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nidhi-writes · 10 months ago

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Avalathu Kalvan (VanMozhi one shot)

Vaanathi, the princess of Kodumbalur, sat by her palace window in Thanjai, the capital of the Chola Kingdom. She gazed out, lost in thought, remembering her teenage years when she faced relentless bullying.

Her vision transformed into the memory of her first time in Pazhaiyarai.

She was a young girl sitting on the riverbed, tears streaming down her face. Her parents had passed away, leaving her orphaned. The other children taunted her, calling her an "unlucky princess" and shunning her from their games and conversations. The loneliness and despair weighed heavily on her young heart, and she often found solace in the quiet company of the river.

As Vaanathi recalled those painful memories, she felt a deep sadness wash over her. Despite her royal status, she had known great sorrow and hardship. But she also remembered the inner strength that had carried her through those dark times, which had helped her endure and persevere.

As she sat by the Ponni River in Pazhayarai, the gentle water flow calmed her nerves, and Vaanathi felt a familiar anxiety creeping in. She had barely arrived and already met the kind Chola princess Kundhavai, who had welcomed her warmly. But amidst the new surroundings and the friendly faces, Vaanathi couldn't shake off the fear of the unknown.

She was anxious about meeting Arunmozhi Varman, the youngest royal of the Chola Kingdom, who was adored by all. She had heard so much about him, his kindness, and his charisma. She couldn't help but secretly admire him from afar, though she had never seen him.

"What if he doesn't like me?" she thought, her heart skipping at the mere idea of meeting him. She knew she had to make a good impression, but her nerves got the best of her as she sat by the river, lost in her thoughts.

As the evening sky started to darken and the birds began to bid goodbye, Vaanathi's heart thumped with the possibility of doing something wrong.

As she was lost in her thoughts, Vaanathi suddenly heard the sound of hooves approaching. She turned to see a teenage boy riding his horse towards her with admiring eyes. Startled by the sudden interruption to her solitude, Vaanathi quickly stood up. She felt disappointed that her peaceful moment by the river had been disrupted abruptly. The boy looked at her with a warm smile, his eyes reflecting the fading light of the day. He dismounted from his horse and approached her, his gaze never leaving her face.

"You looked like a beautiful nymph, lost in the beauty of the evening sky," he said softly, his voice hinting at admiration.

Vaanathi felt her cheeks flush at the compliment. She had never been compared to a nymph before and wasn't sure how to respond. She looked down, feeling suddenly shy under his gaze.

Vaanathi quickly let go of her shyness and stood straight, reminding herself of her status as a princess. Despite her initial shyness, she tried to sound harsh when she asked the boy who he was. However, her innocent voice came out more like a kitten meowing.

The boy, amused, laughed but quickly composed himself. "I am a stable boy working in the palace," he replied.

As Vaanathi heard the boy's explanation, her eyes narrowed. For a stable boy, he looked remarkably polished and well-kept. She couldn't help but admire how he cared for himself, even in his role.

"I see," Vaanathi said, trying to maintain her composure. "As a stable boy, you seem to take great pride in your appearance."

The boy smiled, a glint of mischief in his eyes. "Appearances can be deceiving; sometimes, things are not as they seem."

Curious, the boy asked, "And who might you be?"

Vaanathi hesitated momentarily before replying, "I am Vaanathi, Princess of Kodumbalur."

"Princess," the boy repeated with a hint of surprise. "It's an honour to meet you, Princess Vaanathi."

Vaanathi slightly let go of her fake seriousness and smiled as she relaxed at the boy's gaze before her. She sat down and looked at the space beside her, indicating that he would sit beside her.

The boy understood the silent invitation and sat beside her, leaving a respectful distance between them. They sat silently momentarily, watching the river flow gently past them.

"It's peaceful here," the boy said, breaking the silence. "I often come here to escape the hustle and bustle of the palace."

Vaanathi nodded, enjoying the tranquillity of the moment. She opened up to this stranger despite knowing very little about him.

"I come here to find solace," she admitted softly. "Being a princess can be lonely at times."

The boy looked at her with understanding in his eyes. "I understand. Even though I'm just a stable boy, I often feel the weight of expectations on my shoulders."

