absolutely unstoppable together. If Bruce talks too much Dick will roll his eyes. They trust each other with their life. Dick is never telling Bruce anything. Bruce says “I guess I can spare Robin for a minute” and Dick is like “I would be perfectly content to never return home for the rest of my days.”

Of all the Robins, Dick is absolutely the one who respects Bruce the least. He loves the guy, but he just canNOT take him seriously.

(Do you think it was the time Bruce sent a box of bats to someone? Or the times Bruce gets captured and has to be rescued by his damsel side-kick? Or the way Bruce is like an overprotective mother, coming this close to reminding Robin to wash behind his ears? Or the way Bruce lets Robin say whatever he wants and never gets upset or offended or even hurt?

Or, maybe, Batman tripped on his cape once, and Dick just can never forget.)

[geospiral]

One of these curly-haired people will try to direct you toward a hedonistic lifestyle; the other will try to make you stare into the void for as long as you possibly can. Choose wisely.

SORRY ABOUT NOT DRAWING SOME OF THE OTHER PEOPLE AS OCS TOO I JUST READ THE POST OVER WOOPS (maybe they are the POV)

chat here’s the daily oc question :

what would your, and another’s oc ( assuming the 2 are at least acquainted ) do for fun together ?

[charmac]

Mac and Dennis in Gun Fever

[goddidntdothis]

Local bullies fight for wanted criminal’s attention.

[chiikinwing]

when your boyfriend's an overgrown puppy

[godsfavoritescientist]

Building off of what I wrote in my fic "Sparks," I'm really compelled by the idea of Ford genuinely no longer being interested in sailing around in a boat with Stan by the time they were seniors in high school.

I like the idea of it not being just a symptom of the resentment that had been building between them, nor it being a dream of Ford's that only paled in comparison to west coast tech, but it being a genuine loss of interest on Ford's end. I think it complicates things even further in some really juicy ways.

Like, imagine going through high school slowly losing more and more interest in the dream you've shared with your twin and only friend ever since you were little kids. How do you break it to him? How do you explain it to him without making it sound like a rejection of him? Without it making him hate you?

How do you explain it without it feeling like a spit in the face to all the hard work he's put into a plan that started out as a way of him comforting you by telling you "it doesn't matter what people say about you, you're going to be an adventurer who sails away into the sunset and never has to hear their mockery ever again, and there will be babes and treasure and heroism, and then they'll all see how cool you really are!"

And all through high school you think to yourself, "he's going to move on to more realistic dreams any day now, and then I won't have to say anything about it!" But no matter how many times you mention something else he could do with his life that he seems interested in, or bring up the challenging logistics of traveling around long-term in a boat, he sounds just as committed to the childhood dream as ever, and completely oblivious to how apprehensive you sound.

So resentment grows, little by little. Because that's easier than confronting the soul-crushing levels of guilt that are building up inside of you, every time you don't take an opportunity to tell him you don't want to do the plan anymore. You don't have a single person in your life who modeled how to have difficult conversations for you. As far as you know, having this conversation with Stan would crush him into tiny little pieces and then he would hate you forever, and you can't stand the idea of losing the only friend you've ever had.

So tensions grow. A lack of interest turns into a bitter resentment that, if you were really being honest with yourself, is directed more at yourself than it is at Stan.

And then the falling-out happens, and it seems like you were proven right. Stan hates you now, and he's never going to forgive you for giving up on his dream. But two can play that game, so you try to hate him too. Because if you hate him too, then maybe it won't hurt as much that he never came back. That he never even turned up at school, or by the boat, or in through your bedroom window in the middle of the night. He knows what dad's like, and how he says impulsive exaggerated things when he's angry, and haven't you both dealt with his harsh words countless times before and been able to dust yourselves off and joke about it later? So why isn't he back at home, joking with you about how absurd your dad acted that night, being impossible and belligerent about ruining your dream, but at least now you're even, because you've ruined his dream too.

-

And now imagine you find out he risked the lives of everyone in existence to bring you back, right after you had accepted your fate was to die killing Bill. It would be terrifying and confusing and infuriating. If he cared so much, why didn't he do something to reconnect with you sooner? Why did he ignore you in favor of trying to make it big without you? Why didn't he take the infinitely safer and simpler action of reaching out to you without you having to track down his address and send a desperate plea for help? You were convinced that he didn't care enough to bother with you unless you had an important enough reason for him to come. But even then, he thought your plans were stupid. He didn't want anything to do with you, not even with the world at stake.

Did he save your life out of guilt? Does he pity you that much? It doesn't add up with what he did in the decade leading up to shoving you into the portal. And the dissonance between the version of him in your head that hates you, and the man who held out his arms to welcome you back to your home dimension, is so strong that you feel like you're being lied to again, like you're back in the depths of gaslighting and manipulation that Bill put you through, even though there's no way that's what Stan is trying to do... right? You can't figure it out, so you run away from it. You don't want to know the answer to whether or not Stan hates you, because you don't know which answer would hurt more, so you try to make him hate you more than ever, because at least then you would know for sure how he feels.

