#trend fashion

[bluebeesknees]

18th 19th century german noble’s dress but it’s Hatsune Miku

[starrysharks]

ghanaian miku

[bumblingbabooshka]

Vulcan teen on Vulcan [tiktok] saying "I have just lost track of my father in the grocery store." The camera turns to show the viewers the grocery store in which almost every single older middle-aged man has a bowlcut and long robes. Camera turns back to show the teen's face which is expressionless and yet communicates all it needs to.

[uhhgoodd]

Hand Knitted Crime Scene Caution Tape

[reasonsforhope]

It’s an open secret in fashion. Unsold inventory goes to the incinerator; excess handbags are slashed so they can’t be resold; perfectly usable products are sent to the landfill to avoid discounts and flash sales. The European Union wants to put an end to these unsustainable practices. On Monday, [December 4, 2023], it banned the destruction of unsold textiles and footwear.

“It is time to end the model of ‘take, make, dispose’ that is so harmful to our planet, our health and our economy,” MEP Alessandra Moretti said in a statement. “Banning the destruction of unsold textiles and footwear will contribute to a shift in the way fast fashion manufacturers produce their goods.”

This comes as part of a broader push to tighten sustainable fashion legislation, with new policies around ecodesign, greenwashing and textile waste phasing in over the next few years. The ban on destroying unsold goods will be among the longer lead times: large businesses have two years to comply, and SMEs have been granted up to six years. It’s not yet clear on whether the ban applies to companies headquartered in the EU, or any that operate there, as well as how this ban might impact regions outside of Europe.

For many, this is a welcome decision that indirectly tackles the controversial topics of overproduction and degrowth. Policymakers may not be directly telling brands to produce less, or placing limits on how many units they can make each year, but they are penalising those overproducing, which is a step in the right direction, says Eco-Age sustainability consultant Philippa Grogan. “This has been a dirty secret of the fashion industry for so long. The ban won’t end overproduction on its own, but hopefully it will compel brands to be better organised, more responsible and less greedy.”

Clarifications to come

There are some kinks to iron out, says Scott Lipinski, CEO of Fashion Council Germany and the European Fashion Alliance (EFA). The EFA is calling on the EU to clarify what it means by both “unsold goods” and “destruction”. Unsold goods, to the EFA, mean they are fit for consumption or sale (excluding counterfeits, samples or prototypes)...

The question of what happens to these unsold goods if they are not destroyed is yet to be answered. “Will they be shipped around the world? Will they be reused as deadstock or shredded and downcycled? Will outlet stores have an abundance of stock to sell?” asks Grogan.

Large companies will also have to disclose how many unsold consumer products they discard each year and why, a rule the EU is hoping will curb overproduction and destruction...

Could this shift supply chains?

For Dio Kurazawa, founder of sustainable fashion consultancy The Bear Scouts, this is an opportunity for brands to increase supply chain agility and wean themselves off the wholesale model so many rely on. “This is the time to get behind innovations like pre-order and on-demand manufacturing,” he says. “It’s a chance for brands to play with AI to understand the future of forecasting. Technology can help brands be more intentional with what they make, so they have less unsold goods in the first place.”

Grogan is equally optimistic about what this could mean for sustainable fashion in general. “It’s great to see that this is more ambitious than the EU’s original proposal and that it specifically calls out textiles. It demonstrates a willingness from policymakers to create a more robust system,” she says. “Banning the destruction of unsold goods might make brands rethink their production models and possibly better forecast their collections.”

One of the outstanding questions is over enforcement. Time and again, brands have used the lack of supply chain transparency in fashion as an excuse for bad behaviour. Part of the challenge with the EU’s new ban will be proving that brands are destroying unsold goods, not to mention how they’re doing it and to what extent, says Kurazawa. “Someone obviously knows what is happening and where, but will the EU?”"

-via British Vogue, December 7, 2023

[alteregozowie]

Okay so, there was a Twitter trend thingy where people were drawing characters in that outfit, so I made them completely drunk and Alastor drunk realizing he's slaying the look 😂 Then to add to it, @cannibalxroses thought up to put him in heels and I never drew a part 2 so fast in my life.

[90s-2000s-barbie]

Rubbery spiked jewelry Trend (Popular throughout 2000s)

[woodlandkisses]

Iconic Headpieces

[may-fajman]

Sinornithosaurus! With stylish bell bottoms!

[fouryearsofshades]

I wanted to make this post since a couple of months ago. As proper summer is coming, Song and Tang style might make a come back in another couple of months.

[margaretcruzemark]

Total red by Courreges

[abeer-family77]

A woman suffering from asthma needs your help and support😷😷🚫🇵🇸🚫🚑🚑🚑

This is my life please help share and Donate anything you can 😷😭😭😭😭💔⛔️⛔️

@shadesof-cool-blr

@sar-soor

@gazaboovintage

@freepeople

@09ghost

@nabulsi27

@khangaroobells

@freegazafromhamas

@paliducho

@aya2mohammed

@helpingg

@elshabot-blog

@gazaablog

@nourtier-37

@nouralogical

@tvmilfs

[resplendentoutfit]

The Carrick Coat

James Tissot (French, 1836-1902) • On the Ferry Waiting • c.1878 • Private collection

A Carrick or Garrick (in Great Britain) is an overcoat with three to five cape collars, worn by both men and women primarily for travel and riding, in the 19th century.

Artist unknown. Costume Parisien. Chapeau de Velours. Carrick et Guêtres de Drap., 1816. Hand-coloured engraving. London: Victoria and Albert Museum

Sources:

Fashion History Timeline

Metropolitan Museum of Art

[wilkoakdraws]

𝘠𝘰𝘶𝘳 𝘴𝘬𝘪𝘯, 𝘰𝘩 𝘺𝘦𝘢𝘩, 𝘺𝘰𝘶𝘳 𝘴𝘬𝘪𝘯 𝘢𝘯𝘥 𝘣𝘰𝘯𝘦𝘴 𝘵𝘶𝘳𝘯 𝘪𝘯𝘵𝘰 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘣𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭 𝘈𝘯𝘥 𝘺𝘰𝘶 𝘬𝘯𝘰𝘸, 𝘧𝘰𝘳 𝘺𝘰𝘶 I'𝘥 𝘣𝘭𝘦𝘦𝘥 𝘮𝘺𝘴𝘦𝘭𝘧 𝘥𝘳𝘺

[cherrycolacandy]

Emmy Rossum at the premiere of ‘The Phantom of the Opera’ (2004)