They sat in companionable silence, each lost in their thoughts. Despite their different backgrounds, Vaanathi felt a connection with the boy beside her, which went beyond their titles and positions.

"But what's troubling you, princess, if you don't mind me asking?" he said, looking at her face admiringly, taking in her eyes, lips, nose, and everything about her.

Vaanathi exhaled slowly, relieved to confide in someone. She closed her eyes briefly, taking a deep breath before speaking.

"From the time of my birth, I have always believed that I bring bad luck to the people I love," she admitted her voice barely above a whisper. "My parents passed away when I was young, and I have always felt responsible for their deaths. I fear anyone close to me will suffer the same fate."

The boy listened intently, his gaze soft and understanding. He reached out and gently took her hand in his, offering her comfort and reassurance.

"It's not your fault, princess," he said softly. "Bad things happen to everyone, but that doesn't mean you're cursed. Sometimes, we have to believe that things will get better."

Vaanathi felt a warmth spread through her at his words. For the first time in a long time, she felt a glimmer of hope that maybe, just maybe, her luck was about to change.

"So, as a Kodumbalur princess, what brought you to Pazhayarai?" he asked, his curiosity evident.

Vaanathi raised an eyebrow at his question. For a stable boy, he sure did talk a lot. She decided to indulge him with an answer.

"Well, I am here to meet the royals, and I've already met the princess," she replied. "But I am nervous for tomorrow, as I will meet the two Princes of Chola Desam."

The boy nodded, understanding her apprehension. "Meeting royalty can be intimidating, but I'm sure you'll do just fine."

Vaanathi smiled gratefully at his words. Despite his humble station, the boy's words were comforting, and she felt a sense of calm wash over her.

"Thank you," she said softly.

The boy smiled back, his eyes twinkling with mischief. "Well, I am just a stable boy, but if you ever need someone to talk to, I'm here."

Vaanathi hesitated for a moment before speaking again. "I am nervous because this is the first time I will meet Arunmozhi Varman, whom I am meant to marry."

The boy's eyes widened in surprise, but he quickly recovered and smiled at her. "Why nervous if you are going to marry him?" he asked.

Vaanathi sighed, her shoulders slumping slightly. "What if he doesn't like me? I am not the strongest nor the most beautiful. I am just an orphan princess with nothing else to offer."

The boy gently took her hand, offering her comfort. "You are more than your titles, Princess Vaanathi. You have a kind heart and a gentle spirit. Prince Arunmozhi will see that and cherish you for who you are."

Vaanathi smiled, touched by his words. Despite being just a stable boy, he had a way of making her feel valued and understood.

The stable boy reached into his bag, which he always carried, and pulled out something that caught Vaanathi's curiosity. She watched closely as he turned around, asking her to open her palm and close her eyes. She did so hesitantly, feeling something round and cold placed in her hand.

"Open your eyes," he said gently.

Vaanathi opened her eyes to find a beautiful golden ball in her palm. She gasped, her eyes widening in surprise. This looked expensive.

The boy smiled at her reaction. "I crafted this from bits of gold I collected since childhood," he explained. "I always carried it with me. It brings me calm and serves as a lucky charm."

"You should keep it for tomorrow, for good luck," he suggested, noticing Vaanathi's apprehension about the upcoming meeting with the Chola princes.

Vaanathi shook her head, hesitant to accept such a precious gift from a stranger. But the boy persisted, his eyes filled with sincerity.

"I insist," he said softly. "It's just a small token of my appreciation for your kindness and for sharing your story with me."

Vaanathi looked at the golden ball in her hand, feeling touched by the boy's gesture. Despite his humble status, he was willing to give her something precious. She closed her fingers around the golden ball, feeling a sense of warmth and comfort wash over her.

"Thank you," she said softly, her voice filled with gratitude.

The stable boy smiled at her and slowly bid her goodbye. As he turned to leave, Vaanathi couldn't help but ask, "How can I meet you again to return this golden ball to you?"

The boy turned back, his smile warm and reassuring. "I will come before you when I want it back," he said cryptically.

With that, he left, disappearing into the fading light of the day. Vaanathi watched him go, her heart filled with hope and happiness. She knew their paths would cross again, and she looked forward to the day when she could return the golden ball to him.