And in the end, after he sacrifices his memories for you, and for the world, things seem clearer. The layers upon layers of confusion and anger and hurt seem to have washed away like drawings in the sand, leaving behind the simple truth: that you two had an argument, and didn't move past it for forty years, and despite everything you put each other through, you both still want to re-connect.

So you sail away in a boat together.

And at first, it's wonderful. It's exactly what you want. It feels like an apology to Stan, and a thank-you for saving the world, and a once-in-a-lifetime chance to heal the rift between you two, and it's good to be back on earth, and you wonder why you ever doubted the dream you two once had.

But then, after the first long journey you spend on the sea together, when you get back home to dry land, Stan is already talking about planning your next adventure out on the open sea. He recaps every adventure you had on the first trip, over and over again, and he wants to chat with you all through the morning and long into the night, and you don't have the words to explain to yourself that you don't have enough social battery for this, and suddenly you're slipping back into the horrifyingly familiar feeling of Stan being overbearing and needing space from him and how could you think that? How could you think that about him after everything he's done for you and everything he's forgiven you for? But the longer this goes on, the more you realize that you still don't want to spend the rest of your life sailing around with Stan. It's great fun in moderation, but the idea of your whole life revolving around Stan and going on adventures with Stan and being in a boat with Stan with no time to be by yourself thinking about your own things and figuring out your own dreams makes your skin crawl with a claustrophobic kind of panic that you still don't know how to put into words forty years after the first time this feeling grabbed you by the throat and ruined your friendship with Stanley.

But the first time this happened, it nearly ruined his life forever. You can't let yourself feel this. You don't feel this. You're happy to spend the rest of your life fulfilling Stan's lifelong dream, and making up for the time you crushed his dream, and sure, maybe he crushed your dream once too, and maybe it would be nice for him to support your dreams like you're now doing for him, but you can't say that. He saved the universe, and it would be horrible and ungrateful and cruel for you to try to voice these feelings, especially when you don't know how to voice your feelings without it making other people feel like you twisted a knife into their gut. So you try to pretend the feeling isn't there.

You go out on a boat with Stan again. You planned out another incredible journey together, and this should be fun, and you should be happy about this, but the unspoken feeling you shoved as far down in yourself as it could possibly go is eating you alive. The worst part? Stan is starting to notice. You have never been good at hiding your emotions. The trick to it has always been to convince yourself you don't feel it at all, and not think about it, and that has always worked like a charm. But whenever the emotion claws its way back up to the forefront of your mind, you can tell Stan knows something is wrong. So you can't even give him the happy ending he deserves. You can't even convince him that you want to be here on the open seas forever with him, like he deserves. And you keep trying and trying to hide it, but Stan keeps asking in roundabout ways, like "You're being awfully quiet, sixer," and "whats that look on your face?" and eventually it comes exploding out of you like a shaken-up soda bottle dropped on its cap.

And then it's like you're back at home in New Jersey again, standing in the living room while dad grabs Stanley by the shirt. It all comes pouring out of you, in the worst possible way, with the worst possible phrasing, like a pandora's box of monstrousness, and Stan tries to fight back against the sting of your words, but you're made out of acid and you're burning through him and you can see it on his face, and there's never any coming back from this, not this time, you'll just have to either jump into the ocean or become a monster forever, so Stan can hate you more easily again, and-

-and at the end of the outburst, you're still on a boat in the middle of nowhere in the ocean with your brother, in dangerous waters, and you have things to do to keep the boat running smoothly.

You can't run away from him. He can't run away from you. You're stuck here for at least a couple more weeks, even if you turned around and sailed back towards shore right away.

-

And the thing that compels me so much here, despite how unbelievably angsty it all is, is that it sets up a situation wherein the Stans might end up forced to actually address the decades of resentment and confusion and wanting-to-reconnect-throughout-it-all that they thought they could gloss over and heal with enough time spent adventuring together on a boat. They might end up forced to actually address the crux of the issue that drove them apart in the first place: Ford wanting a little more space to feel like his own person, and to feel like he's able to have his own dreams, too.

It wouldn't happen easily, nor right away, but if they were stuck together on a little boat in the middle of nowhere surrounded by magical creatures they have to protect each other from in order to make it back home alive, then after they had one fight where they brought up all the things they silently agreed to never bring up again, it would probably happen many more times, and each time it would leave them both angrier at each other than ever, until eventually something honest slipped through amidst all the saying-anything-except-what-they-mean bickering. And once enough of these honest moments slipped through, then they would have a thread to tug on to start to unravel the gargantuan knot of their decades of unresolved conflicts.

And then, eventually, maybe Stan could learn that he can have a good friendship with his brother without needing to be glued to him at the hip, and Ford needing a certain amount of alone time doesn't mean he dislikes him or wants to abandon him, and Ford could learn that he can be honest and have a meaningful connection with someone without it driving them away and making them hate him.