As the next morning dawned, Vaanathi got ready for the day ahead. She dressed in her finest attire, the golden ball safely tucked away in a pocket close to her heart. Just as she was about to leave her chambers, Princess Kundhavai entered, her face beaming excitedly.

"Good morning, Vaanathi!" Kundhavai exclaimed. "Are you ready for the meeting with the princes?"

Vaanathi nodded, returning Kundhavai's smile. Together, they made their way to the royal court, where the meeting would occur. Vaanathi's heart fluttered with nervous anticipation, but she felt a sense of calm knowing that she carried the golden ball with her, a reminder of the kind and hopeful encounter she had with the stable boy by the river.

As they entered the royal court, Vaanathi held the golden ball tightly, taking a deep breath to calm her nerves. She thought of the stable boy and his kind smile, finding comfort in the memory. Suddenly, her thoughts were interrupted by someone clearing their throat.

Startled, Vaanathi looked up to see a tall boy a few years older than her looking down at her with a smirk. "Please don't be Arunmozhi, please don't be Arunmozhi," Vaanathi prayed silently, but the boy seemed to hear her and chuckled. Kundhavai, who was beside her, laughed as well.

"Don't worry, this is not Arunmozhi," Kundhavai reassured her. "This is Aditha Karikalan, my and Arunmozhi's elder brother."

"Sorry to disappoint you, my dear princess," Aditha joked, extending a hand to welcome her. Vaanathi smiled sheepishly, relieved that it wasn't Arunmozhi.

Kundhavai then asked about their brother, and all heads turned to the footsteps behind them. Vaanathi's eyes met with familiar ones, the eyes that made her feel calm and safe, the face that made her blush. Standing before her was the stable boy. Before Vaanathi could speak to him, Kundhavai looped her arm through his and brought him closer.

"Vaanathi, meet my little brother, Arunmozhi," Kundhavai introduced.

Vaanathi's heart raced. How could the stable boy be a prince? Her anxiety soared, and her vision started to blur. Before she could collapse, Arunmozhi caught her, his smile warm as he gently caressed her hair.

Flashback Ends

The now slightly older Vaanathi chuckled at her memory as she rolled the golden ball between her palms. "What made my queen so happy?" a voice called out. She looked up to see her husband, the great King Arunmozhi Varman, standing tall and strong with a face filled with love.

"I was thinking about a stable boy who captured my heart," Vaanathi replied, smiling at him.

"A stable boy?" Arunmozhi feigned hurt. "Where is this stable boy? I will have his head!" he joked, and they both laughed as they cuddled each other.

"Careful, my King," Vaanathi teased. "I am currently pregnant with his baby."

Arunmozhi gasped jokingly. "What?!"

Vaanathi Nodded as she laughed at her husband, to which ArunMozhi wiggled his eyebrows.

'What?' Vaanathi questioned. ‘Well, I am waiting for the princess to return the golden ball. She borrowed it from the stable boy," he said, and Vaanathi shook her head, stating, "The princess has now become queen, so her rules, as she has already given heart." She whispered as she closed their distance, and their lips met.

She knew they were destined to be together no matter where their journey started, ruling their kingdom with love and compassion.

Ohh! I am in love with the above AI art; it just gives me a peek at the romance that post-marriage VanMozhi would have had.

@whippersnappersbookworm @harinishivaa @thelekhikawrites @willkatfanfromasia @yehshuhua @arachneofthoughts @vibishalakshman @nspwriteups @thirst4light @hollogramhallucination @celestesinsight @curiousgalacticsoul @themorguepoet @tranquilsightseer @nature-writes29

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balladedutempsjadis · 2 years ago

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Ponniyin Selvan (The Book vs. Movie edition)

I've just today finished the five volumes of Kalki Krishnamurthy's epic historical novel Ponniyin Selvan, which was the basis for the two-movie series of the same name which I ADORED after I watched the first movie for the first time a couple of weeks ago. And ... I have some thoughts on the books and on the adaptation of the books. First of all, some general thoughts about the books:

I really wish I could read this in the original Tamil. In my understanding, these books are a beloved modern classic of Tamil literature, and the English translation, though perfectly fine and serviceable in terms of explicating the plot, rarely has memorable language.

Perhaps this is a function of the translation, or a different literary tradition, or the author's style (and I'll never really know which), but there is a lot of stuff that I can best describe as static. Actions and events are often described after they occur so as a reader, I felt distanced from what was going on in several scenes.

There are a LOT of coincidences (the entire Sembian Amuthan plotline is heavily based on coincidences) and repetition.

Even if I didn't know this was serialized, I would have guessed because of the repetition mentioned above, frequent flashbacks, and the padding out of some of the scenes. This isn't necessarily a bad thing (it reminds me of Dickens' novels, which I happen to be quite fond of) but it's definitely a hallmark of the novels.

I felt sometimes that Kalki was having a bit of a struggle with the historical characters having to do what they did in history versus his fictional characters like Nandini being able to do what they wanted. So sometimes I felt the characterizations were a bit lacking (and I definitely skipped some of Sembian Mahadevi's musings, SORRY!)

Now for the differences between the books and film versions (SPOILERS FOR THE BOOKS AND BOTH FILMS BELOW).

In general, with one exception I'll talk about later, I think the scriptwriters did an amazing job of adapting this immense series to film. In fact, for a number of things, I think they improved the pacing of the narrative and cut out extraneous stuff that detracted from the momentum of the main story - these were things that may have worked in a serialized novel but would have drowned even a gigantic six hour film series. All that follows is just my opinion, of course!

First of all, a fair number of characters were just cut out of the story, which I thought tightened up the narrative. (For example, Manimeghalai was completely unnecessary IMO for the story to proceed and she really detracted from the scene between Aditha Karikalan and Nandini when Karikalan dies; the intensity of that scene would have suffered from having anyone else observe it.) Poonghuzhali's brother and father (her sister-in-law Rakkamal is still there but not related) are gone in the film version. And that's all fine, I think it would have made things more confusing and I don't even think a tv series would have been able to use ALL these characters. (Also, I think I like that Poonghzhali seems more stable in the movie.)

I also liked that they cut out the astrologer. I thought the book relied way too heavily on the astrologer's predictions and while that may have been an accurate portrayal of 10th century Chola society, it also removed the jeopardy from the characters. If Arulmozhi Varman's sister would be confident that nothing terrible could happen to him because of the lines on his palm, then it was really hard to generate suspense about him within the story. (I mean obviously as readers/moviegoers we might know that he became Rajaraja Chola and therefore survived the assassination attempts, but his contemporaries and the fictional characters in-universe didn't know that he would end up being a great king.)

For me, it was more powerful to see how much the kingdom mourned him and his family mourned him than to have his sister shrug and be like "oh well, the stars don't say he dies so he's probably alive." And the way that they mourned him also helped develop their characters (To be fair, I also can't figure out what Kalki believed re:astrology either, because occasionally the author's voice is very skeptical about the astrologer as well.)

More controversially, I think they were right to cut out the whole Senthan Amuthan storyline about being the real son of Sembian Mahadevi and the previous king etc. etc. The hidden identity heir business was just way too melodramatic for me even in the book, and I don't think it would have worked at all for me in the movies. I mean, SA doesn't really even have much characterization in the book anyway (he's there a lot and helps out when he can but other than the fact that he loves Poonguzhali and has a nice voice, I couldn't tell you much about him.) Plus that would necessitate that Fake!Madhurantaka be Nandini's twin etc. and that would also have not been believable.

Now ... onto the main characters books vs. movie:

Aditha Karikalan: I honestly liked him much more in the movies than in the books. He was the tragic hero of the movie, with a clear arc, and Vikram brought oodles of charisma to his role. But in the books, he was a lot more opaque to me (his love for Nandini is not his focus - so he maybe falls in love with Manimegalai? - and that moment where he chooses to die isn't as crystal clear.) Also, Book!Aditha is a bit of an asshole towards all of his friends, frankly, which movie Aditha is not.

His chief faults in the movie are that he's ruled by his emotions (which is both why he sins against Nandini by beheading an unarmed man - Veera Pandyan - in a fit of rage that Nandini is pleading for his life AND why he tries to atone for that sin by committing suicide, which of course doesn't actually solve anything and in fact embroils innocent people like Vandiyathevan in a horrible situation).I still think he wouldn't have made a good king, not least because he would not listen to ANYONE'S advice, whether that someone was his grandfather, his friend, or his brother or his sister.