[kindred-spirit-93]

Rhea: Harvey Fierstein

Demeter: Auntie Whispers

Persephone: Something shift and whispery, rarely speaks, if she does everyone is quiet to hear her.

Ares: Kronk

ares: kronk *nods*

[shorthaltsjester]

taliesin and laura remain truly so fantastic at making characters who… don’t necessarily have something extremely and inherently in common but do have experiences that were caused by similar sources and that lead them to have quite different opinions/ideas about things but in ways that are typically very reconcilable? which is a lot of qualifiers but it’s a through line of vex/percy with nobility, jester & cad with loneliness (and also god stuff but in a different post maybe someday i’ll talk about how actually their god stuff is intensely related to their different experiences of loneliness), and now imogen & ashton with being left behind.

like vex was this character who technically had a claim to nobility due to her blood but at the same time was burdened because of that same claim. and percy who was born into and raised by nobility but that nobility ended up making his family the targets of a massacre. and then vex who lets down her walls and Do I Look Like I Come From Money? and percy giving her the title grand mistress of the grey hunt because it has nothing to do with blood, or his love for her, or anything aside from the fact that it’s something she can prove herself worthy of simply by virtue of who she Is, not who someone makes her. and percy and vex’s conversation about forgiveness and it’s necessity for growth as probably two of the characters most inclined to hold grudges.

and caduceus clay who gets left behind with nothing but his Belief while his family goes off into the world. and jester lavorre who gets shut inside with no company except her Belief as her mother protects her from the world. and they both get the burden of loneliness and the understanding of love’s nonmalicious imperfection. and caduceus having a panic attack on a ship and jester telling him that the world is a lot bigger than his cemetery and that means he has to break out of his comfort zone to find his path. and caduceus telling jester that he doesn’t think she gets as much credit as she ought to and she deserves more pastries. and jester thanking caduceus for showing her how cool it is to actually heal people and caduceus asking if she wants to use his shield while he doesn’t need it.

and ashton who was left broken and dying on the ground and was given inescapable pain as their means of survival. and imogen who was left behind by the only person who could provide true understanding of the pain she’d one day come to feel. and ashton who’s a barbarian, who wields their rage casually and unapologetically and who sees the Shittiness of the world but is unrelenting in his version of optimism. and imogen who is weighed down by pessimism she doesn’t Want to have but hasn’t cracked how to undo and who doesn’t admit her anger until it comes up again and again and again and carries it like a burden or like guilt, who we only see really Grasp and feel Confidence about her anger being something good in front of others when she has those conversations with ashton. and like. ashton who looks at imogen and sees a superhero. imogen venturing through ashton’s mind and holding his bleeding and exhausted head and saying i’m sorry. i’m sorry. and imogen who looks at ashton and sees someone special. and fucking “we got him killed.” and “no, we didn’t. don’t you dare. […] we are not what fucking killed that man. […] we are his eventual victory. we are his fucking revenge.” and “i’ll be his revenge.” and “i have no fucking doubt.”

and in general rp wise they both tend to make some of my favourite characters (also typically the ones i find most frustrating) because they both tend to make flaws that are easy to hate and they make those flaws very central to their characters but i think that’s also what makes their character interactions so deeply compelling because so frequently it’s like. yes yes these two characters have like. a helix of things they have in common but also things they deeply disagree on but they’re going to spider-man point at the things that are the same and they’re going to honour their differences while doing so. and it’s just. i always enjoy it so much and i was psyched when i heard about an imogen and ashton side pit stop in last nights episode and i was not let down when i watched the episode today.

[indifferentinfatuation]

gose 2020 ep 6

gose 2020 ep 46

gose ep 48

[camzverse]

btw i dont view vanessa and gregorys relationship as simple as "theyre siblings" i think its far more complex than that and that they wouldnt particularly see each other that way but its the easiest way to explain their dynamic in passing so. whatever

[ofluckandmagic]

Continued from here @faerunsfinestmisfits

——————

“Yep!” Eydis grinned proudly, feeling a little amused about the way Lae’zel had pronounced Pokemon, but it was more so the amusement that came from seeing the effort the Githyanki put into saying it. For its size, Eydis wouldn’t be surprised if it hatched into a Pokemon that might be larger than average. Upon hearing Lae’zel’s inquiry, Eydis’ expression faltered. “My people? Sometimes they appreciate it, other times I have been told. ‘Why waste time with these beasts when you could be forging, Eydis?’ It’s their loss, really.” They had long since gotten used to the strange looks and distasteful murmurs of other dwarves. Pulled out of that mindset by Lae’zel’s determination, Eydis nods their head in agreement.

“I guarantee if you treat the egg, and the hatchling with that teaching support, they’ll Though, I can’t be certain what it’ll hatch into…” The Druid pauses thoughtfully, before smiling brightly at Lae’zel once again. “I’m more than happy to help you with building a proper nest in camp for it!”

[nozomijoestar]

Me & who