Book!Aditha might have made a better King - he actually goes to Kadambur not just to see Nandini, but partly in order to find out and allay the different Chola clans and possibly cement one of their loyalties by marriage to MM, so I thought that made for an interesting contrast. Even in the books, though, Kalki compares how the people mourned Aditha (as a great warrior whose absence threatened their kingdom's survival) and how they mourned Arulmozhi when he was believed to be dead (as a beloved son/brother even if they didn't know him personally.) The book (and movie though to a lesser degree because it's so preoccupied with Nandini/Aditha) has a lot to say about power and responsibility (so there are constant contrasts between not just Aditha and Arulmozhi but between the Pazhuvettarayar brothers and Arulmozhi - for example, over whether the Chola kingdom should supply the army in Elangai or whether they should live off the land. AMV is much more farsighted and knows how important it is to not make a conquered populace feel subjugated because they will rebel.)

Nandini: I feel like she was a lot more fleshed out in the film than Book!Nandini, and as she and Aditha were the emotional focal point of the movies, it makes more sense. Her motivations seemed clearer to me, and I also appreciated that we actually found out what happened to her, and she didn't just disappear off the page. I also liked, as mentioned above, that they didn't bother with the False!Madhuranthakan who was actually Nandini's twin etc. I liked that they fleshed out the love story between her and Aditha and gave Kundavai a role and also showed how it was Aditha's impulsive declaration that she would be THE Chola Queen that directly led to Nandini - who had done nothing wrong - being unceremoniously bundled off to wherever. (Would I also have liked a little more of how Aditha reacted to his family's banishment of Nandini? I think I would. Like we got a little bit of that in PS1 when he blames Kundavai for being jealous but not much more than that?)

Kundavai was very awesome in both book and film, but she had a lot less to do in the second movie. As I mentioned above, I loved that she actually believed her beloved younger brother to be dead so we got to see her reaction compared to Aditha's. (Aditha basically goes into beast mode and is like “I can fight whoever to avenge my little brother” and Kundavai is, as usual, a lot more rational even in the depths of grief.) I also really liked that brief scene the film gave us with all three siblings together which was a nice addition to the story. I felt there were not very many differences between Book! and Movie!Kundavai - although the book definitely played up her influence over her younger brother a bit more. She is the mirror to Nandini and maybe Nandini would have been like Kundavai if she had not had such struggles in her early life? I do like that in both books and movie, the female characters are so strong (I mean, well-characterized) and different from one another.

Vandiyadevan is just a great character! His resemblance to D'Artagnan was even stronger in the books (he had time for even more adventures) and his verbal sparring with Nambi was great and nicely translated to screen, I thought. I did think his presence in Kadambur and his (partial) witnessing of Aditha's death and aftermath was handled with more pace and worked better for me in the film (again, no Manimegalai was a great decision. And the picnic that Nandini goes on with Aditha and Vandiyadevan and MM and others (I think?) It was late at night when I was reading and I was like WTF so I might be misremembering it) dilutes the Aditha/Nandini meeting a lot. Anyway, back to Vandiyadevan - still sooooo charming. I loved Karthi in this role and am going to watch Kaatru Velliyadai (although I understand he's very different in that one!) sometime this week. But I found Book!Vandiyadevan lovely as well. I think his character translated perfectly from book to screen.

Arulmozhi Varman - I thought the books would focus more on him than they did, given that he's the title character. And I was a little surprised that he still wasn't the main focus of the books (though there's more focus on him in the later volumes), but there were some nice little character moments that I wish could have come into the movie. (Though there were a couple of things in the movie that I also really liked which showed his character beautifully.)

I read Kalki's afterword about how the pivotal scene in all of the books is Arulmozhi Varman's sacrifice of his crown, because that is an amazing thing for any ruler to do, to voluntarily give up his own power and step back. The books talk about the Chola ancestor Sibi, who was willing to give up his own life to protect a pigeon from an eagle because the pigeon was under his protection. I believe we are meant to understand Arulmozhi's sacrifice in a similar light. He is all about protecting the realm, even if it means sacrificing his own ambitions and that makes him Sibi's worthy heir. (In the Mahabharata, Arjuna is the peerless warrior prince, but his brother Yudhishtira is the Dharmaraja - the best of all; and I think we are meant to see echoes of Arjuna (and his son Abhimanyu, alone in the midst of his enemies) in Aditha and echoes of Yudhishtira in Arulmozhi.)

The books and the movie handle this immense sacrifice a little differently; in the book, we get a lot more motivation for that action: AMV is steeped in the history of the Singhalese kingdom and horrified by how bloody their succession battles were (he references fathers killing sons and vice versa more than once) and he is super clear that he doesn't want to bring that mess to the Chola kingdom or cause a civil war or anything like that. But there are two more elements as well, that I mostly got from the book: he truly loves Vanathi and she has sworn an oath that she doesn't want to be empress, so he can't have both Vanathi and the throne (but it's also a political decision, since if he's King, and marries Vanathi, then he'll be seen as privileging her clan above all others unless he marries a bunch of other girls as well). I also genuinely think he also wants to go hang out with Vandiyadevan and have adventures (while also doing the necessary jobs of fighting pirates and expanding trade and all that other stuff.)

The movies don't make that explanation as explicit, but there is this golden thread of self-sacrifice that runs through Arulmozhi's scenes in the movies as well: first of all, he refuses to take the throne of Elangai, though it is offered to him by the monks who crowned all the kings of the island. (This happens in both the books and the movie, but the books make this a more political decision - AMV says Elangai is too small for the scope of his vision, and that he doesn't want it to look like he's setting up a parallel second kingdom to the Cholas in opposition to his brother - whereas in the movies, it is clearly a matter of dharma. And the movie really sells that.)

Then Arulmozhi jumps into a stormy sea to swim to a ship full of people who want to kill him, in order to save Vandiyadevan. (I mean also some breathtaking confidence in himself that he and Vandiyadevan by themselves can defeat the Pandya rebels. He definitely does not lack for confidence :)) I cannot believe I actually forgot about this and had to come back and edit this post.I guess I am too used for Arulmozhi being awesome for this even to register on the scale?

The third self-sacrifice is when Arulmozhi is recovering from his life-threatening fever amidst the Buddhist monks at Nagapattinam. In the movie, somehow the Pandya assassins find out he's there and rile up the crowd which threatens to destroy the monastery which they claim is hiding their beloved prince from them. Although AMV is encouraged to slip away to escape the Pandya assassins, he refuses to repay his hosts by allowing their monastery to be destroyed. So he goes out to face the crowd, despite knowing that he's putting his life in danger by doing this. In the movie, he makes a choice to reveal himself and once again we see that Arulmozhi will always privilege the good of the people under his protection (the people of Elangai, Vandiyadevan, the monks, and ultimately the whole populace of the Chola Kingdom) over his own desires, and even his own life if need be. Over and over again, he shows himself to be the true heir of Sibi. (I also thought the elephant-goad plot was REALLY well done in the movie; even knowing obviously that AMV survived this, I was SO tense during that entire sequence. The book version just wasn’t as tense. Anyway …) So in the movie we keep seeing WHY Arulmozhi will be the great king he becomes but also why he will not take the crown at the end - and by not taking it, he makes himself all the more worthy of it.

In the book, in contrast, he leaves the monastery because there's about to be a devastating cyclone and it's not safe there any more. His disguise is revealed against his will by Rakammal hailing him as the prince; he's not given any choice in the matter. And he has very good and valid reasons for not wanting to reveal who he is which are also an excellent lead-up to his giving up the throne. Book!Arulmozhi wants to avoid a civil war over the succession at all possible costs. And he knows the public is fickle and easily swayed (there’s a whole subplot about there are rumors that HE had Vandiyadevan kill Aditha Karikalan so he - AMV - could be crowned, which only one character says in the film and everyone ELSE is like “Arulmozhi would NEVER!” But in the books more people seem like they are could be swayed by that thought - and giving up the throne to his father’s cousin is one spectacular way to give the lie to those rumors. And here’s also me, getting so angry on behalf of a fictional /historical character ;))

I think the movie version and the book version of this event both work really well for their respective media in terms of establishing who this man is, and what his character is, which lead up to his ultimate sacrifice.

The last sacrifice is, of course, that he give up the kingdom that *everyone* wants him to have. I think in both the books and the films, it's clear that the weird succession situation from his great-uncle Gandaraditha's day (where the throne when to the younger brothers of the king, and then to Sundara Chola - AMV's father - Gandarathia's nephew - rather than to Gandaraditha's own son) was bound to create a locus for discontent and coups egged on by the enemies of the Chola Kingdom. And that internecine strife is, from Kundavai's and AMV's perspective, what killed their brother and even put AMV in line to the throne at all. (They don't know all the backstory about Nandini and Aditha's guilt and his essential suicide. Also, I think it’s an interesting contrast between Aditha Karikalan who offers to give up the throne - once to the council of plotters where he says he’d do it if he had an army to go get himself another kingdom, and once when he proposes to Nandini that they just run off together. Arulmozhi had his chance at a kingdom won by force of arms - Elangai - and said no, and when he gives up the throne at the end of the books/movies it’s for love of the country he was expected to rule, not for love of an individual.)

The one thing I wish the movies had done was flesh out the Kundavai/Vandiyadevan and Vanathi/Arulmozhi connections. The actors did a lovely job with what they were given just from facial expressions and eyes (Vandiyadevan looks hopeless in love in the course of a single conversation when he's dressed as Krishna's uncle) and I bought into Vanathi and Arulmozhi's love for each other with nothing more than him reading her message in PS1 and a couple of times they looked at each other (so much love for Jayam Ravi and Shobita Dhulipala's facial expressions which sold the connection), but IT WOULD HAVE BEEN NICE FOR BOTH THESE COUPLES TO HAVE A CONVERSATION! But I realize I've seen a couple of Mani Ratnam's Hindi films (Dil Se, and Raavan - though I really want to watch the Tamil version of that) and he does doomed romance very adroitly. (Although from reading the plots of his several other films, apparently he also does do happy endings sometimes and I sort of wish we could have shifted the focus from Nandini/Aditha A LITTLE BIT to maybe just get a tiny conversation between these two other couples the I also loved. But at least I got some crumbs in terms of the full videos of the songs of "Veera Raja Veera" (for AMV/Vanathi) and "Aga Naga" (for Kundavai/Vandiyadevan. (FYI, the Veera Raja Veera video song is super hot - Rajaraja Chola is looking at his beloved while she dances as though she is an extremely tasty snack he can't wait to sample :P)

ALSO, if anyone wants to make PS3 with these actors I WOULD LOVE YOU FOREVER. In my head, it would be about Vandiyadevan doing wild stuff and flirting with EVERYBODY while Arunmozhi Varman sort of sighs and goes along with him to try and exercise some control over him* because Kundavai will kill him if anything happens to her boo, and they keep getting embroiled in weirder stuff and getting hit on the head (Vandiyadevan) and chilling out looking at Buddhist cave art and talking to elephants (AMV) and Kundavai just sits back and continues to run the kingdom (because she knows that AMV will not let anything happen to her boo). And of course, Nambi would be keeping an eye on both of them as well. Meanwhile, Vanathi is doing lots of dancing and going on some of the art tours with her husband, and also hanging out with Kundavai and rolling their eyes over their husbands. That would be totally fine!

*one of the things I loved in the books was that Vandiyadevan is influenced by Arulmozhi to be more truthful and upstanding, while Arulmozhi gets more devious after he meets Vandiyadevan. I feel this dynamic (along with the real-life bromance of Karthi and Jayam Ravi - every interview I've seen with them is the two of them having a great time!) would be AWESOME.

OK, this is insanely LONG again but I really enjoyed the novels and the movies - each medium enhanced the other for me, and in my head, the version of Ponniyin Selvan is what takes the parts I liked the best in movies and film. So Movie!Aditha and Movie!Nandini, BOTH the Vandiyadevans, Kundavais, Arulmozhi Varmans and Vanathis live in my heart :D

And I've also acquired Anirudh Kanisetti's Lords of the Deccan (which is more about the Cholas' predecessors and opponents like the Rashtrakutas and the Chalukyas) and Kamini Dandapani's Rajaraja Chola, which is about Ponniyin Selvan (but also about his predecessors and successors.)

#ponniyin selvan #Ponniyin Selvan 2 #aditha karikalan #arulmozhi varman #kundavai #vandiyadevan #vanathi #aishwarya rai bachchan #vikram #trisha #jayam ravi #shobita dhulipala #mani ratnam

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